{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=11","prev":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=10","next":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=12","last":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=5292"},"meta":{"pages":{"current_page":11,"next_page":12,"prev_page":10,"total_pages":5292,"limit_value":10,"offset_value":100,"total_count":52920,"first_page?":false,"last_page?":false}},"data":[{"id":"virmu_repositories_2_resources_52_c03_c22","type":"File","attributes":{"title":"15th Anniversary Egg","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_52_c03_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_52_c03_c22","ref_ssm":["virmu_repositories_2_resources_52_c03_c22"],"id":"virmu_repositories_2_resources_52_c03_c22","ead_ssi":"virmu_repositories_2_resources_52","_root_":"virmu_repositories_2_resources_52","_nest_parent_":"virmu_repositories_2_resources_52_c03","parent_ssi":"virmu_repositories_2_resources_52_c03","parent_ssim":["virmu_repositories_2_resources_52","virmu_repositories_2_resources_52_c03"],"parent_ids_ssim":["virmu_repositories_2_resources_52","virmu_repositories_2_resources_52_c03"],"parent_unittitles_ssm":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)","Series 3: Images"],"parent_unittitles_tesim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)","Series 3: Images"],"text":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)","Series 3: Images","15th Anniversary Egg","box SC-27 Box 3"],"title_filing_ssi":"15th Anniversary Egg","title_ssm":["15th Anniversary Egg"],"title_tesim":["15th Anniversary Egg"],"normalized_title_ssm":["15th Anniversary Egg"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":144,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws.  Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"containers_ssim":["box SC-27 Box 3"],"_nest_path_":"/components#2/components#21","timestamp":"2026-05-21T03:01:25.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_52","ead_ssi":"virmu_repositories_2_resources_52","_root_":"virmu_repositories_2_resources_52","_nest_parent_":"virmu_repositories_2_resources_52","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_52.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/52","title_filing_ssi":"McCanless, Christel Ludewig (SC-27)","title_ssm":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)"],"title_tesim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)"],"unitdate_ssm":["1971-2023"],"unitdate_inclusive_ssm":["1971-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-27","/repositories/2/resources/52"],"text":["SC-27","/repositories/2/resources/52","Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)","The collection is open for research.","The collection is organized into six series. Series 1, 2, and 6 are divided into sub-series by topic.","Series 1 Reference Files Series 2 Research Files Series 3 Images Series 4 Media Series 5 Realia Series 6 \"Fabergé Eggs: A Retrospective Encyclopedia\" Egg Data Files","Fabergé and his Works: An Annotated Bibliography of the First Century of his Art, 1994","Fabergé Eggs: A Retrospective Encyclopedia, 2001","Born on November 20, 1939, in Peenemünde, Germany, Christel Ludewig McCanless is a former librarian and noted Fabergé scholar. She currently resides with her husband George in Huntsville, Alabama, where she immigrated with her parents after fleeing Russian occupied East Germany in 1953. Her father, Hermann R. R. Ludewig, was a missile and space engineer at the Peenemünde Army Research Center under Wernher von Braun.","While serving as the Library Director of the University of Alabama in Huntsville in the 1960s, she became interested in the art of Fabergé after reading Robert K. Massie's book, \"Nicholas and Alexandra,\" and Morton Shulman's book, \"Anyone Can Make a Million.\" Massie's book provided the historical details of imperial Russia in which the decorative art of the Russian court jeweler, Peter Carl Fabergé, flourished. Shulman's book discussed how one \"can make a million\" in collecting art objects. As a practicing librarian, McCanless instead began collecting pieces of paper, in the form of books and journals, which mentioned Fabergé and his art.","In 1994, she published her first book, \"Fabergé and His Works: An Annotated Bibliography of the First Century of His Art,\" the first annotated bibliography of literature about Fabergé. Her second book followed in 2001, which she co-authored with Australian scholar Will Lowes. \"Fabergé Eggs: A Retrospective Encyclopedia\" is the only work of its kind and is the premiere reference work on the subject. ","Through the course of her work, McCanless connected with a tremendous network of fellow Faberge scholars and enthusiasts and as a result, went on to found the \"Fabergé Research Newsletter\" and \"Fabergé Research\" website in 2006. The site continues to serve as a vehicle for disseminating new research and discoveries about Fabergé and his art. ","Additional biographical information can be found at  Encyclopedia.com  (link provided by McCanless).","The collection is comprised of materials donated by Christel Ludewig McCanless. The original donation occured in 2016, with periodic accretions received a few times each year. Series 6 was donated in November 2019.","Original order and folder titles were retained during processing.","The collection's inclusive dates are 1971-2019, with the bulk of the material dating from the 1990s-2000s. The collection is comprised of correspondence, writings, research materials, bibliographic records, auction results, audiovisual materials, slides, books, posters, and realia.","This series is comprised of reference materials gathered by McCanless, including bibliographic records, auction results, correspondence, and copies of articles. The series is divided into sub-series by topic.","This series is comprised of original research conducted by McCanless in preparation for articles published in her  \"Fabergé Research Newsletter\"  and other publications. Files include reference materials, images, and drafts. The series is divided into sub-series by topics.","McCanless published articles on the Fersman Portfolio in the Fall 2010, Winter 2010-2011, Spring 2012, Spring 2013, Winter 2015, and Summer and Fall 2016 issues of her \"Fabergé Research Newsletter\".","McCanless published an article on the sailor figurine in the 2011 exhibition catalog \"Fabergé Revealed\".","This series is comprised of 293 black-and-white and color slides of many topics related to Fabergé.","This series is comprised of audiovisual materials (VHS, audiocassettes, and computer disks) related to Fabergé. Most of the VHS tapes are annotated on the  \"Faberge Research\" website .","This series is comprised of books and  realia that document the pervasiveness of Fabergé in culture. The materials include fiction books, posters, wall calendars, and a jigsaw puzzle.","Piatnik is a Viennese playing card manufacturer, founded in 1824.","This series contains the data files for the book \"Fabergé Eggs: A Retrospective Encyclopedia\" (2001). The folders contain the egg data in various versions, but not all the books, and journals and newspapers listed in the book's reference section. Many files contain postcards, negatives, photographs, as well as bibliographic and research resources. The series also contains a printed copy of the revised version of the book, which was never printed. Currently, 70 pages of the book are available online through  Google Books .","The series is organized into five sub-series by category, which were maintained from McCanless' original filing order. ","The collection is subject to all copyright laws.  Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection represents portions of the extensive research library and archives formed by Christel Ludewig McCanless over forty years. A noted Fabergé scholar, McCanless published the first annotated bibliography of literature about Fabergé in 1994, the premiere encyclopedia about the Fabergé eggs in 2001, and founded the \"Fabergé Research Newsletter\" and \"Fabergé Research Site\" in 2008. While dedicated to research about the artistry of Fabergé, McCanless' collection also includes numerous resources on Russian history, culture, and artwork.","Virginia Museum of Fine Arts Archives","Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","English"],"unitid_tesim":["SC-27","/repositories/2/resources/52"],"normalized_title_ssm":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)"],"collection_title_tesim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)"],"collection_ssim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws.  Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 6 boxes; 283 folders, 90 items"],"extent_tesim":["7.5 Linear Feet 6 boxes; 283 folders, 90 items"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series. Series 1, 2, and 6 are divided into sub-series by topic.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eReference Files\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eResearch Files\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eImages\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eMedia\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eRealia\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003e\"Fabergé Eggs: A Retrospective Encyclopedia\" Egg Data Files\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series. Series 1, 2, and 6 are divided into sub-series by topic.","Series 1 Reference Files Series 2 Research Files Series 3 Images Series 4 Media Series 5 Realia Series 6 \"Fabergé Eggs: A Retrospective Encyclopedia\" Egg Data Files"],"bibliography_html_tesm":["\u003cbibref\u003eFabergé and his Works: An Annotated Bibliography of the First Century of his Art, 1994\u003c/bibref\u003e","\u003cbibref\u003eFabergé Eggs: A Retrospective Encyclopedia, 2001\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library"],"bibliography_tesim":["Fabergé and his Works: An Annotated Bibliography of the First Century of his Art, 1994","Fabergé Eggs: A Retrospective Encyclopedia, 2001"],"bioghist_html_tesm":["\u003cp\u003eBorn on November 20, 1939, in Peenemünde, Germany, Christel Ludewig McCanless is a former librarian and noted Fabergé scholar. She currently resides with her husband George in Huntsville, Alabama, where she immigrated with her parents after fleeing Russian occupied East Germany in 1953. Her father, Hermann R. R. Ludewig, was a missile and space engineer at the Peenemünde Army Research Center under Wernher von Braun.\u003c/p\u003e\n","\u003cp\u003eWhile serving as the Library Director of the University of Alabama in Huntsville in the 1960s, she became interested in the art of Fabergé after reading Robert K. Massie's book, \"Nicholas and Alexandra,\" and Morton Shulman's book, \"Anyone Can Make a Million.\" Massie's book provided the historical details of imperial Russia in which the decorative art of the Russian court jeweler, Peter Carl Fabergé, flourished. Shulman's book discussed how one \"can make a million\" in collecting art objects. As a practicing librarian, McCanless instead began collecting pieces of paper, in the form of books and journals, which mentioned Fabergé and his art.\u003c/p\u003e\n","\u003cp\u003eIn 1994, she published her first book, \"Fabergé and His Works: An Annotated Bibliography of the First Century of His Art,\" the first annotated bibliography of literature about Fabergé. Her second book followed in 2001, which she co-authored with Australian scholar Will Lowes. \"Fabergé Eggs: A Retrospective Encyclopedia\" is the only work of its kind and is the premiere reference work on the subject. \u003c/p\u003e\n","\u003cp\u003eThrough the course of her work, McCanless connected with a tremendous network of fellow Faberge scholars and enthusiasts and as a result, went on to found the \"Fabergé Research Newsletter\" and \"Fabergé Research\" website in 2006. The site continues to serve as a vehicle for disseminating new research and discoveries about Fabergé and his art. \u003c/p\u003e\n","\u003cp\u003eAdditional biographical information can be found at \u003ca href=\"https://www.encyclopedia.com/arts/educational-magazines/mccanless-christel-ludewig-1939\"\u003eEncyclopedia.com\u003c/a\u003e (link provided by McCanless).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born on November 20, 1939, in Peenemünde, Germany, Christel Ludewig McCanless is a former librarian and noted Fabergé scholar. She currently resides with her husband George in Huntsville, Alabama, where she immigrated with her parents after fleeing Russian occupied East Germany in 1953. Her father, Hermann R. R. Ludewig, was a missile and space engineer at the Peenemünde Army Research Center under Wernher von Braun.","While serving as the Library Director of the University of Alabama in Huntsville in the 1960s, she became interested in the art of Fabergé after reading Robert K. Massie's book, \"Nicholas and Alexandra,\" and Morton Shulman's book, \"Anyone Can Make a Million.\" Massie's book provided the historical details of imperial Russia in which the decorative art of the Russian court jeweler, Peter Carl Fabergé, flourished. Shulman's book discussed how one \"can make a million\" in collecting art objects. As a practicing librarian, McCanless instead began collecting pieces of paper, in the form of books and journals, which mentioned Fabergé and his art.","In 1994, she published her first book, \"Fabergé and His Works: An Annotated Bibliography of the First Century of His Art,\" the first annotated bibliography of literature about Fabergé. Her second book followed in 2001, which she co-authored with Australian scholar Will Lowes. \"Fabergé Eggs: A Retrospective Encyclopedia\" is the only work of its kind and is the premiere reference work on the subject. ","Through the course of her work, McCanless connected with a tremendous network of fellow Faberge scholars and enthusiasts and as a result, went on to found the \"Fabergé Research Newsletter\" and \"Fabergé Research\" website in 2006. The site continues to serve as a vehicle for disseminating new research and discoveries about Fabergé and his art. ","Additional biographical information can be found at  Encyclopedia.com  (link provided by McCanless)."],"custodhist_html_tesm":["\u003cp\u003eThe collection is comprised of materials donated by Christel Ludewig McCanless. The original donation occured in 2016, with periodic accretions received a few times each year. Series 6 was donated in November 2019.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection is comprised of materials donated by Christel Ludewig McCanless. The original donation occured in 2016, with periodic accretions received a few times each year. Series 6 was donated in November 2019."],"prefercite_html_tesm":["\u003cp\u003eChristel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27). Gift of Christel Ludewig McCanless. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27). Gift of Christel Ludewig McCanless. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1971-2019, with the bulk of the material dating from the 1990s-2000s. The collection is comprised of correspondence, writings, research materials, bibliographic records, auction results, audiovisual materials, slides, books, posters, and realia.\u003c/p\u003e","\u003cp\u003eThis series is comprised of reference materials gathered by McCanless, including bibliographic records, auction results, correspondence, and copies of articles. The series is divided into sub-series by topic.\u003c/p\u003e","\u003cp\u003eThis series is comprised of original research conducted by McCanless in preparation for articles published in her \u003ca href=\"https://fabergeresearch.com/\"\u003e\"Fabergé Research Newsletter\"\u003c/a\u003e and other publications. Files include reference materials, images, and drafts. The series is divided into sub-series by topics.\u003c/p\u003e","\u003cp\u003eMcCanless published articles on the Fersman Portfolio in the Fall 2010, Winter 2010-2011, Spring 2012, Spring 2013, Winter 2015, and Summer and Fall 2016 issues of her \"Fabergé Research Newsletter\".\u003c/p\u003e","\u003cp\u003eMcCanless published an article on the sailor figurine in the 2011 exhibition catalog \"Fabergé Revealed\".\u003c/p\u003e","\u003cp\u003eThis series is comprised of 293 black-and-white and color slides of many topics related to Fabergé.\u003c/p\u003e","\u003cp\u003eThis series is comprised of audiovisual materials (VHS, audiocassettes, and computer disks) related to Fabergé. Most of the VHS tapes are annotated on the \u003ca href=\"https://fabergeresearch.com/audio-visuals/\"\u003e\"Faberge Research\" website\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThis series is comprised of books and  realia that document the pervasiveness of Fabergé in culture. The materials include fiction books, posters, wall calendars, and a jigsaw puzzle.\u003c/p\u003e","\u003cp\u003ePiatnik is a Viennese playing card manufacturer, founded in 1824.\u003c/p\u003e","\u003cp\u003eThis series contains the data files for the book \"Fabergé Eggs: A Retrospective Encyclopedia\" (2001). The folders contain the egg data in various versions, but not all the books, and journals and newspapers listed in the book's reference section. Many files contain postcards, negatives, photographs, as well as bibliographic and research resources. The series also contains a printed copy of the revised version of the book, which was never printed. Currently, 70 pages of the book are available online through \u003ca href=\"https://www.google.com/books/edition/Faberg%C3%A9_Eggs/uvh3MQNvT00C\"\u003eGoogle Books\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe series is organized into five sub-series by category, which were maintained from McCanless' original filing order. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content Note","Scope and Content Note","Scope and Content Note","Scope and Content Note","Scope and Content Note","Scope and Content Note","Scope and Content Note","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1971-2019, with the bulk of the material dating from the 1990s-2000s. The collection is comprised of correspondence, writings, research materials, bibliographic records, auction results, audiovisual materials, slides, books, posters, and realia.","This series is comprised of reference materials gathered by McCanless, including bibliographic records, auction results, correspondence, and copies of articles. The series is divided into sub-series by topic.","This series is comprised of original research conducted by McCanless in preparation for articles published in her  \"Fabergé Research Newsletter\"  and other publications. Files include reference materials, images, and drafts. The series is divided into sub-series by topics.","McCanless published articles on the Fersman Portfolio in the Fall 2010, Winter 2010-2011, Spring 2012, Spring 2013, Winter 2015, and Summer and Fall 2016 issues of her \"Fabergé Research Newsletter\".","McCanless published an article on the sailor figurine in the 2011 exhibition catalog \"Fabergé Revealed\".","This series is comprised of 293 black-and-white and color slides of many topics related to Fabergé.","This series is comprised of audiovisual materials (VHS, audiocassettes, and computer disks) related to Fabergé. Most of the VHS tapes are annotated on the  \"Faberge Research\" website .","This series is comprised of books and  realia that document the pervasiveness of Fabergé in culture. The materials include fiction books, posters, wall calendars, and a jigsaw puzzle.","Piatnik is a Viennese playing card manufacturer, founded in 1824.","This series contains the data files for the book \"Fabergé Eggs: A Retrospective Encyclopedia\" (2001). The folders contain the egg data in various versions, but not all the books, and journals and newspapers listed in the book's reference section. Many files contain postcards, negatives, photographs, as well as bibliographic and research resources. The series also contains a printed copy of the revised version of the book, which was never printed. Currently, 70 pages of the book are available online through  Google Books .","The series is organized into five sub-series by category, which were maintained from McCanless' original filing order. "],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws.  Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws.  Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4799b33a63dffe7738fd647f366439db\"\u003eThe collection represents portions of the extensive research library and archives formed by Christel Ludewig McCanless over forty years. A noted Fabergé scholar, McCanless published the first annotated bibliography of literature about Fabergé in 1994, the premiere encyclopedia about the Fabergé eggs in 2001, and founded the \"Fabergé Research Newsletter\" and \"Fabergé Research Site\" in 2008. While dedicated to research about the artistry of Fabergé, McCanless' collection also includes numerous resources on Russian history, culture, and artwork.\u003c/abstract\u003e"],"abstract_tesim":["The collection represents portions of the extensive research library and archives formed by Christel Ludewig McCanless over forty years. A noted Fabergé scholar, McCanless published the first annotated bibliography of literature about Fabergé in 1994, the premiere encyclopedia about the Fabergé eggs in 2001, and founded the \"Fabergé Research Newsletter\" and \"Fabergé Research Site\" in 2008. While dedicated to research about the artistry of Fabergé, McCanless' collection also includes numerous resources on Russian history, culture, and artwork."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920"],"names_ssim":["Virginia Museum of Fine Arts Archives","Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Fabergé (Firm)"],"persname_ssim":["Fabergé, Peter Carl, 1846-1920"],"language_ssim":["English"],"total_component_count_is":337,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:01:25.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_52_c03_c22"}},{"id":"virmu_repositories_2_resources_52_c06_c02_c02","type":"File","attributes":{"title":"15th Anniversary Egg 1911","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_52_c06_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_52_c06_c02_c02","ref_ssm":["virmu_repositories_2_resources_52_c06_c02_c02"],"id":"virmu_repositories_2_resources_52_c06_c02_c02","ead_ssi":"virmu_repositories_2_resources_52","_root_":"virmu_repositories_2_resources_52","_nest_parent_":"virmu_repositories_2_resources_52_c06_c02","parent_ssi":"virmu_repositories_2_resources_52_c06_c02","parent_ssim":["virmu_repositories_2_resources_52","virmu_repositories_2_resources_52_c06","virmu_repositories_2_resources_52_c06_c02"],"parent_ids_ssim":["virmu_repositories_2_resources_52","virmu_repositories_2_resources_52_c06","virmu_repositories_2_resources_52_c06_c02"],"parent_unittitles_ssm":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)","Series 6: \"Fabergé Eggs: A Retrospective Encyclopedia\" Egg Data Files","Sub-Series 6.2: Imperial Eggs"],"parent_unittitles_tesim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)","Series 6: \"Fabergé Eggs: A Retrospective Encyclopedia\" Egg Data Files","Sub-Series 6.2: Imperial Eggs"],"text":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)","Series 6: \"Fabergé Eggs: A Retrospective Encyclopedia\" Egg Data Files","Sub-Series 6.2: Imperial Eggs","15th Anniversary Egg 1911","box SC-27 Box 5","folder 6"],"title_filing_ssi":"15th Anniversary Egg 1911","title_ssm":["15th Anniversary Egg 1911"],"title_tesim":["15th Anniversary Egg 1911"],"normalized_title_ssm":["15th Anniversary Egg 1911"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":259,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws.  Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"containers_ssim":["box SC-27 Box 5","folder 6"],"_nest_path_":"/components#5/components#1/components#1","timestamp":"2026-05-21T03:01:25.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_52","ead_ssi":"virmu_repositories_2_resources_52","_root_":"virmu_repositories_2_resources_52","_nest_parent_":"virmu_repositories_2_resources_52","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_52.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/52","title_filing_ssi":"McCanless, Christel Ludewig (SC-27)","title_ssm":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)"],"title_tesim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)"],"unitdate_ssm":["1971-2023"],"unitdate_inclusive_ssm":["1971-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-27","/repositories/2/resources/52"],"text":["SC-27","/repositories/2/resources/52","Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)","The collection is open for research.","The collection is organized into six series. Series 1, 2, and 6 are divided into sub-series by topic.","Series 1 Reference Files Series 2 Research Files Series 3 Images Series 4 Media Series 5 Realia Series 6 \"Fabergé Eggs: A Retrospective Encyclopedia\" Egg Data Files","Fabergé and his Works: An Annotated Bibliography of the First Century of his Art, 1994","Fabergé Eggs: A Retrospective Encyclopedia, 2001","Born on November 20, 1939, in Peenemünde, Germany, Christel Ludewig McCanless is a former librarian and noted Fabergé scholar. She currently resides with her husband George in Huntsville, Alabama, where she immigrated with her parents after fleeing Russian occupied East Germany in 1953. Her father, Hermann R. R. Ludewig, was a missile and space engineer at the Peenemünde Army Research Center under Wernher von Braun.","While serving as the Library Director of the University of Alabama in Huntsville in the 1960s, she became interested in the art of Fabergé after reading Robert K. Massie's book, \"Nicholas and Alexandra,\" and Morton Shulman's book, \"Anyone Can Make a Million.\" Massie's book provided the historical details of imperial Russia in which the decorative art of the Russian court jeweler, Peter Carl Fabergé, flourished. Shulman's book discussed how one \"can make a million\" in collecting art objects. As a practicing librarian, McCanless instead began collecting pieces of paper, in the form of books and journals, which mentioned Fabergé and his art.","In 1994, she published her first book, \"Fabergé and His Works: An Annotated Bibliography of the First Century of His Art,\" the first annotated bibliography of literature about Fabergé. Her second book followed in 2001, which she co-authored with Australian scholar Will Lowes. \"Fabergé Eggs: A Retrospective Encyclopedia\" is the only work of its kind and is the premiere reference work on the subject. ","Through the course of her work, McCanless connected with a tremendous network of fellow Faberge scholars and enthusiasts and as a result, went on to found the \"Fabergé Research Newsletter\" and \"Fabergé Research\" website in 2006. The site continues to serve as a vehicle for disseminating new research and discoveries about Fabergé and his art. ","Additional biographical information can be found at  Encyclopedia.com  (link provided by McCanless).","The collection is comprised of materials donated by Christel Ludewig McCanless. The original donation occured in 2016, with periodic accretions received a few times each year. Series 6 was donated in November 2019.","Original order and folder titles were retained during processing.","The collection's inclusive dates are 1971-2019, with the bulk of the material dating from the 1990s-2000s. The collection is comprised of correspondence, writings, research materials, bibliographic records, auction results, audiovisual materials, slides, books, posters, and realia.","This series is comprised of reference materials gathered by McCanless, including bibliographic records, auction results, correspondence, and copies of articles. The series is divided into sub-series by topic.","This series is comprised of original research conducted by McCanless in preparation for articles published in her  \"Fabergé Research Newsletter\"  and other publications. Files include reference materials, images, and drafts. The series is divided into sub-series by topics.","McCanless published articles on the Fersman Portfolio in the Fall 2010, Winter 2010-2011, Spring 2012, Spring 2013, Winter 2015, and Summer and Fall 2016 issues of her \"Fabergé Research Newsletter\".","McCanless published an article on the sailor figurine in the 2011 exhibition catalog \"Fabergé Revealed\".","This series is comprised of 293 black-and-white and color slides of many topics related to Fabergé.","This series is comprised of audiovisual materials (VHS, audiocassettes, and computer disks) related to Fabergé. Most of the VHS tapes are annotated on the  \"Faberge Research\" website .","This series is comprised of books and  realia that document the pervasiveness of Fabergé in culture. The materials include fiction books, posters, wall calendars, and a jigsaw puzzle.","Piatnik is a Viennese playing card manufacturer, founded in 1824.","This series contains the data files for the book \"Fabergé Eggs: A Retrospective Encyclopedia\" (2001). The folders contain the egg data in various versions, but not all the books, and journals and newspapers listed in the book's reference section. Many files contain postcards, negatives, photographs, as well as bibliographic and research resources. The series also contains a printed copy of the revised version of the book, which was never printed. Currently, 70 pages of the book are available online through  Google Books .","The series is organized into five sub-series by category, which were maintained from McCanless' original filing order. ","The collection is subject to all copyright laws.  Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection represents portions of the extensive research library and archives formed by Christel Ludewig McCanless over forty years. A noted Fabergé scholar, McCanless published the first annotated bibliography of literature about Fabergé in 1994, the premiere encyclopedia about the Fabergé eggs in 2001, and founded the \"Fabergé Research Newsletter\" and \"Fabergé Research Site\" in 2008. While dedicated to research about the artistry of Fabergé, McCanless' collection also includes numerous resources on Russian history, culture, and artwork.","Virginia Museum of Fine Arts Archives","Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","English"],"unitid_tesim":["SC-27","/repositories/2/resources/52"],"normalized_title_ssm":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)"],"collection_title_tesim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)"],"collection_ssim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws.  Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 6 boxes; 283 folders, 90 items"],"extent_tesim":["7.5 Linear Feet 6 boxes; 283 folders, 90 items"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series. Series 1, 2, and 6 are divided into sub-series by topic.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eReference Files\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eResearch Files\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eImages\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eMedia\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eRealia\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003e\"Fabergé Eggs: A Retrospective Encyclopedia\" Egg Data Files\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series. Series 1, 2, and 6 are divided into sub-series by topic.","Series 1 Reference Files Series 2 Research Files Series 3 Images Series 4 Media Series 5 Realia Series 6 \"Fabergé Eggs: A Retrospective Encyclopedia\" Egg Data Files"],"bibliography_html_tesm":["\u003cbibref\u003eFabergé and his Works: An Annotated Bibliography of the First Century of his Art, 1994\u003c/bibref\u003e","\u003cbibref\u003eFabergé Eggs: A Retrospective Encyclopedia, 2001\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library"],"bibliography_tesim":["Fabergé and his Works: An Annotated Bibliography of the First Century of his Art, 1994","Fabergé Eggs: A Retrospective Encyclopedia, 2001"],"bioghist_html_tesm":["\u003cp\u003eBorn on November 20, 1939, in Peenemünde, Germany, Christel Ludewig McCanless is a former librarian and noted Fabergé scholar. She currently resides with her husband George in Huntsville, Alabama, where she immigrated with her parents after fleeing Russian occupied East Germany in 1953. Her father, Hermann R. R. Ludewig, was a missile and space engineer at the Peenemünde Army Research Center under Wernher von Braun.\u003c/p\u003e\n","\u003cp\u003eWhile serving as the Library Director of the University of Alabama in Huntsville in the 1960s, she became interested in the art of Fabergé after reading Robert K. Massie's book, \"Nicholas and Alexandra,\" and Morton Shulman's book, \"Anyone Can Make a Million.\" Massie's book provided the historical details of imperial Russia in which the decorative art of the Russian court jeweler, Peter Carl Fabergé, flourished. Shulman's book discussed how one \"can make a million\" in collecting art objects. As a practicing librarian, McCanless instead began collecting pieces of paper, in the form of books and journals, which mentioned Fabergé and his art.\u003c/p\u003e\n","\u003cp\u003eIn 1994, she published her first book, \"Fabergé and His Works: An Annotated Bibliography of the First Century of His Art,\" the first annotated bibliography of literature about Fabergé. Her second book followed in 2001, which she co-authored with Australian scholar Will Lowes. \"Fabergé Eggs: A Retrospective Encyclopedia\" is the only work of its kind and is the premiere reference work on the subject. \u003c/p\u003e\n","\u003cp\u003eThrough the course of her work, McCanless connected with a tremendous network of fellow Faberge scholars and enthusiasts and as a result, went on to found the \"Fabergé Research Newsletter\" and \"Fabergé Research\" website in 2006. The site continues to serve as a vehicle for disseminating new research and discoveries about Fabergé and his art. \u003c/p\u003e\n","\u003cp\u003eAdditional biographical information can be found at \u003ca href=\"https://www.encyclopedia.com/arts/educational-magazines/mccanless-christel-ludewig-1939\"\u003eEncyclopedia.com\u003c/a\u003e (link provided by McCanless).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born on November 20, 1939, in Peenemünde, Germany, Christel Ludewig McCanless is a former librarian and noted Fabergé scholar. She currently resides with her husband George in Huntsville, Alabama, where she immigrated with her parents after fleeing Russian occupied East Germany in 1953. Her father, Hermann R. R. Ludewig, was a missile and space engineer at the Peenemünde Army Research Center under Wernher von Braun.","While serving as the Library Director of the University of Alabama in Huntsville in the 1960s, she became interested in the art of Fabergé after reading Robert K. Massie's book, \"Nicholas and Alexandra,\" and Morton Shulman's book, \"Anyone Can Make a Million.\" Massie's book provided the historical details of imperial Russia in which the decorative art of the Russian court jeweler, Peter Carl Fabergé, flourished. Shulman's book discussed how one \"can make a million\" in collecting art objects. As a practicing librarian, McCanless instead began collecting pieces of paper, in the form of books and journals, which mentioned Fabergé and his art.","In 1994, she published her first book, \"Fabergé and His Works: An Annotated Bibliography of the First Century of His Art,\" the first annotated bibliography of literature about Fabergé. Her second book followed in 2001, which she co-authored with Australian scholar Will Lowes. \"Fabergé Eggs: A Retrospective Encyclopedia\" is the only work of its kind and is the premiere reference work on the subject. ","Through the course of her work, McCanless connected with a tremendous network of fellow Faberge scholars and enthusiasts and as a result, went on to found the \"Fabergé Research Newsletter\" and \"Fabergé Research\" website in 2006. The site continues to serve as a vehicle for disseminating new research and discoveries about Fabergé and his art. ","Additional biographical information can be found at  Encyclopedia.com  (link provided by McCanless)."],"custodhist_html_tesm":["\u003cp\u003eThe collection is comprised of materials donated by Christel Ludewig McCanless. The original donation occured in 2016, with periodic accretions received a few times each year. Series 6 was donated in November 2019.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection is comprised of materials donated by Christel Ludewig McCanless. The original donation occured in 2016, with periodic accretions received a few times each year. Series 6 was donated in November 2019."],"prefercite_html_tesm":["\u003cp\u003eChristel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27). Gift of Christel Ludewig McCanless. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27). Gift of Christel Ludewig McCanless. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1971-2019, with the bulk of the material dating from the 1990s-2000s. The collection is comprised of correspondence, writings, research materials, bibliographic records, auction results, audiovisual materials, slides, books, posters, and realia.\u003c/p\u003e","\u003cp\u003eThis series is comprised of reference materials gathered by McCanless, including bibliographic records, auction results, correspondence, and copies of articles. The series is divided into sub-series by topic.\u003c/p\u003e","\u003cp\u003eThis series is comprised of original research conducted by McCanless in preparation for articles published in her \u003ca href=\"https://fabergeresearch.com/\"\u003e\"Fabergé Research Newsletter\"\u003c/a\u003e and other publications. Files include reference materials, images, and drafts. The series is divided into sub-series by topics.\u003c/p\u003e","\u003cp\u003eMcCanless published articles on the Fersman Portfolio in the Fall 2010, Winter 2010-2011, Spring 2012, Spring 2013, Winter 2015, and Summer and Fall 2016 issues of her \"Fabergé Research Newsletter\".\u003c/p\u003e","\u003cp\u003eMcCanless published an article on the sailor figurine in the 2011 exhibition catalog \"Fabergé Revealed\".\u003c/p\u003e","\u003cp\u003eThis series is comprised of 293 black-and-white and color slides of many topics related to Fabergé.\u003c/p\u003e","\u003cp\u003eThis series is comprised of audiovisual materials (VHS, audiocassettes, and computer disks) related to Fabergé. Most of the VHS tapes are annotated on the \u003ca href=\"https://fabergeresearch.com/audio-visuals/\"\u003e\"Faberge Research\" website\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThis series is comprised of books and  realia that document the pervasiveness of Fabergé in culture. The materials include fiction books, posters, wall calendars, and a jigsaw puzzle.\u003c/p\u003e","\u003cp\u003ePiatnik is a Viennese playing card manufacturer, founded in 1824.\u003c/p\u003e","\u003cp\u003eThis series contains the data files for the book \"Fabergé Eggs: A Retrospective Encyclopedia\" (2001). The folders contain the egg data in various versions, but not all the books, and journals and newspapers listed in the book's reference section. Many files contain postcards, negatives, photographs, as well as bibliographic and research resources. The series also contains a printed copy of the revised version of the book, which was never printed. Currently, 70 pages of the book are available online through \u003ca href=\"https://www.google.com/books/edition/Faberg%C3%A9_Eggs/uvh3MQNvT00C\"\u003eGoogle Books\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe series is organized into five sub-series by category, which were maintained from McCanless' original filing order. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content Note","Scope and Content Note","Scope and Content Note","Scope and Content Note","Scope and Content Note","Scope and Content Note","Scope and Content Note","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1971-2019, with the bulk of the material dating from the 1990s-2000s. The collection is comprised of correspondence, writings, research materials, bibliographic records, auction results, audiovisual materials, slides, books, posters, and realia.","This series is comprised of reference materials gathered by McCanless, including bibliographic records, auction results, correspondence, and copies of articles. The series is divided into sub-series by topic.","This series is comprised of original research conducted by McCanless in preparation for articles published in her  \"Fabergé Research Newsletter\"  and other publications. Files include reference materials, images, and drafts. The series is divided into sub-series by topics.","McCanless published articles on the Fersman Portfolio in the Fall 2010, Winter 2010-2011, Spring 2012, Spring 2013, Winter 2015, and Summer and Fall 2016 issues of her \"Fabergé Research Newsletter\".","McCanless published an article on the sailor figurine in the 2011 exhibition catalog \"Fabergé Revealed\".","This series is comprised of 293 black-and-white and color slides of many topics related to Fabergé.","This series is comprised of audiovisual materials (VHS, audiocassettes, and computer disks) related to Fabergé. Most of the VHS tapes are annotated on the  \"Faberge Research\" website .","This series is comprised of books and  realia that document the pervasiveness of Fabergé in culture. The materials include fiction books, posters, wall calendars, and a jigsaw puzzle.","Piatnik is a Viennese playing card manufacturer, founded in 1824.","This series contains the data files for the book \"Fabergé Eggs: A Retrospective Encyclopedia\" (2001). The folders contain the egg data in various versions, but not all the books, and journals and newspapers listed in the book's reference section. Many files contain postcards, negatives, photographs, as well as bibliographic and research resources. The series also contains a printed copy of the revised version of the book, which was never printed. Currently, 70 pages of the book are available online through  Google Books .","The series is organized into five sub-series by category, which were maintained from McCanless' original filing order. "],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws.  Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws.  Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4799b33a63dffe7738fd647f366439db\"\u003eThe collection represents portions of the extensive research library and archives formed by Christel Ludewig McCanless over forty years. A noted Fabergé scholar, McCanless published the first annotated bibliography of literature about Fabergé in 1994, the premiere encyclopedia about the Fabergé eggs in 2001, and founded the \"Fabergé Research Newsletter\" and \"Fabergé Research Site\" in 2008. While dedicated to research about the artistry of Fabergé, McCanless' collection also includes numerous resources on Russian history, culture, and artwork.\u003c/abstract\u003e"],"abstract_tesim":["The collection represents portions of the extensive research library and archives formed by Christel Ludewig McCanless over forty years. A noted Fabergé scholar, McCanless published the first annotated bibliography of literature about Fabergé in 1994, the premiere encyclopedia about the Fabergé eggs in 2001, and founded the \"Fabergé Research Newsletter\" and \"Fabergé Research Site\" in 2008. While dedicated to research about the artistry of Fabergé, McCanless' collection also includes numerous resources on Russian history, culture, and artwork."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920"],"names_ssim":["Virginia Museum of Fine Arts Archives","Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Fabergé (Firm)"],"persname_ssim":["Fabergé, Peter Carl, 1846-1920"],"language_ssim":["English"],"total_component_count_is":337,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:01:25.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_52_c06_c02_c02"}},{"id":"virmu_repositories_2_resources_37_c01_c02_c07","type":"Item","attributes":{"title":"15th Annual Visual Arts Faculty Exhibit","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_37_c01_c02_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_37_c01_c02_c07","ref_ssm":["virmu_repositories_2_resources_37_c01_c02_c07"],"id":"virmu_repositories_2_resources_37_c01_c02_c07","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37_c01_c02","parent_ssi":"virmu_repositories_2_resources_37_c01_c02","parent_ssim":["virmu_repositories_2_resources_37","virmu_repositories_2_resources_37_c01","virmu_repositories_2_resources_37_c01_c02"],"parent_ids_ssim":["virmu_repositories_2_resources_37","virmu_repositories_2_resources_37_c01","virmu_repositories_2_resources_37_c01_c02"],"parent_unittitles_ssm":["Louis H. Draper Artist Archives (VA-04)","Series 1: Manuscripts","Sub-Series 1.2: Photographic Career"],"parent_unittitles_tesim":["Louis H. Draper Artist Archives (VA-04)","Series 1: Manuscripts","Sub-Series 1.2: Photographic Career"],"text":["Louis H. Draper Artist Archives (VA-04)","Series 1: Manuscripts","Sub-Series 1.2: Photographic Career","15th Annual Visual Arts Faculty Exhibit","Paper","Mercer County Community College (N.J.)","West Windsor (N.J. : Township)","Photography, Artistic","English","box VA-04 Box 3","folder Folder 1","Item VA04.01.2.007","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"title_filing_ssi":"15th Annual Visual Arts Faculty Exhibit","title_ssm":["15th Annual Visual Arts Faculty Exhibit"],"title_tesim":["15th Annual Visual Arts Faculty Exhibit"],"unitdate_inclusive_ssm":["Dec. 3, 1982-Jan. 12, 1983"],"normalized_date_ssm":["1982/1983"],"normalized_title_ssm":["15th Annual Visual Arts Faculty Exhibit"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04)"],"physdesc_tesim":["Paper"],"extent_ssm":["1 item"],"extent_tesim":["1 item"],"physfacet_tesim":["Exhibition announcements"],"creator_ssim":["Mercer County Community College (N.J.)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":313,"parent_access_restrict_tesm":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"parent_access_terms_tesm":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"date_range_isim":[1982,1983],"names_ssim":["Mercer County Community College (N.J.)"],"corpname_ssim":["Mercer County Community College (N.J.)"],"geogname_ssim":["West Windsor (N.J. : Township)"],"geogname_ssm":["West Windsor (N.J. : Township)"],"places_ssim":["West Windsor (N.J. : Township)"],"access_subjects_ssim":["Photography, Artistic"],"access_subjects_ssm":["Photography, Artistic"],"acqinfo_ssim":["Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund."],"language_ssim":["English"],"containers_ssim":["box VA-04 Box 3","folder Folder 1","Item VA04.01.2.007"],"odd_html_tesm":["\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor."],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"userestrict_html_tesm":["\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"_nest_path_":"/components#0/components#1/components#6","timestamp":"2026-05-21T03:45:55.431Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_37","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_37.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/37","title_filing_ssi":"Draper, Louis (VA-04)","title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"unitdate_ssm":["1945-2005"],"unitdate_inclusive_ssm":["1945-2005"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["VA-04","/repositories/2/resources/37"],"text":["VA-04","/repositories/2/resources/37","Louis H. Draper Artist Archives (VA-04)","Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching","The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated","Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge","Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","American--1","American--1","Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). ","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Copyright 1931. Dated \"8.8.66\" on the inside front cover with the return address label of a nurse in Asbury Park, N.J., so Draper likely purchased it second-hand after 1966.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Application for Substitute Clerk position.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Teenie Harris Archive Online: http://teenie.cmoa.org/CollectionSearch.aspx?itemIRN=21146\u0026retURL=page%3D4959","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes handwritten welcome note from Fred H.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Portrait of Draper used in the brochure","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Copyright 1972","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes Technical Assistance Agreement from November 1973 for the Together We Stand organization","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The staff of OUTLOOK give special thanks to Mr. Louis Draper and Ms. Christine Cavallo for their graphic design assistance for this issue.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Course number Tech 138, Photography 1B","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper was Script Supervisor/Still Photographer.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper was Master of Ceremonies","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Cover Image: \"Lou and His Son,\" 2000, Acrylic, 62\" x 67\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Terry and Mr. Drapper[sic]\" on page 4","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Photocopy","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Photocopy","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Photocopy","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Photocopy","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes a photography log","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Course L 142 which would be applied to Thomas A. Edison State College","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Black-and-white and color prints on letter-sized paper.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Color prints on tabloid-sized paper, with some cut down to a smaller size.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Note from Carroll Siskind","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kamoinge: The Members, the Cohesion and Evolution of the Group by Louis H. Draper joined by Anthony Barboza\" and \"Organizing and Working Within Communities including Wendy Ewald, Jolene Rickard, Jorge Daniel Veneciano; Responding Panelists: James Baker, Louis H. Draper and Allucquere Rosanne Stone\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Organizing and Working Within Communities including Wendy Ewald, Jolene Rickard, Jorge Daniel Veneciano; Responding Panelists: James Baker, Louis H. Draper and Allucquere Rosanne Stone\" presented at the National Graduate Seminar 1995","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper is listed as a reporter","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Herb Randall confirmed during the Kamoinge Virtual Symposium in 2020 that this is the same person that appears in Ray Francis' print \"Untitled (Baka)\" (2021.134) and \"Barka-Allah\" (VA04.11.025.P1).","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Signed by Larry Kimbrough","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Original photograph ca. 1900: https://www.icp.org/browse/archive/objects/unidentified-family-group-with-dog","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Collette V. Fournier and William Berry were Co-Chairs. ABD and African American History Month Committee, and Rockland Community College were the organizers. Arts Council of Rockland (ACOR) provided a Decentralization grant which Fournier co-wrote with AAHMC Chair William Berry. Other funding sources were provided by Rockland Community College, NYSCA, and Orange \u0026 Rockland Utilities, Inc. which provided a grant specifically for the opening reception at Blue Hill Cultural Center. However, the multi-sited exhibition was held at various venues in the County: Rockland Community College, Rockland Center for the Arts (ROCA), (ex) Arts Alliance of Haverstraw (AAH!), Arts Council of Rockland, and Blue Hill Cultural Center.","This was an exhibition of 25 photographers, 5 lithographers and a sculptor. Each venue had a separate theme and exhibited various artists whose work addressed that theme. We were showing the diversity of African American photographers, lithographers and artists. Louis Draper's and John Vasser's photography were exhibited at the Arts Council of Rockland (ACOR) highlighting the theme of \"History and Traditions: Views From the Street\" with their accompanying bios. ","The exhibition included a number of Kamoinge members: Budd, C.A. Williams, Shawn W. Walker, Louis H. Draper, Adger W. Cowans, Salimah Ali and Collette V. Fournier. The themes and venues were: \"Documenting Life Cycles: Relationships Between Men and Women\" at Rockland Community College; \"Expanding the Boundaries of Spirituality, Belief and Movement\" at Rockland Center for the Arts; \"Family at Home and In the Diaspora\" Arts Alliance of Haverstraw; \"History and Traditions: View From the Street\", and \"There Is A World Through Our Eyes: Perceptions and Visions of the African American Photographer\", which represented the work of all artists at Blue Hill Cultural Center.","(This information was shared with Dr. Sarah Eckhardt, VMFA Associate Curator of Modern \u0026 Contemporary Art from Collette V. Fournier via email on June 17, 2023.)","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper was the Exhibit Coordinator","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes notes about jazz musicians, films seen, assignments, and screenplay ideas.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes notes about equipment, exhibitions, addresses, and Khasem","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes a history of Kamoinge as well as by-law and membership documents for review","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Left to right: Shawn Walker, Ray Francis, Lou Draper","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The movie was footage shot in Russia but was put together later and narrated by Judith Brodsky, who at one point refers to him as the \"late Lou Draper.\"  Two of the other TAWA artists in the film are also referred to as \"late,\" Jimmy Colavita and Anne Bobo.  Jimmy is the speaker near the beginning of the film at the art gallery opening in Moscow.  The quality of the movie is not high but still of historic interest. Lou appears several times but does not speak in it.\" Email from Gary Saretzky to Courtney Tkacz, Feb. 16, 2021.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Inscribed by the artist","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","This might be an overview of the degree program at the Illinois Institute of Technology.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Alternately titled assignment #2 and #4","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Arranged numerically, where number was provided.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Created for Visual Arts Career Day","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Multiple copies of the annotated lists","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Unclaimed Territory\" essay by Draper","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Inscribed by the author","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes list of paintings assumed to be in Leipzig's handwriting","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The action of this story is set in a Northeastern city in the summer of 1967.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Members: Connie, Hami, Wayne, Lou [Draper], Luvenia, Jeanne [Gray], Rudy [Gray], Gail [Davis]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Excerpt","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Excerpt","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 1-13","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 7-30","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 39-56","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 60-70","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 60-87","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 83-116","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Conducted on Aug. 18, 1982 by Louis Draper for Volume 5 of \"The Black Photographers Annual\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Listed by categories, including Occupations, Military, Business, Banking, Women, Personalities, etc.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Published in \"Camera,\" July 1966","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Same poem published in \"Camera,\" July 1966, now titled \"Colonial Legacy\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Instructor: Ms. S. Williams","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Written in response to Bed Maddow's article: https://www.nytimes.com/1985/08/25/magazine/w-eugene-smith-through-a-lens-darkly.html","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Alternate title: \"Exposure: Ten Photographers' Work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper exhibited in the \"History and Traditions: Views from the Street\" exhibition","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Many of the pages are signed by the artists","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes Draper's edit on page 8","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"C.V. pull-in focus background in\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Medium 2 shot looking off center framed RT\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Pulling focus foreground in\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Medium shot looking slightly Rt framed extreme Lt.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Tony Barboza and Wife Maria\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bill Barksdale and son\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bill Barksdale and son,\" \"30/5","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bill Barksdale and son,\" \"30/5","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Allen Bennett\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Alan Bennett\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by 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the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring 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Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part 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National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible 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possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David Collier, Professor: Mercer County College, Author: \"Trenton - The Capital Place;\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton N.J. 08690, (609) 586-4800 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David Collier\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper for Transmondo\" \"1032\" \"9-66\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\" \"9-21-66\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032\" \"Louis Draper for Transmondo\" \"1X Use\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Jazz Musicians\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 Miles Davis 10/4/66 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the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"L. 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possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"DR0060.4\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Tony, N.Y., 1975\" \"DR0060.5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper\" \"5\" \"Louis Draper\" \"33/2\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part 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Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Alfred Fennar\" \"c/o Barboza 10 W. 18th st, New York, NY, 242-1880\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 20 E. 127th St, NY10035\" \"Tad Fennar\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been 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Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Notes from meeting with Fred Hudson on verso","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"DLG being herself\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Dorothy Gloster\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Photographer, 1172 Anderson Ave., Bronx, New York, (212) 992-4127\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 242-1880\" \"Creation Series, Encore\" \"1\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","On \"Fine Custom Prints\" photo envelope: \"Midge Goldman - 12 Dogwood Hill Rd., Upper Sadle River, N.J. 07458\" \"1 - 5x7, 3 4x5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","On \"Fine Custom Prints\" photo envelope: \"Midge Goldman - 12 Dogwood Hill Rd., Upper Sadle River, N.J. 07458\" \"1 - 5x7, 3 4x5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","On \"Fine Custom Prints\" photo envelope: \"Midge Goldman - 12 Dogwood Hill Rd., Upper Sadle River, N.J. 07458\" \"1 - 5x7, 3 4x5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Ves Herper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Ves Herper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Merry Christmas from Langston Hughes.\" Taken at 20 E. 127th Street.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring 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the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/22\" written on verso of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/21\" written on back of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the 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Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mel Dixon Studio, W. 17th Street\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Tad and Kaiko (mother) Fennar, Englewood, New Jersey","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"N.J. Artist Series, Adolph Konrad, Clinton, N.J.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"N.J. Artists Series\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mel Leipzig, (N.J Artists Series), Louis Draper 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Builder Levy\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Viveca Lindfors - Actor, NYU Student Production, 1969,\" \"38%,\" \"202, 09\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/15\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/15\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes strips with outdoor landscape with snow, trees, and a bird house.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/33\" on verso of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Terry McNichol\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Terry McNichol, Director: Ellarslie City Museum, May 3, 1995;\": \"Trenton - The Capital Place;\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton N.J. 08690, (609) 586-4800 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joseph and Molly Merlino\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Molly and Joseph (Joe) Merlino, Longtime Trenton Residents and Activists;\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton N.J. 08690, (609) 586-4800 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in 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Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made 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positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: 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part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kathy Sandler\"","Digitization has been made possible in part 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has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"'Judy Schulte' (N.J. Artists Series), Louis Draper 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Title: Roger, Silver Print, 35mmNegative, April 1985\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road Trenton, N.J. 08690, (609) 586-4800 (ext. 715)\" \"10\" \"Roger Schulte\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Jonathan Shahn\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bernarda Shahn, New Jersey Artists Series, Roosevelt, N.J., 1993\" \"Louis Draper (Kamoinge, INC.) 1-604-586-4800 ext. 3354\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Johnathan Shahn 1994, N.J. Artists Series, Roosevelt, N.J.\" \"12\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Jonathan Shahn, Roosevelt\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"N.J. Artists Series, Johnathan Shahn, Roosevelt, N.J., 1995\" \"Louis Draper, (Kamoinge INC.) 1-609-586-4800 ext. 3354\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/57\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/60\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital 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Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization 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Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring 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Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Cover for Book 'Dialogue with Sammy'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis 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Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Close-up framed extreme Rt.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring 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the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joe Torres (student) NY State Division or Youth, Bronx\" Louis Draper, c/o Barboza Studio, 10 W. 18th Street, NY, 10011,\" \"2B53821\" on verso of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital 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Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made 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Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Bronx Division of Youth Project","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"'Ace' larger of [Book 43]\" \"26/35.\" Bronx Division of Youth Project","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Bronx Division of Youth Project","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"32/8\" on the back of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"32/8\" on verso on one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made 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Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kyle and Quinn, Sequence, Sheet I, 6-2-68\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Cousin Lillian, a couple of days before her death, Sept. 1979\" \"Mrs. Fannie Booker, 1979\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","The monument in frame 10 is the Eakins Oval in Philadelphia on the Benjamin Franklin Parkway.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak, Sep. 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak, Sep. 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou Draper, 9-7-1991, 1st Film Test, Tri-X 150 400, Cannon AE-1\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou Draper, 9-7-1991, 1st Film Test, Tri-X 150 400, Cannon AE-1\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Procesing Dec. 1999 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Procesing Dec. 1999 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak\" \"DuraLife Paper\" \"Apr. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak\" \"DuraLife Paper\" \"Apr. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Procesing Dec. 1999 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak\" \"DuraLife Paper\" \"Apr. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Dorothy and Brandon (Lou's Godson)\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"May 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"May 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"May 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Make in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Make in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"Apr 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodica Long Life 100\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Professional Paper, Do not Copy\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Konica Long Life 100\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street (Langston Hughes' brownstone)","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Slit Scan Photograph, Made By Andrew Davidhazy 6/20/1989, Rochester, NY, (RIT)\" \"I Stood on slowly rotating pedestal. He started polaroid exposure at back of my head and continued scanning exposure until I was rotated to face the camera. I used a portable light on the camera approx. 250 watts, I think.\" \"Polaroid Color pack II Camera modified\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Me - Foreground- with playmates, Russel School, maybe Dennis McKenzie, and unknown\" \"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Top high front, bounced umbrella, [?] heads, F/22-32 ASA200 400 watt setting, 200 watts each head\", Stick figure drawing","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"On Boat Going to Zuchinshoa\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Copyright Shawn W. Walker, Photo-Arts Studio, All Rights Reserved\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kathy's accidental photo of me 'saluting' a photograph, … 5/13/93\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joanne Nestor Photographer, TAWA Artists on Soveiet Exchange, Left to Right: Bob Miller, Judy Brodsky, Lou Draper, Joy Barton, James Colavita, not present: Anne Bobo\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou w/ James Baldwin\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper, PO Box 212, Brooklyn, NY 11238\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper, PO Box 212, Brooklyn, NY 11238, Adelphi Station\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 2/3x7 2/3 - I, 11x14 - O, 60, 275.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Film exposure test\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization 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National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#2; 60m + 90 Y; 10 Sec f/5 .6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"60 m + 90 Y; 12 Sec f/5.6","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"34/64\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"7 1/2 x 5-I;\" \"8x10-0;\" \"250.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"34/65\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1989\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 17 in neg file book, Interviewing Picture strip on Page 11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 15 in neg file book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 13 in neg file book \"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 13 in neg file book \"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 13 in neg file book \"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 30 in neg file book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"On Page 15 Located Housing and talking with neighbor shots, [?] On page 26\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mrs. Hamer with Neighbor page 18 in negative file book, Horr's Lake on page 37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 18 talking with Hoeing shots Located, others on page 26\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 24 in neg file book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mrs. Hamer with Neighbor page 18 in negative file book, Horr's Lake on page 37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 21 in neg. file Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Fragments of rolls found on Draper's desk","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Found uncut in Draper's office","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"11A Etelmashonok, 17A Irene Goldman\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"43A Irene Goldman\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#15 Jeannie Pearce\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Found uncut in Draper's office","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Developed posthumously","Digitization has been made possible 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Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"8x10 - Outer, 300.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#1,\" \"60 Sec f/8-11, 20 y +20C Filtration, CLM .1 K paper, 7/28/94,\" \"#2 Print, Remove 10 units of yellow and 10 units of cyan\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#2,\" \"60 Sec f/8-11, 10y + 10C Filtration, CLM .1K paper, 7/28/94,\" \"#3 Print, Remove all cyan, Retain 10 unit yellow, same exposure time\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#3,\" \"60 Sec f/8-11, 10y Filtration\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#4\" \"70 Sec f/8-11, 20y + 20C, CLM .1K Paper, 7/28/1994,\" \"#5 (Next Print), 70 Sec. f/8-11, 20y +5C\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"60 Sec at f/11, 30y filtration, 7/23/984\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Next Print 30y 60 Sec f/11\" \"This Print (no filtration), 60 Sec f/8-11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"7/28, 20y +20C, 60 Sec f/8-11, CLM .1K\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Fujifilm, Fujicolor Crystal Archive Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"Dec 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in 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been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"26/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"26/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"26/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Depicts protest in front of I.S. 201 for Community Control of Community Schools.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 20 E. 127th St., NYC\" \"27/1\" \"1\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo By Louis Draper, 240 W. 10th St., NYC\" \"WA9-1562\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, PO Box 212, Brooklyn 11238, NY, Adelphi Station\" \"Bryant Park\" \"1963\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#36 Handball\"","Digitization 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has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo By Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo By Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo By Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo By Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo By Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo By Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Summer in the City,\" \"Louis Draper, c/o Barboza, 10 West 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 W. 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5\" \"Louis Draper, PO Box 212, Brooklyn, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"38/24\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"37/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton, N.J. 08690, (609) 586-9500 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Please Credit, Louis Draper, c/o Barboza, 10 W. 18th Street, NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"6,\" \"Louis Draper, 'Connection'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"10\" \"Louis Draper, 'Connection'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25/22\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Connection\" \"Jesse ?'s Play, Loving Theater 1959, NYC\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"40\" \"Herb Randall\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"40\" \"Herb Randall\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#36\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Coney Island, July 1976\" \"Louis Draper, c/o Barboza, 10 W. 18th St., New York, NY 10011, (212) 242-1880,\" \"LB53821\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou Draper, 'Woman and Carousel,' Photograph,\" \"Please Return To Lou Draper, ETB\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"28/3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"28/3\" \"Book 46\" \"46\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Coney Island Series, Brooklyn, N.Y., 'Woman and Carousel'\" \"Louis H. Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"22/45\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Welcome Home Bobby\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Archival\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Mario Jorrin is seen in frames 34 and 35. This was confirmed by his daughter China Jorrin in an email sent to the Senior Archivist on December 21, 2021.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper 'Congressional Gathering'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Marcer County College, 1200 Old Trenton Road, Trenton, N.J. 08690, (609)556-4500 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Archival\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Print mounted to a 14x17 support. It was originally in a metal 14 1/4x17 3/8 in. (maybe aluminum) frame. Notes on Verso of support: \"Louis Draper, c/o Taylor, 322 W. 57th St., NY 10019\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 W. 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Bedsheet strip was published by 1958.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Possibly Titled: Sheets. Verso of VA04.06.7.004.P1 Mount, \"19. Sheets - New York City, Greenwich Village\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"2\" \"NYC 1967\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Possibly Titled: Sheets. Verso of VA04.06.7.004.P1 Mount, \"19. Sheets - New York City, Greenwich Village\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Possibly Titled: Sheets. Verso of VA04.06.7.004.P1 Mount, \"19. Sheets - New York City, Greenwich Village\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\" \"'Listening - Harlem, NYC'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 13 Potnam Ave, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/17\" \"37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, NYC 1964\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Roy DeCarava, ca. 1972\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/32\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Central Park - NYC, New York\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton, N.J. 08690\" \"31/18\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 West 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Side of a park wall, Diffused sunlight, 1/100 Between f/4 and f/5.6, Early morning, Plus-x film, New York City\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/38\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"12x8- Inner, 11x14 -outer, 275.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photographer Louis Draper, 22 E 117th St\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 1/2x12 1/2 - Inner, 11x14 - Outer, 250.00;\" \"39\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"57th Ave - Brooklyn, 1976\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","The date is based on the \"Daily News\" newspaper the subject is holding in the picture.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Originally in a metal 11 1/2x14 1/2 in. (maybe aluminum) frame with glass, and foam core between print and back of frame. Print in a 11x14 in. mat with a 5 5/8x8 5/8 in. window. Notes on verso of print: \"Louis Draper, NYC.\" Notes on foam core: \"Man and Sax,\" \"#27.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","The date is based on the \"Daily News\" newspaper the subject is holding in the picture.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","The date is based on the \"Daily News\" newspaper the subject is holding in the picture.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bob and Roy Comedy Team, Hotel Roosevelt\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Alan King - Comedian, Bob and Roy - Comedy Team, Hotel Roosevelt\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Awards Presentation Roosevelt Hotel\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Writers Guild Dinner\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Elihu Winer, and Hazel Scott (pianist)\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Art Buchwald - Satirist\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Art Buchwald - Satirist\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Hazel Scott and [?] McNeil\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Light work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Coney Island Series #3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 West 18th Street, New York, NY, 10011, (212) 242-1023\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Light work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Light work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","34th Street NYC","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 22 E. 17th St., NY 10003, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25/25\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"37/22\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","34th Street NYC","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Script\" \"8\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Tri X Pan\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Panatomic X\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Shot with widelux camera\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"4\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis H. Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton, N.J. 08690, (609) 580-4800 ext. 350\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"My First Film, I was camera operator and director\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"My First Film, I was camera operator and director\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"My First Film, I was camera operator and director\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Burt Cohen's film, Fred, [?], Larry, and Burt\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Marco Gumries, Be' Bictoria, and Burt Cohen\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Phil Schaeffer, and John Forest\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Prof. David Collier seated front row at left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 22 E. 17th St., Room 319, NY 10003, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#12 Howard Cosell, TV Sports Caster\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#12 Howard Cosell, TV Sports Caster\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#12 Howard Cosell, TV Sports Caster\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made 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Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper NYC 1978\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 1/2x12 1/2, 11x14, 200.00\" \"23\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 242-1880\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Virgin Mary, Place - New York, Exposure Not Known\" \"Photo By Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"29/40\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"27/22\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 24 W. 91 St., New York 24, N.Y.\" \"27/3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"27/3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 22 E 17th St, Rm 319, NY 10003, NY\" \"2 *MEL 6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St. NY 11038\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper, 13 Putnam Ave, PO Box 212, Brooklyn 11238, NY\" \"Please Credit Louis Draper\" \"155\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#109\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 1/2x6 1/2 - I, 8x10 - O, 250.00\" \"69\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 13 Potnam Ave, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#138\" #27/47\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"4\" \"Louis Draper, 1172 Anderson Ave., Apt. 2E, Bronx, NY 10452, 992-4127\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#28 Woman's Head\" \"Taken Sept 1962\" \"Photograph by Louis Draper, 20 E. 127th St., New York 10035, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"8x10 - O, 200.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25/47\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 3/4x6 3/4 - Inner, 8x10 - Outer, 250.00\" \"26\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"27/43\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Little Girl in Street\" \"Louis Draper 20 E. 127th St. NYC 10035\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 13 Putnam Ave., PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 242-1880\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo by Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Lawrence Photo, 199 W. 10th St., New York 14 NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper 20 E. 127th St. NYC 10035\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#103\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Title and date provided by Anthony Barboza.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Title and date provided by Anthony Barboza.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"125th St. - Harlem, Early 1960s\" \"Lou Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Paul Freed with Arthur Freed's Hands, 1961\" \"Louis Draper 20E. 127th St, NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"26/8\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bilingual\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"41\" \"Louis Draper, Photographer, 1172 Anderson Ave., Bronx, New York, (212) 992-4127\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Steve Dzenkina, Jim Schuter\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Gordon Brown, Richard Zakia\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","*Shawn","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 20 E. 127th St., NY 10035\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou Draper, 'Philadelphia' Title, B and W Photo\" \"17 Sec, 3y2, 516\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\" \"#14\" \"7 1/2x5 - I, 9 1/2x8 - O, 300.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"45\" \"24/6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Dakar Senegal\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Dakar, Senegal\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mahama and Family, Susan and ?, Printed 8-8AA, 11-12A,19-19A, 3A, 6A, 20-20A, 22-22A\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the 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the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring 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Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Museum Curator, Minsk, U.S.S.R, Aug. 1990, Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joy Barta and Bob Miller, Russia Trip\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#131\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"50M + 80y at 4 1/2 Sec at f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" Written on recto: \"#4, 25 M + 55y, 29Sec f/8, Ektacolor, 12 Sec Burning in Lower left Corner\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"#1, 90y + 60m, 25 Sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"#2 90y + 60m 50 Sec f/5.6, Then Burning in Sun Highlight Area w/ 60y +60m 50 Sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"#1 70y +60m at 28 Sec f/5.6, Too Dark and too green, decrease magenta\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"3y + 55m at 35 sec at f/5\" \"103y + 55m at 35 sec at f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"100y + 55m at 35 sec at f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photographer Louis Draper 22 E. 17th Street, Ney York, NY 10003\" \"Harlem\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Playground, Part of an essay, Late evening, approximately 1/50 f/4, New York City\" \"Photo by Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Untitled Chemical Experimentation\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"11.1, Burn in Edges, All Around, Sperm Travel\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sperm Travel\" Louis H Draper 1995\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - January 1990, Medium - Photography\" (Top) \"5\", \"Rough Print\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"3\", \"Rough Print\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top), \"Rough Print\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"3\", \"Rough Print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"4\", \"Rough Print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Top\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"6\", \"Rough Print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Untitled, Ice Series, 1993, Louis Draper,\" \"Top,\" \"16\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#19\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#7\" \"Louis Draper, PO Box 212, Brooklyn, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Ice - 10th Ave., NYC\" \"Top\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"New York City - 10th Ave Ice\" \"Louis Draper 1989\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#17\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#9\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#2\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sheet 1\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Seascape, Northern J.J., Approx 1989,\" \"Photograph by Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Top,\" \"12\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"67y + 52 m, Burn-in, 13 SE along edges, 6 1/2 sec f/11\" \"Final, 67y + 52m, 4 sec f/11, Burn-in 16 sec [?]\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"67y + 52 6 1/2sec f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"50m + 70y at 4 sec f/8\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"65y + 45m 6 1/2 sec f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"66y + 48m A 6 1/2 sec f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for 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Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5 min. Fix\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5 min. Fix\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This paper manufactured by Kodak\" \"100y + 76m, 12 sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This paper manufactured by Kodak\" \"#3, 102y + 64m 19 sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"22/48\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#1, 70m +80y, 16sec f/8\" \"#7 Neg. End of Strip\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#2 67m +87y at 16 sec at f/8, Burned in Background 16 extra sec. 2/3 at top\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#5 57m + 89y at 23 sec f/8 23 sec burn\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#6 61m + 85y at 20 sec f/8\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#7\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#1\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#1\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Notes on foam core support, on verso: \"Cool Colors, by Lou Draper, 9/20/2000, 100.00\"; Notes on foam core support, on other side \"Bernarda Shahn - Painter, Print Maker, Illustrator, N.J. Artists Series, Roosevelt, N.J. 1989\" partially blacked out by marker; \"Hari Krishna - 34th St. NYC;\" \"Louis Draper.\" Printed on computer 11x17 computer paper. Framed in black metal frame with glass face, matted in a 16x20 in. matt with a 9 3/8x9 3/8 in. window.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sept. 4, 1997 Abstraction AAA*\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Unititled Abstract, Thermal Wax Print, Lou Draper, MCCC Computer Art Faculty\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Unititled Abstract, Thermal Wax Print, Lou Draper, MCCC Computer Art Faculty\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints Include: [Woman on Subway Holding Pole], [Candid Portrait of Woman]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints Include: [Two Swings and Shadows], [Playground Series] [Hopscotch and Moon Reflection], [Print from Flyer: The Negro Woman: An Exhibition of Photographs]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints in the portfolio: [Woman on the Right Side of Print], [Boy Next to VW Beetle with Spraypainted Door], Congressional Gathering, [Boy and H], [Two Swings and Shadows]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints in the portfolio: [Close-up of Boy], [Pine Tree], [Fern and Boulders], [Rock, Ice, Stream], [Girl in Foreground Boy in Background Running Across Street to Catch Her], [Boy and H]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Photographers: Louis Draper, Bob Clark, Jimmy Mannas, Al Fennar, Larry Stewart, Herb Robinson, Calvin Wilson, Roy DeCarava, Shawn Walker, Calvin Mercer, Melvin Mills, Herman Howard, Earl James, Ray Francis.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","These 11 prints were housed together in a black \"Kamoinge Workshop Portfolio No. 1\" cover, but none of them are copies of the photographs included in the original portfolio. All of the prints are from unknown photographers except one with \"Photo By John Taylor\" on the verso. Most are printed on Agfa paper, while two are dry mounted.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","The lens is dated to 1954, and the camera body is dated to 1955. Camera is missing the piece that fits on the bottom.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Sticky Note on verso (now removed): Lou, I'm not totally satisfied with this print. But I did promise to replace the 8x10 version. Fame","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"New York Post, November 1979, Gary Saretzky, 2/30, #20\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Two Base Hit\" 1972, To My Friend Lou, Beuford Smith\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo by Frank Stewart, copyright 1971.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Surface-Marsh, Shelter Island. 1972\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Herb Randall confirmed during the Kamoinge Virtual Symposium in 2020 that this is the same person that appears in Ray Francis' print \"Untitled (Baka)\" (2021.134) and the June 1967 issue of The Arrow (VA04.01.1.209).","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Signed, note on verso.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"By W. Eugene Smith\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Print came with a piece of cardboard from when it was mailed to Draper. Notes on cardboard: \"Hungarian photographer whose photograph I purchased from his exhibit at the Hungarial Cultrual Society show. He mailed it to me 11 weeks later. $15.00/print.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Signed on verso","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David Murray with Jerry Garcia Band, Nov. 12, 1993, Maddison Square Garden, Photo: Joe Ryan, 609-799-4457\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Kadar Long, June 29, 1981, Movie Set\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Found in Lou's desk.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"[Mike ?]\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"[Mike ?]\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mr. Russell Barbour, himself once an enrollee, and his crew of fledgling photographers ages 16-17. His was the job of introducing laymen to the classic rudiments of photogrphic technique. All photographs by enrollees.\"","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\"","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Two copies of this item were removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, these items were placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" Both copies of this item were returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was on display during VMFA's exhibition, \"Storied Strings: The Guitar in American Art.\" This item was returned to the archives September 22, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Delivered to Photography on March 16, 2023 to re-shoot frames 2A/3, 18A/19, 25A/26 and 30A/31 for a reproduction request. Returned to archives June 26, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.    ","Not Digitized","Digitized","NO","VA04.04.09.314, VA04.04.09.190","VA04.04.09.314, VA04.04.09.190","VA04.04.07.001.S4","VA04.04.09.314, VA04.04.09.190","2021.134, VA04.11.1.025.P1","SC32.01.0.003","2015.294","2013.149","SC32.01.0.001","2019.7","VA04.04.08.026","2013.154","2013.151, 2015.301","2015.294","2015.282","2013.150","2015.301","2015.273","2013.149","2013.149","2013.149","2013.151","2013.151","2013.150, 2015.285","2013.150, 2015.272, 2015.282, 2015.303","2015.294, 2015.298","2013.149, 2013.151, 2015.278, 2015.294","2013.149","VA04.03.1.118, VA04.03.1.174, VA04.03.1.180, VA04.03.1.187","2013.150","2015.287","2015.291","2015.291","2015.291","2015.291","VA04.04.09.072, 2013.155","VA04.04.09.072, 2013.155","VA04.04.09.072, 2013.155","VA04.04.09.072, 2013.155","VA04.04.09.072, 2013.155","VA04.04.09.072, 2013.155","VA04.04.09.072, 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2015.282","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","2013.151","VA04.04.09.013.C1","VA04.04.09.013.C1","VA04.04.09.013.C1","VA04.04.09.013.C1","VA04.04.09.013.C1","VA04.04.09.013.C1","2015.275","2015.275","VA04.03.1.067, VA04.03.1.189, VA04.03.1.226, 2013.153,2013.154, 2013.155","VA04.03.1.067, VA04.03.1.189, VA04.03.1.226","VA04.03.1.067, VA04.03.1.189, VA04.03.1.226","VA04.03.1.067, VA04.03.1.189, VA04.03.1.226","VA04.03.1.067, VA04.03.1.189, VA04.03.1.226","VA04.03.1.067, VA04.03.1.189, VA04.03.1.226, 2013.153,2013.154, 2013.155","VA04.03.1.067, VA04.03.1.189, VA04.03.1.226, 2013.153,2013.154, 2013.155","2015.279","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.02.2.026","VA04.03.1.090","2015.292","VA04.03.5.086","VA04.04.09.029","VA04.04.09.029","VA04.04.09.029","VA04.04.09.029","2013.145, 2015.286","2015.286","2013.145","2013.145, 2015.286","2013.148","2015.280","2015.280","2015.280","2015.274","2015.274","VA04.04.09.147.P1","VA04.03.1.020","VA04.03.1.020","VA04.04.10.001.T1","VA04.04.10.001.T1","VA04.04.10.001.T1","VA04.04.09.014.T4","VA04.03.1.150.C2","VA04.03.1.150.C2","VA04.03.1.150.C2","VA04.03.1.150.C2","2015.302","2015.305","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","VA04.01.1.030","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2015.301","2013.152, 2015.297","2015.294","2015.294","2015.294","2015.294","2015.294","2015.294","2015.294","2015.294","2015.294","2015.298","2015.298","2015.294","2015.294","2015.294","2015.294","2015.294","2013.152","2015.298","2015.294","2013.152","VA04.03.1.150.C2","VA04.03.1.150.C2","VA04.03.1.150.C2","VA04.03.1.150.C2","VA04.03.1.201","VA04.04.09.144.T4","VA04.04.10.001.T1","VA04.04.10.001.T1","VA04.04.10.001.T1","VA04.04.10.001.T1","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.001.P14","VA04.06.4.001.P5","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","VA04.06.4.004","2015.273","VA04.06.4.004","VA04.06.4.004","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.06.4.001","VA04.04.09.025.T1","VA04.04.09.025.T1","VA04.04.09.025.T1","VA04.04.09.124.T1,","VA04.01.2.002, VA04.04.09.029.P2, VA04.06.2.016.P1","VA04.04.09.034.P1, VA04.04.09.034.P4, VA04.06.2.016.P1, VA04.04.09.020.C1, VA04.03.1.150.C2, VA04.04.09.034.T1,","VA04.04.09.206.P2, VA04.06.6.028.P1, VA04.06.4.019.P4,VA04.04.10.001.P9, VA04.04.09.034.P4","2021.134, VA04.01.1.209","The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.","This series is compromised of correspondence, clippings, notebooks, handbills, screenplays, and other ephemera that document Draper's life, education, and career. ","Titles were transcribed from the tape labels.","Titles were transcribed from the disc labels.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto","English \n.    "],"unitid_tesim":["VA-04","/repositories/2/resources/37"],"normalized_title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"collection_title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_persname_ssim":["Draper, Louis H., 1935-2002"],"creator_corpname_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creators_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"access_subjects_ssim":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"access_subjects_ssm":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 170 boxes; 6,605 items"],"extent_tesim":["37.5 Linear Feet 170 boxes; 6,605 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/collections/search-archives/louis-h-draper-archive-portal/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eA limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eManuscripts, 1947-2005, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003ePublications, 1959-2005, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003ePhotography: Portraits, 1958-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography: United States Locations, 1957-1999, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003ePhotography: International Locations, 1978-1990, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePhotography: Landscapes and Abstractions, 1960-2000, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003ePortfolios, 1964, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 8\u003c/label\u003e\n        \u003citem\u003ePhotographic Equipment, 1945-1988, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 9\u003c/label\u003e\n        \u003citem\u003eAudiovisual Materials, 1972-2000, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 10\u003c/label\u003e\n        \u003citem\u003eBorn Digital Files, 1996-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 11\u003c/label\u003e\n        \u003citem\u003ePhotographs by Others, 1946-1998, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated"],"bibliography_html_tesm":["\u003cbibref\u003eWorking Together: Louis Draper and the Kamoinge Workshop, 2020\u003c/bibref\u003e","\u003cbibref\u003eGrowing up in Civil Rights Richmond: A Community Remembers, 2019\u003c/bibref\u003e","\u003cbibref\u003eLouis H. Draper: Selected Photographs, 2015\u003c/bibref\u003e","\u003cbibref\u003eTimeless, 2015\u003c/bibref\u003e","\u003cbibref\u003eThe Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004\u003c/bibref\u003e","\u003cbibref\u003eVirginia Artist File: Louis Draper\u003c/bibref\u003e","\u003cbibref\u003eInternational Artist File: Kamoinge\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Artist Files"],"bibliography_tesim":["Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge"],"bioghist_html_tesm":["\u003cp\u003eLouis Hansel Draper\u003c/p\u003e\n","\u003cp\u003eBorn: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ\u003c/p\u003e\n","\u003cp\u003eWhile a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.\u003c/p\u003e\n","\u003cp\u003eThroughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.\u003c/p\u003e\n","\u003cp\u003eIn 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.\u003c/p\u003e\n","\u003cp\u003eDraper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.\u003c/p\u003e\n","\u003cp\u003eIn 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"\u003c/p\u003e\n","\u003cp\u003eIn the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.\u003c/p\u003e\n","\u003cp\u003eIn 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.\u003c/p\u003e\n","\u003cp\u003eIn 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.\u003c/p\u003e\n","\u003cp\u003eEssence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.\u003c/p\u003e\n","\u003cp\u003eInterspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.\u003c/p\u003e\n","\u003cp\u003eFrom 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.\u003c/p\u003e\n","\u003cp\u003eDraper taught at Mercer until his death in 2002.\u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/i\u003e\u003c/p\u003e","\u003cp\u003eAmerican--1\u003c/p\u003e","\u003cp\u003eAmerican--1\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","American--1","American--1"],"custodhist_html_tesm":["\u003cp\u003eLouis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. \u003c/p\u003e\n","\u003cp\u003eSaretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (\u003ci\u003eemail to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019\u003c/i\u003e). \u003c/p\u003e\n","\u003cp\u003eAt that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. \u003c/p\u003e\n","\u003cp\u003eIn February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (\u003ci\u003eemail to Courtney Tkacz from Gary Saretzky, June 28, 2019\u003c/i\u003e). \u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). "],"odd_html_tesm":["\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eCopyright 1931. Dated \"8.8.66\" on the inside front cover with the return address label of a nurse in Asbury Park, N.J., so Draper likely purchased it second-hand after 1966.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eApplication for Substitute Clerk position.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eTeenie Harris Archive Online: http://teenie.cmoa.org/CollectionSearch.aspx?itemIRN=21146\u0026amp;retURL=page%3D4959\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eIncludes handwritten welcome note from Fred H.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePortrait of Draper used in the brochure\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eCopyright 1972\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eIncludes Technical Assistance Agreement from November 1973 for the Together We Stand organization\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"The staff of OUTLOOK give special thanks to Mr. Louis Draper and Ms. Christine Cavallo for their graphic design assistance for this issue.\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eCourse number Tech 138, Photography 1B\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDraper was Script Supervisor/Still Photographer.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDraper was Master of Ceremonies\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eCover Image: \"Lou and His Son,\" 2000, Acrylic, 62\" x 67\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Terry and Mr. Drapper[sic]\" on page 4\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eIncludes a photography log\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eCourse L 142 which would be applied to Thomas A. Edison State College\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eBlack-and-white and color prints on letter-sized paper.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eColor prints on tabloid-sized paper, with some cut down to a smaller size.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National 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been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eNote from Carroll Siskind\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization 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Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Kamoinge: The Members, the Cohesion and Evolution of the Group by Louis H. 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Draper and Allucquere Rosanne Stone\" presented at the National Graduate Seminar 1995\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDraper is listed as a reporter\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eHerb Randall confirmed during the Kamoinge Virtual Symposium in 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been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eCollette V. Fournier and William Berry were Co-Chairs. ABD and African American History Month Committee, and Rockland Community College were the organizers. Arts Council of Rockland (ACOR) provided a Decentralization grant which Fournier co-wrote with AAHMC Chair William Berry. Other funding sources were provided by Rockland Community College, NYSCA, and Orange \u0026amp; Rockland Utilities, Inc. which provided a grant specifically for the opening reception at Blue Hill Cultural Center. However, the multi-sited exhibition was held at various venues in the County: Rockland Community College, Rockland Center for the Arts (ROCA), (ex) Arts Alliance of Haverstraw (AAH!), Arts Council of Rockland, and Blue Hill Cultural Center.\u003c/p\u003e\n","\u003cp\u003eThis was an exhibition of 25 photographers, 5 lithographers and a sculptor. Each venue had a separate theme and exhibited various artists whose work addressed that theme. We were showing the diversity of African American photographers, lithographers and artists. Louis Draper's and John Vasser's photography were exhibited at the Arts Council of Rockland (ACOR) highlighting the theme of \"History and Traditions: Views From the Street\" with their accompanying bios. \u003c/p\u003e\n","\u003cp\u003eThe exhibition included a number of Kamoinge members: Budd, C.A. Williams, Shawn W. Walker, Louis H. Draper, Adger W. Cowans, Salimah Ali and Collette V. Fournier. The themes and venues were: \"Documenting Life Cycles: Relationships Between Men and Women\" at Rockland Community College; \"Expanding the Boundaries of Spirituality, Belief and Movement\" at Rockland Center for the Arts; \"Family at Home and In the Diaspora\" Arts Alliance of Haverstraw; \"History and Traditions: View From the Street\", and \"There Is A World Through Our Eyes: Perceptions and Visions of the African American Photographer\", which represented the work of all artists at Blue Hill Cultural Center.\u003c/p\u003e\n","\u003cp\u003e(This information was shared with Dr. Sarah Eckhardt, VMFA Associate Curator of Modern \u0026amp; Contemporary Art from Collette V. Fournier via email on June 17, 2023.)\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDraper was the Exhibit Coordinator\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eIncludes notes about jazz musicians, films seen, assignments, and screenplay ideas.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eIncludes notes about equipment, exhibitions, addresses, and Khasem\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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review\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eLeft to right: Shawn Walker, Ray Francis, Lou Draper\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National 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Jimmy is the speaker near the beginning of the film at the art gallery opening in Moscow.  The quality of the movie is not high but still of historic interest. Lou appears several times but does not speak in it.\" Email from Gary Saretzky to Courtney Tkacz, Feb. 16, 2021.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eInscribed by the artist\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National 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Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eThis might be an overview of the degree program at the Illinois Institute of 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Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eAlternately titled assignment #2 and #4\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National 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been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eIncludes list of paintings assumed to be in Leipzig's handwriting\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"The action of this story is set in a Northeastern city in the summer of 1967.\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eMembers: Connie, Hami, Wayne, Lou [Draper], Luvenia, Jeanne [Gray], Rudy [Gray], Gail [Davis]\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eExcerpt\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eExcerpt\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePages 1-13\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePages 7-30\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePages 39-56\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePages 60-70\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePages 60-87\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePages 83-116\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eConducted on Aug. 18, 1982 by Louis Draper for Volume 5 of \"The Black Photographers Annual\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eListed by categories, including Occupations, Military, Business, Banking, Women, Personalities, etc.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePublished in \"Camera,\" July 1966\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eSame poem published in \"Camera,\" July 1966, now titled \"Colonial Legacy\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eInstructor: Ms. S. Williams\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eWritten in response to Bed Maddow's article: https://www.nytimes.com/1985/08/25/magazine/w-eugene-smith-through-a-lens-darkly.html\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eAlternate title: \"Exposure: Ten Photographers' Work\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDraper exhibited in the \"History and Traditions: Views from the Street\" exhibition\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eMany of the pages are signed by the artists\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eIncludes Draper's edit on page 8\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in 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in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper for Transmondo\" \"1032\" \"9-66\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"1032 - Draper\" \"9-21-66\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"1032\" \"Louis Draper for Transmondo\" \"1X Use\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003e\"Jazz Musicians\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"1032 Miles Davis 10/4/66 Draper\" \"1032 Miles Sheet 13\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Sheet 11 1032 Miles Davis 10/4/66 Draper\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003e\"Jazz Musicians\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"1032 - Draper\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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Endeavor.\u003c/p\u003e","\u003cp\u003e\"1032 - Draper\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"1032 - Draper\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"1032 - Draper\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"1032 - Draper\" \"Louis Draper\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"L. 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Davis\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003e\"Man with Guitar\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Magenta\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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f/5.6\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"70m, 100y, 17 sec, f/506\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"DR0060.4\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made 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Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"40\" \"Herb Randall\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"40\" \"Herb Randall\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"#36\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the 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created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Coney Island, July 1976\" \"Louis Draper, c/o Barboza, 10 W. 18th St., New York, NY 10011, (212) 242-1880,\" \"LB53821\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Lou Draper, 'Woman and Carousel,' Photograph,\" \"Please Return To Lou Draper, ETB\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"28/3\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"28/3\" \"Book 46\" \"46\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Coney Island Series, Brooklyn, N.Y., 'Woman and Carousel'\" \"Louis H. 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been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive created by VMFA.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigital positive 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the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Photograph By Louis Draper, 13 Putnam Ave, PO Box 212, Brooklyn 11238, NY\" \"Please Credit Louis Draper\" \"155\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"#109\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"9 1/2x6 1/2 - I, 8x10 - O, 250.00\" \"69\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Photograph by Louis Draper, 13 Potnam Ave, PO Box 212, Brooklyn 11238, NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"#138\" #27/47\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"4\" \"Louis Draper, 1172 Anderson Ave., Apt. 2E, Bronx, NY 10452, 992-4127\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"This Paper Manufactured by Kodak\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"This Paper Manufactured by Kodak\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"This Paper Manufactured by Kodak\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"This Paper Manufactured by Kodak\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"#28 Woman's Head\" \"Taken Sept 1962\" \"Photograph by Louis Draper, 20 E. 127th St., New York 10035, NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"This Paper Manufactured by Kodak\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"8x10 - O, 200.00\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"25/47\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"This Paper Manufactured by Kodak\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"This Paper Manufactured by Kodak\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"9 3/4x6 3/4 - Inner, 8x10 - Outer, 250.00\" \"26\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"27/43\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper, 20 E. 127th St., NY 35, NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Little Girl in Street\" \"Louis Draper 20 E. 127th St. NYC 10035\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper, 13 Putnam Ave., PO Box 212, Brooklyn 11238, NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper, 242-1880\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Photo by Louis Draper\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper, c/o Lawrence Photo, 199 W. 10th St., New York 14 NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper 20 E. 127th St. NYC 10035\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"#103\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eTitle and date provided by Anthony Barboza.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eTitle and date provided by Anthony Barboza.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"125th St. - Harlem, Early 1960s\" \"Lou Draper\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Paul Freed with Arthur Freed's Hands, 1961\" \"Louis Draper 20E. 127th St, NY 35, NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper, 20 E. 127th St., NY 35, NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Louis Draper, 20 E. 127th St., NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"26/8\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Bilingual\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"41\" \"Louis Draper, Photographer, 1172 Anderson Ave., Bronx, New York, (212) 992-4127\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Endeavor.\u003c/p\u003e","\u003cp\u003e\"#7\" \"This Paper Manufactured by Kodak\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"#1\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"#1\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eNotes on foam core support, on verso: \"Cool Colors, by Lou Draper, 9/20/2000, 100.00\"; Notes on foam core support, on other side \"Bernarda Shahn - Painter, Print Maker, Illustrator, N.J. Artists Series, Roosevelt, N.J. 1989\" partially blacked out by marker; \"Hari Krishna - 34th St. NYC;\" \"Louis Draper.\" Printed on computer 11x17 computer paper. Framed in black metal frame with glass face, matted in a 16x20 in. matt with a 9 3/8x9 3/8 in. window.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Sept. 4, 1997 Abstraction AAA*\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Unititled Abstract, Thermal Wax Print, Lou Draper, MCCC Computer Art Faculty\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Unititled Abstract, Thermal Wax Print, Lou Draper, MCCC Computer Art Faculty\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePrints Include: [Woman on Subway Holding Pole], [Candid Portrait of Woman]\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePrints Include: [Two Swings and Shadows], [Playground Series] [Hopscotch and Moon Reflection], [Print from Flyer: The Negro Woman: An Exhibition of Photographs]\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePrints in the portfolio: [Woman on the Right Side of Print], [Boy Next to VW Beetle with Spraypainted Door], Congressional Gathering, [Boy and H], [Two Swings and Shadows]\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePrints in the portfolio: [Close-up of Boy], [Pine Tree], [Fern and Boulders], [Rock, Ice, Stream], [Girl in Foreground Boy in Background Running Across Street to Catch Her], [Boy and H]\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePhotographers: Louis Draper, Bob Clark, Jimmy Mannas, Al Fennar, Larry Stewart, Herb Robinson, Calvin Wilson, Roy DeCarava, Shawn Walker, Calvin Mercer, Melvin Mills, Herman Howard, Earl James, Ray Francis.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eThese 11 prints were housed together in a black \"Kamoinge Workshop Portfolio No. 1\" cover, but none of them are copies of the photographs included in the original portfolio. 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Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eSticky Note on verso (now removed): Lou, I'm not totally satisfied with this print. But I did promise to replace the 8x10 version. Fame\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003ca href=\"https://www.alfennarphotography.com/east-coast\"\u003e\u003c/a\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003ca href=\"https://www.alfennarphotography.com/east-coast\"\u003e\u003c/a\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"New York Post, November 1979, Gary Saretzky, 2/30, #20\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Two Base Hit\" 1972, To My Friend Lou, Beuford Smith\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Photo by Frank Stewart, copyright 1971.\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"Surface-Marsh, Shelter Island. 1972\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eHerb Randall confirmed during the Kamoinge Virtual Symposium in 2020 that this is the same person that appears in Ray Francis' print \"Untitled (Baka)\" (2021.134) and the June 1967 issue of The Arrow (VA04.01.1.209).\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eSigned, note on verso.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003e\"By W. Eugene Smith\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003ePrint came with a piece of cardboard from when it was mailed to Draper. Notes on cardboard: \"Hungarian photographer whose photograph I purchased from his exhibit at the Hungarial Cultrual Society show. He mailed it to me 11 weeks later. $15.00/print.\"\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eSigned on verso\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National 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Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National 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Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDigitization has 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Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization 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in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Note from Carroll Siskind","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kamoinge: The Members, the Cohesion and Evolution of the Group by Louis H. Draper joined by Anthony Barboza\" and \"Organizing and Working Within Communities including Wendy Ewald, Jolene Rickard, Jorge Daniel Veneciano; Responding Panelists: James Baker, Louis H. Draper and Allucquere Rosanne Stone\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Organizing and Working Within Communities including Wendy Ewald, Jolene Rickard, Jorge Daniel Veneciano; Responding Panelists: James Baker, Louis H. Draper and Allucquere Rosanne Stone\" presented at the National Graduate Seminar 1995","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper is listed as a reporter","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Herb Randall confirmed during the Kamoinge Virtual Symposium in 2020 that this is the same person that appears in Ray Francis' print \"Untitled (Baka)\" (2021.134) and \"Barka-Allah\" (VA04.11.025.P1).","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Signed by Larry Kimbrough","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Original photograph ca. 1900: https://www.icp.org/browse/archive/objects/unidentified-family-group-with-dog","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Collette V. Fournier and William Berry were Co-Chairs. ABD and African American History Month Committee, and Rockland Community College were the organizers. Arts Council of Rockland (ACOR) provided a Decentralization grant which Fournier co-wrote with AAHMC Chair William Berry. Other funding sources were provided by Rockland Community College, NYSCA, and Orange \u0026 Rockland Utilities, Inc. which provided a grant specifically for the opening reception at Blue Hill Cultural Center. However, the multi-sited exhibition was held at various venues in the County: Rockland Community College, Rockland Center for the Arts (ROCA), (ex) Arts Alliance of Haverstraw (AAH!), Arts Council of Rockland, and Blue Hill Cultural Center.","This was an exhibition of 25 photographers, 5 lithographers and a sculptor. Each venue had a separate theme and exhibited various artists whose work addressed that theme. We were showing the diversity of African American photographers, lithographers and artists. Louis Draper's and John Vasser's photography were exhibited at the Arts Council of Rockland (ACOR) highlighting the theme of \"History and Traditions: Views From the Street\" with their accompanying bios. ","The exhibition included a number of Kamoinge members: Budd, C.A. Williams, Shawn W. Walker, Louis H. Draper, Adger W. Cowans, Salimah Ali and Collette V. Fournier. The themes and venues were: \"Documenting Life Cycles: Relationships Between Men and Women\" at Rockland Community College; \"Expanding the Boundaries of Spirituality, Belief and Movement\" at Rockland Center for the Arts; \"Family at Home and In the Diaspora\" Arts Alliance of Haverstraw; \"History and Traditions: View From the Street\", and \"There Is A World Through Our Eyes: Perceptions and Visions of the African American Photographer\", which represented the work of all artists at Blue Hill Cultural Center.","(This information was shared with Dr. Sarah Eckhardt, VMFA Associate Curator of Modern \u0026 Contemporary Art from Collette V. Fournier via email on June 17, 2023.)","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper was the Exhibit Coordinator","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes notes about jazz musicians, films seen, assignments, and screenplay ideas.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes notes about equipment, exhibitions, addresses, and Khasem","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes a history of Kamoinge as well as by-law and membership documents for review","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Left to right: Shawn Walker, Ray Francis, Lou Draper","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The movie was footage shot in Russia but was put together later and narrated by Judith Brodsky, who at one point refers to him as the \"late Lou Draper.\"  Two of the other TAWA artists in the film are also referred to as \"late,\" Jimmy Colavita and Anne Bobo.  Jimmy is the speaker near the beginning of the film at the art gallery opening in Moscow.  The quality of the movie is not high but still of historic interest. Lou appears several times but does not speak in it.\" Email from Gary Saretzky to Courtney Tkacz, Feb. 16, 2021.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Inscribed by the artist","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","This might be an overview of the degree program at the Illinois Institute of Technology.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Alternately titled assignment #2 and #4","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Arranged numerically, where number was provided.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Created for Visual Arts Career Day","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Multiple copies of the annotated lists","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Unclaimed Territory\" essay by Draper","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Inscribed by the author","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes list of paintings assumed to be in Leipzig's handwriting","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The action of this story is set in a Northeastern city in the summer of 1967.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Members: Connie, Hami, Wayne, Lou [Draper], Luvenia, Jeanne [Gray], Rudy [Gray], Gail [Davis]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Excerpt","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Excerpt","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 1-13","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 7-30","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 39-56","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 60-70","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 60-87","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Pages 83-116","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Conducted on Aug. 18, 1982 by Louis Draper for Volume 5 of \"The Black Photographers Annual\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Listed by categories, including Occupations, Military, Business, Banking, Women, Personalities, etc.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Published in \"Camera,\" July 1966","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Same poem published in \"Camera,\" July 1966, now titled \"Colonial Legacy\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Instructor: Ms. S. Williams","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Written in response to Bed Maddow's article: https://www.nytimes.com/1985/08/25/magazine/w-eugene-smith-through-a-lens-darkly.html","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Alternate title: \"Exposure: Ten Photographers' Work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper exhibited in the \"History and Traditions: Views from the Street\" exhibition","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Many of the pages are signed by the artists","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes Draper's edit on page 8","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Reject\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"C.V. pull-in focus background in\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Medium 2 shot looking off center framed RT\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Pulling focus foreground in\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Medium shot looking slightly Rt framed extreme Lt.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Tony Barboza and Wife Maria\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bill Barksdale and son\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bill Barksdale and son,\" \"30/5","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bill Barksdale and son,\" \"30/5","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Allen Bennett\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Alan Bennett\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sheet 3 - Joggers, Diane Campbell \u0026 daughter heading to school\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Marge Chavooshian\" \"36\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"[Marge Chavooshian] by Lou Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Duvie Clark, author\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Duvie Clark, author\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Duvie Clark, author\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Duvie Clark, author\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Fragments of a Spectral\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Fragments of a Spectral\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David Collier, Professor: Mercer County College, Author: \"Trenton - The Capital Place;\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton N.J. 08690, (609) 586-4800 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David Collier\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper for Transmondo\" \"1032\" \"9-66\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\" \"9-21-66\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032\" \"Louis Draper for Transmondo\" \"1X Use\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Jazz Musicians\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 Miles Davis 10/4/66 Draper\" \"1032 Miles Sheet 13\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sheet 11 1032 Miles Davis 10/4/66 Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Jazz Musicians\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"L. Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"L. Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"1032 - Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Miles Davis 1966\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Miles Davis\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Miles Davis\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","\"Man with Guitar\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization 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Endowment for the Humanities: Exploring the Human Endeavor.","\"70m, 100y, 14 sec, f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"70m, 100y, 17 sec, f/506\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"DR0060.4\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Tony, N.Y., 1975\" \"DR0060.5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper\" \"5\" \"Louis Draper\" \"33/2\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"Processed by Kodak, Nov 1986 D\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"Processed by Kodak, Nov 1986 D\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Alfred Fennar\" \"c/o Barboza 10 W. 18th st, New York, NY, 242-1880\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 20 E. 127th St, NY10035\" \"Tad Fennar\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Uncle Ray Francis Talks to His Class.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Uncle Ray Francis Talks to His Class.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Uncle Ray Francis Talks to His Class.\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Notes from meeting with Fred Hudson on verso","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"DLG being herself\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Dorothy Gloster\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Photographer, 1172 Anderson Ave., Bronx, New York, (212) 992-4127\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 242-1880\" \"Creation Series, Encore\" \"1\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","On \"Fine Custom Prints\" photo envelope: \"Midge Goldman - 12 Dogwood Hill Rd., Upper Sadle River, N.J. 07458\" \"1 - 5x7, 3 4x5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","On \"Fine Custom Prints\" photo envelope: \"Midge Goldman - 12 Dogwood Hill Rd., Upper Sadle River, N.J. 07458\" \"1 - 5x7, 3 4x5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","On \"Fine Custom Prints\" photo envelope: \"Midge Goldman - 12 Dogwood Hill Rd., Upper Sadle River, N.J. 07458\" \"1 - 5x7, 3 4x5\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Ves Herper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Ves Herper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by 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for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in 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Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/22\" written on verso of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/21\" written on back of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 W. 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Tad and Kaiko (mother) Fennar, Englewood, New Jersey","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"N.J. Artist Series, Adolph Konrad, Clinton, N.J.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"N.J. Artists Series\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mel Leipzig, (N.J Artists Series), Louis Draper 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Builder Levy\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Viveca Lindfors - Actor, NYU Student Production, 1969,\" \"38%,\" \"202, 09\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/15\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/15\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Includes strips with outdoor landscape with snow, trees, and a bird house.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/33\" on verso of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Terry McNichol\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Terry McNichol, Director: Ellarslie City Museum, May 3, 1995;\": \"Trenton - The Capital Place;\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton N.J. 08690, (609) 586-4800 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joseph and Molly Merlino\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Molly and Joseph (Joe) Merlino, Longtime Trenton Residents and Activists;\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton N.J. 08690, (609) 586-4800 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in 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Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"'Judy Schulte' (N.J. 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Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made 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the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Jonathan Shahn\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bernarda Shahn, New Jersey Artists Series, Roosevelt, N.J., 1993\" \"Louis Draper (Kamoinge, INC.) 1-604-586-4800 ext. 3354\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Johnathan Shahn 1994, N.J. Artists Series, Roosevelt, N.J.\" \"12\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Jonathan Shahn, Roosevelt\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"N.J. Artists Series, Johnathan Shahn, Roosevelt, N.J., 1995\" \"Louis Draper, (Kamoinge INC.) 1-609-586-4800 ext. 3354\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/57\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"30/60\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital 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Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring 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National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Cover for Book 'Dialogue with Sammy'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Close-up framed extreme Rt.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring 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Endeavor.","\"33/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: 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Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joe Torres (student) NY State Division or Youth, Bronx\" Louis Draper, c/o Barboza Studio, 10 W. 18th Street, NY, 10011,\" \"2B53821\" on verso of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital 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Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Bronx Division of Youth Project","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"'Ace' larger of [Book 43]\" \"26/35.\" Bronx Division of Youth Project","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Bronx Division of Youth Project","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"32/8\" on the back of one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"32/8\" on verso on one print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"32/20\" [Book 68]\", \"68\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"38/22\" [Book 68]\", \"larger\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Mercer County Community College Graduation Portraits","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kyle and Quinn, Sequence, Sheet I, 6-2-68\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Cousin Lillian, a couple of days before her death, Sept. 1979\" \"Mrs. Fannie Booker, 1979\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","The monument in frame 10 is the Eakins Oval in Philadelphia on the Benjamin Franklin Parkway.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak, Sep. 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak, Sep. 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou Draper, 9-7-1991, 1st Film Test, Tri-X 150 400, Cannon AE-1\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou Draper, 9-7-1991, 1st Film Test, Tri-X 150 400, Cannon AE-1\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Procesing Dec. 1999 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Procesing Dec. 1999 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak\" \"DuraLife Paper\" \"Apr. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak\" \"DuraLife Paper\" \"Apr. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Procesing Dec. 1999 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak\" \"DuraLife Paper\" \"Apr. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Dorothy and Brandon (Lou's Godson)\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"May 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"May 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"May 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Make in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Make in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\" \"Apr 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodica Long Life 100\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"AGFA Quality Paper Made in Germany\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Professional Paper, Do not Copy\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Konica Long Life 100\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Taken at 20 E. 127th Street (Langston Hughes' brownstone)","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Slit Scan Photograph, Made By Andrew Davidhazy 6/20/1989, Rochester, NY, (RIT)\" \"I Stood on slowly rotating pedestal. He started polaroid exposure at back of my head and continued scanning exposure until I was rotated to face the camera. I used a portable light on the camera approx. 250 watts, I think.\" \"Polaroid Color pack II Camera modified\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Me - Foreground- with playmates, Russel School, maybe Dennis McKenzie, and unknown\" \"Kodak Paper\" \"Kodak Premium Processing Jan. 2000 ALK\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Top high front, bounced umbrella, [?] heads, F/22-32 ASA200 400 watt setting, 200 watts each head\", Stick figure drawing","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"On Boat Going to Zuchinshoa\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Copyright Shawn W. Walker, Photo-Arts Studio, All Rights Reserved\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Beuford Smith/Cesaire, 141 Clinton Ave., Brooklyn, NY 11205, Phone/FAX 718-624-7670\" \"May. 97\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kathy's accidental photo of me 'saluting' a photograph, … 5/13/93\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joanne Nestor Photographer, TAWA Artists on Soveiet Exchange, Left to Right: Bob Miller, Judy Brodsky, Lou Draper, Joy Barton, James Colavita, not present: Anne Bobo\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou w/ James Baldwin\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper, PO Box 212, Brooklyn, NY 11238\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper, PO Box 212, Brooklyn, NY 11238, Adelphi Station\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 2/3x7 2/3 - I, 11x14 - O, 60, 275.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Film exposure test\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#9\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#2; 60m + 90 Y; 10 Sec f/5 .6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"60 m + 90 Y; 12 Sec f/5.6","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"34/64\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"7 1/2 x 5-I;\" \"8x10-0;\" \"250.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"34/65\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1989\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1991\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper, Sep 1990\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: 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National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 17 in neg file book, Interviewing Picture strip on Page 11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 15 in neg file book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 13 in neg file book \"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 13 in neg file book \"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 13 in neg file book \"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 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26\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 24 in neg file book\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mrs. Hamer with Neighbor page 18 in negative file book, Horr's Lake on page 37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Page 21 in neg. file 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positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been 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the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment 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the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Found uncut in Draper's office","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization 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Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo By Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Summer in the City,\" \"Louis Draper, c/o Barboza, 10 West 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 W. 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5\" \"Louis Draper, PO Box 212, Brooklyn, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"38/24\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"37/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton, N.J. 08690, (609) 586-9500 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Please Credit, Louis Draper, c/o Barboza, 10 W. 18th Street, NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"6,\" \"Louis Draper, 'Connection'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"10\" \"Louis Draper, 'Connection'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25/22\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Connection\" \"Jesse ?'s Play, Loving Theater 1959, NYC\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"40\" \"Herb Randall\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"40\" \"Herb Randall\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#36\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Coney Island, July 1976\" \"Louis Draper, c/o Barboza, 10 W. 18th St., New York, NY 10011, (212) 242-1880,\" \"LB53821\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Lou Draper, 'Woman and Carousel,' Photograph,\" \"Please Return To Lou Draper, ETB\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"28/3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"28/3\" \"Book 46\" \"46\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Coney Island Series, Brooklyn, N.Y., 'Woman and Carousel'\" \"Louis H. Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"22/45\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Welcome Home Bobby\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Archival\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Mario Jorrin is seen in frames 34 and 35. This was confirmed by his daughter China Jorrin in an email sent to the Senior Archivist on December 21, 2021.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper 'Congressional Gathering'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Marcer County College, 1200 Old Trenton Road, Trenton, N.J. 08690, (609)556-4500 ext. 715\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Archival\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Print mounted to a 14x17 support. It was originally in a metal 14 1/4x17 3/8 in. (maybe aluminum) frame. Notes on Verso of support: \"Louis Draper, c/o Taylor, 322 W. 57th St., NY 10019\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 W. 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Bedsheet strip was published by 1958.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Possibly Titled: Sheets. Verso of VA04.06.7.004.P1 Mount, \"19. Sheets - New York City, Greenwich Village\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"2\" \"NYC 1967\" \"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Possibly Titled: Sheets. Verso of VA04.06.7.004.P1 Mount, \"19. Sheets - New York City, Greenwich Village\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Possibly Titled: Sheets. Verso of VA04.06.7.004.P1 Mount, \"19. Sheets - New York City, Greenwich Village\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\" \"'Listening - Harlem, NYC'\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 13 Potnam Ave, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/17\" \"37\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, NYC 1964\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Roy DeCarava, ca. 1972\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"33/32\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Central Park - NYC, New York\" \"Louis Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton, N.J. 08690\" \"31/18\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 West 18th St., NY 10011\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Side of a park wall, Diffused sunlight, 1/100 Between f/4 and f/5.6, Early morning, Plus-x film, New York City\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"31/38\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"12x8- Inner, 11x14 -outer, 275.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photographer Louis Draper, 22 E 117th St\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 1/2x12 1/2 - Inner, 11x14 - Outer, 250.00;\" \"39\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"57th Ave - Brooklyn, 1976\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","The date is based on the \"Daily News\" newspaper the subject is holding in the picture.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Originally in a metal 11 1/2x14 1/2 in. (maybe aluminum) frame with glass, and foam core between print and back of frame. Print in a 11x14 in. mat with a 5 5/8x8 5/8 in. window. Notes on verso of print: \"Louis Draper, NYC.\" Notes on foam core: \"Man and Sax,\" \"#27.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","The date is based on the \"Daily News\" newspaper the subject is holding in the picture.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","The date is based on the \"Daily News\" newspaper the subject is holding in the picture.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bob and Roy Comedy Team, Hotel Roosevelt\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Alan King - Comedian, Bob and Roy - Comedy Team, Hotel Roosevelt\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Banquet\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Awards Presentation Roosevelt Hotel\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Writers Guild Dinner\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#37 Jessie Jackson on left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Elihu Winer, and Hazel Scott (pianist)\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Art Buchwald - Satirist\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Art Buchwald - Satirist\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Hazel Scott and [?] McNeil\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Light work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Coney Island Series #3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Barboza, 10 West 18th Street, New York, NY, 10011, (212) 242-1023\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Light work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Light work\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","34th Street NYC","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 22 E. 17th St., NY 10003, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25/25\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"37/22\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5063 TX Film\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Tri X Pan\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Panatomic X\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Shot with widelux camera\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"4\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the 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created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made 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Draper, c/o Mercer County College, 1200 Old Trenton Road, Trenton, N.J. 08690, (609) 580-4800 ext. 350\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"My First Film, I was camera operator and director\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"My First Film, I was camera operator and director\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"My First Film, I was camera operator and director\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Burt Cohen's film, Fred, [?], Larry, and Burt\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Marco Gumries, Be' Bictoria, and Burt Cohen\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Phil Schaeffer, and John Forest\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Prof. David Collier seated front row at left\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 22 E. 17th St., Room 319, NY 10003, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#12 Howard Cosell, TV Sports Caster\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#12 Howard Cosell, TV Sports Caster\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#12 Howard Cosell, TV Sports Caster\"","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper NYC 1978\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 1/2x12 1/2, 11x14, 200.00\" \"23\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 242-1880\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"The Virgin Mary, Place - New York, Exposure Not Known\" \"Photo By Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"29/40\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"27/22\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 24 W. 91 St., New York 24, N.Y.\" \"27/3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"27/3\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 22 E 17th St, Rm 319, NY 10003, NY\" \"2 *MEL 6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St. NY 11038\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph By Louis Draper, 13 Putnam Ave, PO Box 212, Brooklyn 11238, NY\" \"Please Credit Louis Draper\" \"155\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#109\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 1/2x6 1/2 - I, 8x10 - O, 250.00\" \"69\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 13 Potnam Ave, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#138\" #27/47\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"4\" \"Louis Draper, 1172 Anderson Ave., Apt. 2E, Bronx, NY 10452, 992-4127\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#28 Woman's Head\" \"Taken Sept 1962\" \"Photograph by Louis Draper, 20 E. 127th St., New York 10035, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"8x10 - O, 200.00\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"25/47\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"9 3/4x6 3/4 - Inner, 8x10 - Outer, 250.00\" \"26\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"27/43\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Little Girl in Street\" \"Louis Draper 20 E. 127th St. NYC 10035\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 13 Putnam Ave., PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 242-1880\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo by Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, c/o Lawrence Photo, 199 W. 10th St., New York 14 NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper 20 E. 127th St. NYC 10035\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#103\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Title and date provided by Anthony Barboza.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Title and date provided by Anthony Barboza.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"125th St. - Harlem, Early 1960s\" \"Lou Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Paul Freed with Arthur Freed's Hands, 1961\" \"Louis Draper 20E. 127th St, NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY 35, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, 20 E. 127th St., NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"26/8\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Bilingual\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"41\" \"Louis Draper, Photographer, 1172 Anderson Ave., Bronx, New York, (212) 992-4127\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Steve Dzenkina, Jim Schuter\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Gordon Brown, Richard Zakia\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","*Shawn","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Louis Draper, 20 E. 127th St., NY 10035\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in 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Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National 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has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Royal Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part 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Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"45\" \"24/6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Dakar Senegal\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Dakar, Senegal\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring 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the Humanities: Exploring the Human Endeavor.","\"Woman Who Operates a Fruit Stand Near A Moscow Metro, Moscow, U.S.S.R., July 1990, Louis Draper\" \"24/77\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Street Scene, Moscow, U.S.S.R., Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive 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Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part 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Endeavor.","\"Overlooking Leningrad, Leningrad, U.S.S.R., Aug. 1990, Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human 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Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization 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in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Museum Curator, Minsk, U.S.S.R, Aug. 1990, Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Kodak Paper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Joy Barta and Bob Miller, Russia Trip\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National 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Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#131\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"50M + 80y at 4 1/2 Sec at f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" Written on recto: \"#4, 25 M + 55y, 29Sec f/8, Ektacolor, 12 Sec Burning in Lower left Corner\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"#1, 90y + 60m, 25 Sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"#2 90y + 60m 50 Sec f/5.6, Then Burning in Sun Highlight Area w/ 60y +60m 50 Sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"#1 70y +60m at 28 Sec f/5.6, Too Dark and too green, decrease magenta\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"3y + 55m at 35 sec at f/5\" \"103y + 55m at 35 sec at f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured By Kodak\" \"100y + 55m at 35 sec at f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photographer Louis Draper 22 E. 17th Street, Ney York, NY 10003\" \"Harlem\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Playground, Part of an essay, Late evening, approximately 1/50 f/4, New York City\" \"Photo by Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Untitled Chemical Experimentation\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"11.1, Burn in Edges, All Around, Sperm Travel\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sperm Travel\" Louis H Draper 1995\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - January 1990, Medium - Photography\" (Top) \"5\", \"Rough Print\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"3\", \"Rough Print\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top), \"Rough Print\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"3\", \"Rough Print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"4\", \"Rough Print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Top\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper, Untitled, Size - Outer Dimension, 16x20, Date Completed - March 1993, Medium - Photography\" (Top) \"6\", \"Rough Print","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Untitled, Ice Series, 1993, Louis Draper,\" \"Top,\" \"16\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#19\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#7\" \"Louis Draper, PO Box 212, Brooklyn, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Ice - 10th Ave., NYC\" \"Top\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"New York City - 10th Ave Ice\" \"Louis Draper 1989\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#17\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#9\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#2\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sheet 1\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Seascape, Northern J.J., Approx 1989,\" \"Photograph by Louis Draper\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Top,\" \"12\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"67y + 52 m, Burn-in, 13 SE along edges, 6 1/2 sec f/11\" \"Final, 67y + 52m, 4 sec f/11, Burn-in 16 sec [?]\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"67y + 52 6 1/2sec f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"50m + 70y at 4 sec f/8\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"65y + 45m 6 1/2 sec f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\" \"66y + 48m A 6 1/2 sec f/11\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This Paper is Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digital positive created by VMFA.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5 min. Fix\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"5 min. Fix\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This paper manufactured by Kodak\" \"100y + 76m, 12 sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"This paper manufactured by Kodak\" \"#3, 102y + 64m 19 sec f/5.6\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"22/48\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#1, 70m +80y, 16sec f/8\" \"#7 Neg. End of Strip\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#2 67m +87y at 16 sec at f/8, Burned in Background 16 extra sec. 2/3 at top\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#5 57m + 89y at 23 sec f/8 23 sec burn\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#6 61m + 85y at 20 sec f/8\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#7\" \"This Paper Manufactured by Kodak\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#1\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"#1\" \"Louis Draper, PO Box 212, Brooklyn 11238, NY\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Notes on foam core support, on verso: \"Cool Colors, by Lou Draper, 9/20/2000, 100.00\"; Notes on foam core support, on other side \"Bernarda Shahn - Painter, Print Maker, Illustrator, N.J. Artists Series, Roosevelt, N.J. 1989\" partially blacked out by marker; \"Hari Krishna - 34th St. NYC;\" \"Louis Draper.\" Printed on computer 11x17 computer paper. Framed in black metal frame with glass face, matted in a 16x20 in. matt with a 9 3/8x9 3/8 in. window.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Sept. 4, 1997 Abstraction AAA*\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Unititled Abstract, Thermal Wax Print, Lou Draper, MCCC Computer Art Faculty\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Unititled Abstract, Thermal Wax Print, Lou Draper, MCCC Computer Art Faculty\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints Include: [Woman on Subway Holding Pole], [Candid Portrait of Woman]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints Include: [Two Swings and Shadows], [Playground Series] [Hopscotch and Moon Reflection], [Print from Flyer: The Negro Woman: An Exhibition of Photographs]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints in the portfolio: [Woman on the Right Side of Print], [Boy Next to VW Beetle with Spraypainted Door], Congressional Gathering, [Boy and H], [Two Swings and Shadows]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Prints in the portfolio: [Close-up of Boy], [Pine Tree], [Fern and Boulders], [Rock, Ice, Stream], [Girl in Foreground Boy in Background Running Across Street to Catch Her], [Boy and H]","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Photographers: Louis Draper, Bob Clark, Jimmy Mannas, Al Fennar, Larry Stewart, Herb Robinson, Calvin Wilson, Roy DeCarava, Shawn Walker, Calvin Mercer, Melvin Mills, Herman Howard, Earl James, Ray Francis.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","These 11 prints were housed together in a black \"Kamoinge Workshop Portfolio No. 1\" cover, but none of them are copies of the photographs included in the original portfolio. All of the prints are from unknown photographers except one with \"Photo By John Taylor\" on the verso. Most are printed on Agfa paper, while two are dry mounted.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","The lens is dated to 1954, and the camera body is dated to 1955. Camera is missing the piece that fits on the bottom.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Sticky Note on verso (now removed): Lou, I'm not totally satisfied with this print. But I did promise to replace the 8x10 version. Fame","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"New York Post, November 1979, Gary Saretzky, 2/30, #20\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Two Base Hit\" 1972, To My Friend Lou, Beuford Smith\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photo by Frank Stewart, copyright 1971.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Surface-Marsh, Shelter Island. 1972\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Herb Randall confirmed during the Kamoinge Virtual Symposium in 2020 that this is the same person that appears in Ray Francis' print \"Untitled (Baka)\" (2021.134) and the June 1967 issue of The Arrow (VA04.01.1.209).","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Signed, note on verso.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"By W. Eugene Smith\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Print came with a piece of cardboard from when it was mailed to Draper. Notes on cardboard: \"Hungarian photographer whose photograph I purchased from his exhibit at the Hungarial Cultrual Society show. He mailed it to me 11 weeks later. $15.00/print.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Signed on verso","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"David Murray with Jerry Garcia Band, Nov. 12, 1993, Maddison Square Garden, Photo: Joe Ryan, 609-799-4457\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Photograph by Kadar Long, June 29, 1981, Movie Set\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Found in Lou's desk.\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"[Mike ?]\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"[Mike ?]\"","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","\"Mr. Russell Barbour, himself once an enrollee, and his crew of fledgling photographers ages 16-17. His was the job of introducing laymen to the classic rudiments of photogrphic technique. All photographs by enrollees.\""],"originalsloc_html_tesm":["\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eTwo copies of this item were removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, these items were placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" Both copies of this item were returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was on display during VMFA's exhibition, \"Storied Strings: The Guitar in American Art.\" This item was returned to the archives September 22, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eDelivered to Photography on March 16, 2023 to re-shoot frames 2A/3, 18A/19, 25A/26 and 30A/31 for a reproduction request. Returned to archives June 26, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eBetween January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.\u003c/p\u003e","\u003cp\u003eBetween January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.\u003c/p\u003e"],"originalsloc_heading_ssm":["Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Existence and Location of Originals","Exhibition History","Exhibition History","Exhibition History","Existence and Location of Originals","Existence and Location of Originals","Exhibition History","Exhibition History","Exhibition History","Exhibition History","Exhibition History"],"originalsloc_tesim":["This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\"","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Two copies of this item were removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, these items were placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" Both copies of this item were returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was on display during VMFA's exhibition, \"Storied Strings: The Guitar in American Art.\" This item was returned to the archives September 22, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Delivered to Photography on March 16, 2023 to re-shoot frames 2A/3, 18A/19, 25A/26 and 30A/31 for a reproduction request. Returned to archives June 26, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed on March 9, 2020 to be placed on exhibition in the Freeman Library Reading Room.","Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023.","This item was removed by Paper Conservation on December 12, 2019 to be prepared for exhibition. Between January 22-24, 2020, this item was placed in the exhibition \"Working Together: Louis Draper and the Kamoinge Workshop.\" This item was returned to the archives on January 18, 2023."],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.","Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.\u003c/p\u003e","\u003cp\u003eWhile the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.\u003c/p\u003e","\u003cp\u003eProcessing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.    \u003c/p\u003e","\u003cp\u003eNot Digitized\u003c/p\u003e","\u003cp\u003eDigitized\u003c/p\u003e","\u003cp\u003eNO\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.    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Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. 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Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. 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Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. 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Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. 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Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. 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Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. 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Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. 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VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. 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Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. 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VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.\u003c/p\u003e","\u003cp\u003eIn Copyright: ©Louis H. Draper Preservation Trust. 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VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - 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United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - 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Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: ©Louis H. Draper Preservation Trust. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Louis H. Draper Preservation Trust.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en"],"abstract_html_tesm":["\u003cabstract id=\"aspace_80d4d02edaa46a99725ed524cbb90700\"\u003eThe extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.\u003c/abstract\u003e"],"abstract_tesim":["The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s."],"names_coll_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Kamoinge Inc.‏","Draper, Louis H., 1935-2002"],"names_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. 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Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1962,1963,1964],"language_ssim":["English"],"containers_ssim":["box RG-15 Box 5","folder RG15.05.0.135"],"_nest_path_":"/components#4/components#135","timestamp":"2026-05-21T03:20:51.666Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_229","ead_ssi":"virmu_repositories_2_resources_229","_root_":"virmu_repositories_2_resources_229","_nest_parent_":"virmu_repositories_2_resources_229","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_229.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/229","title_filing_ssi":"Statewide Partnerships (RG-15)","title_ssm":["Records of the Statewide Partnerships Department (RG-15)"],"title_tesim":["Records of the Statewide Partnerships Department (RG-15)"],"unitdate_ssm":["1935-2012 [minimally processed; subject to change]"],"unitdate_inclusive_ssm":["1935-2012 [minimally processed; subject to change]"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-15","/repositories/2/resources/229"],"text":["RG-15","/repositories/2/resources/229","Records of the Statewide Partnerships Department (RG-15)","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","The collection is organized into six series but is minimally processed. Additional folder level inventories may be added as they are completed.","Series 1 General Files, 1940-1985, undated Series 2 Conferences, 1970-1984 Series 3 Chapters, Affiliates, and Statewide Partners, 1961-2008, undated Series 4 Manuals and Directories, 1971-1988 Series 5 Traveling Exhibitions, 1935-2011, undated Series 6 Fellowships, 1987-2012, undated","The collection was transferred from the Statewide Partnerships Department through periodic deposits.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","There are hundreds of related files from the \"Extension Department\" and \"Virginia Museum Fellowships\" in the Director's Correspondence collection,  Series 1.1: Early Directors  at the Library of Virginia.","This series includes annual reports, program files, project files, BRAVO files, and others. Most date from the late 1970s to the early 1980s.","This series includes general files on the statewide system, as well as files on various chapters, affiliates, and partners, some of which have changed names over time. The institution files are roughly sorted chronologically, and there are two main sets of the files - one from the 1970s-1980s and one from the 1990s-2000s.","There are hundreds of related files from the \"Extension Department\" in the Director's Correspondence collection,  Series 1.1: Early Directors  at the Library of Virginia.","This series generally includes checklists, packing instructions, press releases, and schedules, while some files include photos and slides. There have been attempts to create a comprehensive list of traveling exhibitions since 1935, but efforts have been hindered by the repeating or changing of exhibition numbers, and often a lack of records.","This series includes applications from winners, reports, and planning files from the 1980s-2000s.","There are hundreds of related files titled \"Virginia Museum Fellowships\" in the Director's Correspondence collection,  Series 1.1: Early Directors  at the Library of Virginia, which cover the 1940s-1950s. Fellowship files from the 1960s and 1970s have never been located and are presumed lost.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","English \n.    "],"unitid_tesim":["RG-15","/repositories/2/resources/229"],"normalized_title_ssm":["Records of the Statewide Partnerships Department (RG-15)"],"collection_title_tesim":["Records of the Statewide Partnerships Department (RG-15)"],"collection_ssim":["Records of the Statewide Partnerships Department (RG-15)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["51.25 Linear Feet 57 boxes; 1,918 folders"],"extent_tesim":["51.25 Linear Feet 57 boxes; 1,918 folders"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. \u003c/p\u003e\n","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series but is minimally processed. Additional folder level inventories may be added as they are completed.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eGeneral Files, 1940-1985, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eConferences, 1970-1984\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eChapters, Affiliates, and Statewide Partners, 1961-2008, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eManuals and Directories, 1971-1988\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eTraveling Exhibitions, 1935-2011, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eFellowships, 1987-2012, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series but is minimally processed. Additional folder level inventories may be added as they are completed.","Series 1 General Files, 1940-1985, undated Series 2 Conferences, 1970-1984 Series 3 Chapters, Affiliates, and Statewide Partners, 1961-2008, undated Series 4 Manuals and Directories, 1971-1988 Series 5 Traveling Exhibitions, 1935-2011, undated Series 6 Fellowships, 1987-2012, undated"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Statewide Partnerships Department through periodic deposits.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Statewide Partnerships Department through periodic deposits."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Statewide Partnerships Department (RG-15). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of the Statewide Partnerships Department (RG-15). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided."],"relatedmaterial_html_tesm":["\u003cp\u003eThere are hundreds of related files from the \"Extension Department\" and \"Virginia Museum Fellowships\" in the Director's Correspondence collection, \u003ca href=\"https://archives.vmfa.museum/repositories/2/archival_objects/7304\"\u003eSeries 1.1: Early Directors\u003c/a\u003e at the Library of Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There are hundreds of related files from the \"Extension Department\" and \"Virginia Museum Fellowships\" in the Director's Correspondence collection,  Series 1.1: Early Directors  at the Library of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis series includes annual reports, program files, project files, BRAVO files, and others. Most date from the late 1970s to the early 1980s.\u003c/p\u003e","\u003cp\u003eThis series includes general files on the statewide system, as well as files on various chapters, affiliates, and partners, some of which have changed names over time. The institution files are roughly sorted chronologically, and there are two main sets of the files - one from the 1970s-1980s and one from the 1990s-2000s.\u003c/p\u003e\n","\u003cp\u003eThere are hundreds of related files from the \"Extension Department\" in the Director's Correspondence collection, \u003ca href=\"https://archives.vmfa.museum/repositories/2/archival_objects/7304\"\u003eSeries 1.1: Early Directors\u003c/a\u003e at the Library of Virginia.\u003c/p\u003e","\u003cp\u003eThis series generally includes checklists, packing instructions, press releases, and schedules, while some files include photos and slides. There have been attempts to create a comprehensive list of traveling exhibitions since 1935, but efforts have been hindered by the repeating or changing of exhibition numbers, and often a lack of records.\u003c/p\u003e","\u003cp\u003eThis series includes applications from winners, reports, and planning files from the 1980s-2000s.\u003c/p\u003e\n","\u003cp\u003eThere are hundreds of related files titled \"Virginia Museum Fellowships\" in the Director's Correspondence collection, \u003ca href=\"https://archives.vmfa.museum/repositories/2/archival_objects/7304\"\u003eSeries 1.1: Early Directors\u003c/a\u003e at the Library of Virginia, which cover the 1940s-1950s. Fellowship files from the 1960s and 1970s have never been located and are presumed lost.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This series includes annual reports, program files, project files, BRAVO files, and others. Most date from the late 1970s to the early 1980s.","This series includes general files on the statewide system, as well as files on various chapters, affiliates, and partners, some of which have changed names over time. The institution files are roughly sorted chronologically, and there are two main sets of the files - one from the 1970s-1980s and one from the 1990s-2000s.","There are hundreds of related files from the \"Extension Department\" in the Director's Correspondence collection,  Series 1.1: Early Directors  at the Library of Virginia.","This series generally includes checklists, packing instructions, press releases, and schedules, while some files include photos and slides. There have been attempts to create a comprehensive list of traveling exhibitions since 1935, but efforts have been hindered by the repeating or changing of exhibition numbers, and often a lack of records.","This series includes applications from winners, reports, and planning files from the 1980s-2000s.","There are hundreds of related files titled \"Virginia Museum Fellowships\" in the Director's Correspondence collection,  Series 1.1: Early Directors  at the Library of Virginia, which cover the 1940s-1950s. Fellowship files from the 1960s and 1970s have never been located and are presumed lost."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"names_ssim":["Virginia Museum of Fine Arts Archives"],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English \n.    "],"total_component_count_is":1926,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:20:51.666Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_229_c05_c136"}},{"id":"virmu_repositories_2_resources_355_c01_c4726","type":"File","attributes":{"title":"1607","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_355_c01_c4726#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_355_c01_c4726","ref_ssm":["virmu_repositories_2_resources_355_c01_c4726"],"id":"virmu_repositories_2_resources_355_c01_c4726","ead_ssi":"virmu_repositories_2_resources_355","_root_":"virmu_repositories_2_resources_355","_nest_parent_":"virmu_repositories_2_resources_355_c01","parent_ssi":"virmu_repositories_2_resources_355_c01","parent_ssim":["virmu_repositories_2_resources_355","virmu_repositories_2_resources_355_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_355","virmu_repositories_2_resources_355_c01"],"parent_unittitles_ssm":["Records of the Exhibitions Department (RG-23)","Series 1: Exhibition Files"],"parent_unittitles_tesim":["Records of the Exhibitions Department (RG-23)","Series 1: Exhibition Files"],"text":["Records of the Exhibitions Department (RG-23)","Series 1: Exhibition Files","1607","English","box RG-23 Box TMP-334","folder RG23.01.0.4725"],"title_filing_ssi":"1607","title_ssm":["1607"],"title_tesim":["1607"],"unitdate_other_ssim":["undated"],"normalized_title_ssm":["1607"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Exhibitions Department (RG-23)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4727,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","Series 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. "],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"language_ssim":["English"],"containers_ssim":["box RG-23 Box TMP-334","folder RG23.01.0.4725"],"_nest_path_":"/components#0/components#4725","timestamp":"2026-05-21T03:19:09.876Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_355","ead_ssi":"virmu_repositories_2_resources_355","_root_":"virmu_repositories_2_resources_355","_nest_parent_":"virmu_repositories_2_resources_355","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_355.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/355","title_filing_ssi":"Exhibitions Department (RG-23)","title_ssm":["Records of the Exhibitions Department (RG-23)"],"title_tesim":["Records of the Exhibitions Department (RG-23)"],"unitdate_ssm":["1936-2015 [minimally processed; subject to change]"],"unitdate_inclusive_ssm":["1936-2015 [minimally processed; subject to change]"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-23","/repositories/2/resources/355"],"text":["RG-23","/repositories/2/resources/355","Records of the Exhibitions Department (RG-23)","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","Series 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. ","The collection is organized into 4 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series. The collection is minimally processed, so folder arrangement, titles, or dates are subject to change if additional processing occurs.","Series 1 Exhibition Files, 1936-2012, undated Series 2 Exhibitions Management, 1936-2015, undated Series 3 Collections Management, 1977-2004, undated [RESTRICTED] Series 4 Galleries, 1977-2004, undated","Many of the museum's exhibitions have published catalogs, which can be found in the Library's catalog  Pandora  or in the Archives  Catalog Collection (PB-01) . ","For each exhibition held at the museum, the Archives has a vertical file which may include announcements, clippings, press releases, brochures, reviews, invitations, small exhibition catalogs, and other ephemeral material. "," Some early exhibition records are found in the Archives  Director's Correspondence (RG-01)  and curators often created their own exhibition records which are found in the Archives  Curatorial Collection (RG-03) .","The collection was transferred from the Exhibitions Department through periodic deposits.","This collection was originally processed from June through August 2011, and then reprocessed in 2016. During processing, non-permanent materials such as copies of meeting minutes, routine correspondence, copies of invoices, departmental budgetary information, and declined exhibition proposals were destroyed according to VMFA's Records Retention and Disposition Schedule. Periodicals, books, and exhibition catalogs were transferred to the Library's collection. All files before 1980 were rehoused in new archivally sound folders. Original folder titles were generally retained, when provided.","The collection's inclusive dates are 1936-2015, with the bulk of the material dating from 1979-2004. The collection is comprised of correspondence, exhibition schedules, budgets, grant applications, photographs, object lists, notes, collection statements, planning documents, project files, policies, loan arrangements and decisions, and other materials.","This series is comprised of information regarding exhibitions that were held at the VMFA. Files may include correspondence, schedules, contracts, photographs and slides, installation drawings and procedures, label and catalog text, budgets and invoices, insurance, venue information, and publicity.","Entry card with tear-off for back of work; catalog; announcement","Copies of checklists, shipping lists and prices (for sale); exhibition circulated by Art Institute of Chicago","Catalog; packing list with values, 2 different ones","Prospectus of season, 1937-1937; large typed, spring bound copy of annotated text for inaugural exhibition catalog containing: catalog of paintings in the Museum, budget materials for exhibition, timeline of early Museum, all types of exhibition materials, gallery layout and drawings","Invitation; copy of Strause Collection catalog; 1936-37 prospectus of program; 1958 letter between Muriel Christison \u0026 Oscar Lang of Minneapolis re: Strause exhibition","Entry blank; prospectus/rules; catalog/ invitation/mailing label; submission tag; generic letter for Virginia photo clubs or possibly for shops to request submissions","Invitation; catalog; inventories from the exhibition; catalog copy; copy of foreword (typed); letter from Margaret May Dashiell who loaned items; lots of correspondence from all over the country; lists of sponsors","Extensive correspondence regarding memorial committee and its purchase of a memorial; his works; and fundraising efforts; Colt was treasurer. The Committee also paid off all of the debts for Walker's illness, donations coming from across the country. Thank you letters in alpha order, hundreds of them, plus originals from donators; a few have copies of bookplates attached; original loan requests and replies; original Christmas card with Walker print of a home in Connecticut (1931) and a memorial card that he created in 1936","Invitation; catalog; list of paintings from Burch and Schulze with dimensions","Invitation; list of pieces to be shipped from Shearwater Pottery, with coding to indicate glazes","Copies of inventories, plus amendment, text; mainly correspondence regarding loans including shipping receipts","Catalog, entry card, invitation, announcement; 1 copy of 5th catalogue (1936); Colt's notes","Correspondence with artist; catalog copy; checklists (some with prices)","1 photograph; duplicates: announcement, patron card (sent with invitation); correspondence with artist; shipping information and receipts; budget information; catalog proofs; schedules; invitation list; 1 copy of catalogue; list of sales","Invitation; copies of inventories with insurance values; single copy of catalog","Newspaper clippings; genealogical charts; typed copy of article, \"Colonel William Byrd of Westover,\" by Lucy Parke Byrd","Letters of solicitation (ex.: one to O'Keeffe); shipping/return correspondence; correspondence with jurors (including Hopper) including discussion of invited artists list; rough draft of jury selection rules; correspondence with galleries (mainly in New York City) for artists to enter competition","Invitation; card of admission; information request postcard; thank you card; entry card (regular-red); entry card (invited-orange); receipt card; announcement; rejection notification; list of 125 paintings invited and accepted; prospectus; jury memorandum; list of invited artists divided by gallery; list of deliveries for return of paintings","Hundreds of rejection forms with return shipment affirmation signed below (includes artist name and title of work)","Invitation; World's Fair circular of information; list of paintings to be included; World's Fair circular of information (8 pages); Adele Clark and Leslie Cheek on panel for southern states; reports to Colt on state committees","One copy of catalog","One copy of catalog","One copy of catalog","One copy of catalog","Catalog; letter from Anne Moncure to Colt explaining pictures; typed copy of \"History of Ambler Family\" by J.J. Ambler, 1826; list of portraits; typed copy of catalog text; 4 photographs of portraits - Katherine, William, and St. George Moncure, grandchildren of Colonel John Ambler; Mary Cary, wife of Edward Ambler; Colonel John Ambler; wife of Dr. Peterfield Trent and his two daughters","One copy of catalog; list of paintings; 1 letter","One copy of catalog","Correspondence with jurors","Correspondence with Committee of Virginia Artist Commission; correspondence with artists submitting models; rejection letter; shipping correspondence; invoices; correspondence with U.S. Department of the Interior, NPS, Fredericksburg; correspondence with Virginia Conservation Commission; Correspondence with Douglas Southall Freeman, Editor of the Richmond News Leader; correspondence with National Sculpture Society, Commission for the Arts, and Senator John Warwick Rust; loan of a portrait of Stonewall Jackson from Adler in NYC; correspondence with Leslie Cheek, the Sons of Confederate Veterans; news release; planning and invitations for the preview; correspondence with the United Daughters of the Confederacy and with Joseph Pollia, the winner","Entry card; invitation to meet the jurors; invitation to preview of models; announcement; map of site; news release; list of members of Sculptors Guild; Pollia's curriculum vitae","One copy of catalog","Invitation, catalog; text of catalog with drawings of mock-up and list of drawings","Annotated catalogs of early shows, correspondence with Mrs. Holden, shipping information","Catalog, invitation; typed biography in first person, list of paintings, curriculum vitae","Correspondence with Pan American Union in D.C.; Comisión Nacional de Bellas Artes; shipping information; correspondence with Governor; Department of State; national press (Time, New York Times, Town \u0026 Country, Antiques Magazine, Washington Post, United Press); copies of speech materials for guests at preview; letter from Emilio Pettoruti","Announcement; banner; one catalog; solo copies of invitations to preview and meet the Ambassadors at the Commonwealth Club","Inventories with sizes, values and damages noted; customs forms; shipping information; annotated catalog","Correspondence, speech copy","Correspondence with L.B. Houff at the American Federation of Arts; shipping information","Correspondence with Klapperach; Argentine government participation; New York World's Fair 1939; speech copy; foreword copy; shipping information","Shipping receipts, packing lists; lists of addresses of sponsors, lenders, press, museums, invitation lists","Correspondence with Marval, Commissioner General of Argentine government; participation; shipping information; planning information; customs and sales information","Invitation list; art critics list; memos; schedule of radio program and typed text; Commonwealth Club menu; speech texts","Inventories of paintings that would go from New York to San Francisco to Riverside Museum; correspondence with Museum about shipping; shipping receipts","Freight bills; shipping receipts, correspondence with Treasury Department; customs forms, inventories with values","Correspondence with Alexander Weddell and J. A. de Marval","Original mounted drawing by Leslie Cheek, Jr. for exhibition panels","Comments of the jury; award speech; copy of thank you letters; requests for catalogs, purchase information; publicity information; invitation lists; inventories; correspondence with artists; correspondence with jurors","Rejection letter; prospectus; \"an invitation,\"; invitation; receipt card; entry card (invited-yellow); entry card (regular-red); acceptance card; news releases; prospectus; catalog copy; comments of the committee; memos","Bound, typed list by gallery; inventories; correspondence with galleries and artists","Correspondence with jurors","One copy of catalog","Invitation; correspondence with Mrs. De Marclay","Correspondence; checklist; shipping information","One copy of catalog; gallery layout; mailer text; catalog listing; biographical text; artist's statement","Invitation; catalog; correspondence with Adele Williams; inventories; biographical information; catalog text","Invitation; catalog; correspondence with Willingham; shipping information and receipts","Invitation; one copy of catalog; correspondence with Binford and lenders; shipping information; inventories with values; shipping information; gallery correspondence; catalog text","Invitation; catalog; inventories, text copy, values, text of radio announcements/interviews; loan correspondence; galley proofs of label copy by Edward Davis","Inventory lists including insurance values; list of items by lenders; hundreds of shipping receipts","Correspondence with galleries, dealers, and collectors/lenders; catalog proof","Invitation; catalog; catalog copy, curriculum vitae; copy of Colt's introduction","Catalog; invitation; catalog copy; biographical information","Correspondence with Chrysler, Fox (curator), publicity people. Walter P. Sr. died in August of 1940, shipping and insurance information; inventories with values; opening plans; list of news and magazine articles (extensive)","Cocktail invitation; preview invitation; supper invitation; annotated proofs","Inventories; values annotated with van assignments (from NYC to Richmond \u0026 Richmond to Philadelphia); shipping and storage receipts and contracts; letter from Parke-Bernet in 1945 asking for prints as they were selling part of collection","Correspondence with Fiske Kimball, Director of Philadelphia Museum of Art re: shipping, insurance, inventories, division of cost","Inventories; radio program transcript; party list; invitations list; hostess list; timelines, schedules, memos, Leger came!","Plan \u0026 prospectus re: showing his collection in South America; correspondence with Fox and Chrysler. Executive Committee turned it down","One copy of invitation and one copy of catalog","Invitation; catalog copy and proof; inventory with values; correspondence with Concetta; shipping information; correspondence regarding publicity; correspondence re: broken statue and payment","Catalog copy; one invitation; one copy of catalog; biographical data","Invitation; correspondence with jurors; letters to publicity; correspondence with galleries; shipping information; list of awards; clippings; rejection postcard; one entry card; one catalog","Correspondence with Federal Works Agency; with institutions before (with Lyman Allyn Museum, New London, CT) and after (with Institute of Modern Art, Boston) traveling exhibition; invitation list; correspondence with Richmond Housing Authority, decision later in favor of Housing Authority in Norfolk instead of Boston","Correspondence with Riverside Museum, lenders; 1 invitation","Correspondence with Cincinnati Museum of Art, lender; installation; instructors; shipping information; news releases; invitations to college all over the state for preview; inventories; one invitation","Invitation; catalog; catalog copy; biographical information; correspondence with Hattorf","Invitation; correspondence with artist; catalog copy; 1 catalog","Invitation; catalog; correspondence with artist; biographical information; catalog copy; letters to publicity","Invitation; catalog; catalog copy; biographical information; correspondence with artist and gallery","List/receipts of items taken by Henry P. Strause from VMFA; annotated lists of items deposited at VMFA from H.P.S. for loan exhibition; numerous warehouse receipts","Pennsylvania Society catalog (1933); inventories by artist with values; correspondence; research","Invitation; research correspondence to locate miniatures (potential lenders); catalog copy","Receipts; inventories; index cards with owner's name \u0026 address (some with date stamp)","All receipts (large quantity), some with 2 copies, some with correspondence, some with shipping receipt from mail","Catalog copy; invitation list; correspondence with state planning board, 1 copy of catalog","Correspondence with Mrs. Myers, widow of the artist and Landgren, dealer for Newman; clippings, inventories with values; correspondence with Whitney, where Myers exhibition originated; correspondence with potential lenders for Newman; shipping information; insurance information; catalog copy; Invitation; annotated catalogs; Whitney catalogs; Knoedler catalog; loan/shipping receipts; invitation list; inventories with values; correspondence with publicity; catalog copy; inventories by institution","Invitation; proof of catalog; 1 copy of catalog","Correspondence with artists, both accepted and rejected; shipping information; correspondence regarding damage, (notation at bottom of letters in unusual style, coding maybe)","Bound pages from gallery trip to NYC and consequent invited artists list; correspondence with galleries; letters to invited artists; shipping information \u0026 receipts; correspondence with jury, (Charles Burchfield declined but raved about it; George Grosz declined with a beautiful signature.)","All regret letters, signed by artist/agent/owner, and returned to VMFA (hundreds of them); some with handwritten notes, (H.P. Sargeant very upset.)","Invitation; entry card (invited-yellow); entry card (regular-white); \"Good and Bad News Night\" (yellow trifold); prospectus; acceptance card; rejection card; memo for the evening; news release (3/3/42); annotated catalog with prices; correspondence with hosts; speech copy; news releases; list of artists by state; inventories; jury comments; values on inventories","Catalog; correspondence with artist; biographical information; catalog copy; 1 copy of invitation","Catalog; correspondence with artist; catalog copy; correspondence at sales; 1 copy of invitation","Invitation; first exhibition to include correspondence from Mrs. Pollard; inventories, correspondence; invitations; shipping information","Correspondence with Museum of Modern Art that was circulating exhibition; shipping information; contract; 1 copy of invitation","Correspondence; invitation; Lenox catalog; a few Mint Museum catalogs; correspondence with artist; inventories; catalog copy","Correspondence; guest lists; inventories with values; Commonwealth Club menu; catalog copy; shipping information; black and white photo of \"Boys\"","Correspondence with artist; letters from Theresa Pollak; inventories with prices; shipping information; biographical information; reimbursement request; copy of bulletin","Catalog; inventories with artist biographies (ie: partially or congenitally blind, age); correspondence with originator (Lowenstein); traveling loan contract; critics' statements","San Francisco Art Association bulletins; correspondence with artist; inventories; invitation; catalog; shipping information; catalog copy; various Artists' Guild of Washington materials (he was President)","Invitation; one copy of catalog; inventories with values and receipts","Invitation; clipping on his death; correspondence","Invitation; one copy of catalog; catalog proof; various other catalogs \u0026 announcements; correspondence with vendors; shipping information","Clipping; correspondence with lenders; shipping information","Invitation; one copy of catalog; correspondence","Correspondence with artist; inventories with values; biographical information; catalog copy; 1 copy of catalog and invitation.","Radio broadcast transcript; catalogs of other show; clippings (both from Cincinnati Museum); MFA Boston materials; catalog copy; invitation lists; correspondence; MFA Boston catalog; VMFA catalog and proof; shipping information from Boston; inventories","Correspondence; shipping information; annotated catalog; radio transcript; insurance information","Announcement (trifold); 1 catalog; correspondence; catalog proof; inventories with prices; catalog copy; jury correspondence; correspondence with publicity; shipping information; 1 invitation","Invitation; catalog proof; 1 letter","Invitation; catalog copy; correspondence with artist; inventory with prices; 1 catalog","Catalog; invitation; correspondence; research; shipping information; catalog proof; catalog copy","Article; correspondence with American Federation of Arts; inventory with values; other catalogs; loan agreement; shipping information; research; installation drawing; clipping; transcript of lecture on Chinese painting","Announcement; photographs of winners; correspondence; ArtNews issue (October 1-4) 1943; inventories with prices","Invitation; catalog; catalog copy; clipping; correspondence; research; RISD \"Museum Notes,\" 1943; shipping information","Invitation; catalog copy; correspondence; inventory with price list","Invitation; correspondence with other museums; itinerary copy; research; catalog copy; inventories with prices; shipping information","Correspondence (mainly with Metropolitan Museum of Art)","Correspondence (mainly with Metropolitan Museum of Art)","Inventories; correspondence; shipping information","Invitation; news release; correspondence; correspondence with publicity and with lender (UVirginia)","Invitation; catalog proof; other catalogs; correspondence; correspondence with lecturer; correspondence at preview; correspondence with publicity; loan correspondence \u0026 requests; shipping information; research on pieces; catalog copy; inventories; catalog; loan forms; annotated catalog; shipping receipts","Catalog; invitation; invitation list; correspondence; catalog copy; inventories with values; shipping information; insurance information","Catalog correspondence; clippings; catalog copy; speech copy; inventories with publication date; correspondence with lenders and publicity; shipping receipts later too (1956)","Prospectus; annotated catalog; catalog copy; shipping list; inventories with prices","Catalog; news releases; fact checking cards; bound copy of lists by dealer; clippings, voting information; invitation; catalog proof; timeline; prospectus copy; correspondence; artists' c.v.'s; dealer catalogues and correspondence; inventories with values; transcripts of publicity; speech notes; catalog copy; lists of accepted and invited artists (Virginia separate); shipping information and receipts; correspondence with publicity; correspondence with jury; prospectus","Catalog; correspondence with artist; biographical information; catalog copy; inventories with prices","Catalog; announcement","Announcement; catalog; invitation; catalog copy; lecturer c.v.; lists of institutions; list of works by institution; label copy; annotated catalog; inventories with prices; correspondence with institutions; correspondence with jury; shipping information","Annotated catalog; correspondence with artist; inventory; research; gallery layout diagram; price list; 1 catalog","Invitation; correspondence with Netherlands Information Bureau; other catalogs; checklists; shipping information \u0026 receipts (from before \u0026 after museums; correspondence with ambassador who spoke; lecture text; 1 copy of handwritten invitation to dinner with Governor Darden","Catalog; 1 invitation; correspondence with artist; inventories; catalog copy; price information","Invitation; catalog; catalog copy; correspondence; copies of \"Information Bulletin: Embassy of the Union of Soviet Socialist Republics\"; loan requests (including A La Vieille Russie); traveling exhibition contracts; shipping information and receipts (with before and after museums); inventories; other catalogs; price information; loan forms; annotated catalogs; original copy of \"The Schaffer Collection of Authentic Imperial Russian Art Treasures\"; correspondence with Ray Schaffer and others at ALVR regarding exhibition arrangements (no mention of Pratt) and damage to Faberge topaz vase","Catalog; correspondence with National Gallery (lender); insurance values and contracts; shipping information and receipts; gallery layout; catalog copy; research; loan requests","Correspondence from Davis, the VMFA Curator, with lenders to the exhibition with last names beginning with A-H; proof of article by Davis in Commonwealth Magazine; copy of text of article","Correspondence from Curator Davis and sometimes the Director with lenders to the exhibition with last names beginning with I-Z; copy of information releases re: survey","Correspondence with National Gallery Director (they had an exhibition at the same time); correspondence with Weddell (exhibition did not take place); copies of letters sent to the executive committee to explain decision","Copies of plan; correspondence with Weddell re: all the research that went into the aborted exhibition; correspondence with Mexican museums; Mrs. Whitman's reports on artists and museums' holdings","Correspondence with lenders \u0026 galleries; inventories with prices; shipping information and receipts (loans before and after)","Copies of labels on prints from National Gallery; inventory and instructions; shipping information (both before and after)","Civilian Open Air Art Sale announcement; copy of \"War Art: A Catalogue of Paintings Done on the War Fronts by American Artists for Life,\" including Barse Miller and Paul Sample; catalog copy; inventories; copy of \"Traveling Exhibitions,\" catalog by the AFA's National Exhibition Service; correspondence; 5 photographs of items in exhibit; copy of catalog, \"Art Exhibition by Men of the Armed Forces\"; shipping information and receipts; exhibition agreement; 1 copy of catalog","Copies of shipment return forms for paintings not chosen for 4th Biennial of Contemporary Art, many with comments, signed by artist/agent; inventory of paintings in the show","3rd Biennial prospectus (printed); 4th Biennial prospectus (typed); announcement of College Art in Virginia; prospectus copy (4th Biennial, Virginia Artists and Library bookplate); copy of Corcoran's prospectus (annotated); old 3rd Biennial prospectus (annotated); letter from Thomas Colt","Shipping information and receipts to lenders; correspondence with Worcester Art Museum and other museums; insurance values; correspondence with lenders attached","Press release copy; inventories by institution; correspondence with lenders; insurance values; shipping information and receipts; loan requests; book purchase requests","Invitation, catalog; catalog copy; correspondence; more shipping information and receipts; correspondence re: damages; annotated catalog","Loan forms and receipts","Invitation; correspondence with artists; catalog copy; inventories; annotated catalog; prices; shipping information and receipts; sales information","Correspondence with rug dealer; research; catalog copy; shipping information and receipts; annotated catalog; gallery layout; copies of things donor (H. Michaelyan) wrote; inventories with prices","Announcement/prospectus; typed press release; correspondence with artists; correspondence with jurors; invitation lists; correspondence to get more armed services men; list of entrants; catalog copy; one copy of entry card; one copy of catalog","Catalog; catalog copy; gallery layout; inventories; catalog proof; correspondence with jury","Invitation; exhibition contract; correspondence; gallery layout; invitation list; another list for even with Spanish speaking Luncheon Club; list of architects; press release copy; installation list from MOMA","Invitation; catalog; correspondence with possible lenders; lists of possible loans; ended up taking British-American Goodwill Exhibition; shipping information and receipts; inventories; budget figures","Catalog; one invitation; correspondence with author; list of invitations; 1 photograph of \"Red Still Life\"","Correspondence between curator and potential lenders; correspondence with institutions and churches","Correspondence with lender; correspondence re: damages; catalog copy; one catalog","Correspondence with lenders; correspondence re: damages (including 2 photographs)","Correspondence re: genre painting; exhibition; some from lenders, some not; some including photographs","Invitation list; correspondence with invitees to the 19th century genre preview; folder of handwritten notes re: genre; handwritten research; typed research","Correspondence with lender (DIA); inventories with values; shipping information and receipts; catalog copy","Correspondence with possible lenders (including 1 photograph from lender); research","Invitation; catalog; catalog copy; correspondence with artist (Colt is back!); inventories; sales information","Correspondence with artists; shipping information and receipts","Stenographers pad with notes from NY Gallery/dealers' visits; preliminary lists; final lists; correspondence with galleries; correspondence with invited artists; shipping information and receipts","Contracts with Budworth on shipping; correspondence with jurors; correspondence with Budworth; inventories with values and locations","Entry card: yellow (invited), regular (orange), good and bad news night (yellow-trifold), inclusion card; typed summary information; typed list of artists; teacher invitation (yellow); annotated catalog with prices; inventories by state; full catalog copy; list of Virginia artists; form letter to art teachers","Correspondence with dealers; clippings; other catalogs; correspondence with jury; award list; award letters to dealers and press","Prospectus; prospectus copy; list of recipients of entry cards and prospectus for distribution (art organizations, museums, dealers, etc.) and letters to them; letters to press; entry card copy; thank yous for sending out cards (n.b.: all lists of artists sent to/from dealers, museums, etc., were removed)","Letters confirming receipt of paintings returned, both those selected and those not; many with comments, less shipping complaints!","Hundreds of requests for entry cards","Hundreds more requests for entry cards","Invitation; catalog; invitation copy; catalog copy","Catalog; correspondence with artist; invitation copy; correspondence with Virginia World War 2 History Commission; inventory with prices; invitation list; catalog copy; letters to press; annotated catalog; correspondence with lenders","Invitation; correspondence with lender, Philadelphia Museum of Art; inventory; copy of the Richmond Times-Dispatch article; correspondence with potential lenders; copy of the Philadelphia Museum bulletin and Atwater Kent Museum bulletin","Catalog; invitation; correspondence with artist; correspondence with lenders; shipping information and receipts; inventories with values; invitation list; catalog copy, correspondence with wife Rosalie re: her photographs","Shipping receipts; catalog copy, correspondence with lenders; list of invitees; invitation","Recent Additions to the Upjohn Collection, catalog of collection; correspondence with dealer (Midtown Galleries); shipping information and receipts (both before and after); invitation","Catalog; invitation; catalog copy; catalog proof; correspondence with potential lenders; text of broadcast calling for paintings; shipping information and receipts; research (Davis)","Inventories with values; shipping information and receipts","Invitation; shipping information and receipts; inventories","Research; correspondence with furniture manufacturers; invitation copy; inventories; correspondence with Metropolitan Museum of Art and MOMA (main lenders); correspondence with Leslie Cheek, Jr. at Architectural Forum!; shipping information and receipts; catalog copy; letters to press (photograph of chair from Dubar, but not included in exhibition)","\"Notice to Virginia Artists\"; requests for entry blank; correspondence re: late entries; returned fees, etc.","Acknowledgement letters; press release; SSAL Bulletin (Summer 1947) (more of these later); inventories by state (jury picks); correspondence with artists, jurors and SSAL; breakdown of entry cards by place; lists of artists eligible for submission; entry cards of pieces bought or withdrawn; biographical notes on winners","24th Annual Convention program; catalog Virginia Art 1947; Southern Art 1947; invitation; entry card; SSAL membership blank; received card; rejection card; convention program copy; Southern art catalog copy; Virginia art catalog copy; catalog of 26th SSAL exhibition at the High; correspondence with SSAL; correspondence with jurors; list of works accepted (Virginia artists); old convention program; more SSAL bulletins; correspondence with artists re: 8 paintings that were vandalized; correspondence re: prizes; correspondence re: sales","Invitation; catalog proof; announcement from Camera Club; correspondence with artists; invitation copy; catalog copy","Correspondence with lenders; loan agreements; memo to staff re: handling of paintings; shipping information and receipts; inventories with insurance value","Correspondence with lenders by lender; inventories","Catalog; museum attendance card (9/3/47); correspondence with press; research; correspondence with lenders; shipping information and receipts; Budworth contracts; catalog copy; press releases; inventories; clippings","Invitation, American Commission brochure; shipping information and receipts; correspondence with lenders, AFA; loan forms; catalog copy; inventories with values","Shipping information and receipts; catalog of exhibition; inventories; catalog copy; research; correspondence with AFA and AFRIM; label copy","Invitation; invitation copy","Correspondence re: shipping and receipts","Correspondence with Louvre and other institutions re: original Louvre collection not being available; 5 museums trying to do alternate French exhibition from dealers/galleries and some from Louvre; unknown outcome; ArtNews was involved too; trying to use a story in lieu of a catalog","Catalog; correspondence; clippings; sale information; text of lecture","Invitation copy; catalog copy; correspondence with artists; inventories; invitation to lecture; 1 catalog; shipping information and receipts","Shipping information and receipts; correspondence with lenders; copy of Time (1/26/48), article on pages 47-48","Miscellaneous exhibition-related correspondence re: one mis-shipment to VMFA, most re: exhibition offers and programming","Index cards with lenders and item; correspondence with lenders","Correspondence with potential lenders (denials)","Catalog; correspondence with press; correspondence with Mrs. Catesby; invitation copy; correspondence with Lurçat; typed article on Jones; preview invitation lists and replies; catalog requests; radio press release copy; typescript copy of \"A Letter to A Friend on Modern Art,\" by T. Catesby Jones; typescript copies of all of his writings, incorporated into catalog; catalog copy","Prospectus; shipping information and receipts; correspondence with press; checklist with insurance values; loan requests for paintings in exhibition; list of artists to whom they sent biographical questionnaires","Prospectus; correspondence with medal winners; correspondence re: sales; list of artists by state; submission statistics by state; statistics tally sheets (one per state); correspondence with press","Copy of La Revue Moderne magazine (July 1947) from artist Wilma Prezzi who was featured in magazine but declined to submit; correspondence with artists, answering questions; comments from artists re: submission vs. invitation, etc.; shipping information and receipts; correspondence with galleries; requests for entry cards; correspondence re: Pepsi Cola Southern Regional Competition in Richmond (artists could specify that if work was not accepted, it could go to Pepsi exhibition)","Correspondence with artists; correspondence with dealers; valuation information; shipping information and receipts; lists of invited artists (by name, by agent/organization, some with annotated values)","\"Arrangements for the Jury\"; shipping information and receipts; correspondence re: jurors; correspondence with jury","Invitation; rejection card; entry card (pink); entry card – invited \u0026 acceptance card (yellow); annotated invitation (5th Biennial); prospectus copy; annotated entry cards and prospectus (5th Biennial); invitation copy; catalog copy","Rejection letter; prospectus","Signed rejection letter; receipts, some with comments - catalog request, why receipts request, or badly packed","Requests for entry cards (mainly from artists), a few with replies","Requests for entry cards (mainly from artists), a few with replies","2 photographs (lamp and manuscript); list of objects lent by The Jewish Museum in NY; correspondence with The Jewish Museum; lists with values; clipping; catalog copy","Invitation; correspondence with potential lenders and potential advisors; invitation letter; correspondence with The Jewish Museum; shipping information and receipts; clippings [no catalog made]","\"The Common Glory\" Poster Project; correspondence with Virginia Conservation Commission; exhibition information (typed); entry lists by high school; tea information; shipping information and receipts [all from Mrs. Muriel Christison]","Original pencil drawing plus blueprint copy of drawing by Leslie Cheek, Jr., for outside signpost for exhibition","Catalog; shipping information and receipts (loan from Philadelphia Museum of Art); correspondence with Philadelphia; list of Richmond artists to be added to exhibition; label copy for Richmond artists; correspondence with selected artists in exhibition; checklists from Philadelphia","Correspondence with lenders; research correspondence; lists of photographs with values","Original drawings and one blueprint copy of exhibition signage, exhibition labels, and gallery layout","Checklist (one portion circulated by MOMA); shipping information and receipts; correspondence with MOMA; membership lists cf: Virginia Chapter of AIA, Home Builders Association of Richmond, Richmond Real Estate Exchange; exhibition contract; 1 invitation; preview invitation letter; correspondence with Architectural Forum (they circulated the other portion); correspondence re: film rentals","Correspondence with dealer (Knoedler); shipping information \u0026 receipts","Invitation; correspondence; checklist with values; shipping information and receipts; exhibition construction notes; correspondence with dealers; press release copy (typed); correspondence with artists; invitation list; correspondence with lenders","Original blueprint copy of signage","Catalog; shipping information and receipts; checklists; correspondence with Colonel Anderson; correspondence with lenders; correspondence with artist","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA)","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA); catalogs; photographs; clippings","Shipping information and receipts; checklist; correspondence with artist","Lecture invitation; correspondence with lecturers; information regarding exhibit from American Craftsmen Educational Council; correspondence re: sales; shipping information and receipts","Correspondence with the Coin Club re: exhibition; later declined due to Colt's resignation","Correspondence with American Craftsmen Educational Council (lender); correspondence with lecturers; shipping information and receipts; exhibition information; ACEI brochure; clipping","Invitation; correspondence with vendors; checklist with values; invitation copy; shipping information and receipts","4 original drawings of lectern, information panels/stands; gallery layout, etc.","Catalog; correspondence with Canadian Embassy; correspondence with National Gallery of Canada (co-sponsor); shipping information and receipts; lecture copy; correspondence with lecturer; research; catalog copy; exhibition plan/schedule (to do); 1 copy of invitation; gallery layout","Correspondence with National Gallery of Canada; correspondence with press; correspondence with state forester (lent pine trees); research; clipping; photograph and biography of curator","Original drawing of exhibition sign","Correspondence with Virginia State Board of Education; correspondence with Southeastern Arts Association; shipping information and receipts; correspondence with education institutions (Mrs. Christison)","Form letter to Antiquarian Society members; preview invitation list; Antiquarian Society history (co-sponsor)","Original drawing of Museum information panel and traveling show panel","Invitation copy; correspondence with MOMA re: traveling exhibition; shipping information and receipts; billing information","1 drawing of Calder signs","Preview invitation, correspondence with artist; correspondence with lenders; invitation copy; correspondence with Philip Godwin and Mrs. T. Catesby Jones; research; correspondence with Archipenko; clippings (response to Richmond Times-Dispatch article mocking exhibition); Calder's handwritten invitation list [no catalog made]","Correspondence with lenders (galleries, dealers, museums, etc.); checklists; shipping information and receipts; correspondence with artists; checklists with values; press release copy","Checklists; exhibition information (typed); receipts","Photograph of books and Hurds; children's books catalog (retail); correspondence with publishers; research; clipping; correspondence with lenders; label copy; shipping information and receipts; checklists by publisher, by lender, by artist","Correspondence with lender; checklist with values; correspondence with artist; shipping information and receipts","Correspondence with lender; correspondence with publicity; research","Correspondence with lender; correspondence with publicity; label copy; shipping information and receipts","Outline of children's programs from summer workshops; research on group behavior; clipping; Richmond Film Society Program; photograph of Times Square in New York; Department of Education Annual Report copy; lots of random exhibition information copies; clippings; correspondence with educational services","Correspondence with lenders; shipping information and receipts; exhibition information (typed); correspondence with artists","1 drawing, layout for panel","1 layout and 1 piece of correspondence","1 drawing – summer sign, 1949","Exhibition offerings from galleries, institutions, etc.; AFA brochures","Exhibition schedule; invitation lists; correspondence; clippings","1949-1950 season schedule; schedules; correspondence re: possible exhibitions","Correspondence with lenders; dinner invitation list and preparation; shipping information and receipts; budget/billing information; checklist with values; research","Correspondence re: catalog; cut-out reply from VMFA Bulletin","Postcard announcement; correspondence re: catalog requests","Correspondence organized by lender with lenders; shipping information and receipts","Correspondence re: insurance; checklists by subject/person; research; shipping information and receipts; correspondence with lenders; checklists with values","Correspondence and paintings list, just as title says","Correspondence re: permission to reproduce images for catalog [originally not intended to publish catalog; did so after exhibition]","Catalog copy","Correspondence re: cost of prints ordered and made for show","Announcement; Baltimore catalog; preview invitation; 3 photographs; copies of her other catalogs (Mrs. James Ward Thorne); correspondence with Women's League Club; correspondence with lender (circulating museum AIC); budget information; checklists; shipping information and receipts; exhibition contract; correspondence with publicity; copies of various magazines (Virginia Bulletin, Virginia Women's Magazine); correspondence with PTA's","Blueprints: room installation (3 copies) and original drawing; drawing of signs; drawing of entrance details","Checklist; 8 photographs; correspondence with publicity; budget information; admission price policy; lecture and tour schedule; correspondence re: catalog including billing information","Checklist","Correspondence with Library of Congress re: loan of lithograph; shipping information and receipts","Correspondence with Block, including copies of publicity; checklists with values; shipping information and receipts","Correspondence with Block and others","3 drawings of exhibition signage","Drawing and blueprint copy of information kiosk; 1 photograph; 3 other layouts of the exhibition, including 2 didactic panel layouts by Cheek (\"Russia Before the Revolution\" and \"Imperial Jewelry of Russia\")","Correspondence on opening of show; proposed schedule; checklists by lenders; shipping information and receipts; checklists by artists; correspondence with artists; checklists with values","Checklists; shipping information and receipts; correspondence re: catalog; correspondence with publicity; research; statistics from 6th Biennial; correspondence with artists; catalog mailing list; catalog copy; loan information forms","2 excerpts from publicity (typed); correspondence with catalog essay authors; correspondence with publicity; clippings; checklists; catalog copy; requests from artists; chipping information and receipts; correspondence of James Johnson Sweeney (sole juror invited); checklist for traveling exhibition; hand-written copy of register of the paintings received","1 drawing of layout and signage; 2 small lettering drawings; 1 small catalog sign drawing","Shipping information and receipts including correspondence with artists, bills and information for crating requests; correspondence re: Richmond regional jury process for national metropolitan competition","Press release; correspondence with Sweeney; correspondence with publicity; shipping information and receipts; checklists, sales information","Sweeney's own correspondence with artists and dealers and galleries re: exhibition, including Naum Gabo and Morris Louis","Correspondence with SF MOMA; checklist from AFA; copies of publicity; shipping information and receipts; correspondence with publicity; correspondence with AFA; 1 copy of catalog","Drawing and blueprint copy of layout","Catalog copy; correspondence with lenders; shipping information and receipts (or label)","1 photograph; catalog (or label) copy; correspondence with Knoedler (lender); shipping information and receipts; 1 photograph of X-ray","Invitation lists; correspondence; radio spot information; correspondence with lenders; checklists; shipping information and receipts; press release copy; catalog copy; loan item information blank","One note on a rug cleaning","Checklists with values, by lender and by artist; label research; correspondence with lenders; installation notes; shipping information and receipts; press release copy; correspondence with other institutions including the Met where the exhibition went next","Correspondence with AFA (distributor of exhibition); shipping information and receipts; checklist; information on the photographer (non-VMFA publicity); correspondence with photographer","Photograph of Reino Aarnio soap dish for Fiat Metal, photograph of new RCA portable radio; correspondence with lenders [sold it as a big 2-3 year traveling exhibition]; shipping information and receipts; clippings (for ideas); correspondence with manufacturers from all around the USA; lots of catalogs; installation sketches; catalog copy; lists of checklists from a similar MOMA exhibition; 1 copy of preview invitation; checklists; label copy","Correspondence with Block (Post cartoonist) and Comstock (Connoisseur and Antiques magazine editor); lectures; biographical information; correspondence with publicity","Original drawing plus 2 blueprint copies of design for silver display case","Correspondence with lenders from 1940 show due to requests by an author, prompted by current Valentine show; clipping re: Valentine show; copy of 1940 catalog","Correspondence with Rogers and her agent; confusion about scheduling dates; article in Vogue about Rogers [ended up cancelling show due to high costs of insurance and shipping]","Shipping information and receipts and labels for loan of some Pratt jewels by Mrs. Joseph Davies of Washington D.C. to the 1950 Easter eggs exhibition","Catalog [loan exhibition organized by the English speaking Union]; copy of catalog; microfilm copy of NYT clipping; correspondence with ESU; copies of ESU Bulletin; checklists; press release copy; correspondence with other institutions who are borrowing; catalog/label copy; shipping information and receipts installation instructions; annotated catalog; big ESU publicity kit; correspondence to/from J. L. Blair Buck in State Board of Education, main contact and President of the ESU, Virginia Branch; original NYT clipping; correspondence to/from Brigadier J.W.F. Treadwell, VP of ESU [called it \"Operation Canvass\" to garner interest in ESU in Virginia]; billing/payment information; correspondence with British Embassy","Correspondence with Knoedler and Newhouse [photograph of painting offered but not chosen]; copy of invitation; picked Provost's painting from Knoedler – in another folder]; correspondence re: cedar trees in galleries","Circulated by MOMA; correspondence with them; packing instructions; loan agreements; loan contracts; checklists; shipping information and receipts","Group form letter; correspondence with Wedgwood \u0026 Sons; publicity information; research; checklists; correspondence with other institutions; shipping information and receipts; 1 copy of invitation; list of Wedgwood dealers in Virginia [to invite]; correspondence with Annie Reese, Director of Promotions and Hensleigh Wedgwood, President, who lectured at preview","Correspondence with various clubs; dinner party plans and invitee lists; more correspondence with Wedgwood; copy of Museum bulletin; biographical information on Hensleigh; shipping information and receipts","Shipping information and receipts; biographical information; Museum Bulletin copy; installation instructions; label information forms; correspondence with Newhouse; checklists with values","Drawing of label boards; drawing of signage","Chose 4 exhibitions from PAU to circulate; correspondence with PAW; exhibition information; checklists; shipping information and receipts","Announcement; correspondence with printers; correspondence re: sales [1st year Museum has added Architecture]; copy for all printed materials; correspondence with prizewinning artists (including Stuart Davis); correspondence re: azaleas; biographical information on jury chairman, Hermann Williams, Director of Corcoran; correspondence with publicity; clippings; copy of catalog from 1949","Prospectus; requests for blanks; letter copy re: Virginia art interest and education and businesses; correspondence with artists; correspondence with art departments; correspondence re: sales; jury comments; biographical juror information; breakdown/tally by city; correspondence with jurors","Catalog copy; checklists with prices; correspondence with artists re: blanks; shipping information and receipts; correspondence re: sales and purchases; 1 copy of catalog","4 original drawings; introductory panels, signage; layout sketches; traveling show panels","4 drawings of lighting layouts in gallery; 1 drawing of movie projector stand; 1 drawing of panels; 1 drawing of overall layout","9 photographs of Metropolitan Museum of Art objects; copy of invitation; label copy for projector room showing film on armor; other label copy; correspondence with lenders; shipping information and receipts; correspondence with Met (major lender); correspondence with lecturer (Gracey), curator of Met arms \u0026 armor","Correspondence with artist and his wife; biographical information; copy of catalog from Hollins; clippings","1 photo of Stuart Davis; biographical information; catalog copy; shipping information and receipts; checklists with values; loan agreements; correspondence with jurors; correspondence with lender; correspondence with potential jurors (Andrew Wyeth)","2 drawings: sign and panel layout","Photograph of Tsar Nicholas II and family; 2 page exhibition design write-up (color, lighting, cases); catalog copy","Memo re: Arthritis Foundation; article on Dufy; reprint of 3/51 article on Dufy; paintings information sheets; shipping information and receipts; catalog of ICA in Boston; correspondence with lenders; correspondence with Arthritis Foundation; checklists with values; correspondence with publicity; correspondence with Dufy's gallery agent","4 drawings of signs and layouts","11 photographs of layout with and without people; close-ups of panels; correspondence with lecturer; correspondence with American Institute for Graphic Arts (organizer); publicity materials from AIGA; shipping information and receipts; catalog","Dinner guest list; correspondence with Chrysler; Chrysler catalog copy; correspondence with NYT","Photograph of Chrysler; copy of Art Digest (October 15, 1951) with photograph of gallery setup; catalog copy (paintings); correspondence with publicity; shipping information and receipts; catalogs of exhibition at University of Miami Art Gallery (correspondence with University of Miami Gallery also); checklist","Checklists and hanging order; correspondence with publicity; rough layout; catalog copy; correspondence with artist; checklist with values; correspondence with AFA (organizer); AFA 1953 catalog; wonderful letters that are art!","Preview invitation; correspondence with artist and wife; checklists","Catalog; correspondence with Director of Syracuse Museum of Fine Arts (Anna Wetherill Olmsted, speaker); biographical information on her, checklist","1 drawing: installation layout","14 photographs of items; \"prize awards\" press release; correspondence with Syracuse Museum of Fine Arts; publicity information from SMFA; catalogs; catalog copy; shipping information and receipts; annotated catalogs (one size, one price)","Correspondence with various institutions and individuals re: potential exhibitions, some with catalogs and clippings; list of proposed exhibition season","Correspondence with lender (Ouriel) and gallery (Knoedler); shipping information and receipts","Various mailing lists (Bulletin, publications), some by type, some alpha; letters to other institutions offering mailings (all Miss Frances Boushall)","1 drawing of small museum truck","Layout panels for 1st Museum brochure/guide","1 drawing and 1 copy of Information \u0026 Publication Desk of Museum","Correspondence with lenders of fabrics; shipping information and receipts; some original tags; label copy; some catalogs","Correspondence re: invitation mailing (one with return address of VMFA, one with Kiwanis Club); correspondence with lenders in Los Angeles","Invitation to screening; preview invitation list to film screening","Invitation; catalog copy; checklists; Mona Lisa research; shipping information and receipts; correspondence with lenders; 1 copy of catalog; correspondence with organizer; invitation copy; installation information; correspondence with Kiwanis Club","6 blueprints for models by Panold Masters; 1 drawing of signs; 1 drawing of layout; 4 drawings of lighting; 3 drawings of niches","1 drawing of layouts, panels","Catalog copy; clippings; annotated copy of catalog of retablos from Barton Collection; shipping information and receipts; checklists; annotated copies of catalog of textiles from Barton Collection; correspondence re: damage to retablos; correspondence with institutions; correspondence with lenders","1 drawing of signs; 4 drawings of lighting; 1 drawing of details of interior; 3 drawings of layout; 1 drawing of interior","1 photograph of clock; few compliments; some receipts for library exchange","Correspondence; damage reports; receipts; memos","Correspondence with Helen Comstock (editor of Magazine Antiques and guest curator); correspondence with potential lenders (individuals and institutions)","Correspondence with WSG; clippings; shipping information","Correspondence with WSG; catalog copy; press release copy; press releases; shipping information and receipts; biographical information; checklist with prices","2 photographs of paintings; traveling checklist; correspondence with artist; clippings; press release; catalog copy; catalogs of shows in New York and Toronto; shipping information and receipts; label copy; checklist with values; correspondence with lenders; correspondence with AFA (originator)","Invitation to preview; correspondence with designer and speaker, John Van Koert; correspondence with Walker Art Center (organizer); copy of Walker invitation","Press release; publicity copies from Towle Silversmiths; press releases; copy of catalog from Walker","5 photographs (duplicates); invitation to preview; press release copy; correspondence with Fogg; copy of catalog from Detroit; label copy, checklists; shipping information and receipts; correspondence re: theft of Degas drawing","Invitation to preview; invitation to lecture; clippings; correspondence with artisans re: exhibition decoration; correspondence with other lenders; shipping information and receipts; checklists; correspondence with dressmaker/speaker (Pauline Trigère); correspondence with Metropolitan Museum's Costume Institute","Correspondence with lenders; research (list of American and English novels); shipping information and receipts; correspondence with publisher; correspondence with publicity; correspondence with Met's Costume Institute; checklists with values","6 photographs (5 paintings and Maxson Holloway, Chicago Historical Society curator); shipping information and receipts; checklists; correspondence with Chicago Historical Society (organizer); annotated catalog from CHS; correspondence with other institutions; bulletin copy; press release","Catalog; correspondence with CHS; correspondence with other lender (Broadnax)","Photograph of picture; press release; correspondence with Red Cross; clippings; invitation copy; Red Cross promotional material; press release copy","Catalog; correspondence with AFA (organizer); shipping information and receipts","Shipping information and receipts; checklists","Correspondence with members of Club; correspondence with AFA","Drawing of layout; 2 photographs of paintings not in exhibit; research; label copy; correspondence with lenders; shipping information and receipts; checklists","Correspondence with Lady Astor; checklist of gift","Catalog copy; correspondence re: opening and Governor's dinner; invitation proofs; correspondence with publicity; text of Colonel Anderson's speech","Correspondence re: opening (mainly regrets)","Correspondence with the artist","1 drawing of sign","Correspondence with Institute of Contemporary Art in Boston, organizer; lecturer is Director, James Sachs Plaut; promotional materials","Correspondence with ICA in Boston; shipping information and receipts; catalog","Invitation; photograph of painting (1952); label copy; installation instructions; shipping information and receipts; correspondence with lenders","1 clipping","Clipping; press release copy re: move of cigar store figures from Jefferson to VMFA","Lots of correspondence from different institutions; publicity; list of contacts with great comments","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Correspondence with woman at new museum about restoring a painting","1 photograph of Leonardo's bridge; Boushall's correspondence file with publicity and others interested in our publications and exhibitions","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Quiz sheet","7 photographs of opening, gallery and piece; 1 copy of catalog","2 drawings and 1 copy of gallery layout and entry desk","Checklist; invitation, shipping information and receipts","1 drawing of book and theme table layout","6 photographs of Goya pieces; 1 photograph of someone (with mandala); catalog copy","2 invitations (1 with checklist; 1 for loan exhibition); label copy; checklists; correspondence; correspondence with lenders; catalog requests; catalog proof; shipping information and receipts","Correspondence; label copy; cover of U.S. News \u0026 World Report (2/13/53) (looks like De Stijl); shipping information and receipts; correspondence with MOMA (organizer); checklists","Press release copy; correspondence with Netherlands Embassy; lecture copy (introductions); lecturer biographical information [Carroll L. V. Meeks, Assoc. Professor of Architecture and Art History at Yale]; correspondence with MOMA","Correspondence with jurors; correspondence with potential jurors; lists of loan requests; correspondence with lenders; correspondence with publicity; shipping information and receipts; checklists; installation memos; checklists with values","\"The Significance of African Art,\" 8 photographs of items; publication reprint of \"Warega Ivories\" by Ladislas Segy; label copy; publications from Segy Gallery on African Art; correspondence with Segy Gallery (organizer); biographical data on speaker [James Johnson Sweeney, Director of the Guggenheim in NYC]; shipping information and receipts","Correspondence with speaker; label copy; press release copy; publications from Segy Gallery","1 photograph of street scene, but it has been drawn on","Copy of 1949 catalog; 1 copy of catalog; label copy; checklists by city; catalog copy; letter from Theresa Pollak regarding the way the show is chosen and hung; correspondence with artists; annotated older biennial materials; list of purchase recommendations; schedule for jurors visit; catalogs from other institutions (state shows); shipping information and receipts; traveling evaluation checklists","Copy of 1953 prospectus; correspondence with artists (Pollard's correspondence file); list of entry cards received","Correspondence with artists re: missing checks, incomplete blanks or other issues (Gaines' file)","Information from MOMA (organizer); correspondence with MOMA; checklists; shipping information and receipts; installation memo; 1 copy of invitation to opening","2 drawings","List of loans (Baltimore Museum of Art); correspondence with BMA; correspondence with speaker [Mrs. Adelyn D. Breeskin, Director of the BMA]; installation memo; checklists; label copy; shipping information and receipts. Show had 16 year age limit!","Entry/prospectus; correspondence with American Craftsmen's Educational Council; list of regional entries; correspondence with artists; completed entries; shipping information and receipts","February 1953 issue of \"The Richmond Home Builder\"","Mayor's reception schedule; lecture copy; copy of Directory of Virginia Governmental Officials (November 1950); invitation lists and planning","1 copy of invitation; lecture copy; correspondence with potential consultants","Correspondence with Thalhimer's; press release copy; lecture copy; slide list; clippings; speaker biography","Correspondence re: parking problems and conferring police authority to the Museum's guards","\"The New Art Wind Quintet\" press release; Harp Trio photograph and program; correspondence re: New Art Wind Quintet; contract copy; Harp Trio press release copy; Philippe Entremart photo; press release copy and program; correspondence with National Music league; programs; clippings","1 photograph of Victor Guye; actually a Goya exhibition file – correspondence with lenders; shipping information and receipts; checklists","Invitation; photograph of Queen Anne teapot; \"Art in Fashion\" invitation; label copy; catalog copy; correspondence with Lipton (lender) and Lipton's dealer; correspondence with speaker","Correspondence with potential participants; interim reports; correspondence with institutions in Scandinavia; exhibition proposal (typed); correspondence with embassies, consulates, etc.; shipping information and receipts; label copy; correspondence with speaker [John Van Koert]; checklists; correspondence with publicity; correspondence with AFA (organizer); 1 copy of brief prospectus; list of itinerary","Folder is incorrectly labeled \"1967\" at Library of Virginia. 1 drawing (1953-54); ALL FROM THE 1950'S: panel copy; shipping information and receipts; clippings; Sidney Janis catalogue; 1 copy of Bulletin (11/53); 1 copy of invitation, plus 1 internal memo re: new iteration as traveling show, checklist","1953 Virginia Artists prospectus; correspondence with artists; correspondence with publicity; label copy; correspondence with Des Moines Art Center (co-sponsor); shipping information and receipts; correspondence with lenders; correspondence re: purchases; biographical information on Dwight Kirsch (curator of show and Director of DMAC)","Mailing 12/1/55, \"To Virginia Painters\"; budget information; correspondence with artists; correspondence with Dwight Kirsch; annotated catalog; catalog requests; catalog disbursement list; shipping information and receipts; copy of Kansas State College Biennial Catalog (including quote from Kirsch)","1 photograph of artist and painting (John Koos with wife and Peter Khan, head of Hampton Institute Art Department); correspondence with juror; press release; correspondence with publicity; correspondence with artists (Newell's correspondence file); biographical information on Kirsch; clippings","1 copy each of 1950 and 1954 catalogs","Catalog copy; catalog proof; suggested arrangement; label copy, checklists","1 photograph of Armand Hammer; 1 photograph of room in his house; 1 photograph of Breughel painting; 1 photograph of [Erwin] Panofsky [from Institute for Advanced Study at Princeton], lecturer; 2 press releases; correspondence with Hammer; general collection information","1 drawing of main panel layout","Correspondence with lenders and dealers, artists; shipping information and receipts","Shipping information and receipts","Registration forms for each painting; checklists by gallery and by artist","Entry cards (completed); other institutional catalogs; prospectus copy; annotated catalogs; catalog copy; 1 copy of catalog; label copy correspondence with artists; correspondence re: publicity; shipping information and receipts; correspondence with jurors","Prospectus; mailing lists; budget tracking; correspondence with jurors","6 photographs of designs; shipping information and receipts; label copy; correspondence with AFA (organizer); checklists; correspondence with Cooper Union (lender)","2 drawings of panel layouts; notes re: pre-Columbian panel layout","1 drawing of panel layout; label copy","1 drawing of 20th century gallery layout with section for Virginia rotating artists; correspondence with artists; correspondence re: purchases; shipping information and receipts; biographical information; correspondence with lenders; memos re: installation; checklists","Checklists by lender and by artist; correspondence with lenders; label copy; shipping information and receipts; copy of catalog from University of Louisville with similar exhibition","1 drawing of panels; notes re: panels for exhibition","Letter to AFA re: exhibitions; exhibition proposal for Design for Theatre","Correspondence with various people and institutions re: possible exhibitions; program schedule for 1953-54; scattered exhibition-related materials as well; correspondence re: various programs, performances and dinners; correspondence with publicity; copies of Members Bulletin for March, April \u0026 May, 1954","1 photograph of Furniture of the Old South; mainly lists, both general and for particular shows","Correspondence re: an article proposed by Gulf on the Artmobile, including a photographic assignment, to run in their company magazine Orange Disc; correspondence re: subsequent mailing of issue","Letter to Presidents of Garden Clubs, 10/11/54; correspondence re: securing funding for Waddy fountain planting each season; mailing lists","Correspondence re: arrangement to use galleries for their meetings","Membership List","Copy of The Orange Disc Magazine (March-April 1954); list of Artmobile pictures used","Drawing of new membership brochure [Not taken, too hard to reproduce]; annotated membership forms; new form copy; copies of MOMA \u0026 Walker membership forms; membership campaign materials: proposal, committee schedule, plan for calls, etc., minutes of meetings, campaign reports, membership report (statistics)","Correspondence re: special loan exhibition from permanent collection; shipping information and receipts; checklists","Correspondence re: meeting; biographical information on speakers; schedule/agenda; transcribed notes from Question \u0026 Answer session","2 photographs of mural; correspondence with Rochester Institute of Technology, where she was a student (she was a VMFA Fellowship winner); correspondence with artist","\"Endorsement of the forthcoming Artmobile\" 3/10/53; \"An Exhibition of Sculpture from Africa,\" 3/22/53; \"The Hammer Collection…\" [n.d.]; \"The VMFA has purchased 3 paintings…\" 3/24/54 (short one); copies of press releases from March/April 1952/1954","13 drawings of pedestals in various galleries; notes","1 drawing; 1 list of photographs for American 19th Century","1 drawing; 1 list of photographs for Early Near Eastern","1 drawing; 1 list of photographs for Late Italian and Spanish","1 drawing; 1 list of photographs for Roman","1 drawing; 1 list of photographs for Oriental","1 drawing; 1 list of photographs for German","1 drawing; 1 list of photographs for French 17th-18th centuries","1 drawing; 1 list of photographs for Italian, 14th \u0026 15th centuries","Just list of photographs for English 16th-17th centuries","1 drawing (English 18th-19th centuries; 3 photograph lists (medieval, American 18th century, English 18th-19th centuries","1 drawing; 1 list of photographs for American 20th century","List of photographs for Virginia Today","1 drawing (Egyptian); list of photographs for Egyptian, notes","2 drawings of text panels; notes; list of photographs for North Sculpture Hall","Photograph of Blanche Tarjus; correspondence; biographical information; program copy; programs; clippings; publicity materials from National Music League; artist fee schedule; correspondence with artists; invitation copy","Photograph of damaged jade, 2 annotated photographs (all Minneapolis); shipping information and receipts; label outlines; checklists by lender and by type; correspondence with lenders; clippings, research notes; label copy; correspondence with other potential lenders","3 panel layout drawings; 4 other layout drawings; label copy; label outlines; section color suggestions and samples; list of cases needed","1 photograph of children with eggs; tear sheets from Interiors magazine; copy of 1947 Pratt catalog; suggested publicity schedule; outline of work to be done; label copy; correspondence; press releases; research; clippings; correspondence with publicity","1 drawing; 6 photographs; blue AFA Catalog list; correspondence with AFA (organizer); label copy; checklists; shipping information and receipts; fabric and paper samples; correspondence with lenders","Correspondence with artist; biographical information; shipping information and receipts; label copy; checklists","1 drawing, 1 photograph of Karolik; catalog copy; checklist; shipping information and receipts; label copy; dimension list; correspondence with Smithsonian (organizer); correspondence with collector (Maxim Karolik); 1 copy of invitation; copy of bulletin; copy of MFA Boston Bulletin on collection (10/51)","William Kienbusch and William Zorach [2 of 3 judges] catalogs; list of purchase considerations; correspondence with artists; correspondence with galleries; shipping information and receipts; checklists","1 drawing; clippings; bulletin photograph copy; correspondence with Addison (1 letter) [Addison Gallery of American Art, Chairman of Jury was Bartlett H. Hayes, Jr., Director of Addison]","Correspondence with artists; biographical information; label copy; shipping information and receipts","1 drawing; label list","1 photograph of Charles Baker; 1 drawing; shipping information and receipts; correspondence with artists; checklists; biographical information; Davis' Fellowship application; label copy","Correspondence with artists; mailing lists of artists; requests for blanks","Correspondence with artists; requests for blanks; correspondence re: incomplete forms or missing checks; handwritten list of entries received","4 layout drawings","List of winners; copy of blank certificate; copy of green prospectus; checklists; shipping information and receipts; entry copy; catalog copy; label copy; other institutions' catalogs/prospectuses; correspondence with jurors; staff members; list of artists","Correspondence with artists; entry blank requests; shipping information and receipts","Correspondence with artists; biographical information; shipping information and receipts; label copy","Typed remarks by preview speaker [Honorable Shigenobu Shima, Minister of Japan]; list of credits for exhibition","Drawings of invitation copy; 1 photograph; checklists (organized by MOMA); correspondence; label copy; 1 copy of invitation; shipping information and receipts; correspondence with Minister of Japan (preview speaker); press release copy; correspondence with MOMA; correspondence with MIYA company (lent accessories); correspondence with Japan Society","1 drawing of panel layout; correspondence with artists; shipping information and receipts; checklist","Correspondence with Corcoran (lender); label copy; shipping information and receipts","2 photographs of ICA installation; checklists from ICA in Boston; fabric samples; correspondence with manufacturer (i.e.; lender); includes some publicity materials and catalogs; shipping information and receipts; list of items sold to staff members; ICA catalog/brochure copy; correspondence with ICA; ICA press releases; label copy; ICA catalogs (1954 \u0026 1955)","Checklist; miscellaneous correspondence; ICA news releases; fabric samples; checklists","Shipping receipts for Designs for Christmas show","List of items available for purchase; correspondence with manufacturers re: sale","3 photographs; publicity materials from Virginia Chapter of AIA; shipping information and receipts; label copy","Copies of suggested schedule","Few pieces of miscellaneous correspondence related to other exhibitions","2 photographs of Suzanne Bloch; correspondence with various music organizations; publicity materials (mainly programs); clippings; Suzanne Bloch press release copy and biographical information","Catalogs and samples of wall and paper materials","Letter solicitation (7/1/55); correspondence with studios; research; exhibition proposals (Samuel Goldwyn or Cecil B. DeMille); mailing list","Correspondence; correspondence with manufacturers (including catalogs)","Copy of the Annual Report; typed and written drafts for \"Information Services and Public Relations\" report","Press release; correspondence with publicity; clippings; mailing lists; grand opening schedules; new members' room information","Copy of letter to press (11/29/55); memo re: use of mats sent to newspapers from Rex Allyn to Cheek; 5 actual mats by Virginia Stereotype Service","1 photograph of camera; correspondence with Colonial Williamsburg (author of book on Cook); label copy; camera catalogs; checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of invitation; research articles","John Koenig was Guest Promotion Director; correspondence with publicity; news releases; mailing lists; clippings; copy of catalog","Bulletin copy; Bulletin proofs; correspondence with speakers","2 copies of newsletter (2/55 and 12/54); 1 piece of AFA membership publicity","Copies of 51st and 53rd programs; copy of letter to publisher of 55th (VMFA was in it)","Rex Allyn's correspondence file; correspondence with publicity; correspondence with other institutions; clippings","4 drawings; 10 photographs; copy of catalog of traveling show in São Paulo, copy of checklist and hanging order sheet; label copy; correspondence with artists; publicity; biographical information; shipping information and receipts; correspondence with publisher; press release, checklists (for traveling too); circulated by AFA","Copy of invitation to costume ball with note about asking about museum as location","AFA Newsletter, 12/55","Publicity; correspondence with Junior League about volunteers; copies of articles in The Leaguer; press releases","Publicity; copy; catalog photographs; correspondence with speakers; cards with state exhibitions on them; clippings","Publicity; copy of Bulletin; press releases","Copy of Carl Sandberg's prologue; invitation; correspondence with MOMA (circulator); copies of drawings of installation from MOMA; copy of catalog; contract; press releases; checklists; shipping information and receipts","Article copies (by Marguerite Tabb)","Correspondence with Jaycees","Correspondence","Correspondence with Society; copies of minutes","Publicity from American National Theatre and Academy","Correspondence with WRVirginia \u0026 WLEE; list of personnel","Publicity; Artmobile schedule","Correspondence with Society; publicity; schedule and financial statement of Society","Press releases (4/14/55; 4/12/55); schedule and procedure for ceremony of awards (4/29/55); press release (4/25/55); other press releases","Copy of minutes from meeting","Correspondence with printers; budget information; samples of items; purchase orders","Miscellaneous correspondence","Correspondence; summary and minutes from conference","Correspondence with Whitney Museum; correspondence with other museum directors (Leslie Cheek a sort of consultant)","Copy of letter from Rhoads to Board; correspondence with Rhoads","Correspondence re: Georg Jensen exhibition; checklists (from SITES)","Correspondence with artists; biographical information; checklists; shipping information and receipts","Invitation; correspondence with Catherwood Foundation; label copy; exhibition proposal","Press release; shipping information and receipts; correspondence with Catherwood; Catherwood publicity; checklists; label copy","1 drawing of layout; label copy; checklists; list of loans requested; shipping information and receipts; correspondence; correspondence with publicity; correspondence with lenders; 2 annotated copies of printed checklists; copy of Bulletin","1 copy of printed checklist; correspondence with lenders; request for information cards; 1 annotated copy of printed checklist","\"Caption for Watteau Mat\" and press release (1/11/52); press releases; list of loans; checklists","Correspondence with potential lenders for Fetes Galantes","Photography purchase requests; invoices","Shipping information and receipts; correspondence with lenders; clippings","Correspondence with lenders; shipping information and receipts; request for information forms; label copy","1 copy of catalog; 1 copy of Ford Times on which the show was based; checklists; correspondence; catalog copy; correspondence with Ford; copy of story for Commonwealth","2 photographs of Helen Wearstler Foht; 1 duplicate photograph of her; checklists; correspondence with artists; shipping information and receipts; label copy","Correspondence with artist and his dealer (Hammer Galleries); copy of the exhibition catalog; label copy; 1 book jacket of his (High World); insurance information; shipping information and receipts","2 photographs; checklists; shipping information \u0026 receipts; correspondence with artists; label copy","1 photograph; 1 duplicate photograph (Aubrey Bodine or O.F. Romig) [these 2 were judges, A. Aubrey Bodine of Baltimore and Orlando F. Romig of Pittsburgh]; correspondence with artists","Shipping information and receipts; correspondence; press release","1 photograph of unknown; 1 photograph of Carl Roseberg; shipping information and receipts; sales information; checklists; correspondence with artists; label copy","3 photographs; checklists; biographical information; correspondence with artists; label copy","Invitation; list of possible artists publicity/catalogs from other shows; invitation copy; mailing list; checklists; correspondence with Sculpture Center; shipping information and receipts; correspondence with artists; correspondence with lenders; label copy","4 drawings of label panels; sheet for each with list of photographs for panels","2 photographs; shipping information and receipts; correspondence with artists; checklists; sale information; biographical information; label copy","Invitation; 1 photograph of show at Corcoran; 1 drawing; also 1 drawing of Chinese gallery, press release 3/4/55; correspondence with SITES (organizer); shipping information and receipts; checklists; correspondence re: damage to a chair; label copy; correspondence with publicity; 1 copy of catalog; 1 copy of Danish Foreign Office Journal","Correspondence with lender; shipping information and receipts; checklists; George Poiret print collection exhibition catalog (rents them)","1 photograph; correspondence; clippings","Copy for theatre publications","Program for 57-58 season; copy for earlier brochure","One letter re: season's policies","2 pieces of correspondence","\"A Proposal,\" (letter 7/14/56); Dance Society meeting minutes; correspondence; budget information; mailing list","Program April 20, February 24, January 6, October 21, September 16; correspondence (1 letter); 1 copy of a mailing","Checkbook; correspondence re: taxes","1 photograph (Richard Steinway); duplicate photograph (John Langstaff); 1 photograph of John Langstaff with Berkshire Quartet; 1 duplicate photograph and 1 regular photograph of Albeneri Trio; 1 season program","1 photograph of John Langstaff; 1 duplicate photograph of Robert Conant; 2 photographs of Amadeus Quartet; 1 photograph of Alfred Deller; 1 duplicate photograph of Alfred Deller Trio; 1 photograph of Emily Frankel and Mark Ryder; correspondence; proposed relations between the 2 organizations; meeting minutes; letter drafts; program copy; publicity materials","Wishes to thank card; Davenport Carrington letter; response card; meeting minutes; program schedule; clippings; correspondence; budget information; form letter with mailing lists; promotion planning","Shipping information and receipts; correspondence","1 copy of schedule of programs and events","Correspondence from Velz (he was on Executive Committee for 1956-1957) to various people re: events; \"The Public Relations and Information Program of the Virginia Museum of Fine Arts\" paper","1 clipping (RTD 2/15/56-they got charter)","RAUC Summary Report 1949-1956; correspondence of RAUC; evening courses for adults announcement","Correspondence re: lecture on architecture of Japan","Correspondence re: fundraising drive; interoffice memos","Hundreds of photographic department purchase requests","1 copy of magazine, October 1956 issue with VMFA feature","8 drawings of alcoves; layouts; permanent installations; lists of photographs for alcoves; memos re: installation needs; photograph orders; lists of titles for information panels; correspondence re: information panel production; panel copy; budget information; information re: hanging heights in galleries; sample label paper","\"Art Reference Resources in Virginia\" questionnaire (all about art libraries); 1 piece of correspondence about putting brochures on ferries","3 photographs from Brazilian show; newspaper and magazine clippings; catalogue and clippings for 1951 Brazilian show (Children's Book Illustrations); information and press releases and correspondence for 1953 fellowships; 1950-51 fellowship information; blank application; information on Jenny-Lynn Franklin's mural; press releases for 1956-1957 fellowships","Traveling checklist and hanging order; label copy; correspondence with artist; shipping information and receipts; correspondence re: traveling exhibition; checklists; correspondence with AFA; clippings; blank loan contract; correspondence with borrower; itinerary; AFA publicity materials for show","Material from MOMA on their 25th anniversary","2 drawings of panel layouts; list of photographs used; memos; label copy; photograph order","Mailing list; copy of Bulletin; cards sent to institution for their exhibition listing in Bulletin (called \"Elsewhere in Virginia\")","Photograph of Merrill Moore; 1 photograph of Governor Stanley; biographical information on speakers; correspondence with speakers; publicity material for Merrill Moore's new book","Mailing (open house invitation); letter from Rhoads to members; renewal card, 1 photograph by Yardley; membership letter draft; correspondence between committee members; brochure proofs; previous membership requests; privilege information; budget information; brochure copy; paper samples","Brochure copy","Fashion Festival facts; Council letter (3/21/56); program; invitation copy; correspondence with Miller \u0026 Rhoads; correspondence re: Council; correspondence with Harper's Bazaar; correspondence with publicity; mailing lists; schedules; meeting minutes; annotated scripts \u0026 schedules; fabric samples; program copy","Complete reply cards; correspondence re: Council children's events; publicity materials for puppet theatre; blank reply cards","Correspondence with artists; checklists with sale prices; shipping information and receipts; biographical information; label copy; photograph purchase requests","1 photograph of \"Black Beast,\" 1 photograph of \"Croquet Player\"; correspondence with AFA (who turned down show) and ICA Boston; correspondence with publicity; shipping information and receipts (now called \"Collection Memos Receipt\"); correspondence with lenders; insurance information","Correspondence with publicity; correspondence with artists; correspondence re: preview, installation information and schedules; correspondence with lenders; shipping information and receipts; label copy; correspondence with AFA re: withdrawal; list of lenders; photograph orders","1 drawing, 27 photographs; 1 duplicate photograph (Henry Robinson Luce); label copy; correspondence; shipping information and receipts; [unlabeled: (lady) Elsie de Wolfe; Henry Dreyfuss (architect)]","3 photographs of jurors; 1 photograph of sculpture; 1 photograph of tempera painting; correspondence with jury; checklists; shipping information and receipts; clippings; dinner lists and plans; correspondence with lenders; label copy; Ben Shahn catalog; biographical information; insurance information","1963 Virginia Artists blank; shipping information and receipts; correspondence with artists; label copy; biographical information","2 drawings (1 by her, 1 by Leslie Cheek); checklist with values; correspondence with artist; shipping information and receipts","Entry cards; shipping information and receipts; sale information; correspondence with artist; insurance information; Council Preview Party gifts information (new); check stubs; list of entrants; preview mailing list for businesses","Virginia Artists jury memo (1/25/57); blank certificates (signed); traveling exhibition checklist; 1957 prospectus; label copy; copy of 1936 catalog; speech copy; Bulletin copy; annotated 1955 blank; prospectus list; entry requests; catalogs and brochures from other exhibitions; prospectus copy; catalog copy; schedule; correspondence with publicity; shipping information and receipts; correspondence with jury; clippings; certificate recommendation list; jury report; correspondence with artists; biographical information on certificate winners","Shipping information and receipts; correspondence with artists; 1 copy of catalog","Drawing of layout","3 photographs of installation (location unknown, not VMFA); correspondence with American Institute for Graphic Arts (organizer); shipping information and receipts","\"A Brief Description of the 'New World Achievement' Exhibit,\" invitation and drawing; label copy; checklists; schedules; Jamestown materials for 1957 festival; list of lenders; for letter draft; credits; musical selections; annotated invitation; correspondence with Jamestown Committee members; copy of Commission report; shipping information and receipts; invitation copy","Illustration lists for panels; label copy","2 duplicate photographs; research and information panel copy","1 photograph of a plate; correspondence with lenders; shipping information and receipts; information request forms; label samples","3 photographs; correspondence with lenders; shipping information and receipts; information request forms","Information on VMFA and Jamestown Festival","Correspondence with ESU re: speaker and other events; correspondence with embassy; clippings; invitations; speaker publicity","Checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of VMFA Summer Calendar","1 drawing; photograph; checklist; catalog; publicity materials from AFA (organizer); measurement lists; correspondence with AFA; correspondence with Near East College Association (co-organizer); shipping information and receipts; label copy; checklists with values","2 photographs; \"Emblem of the 1957 R.S. Reynolds Memorial Award\"; 20th century works of art catalogue from the University of Illinois-Urbana; label copy; AFA publicity materials; Reynolds Memorial Award publicity materials; correspondence with AFA; correspondence with Reynolds; correspondence with artist","1 drawing, 7 photographs, press release; checklists; label copy; shipping information and receipts; MOMA publicity materials; correspondence with MOMA; label copy; condition report","1 application; 2 memos","Council member letter (2/1/57); \"The Big Frame-Up,\" script and cast list; volunteer lists by reject type; Council proposal for buying Virginia Art; preview invitations; clippings; correspondence with and between Council members; invitation copy; prize list","1 photograph (Joseph Gilliard); correspondence with artists; invitation correspondence; checklists; biographical information; shipping information and receipts; photograph orders; label copy","Invitation, traveling exhibition checklist; label copy; shipping information and receipts; checklists; correspondence with publicity; correspondence with artists; biographical information; correspondence with AFA; catalog of other comic show in NYC; press release copy; AFA Catalog 1957-58; photograph orders","1 photograph of speaker (Rorimer); correspondence with speakers (library lecture series); list of speaker possibilities","Checklists; shipping information and receipts (re: return of traveling show)","Invitation to children's play; correspondence re: children's events, including play","Membership letters; blank application; list of dropped group members with form letter; memo re: procedure","Introduction letter (9/28/56); letter (1/15/57); menu; correspondence and planning re: Council luncheon and other meetings; list of Council programs for year; correspondence; shipping information and receipts for lecture supplies; clippings","4 photographs (Iris Nordquist?); label copy; correspondence with artists; shipping information and receipts; biographical information; checklists","An example file: instructions regarding how to do the shows, rules, etc. plus samples of forms and documents","Memos and notes re: quality of transparencies used for postcards","Correspondence re: adult photography class taught by Burris (Gordon G.), staff photographer; correspondence with manufacturers re: enlargers; equipment brochures","Correspondence and agreements re: film society showings for year","5 Remington Rand catalogs; Library and filing supplies; correspondence with other librarians (arts); correspondence with possible applicants; results of art resources surveys; list of equipment desired; list of periodicals [bunch of \"Habiliments\" material]","Label copy; checklists; correspondence; correspondence with artists; sales information; repairs, shipping information and receipts","Form letter from Rhoads to members","Correspondence and memos from McClellan \u0026 Velz (PR and publicity-related) [Richard Velz, Division Head, Administrative Division; E.T. McClellan, Public Information Head]","1 photograph (Thomas Kenneth Rowe); 4 photographs of paintings; correspondence with artists; checklists; shipping information and receipts; biographical information; clipping","Label copy; shipping information and receipts; correspondence with artists; checklists","Correspondence with lenders; label copy; shipping information and receipts (no catalog published for this one)","Preview invitation; 2 photographs; layout drawing; label copy; correspondence with ICA Boston (organizer) \u0026 Detroit Institute of Arts; correspondence with Winston; checklists; shipping info and receipts; catalog of collection at University of Michigan","7 photographs; label copy; shipping information and receipts; correspondence with artists; checklists; clippings; biographical information","1 photograph; label copy; AFA publicity materials; correspondence with lenders; shipping information \u0026 receipts; credits; correspondence with designer (Oenslager); clippings; biographical information; 1 copy of catalog; AFA brochure (1957-1958)","2 photographs; AFA materials; correspondence with AFA; label copy; shipping information and receipts","Panel layout drawing; 1 photograph; checklist; list of lenders; label copy; checklists; Carnegie press releases (organizer); correspondence with ICA Boston (circulator); correspondence with Carnegie; correspondence with lecturers; shipping information and receipts; 1 copy of catalog","Correspondence with Smithsonian; Smithsonian press release; checklist; shipping information and receipts; label copy; 1 copy of catalog","6 photographs (Barbee); 6 photographs (Lou Ponder-Rogers); checklists; correspondence with artists; shipping information and receipts; biographical information; various catalogs; label copy","6 photographs (Thomas Gorman); 6 photographs (Marilyn Downes-Bennett); shipping information and receipts; correspondence with artists; checklists; label copy","1 drawing; duplicate: invitation letter; \"Art Lending Service\"; press release; mailing list; Bulletin copy; invitation copy; copy of 1947 catalog; correspondence with artists; list of eligible artists; list of previous rotating exhibitions","1 layout drawing; 2 photographs; checklists; label copy; correspondence with Warburg; shipping information and receipts; 1 copy of invitation","Copy of invitation; miscellaneous memos","1 American classics drawing; 1 duplicate Skidmore, Owings, Merrill layout drawing; 1 copy of a gallery catalogue from New York; checklists; list of preview guests; shipping information and receipts; promotion plan; correspondence with publicity; promotion plans; press release","\"SOM Projects,\" clipped prose and labels; label copy; copy of MOMA Bulletin on SOM (Fall 1950), XVIII, 1","Folder with label on front \"William Rhodes\" scheduling events surrounding opening of new Reynolds Metals Building; correspondence with publicity; correspondence with SOM; correspondence with Reynolds; shipping information and receipts; preview plans","1 photograph (Colorado Springs Air Force Academy); 1 photograph (Frederick D. Nichols, professor at School of Architecture, UVirginia); label copy; correspondence with publicity; Reynolds Metals opening schedule; annotated press releases; clippings, correspondence with potential speakers; Bulletin; shipping receipts","5 photographs and 1 slide; correspondence with Reynolds; correspondence with publicity; correspondence with William O'Neal, lots of miscellaneous correspondence","Around 10 magazine clippings","1 photograph; clippings; press release; \"1962 American Painting\" catalog; \"The Story of Steuben Glass\" book","1 photograph (duplicate); 1 drawing of pedestal; label copy; correspondence with Steuben glass; shipping information and receipts","9 photographs; 1 drawing; 1 duplicate photograph (Dorothy Miner); label copy; correspondence with Andrew Wyeth; correspondence with lenders; correspondence with local librarians; correspondence with speaker (Dorothy Miner); 1 copy of invitation; 3 annotated copies of catalog of paintings at Knoedler; shipping information and receipts; biographical information","Documentation; correspondence and schedules for school group tours, all ages and subjects; some docent information","1 copy of November 1958 – 44:11","1 folder of press releases, VMFA Bulletin, 2 photographs, called \"News About our New General Office Building.\"","1 folder with label \"Mrs. M.B. Christison\" with opening schedule information","1 photograph (Edwin Burr Pettit – Brandeis lectures); information re: Council lecture-luncheon 1957; handouts; reservation cards; correspondence, Lecture Series schedule; correspondence with potential lecturers; clippings","Correspondence re: mailing list and press releases","Correspondence with publicity; publishers and personalities; printer","1 photograph; correspondence with publicity; correspondence with dealers; press releases, Poussin material; mailing list","Correspondence with Professor of Applied Social Research at Columbia re: public relations","1 drawing; shipping information and receipts; correspondence; label copy; correspondence with lenders; UVirginia catalog","3 drawings; 9 photographs; 1 duplicate photograph; label copy; exhibition catalog from L'Art Ancien, S.A. Zurich; correspondence with Brooklyn; shipping information and receipts; invitation copy; 1 copy of invitation; clippings; AFA materials and correspondence","\"Virginia Artists Jurying: Requested Arrangements \u0026 Operations\"; 17 photographs (1 of Perrin - labeled, 1 of Bertoia - hat, 1 of Lee – other; correspondence with potential jurors; correspondence with jurors; shipping information and receipts","1 photograph; invitation (3 copies scattered); 1 drawing; checklists; biographical information; label copy; correspondence with Aldrich; catalog correspondence; correspondence with publicity; catalog copy; shipping information and receipts; clippings","Correspondence with printer re: catalog; \"thank yous\" for exchange or gift of catalog","\"Complete Catalog\" copy; correspondence with artists; information requests; shipping information and receipts; 1 certificate (signed by Sherman Lee); clippings; correspondence with jurors; schedules; lists of entries by place; entries (completed); certificate recommendations; prospectus copy; clippings; checklists; other institutions' prospectuses; other catalogs; correspondence with publicity","1 drawing; catalog copy; 1 copy of prospectus; label copy; prospectus proof","Correspondence with winners; list of certificates; list of recommendations","15 photographs; 1 drawing; correspondence with Metropolitan Museum of Art (speaker); label copy; correspondence with Minneapolis Institute of Art (lender); checklist; shipping information and receipts","5 photographs; correspondence with potential lenders; correspondence with APVirginia; correspondence with Virginia State Bar; checklists; shipping information and receipts; label copy","Correspondence; label copy","Correspondence with the Olsen Foundation (lender); 1 copy of catalog; shipping information and receipts; checklist","12 photographs (whoever had show October 7- November 4, 1956); catalogue; research; checklists; correspondence with Olsen Foundation","Suggestion for gala fundraiser","Correspondence with VHS","Correspondence with artists re: eligibility; old Virginia artists catalogues (1953 \u0026 1955); prospectus and rules","1959 catalogue; lists of eligible artists; label copy","3 negatives, 5 photographs; correspondence with lenders (NYPL, Wadsworth, Met); checklists; chipping information and receipts","Correspondence with Virginia State Bar Association","7 small photographs (Broaddus); 5 photographs (Russi); 5 photographs – prints – (Turner); correspondence re: sales; biographical information; correspondence with artists","1 photograph (Davenport); 9 photographs (Davenport); 1 photograph (Jones); 4 photographs (Jones); checklists; label copy; correspondence with artists; biographical information; shipping information and receipts","Shipping information and receipts; request for information forms","Receipts","7 photographs (I. Moore?); 7 photographs (Lois Jacobsen); 7 photographs (Bill Gaines); 1 photograph (Jacobsen); correspondence with artists; shipping information and receipts; invitation copy; correspondence re: sales","4 photographs; 1 drawing (duplicate); duplicate: catalog list (blue); correspondence with AFA; AFA materials; clippings; biographical information on lecturer; checklist; correspondence with publicity; preview dinner plans; shipping information and receipts; 1 copy of catalogue","Correspondence with lenders; publication exchange cards; checklists; committee member list; correspondence re: catalog","2 photographs; 1 photograph (Basil Taylor); 1 duplicate photograph of unknown; 1 duplicate photograph (Alice Higgins); 1 drawing; clippings; biographical information on Sports Illustrated photographers; press releases; checklists; mailing lists; budget","Label copy; checklists","Clippings; publication exchange cards; correspondence with publicity; 1 copy each of 2 invitations; dinner seating arrangement","Correspondence with lenders","Dinner reservation list; dinner invitation (March 1960); list of patrons; budget information; invitation copy; shipping information and receipts; financial reports; correspondence with publicity; travel plans, correspondence with Basil Taylor; 1 copy each of 2 invitations; correspondence with Mellon","Research; checklists; correspondence with possible lenders; correspondence with Corcoran (organizer of Sports Illustrated exhibition); other exhibition catalogs; correspondence with Mellon; clippings; committee correspondence; label copy; correspondence with publicity; correspondence with ambassadors; invoices; issue of \"Sport \u0026 the Horse: The Chronicle,\" (4/1/60)","1 drawing of dinner arrangement; correspondence with lenders; correspondence with committee members (including Mellon); shipping information and receipts; correspondence re: catalog; travel plans; invitation copy; correspondence with lecturer; correspondence with ambassadors","3 photographs of packing Manet's \"Races at Longchamp, Paris\"; correspondence with lenders; shipping information and receipts; correspondence with Mellon; correspondence with publicity; correspondence re: damage to Manet","Shipping information and receipts; correspondence with lenders","Correspondence with Blunt (Courtauld) and with royal collection","Catalog copy; 1 letter from the Palais du Louvre","Correspondence with Mellon; correspondence with committee members; list of patrons; requests to join committee","Correspondence with Constable, consultant to exhibition (former curator, MFA Boston); Courtauld Director; Art History Professor, University of London)","Correspondence with Bourlet \u0026 Sons","Correspondence with Duveen \u0026 Walker (insurance brokers); copy of policy","Correspondence with Mellon; various lists","Correspondence with potential lenders; preliminary loan list","1 photograph of Sir Robert Walpole by Wootton; shipping information and receipts; correspondence with lenders; correspondence with Paul Mellon; handwritten list of lenders","Checklists; item cards","Budget tracking (including dinners); list of contributors; correspondence with Department of Accounts; receipts with correspondence; gala invitation copy; correspondence with publicity; correspondence with Mellon; 1 invitation; gala planning; menu copy; various ad rate cards (including Sports Illustrated); \"The Sports Illustrated Guide to Regional Marketing,\" with Sports Illustrated issue 4/18/60","1 duplicate photograph of \"Brown Horse \u0026 Spaniel\" by Stubbs; correspondence re: repair (blister) of Stubbs' painting lent by Katherine Gilbey of England","2 photographs (of Stubbs' Hambletonian, Rubbing Down receipt); correspondence with lender (Estate of the Dowager Marchioness of Londonderry); shipping information and receipts","Correspondence of the British Council","Correspondence re: catalogue","Requests for catalogue","Checklists by lenders, artists, type","Correspondence with lenders","Miscellaneous correspondence re: Sport \u0026 the Horse","Correspondence with Murray, librarian at the Witt Library, Courtauld","Catalogue copy; label copy","Over 100 plus photographs!","Correspondence with publicity; clippings","Correspondence with Mellon; suggested publicity plan; clippings, correspondence especially Basil Taylor [Librarian, Royal College of Art, London] and W.G. Constable; checklists (essentially Muriel Christison's file)","Shipping information and receipts","Completed request for information forms; packet of information on paintings from Wildenstein","Correspondence with dealers; checklists; correspondence","3 photographs of Monet's painting packed; 1 photograph of James Ward \u0026 Skewbald Stallion; correspondence with lenders; shipping information and receipts; checklists","1 duplicate photograph (Gilpin's Gulliver \u0026 Houyhnhnms); correspondence with Basil Taylor (Librarian, Royal College of Art); essentially Muriel Christison's correspondence file; biographical information; catalog copy; label copy; checklists","6 Prentiss Taylor photographs, 1 photograph of Taylor, 1 photograph of Lazaron exhibition; correspondence with artists; sale information; other catalogs; biographical information; clippings; checklists; shipping information and receipts","Prospectus copy; misfiled correspondence","Prospectus copy","1 photograph of installation; 6 slides (unlabeled); 1 copy of prospectus; correspondence re: jurors and jurying; list of certificate winners; correspondence with winners; dinner replies; other catalogs; correspondence with artists; correspondence with jurors","1 drawing; 1 copy of 20th Photographic Salon prospectus (blue); 2 posters from Virginia Art Directors Club 57th Annual Exhibition; Mariners Museum catalogs, etc. (lots of prospectuses and catalogs for similar exhibitions; entry requests; correspondence with jurors; jurying information","Checklists; notes; 1 copy of 20th Virginia Photographic Salon invitation and catalog; press release","ADP prospectus; requests for entry; mailing lists; correspondence with Camera Club \u0026 Photographic Society of America; annotated copies of 20th Virginia Salon catalog; 1 copy of PSA Journal 1960 – membership list","Sale information; checklists; correspondence with artists; insurance information; biographical information; shipping information and receipts","3 duplicate photographs of artists, 1 photograph of panel; biographical information; correspondence with artists; checklists; shipping information and receipts; correspondence with publicity","Correspondence with artists; checklists; shipping information and receipts; sales information; biographical information","\"Art Lending Service,\" generic invitation; correspondence with artists","\"Notice to Virginia Photographers,\" 1 drawing, 1 photograph of juror [Hoyt L.] Roush; prospectus copy; entry requests; checklists; annotated prospectus; information re: jurying; correspondence with jurors; correspondence with Camera Club; catalog copy; copies of 18th \u0026 19th photographic salon catalogs; lists of winners; shipping information and receipts; biographical information","20th Photographic Salon prospectus; other catalog; entry requests; prospectus copy; ADP prospectus copy; clippings; news release; 1 drawing of ADP layout (already have it)","1 drawing; 1 copy of catalog; correspondence with MOMA (organizer); MOMA materials; shipping information and receipts; label copy; checklists; contract","Two 12/1/59 press releases; 3 photographs from 1/2/60; press release; clippings; correspondence with publicity; list of attendees; correspondence with UNESCO","Correspondence with jurors; shipping information and receipts; correspondence with lenders; completed request for information forms","2 negatives of Joseph A. White (shipper) and Perry Rathbone (Director, MFA Boston); checklists; correspondence with publicity; correspondence with lenders; biographical information; list of events; 2 prints of negatives","Correspondence with lenders","Invitation copy; catalog copy; annotated Sport and the Horse invitations, programs and menus; copy of \"Brief History of Virginia Museum,\" lecture copy","Correspondence with CW's President; biographical information","Correspondence with Gibbs (President of Gibbs \u0026 Cox, Architects); biographical information","Biographical information (of Lehman Brothers, investment banking); correspondence with Lehman","Correspondence with Marshall Fredericks (accepted Carl Milles award); biographical information; correspondence with Mrs. Milles","Annual reports (1956-58, 51-55, 41-50); biographical information on Ernest Brooks (President of Foundation) and correspondence with Brooks; miscellaneous correspondence","Correspondence with Saarinen; biographical information (correspondence re: Arts in Virginia article)","Notes; correspondence with contributors; correspondence with vendors","25 photographs; 1 duplicate photograph; correspondence with lenders and directors of lending institutions; biographical information","1 copy of preview invitation; list of invitees; drafts of publicity correspondence; correspondence with governor; memos","Various checklists","More checklists","Correspondence with lenders (in alpha order of lenders)","Correspondence with potential lenders (compiled by lender)","1 letter to Director of Toledo Museum of Art","Correspondence with publicity (compiled by institution)","33 duplicate photographs; 9 new photographs; shipping information and receipts; requests for information forms","24 duplicate photographs; 4 new photographs; shipping information and receipts; requests for information forms [n.b.: some overlap between folders 8 and 9]","Shipping information and receipts with new form: \"Collection Memo \u0026 Receipt.\"","1 drawing; 3 maps of table arrangements with names; 1 letter of thanks to Miller \u0026 Rhoads","\"Virginia Artists Jurying\"; 1 photograph; completed entry blanks; prospectus copy; correspondence with artists; correspondence re: sales; shipping information and receipts; list of certificate winners; labels; budget information; correspondence with jurors; prospectus proofs; correspondence re: damages; list of invitees for collectors reception","Small bit of correspondence; prospectus copy","5 photographs; correspondence with lenders; shipping information and receipts; checklists","Press release form; SITES checklist; SITES press release, 3 photographs; collection of memos and receipts; press release copy; correspondence with venders; staff memos; checklists; clippings; shipping information and receipts; request for information forms; SITES contract","Empty folder","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts; biographical information; overall rotating schedule; insurance form (new that year)","3 photographs; correspondence with artists; shipping information and receipts; checklists, insurance form","Correspondence with artists; shipping information and receipts; other catalog; checklists; insurance forms","1 drawing; correspondence with publishers and booksellers; correspondence with American Institute of Graphic Arts (circulator); shipping information and receipts; label copy; insurance form","5 photographs; label copy; research, correspondence with AFA (circulator); AFA materials; checklists; exhibition contract; press releases; shipping information and receipts; 1 copy of invitation","1 photograph; 1 drawing; 1 copy of invitation; correspondence with artist (Ruth Perkins Safford); label copy; price list; invitation copy; traveling exhibition checklist","9 photographs; 1 duplicate photograph; correspondence with MOMA (organizer and circulator); label copy; shipping information and receipts; 1 copy of invitation; MOMA materials; checklists","3 photographs; shipping information and receipts; correspondence with artists; lists of all eligible artists","Label copy; correspondence with artists; correspondence with lenders; insurance form, checklists; shipping information and receipts","1 drawing; duplicate: preview invitation; AFA materials (circulator); panel copy; 1 copy of Bulletin (November 1961); checklists; label copy; exhibition contract; correspondence with AFA; shipping information and receipts; AFA informational card (1 copy); correspondence re: sales","List of private purchasers; correspondence with artists; check receipts; shipping information and receipts; signed release forms (when items were released from museum custody); checklists; \"Report of the Council Committee for the Virginia Artists' Exhibition, 1961\"; list of business purchasers","\"Art Lending Service,\" \"Release Form,\" 1 drawing, \"Artist Form,\" another \"Art Lending Service\"; correspondence; schedule; procedures","\"Virginia Artists Jurying,\" \"Collectors' Reception\" (2/24/59), \"Tax Consequencies of Gifts of Picture,\" \"List of Firms\"; correspondence; invitation copy; memos; catalog and prospectus copy for 1961 show; label copy; procedures re: sales; check receipts","1 photograph; correspondence with artist; recommendation from Cheek; biographical information","1 bound copy of \"Cross-Examination of an Art Collection\" by Fred L. Palmer; correspondence with Palmer; checklists; shipping information and receipts; list of valuations; biographical information; collection memo and receipt; insurance report form","3 pieces of correspondence re: possible Eisenstaedt exhibition","2 photographs (duplicates); research; checklists; insurance report forms; shipping information and receipts; collection memo and receipts; label copy","Panel copy; label copy","1 photograph; shipping information and receipts; correspondence with artists; insurance report forms; Virginia Artist application; checklists","Invitation; label copy; clippings; correspondence with Railey (Mrs. Howard); research; auction catalogue: Hotel Drouot, 20 November 1861; shipping information and receipts; checklists; insurance report form","5 photographs, 1 drawing; correspondence with Director, H. Bryan Caldwell; checklists; collection memo and receipts; insurance report forms; research; press release; copies of Norfolk Museum Bulletins; Norfolk materials; 1 copy of \"Hugh Gordon Miller Collection of Paintings\"; correspondence with other Norfolk staff; 1 copy of \"The Great Mace of Norfolk\"; shipping information and receipts","Fact sheet; catalog copy; list of winners; copy of speech at preview","Prospectus copy; signed endorsement of prospectus by AIA, Virginia Chapter; prospectus proof","Signed certificates of distinction; prospectus copy; correspondence with jurors; biographical information; jury instructions; fact sheet","Jury instructions; fact sheer; list of winners","Label copy; insurance report form; memos; shipping information and receipts; correspondence with artists; biographical information","2 photographs, 1 drawing; label copy; correspondence with lender; correspondence with Basil Taylor; correspondence re: insurance; shipping information and receipts; police stand information","1 drawing; label copy; police stand information; correspondence with artists; correspondence with Hayes (Director of Addison); biographical information","1 copy of catalog; 1 copy of \"Artist-Craftsmen of Western Europe\" Catalog; unsigned invitation forms from Hayes; copies of telegraph information requests; label copy; correspondence with artists; correspondence with lenders","7 photographs; 1 copy of catalog; catalog copy; correspondence re: possible purchase of Nell Blaine painting","2 photographs, invitation; correspondence re: damage; shipping information and receipts; correspondence re: insurance [other correspondence: with artists; re: catalog; with publicity; with Hayes; re: lecture; with lenders; press releases; copy of Time magazine 1/19/62 re: Yu-Ho]; 1 copy of catalog","Shipping information and receipts; correspondence with lenders; signed invitation forms; a few other catalogs","22 new photographs; 8 duplicate photographs; some correspondence re: photographs","Shipping information and receipts; correspondence with lenders; checklists; insurance report form","Invitation; correspondence with contributors to AIV and Miss Christine Alexander, former curator at the Met \u0026 now advisor on Greek art to VMFA; staff memos; label copy; checklists; correspondence re: photographic panels for exhibition","Research (including sketches by Christine Alexander); notes; label copy","Press release; checklist; label copy","41 photographs; 12 duplicate photographs; label copy; correspondence with publicity; memos","1 drawing; label copy; checklists; shipping information and receipts; correspondence with Karolik; research; collection memo and receipt; insurance report form","12 photographs; correspondence with publicity; correspondence with potential lenders; correspondence with lenders; Jamestown Festival materials; correspondence with Jamestown; label copy","8 photographs; correspondence with artists; insurance report forms; shipping information and receipts; checklists","1 photograph; 1 duplicate photograph; 1 duplicate information sheet [\"Collectors Circle,\" 4/30/62]; shipping information and receipts; information request form; correspondence with collectors; label copy; schedule of \"expert\" lecture; insurance report form; 1 copy of invitation","Label copy; memos; correspondence with potential lenders; correspondence with SITES; correspondence with various Civil War Centennial Commissions; loan contracts (SITES); checklists; SITES materials; press releases; shipping information and receipts","12 photographs, 1 sealed envelope with possible photographic material ;checklists; label copy; correspondence with artists; shipping information and receipts","14 photographs; correspondence with artist; biographical information; memos; shipping information and receipts; insurance report form; clippings; label copy","5 photographs, 10 slides (Bristow); correspondence with artist; correspondence re: sale; press release, biographical information; memos; label copy; checklists; insurance report form; shipping information and receipts","Invitation; 1 annotated copy of \"Stravinsky and the Dance,\" NYPL, 1962","7 photographs; 2 duplicate photographs; staff memos; correspondence re: preview; correspondence with lenders; correspondence with AFA (circulator); checklists; correspondence with publicity","Sample of stuffed envelope to be weighed for postage","7 photographs; duplicates: checklist, suggested press release; correspondence with SITES; SITES materials; exhibition contract; staff memos; 1 copy of SITES catalog","Correspondence with Thorne (potential Virginia Artist)","Staff memos; correspondence with potential and real lenders; checklists; collection memo and receipts; shipping information and receipts","1 copy of Saturday Review 6/18/62","Correspondence with artists; various checklists; completed applications; blank applications (1 annotated; 1 not)","Application packet; completed applications","Correspondence with Goodrich (Director of Whitney); lecture schedule (for all lecturers for chapters and affiliates)","Correspondence with Rich (Director at Worcester); proposed schedule for Rich","Correspondence with Walker (Director, National Gallery of Art, DC); proposed schedule for Walker","2 photographs [Robert Lippold, Perry Rathbone]; duplicates: loan/own letter (8/10/62); Dear Virginia Artist (1/16/63); correspondence with artists; 2 label panels; checklist of eligible artists; prospectus copy; list of awards","1 press release","\"Curator's Choice: Collectors' Opportunity\" (orange); \"$50 Hens\" (blue); \"Procedure for Party\"; label copy; staff memos; text of speech; \"rules of etiquette\"; purchase request cards","'62 ADP catalog; old prospectuses; catalog copy; staff memo","1 drawing; 1 invitation; correspondence with artists; checklists (actually price lists); insurance report form; shipping information and receipts","Press release (9/8), 16 duplicate photographs, 7 new photographs, 1 contact sheet; 1 copy of Arts in Virginia (Spring 1962); correspondence with RMWC; checklists; correspondence with publicity","Suggested press release; checklist (circulated by MOMA); shipping information and receipts; MOMA materials; label copy; correspondence with MOMA","10 photographs; 1 copy of \"Finlandia\" catalog; correspondence with SITES. Correspondence with John Rorimer (Director of the Met); correspondence with AFA; correspondence with Finnish Society of Crafts \u0026 Designs [didn't take place!]","Correspondence with Rosenwald; correspondence with Walker \u0026 Brown at NGA; work schedule; correspondence with lenders; shipping information and receipts; staff memos; list of invitees to preview dinner; collection memo and receipt; 1 copy of invitation; foreword copy","Catalog copy; catalog proofs; miscellaneous correspondence; foreword copy","Correspondence with Philadelphia Museum; shipping information and receipts; insurance report form; correspondence with Rosenwald","3 photographs; shipping information and receipts; correspondence with SITES; checklists; press release; SITES materials; contract; label copy","Annotated copies of old prospectuses and catalogs; catalog copy","Mailing lists; list of hometowns; correspondence with artists; statistics; correspondence re: sales","1963 catalog; prospectus copy; catalog copy; catalog proof","Certificate (1 signed; few unsigned), invoices (purchasers and file copies); checklists; presentation schedule; correspondence with artists","Correspondence with artists; staff memo with form letters; Council letter (5/5/65)","Memos re: visit of Carl Weinhardt, juror; various staff memos; various form letters","Letter to purchaser from 20th exhibition, receiving and handling of prospectus and works (2/19/65); jurying procedures (3/18/65); dear Virginia Artist Printmaker; various staff memos; council committee report; Council form letters; correspondence with artists; various form letters; 1 copy of 1963 prospectus","1 slide; lists of works purchased; label copy; insurance report form; shipping information and receipts","3 drawings; duplicates: invitation; 1 copy of Bulletin (September 1965); collection memo and receipts; 1 copy of catalog; correspondence with lenders; correspondence with Moore; checklists","\"Suggested Introduction,\" 2 photographs; schedule of trip; correspondence with Arnson; miscellaneous correspondence; biographical information","1 photograph; duplicates: 1 clipping (Time 9/3/65); label copy; clippings; other invitations; Dictaphone belts with Henry Moore!; other catalogs; other press releases; transcription of interview","34 new photographs; 6 duplicate photographs","Shipping information and receipts; request for information forms; checklists; correspondence; insurance report forms; 1 copy of catalog (annotated)","1 annotated copy of \"William Blake: Poet, Printer, Prophet,\" by SITES","1 photograph; duplicates: \"Suggested press release,\" \"checklist, handling instructions\"; correspondence with SITES; SITES material; correspondence with Mellon (re: loans)","Invitation; correspondence with lenders and The Blake Trust; clippings","Label copy","Label copy; checklists","3 photographs; correspondence with Mellon; checklists; collection memo and receipts; shipping information and receipts; insurance report form","7 photographs","1 photograph; correspondence with Rosenwald; correspondence with lenders; checklists; shipping information and receipts","23 photographs; 2 duplicate photographs; correspondence with artists; photograph reproduction requests","Fact sheet for Virginia Artists 1963; correspondence with artists; shipping information and receipts","Correspondence with artists; lists of works purchased","Staff memos and notes re: improvement suggestions","Correspondence with Oenslager re: possible lecture","Correspondence with museums for slides of their expansions for a lecture","\"Fact Sheet – Virginia Artists Preview Committee-1965\"; copies of Bulletins (2/63 \u0026 3/65); various fact sheets from previous Virginia shows; checklists; correspondence; staff memos; shipping information and receipts; correspondence with artists","1 photograph: declined exhibition, \"Good Design in Toys,\" sponsored by Creative Playthings of Princeton and L.A.; correspondence re: denied exhibition proposals; some correspondence with jurors","Catalog proofs; billing information; meeting minutes (Education in the Arts Committee); rough fact sheets; schedules; correspondence with artists; checklists; catalogue copy; label copy; annotated copy of ADP '64","Memo re: AIA Dinner, 3/2/66; correspondence with artists; correspondence with associations; correspondence with Virginia AIA; clippings; budget information","Duplicates: form letter from Bill Gaines (2/4/66); certificate of distinction (unsigned); reply card","3 photographs (Arthur d'Arazien); duplicates: d'Arazien's biography; 1 photograph of Edgar Kaufmann (newsprint); correspondence with jurors; biographical information; clippings; press release","Eliot Elisofon's biography; 1 duplicate photograph (Elisofon); correspondence with jurors; biographical information","1 photograph (Louis Kahn); correspondence with juror (Kahn); schedules","\"ADP Jury Schedule\"; 5 photographs; photocopy of contact sheet; comment notes; list of potential jurors; schedules; correspondence re: dinner and hosting","\"Receiving and Handling of Material\" (11/29/65, \"Procedures for Jurying\" (1/19/66); staff memos; text of Walter Robertson's speech to dinner; notes re: jury report","ADP '62, ADP '64 catalogs; prospectus proofs; 1 copy of ADP '60 \u0026 '66 catalog; 1 copy of ADP '62, '64, '66 prospectuses","ADP slide commentary, 1966; checklists of selected entries; correspondence with artists; comments; fact sheet estimates","Virginia ADP 1966: Traveling Designs, Traveling Photographs, Traveling Transparencies","2 photographs; insurance report form; correspondence with Koplin; shipping information and receipts; biographical information; checklists; 1 copy of 9/65 Bulletin; clippings; label copy","2 photographs; duplicates: 10/65 Bulletin; internal memos; shipping information and receipts; other catalog; correspondence with Jackson","12/65 Bulletin; 2 photographs; label copy; shipping information and receipts; internal memos; insurance report form; correspondence with Alexick; biographical information","1 copy of 11/65 Bulletin; biographical information; label copy; insurance report form; correspondence with Biehl, checklists","3 photographs; correspondence with Belair; shipping information and receipts; insurance report form; 1 copy of 1/66 Bulletin; internal memos","3 photographs; 2 photographs; biographical information; insurance report form; 1 copy of 2/66 Bulletin; shipping information and receipts; correspondence with Pienkowski","2 photographs; 1 photograph; 3/66 Bulletin; label copy; biographical information; shipping information and receipts; insurance report form","2 photographs; label copy; shipping information and receipts; insurance report form; checklists; correspondence with Aldreth","2 photographs; 2 photographs; insurance report form; shipping information and receipts; correspondence with Driskell; label copy","2 photographs; 2 photographs; checklists; insurance report form; shipping information and receipts; 5/66 Bulletin; correspondence with artist; label copy","2 photographs; 2 photographs; clippings; correspondence with artist; checklists; shipping information and receipts; insurance report form; 9/66 Bulletin; press releases; internal memos; label copy","2 photographs; 3 photographs; 10/66 Bulletin; correspondence with artist; shipping information and receipts; biographical information; clippings","3 photographs; label copy; clippings; correspondence with artist; insurance report form; shipping information and receipts","2 photographs; 1 photograph; correspondence with artist; insurance report form; shipping information and receipts; 12/66 Bulletin; clippings; label copy; letter to members from Leslie Cheek Jr. re: opening","2 photographs; 3 photographs; correspondence with artist; insurance report form; 1/67 Bulletin; shipping information and receipts; biographical information; clippings; label copy","2 photographs; 3 photographs; clippings; 2/67 Bulletin; correspondence with artist; insurance report form; shipping information and receipts; label copy; checklists; other brochure; blank gallery floor plan (photocopy)","Clipping; 3 photographs; insurance report form; shipping information and receipts; correspondence with artist; gallery map","2 photographs; 2 photographs; correspondence with artist; 4/67 Bulletin; insurance report form; checklists; shipping information and receipts; label copy","2 photographs; 1 photograph; correspondence with artist; biographical information; 3/67 Bulletin; clippings; checklists; shipping information and receipts; label copy","1 photograph; correspondence trying to track artist down","3 photographs; 4 photographs; 9/67 Bulletin; clippings; correspondence with artist; 1 copy of invitation; shipping information and receipts; biographical information; label copy","3 photographs; 1 photograph; correspondence with artist; clippings; label copy; 10/67 Bulletin; 1 copy of invitation; shipping information and receipts; price list (hand drawn!)","1 photograph; 3 photographs; 11/67 Bulletin; correspondence with artist; shipping information and receipts; label copy","Comparative statistics for Tut and Greek Gold; correspondence with lenders (especially MFA Boston); correspondence re: insurance; clippings; press releases; staff memos re: procedures","Lots of photographs!; 1 copy of press packet (new!)","Lots of photographs!; shipping information and receipts; correspondence with lenders; correspondence with MFA Boston and Brooklyn (2 other venues0; correspondence with Senator Byrd and other legislators re: Senate Bill S.2273 7/9/65","[essentially Mary Louise Pinckney's (Loans Registrar-Programs Division) file]; schedules; staff memos; shipping information and receipts; correspondence with MFA Boston and Brooklyn; memos re: procedures; checklists","Copy of S.2273 Senate Bill report; label copy; memos re: procedures; clippings; correspondence with lenders; shipping information and receipts; 1 copy of invitation; research, correspondence re: recovery of stolen gold","Correspondence re: catalog (with MFA Boston, Brooklyn, author Herbert Hoffmann, printer); catalog proofs; correspondence with lenders","Catalog proofs; catalog copy","1 drawing; correspondence with MFA Boston \u0026 Brooklyn; correspondence with Greek Embassy; correspondence with Department of State; correspondence with Hoffmann, author; correspondence with publicity; staff memos; correspondence re: research","Introduction; correspondence with Pat Davidson (Brooklyn/lecturer); correspondence with Hoffmann; schedules; press release","One annotated checklist","3 articles re: theft of jewelry; 1 drawing; shipping information and receipts; correspondence with lenders","Correspondence with MFA Boston \u0026 Brooklyn; correspondence re: insurance; correspondence with lenders; 1 copy of MFA Bulletin (November 1965); checklists; copies of policies","Copy of S.2273 Bill; correspondence with legislators; clippings","Checklists; correspondence","Panel copy","Label copy; checklists; clippings; correspondence with Patricia Davidson (her writings); catalog proofs","2 items","Correspondence re: shipping with security company and lenders","Correspondence with Alderman; shipping information and receipts; checklists; insurance report form; label copy; traveling exhibition checklists; press release","1 photograph (Thomas George, painter); correspondence with lender (Betty Parsons); label copy","4 photographs; label copy; correspondence with SITES","4 photographs (duplicates); 1 new photograph; other duplicates: SITES suggested press release, Joseph V. McMullan Islamic carpets catalog; 1 copy of the catalog (annotated in a few places); checklists; correspondence with the de Young, next exhibitor; shipping information and receipts; label copy; clipping; correspondence with SITES; 1 copy of Textile Museum catalog; correspondence with Textile Museum; correspondence with Kevorkian Foundation (other choice for exhibition-denied)","2 press releases; introduction; invitation; correspondence with McMullan; itinerary for visit","10 mounted photographs only if unduplicated; 8 Photographs, 2 installation photographs, 1 photograph of building, 1 photograph of artist; 1 drawing; duplicates: catalog, 1 \"Visions of Man\" invitation; checklists; shipping information and receipts; correspondence with Reynolds; label copy, 1 copy of \"Visions of Man\"","3 photographs; correspondence with Hans Beckmann (lecturer)","5 drawings; 9 photographs; 8 duplicate photographs; 1 copy of invitation; MOMA materials (circulator); correspondence with lenders; shipping information and receipts; label copy; research; correspondence with Anni \u0026 Joseph Albers; checklists; correspondence with MOMA; Gemini lithograph catalog","1 photograph (Jonathan Williams); [rest of photos are from Virginia ADP show, probably duplicates from earlier box]; correspondence with potential lecturers for Albers exhibition","1 photograph (Robert Light-speaker); pricelist; checklists; label copy; invitation list; procedures; correspondence with lecturer","1 drawing; 9 photographs; duplicates: suggested press release; checklist; 5 duplicate photographs; shipping information and receipts; correspondence with SITES; correspondence with lecturer; SITES materials; label copy; checklist","2 drawings; 20 photographs; 6 duplicate photographs (from previous folder); correspondence with SITES; SITES materials; shipping information and receipts; label copy; correspondence with lecture sites; annotated checklists; 1 copy of lecture announcement","Introduction, suggested news release, 1 duplicate photograph of Dr. Regina Soria; correspondence with Soria; clippings; itinerary; biographical information on Soria","Invoices and shipping instructions","Miscellaneous correspondence re: exhibitions","1 piece of correspondence re: exhibition schedule change","1 piece of correspondence re: addition to catalog","Press release, 1 duplicate photograph, introduction; itinerary (lecturer); biographical information; correspondence with Dimitri; label copy; clippings (typed) [1 piece of correspondence has a color drawing on bottom]","1 duplicate photograph; memo re: engagements (8/25/64); 2 press releases; 2 introductions; \"Color by Sultner-Wells\" brochure; correspondence with Sultner-Wells; clippings; 1 copy of Longwood Gardens invitation; procedures; itinerary","2 photographs; itinerary; correspondence with Sultner-Wells; 2 posters of his clippings (montages); 2 dust jacket with his photograph; copies of other press releases","4 transparencies, photographs; label copy; correspondence with next venue (Easton Academy of Arts); shipping information and receipts; correspondence with lender (Roland Gibson); checklists","Correspondence re: possible lecture series in Virginia (Blake is connected to Architectural Forum magazine)","Correspondence re: possible lecture series (Minor connected to the Met)","C.V. for Stern; correspondence with R. Stern about leave for Council series on new building (he's Head of Architectural League of NY); correspondence with other potential speakers; correspondence with Pearsalls [John and Laila] (hosts)","Introduction; correspondence re: Christmas' lecture series; itinerary; other promotional material","Correspondence with other museums that recently expanded to obtain slides for a lecture; long letter from Cheek to Robertson re: decision of Governor's committee (turned down design); list of committee members; form letter to President of affiliates asking them to write to their legislators in support of new building plan","Correspondence with Mielziner re: lecture series; correspondence with other potential lecturers; correspondence with other institutions that recently expanded re: slides","Label copy; checklists; lists of panel photographs","5 photographs of proposed floor plans (Baskervill \u0026 Son)","Slide lists; copy of talk; checklists","Insurance report forms; label copy","Label copy; checklists; insurance report forms; correspondence","Shipping information and receipts; correspondence with lenders; checklists; insurance report forms; request for information forms; correspondence re: damage of a loaned painting by Jan Stussy","1 drawing; news clipping; 1 photograph of installation; label copy; correspondence with C.V. Donovan (juror \u0026 Director of Krannert Art Museum); correspondence with publicity; copy of lecture; checklists; other artists' promotional materials","Shipping information and receipts; correspondence with lenders; information request forms","Introduction; suggested press release; 1 slide: Paul Paul Horiuchi's \"Winter Receding,\" 1964; correspondence with Donovan; itinerary; other artists' promotional material","1 drawing; 1 duplicate photograph; 7 photographs; 1 copy of the \"Jeffersonian,\" 5/13/66 with article on exhibition and pictures of Gwathmey's painting; information request forms; checklists; catalog copy; 1 copy of invitation; correspondence with lenders","Information packet","Original proposal; copies of information packet items (drawings \u0026 proposal); copy of same","\"Exhibition Materials\"; checklists; correspondence with George Stevens Productions","Various packeted materials (promotional)","Correspondence with Hollywood Museum; correspondence with Motion Picture Association; correspondence with Ford Foundation; correspondence with George Stevens Productions; correspondence with Smithsonian Institution; correspondence with Old Dominion Foundation","Lists of panels; film sequences lists","Research notebook (Gaines' handwriting?); 1 copy of catalog \"Scenery for Cinema\" at Baltimore Museum of Art, 1942 (when Leslie Cheek was Director); lists of panels; label copy","Promotional materials from film companies (i.e. Technicolor, Panavision)","8 drawings; movie production sheet with film negatives (to stay at LVA)","Life magazine 3/27/64 offprint with article on movie","Film reel labeled \"Selected Documentary Trims\"","Couldn't pull it out without ripping envelope – looks like scripts or set notes; possibly a drawing","Photographs; Newsweek reprint (1/23/67); checklists; lender lists; internal memos; correspondence with various members/visitors with questions re: exhibition; correspondence with Colonial Williamsburg Foundation (supporter of exhibition)","1 photograph; shipping information and receipts; correspondence with lenders; checklists; correspondence with publicity; internal memos","Correspondence with Toledo Museum of Art re: possible loan (denied)","Correspondence re: catalog; annotated copy of John Summerson's essay","5 photographs of packing/unpacking process; correspondence re: Smith College Museum of Art's loan of \"Portrait of the Reverend John Headley,\" including shipping information and receipts and request for information form","Correspondence re: Washington University's loan of \"Grey Children,\" including shipping information and receipts and correspondence re: damage to fram upon return","Correspondence re; Worcester Art Museum's loan of \"Mrs. Elizabeth James\" and \"William James,\" including shipping information and receipts; and request for information form","Correspondence re: Columbus Gallery of Fine Arts' loan of \"Portrait of Anne Hogarth,\" including shipping information and receipts; and request for information form","1 photograph; correspondence re: Allen Memorial Art Museum [Oberlin] \u0026 loan of \"Theodore Jacobsen,\" including shipping information and receipts and request for information form","9 photographs of packing/unpacking; correspondence re: Albright-Knox's loan of \"The Lady's Last Stake,\" including shipping information and receipts and requests for information form","2 photographs; duplicates: \"Loans to the Wm. Hogarth Exhibition\"; catalogue copy; 1 copy of catalogue; correspondence with publicity; correspondence with visitors/members re: catalogue and exhibition; clippings; 1 copy of invitation; checklists","1 envelope of Lessing Rosenwald Prints (couldn't open without ripping); duplicates: catalog; correspondence re: catalogue requests and comments; catalogue copy; checklists","Suggested press release; correspondence with Hofer (Professor at Harvard) re: lecture; internal memos; itineraries; 1 copy of bulletin","Correspondence with Mellon; catalogue copy; checklists; request for information forms; shipping information and receipts","25 photographs (see list); research; copy; internal memos; panel drawings (copies); HOGARTH PANEL PHOTOGRAPHS - 12789 Self-Portrait, 12786 Shop Card, 13313 Jane Thornhill, 12788 Pool of Bethesda, 13305 Captain Thomas Coram, 12785 Battle of the Pictures, 13304 Analysis of Beauty title page, 13306 Grave at Chiswick, 11812 Canvassing for Votes, 13311 Views Down the Thames, 11814 St. Paul's Cathedral, 12829 Beer Street, 12966 Gin Lane, 11852 Country House, 13079 Saint Martin-in-the Fields, 12970 The Four Times of the Day: Noon, 13078 Leister Square, 11816 Renelagh, 11857 Mr. and Mrs. Paul Mellon, 10890 Lessing Rosenwald, 5272 Masterpieces of American Silver, 13001 Marriage a la Mode, 13677 Philip Hofer, 13299 Sir John Summerson, 13074 George II, 13076 Robert Walpole, 13084 William Pitt, 11811 George III, 11813 Iron Forge by Wright","\"William Hogarth: His Life,\" William Hogarth: His Times,\" William Hogarth: This Exhibition\"; copy; proofs","2 photographs; 1 duplicate photograph; correspondence with Mielziner; shipping information and receipts; clippings; panel proofs; panel copy; research; internal memos; checklists; correspondence with IEF (International Exhibitions Foundation) re: traveling exhibitions","1 photograph; shipping information and receipts; correspondence with Multiples, Inc.; list of purchase considerations; label copy; checklists; panel drawings (copies)","Correspondence with National Gallery of Art DC re: pictures of J. Carter Brown","Invitation; fact sheet; 1 copy of catalog; internal memos; annotated copy of 1965 Salon des Réfusés catalog; correspondence with jurors; schedule of work for exhibition; panel proofs; list of certificate winners","Correspondence with artists; correspondence with purchasers; copies of invoices; release forms for transfer of custody","Checklists; correspondence with artists; internal memos","Catalog; list of certificate winners at Biennial; catalog copy; correspondence with Thalhimer's; internal memos; information for 1965 Salon","19 photographs; invitation; catalogue copy; other similar exhibition catalogs from other institutions; internal memos","Correspondence with artists; checklists","March '67 Bulletin; photographs; correspondence with jurors [Milton Hebald, Jack Youngerman, Jock Truman, Paul Smith]; label copy; biographical information; schedules; internal memos; correspondence with hostesses","\"Presentation of certificates\" blank certificates; artist reply card; checklists; schedule; internal memos; correspondence with artists","April '67 Bulletin, \"use of French Galleries\" memo; label copy; statistics ('67 and earlier); internal memos; correspondence with artists","Checklists; correspondence with artists","Photographs","Photographs","Gaines to artists 6/12/67; correspondence with artists; internal memos; shipping information and receipts; invoices for stored worsk; entry blanks","2 letters from Council to purchasers, Gaines letter, yellow \"Gaines-Brandt System,\" 4 photographs; checklists; internal memos; correspondence with artists; press release, 1965 and 1963 information","3 internal memos","'67 prospectus, 2 form letters (1/16/47); prospectus copy; mailing lists; annotated '65 prospectus; '70 prospectus","Correspondence; panel drawings (copies); for traveling exhibitions; [3 traveling shows: \"Treasures from the Guggenheim\"; \"Treasures from the Whitney Museum\"; \"Contemporary Watercolors.\" Also contained \"Art by Virginia Teachers\"]","1 copy of catalog (Heeramaneck Collection) by MFA Boston (annotated)","Correspondence with Heeramaneck; correspondence with Indian embassy; shipping information and receipts; correspondence with Royal Ontario Museum (who received exhibition after VMFA); correspondence with Detroit Institute of Arts (who had it before VMFA); correspondence with MFA Boston, originator; internal memos; drawings (photocopies)","1 copy of invitation; panel copy; panel proofs; correspondence with MFA Boston; correspondence with Royal Ontario Museum; shipping information and receipts; MFA materials (including checklists); internal memos","4 drawings; correspondence with Veener player for preview; clippings re: Indian music; label copy; clippings re: show","Photographs; some select, bad quality photocopies","Photographs","Panel proofs; lecture for chapters copy; correspondence with previous VMFA designer (Ariel Ballif); checklists","Suggested press release; introduction; correspondence with Gleaser (from MOMA) (lecturer for chapters); itinerary; noted speaker report form","Correspondence with potential lecturers for preview; 1 copy of invitation; Glaeser's biographical information; correspondence with Glaeser","Photographs; (envelope of photos from D.I.A. for Arts of India \u0026 Nepal exhibition); invitation to lecture; 1 copy of invitation to preview; 1 copy of invitation to Glaeser's lecture; shipping information and receipts; MOMA (originator) materials, including checklists; drawings (photocopies)","1 drawing; duplicate: preview invitation; panel copy; drawings (photocopies); correspondence with MOMA; MOMA materials, including checklists; exhibition contract; correspondence with John Hand (lecturer from National Gallery of Art DC); shipping information and receipts","Correspondence with MOMA; shipping information and receipts; internal memos","Membership list; shipping information and receipts; correspondence with dealers; price lists from dealers; panel proofs; checklists; speech copy; Collectors Circle meeting agenda; list of items purchased","Shipping information and receipts; panel proofs (annotated 1966 panels); checklists; correspondence with dealers *lots of '66 show files)","Correspondence re: borrowing Wyeth film; correspondence with Philip Hofer (Harvard) re: lecture; blank invitations for Artmobile exhibition (Wyeth \u0026 Japanese Art); clipping; internal memo re: trip to interview Wyeth for AIV article; blank floor plan","Label copy; drawing (photocopy); internal memos; radio guide copy","3 photographs; 11 duplicate photographs; checklists; internal memos; drawings (photocopies); panel proofs; panel copy; shipping information and receipts; 1 copy of Knoedler catalog \"Unpainted Pictures\" (lender); correspondence with Knoedler; correspondence with Detroit Institute of Arts (had exhibition before VMFA); clipping from TIME (3/17/67)","Panel copy; panel proofs; drawing (photocopy); internal memo: all of this re: 400 Years of Prints","1 photograph; shipping information and receipts; drawings (photocopies); panel copy; panel proofs; correspondence with lender (NGA \u0026 AIC); correspondence with Mr. \u0026 Mrs. Leigh Block; checklists; label copy","1 copy of \"Persian \u0026 Indian Miniatures from the Collection of Edwin Binney, 3rd\" from Portland; 1 copy of \"Islamic Art from the Collection of Edwin Binney, 3rd,\" from SITES; correspondence with Portland [VMFA denied exhibition]","1 internal memo re: replacement of \"Jewels\" with \"Resident Craftsmen\"","Jones article reprint; slides, 4 photographs, 5 duplicate photographs; correspondence with IEF (circulator); correspondence with Nelson-Atkins *who received exhibition after VMFA); 1 copy of lecture invitation; 1 copy of preview invitation; shipping information and receipts; panel proofs; clippings; correspondence with potential musicians; checklists; internal memos","Internal memos; correspondence with AFA (circulator); panel copy; checklists; panel proofs; drawing (photocopy)","5 duplicate photographs; 1 photograph; correspondence with MOMA (originator); exhibition contract; MOMA materials, including checklists; shipping information and receipts; MOMA circulating exhibitions catalog 1967-68; drawing (photocopy); panel proofs","Lecture invitation; clipping; internal memo; biographical information; correspondence with Smith (Director of Museum of Contemporary Crafts); correspondence re: juror (chairman) for 1967 Virginia Artists too","1 photograph; 2 new photographs; duplicate of introduction; correspondence with Slivka re: lecture at chapters/editor in chief of Craft Horizons; itinerary; biographical information","Photographs; correspondence with artist; shipping information and receipts; checklists; Bulletin photocopy","Photographs; correspondence with artist; label copy; shipping information and receipts; 1/68 Bulletin; biographical information","Photographs; shipping information and receipts; correspondence with artist; 2/68 Bulletin; label copy","Photographs; correspondence with artist; shipping information and receipts; label copy; 3/68 Bulletin","3/68 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts; internal memos; biographical information","Photographs; biographical information; shipping information and receipts; internal memos; label copy; 4/68 Bulletin; checklists; correspondence with artist","Photographs; checklists; shipping information and receipts; label copy; biographical information; correspondence with artist","9/68 Bulletin, 4 photographs; biographical information; label copy; price list (hand drawn!); shipping information and receipts; correspondence with artist; internal memos","Photographs; 10/68 Bulletin; label copy; biographical information; checklists; shipping information and receipts; correspondence with artist","Photographs; shipping information and receipts; label copy; 11/68 Bulletin; checklists; correspondence with publicity","Photographs; correspondence with artist; label copy; 12/68 Bulletin; shipping information and receipts; internal memos; correspondence re: damage to sculpture","Photographs; internal memos; label copy; shipping information and receipts; correspondence with artist; biographical information","Photographs; correspondence with artist; label copy; shipping information and receipts; 3/69 Bulletin; checklists","2/69 Bulletin; photographs; correspondence with artist; correspondence re: damage; label copy; internal memos; checklists; shipping information and receipts","44 photographs; correspondence with lecturer; shipping information and receipts; materials from Brooklyn Museum of Art (organizer); drawings (photocopies); panel lists; 1 copy of lecture invitation; 1 copy of preview invitation; correspondence with Brooklyn; checklists","Preview invitation; 1 copy of catalog; clippings; panel copy; correspondence with Brooklyn; shipping information and receipts; Brooklyn materials; panel lists; checklists; internal memos; correspondence with visitors","1 photograph; correspondence with McCoubrey (Chair of Art Department at University of Pennsylvania); his c.v.","1 photograph; correspondence with Oenslager (lecturer)","Cybis porcelain brochure; shipping information and receipts; panel proofs; exhibitors information \"lent\"; clippings; correspondence with Ruder \u0026 Finn Inc. (co-organizers); checklists; drawings (photocopies); correspondence with Cybis porcelain (co-organizer)","2 photographs; catalog; invitation; correspondence with Robert B. Widder (juror); correspondence with entrants; internal memos; slide talk lists; correspondence with juror (Morris Ketchum, Jr.)","Photographs","Invitation, catalog, '64 Architects, Designers \u0026 Photographers, '66 ADP, 3 photographs; catalog proof; checklists; catalog copy","\"Southern Exposure\" newsletter (2/68); clippings; correspondence with artists; label copy; internal memos; schedule","Checklists","\"Comparison…for 1966-68\"; internal memo","Correspondence with artists (4 winning architects mainly); list of winners","Biographical information on Ketchum and Eames, 2 photographs; 1 photograph; correspondence with jurors [Morris Ketchum, Robert Widder, Charles Eames]; internal memos; lecture copy; biographical information","Checklist","Gaines to artist (2/26/68), signed certificates; artist reply cards; correspondence with speaker; checklist","3 prospectuses; prospectus copy; schedule; internal memos","Schedule, 1/11/68 memo, 1/24/68 memo; '66 information; internal memos","Invitation; 2 photographs of 1790s Russian silver cup (\"Charka\"); shipping information and receipts; checklists; internal memos; correspondence with Hollins; panel proofs; drawings (photocopies); correspondence from alumnae; research; correspondence with silver expert; correspondence from Helen Scott Reed (our consultant)","Shipping information and receipts; panel copy \u0026 proofs; drawings (photocopies); checklists with prices; biographical information (Anna Smith- weaver)","3 photographs; AFA materials (circulator); shipping information and receipts; correspondence with Morgan State College (had exhibit before VMFA); correspondence with AFA; reprint of Rohm \u0026 Haas Reporter on \"New AA Forms in Plexiglass\" (Mar/Apr 1966); correspondence with lender, Howard Wise Gallery; 1 copy of May '68 Bulletin; clippings; drawings (photocopies); biographical information on artists; 1 copy of a Howard Wise Gallery catalog for Otto Piene (VMFA's lecturer); 1 copy of catalog; 1 copy of lecture invitation; 1 copy of preview invitation. To take place in Loan Gallery","Biographical information on Kepes; 1 photograph; correspondence with Gyorgy Kepes (organizer of Light show \u0026 original lecturer); correspondence with Piene (M.I.T.), Kepes' replacement; Piene's biographical information; 1 copy of Arts Canada (April 1968) with one of Piene's articles","Catalog; 3 photographs; correspondence with Photographs in the Fine Arts (a company); drawings (photocopies); clippings; panel proofs; checklists; packet of available exhibitions from George Eastman House; 1 copy of PSA Journal (August 1967) [Leslie Cheek was a judge]","5 photographs; 1 catalog; exhibition contract; correspondence with MOMA (circulator); shipping information and receipts; checklists; panel proofs; MOMA materials","Lecture invitation, checklist; 4 photographs; duplicates: \"A Look at Carter Collection,\" \"Vender Gives Rodin to Museum\"; clippings; correspondence with LACMA (circulator); shipping information and receipts; internal memos; exhibition contract; 1 copy of preview invitation; correspondence with Gerald Carter (collector)","1 photograph, biographical information; correspondence with Adams (Director of Cincinnati Art Museum \u0026 VMFA lecturer); 1 copy of lecture invitation; internal memos; correspondence with Reynolds (his hosts)","\"Selections from Virginia Architecture\"; panel proofs; drawing (photocopy); internal memos","1 drawing; MOMA exhibition packet, MOMA press release (6/20/67); MOMA materials (circulator); drawings (photocopies); correspondence with MOMA; shipping information and receipts; clippings; internal memos","Photographs","1 photograph; biographical information; lecture invitation; correspondence with Szarkowski (MOMA Director of Photography \u0026 VMFA lecturer); itinerary; correspondence with Bryans (his hosts)","Shipping information and receipts; panel proofs; internal memos; drawing (photocopy);","7 drawings (on graph paper-drawn by Brown herself); label copy; shipping information and receipts; checklists; 2 more prints of transparencies from envelope; correspondence with Brown; biographical information; panel copy; panel lists; drawings (photocopies)","Shipping information and receipts; request for special/specific information forms; white envelope with 5 transparencies; 2 prints of 2 of the transparences for Collector of the Year exhibition","Special/specific request for information forms","Biographical information; correspondence with Griffith re: lectures (Curator of Films, MOMA); lecturing for \"George Stevens Makes a Film\"","Shipping information and receipts; biographical information; photocopies of 2 catalogs","1 copy of Council 1967-68 membership book; internal memos; various reports (budgetary \u0026 non); correspondence, 2 slides for lecture on Council budget 66-67 season","Lecture invitation, 1 photograph; Correspondence with Dee (curator of drawings \u0026 prints at Cooper-Hewitt) re: lecture; 1 copy of January 1969 Bulletin; correspondence with hosts; biographical information","Packing list, photographs; 1 copy of catalog (cut up) of View of Florence \u0026 Tuscany by Giuseppe Zocchi, loaned by Pierpont Morgan Library","Photographs; shipping information and receipts; correspondence with IEF (circulator); correspondence with Dee re: lecture; IEF materials; drawings (photocopies); label copy; internal memos; 1 copy of America-Italy Newsletter (spring 1968); 1 copy of Pierpont invitation; 1 copy of preview invitation; correspondence re: catalogs; correspondence re: opening","Correspondence with Senator Scott from 1982 from Richard Woodward; checklists; clippings; internal memos; correspondence with Scott; shipping information and receipts; drawings (photocopies); panel proofs","Invitation; checklists; internal memos; correspondence re; filmstrip for Orientation Theatre; drawings (photocopies)","C.v., invitation, 1 photograph; correspondence with Begley (professor at School of Art, University of Iowa); internal memos; correspondence with hosts","3 photographs; 3 photographs (small one, Dr. \u0026 Mrs. George B. Green); panel copy; panel proofs; label copy; drawings (photocopies); correspondence with lender (George Green); shipping information and receipts; internal memos; correspondence with Colonial Williamsburg; research; checklists","Photographs","8 photographs; 5 new photographs; shipping information and receipts; internal memos; checklists with values; correspondence with Motherwell (juror) and correspondence with his gallery representation (Marlborough); correspondence with Frank Gallo (juror); and his representation (Gilman Gallery and Graham Gallery); request for information forms; drawings (photocopies); label copy","Checklists; list of lenders; internal memos; correspondence with lenders (including MFA Boston and AIC); shipping information and receipts","1 photograph; lecture invitation; preview invitation; correspondence with Wardell (Curator, Department of Primitive Art at AIC) re: lecture; correspondence with hosts; 1 copy of April 1969 Bulletin","Photographs","Photographs","1 drawing; other press releases; shipping information and receipts; checklists; internal memos; correspondence with MFA Boston (organizer); correspondence with AIC (lender); clippings; panel proofs; 1 copy of preview invitation; list of lenders","8 photographs; correspondence with MFA Boston; exhibition contract; internal memos; 1 copy each of The World of Peru in the United States, Three Centuries of Peruvian Silver, Master Craftsmen of Peru; Folk Art of Peru, 2,500 Years of Peruvian Art, Folk Art of Peru (longer version), Contemporary Peruvian Paintings and Sculptures","1 photograph; list of members; special request for information form; correspondence re: broken object (belonged to Stewart Bryan)","Catalog, 3 duplicate photographs, 2 new photos; internal memos; shipping information and receipts; checklists; label proofs; exhibition contract (MOMA is circulator); correspondence with MOMA; clippings; MOMA materials (including press release)","Press release (4/2/69); Kandinsky article by Johnson; wall label, Photographs; correspondence with MOMA (organizer); MOMA materials; exhibition contract; shipping information and receipts; checklists; drawings (photocopies); panel proofs","2 photographs; duplicates: invitation, 1 duplicate photograph; correspondence with potential lecturers; correspondence with Beckmann (visiting Bauhaus artist); clipping","Shipping information and receipts; panel proofs; panel copy; drawings (photocopies); special request for information forms; label proofs; label copy; checklists; correspondence with UVirginia (lender and co-organizer); correspondence from State Library (co-organizer)","4 photographs; checklists; shipping information and receipts; correspondence with O'Neal; photocopies of drawings; list of lenders; correspondence with UVirginia; correspondence with State Library; research; internal memos; correspondence with lenders","Invitation; 2 photographs, 1 transparency; catalog copy; internal memos; checklists; correspondence with lenders; correspondence with William O'Neal (guest curator)","1 photograph; introduction; correspondence re: lecture; invitation","Checklists; correspondence with lenders; correspondence with O'Neal","Checklists from dealers with prices/values; shipping information and receipts; correspondence with dealers; checklists; internal memos","Invitation, \"Suggested Remarks for Mr. Arthur Brinkley,\" 5/12/69; 1 copy of catalog; introduction; correspondence with Alloway re: lecture","Correspondence with various speakers; internal memos; schedules","Internal memos; list and schedules (entertainment, exhibitions, events, theatre, etc.)","4 invitations; 3 other invitations (Once Invisible, Alloway's lecture, Gold of Ancient America)","Internal memos; mailing lists","Green pickup cards, Gaines to Artist (7/3/69); shipping information and receipts; correspondence with artists; entry blanks; internal memos; checklists","Gaines to Purchaser invitation, purchasers; preview tearsheet (yellow), memo 4/29/69 (blue), 1969 fact sheets; checklists","Internal memos; correspondence with artists; invoices re: sales; checklists","Photographs","Memo 11/17/69, memo 11/26/69; correspondence with artists","'69 invitation, '69 salon catalogue; 1 copy of '67 invitation and catalogue; catalogue copy; 1 copy of '69 catalogue; catalogue proof","'69 fact sheet; statistics","'67 and '69 Salon catalogues; checklist; internal memos; form letter to artists from Ellyson","3 photographs; schedule; internal memos; correspondence with jurors; biographical information; correspondence with hosts; lecture invitation; correspondence with potential jurors [Bontecou agreed but then had to cancel]","Photographs; label copy; 1 copy of ADP '68 catalog; 1/70 Bulletin; biographical information on Paul Rand; correspondence with Rand; internal memos","2 slides, 18 photographs; 5 duplicate photographs; label copy","\"Receiving \u0026 Handling of Material\" memo 1/28/70, 1 photograph [Kenneth Winebrenner \"Mirror\"]; 1 copy of 1970 prospectus; entry blanks; internal memos; correspondence with artists; biographical information","1 photograph [Paul Smith looking at Castle's work from an earlier juried exhibition?]; 2/70 Bulletin; correspondence with juror [Wendell Castle]","Photographs; 1 copy of 1970 catalog (annotated); correspondence re: image of Winebrenner's mirror","1 copy of 1970 catalog (annotated); internal memos; correspondence with artists","Form letter; shipping information and receipts; correspondence with artist; checklists","1 form letter; shipping information and receipts; correspondence with artists; checklists; internal memos","Slides; duplicates; signed certificates; correspondence with winners; checklists; presentation order","Label copy; clippings; catalogue copy; checklists; internal memos; lease agreement for warehouse; drawing (photocopy); jury tokens; correspondence with artists","Prospectus, form letter from C. Ellyson; correspondence with chapters; annotated '67 prospectus; prospectus copy schedule","Memo 1/23/69, memo 1/25/67; internal memos; correspondence with 7th \u0026 Franklin; schedule","Catalog ('70 Designers); catalogue proofs; entry blanks; 1 copy of '68 ADP catalogue; catalogue copy; checklists","Annotated '70 prospectus; correspondence with juror; prospectus copy; internal memos; schedule","Entry blanks; 1 copy of '70 Craftsmen catalogue; 1 copy of '67 Artists catalogue; checklists; catalogue copy; preview invitation; label copy","Prospectus copy; schedule","Internal memos; checklists","Checklists; internal memos","Memo 9/3/69, memo 6/30/69; checklists; internal memos; fact sheets; correspondence with artists; label copy; excerpts from juror speech","Catalogue copy; checklists; 1 piece of correspondence re: catalogue","Signed certificates, reply cards, Gaines form letter; reply cards from winners; checklists; correspondence with artists","Press release 6/27/69, biographical information, 1 photograph; correspondence with potential jurors; internal memos; correspondence with juror (Peter Bunnell)","Photographs; label copy","Photographs; correspondence with artist; 3/69 Bulletin; label copy; shipping information and receipts; biographical information","4/69 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts","5/69 Bulletin; photographs; correspondence with artist; biographical information; label copy; shipping information and receipts","9/69 Bulletin, invitation; photographs; checklists; correspondence with artist; label copy; insurance report form; internal memos; biographical information","Invitation; 10/69 Bulletin, photographs; correspondence with artist; checklists; label copy","Photographs; correspondence with artist; biographical information; label copy","Photographs; correspondence with artist; label copy; biographical information; shipping information and receipts; internal memos","2/70 Bulletin; photographs; label copy; checklists; 5/69 Bulletin; invitations; correspondence with artist; internal memos re: missing print","3/70 Bulletin, photographs; correspondence with artist; internal memos; price list (hand drawn!); press release; biographical information; label copy","Invitation; 2 photographs; 3/70 Bulletin; correspondence with artist; label copy; checklists","Photographs; correspondence with artist; checklists; 4/70 Bulletin; label copy; biographical information","5/70 Bulletin, invitation, photographs; checklists; label copy; correspondence with artist; biographical information","Invitation, \"suggested stand\" drawing; 1 photograph; label copy; correspondence with artist; clippings; biographical information; checklists; 9/70 Bulletin","10/70 Bulletin; 2 photographs; label copy; clipping; internal memos; checklists; correspondence with artist; invitation","Invitation; photographs; label copy; internal memos; shipping information and receipts; correspondence re: letter of recommendation for job","Invitation, 5 photographs; 5 new photographs; 5 slides; correspondence with artist; label copy; clipping","Correspondence with potential jurors; internal memos","1 photograph of Rand, prospectus; correspondence with Rand (juror); catalog of Rand's work; research","'69 prospectus, letter Ellyson to art department 6/23/69, memo to chapters 6/23/69; copy of '68 ADP prospectus; prospectus proof; prospectus copy; internal memos; schedule","Checklists; internal memos","Checklists; fact sheets","Internal memos; checklists","Memo 7/7/70; internal memos; entry blanks; correspondence with architects; schedule; project descriptions; drawing (photocopy); lecture invitation copy; shipping information and receipts","Reply cards; internal memos; correspondence with architects","Catalogue; correspondence with architects; catalogue copy","One signed certificate; correspondence with winners","4 photographs; correspondence with juror (Romaldo Giurgola); internal memos; clipping; biographical information","Photographs; clippings","Prospectus, announcement; prospectus proof; prospectus copy; '68 annotated ADP prospectus; clipping","Entry blanks; fact sheets; internal memos; checklists","Internal memo; checklists","Correspondence with SITES; SITES materials; invitations; exhibition information; Bulletins; correspondence with other Smithsonian Institution staff","SITES catalogues, 1967-1970","Checklists; insurance report forms; correspondence with lenders (dealers); membership list","Internal memos; correspondence with lenders; checklists; shipping information and receipts; label proofs; research; budget planning; correspondence with consultants","Preview invitation; correspondence with and between consultants (Helen Scott Reed and Kathryn Buhler); catalog copy","Invitation (preview); invitation (lecture); exhibition prospectus; catalog proofs","Photographs; internal memos; clippings; catalog notes; correspondence with lenders; checklists; invitation list","Correspondence with lenders; shipping information and receipts; correspondence with various organizations","1 copy of catalog; special information form","Correspondence with Rouse (Jamestown Foundation) re: lecture; copy of lecture text","1 photograph; correspondence with Buhler (consultant) re: lecture; copy of lecture text","4 photographs; suggested press release; checklist; correspondence with IEF; label proofs; exhibition contract; IEF materials; shipping information and receipts; internal memos","7 photographs; 2 contact sheets and 1 new photo; duplicate: invitation; crawing (photocopy); internal memos; label proofs","9 photographs, 4 new photographs including 1 contact sheet; duplicates: lecture invitation; label copy; drawings (photocopies); shipping information and receipts; MOMA materials; checklists; correspondence with MOMA (circulator); exhibition contract; research; internal memos; 1 copy of preview invitation","Lecture invitation; correspondence with Fern re; lecture (Library of Congress Prints \u0026   Photos Division); internal memos","1 photograph (contact sheet); checklists; varied correspondence","Prospectus with entry cards; 2 photographs; 1 duplicate photograph; correspondence with Castle (juror, Penland School of Crafts)","1 photograph; label copy; correspondence re: item breakage; label proofs","Preview invitation; chipping information; correspondence with lenders; internal memos; 1 copy of catalogue; clippings","Correspondence with lenders; request for information forms; 1 copy of Art Gallery Magazine (12/69); 1 copy of TIME (6/1/70), reason unknown, no more receipts kept in these files","2 contact sheets; correspondence with Peter Selz (UC Berkeley, juror); correspondence with lenders; internal memos (including correspondence re: installation of Robert Irwin's \"Disc\"); correspondence with artists re: their Vietnam War protest","Internal memos; catalogue copy; label copy; research; 1 copy of catalogue (damaged)","1 photograph (1966 show); photographs of works not in show (Krushenick, Warhol, Ruscha); copies of '62 and '66 show information; correspondence with lenders; shipping information; checklists","Label copy; checklists; panel copy; mailing and invitation lists; lender lists","Photographs (VMFA copies)","Photographs (originals)","Lecture invitation; 1 duplicate photograph; correspondence with Selz (juror) re: exhibition and lecture; biographical information; invitation copy","Correspondence with IEF; exhibition contract; internal memos; correspondence with Paul Tishman (collector whose works comprise show); correspondence with High Museum (earlier venue); IEF materials","Photographs; internal memos; correspondence with High and with UT Austin (earlier venues); correspondence with IEF; shipping information","Checklists; IEF materials; research; panel copy","Photographs","Photographs","Photographs","5 photographs; 3 duplicate photographs","7 photographs; 8 duplicate photographs","11 photographs; 3 duplicate photographs","5 photographs; 9 duplicate photographs","9 photographs; 8 duplicate photographs","15 photographs; 4 duplicate photographs","12 photographs; 2 duplicate photographs","1 duplicate photographs","7 photographs; 4 duplicate photographs","2 drawings; duplicates: loan exhibition announcement; invitation; 40 slides; 1 copy of High's brochure; internal memos; NGA brochures; IEF materials; correspondence re: possible speakers; correspondence with Tishman; copy of 9/70 Bulletin; slide list [see end of box]","5 photographs; checklist; internal memos re: this traveling exhibition SP-19 [loans from 4 major NY galleries, distributed by State Services Division]; correspondence with dealers/lenders; 1 copy of 10/70 Bulletin","Catalog (Edgeworth \u0026 VMFA); 1 photograph; audio (reel) tape \"J.[oel] Aldred – tapestries – 71/2 ips\" [Canadian broadcaster]; 1 copy of invitation; catalogue: Hommage à Jean Lurçat, Rothmans, ca. 1966; another Rothmans' catalogue ca. 1964","1 copy of catalog; 1 copy of black tie reception invitation","Internal memos; correspondence with Rothmans of Pall Mall Canada; correspondence with House of Edgeworth (co-sponsors); planning re: previous receptions, etc.","6 photographs","Black tie reception invitation; other invitations (non-VMFA)","Checklist (contemporary French tapestries); checklists (various, including hommage à Jean Lurçat); invitation lists; staff working lists","Notes on the Rothmans Collection; Rothmans press release; Contemporary French Tapestry; research; clippings; copies of other's letters to/from Lurçat [speech by Madame Denise Majorel, 2 clippings]; Lurçat letters (3/29/48 \u0026 12/24/47)","3 photographs; 9 duplicate photographs","Photographs","Photographs [overlap between these 2 folders]","8 duplicate photographs","8 photographs; 9 duplicate photographs","1 catalog for July/August program with catalog card application [1969]","Lists of speakers; internal memos; biographical information; correspondence with speakers; report from Museum Entertainment Committee","VM 1969-1970 events; lists of events; calendars; internal memos; schedules including exhibition, theatre, mailings, events, etc.; 1 copy of Theatre schedule card","Internal memos","Catalog; 4 photographs; 23 new photographs; exhibition contract (Mat is circulator); research; correspondence with Met; internal memos; shipping information and receipts","Mailing, 16 duplicate photographs; 7 new photos; correspondence with Baltimore Museum of Art (circulator); checklists; BMA materials; press release; internal memos; research; 1 copy of catalog (annotated)","4 new photographs; 7 duplicate photographs","1 new photograph; 4 duplicate photographs; correspondence with Norton Simon; clippings; checklists; internal memos; copy of Henry Moore annotated transcript from '63; label and panel copy; information sheets on paintings; 1 copy of invitation; shipping information and receipts","2 photographs; correspondence with collectors; checklists; drawings (photocopies); research, photocopy of Vogue article (4/15/60) on Colin","Correspondence with lenders; shipping information and receipts","Correspondence with lenders; internal memos","Preview invitation; correspondence with lenders; internal memos","Correspondence with potential lenders","Reminder card; invitation; checklists; research; lender lists; label copy; request for information forms; clippings; shipping information and receipts; mailing lists","33 new photographs","3 new photographs; 13 duplicate photos","5 new photographs; 10 duplicate photographs","5 new photographs; 10 duplicate photographs","2 new photographs; 10 duplicate photographs","Correspondence with lenders who gave no initial response","Correspondence with lenders re: return of works; internal memos; mailing lists; form letters","Copies of AIV articles from which loan list was gathered, annotated (probably for label/panel/catalog use)","Checklist; suggested press release, invitation, 4 duplicate photographs; 14 new photographs; 2 AFA folders of materials; internal memos; 1 copy of catalog","Shipping information; correspondence with AFA; correspondence with Smith College Museum of Art Director","Wall label; clippings; correspondence with MOMA (circulator); MOMA materials (including press release and checklist); 1 copy of MOMA members' newsletter (Spring 1970); correspondence with Peter Bunnell (photograph curator at MOMA \u0026 organizer); drawings; internal memos; exhibition contract","Invitation; 1 copy of September 1971 Bulletin; internal memos; mailing list","Prospectus; correspondence with artists; internal memos; checklists; schedules; 1 copy of October 1971 Bulletin; 1 annotated copy of Virginia Photographers '69 catalog; 1 copy of '71 catalog","Internal memos; correspondence with lenders re: potential loans; correspondence with lenders; correspondence re: extension of exhibition; correspondence with Robert Koch (speaker); correspondence with publicity","Invitation; poster; 1 duplicate photograph; 4 new photographs, 7 slides; notes; research; information request forms; 1 copy of November 1971 Bulletin; panel copy; clippings; 1 copy of December 1971 Bulletin","1 copy of November 1971 Bulletin; 1 copy of the January 1972 Antique Monthly","1 copy of the January 1972 Antique Monthly","Catalog copy","Catalog copy","Blank copy of information form","6 drawings (photocopies) of lighting schemes","3 photographs (items from Lewis Collection from some catalog); checklists; loan lists; mailing lists; internal memos; panel/catalog copy","Blank request for information forms","Checklist for catalog","Checklist for catalog","Checklist for catalog","Transparencies, 91 photographs","Empty folder","Label copy; internal memos; scripts; notes","Special object information forms","Special object information forms","Invitation; special object information forms","Correspondence with AFA; 1 copy of 1969-70 AFA Catalog","Correspondence with various institutions (museums, universities, organizations); internal memos; promotional materials","Correspondence with IEF; exhibition information sheets","1 press release from Howard University","Correspondence with various institutions (museums, universities, organizations); promotional materials","2 invitations, 2 catalogs (1969 \u0026 1971 for both shows); congratulations letter; pink salon des refuses card; prospectus; 1 contact sheet; schedule; internal memos; correspondence with juror (Thomas Hess); list of buyers; committee lists; correspondence with 7th \u0026 Franklin building owners (where judging was done); 1 drawing (photocopy)","16 photographs; duplicates: 6 photographs, prospectus; correspondence with Thalhimer's; internal memos; fact sheets; correspondence with artists; clippings; label copy; checklists; 1 copy of catalogue; 1 copy of May 1971 Bulletin; copies of certificate winners' entry blanks","Photographs; 1 copy of catalog; 1 copy of prospectus; lease agreement for 7th \u0026 Franklin Building","Photographs","Photographs","Correspondence with potential speakers","Memo 3/16/71, 5/71 Bulletin; fact sheets; internal memos; correspondence with artists; correspondence with 7th \u0026 Franklin; schedule; clipping; checklists","Internal memos; checklists","Catalogue; internal memos; catalog copy; correspondence with artist","Signed certificates; entry blanks; 1 copy of catalogue; correspondence with winners; checklists; internal memos","2 photographs; correspondence with artists; internal memos; schedules; correspondence with juror","Slides; photographs; checklists","Release forms; invoices; preview invitation list; fact sheets; checklists; internal memos; '71 invitation; correspondence with artists","Annotated catalogs; correspondence with purchasers; correspondence with artists; purchase information cards","Memo 9/8/71; correspondence with artists; label copy; internal memos","1 copy of '71 prospectus; 1 copy of '60 catalogue; correspondence with juror (Harry Callahan); fact sheets; research/biographical information","Photographs; '69 and '71 prospectuses","Prospectus copy; correspondence with artist","Fact sheets; internal memos; checklists; entry blanks","Internal memos; correspondence with artists; checklists","\"Guidelines for Preparing Panels,\" memo 3/19/71; dinner invitation copy; internal memos; project descriptions; correspondence with designers; schedule; catalog copy; AIID Virginia Chapter Directory 70-71; correspondence with Virginia AID; entry blanks; 1 copy of dinner invitation with reply card","Correspondence with winners","1 photograph; slides; correspondence with juror (Sarah Tomerlin Lee-former Editor of House Beautiful); schedule; internal memos","2 new photographs; 9 duplicate photographs","Signed certificates; entry blanks; label copy; biographical information; correspondence with juror (Henry Wolf); correspondence with potential jurors; internal memos; reception invitation list; checklists; correspondence with artists; fact sheets","Catalogue ('72); catalogue copy","14 new photographs; 2 duplicate photographs; catalogue","Prospectus; prospectus copy; annotated '68 prospectus copy","Form letter from Ellyson, prospectus; annotated '69 prospectus; correspondence with artists: re: prospectus, prospectus copy","Catalogue; fact sheets; shipping information and receipts","Reply cards; correspondence with artists; internal memos; checklists","Letter 4/8/71; fact sheets for printmakers","Catalogue; catalogue copy; checklists","Signed certificates; correspondence with winners; checklists","1 copy of '71 catalogue; checklists; catalogue copy; internal memos","Prospectus; prospectus copy; correspondence with designers","Copy of Art Directors Club prospectus","Internal memos; correspondence with artists; 1 copy of catalogue; reply cards","Entry cards; shipping information and receipts; internal memos; fact sheets; checklists; correspondence with artists; 1 signed certificate; label copy","Photographs; internal memo","Catalogue; catalogue copy; catalogue proofs; label copy","Signed certificate; correspondence with winners","5 new photographs; 8 duplicate photographs","Annotated '67 prospectus; prospectus copy; blank mailing labels","Label copy; correspondence with artist; clipping; 12/70 Bulletin; checklists","Invitation; photographs; label copy; internal memos; correspondence with artist; invitation list; biographical information 1/71 Bulletin; Robinson House exhibition checklist","Invitation; photographs; checklists; internal memos; label copy; biographical information; correspondence with artist; \"Art Now: New York,\" Vol. 2, no. 10; installation sketches by Jackson; 2/71 Bulletin; Robinson House checklist","3/71 Bulletin; 2 photographs; 7 slides; Robinson House exhibition checklist; internal memos; correspondence with artist; label copy; biographical information","3/71 Bulletin, 1 photograph; clippings; correspondence with artist; internal memos; label copy; Robinson House exhibition checklist; invitation list","3 photographs; internal memos; correspondence with artist; label copy; biographical information; Robinson House exhibition checklist; 4/71 Bulletin; invitation list","1 slide, invitation; 4 photographs; internal memos and correspondence with artist re: damaged works; biographical information; label copy; correspondence with artist; clippings; checklist; 5/73 Bulletin; shipping information and receipts","Invitation, 9/71 Bulletin, 2 duplicate slides; 2 photographs; 3 slides; label copy; correspondence with artist; invitation list","10/71 Bulletin, invitation; 4 photographs; biographical information; correspondence with artist; label copy; checklists","Photographs; 3 slides; invitation list; 1 copy of invitation; correspondence with artist; internal memos; biographical information; checklists; label copy; 11/71 Bulletin","2 photographs; 3 slides; label copy; price list (hand drawn!); correspondence with artist; biographical information; 12/71 Bulletin","2 photographs; 3 slides; invitation; label copy; biographical information; correspondence with artist; Robinson House exhibition; checklist; 12/71 Bulletin","Invitation, 1 slide; 1 new slide; 1/72 Bulletin; label copy; biographical information; checklists; internal memos; correspondence with artists","1 photograph; \"Masterpieces of Early American Furniture, Antiques (11/70), invitation, \"The U.S. Department of State Americana Fund…\"; correspondence with possible collectors; research, correspondence with Clement E. Conger, Collector of the Year 1972 (Chairman of Special Fine Arts Committee for acquisition of furnishings for the Department of State); internal memos; clippings; biographical information; press releases; clippings; checklists layout (typed)","Photographs; 1 drawing; drawing (typed!); clippings; label copy","Photographs","6 photographs; duplicates: 8 photographs, invitation; drawings (photocopies); correspondence with Mourot; research; internal memos; checklists; clippings; label copy","Prospectus; internal memos; correspondence with artists; reception guest list","Invitation, poster, MOMA information sheet, \"Modern Museum Offers Works…\"; 13 photographs; memos; correspondence with MOMA (circulator); shipping information and receipts; checklists, 1 poster","Internal memos; correspondence with lenders; research; clippings; catalog copy; 1 copy of May 1972 Bulletin; clippings; shipping information and receipts","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Correspondence with Muller; list of tentative loans","9 photographs; 1 duplicate photograph","1 new photograph; 1 duplicate photograph; correspondence with the AIC; request for information form","2 duplicate photographs; correspondence with Princeton; request for information form","1 duplicate photograph; correspondence with Atkins; request for information form","1 duplicate photograph; correspondence with Fogg; request for information form","1 duplicate photograph; correspondence with Meadows Museum; request for information form","2 photographs; 6 duplicate photographs; correspondence with Met; request for information form","4 duplicate photographs; correspondence with MFA Boston; request for information form; internal memos; insurance certificate","6 duplicate photographs; correspondence with NGA; request for information form","2 duplicate photographs; correspondence with RISD; request for information form","3 duplicate photographs; correspondence with Thaw; request for information form. invitation; photographs","1 photograph; correspondence with Worcester; shipping information and receipts; request for information form; correspondence re: insurance","1 photograph; correspondence re; photograph orders and framing for our pieces; request for information forms","16 new photographs; 4 duplicate photographs","18 new photographs; 6 duplicate photographs","Request for information form; piece of box from printer","Checklists; lists of loans; shipping lists; mailing lists","One piece of correspondence","5 new photographs; 1 duplicate photograph","8 new photographs","Correspondence with lenders who denied loan request","Checklist, wall label, press release, 7 photographs; 2 contact sheet strips; materials from MOMA (circulator); correspondence with MOMA; internal memos; label copy; drawings (photocopies); 1 [misfiled] mock-up of Goya Catalogue cover","Checklist, 2 photographs; 4 new photographs, 2 invitations, members' preview postcard and special reception in envelope; \"Gund Collection of Western Art,\" 1970; internal memos; correspondence with Gund; correspondence with lenders; clippings; \"American Western Art: a Personal Narrative.\"","Photographs","Invitation; correspondence with Gund Museum; internal memos; research; checklists; blank request for information forms; correspondence with lenders; lists of movies; Gund Collection materials","4 photographs with labels, 5th=#15494, Carl Kauba, b. 1865, \"Indian\", Gilt Bronze, Collection Bobby Chandler; loan request; information sheets with small photos stapled to them (left in folder); correspondence with lenders; checklists; research","1 catalog; 1 contact sheet strip; internal memos; label copy; 1 copy of invitation; correspondence with AIA, Richmond Chapter","Invitation, 2 layout designs by Lipton, 6 photos; 27 new photos; correspondence with MIT (circulator); internal memos; correspondence with Marlborough Gallery (organizer); panel drawing (photocopy); checklists; correspondence with Lipton; label copy; research","2 invitations, \"An Exhibition of Sculpture and Drawings by Gaston Lachaise,\" 2 photographs; 9 new photos; correspondence with Lachaise Foundation and [Felix] Landau Galleries (organizer); internal memos; checklists with prices; shipping information and receipts; drawing (photocopy); clippings","1 photograph; correspondence with MOMA re: possible exhibitions, including Otto Frei exhibition [unsure if declined or not]","Checklist; 1 photograph; internal memos; clippings; list of items sold or rented","1 piece of correspondence re: lecture offer declined","Correspondence with Bernard Danenberg Galleries re: possible showing","Correspondence with AFA","Correspondence with Advertising Trade Publications, Inc.","Correspondence with the IEF","Correspondence with Maritime Museum in Newport News and Philadelphia","\"Project background \u0026 history,\" \"Bonniers introduces 9 incredible toys,\" 8 photos; 1 drawing; internal memos; correspondence with Bonnier International Design (organizer); correspondence with Ruder \u0026 Finn (circulators); Bonnier materials (including tear sheets); 1 copy of New York (9/11/72)","Proposals and materials from: George Eastman House, National Association of Women Artists, Rice University, California Arts Commission, Haus Rucker Company; MFA Houston, St. Paul Art Center, Fran Grace, Walter Art Center","Proposals and materials from: Japan Cultural Society, MOMA, Museum of the Confederacy, J.B. Speed, Library of Congress, Appalachian Corridor, SITES, Renwick Gallery, Asian Theatre Artists, NGA, Sculpture Center, International Museum of Photography, Oakland","1 photograph; correspondence with Smith (juror, Museum of Contemporary Crafts); biographical information","Catalogs, prospectus, 1 photograph; correspondence with Wolf (juror; Trahey Wolf Advertising, Inc.); biographical information","Correspondence with AFA; 1971-1972 catalog","Correspondence with institutions; artists; galleries and others (including materials)","Invitation, 2 slides; invitation list; correspondence with artist; clippings; label copy; 2/72 Bulletin","Invitation; 4 slides; 5 photographs; biographical information; label copy; correspondence with artist; 3/72 Bulletin; checklists","Invitation, 4/72 Bulletin; 1 slide; correspondence with artist; internal memos; label copy; checklists; biographical information","4/73 Bulletin, 1 slide, invitation; 1 negative; 1 photograph; 12/69 Bulletin; label copy; shipping information and receipts; biographical information; checklists correspondence with artist","5/72 Bulletin, invitation; 1 photograph; 4 slides; correspondence with artist; label copy; checklists; biographical information","Invitation, 1 photograph; 4 slides; label copy; 9/72 Bulletin; correspondence with artist; checklist; shipping information and receipts","Invitation, 4 photographs; 1 slide; shipping information and receipts; checklists; biographical information; 10/72 Bulletin; label copy; correspondence with artist","Invitation; 1 photograph; 4 slides; checklists; shipping information and receipts; correspondence with artist; label copy; biographical information","Label copy; correspondence with artist; 11/72 Bulletin; checklists; shipping information and receipts","\"1972-73 Robinson House One-Man Exhibitions\" List; internal memos; schedules","1 photograph; 4 slides; label copy; 1/73 Bulletin; correspondence with artist; internal memos; checklists; shipping information and receipts","1 slide, invitation, 2 photographs; 1 new photograph; label copy; 1/73 Bulletin; correspondence with artist; shipping information and receipts","Invitation, 2/73 Bulletin; 2 photographs; checklists; biographical information; internal memos; correspondence with artist; transportation request form; label copy","Invitation, 3 photographs; 3 new photographs; 3 slides; biographical information; shipping information and receipts; checklists; correspondence with artist; transparencies request form; internal memos; label copy; 3/73 Bulletin","'72 Honor Awards Program, Virginia AIA Chapter; concealed ID form; catalogue; internal memos; prospectus copy; Virginia Chapter AIA materials; 1 copy of prospectus; catalogue copy","Correspondence with juror (Hugh Jacobsen)","2 photographs (Paul Smith); entry blanks; correspondence with artists; reception guest list; drawing (photocopy); internal memos; 1 copy of catalogue; correspondence with juror (Paul Smith)","Internal memos; checklists; fact sheets; shipping information and receipts; entry blanks","Purchase cards; annotated catalogues ('73); invoices; checklists; correspondence with purchasers; correspondence with artists; shipping information and receipts; release forms","Slides; 7 new photographs; 3 duplicate photographs","Letter (9/12/73); entry blanks; reception invitation list; shipping information and receipts; correspondence with artists; internal memos; correspondence with winners","1 copy of catalogue; catalogue copy; internal memos; checklists","Schedule; prospectus copy","Correspondence with artists; internal memos; fact sheets; checklists","Checklists; correspondence with artists","2 invitations, 8 duplicate photographs; 9 new photos; internal memos; checklists with values; correspondence with Blumkas (Mr. and Mrs. Leopold); research; correspondence re: complete loss of Gothic velvet tapestry due to water damage","7 photographs; correspondence with MOMA (circulator); checklists; internal memos; MOMA materials (including wall label, press release)","3 photographs; internal memos; panel layout notes; Accession Committee meeting minutes copies (to look at new accessions)","Invitation; photographs; label copy; drawing (photocopy)","Photographs; duplicates; 2 invitations; invitation copy; internal memos; correspondence with Whitney (circulator); Whitney materials; label copy; 1 copy of \"Edward Hopper: Selections from the Hopper Bequest,\" published by Whitney; 1 copy of 3/73 Bulletin","5 photographs; label copy; correspondence with lenders; request for information form; internal memos; correspondence re: Bernard Martin \"copying\" Alfred Newman's photograph of Hopper re: possible copyright infringement","Catalog; 2 photographs; 1 copy of prospectus; internal memos; label copy; list of designers; correspondence with AIID","Invitation, 10 photographs; internal memos; label copy; invitation copy; mailing lists","Catalog, invitation, 1 photograph; 2 slides, 1 new photograph; internal memos; correspondence with artists; label copy; 1 copy of prospectus; checklists; clippings","5/73 bulletin; shipping information and receipts; correspondence with artists; internal memos; correspondence with Thalhimer's re: display; label copy; checklists; fact sheets","1 copy of catalogue; catalogue copy; checklists; internal m emos; prospectus copy","Signed certificates; correspondence with winners","Correspondence with juror (William Seitz); biographical information","28 photographs","Memo (2/28/73); printmakers card; letter (3/22/73); internal memos","Reply cards; correspondence with artists; internal memos; checklists","1 photograph; duplicates, certificates; juror biographical information (William Pahlmann); correspondence with juror; internal memos; fact sheets; checklists; correspondence with artists; entry blanks","Prospectus (1 copy); AID Virginia Chapter '70-'71 directory; prospectus copy; catalogue (1 copy); checklists; correspondence with NSID","Photographs","3 photographs; 1 duplicate photograph; label copy; entry blank; correspondence with Solomon; biographical information; shipping information and receipts; 11/73 Bulletin","Invitation, 2 duplicate photographs, 10/73 Bulletin; 1 new photograph; label copy; correspondence with Beer; biographical information; checklists","2 photographs; internal memos; correspondence with juror (Nathan Lyons); biographical information","Photographs","Entry blank; correspondence with Dougherty","1 photograph; 1 new photograph; 9/73 Bulletin; correspondence with Davenport; entry blank; biographical information; clipping","Invitation, 2 photographs; 7 new photographs; correspondence with Lewises; drawing (photocopy); internal memos, 1 copy of May '72 W\u0026L Alumni Bulletin","7 photographs; press release; internal memos; materials from Museum of Primitive Art (organizer); clippings; catalog copy","Invitation; catalog; internal memos; correspondence with prospective jurors; 1 photocopy of prospectus; mailing list; article by Nathan Lyon (juror); clipping; NEA grant materials","Press release, 3 photographs, checklist; correspondence with IEF (circulator); IEF materials; internal memos","Research; checklists; catalog copy; mailing lists for catalogs [all materials Blaine-related]","3 clippings, 3 invitations; 7 photographs; internal memos; correspondence with Blaine; mailing lists; catalog copy (Blaine)","Nell Blaine at the Poindexter Gallery, 1972, catalogue folder; 2 new photographs; research; other catalogs; mailing lists; request for information forms; checklists; price lists; internal memos; correspondence with Boston University (Beal co-organizer); correspondence with Poindexter Gallery (Blaine co-organizer); correspondence with Lawrence Campbell (essay writer; Art Students' league); correspondence with lenders; correspondence with artists; catalog copy (Beal)","Photographs; 1 copy of Blaine catalog; list of Beal color transparencies returned","Correspondence with artist and purchasers re: sale of paintings (including copies of checks, etc.); checklists; price lists [all material related to Blaine]","1 drawing by Blaine; correspondence with Boston University, Poindexter Gallery, Blaine, Campbell, lenders; internal memos; 1 copy of Blaine catalog; clippings; loan agreement forms; other catalog (Beal); research; label copy; checklists","Correspondence with AFA; 1972-73 catalog; 1973-74 listing in new 8 ½ X 11 format (unbound)","2 copies of 67-68 catalog; correspondence with AFA; 2 copies of 68-69 catalog; clippings","Correspondence re: possible prison art show","Correspondence with Ruder and Finn","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Material re; possible exhibition of Cecil Beaton as well as Samuel Kirk \u0026 Son","Material re: possible exhibition of Cecil Beaton, as well as for Sir Jacob Epstein, and others","Correspondence re: Objects: USA (collection of S.C. Johnson \u0026 Son, organized by Lee Nordness Gallery); correspondence with various other institutions; various catalogs from late 1960s","Correspondence with various institutions; various catalogs from 1973","Correspondence with various institutions; various catalogs from late 1960s; early 1970s]","Correspondence; internal memos","1 copy of 66-67 catalog; 2 copies of 68-69 catalog; correspondence with MOMA; MOMA materials; clippings; internal memos","1 clipping on Peggy Guggenheim","Correspondence with Multiples, Inc. gallery; internal memo","Eastman House materials","Correspondence with SITES; 1972 catalogs; SITES materials; various SI bulletins; 1 catalog (French playbills)","Correspondence with IEF; IEF materials","Correspondence with IEF; IEF materials","Correspondence with MOMA; MOMA materials, 1 copy of catalog","1 piece of correspondence with Hirschl \u0026 Adler","Internal memos; correspondence with \"Curators of Art for Corporate Collections\" [actually called Danese Design]","Correspondence with IEF; IEF materials","Correspondence with Art professor at Mary Baldwin","Correspondence with Asia House Gallery; checklist; internal memo [not shown]","Correspondence with Whitney and Aldrich Museum of Contemporary Art","Correspondence with Museum of Fine Arts, St. Petersburg; internal memos","Internal memos; correspondence with Multiples, Inc.","Letter from Claiborne to members (10/24/73); 1 copy of invitation; label copy","Internal memos; checklists","Catalog, invitation, 6 photographs; 1 new photograph; 1 copy of Virginia Designers 1970 catalog; internal memos; mailing list; catalog copy; correspondence with Federal Council on the Arts \u0026 Humanities (speaker, Lani Lattin); schecklists","Members special film program card, 2 photographs; 1 new photograph; 1 copy of Wildenstein catalog; research; correspondence with Bakwin; correspondence with members; internal memos; 1 copy of invitation; 1 copy of catalog","Invitation, reply card; 1 photograph; 1 copy of Craftsmen's Biennial 2 (VCU) prospectus; 1 copy of Virginia Craftsmen 1970 catalog; 1 copy of 74 catalog; 1 copy of 74 prospectus; internal memos; mailing list; research","Invitation, 11 photographs; 4 new photographs; 1 copy of catalog \"Walter Gropius: Buildings, Plans, Projects, 1906-1969\"; correspondence; 1 copy of \"Portrait of an idea: Rosenthal Studio-Line\"; correspondence with IEF; IEF materials; exhibition contract; 1 drawing (photocopy); internal memos","VMFA exhibition SP-28; internal memos; checklist; label copy","Clippings; 1 copy of Commonwealth: the Magazine of Virginia (5/74)","2 preview invitations, lecture card, brochure; photographs; label copy","3 photographs; 1 new photograph","Announcement; 3 transparencies; 4 drawings of \"Project: Folk Art\"; correspondence with Whitney (circulator; organizer); internal memos; correspondence with Ruder and Finn; label copy; correspondence with Philip Morris (sponsor); research; invitation copy; brochure copy; Whitney materials; preview mailing list; 1 copy of 4/74 Bulletin; correspondence re: posters and billboard; clipping","Invitation, \"Project: Folk Art\"; 1 photograph; internal memos; correspondence with Ruder \u0026 Finn; correspondence with Whitney; checklists, correspondence with Philip Morris; brochure copy; clipping; correspondence with publicity; correspondence with other institutions","Catalog copy","3 photographs; 2 new photographs; TV speech copy; correspondence with De Young (other venue); correspondence with Central Virginia Educational Television; verbal storyboards","Internal memos; mailing/invitation lists","1 photograph; correspondence with Whitney; correspondence with other institutions; Whitney brochures; clippings; layout drawings (photocopies); label copy","7 photographs; duplicates: transcript, announcement card; 4 dictabelts (interview with Bill Gaines); checklists; correspondence with Chermayeff; internal memos; correspondence with Philip Morris (owners of tapestries); mailing list; 1 copy of invitation; press release; drawing (photocopy)","3 photographs; correspondence with Nancy Hoffman Gallery (organizer); correspondence with lenders; checklists; request for information form; gallery materials","Catalog; photographs; catalog copy; internal memos; checklists; correspondence with lenders; blank information request form; clipping","Photographs, 2 transparencies, 1 slide; 1 copy of invitation; internal memos; clippings; exhibition design drawings (photocopy)","33 photographs; 7 transparencies; duplicates: 15 photographs","4 photographs; 1 transparency, slides; correspondence with potential lenders; correspondence with Diebenkorn; internal memos; request for information forms; checklists","4 photographs; 3 new photos, 1 transparency; correspondence with potential lenders; correspondence with lenders; correspondence with Estes (the photos he provided were for his passport!); request for information forms; checklists; research","6 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklists; correspondence with Francis","5 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklist; correspondence with Frankenthaler; internal memo","2 photographs; correspondence with lenders; correspondence re: damage; request for information forms; internal memos; correspondence with Hans Nemuth re: portrait of Indiana (photograph)","5 photographs; checklists; correspondence with potential lenders; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklist","5 photographs; 1 new photograph, 2 transparencies; correspondence with potential lenders; correspondence with Motherwell; checklists; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 new photograph; correspondence with potential lenders; request for information forms; internal memos; checklists","5 photographs; 1 new photograph; 1 transparency; correspondence with Thiebaud; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 transparency; internal memos; correspondence with potential lenders; request for information forms; checklists","Catalog; internal memos; correspondence with Virginia AIA Awards Committee","Entry blanks; correspondence with designers; label copy; internal memos; checklists; fact sheets","1 copy of '74 catalog; catalog copy","Signed certificates; correspondence with juror (Ivan Chermayeff); clipping","Photographs","Prospectus; checklists; art directors' club materials; prospectus copy; schedule","4 photographs; correspondence with Hagan; shipping information and receipts; entry blank; label copy; 5/74 Bulletin; biographical information","Invitation; 2 photographs; 2 new photographs; 4/74 Bulletin; shipping information and receipts; biographical information; correspondence with Abbott; label copy","Invitation; 1 photograph; 1 new photograph; label copy; transportation requests; entry blanks; biographical information; correspondence with Barry; shipping information and receipts; 2/74 Bulletin","5 photographs; 1 duplicate photograph; invitations; 1/74 Bulletin; shipping information and receipts; checklists; label copy; internal memos; correspondence with Fridley","Invitation; 4 photographs; NEA booklet; 10/74 Bulletin; correspondence with NEA for Sandborn; brochure (1 copy); brochure copy; internal memos; biographical information; correspondence with Sandborn; entry blank; shipping information and receipts","2 photographs, invitations; 6 photographs; 9/74 Bulletin; correspondence with Ames; biographical information; shipping information and receipts; checklists; label copy; internal memos; entry blank","Catalog; photographs; internal memos; correspondence with artists; label copy; checklists; correspondence with Michael Graves (lecturer); correspondence with juror (Bill Newman); invitation copy; invitation list; prospectus copy; biographical information; 12/74 Bulletin","3 photographs: 1 duplicate photograph, invitations; 11/74 Bulletin; brochure; shipping information and receipts; checklists; biographical information; correspondence with Scalin; entry blank; label copy","22 photographs; 9 new photographs; internal memos; checklists","Research; checklists; internal memos; clippings; correspondence re: poster; drawings (photocopies); panel copy","Photographs","Label copy; research; checklists; correspondence with lenders; internal memos; correspondence with Comprehensive Exhibition Services (circulator); correspondence with potential lenders; blank request for information forms","8 photographs; 6 new photographs; request for information forms; internal memos; correspondence with lenders","SITES and National Art Collection Materials; internal memos; correspondence re: materials for Children's Day","1 photograph; 2 new photographs; correspondence with Delaware Art Museum (lender); 1 copy of 4/74 Bulletin; checklists; internal memos","Correspondence with IEF; IEF materials","Correspondence with potential speakers they declined","Photographs; research; biographical information; clippings, drawing (photocopy); 1 copy of 5/74 Bulletin; internal memos; correspondence with VCU (Professor Lester Van Winkle is co-organizer); correspondence with lenders; invitation list; 1 copy of invitation; checklists; correspondence from visitors","4/74 Bulletin, \"photographic resume,\" 1 photograph; 5 new photographs; correspondence with artist; biographical information","Correspondence with and materials from various institutions, galleries, and organizations; internal memos; clippings; catalog","1 photograph (William B. O'Neal, UVirginia); correspondence with potential speakers; promotional materials; internal memos","1 piece of correspondence re: questionnaire (5/2/74)","Correspondence with MOMA re: possible traveling shows","Correspondence with and materials from various institutions, organizations, and individuals re: declined exhibitions; internal memos; catalogs","Correspondence with Modern Master Tapestries, Inc. (organizing circulator) and Charles E. Slatkin, Inc. Galleries (organizing circulator); promotional materials","Signed certificates, catalog; 1 photograph; internal memo; correspondence with artists; fact sheets; invoices; checklists; clippings; shipping information and receipts","Photographs","Prospectus; prospectus copy; annotated '72 prospectus","NOVirginia invitation, jurors' statement, Lynchburg prospectus, signed certificates (NOVirginia); 10 photographs; checklists; prospectus copy; invitation copy; NOVirginia prospectus; correspondence with artists; catalog copy; Lynchburg catalog; correspondence with directors of affiliates; Lynchburg signed certificate","10 photographs; duplicates: Roanoke catalog, Roanoke invitation; correspondence with artists; Peninsula prospectus copy; Peninsula catalog copy; internal memos; Peninsula prospectus; Peninsula signed certificate; checklists; Roanoke catalog copy; clippings; correspondence with juror (Lawrence Alloway)","'75 prospectus; shipping information and receipts; annotated '73 prospectus; prospectus copy","Photographs; signed certificates, invitation; checklists; '75 catalog; correspondence with NEA re: grant; internal memos; correspondence with juror (Aaron Siskind); fact sheets; prospectus copy","Virginia Commission of the Arts and Humanities grant application","Catalog; catalog copy","1 signed certificate; correspondence with winners","Photographs; 1 copy of '75 catalog","Prospectus copy; internal memos; correspondence re: prospectus","Catalog; purchase cards; invoices; correspondence with artists; internal memos","Reply cards; checklists; correspondence with artists","Invitation, 1 photograph; shipping information and receipts; correspondence with potential jurors; correspondence with juror (Robert Buck); biographical information; schedule; internal memos; checklists; 5/75 Bulletin","Signed certificates; fact sheets; correspondence with juror (Elke Solomon); biographical information; internal memos; checklists; correspondence with artists","Photographs; prospectus; prospectus copy; 1 copy of catalogue; catalogue copy","Letter 2/9/75, purchase card; correspondence with artists; internal memos; invoices","Checklists; correspondence with artists","Invitation, 5 photographs; 1 new photograph; internal memos; invitation copy; correspondence with Mrs. Lammot DuPont Copeland [collector of the year]","1 copy of 2/75 Bulletin; internal memos; checklists (Artmobile exhibition); label copy","1 photograph; 1 copy of catalog; 1 copy of prospectus; internal memos; checklists","Photographs; checklists; label copy; catalog copy; research; invitation copy; correspondence with NC Museum of Art; internal memos; mailing list; 1 copy of invitation","2 photographs; \"1940, Remember?\" clipping; correspondence with Library of Congress Prints \u0026 Photographs Division; internal memos; research; checklists","Catalog, \"Observations on …,\" \"Collecting,\" 2 photographs; 2 new photographs; correspondence with O'Neal; checklists; internal memos; catalog copy; biographical information","4 new photographs; catalog","Catalog, 4 photographs; 4 new photographs; checklists; correspondence with Lewises; internal memos","Catalog, invitation, 6 photographs; 2 new photographs; 1 copy of prospectus; internal memos; invitation copy; correspondence with Robert Buck (juror, Director of Albright Knox)","1 internal memo","1 catalog, 5 photographs; 1 new photograph; internal memos; checklists","Invitation, 6 photographs; 6 new photographs; correspondence with University Art Gallery (Rutgers, organizer); internal memos; invitation copy; correspondence with VM Youth Guild; clipping; correspondence from visitors; 1 copy of catalog; list of books for sale at VMFA Shop","\"Art as Adornment\"; 10 photographs; internal memos; checklists; label copy; catalog copy","3 new photographs; 3 duplicate photographs; correspondence with Art Museum of South Texas (borrower)","Correspondence with Josef Albers Foundation; correspondence; internal memos","Invitation, catalog; internal memos; correspondence re: successful NEA grant; grant   materials; statistics","1 photograph; internal memos; checklists; correspondence with Light Gallery (lender); correspondence with Siskind","Press release; photographs; correspondence with AFA (circulator); correspondence with Museum of Primitive Art (lender); drawing (photocopy); in use list; internal memos; correspondence with African Arts magazine; clipping","Poster, catalog, 1 photograph; 4 new photographs; correspondence with AFA; checklists; internal memos; exhibition contract; invitation copy; correspondence with African Arts; correspondence with Museum of Primitive Arts; correspondence with local TV station","\"Masterpieces of Pre-Columbian Art,\" 5 photographs; 1 new photograph; internal memos; label opy; Artmobile slide lecture copy","Correspondence with Museum of the American Indian (organizer); internal memos; clipping","Correspondence with Met (organizer); internal memos","Correspondence with Hyatt re: possible accommodations; correspondence with AAM; internal memos","3 photographs; 3 new photographs; correspondence with lenders; request for information forms; checklists; shipping information and receipts; 1 copy of invitation","3 photographs; 3 new photographs; 1 copy of brochure (\"Landscape in Photography\");   internal memos; checklists","12 photographs; brochure copy; internal memos; checklists; panel copy; press releases","Correspondence with artist; 1 copy of invitation; clipping; internal memos; press release","3 photographs; 12 new photographs; correspondence with MOMA (organizer); checklist; exhibition contract; internal memos; clipping; MOMA materials","Unsigned certificate; 2 photographs; duplicates: letter 8/1/75, 2 blank information forms","Photographs","2/75 Bulletin, invitation, 1 photograph; 2 new photographs; internal memos; correspondence with artist; shipping information and receipts; biographical information; label copy","Invitation; 2 photographs; 4 duplicate photographs, 11/14/74 memo; internal memos; label coy; blank floor plan; 1/75 Bulletin; correspondence with artists; clippings; invoices [lots of correspondence re: student show]","21 photographs; information forms; biographical information; correspondence with artists; internal memos; label copy","2 photographs; duplicates: Roanoke prospectus, Peninsula prospectus, Roanoke catalogue; clippings; correspondence with artists; prospectus copy; juror biographical information; internal memos; correspondence with jurors; NOVirginia prospectus; annotated Roanoke prospectus; checklists; signed certificates; invitation; blank certificates","Photographs; drawings (photocopies); panel copy; research; catalog copy","Checklists by object type (transferred contents of a binder)","Photographs","3 photographs; internal memos; correspondence re: events such as demos and clinics; research; correspondence with visitors; invitation copy; correspondence re: catalog; correspondence with lenders; checklists","Label copy; checklists; research","Photographs; correspondence with lenders; internal memos; correspondence with Virginia Commission of the Arts \u0026 Humanities re: special funding; checklists; research","Catalog copy; research; checklists; labels","Photographs; checklists; other lists","15 photographs; shipping information and receipts; catalog proof; checklists; catalog copy; research; lists by type","10 photographs; 2 new photographs; correspondence with Toledo Museum of Art (organizer); checklists; insurance certificate; clipping, correspondence with Steuben; 1 copy of \"Steuben: 70 Years of American Glassmaking\"; internal memos; correspondence with publicity","\"Forms in Metal\" catalogue; 1 photograph; correspondence with Museum of Contemporary Crafts (organizer); exhibition contract; Museum of Contemporary Crafts materials; internal memos; drawing (photocopy)","3 photographs, invitation, reply card; 1 copy of catalog; correspondence with Lawrence Alloway (juror); invitation copy; internal memos; correspondence with members of arts organizations coming to ceremony; guest lists","Exhibition contract; correspondence with MOMA (organizer); MOMA materials; checklist; internal memos","Checklists; correspondence with University of New Mexico (organizer); research; exhibition contract; internal memos; correspondence with Western Association of Art Museums (organizer); biographical information; drawing (photocopy)","2 photographs; correspondence with Dean Brown Foundation (curator is Carol Brown, widow) and Akron Art Institute (organizer); internal memos; biographical information; AAI materials","Correspondence with Bowdoin (organizer) [cancelled]; Bowdoin materials","3 photographs; correspondence with Israel Museum; clippings","2 photographs; correspondence with Museum of the American Indian; correspondence with Phillip Morris (connection to Museum of AI)","Catalog, prospectus; statistics; letter to members of \"Richmond Communicating Artists\"","Photographs; internal memos; VMFA materials; label copy","One press release [written by Bob Keefe] re: Reeves collection","Internal memos","Correspondence with Terry Dintenfass (organizer); internal memos","19 photographs; correspondence with Gallery Association of New York State (organizer); internal memos; checklist; correspondence with Architectural League of NY (organizer); budget materials (for fundraising); GANYS materials","Photographs; 2 slides","1 drawing; 1 photograph; duplicates: museum tear sheet; general museum and various exhibitions' label copy; catalogue or essay copy for \"The 18th Century Drama\"","Biographical information","Attendance statistics","Label copy","Fact sheet","List of music for Danish Silver exhibition","Lists of alumni in Richmond","2 drawings; Leslie Cheek Jr.'s notes","2 drawings","3 drawings","3 drawings","2 checklists of members","1 drawing; list of photographs for panels","1 drawing","\"Remarks\" 5/25/77","Internal memos; article copy; checklist; correspondence re: permission to publish images","1 transparency; catalog copy; internal memos; correspondence with lenders; research; correspondence re: transparencies; correspondence with Mariner's Museum","Internal memos; correspondence with lenders; correspondence re: transparencies; catalogue copy","Blank information forms","Catalog copy","1 photograph [Vose Galleries]; correspondence with lenders who denied loans","Catalog proofs","Correspondence with Suffolk Art League","Correspondence with Mint Museum; Mint materials","1 copy of \"The Virginia Peninsula Today,\" 11/76; speech copy","Checklists; correspondence with Met re: possible loan","Invitation lists","2 duplicate photographs; 2 new photographs; request for information forms; correspondence with potential lenders","Checklists; internal memos re: postcards for sale (correspondence with other museums' shops)","Press release (8/26/74); correspondence with Mariners Museum; internal memos; clippings; fact sheet","3 photographs","Photographs","Photographs","Request for information forms (folder 2)","Request for information forms","Internal memo; correspondence with Vose re: catalogue; Artmobile label/brochure copy","Budget information; internal memos","Artmobile label copy; Artmobile layout drawing (photocopy)","Research","Slide lists","Internal memos; Artmobile brochure; checklists; Artmobile teachers' kit; clipping","Photographs","Correspondence with potential lenders; internal memos","Correspondence","Correspondence with lenders; correspondence with Mariners Museum; checklists","Checklists","Checklists; correspondence with Mariners Museum","1 slide; 1 photograph (A. Cary Smith, portrait of the Yacht Agnes); correspondence with lenders; research; internal memos; schedule; correspondence with mariners Museum; clippings; other materials","Internal memos; invitation lists; correspondence with attendees/invitees; clipping","Correspondence and internal memos re: budget","Lists; schedule; correspondence with Mariners Museum; correspondence with film companies; internal memos","Budget information; internal memos; correspondence with Mariners Museum; correspondence with NEA; clipping; grant application","6 photographs; correspondence with NNS; 1 copy of \"3 Generations of Shipbuilding\"; NNS materials; \"Men, Ships and the Sea\"; Bring Her Home\"; label copy for publicity photographs0; \"Always Good Ships\"","Label copy","14 duplicate photographs; 2 new photographs; 1 drawing; internal memo","Invitation; invitation list; correspondence with Mariners Museum; internal memos","1 photograph; internal memos; correspondence re: cancellation of Virginia Architecture 1976 (Reality and Revival is the replacement); label copy; drawings of panels (photocopies); '76 AIA honor program","Internal memos (2)","Signed certificate; correspondence with juror (Alan Shestack); correspondence with artists; checklists; internal memos; one entry","Prospectus; photographs; 1 copy of catalog (annotated); biographical information on juror (Alan Shestack, Director of Yale University Art Gallery); checklists; catalogue copy; prospectus copy; un-annotated copy of catalog","2 photographs; internal memos; correspondence with artist","1 photograph; 1 invitation; checklists; internal memos","1977 invitation; internal memos; '77 catalogue; correspondence with NEA re: grant; '77 prospectus; correspondence with juror (Lloyd Herman)","25 slides, 9 photographs; 1 duplicate photograph; clippings; correspondence with Santa Barbara Museum of Art (organizer); internal memos; correspondence with SITES (circulator); 1 copy of catalog; labels; schedule; checklists; Santa Barbara materials, including press release and prospectus; exhibition contract","Photographs; invitation list; announcement; correspondence with artist; announcement copy; price list; entry blank, invitation (signed \u0026 22/58)","Photographs; invitation list; price list; entry blank; announcement; announcement copy; biographical information; internal memos; correspondence with artist","3 photographs; invitation list; entry blank; invitation; internal memos; clipping; biographical information; correspondence with artist","1 photograph; invitation; announcement proof; correspondence with purchasers; biographical information; checklists; invitation list; correspondence with artist","3 photographs; announcement; announcement copy; invitation; internal memos; entry card; correspondence with artist; biographical information; invitation list","3 photographs; announcement; checklists; entry blank; invitation list; correspondence with artist; invitation; biographical information","2 photographs; checklists; correspondence with artist; artists' sale terms and conditions; announcement; invitation list; biographical information; invitation; internal memos","Announcement; invitation; correspondence with artist; announcement copy; biographical information; invitation list; internal memos","Announcement, invitation; announcement copy; biographical information; entry blank; Guggenheim fellowship application; clippings; correspondence with artist; invitation list","Invitation; schedule; 1 copy of prospectus; correspondence with Thalhimer's; internal memos; statistics; correspondence with artists","Prospectus copy; label copy; jurors' statement copy; 2 copies of catalog (1 annotated; 1 not); catalogue copy; correspondence with visitor re: complaint about nude woman in painting","5 photographs; 8 duplicate photographs","Signed certificates; 1 photograph; invitation; internal memos; correspondence with artists; correspondence with juror (Suzanne Delehanty); checklists; statistics","Checklists; correspondence with Thalhimer's; correspondence with artists","Checklists; correspondence with artists","Form letter to Virginia artists from Director Peter Mooz; correspondence with purchasers; correspondence with artists; internal memos; invitation list; reply cards","Internal memos","Invoices; budget information; incident report; correspondence with artist","Invitation; clippings; poster; materials from other exhibitions","Clippings; materials from other exhibitions","Postcard; checklists; label proof; lecture; invitation copy; installation drawing [checklists from Edwin A. Ulrich Museum of Art, Wichita State University)","7 photos; 5 new photos","Correspondence with Wichita State; correspondence with Lewises; correspondence with artist; correspondence with Whitney (other venue)","Invitation, reply card, brochure; 5 photographs; 1 copy of catalogue: \"The Proctor \u0026 Gamble Company Antique English Coffee Pots: The Folger's Coffee Collection\"; correspondence; internal memos; correspondence with the Rowland Company (organized the show); correspondence with Proctor \u0026 Gamble; invitation copy","3 photographs; correspondence with lenders; clippings; internal memos; correspondence with Lewises (lenders of typewriter eraser)","Invitation, 5 photographs; 33 new photographs; clippings; internal memos; correspondence with Kreegers; checklist; drawings (photocopies); invitation list; research; label copy; invitation copy","Internal memos; specs. For A.V. presentation; presentation copy","Invitation; invitation copy","2 slides; photographs; internal memos","Photographs","Budget information; internal memos; invoices; research on Owen Cheatham Foundation","Correspondence with public; correspondence re: copyright; internal memos; publicity schedule","Internal memos; label copy; checklists; drawings (photocopies)","Label copy; internal memos; catalogue proofs; correspondence re: copyright; invitation; checklists","Internal memos re: duties \u0026 plans","Clippings; internal memo","Checklist; research of the objets d'art; Owen Cheatham catalog (1 annotated; 1 not)","40 slide set from MOMA","Clippings","1 copy of VMFA operating budget, 1976-77","2 slide lists (102 slides \u0026 40 slides); checklists; MOMA brochure re: slide set","Correspondence with speakers and hostesses","Installation instructions; internal memos; checklists; drawings (photocopies); correspondence with MOMA; MOMA materials","Correspondence with MOMA; internal memo","Checklists; correspondence with MOMA; MOMA materials","Internal memo re: related books in VMFA Shop; exhibition bibiliography","Photographs","Richmond Sinfonia program; letter from MOMA (6/20/75); exhibition contract; internal memos; correspondence with MOMA; budget information; MOMA invitation; American Art Since 1945 (1 copy of catalogue, loose)","Invitation (3 pieces); invitation list; internal memos; correspondence with MOMA; invitation copy","1 photograph; correspondence with Lewises; clipping; internal memos","Checklists (MOMA materials)","Internal memo","Internal memos and information re: Brandts' trip to Greenville to see show","MOMA materials for labels","Correspondence with MOMA re: posters","Photographs; clipping; correspondence with Mark Davis (curator at the Century Association); internal memos; checklists; label copy","Brochure (summer exhibition announcement), 1 photo; 19 slides; 3 photos; correspondence with SITES (circulator); checklists; internal memos; exhibition contract","Summer exhibition announcement; 8 slides; 9 photos; correspondence with SITES (circulator); exhibition contract; checklists; internal memos; SITES materials including SITES press release; clippings; label","2 photos; checklists; internal memo","2 photos; 5 slides; internal memos; correspondence with artist; clippings; correspondence with Bowdoin (circulator); Bowdoin materials; checklists; budget information; biographical information; research","Correspondence with various institutions; correspondence with visitors; internal memos; correspondence with publicity; materials from other exhibitions; invitation; invitation copy; installation drawing; checklist","Clippings; internal memo","Correspondence with AFA re: circulation, catalogue proof inserted in file","Internal memos; correspondence with printer re: mistake; correspondence with AFA; catalog copy; checklists; correspondence with Wiltshire","Photographs","Checklist","Slides","Invitation; catalog copy; checklist","Drawings (photocopies); internal memos; budget information; checklist","Invitation; invitation lists; internal memos; correspondence with AFA","Label copy","Label copy; correspondence with Weisgall; biographical information; checklists; research","Frames checklist; correspondence with Weisgall; March'78 Bulletin","Correspondence with Weisgall; internal memos; clipping; catalog; catalog copy; budget information","Photographs","Invitation, Richmond News Leader clipping (1/30/78); internal memos; correspondence with musicians; program copy; all re: musical program, musical scores; one copy of \"The Collecting Muse: The Nathalie \u0026 Hugo Weisgall Collection\"","Poster","Clippings","Budget information; internal memos; correspondence with Fred Hughes of Andy Warhol Enterprises; correspondence with sponsors; correspondence with Coe Kerr Gallery; correspondence with artist; correspondence with Weisman; checklists [no signatures]","Postcard (2), 7 photos; 2 new photos; clippings","1 photo; internal memos; catalog proofs; clippings; correspondence with VCU re: silk screening project; budget information; catalog copy","Correspondence with potential lenders","Photographs; slides","Correspondence with MFA Boston (lender)","Correspondence with Chrysler (lender)","\"NEW\" loan agreement form","Correspondence with Ackland (lender)","Correspondence with AIC (lender)","Correspondence with BMA (lender)","Correspondence with Phillips (lender)","Correspondence with Clark (lender)","Correspondence with Mellon (lender)","Correspondence with Met (lender)","Correspondence with NCMA (lender)","Correspondence with lender","Correspondence with various institutions; checklists; internal memos; clippings","2 invitations (6 parts total); internal memos; invitation list","Budget information; internal memos; Virginia Commission for the Arts \u0026 Humanities grant information","IPR's; internal memos (form about 1 year old for IPR)","Drawings (photocopies); checklists; internal memos","Clipping; internal memos; press release copy","Checklist (4 part)","Label proofs; label copy; 1 copy of checklist","Label proofs; **clippings inserted in folder at end**","Invitation; prospectus; internal memos; program schedule; correspondence with hostesses; schedule; correspondence with juror (Thomas Barrow, Associate Professor of Photography, U of New Mexico)","Invitation; internal memos; drawings (photocopies); correspondence with Ms. Conover Hunt-Jones (consultant); checklists; correspondence with sponsors; budget information","Internal memos","Label copy","Photocopy from a catalog for scientific instruments","LACMA press release, \"Major Silver and Mosaic Collections…\"; label copy; research; LACMA materials (circulator)","Biographical information on John Gilmore Ford","Checklist proof; checklist copy","Internal memos; IPR's; budget information","1 duplicate photo","Exhibition contract; correspondence with LACMA; internal memos","Correspondence with Gilberts; internal memos; correspondence with LACMA","Internal memos; drawings (photocopies); 1 copy of LACMA paper; correspondence with LACMA","Invitation (2 – both in 2 parts); internal memos","Correspondence with public (all wanted to know dates of show after reading Smithsonian!)","Envelope containing checklist from Ford with insurance values; 1 copy of invitation; 1 copy with catalog","Budget information; IPR's","Label copy; research","8 new photos; 2 duplicate photos; drawings (photocopies); checklists; internal memos","Clippings; label copy; invitation copy; 1 copy of Weisgall invitation","Empty folder","14 new photos","Correspondence with hostesses; correspondence with Collectors Circle members; mailing list; correspondence with Ford","2 photos; duplicates: invitation, November '78 Bulletin; 1 copy of Collectors Circle program","Internal memos","Invitation, Guggenheim press release; correspondence with lenders; correspondence with Guggenheim (circulator); drawings (photocopies); checklists; clippings; internal memos","Checklists; label copy","Budget information; slide script copy","Internal memos; correspondence with Guggenheim; schedule for Contemporary Art One-Day Symposium (2/14/79)","Label copy; loan agreements; correspondence with lender; internal memos","Checklists; script copy; catalogue copy; clippings; correspondence with visitor; copy of Guggenheim brochure; research; label copy","5 duplicate photos; 9 new photos","Exhibition summary, form letter, information questionnaire; checklists; drawings (photocopies); internal memos; correspondence with galleries re: biographical information for artists; clipping","13 slides; open house poster; catalogue; label copy","Checklists; catalog copy","Drawing (photocopy); checklists","Remarks by Woodward at press conference; clippings; remarks by Mooz at press conference","IPR's; budget information; calendar","Internal memos; meeting minutes, panel drawing (photocopy)","1 piece of correspondence with Columbus Museum of Art re: show","Empty folder","Checklists; annotated gallery guide","Agenda; family tree; IEF materials; correspondence with IEF; notes; internal memos","Correspondence with IEF; correspondence with visitors; internal memos; correspondence with corporate sponsors; schedule; correspondence with other museum locations; exhibition contract","Internal memos; invitation copy; schedules; meeting minutes; checklists","14 photos; correspondence with IEF","1 copy of bumper sticker; place card; brochure; announcement; internal memos; meeting minutes; correspondence with IEF; clipping","Invoices; IPR's; internal memos; budget information","Checklists; internal memos","Note","Invoices; internal memos; budget information","Internal memos; drawings (photocopies); correspondence with Lewises re: closing Art Nouveau facility","List of films \u0026 lecturers from IEF","Correspondence with IEF re: Duke's address; internal memo","Internal memos","Internal memos; lists of tour groups","Biography, general information, itinerary, \"Short History of Chatsworth\"; IEF materials (including press release)","Timetable; meeting minutes; proposed schedule","Agendas; notes; checklists; internal memos","IPR's; internal memos; invoices","\"A.V. Program\" script; correspondence re: school A/V program; internal memos; budget information","Budget information; internal memos; correspondence with IEF","Calendars; internal memos","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF; 1 copy of the \"Chatsworth Herald\"; guide for children published by VMFA","Schedule; internal memos; correspondence with IEF","Internal memos; meeting minutes","Photos; NEA reports","Correspondence with IEF; correspondence with other museums (including invitation","Internal memos; budget information","Exhibition contract; correspondence with IEF; correspondence with corporate sponsor","Internal memos; correspondence with patrons","Internal memos","Internal memos; correspondence with ESU branches; correspondence with IEF","Internal memos; correspondence with IEF","Huge final report; internal memos; budget information; back-up report information","Internal memos; correspondence with invitees; meeting minutes; correspondence with IEF","Correspondence with IEF; internal memos; correspondence with other museums","Clippings; internal memos; correspondence with publicity; TV spot script; budget information; correspondence with IEF","Weekly reports; internal memos","Price lists; internal memos; invoices; correspondence with other museums","Internal memos; drawing (photocopy)","Envelope that couldn't open without ripping","Slide lists; budget information; correspondence with other museums; correspondence with printers; internal memos; correspondence with IEF; correspondence with Duke; reports","Final report on sales; internal memos; teacher form letters \u0026 materials; group bus forms; \"docent study materials\" from Toledo Museum of Art","Internal memos","Prospectus; internal memos; statistics; correspondence with hosts; correspondence re: juror (Lasansky)","Invitation; internal memos; label copy","Internal memos; meeting minutes; annotated gallery map","Correspondence with artists whose work purchased by Museum; internal memos; '79 prospectus; '79 invitation; correspondence with D'Arcangelo (juror)","Invitations; invitation list; internal memos; invitation copy","Schedule draft","Checklists; label copy","Correspondence with visitors and inquiries about show","Clippings; internal memos; list of press kits sent","Invitation lists; correspondence with Lewises for names","List of music; sheet music","Research; 1 piece of correspondence with Yvonne Brunhammer","Program, invitation; correspondence with attendees; clipping; correspondence with speakers; internal memos; participant list; invitation lists; 1 copy of program for 1977 \"Great Collectors of American Decorative Arts\" weekend","Internal memos; correspondence with printers; printers' materials","Budget information; correspondence with lenders; checklists; research","5X7 cards per object","Photographs; photocopies of images","Checklists; clipping; label copy; research","Internal memos; correspondence with film organizations \u0026 vendors; IPR's; information and catalogs for projectors","2 invoices from shipping company","Correspondence with Gras re: insurance for French loans","Correspondence re: shipping of works","Correspondence with other museums re: possible travel","Photocopies of photographs","Photographs; internal memos; checklists; drawings (photocopies)","Invoices; catalogue copy; correspondence with Martin Battersby (essayist)","Label copy","Research","Correspondence with Brunhammer (conservateur @ Musée des Arts Décoratifs, Paris) re: French loans; checklists","Correspondence with d\"Iberville @ Museum of Decorative Arts, Montreal re: possible venue for show (denied)","Correspondence with Harris (guest curator); research; internal memos; Harris; c.v.; schedules","Photos; 1 new photo; correspondence with AIC (lender); loan agreement","Photo; correspondence with BMA; loan agreement","Correspondence with BHP","Photo; correspondence with BF; loan agreement","Correspondence with MFA, Boston","Photos; 1 transparency; correspondence with BAD; loan agreements; checklist","1 duplicate photo; correspondence with Brooklyn; internal memos; loan agreement; research","Photos; correspondence with Merklen; loan agreements; research","Photos; correspondence with Chrysler; loan agreements","Photos; correspondence with CMA; loan agreements; label","Photo; correspondence with CMG; loan agreement","Photos; correspondence with Fine Arts Museum; loan agreements","Correspondence with Haskell; loan agreement","Correspondence with LC; loan agreements","1 photo; correspondence with Lieberman; loan agreement","Photo; correspondence with Darien House, Inc.","Photos; correspondence with Macklowe; loan agreements","Photo; correspondence with McNay; loan agreement","Photos; correspondence with Maryhill; loan agreements","Photo; correspondence with Gallion","Photo; correspondence with Musée; loan agreement","Correspondence with MOMA; loan agreements","Correspondence with NARA","One negative (8 X 10); correspondence with NYPL; loan agreement","Photos; loan agreement; correspondence with Pollard","Photo; correspondence with Pratt; loan agreement","Correspondence with Reed; research","Transparency; 9 duplicate photos; correspondence with Schimmel; loan agreement","Photo; correspondence with Silverman; correspondence with Sotheby's; loan agreement","Correspondence with Sommer; research; loan agreement","Correspondence with U of CA","Empty folder","Correspondence with Vitry; loan agreement","Photos; correspondence with Wittamer de Camps; loan agreements","One photo","Two duplicate photos","Correspondence with University","Correspondence with SDSU","Correspondence with NGA","Correspondence with Musée","Correspondence with Met","Correspondence with DIA","Correspondence with Delaunay","Correspondence with Albertina","Correspondence with Gallery","1 poster; internal memos; label copy; 1 copy of brochure","Internal memos; donor lists; list of lenders; correspondence with invitees; 1 copy of invitation; correspondence re: and with Collectors' Circle","Budget information, IPR's","List of invitees; correspondence from invitees","Label copy; internal memos","1 copy of member mailing with brochure; donor lists; brochure copy","Notes","Internal memos; budget information; checklists","Internal memos; drawings (photocopies); checklists","Label copy; 1 copy of brochure; 1 copy of \"The Tidewater Guide\" (5/80)","23 photos; 1 duplicate photo; 1 copy of brochure","19 photos; internal memos; mailing lists; clippings; correspondence re: catalogue; label; correspondence with lending brochure copy; correspondence with public; drawing (photocopy); schedule; checklists; correspondence re: speaker; correspondence re: shirts","Photos; 5 duplicate photos; case design drawing","Brochure; 4/80 Bulletin; clippings; 1 copy of invitation; 5/80 Bulletin; 1 copy of mailing","Correspondence","1 piece of correspondence with Linda Connor (juror); 1 copy of catalog","28 photos [photos don't seem to be of Designers show]","Label copy; checklists; internal memos; drawings (photocopies); correspondence with publicity","Shipping information \u0026 receipts; label copy; internal memos; clippings; traveling checklists","SITE materials; label copy","Invitation; internal memos; invitation copy; checklists","1 poster; clipping","Photos; clippings; folder with photos; clippings; press releases","Internal memos; correspondence with publicity; correspondence with SITE; correspondence with hosts; correspondence with James Wines (co-founder of SITES, speaker); correspondence with BEST; list of invitees; budget information; schedules","Internal memos; schedules; correspondence with publicity; correspondence with BEST","Internal memos; invoices; correspondence with BEST; Purchase order; budget information, IPR's","Three photos; label copy; internal memos; correspondence with SITE; drawing (photocopy); schedules","Invitation; internal memos; correspondence with Milwaukee Art Center (circulator); invitation list; poster","Invoices; IPR's; budget information; correspondence with Milwaukee; internal memos","Internal memos; correspondence with Milwaukee; correspondence with Philip Morris; symposium program copy","24 photos; invitation; internal memos; Milwaukee materials; drawings (photocopies); checklists; correspondence with Milwaukee","10 photos; press release; 1 copy of catalogue; 1 poster; label copy; research; Milwaukee materials; 1 copy of 1/80 Bulletin; meeting minutes","Poster; label copy; catalog copy; clippings; research; 1 copy of Spring '77 AIV; 1 copy of 11/79 Bulletin","Invoices; internal memos; budget information; correspondence with MFA Houston (circulator); exhibition contract","Correspondence with MOMA; internal memos; correspondence with MFA Houston; copy of birth certificate (!)","4 new photos; internal memos; checklists; label copy; drawings (photocopies); schedules","Internal memos; correspondence with Bruce (Patrick Henry Bruce's son, who came to see show for 4 days, only venue he visited, lived in CA) \u0026 wife; correspondence with MFA Houston; invitation list","Shipping information and receipts; 1 copy of catalogue; correspondence re: catalogue requests; VFH grant application, internal memos","Photos; clippings; VFH materials; VFH grant application; correspondence with Mrs. John Dos Passos","Clippings; internal memos","Catalogue; label copy","Research; checklists; correspondence with Mary Ellen Stumpf (consultant); label copy","Correspondence with VFH; VFH materials; grant application; narrative; grant report; internal memos","IPR's; budget information","Correspondence with institutions lending images; internal memos; other museum catalogues; correspondence with Dos Passos; correspondence with Stumpf (consultant, VCU faculty member); correspondence with visitors","Annotated catalog; shipping information \u0026 receipts; checklists; correspondence with Dos Passos","10 photographs; research; list of invitees; clippings; internal memos; biographical information; correspondence with May Cossitt; subpoena for Pinkney for trial (!)","Correspondence with Ruder Finn (circulator); invitation copy; internal memos","IPR's; internal memos; invitation list","16 photos; internal memos; IPR's drawings (photocopies)","Invitation; internal memos; correspondence with AMEX; invitation copy; invitation list; 1 copy of brochure","\"Henri-Cartier-Bresson: Glimpses\"; clippings; research","Label copy; checklists","Invitation","Internal memos; catalog copy; research; label copy","Correspondence with Yale (organizer); correspondence with AFA (circulator); AFA materials (including checklist); research; 1 copy of brochure","Materials from other institutions","Correspondence with AFA; internal memos; exhibition contract; AFA materials","Internal memos; schedules; invitation copy; checklist","Drawing (photocopy); internal memos; correspondence with AFA; AFA checklist","Correspondence with Yale University Art Gallery","IPR's; PO's; invoices; [1 copy of poster inserted here]","Correspondence with AFA; internal memos; clipping","Invitation, postcard; 1 copy of other preview invitation; invitation lists; information sheet on one-day symposium","1 poster; correspondence with AFA (circulator); research; NEA application","Label copy; AFA checklists","Specs. For \"New Gallery Entrance\" (8/29/79) [remodeled a gallery \u0026 named it the Mottahedeh Gallery] by Hardwicke \u0026 Associates; IPR's; internal memos; label copy; invoices, P.O.'s; correspondence with Mottahedeh; budget information","Postcard, special events postcard, 8 photos; 4 new photos; NEA Grant narrative; internal memos; correspondence with AFA; correspondence with NY State Museum re: found Maria \u0026 Julian Martinez pottery; rubbing of their signature; label copy; invitation lists; IPR's; AFA checklist; budget information; exhibition contract; postcard proofs; drawing (photocopy); NEA Grant application","Two slides; invitations; internal memos; correspondence with Mint (organizer); installation drawings; checklist; correspondence re: opening","Clippings; catalog copy; Mint materials; invitation","Two duplicate photos; 3 new photos","Checklists; research","7 photos","Internal memos; checklists; correspondence with lenders; loan agreements","Invitation; internal memos; correspondence with lenders; loan agreements; correspondence re: opening; invitation list; invoices; installation drawing; exhibition contract","Invitation; correspondence; clippings; label proofs; correspondence with lenders; correspondence with media; correspondence with visitors; internal memos; loan agreements; checklists; research","6 photos; 7 duplicate photos","Internal memos; schedule; label copy; research","Internal memos; IPR's; budget information; invoices","One slide; 13 photos; 3 duplicate photos; correspondence with one lender","Checklist; label copy; internal memos; lecture copy; research; checklist copy","Invitation; research; internal memos; correspondence with lenders; loan agreements; correspondence with media","IPR's; invoices; internal memos","Checklists; research; list of lenders","Internal memos; checklist copy; label copy; research","Correspondence with lenders; correspondence with visitors; internal memos","Installation drawing; internal memos; checklists; label copy","Internal memos; budget information; invoices; shipping information","Invitation copy; internal memos; correspondence with lender; notes; 1 copy of invitation; 1 copy of Collectors' Circle program","IPR's; invoices; correspondence with printer; research; internal memos","Schedule; correspondence re: carpet","Label copy; checklists","Ibsen \u0026 Munch brochure, press release, poster; 4 slides; photographs; clippings; internal memos; 1 copy of checklist","Internal memos; correspondence correspondence with artists; incident report re: warehouse alarm","Internal memos; correspondence; research/notes on show idea [fascinating committee work/proposals on how to revise Virginia artists shows] [mainly Woodward, Burke, Farago]","Proposals; form letters; notes","Advanced purchase program proposal; form letters; notes; invitation","Notes (Pinkney Near); research","Catalog copy; photocopies of photos","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Mailing lists; correspondence","Internal memos; invitation list","Invitation, 5 photos, slides; correspondence with visitors; internal memos; checklists; correspondence; clippings; drawing (installation); correspondence with lender; invitation list; IPR's; budget information; notes; research","Clippings","Invoices; research; correspondence with lenders; 1 copy of catalogue","Correspondence with lenders; research","1 invoice; research","Research","10 photos; correspondence with lenders; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Slides; 1 reel to reel audiotape","Correspondence with HHK; internal memos; correspondence with other institutions","Invoices; IPR's; internal memos","Correspondence with Attorney General; exhibition contract; facilities report","Two photos (not in exhibit); museum mailings; clippings; label copy; internal memos","Mailing, 1 photo; 12 new photos; internal memos; proposals, HHK materials; mailing copy; schedules; notes","Photos; checklists; internal memos; catalog copy; label copy","Slides; label proofs","Correspondence with Portland Art Association of Portland Art Museum (organizer); internal memos; exhibition contract","Four photos; shipping info \u0026 receipts; internal memos; correspondence with other institutions [mainly Allentown Art Museum]; invoices; notes; IPR's; research","Internal memos; purchase orders; correspondence with other institutions; research","\"Why We Commemorate\" by Armenian National Committee, invitation; 1 transparency; one copy of brochure; schedules; label copy; internal memos; clippings; Portland Art Museum materials; invoices; IPR's; correspondence with Turkish ambassador; Allentown materials; notes; checklists; correspondence with Binney","Invitation list; 1 copy of invitation","10 slides; 'Scribbler' Twombly clipping, mailing card; 3 photos; label copy; checklists; clippings; DIA Art Foundation materials (organizer); invoices; catalog copy","Internal memos; correspondence with Newport Harbor Art Museum (organizer); correspondence with speaker; correspondence with visitors; drawings (installation); exhibition contract; correspondence re: rescheduling","Slides; 6 photos; 12 duplicate photos; duplicates: mailing card, 2 clippings","Slides","Checklists; label copy; catalog copy","Notes; internal memos; drawing (installation); checklists; correspondence with Delaware Art Museum (Collection home)","Label copy; catalog copy; research","Mailing brochure, catalog; slides; 3 transparencies; 19 photographs; 1 negative; 6 duplicate photos; internal memos; press release; label proofs; clippings; Delaware materials","One photo; research; notes","Invoices; IPR's; check requests; internal memos; correspondence with vendors","Internal memos; clippings; correspondence with Delaware Art Museum; correspondence with lender; correspondence with visitors; correspondence with other institutions","Clippings; bulletin; internal memos; correspondence re: publications; catalog copy; label proofs; mailing brochure copy","6 photos (duplicate in Folder 20); 1 internal memo","Notes; research","Notes; checklists; loan agreements","Checklists","Correspondence; notes","Correspondence with Office of Attorney General; exhibition contract drafts; internal memos","Exhibition contract; internal memos; correspondence with DIA","Exhibition contract; budget information; correspondence with Philbrook; internal memos; loose material \u0026 notes re: 18th century prints of antiquity/archaeology","Photos; correspondence; internal memos; budget information; notes; schedule","Internal memos; IPR's","Internal memos; IPR's; \"Publicity Outline\" report","Schedules","\"A Loan Exhibition on Display at the Virginia Museum\"; internal memos","1 piece of correspondence with Fine Arts Museums of San Francisco","Correspondence; budget information; internal memos","Internal memos; budget info [info re: Council Anniversary Fund]; notes","Symposium brochure, 2 transparencies; 2 new transparencies","Correspondence with lender (Frank Raysor); internal memos","Notes; research","Correspondence with lender (NGA); checklists","Correspondence with lender (MFA Boston); checklists","6 photos; label copy; checklists; brochure copy; loan agreements; correspondence with lender (Raysor); research","Correspondence with PAFA (organizer) [Pennsylvania Academy of Fine Arts]; clippings; internal memos; invitation; PAFA materials","24 slides; negatives; 4 photos; 4 transparencies; 1 duplicate transparency; clippings; 1 poster","Correspondence with PAFA; invoices; IPR's; internal memos; 2 envelopes of material: 1) 14 photos, 2 duplicate photos; 2) 5 photos","6 photos; 10 duplicate photos; exhibition proposal from PAFA; envelope of PAFA materials","Internal memos; notes; guest list for opening","Invitation; internal memos; guest lists; notes","Internal memos; mailings; correspondence with speakers; script copy; correspondence with PAFA; schedules","One annotated copy of catalog; checklists; notes","Catalog proofs; notes","Correspondence with visitors; correspondence with lenders; correspondence with PAFA; internal memos; exhibition contract","Invitation, catalog; correspondence with PAFA; invoices; internal memos; invitation copy; checklists; label copy","Schedule of payments; consultants; responsibilities","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Corn; c.v.; notes","Correspondence with Wood; c.v.; notes","Correspondence with Davis; obituary and correspondence with wife after his death in 3/81; c.v.; notes; brochure for his book \"Intellectual Life in the Colored South\"","Correspondence with Williams; c.v.; notes","Checklists","One internal memo","One piece of correspondence with Robert Zimmerman (Baltimore Museum of Art); 2 blank travel vouchers with Zimmerman's signature \u0026 55#","Budget information; 2 invoices from Cumberland Art Conservation Center (Nashville)","Correspondence with Atlantic Van Lines; notes","Budget information; clippings \u0026 press materials related to Greek Vases","One internal memo re: promotion budget","One piece of correspondence with prospective intern; one index card with name","Correspondence with one musician; notes; scores; one internal memo re: NEA grant (denied); \"Writing Realistic Grant Budgets\" from Museum News","Interim report for NEH Grant","Correspondence with NEH; copy of grant administrator guidelines","Correspondence with Tormey re: advertising project for Philip Morris","Two blank requests; 1 complete request","Photos; [note: not all included in final exhibition]","Correspondence with various companies re: slide set duplication; invoices","Correspondence with various institutions re: potential bookings","Correspondence with institutions who declined a potential booking; internal memos","Clippings; one internal memo re: TVA","Correspondence with Coggins (Southern painting collector); correspondence with Berry-Hill Galleries re: exhibition of Coffins' collection","Correspondence with Wolfe re: possible lecture","List of proposed programs; [collection of internal memos from David Griffith inserted here]","Correspondence with American Heritage Publishing re: catalog; proofs; one internal memos \u0026 1 piece of correspondence re: Philip Morris","Brochure copy; internal memos; copies of other children's brochures","One phone message","Loan agreement; correspondence with lender (MESDA); artist worksheet","Loan agreement; correspondence with lender (Charleston Museum is lender); artist worksheet","Loan agreement; correspondence with lender (MESDA); notes; artist worksheet","Loan agreement; correspondence with lender (Muscarelle); conservation report; memo re: treatment; artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","Research; conservation report; artist worksheet","Correspondence with Wintherthur; artist worksheet; conservation reports","Loan agreement; correspondence with Club (lender); conservation bill","Correspondence with lender (Maria Tabb); artist worksheet; receipt","Correspondence with lender (NPG); research","Loan agreement; correspondence with VHS; research","Three photos; loan agreement; correspondence with NYPL","Loan agreement; copy of accession card","One photo; loan agreement; research; correspondence with Andrew Christian; condition report; artist worksheet","Correspondence with lender; artist worksheet; research","Correspondence with lender (Colonial Williamsburg)","Correspondence with lender (Pennsylvania Academy of Fine Arts); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","1 duplicate slide; correspondence with lender (Mordecai Square Historical Society); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","One photo; correspondence with lender (St. John's Lutheran Church, Charleston); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","13 slides; correspondence with lender (Hunter Museum of Art); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Two photos; correspondence with Cheekwood re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with Tulane re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","7 photos; correspondence with Ulrich re: damage; loan agreements; condition reports","Four photos; correspondence with Valentine re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with VHS re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Four photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos, 1 slide, 1 duplicate transparency; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","11 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","10 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 slide; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Two photos; condition logs; shipping information \u0026 receipts; loan agreements; correspondence","Invoices from Atlantic Van Lines","List of lenders; correspondence; Request for Travel Authorization forms; shipping information \u0026 receipts","Invoices; correspondence; internal memos","Clippings; correspondence; internal memos; shipping information","Correspondence; checklists; shipping information","Exhibition agreement; request for travel authorizations; correspondence; shipping information; loose pages – budget information 1 copy of catalogue; checklists; forms; correspondence","Checklists; correspondence with Tabb, Brockenbrough \u0026 Ragland","Invoices; purchase orders","Invoices; checklists; budget information","Invoices; checklists; budget information","Internal memo; receipts","Internal memos; checklists; correspondence","Correspondence; budget information; internal memos; invoices; budget reports; checklists","Checklists; correspondence; invitations; internal memos; NEA Grant draft; correspondence re: opening; correspondence with Philip Morris","Internal memos; correspondence; request for travel authorization; invoices; itineraries","45 slides; correspondence with Richmond Conservation Studio (reports) – Cleo Mullins; notes; loose notes: checklists, correspondence; notes","Three of the exhibition agreements","Two photos; artist's work sheet","Correspondence with Briggs re: reproduction","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; 2 slides; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 duplicate photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Selected bibliography copy","SEMC's 2nd annual meeting materials; Charleston materials; correspondence; request for travel funds","Correspondence with other institutions; checklists","Agenda; list of registrants","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Correspondence re: ball and other programming; photocopies of pictures","Correspondence \u0026 research re: possible trips","Notes","Correspondence re: books to sell in shop; loose papers re: guest curators","Schedule of payment; responsibilities","Biographical information; research; correspondence","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Budget information","Exhibition contract; internal memos; correspondence with MOMA","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","16 photos; invitations; correspondence","Internal memos; correspondence; budget information; IPR's; invitation copy; checklists; calendars","Correspondence; internal memos; invitation list; invoices","Clippings; correspondence; internal memos; correspondence with Forbes","Internal memos; correspondence with Forbes; IPR's; budget information; Kip Forbes' biographical information","Internal memos; checks; correspondence re: tapes","Internal memos \u0026 correspondence re: Acoustiguide","Research; Acoustiguide script","One photo; invoices; IPR's; internal memos","IPR's; correspondence with Forbes; checklists","Notes; internal memos; correspondence with Forbes; copy of 1947 Pratt announcement","Two photos","Internal memos","IPR; note","Research; program proposals; press release","Blank travel reimbursement vouchers with SSN's; meeting notes","Correspondence with Forbes mainly (also Council, conservator)","6 photos; 2 duplicate photos; guest book for visitors; correspondence from visitors; 1 copy of TVA \"Gin Game\" program; internal memos; research; clippings; IPR's; invoices; correspondence with Forbes","Weekly reports; Acoustiguide; cost reports; attendance reports","Article copy; loose book dust jacket","Checklist copy; checklist proof; loose bulletins, plus 1 piece of correspondence","Label copy; research","Label copy; label proofs","Correspondence with Forbes; correspondence with Acoustiguide; label copy; research","One photo; correspondence with CINOA; internal memos; correspondence with visitors; label copy; checklists with insurance values; clippings, invitation copy; schedules; installation drawing; budget information; correspondence re: opening; research; invoices","Internal memos","Three photos; publications catalog","Catalog copy","Correspondence with CINOA; foreword copy; checklists; internal memos","Correspondence with CINOA; internal memos","Correspondence with CINOA; clippings; notes; internal memos","Correspondence with CINOA; exhibition contract; notes; photocopies of photos of exhibition at Metropolitan Museum of Art","24 duplicate photos; 10 new photos","Correspondence; internal memos; invoices; notes; checklists [correspondence only with Kimbell]","Correspondence with Hunts; Collectors Circle invitation; clippins; checklists; internal memos","One photo; \"Ancient Art Shows Shifting Images\"; clippings; Kimbell materials, 1 copy of poster; attendance figures","Outline; correspondence with speaker; itineraries; invoices; internal memos","Two photos; copy of a review; correspondence with Kimbell; internal memos; Mayo essay copy; correspondence with Mayo; essay; reviews","Invitation; invitation copy; mailing lists; internal memos","13 slides; condition reports; correspondence with Getty conservator; correspondence with Kimbell; internal memos; research","Attendance figures","Correspondence with Kimbell; internal memos; checklists","2 photos; 19 photos; 3 drawings; checklists; purchase orders; internal memos; panel copy; label copy; correspondence with other institutions; invoices","Five duplicate postcards; correspondence with SITES (organizer); SITES material","Symposium brochure; correspondence with other institutions; correspondence with SITES; internal memos","Correspondence with Calouste Gulbenkian Museum (lender); internal memos; correspondence with IEF (organizer); IEF materials; correspondence with Lewises","Drawings (photocopies); correspondence; internal memos; checklists; label copy","Grant application (NEA); clippings; internal memos; IEF materials (including press release \u0026 fact sheet)","Exhibition contract; correspondence with Gulbenkian \u0026 IEF; internal memos","Label copy; label proofs; checklists","Correspondence between Ernst and Brown regarding being collector of the year (he declined); correspondence from Anne, which includes copies of correspondence between Lothar Griesbach (\"who edited Kirchner's Diary of Davos\") and Ernst regarding paintings the Fischers acquired before collecting Expressionists","Correspondence in the late 1970s between Pinkney and Ernst regarding his collection, including photocopies of pictures of the house taken when PN went to Frankfurt in 1976; correspondence in the mid 1980s between Pinkney and Anne regarding the museum","Typeset copy of Fred Brandt's interview with Mrs. Fischer, 32 pages","Typeset and annotated copy of Fred Brandt's interview with Simon and Fischer, 18 pages","Internal memos and correspondence regarding exhibition, including Anne to Fred, Perrot, and others","Internal memos and correspondence regarding exhibition, including Anne to Fred; correspondence between Simon and you regarding loan forms, checklist accuracy, and one photocopy of a handwritten document detailing the ownership of the collection","Internal memos and correspondence regarding the exhibition catalog","List of 27 questions for Fred's interview with Mrs. Fischer, in various forms; includes some of Fred's notes","Invitation","1 photo","Catalog","9 photos","Budget information; invoices; notes; correspondence \u0026 contracts for M.H. de Young (San Francisco) and Kimbell; notes; correspondence and invoices for author's contract","Budget information; internal memos","Correspondence; invoices; contracts for MOMA design \u0026 labor","Notes; internal memos; check requests","Brochure; internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; contract copy; correspondence with institutions; checklists","Internal memos; notes; installation drawing (copy)","Internal memos; label copy","Internal memos; attendance figures","Correspondence re: insurance","Internal memos; correspondence with Colin Morris; contract","Invoices; check requests; correspondence with institutions; internal memos","Brochure, press packet; Kimbell materials; invoices","Internal memos; correspondence with press; author C.V.'s; correspondence with authors; catalogue copy","Budget information; NEA report; internal memos","Label proofs","Internal memos; budget information; invoices; check requests; reports; catalogue copy (including checklist)","Photographs; correspondence with Trust for Museum Exhibitions (organizer); catalog copy (including checklist); 1 annotated copy of catalog","Checklists; correspondence with Trust for Museum Exhibitions; drawing (copy)","Correspondence with Trust; internal memos; correspondence re: Federal Indemnity Act; J.B. Speed materials","Internal memos; budget information; schedule","Contract; correspondence with Trust","Press release; press packet; label proofs; label copy; old correspondence with Cheek re: possible exhibition of his early Theatre drawings in 1987; internal memos; TVA materials; notes","Label proofs; clipping","Checklists; internal memos; clippings","Correspondence from visitors; internal memo re: opening","Invitation; checklist","Correspondence with IEF (circulator); contract; internal memos","Correspondence with Chester Beatty Library (organizer); correspondence with IEF; internal memos","Research","Empty folder","Five photos; IEF materials; research; installation drawing (copy); checklists; budget information; correspondence with IEF","Three photos; educational packet; SITES materials (circulator) including checklists; actual labels; internal memos; installation drawing (copy); invoices; study guide; 1 copy of brochure; 1 copy of mailing","Contract; correspondence with SITES; correspondence with Attorney General","Loan agreements; correspondence with lenders","Smithsonian mailer; internal memos; notes; clippings; correspondence; budget information; correspondence with SITES","SITES materials","8 photos; internal memos; invoices; correspondence with Craft Museum; brochure, \"Philip Morris and the Arts'; press release; craft materials","Internal memos; checklists; Craft Museum materials","Correspondence with Craft Museum; contract; invoices; internal memos","Internal memos; checklists; notes","Internal memos; correspondence with Mount Holyoke College Art Museum (organizer)","Internal memos; correspondence with Mount Holyoke; internal memos; invoices; correspondence with Attorney General; 1 copy of brochure","Internal memos; correspondence with Mount Holyoke; Mount Holyoke materials","One photo; internal memos; incident report; hygrometer readings; correspondence with lenders; correspondence with Art Gallery of Ontario (organizer); hygrometer information; piece of fabric; press kit; clippings; correspondence with Glasgow Library","Internal memo re: attendance; check copy","Internal memos; notes; correspondence with Glasgow","Contracts; internal memos; correspondence with institutions; correspondence with Attorney General; invoices","Drawings (copies); checklists; Ontario materials","Internal memos; correspondence with Ontario","Ontario materials","Checklists; Ontario materials; correspondence with Glasgow; budget information","1 photo; 1 new photo; invoices; budget information; correspondence; internal memos; 1 copy of Sept/Oct '88 Bulletin; checklists; clippings; drawings","Budget information; invitation; internal memo; label copy","Contract; correspondence with Center for African Art (organizer); correspondence with Attorney General","Catalog copy; catalog proofs; correspondence with Center for African Art","Research; article","Research; article","Research (copy of catalog article)","Label coy; research; correspondence with Center for African Art","Press release; CFAA materials; checklists","Label copy","13 photos; 2 duplicate photos","Clipping; internal memos; contract drafts; invoices; Bulletin copy; exhibition contracts","Correspondence","Correspondence","Correspondence","Two photos; contract drafts; press releases; correspondence with Attorney General","9 slides; 8 photos; drawings; invoices; correspondence with IMA [Indiana Museum of Art] (organizer); exhibition contract; catalog copy; checklists; press releases; internal memos; research; correspondence with Attorney General; 1 catalog/brochure","Checklists; notes; internal memos; correspondence with IMA; IMA materials","Label copy","21 slides; 1 transparency; 29 photos; other institutions' materials; correspondence with Philbrook (organizer); internal memos; Philbrook materials; checklists; label copy; mailing lists; Philbrook press packets; press releases","Contract; correspondence with Philbrook; internal memos","Correspondence with Philbrook; internal memos; budget information","6 photos; duplicates: brochure, invitation; media kit; internal memos; High Museum materials; Studio Museum poster; American Museum Association 1987 catalog; drawings; research","Checklists; label copy","Notes; label copy; label proofs","Internal memos","6 photos; press release (Philbrook); checklists; correspondence with AMA","Internal memos; correspondence with other institutions","Exhibition contract; correspondence with AFA \u0026 AMA","1 clipping; budget information","Internal memos; contract; correspondence; checklists","Contract; correspondence with Denver Art Museum (organizer); correspondence with Attorney General","Postcard mailing; 3 photos; internal memos; exhibition contract; drawings; 1 copy of 1990 Un/Common Ground prospectus","Contract; correspondence with Southeastern Center for Contemporary Art; AVirginia brochure","Internal memos; checklists; correspondence with SCCA; label copy; clippings; SCCA materials","1 copy of catalog; internal memos; checklists [George Cruger show]","Correspondence with Names Project; internal memos; media materials","One photo; internal memos; correspondence with Menil Collection; press releases; label copy; drawings; invoices; exhibition contract; checklists","Correspondence with Menil; label copy; internal memos; drawings; checklists, research","2 photos; checklists; label copy; internal memos; correspondence with Virginia Dept. of Education; artwork permission forms","Internal memos; invoices; correspondence with Philadelphia Museum of Art (lender)","7 photos; internal memos; invoices; label copy; press releases; budget information correspondence with Carter Collections' curator; correspondence with speaker","Internal memos; correspondence with Carter Collection; security system specs and drawings","Correspondence with MOCA Chicago (lender); label copy; internal memos; research","Internal memos; correspondence with BEST; checklists","Correspondence with AFA; drawings; AFA materials checklists; invoices; clipping","Mailing lists","Clippings; correspondence; research","Correspondence; correspondence with AFA; AFA materials","Label copy","Correspondence with AFA; research re: African dance","Correspondence; checklists; invoice","Internal memos; correspondence with AFA; correspondence with videographer and contract","Internal memos; research; events listing","Internal memos; correspondence with AFA","Internal memos; contract; budget information; invoices; correspondence with AFA","Notes; internal memos","Checklists; correspondence with AFA","Checklists; label copy","Checklists; correspondence with AFA","Checklists","Checklists","Empty folder","Clippings","Clipping","Label copy","Brochure; correspondence; budget information; drawings; mailing list","Internal memos; correspondence with LACMA (organizer); brochure copy","Correspondence with LACMS; contract; correspondence with Attorney General; research; budget information; correspondence with David Foundation","Two photos; internal memos; press release; checklist; correspondence with LACMA; correspondence with David Foundation","MIT mailer; internal memos; clipping; budget information","Contract; correspondence with MIT list Visual Arts Center (organizer); correspondence with Attorney General; internal memos","MIT materials (including checklist); correspondence with MIT; internal memos","Correspondence with MIT; internal memos","Two photos; 4 slides; internal memos; budget information; notes; checklist; drawings","Internal memos; checklists; correspondence with Laguna Art Museum (organizer); Laguna materials (including press release, clippings)","Correspondence with Laguna; contract; internal memos; correspondence with Attorney General","Checklist; correspondence with AIA; internal memos; correspondence with architects","Correspondence with Baskervill \u0026 Son; internal memos; checklists; label copy","Internal memos; correspondence with St. Catherine's (lender); checklists","Internal memos; budget information; label copy; catalog copy; invitation copy; clippings; biographical information; checklists","Internal memos; checklists; label copy; correspondence with Council; 1 copy of catalog","Label copy; checklists; internal memos","Checklists; notes; catalog proofs","Internal memos; budget information","Internal memos; checklists; label proofs; drawings; invitations","Internal memos; schedules; clippings; prospectus; press release; checklist proofs; drawings","Internal memos; budget information; correspondence with lenders","Internal memos","Press release; internal memos; invoices; mailer; contract; budget information","Panel \u0026 label copy \u0026 proofs; drawings","Internal memos; invoices; checklists; correspondence with lenders; budget information; clippings","Internal memos; press release; DIA materials (organizer); budget information; drawings; contract","Internal memos; correspondence with DIA; invoices; correspondence with Attorney General; checklists","Internal memos; correspondence with DIA; checklists","Exhibition contract; correspondence with DIA","Three photos; duplicates: clipping; clippings; internal memos; checklist; exhibition contract; invoices; correspondence with LACMA (organizer); 1 copy of Councillor (Spring '90)","Budget information; correspondence with LACMA","Clippings; internal memos","Internal memos","Mailing list for gala","Correspondence with LACMA; checklist","Mailers; internal memos; correspondence with LACMA; correspondence with lenders; LACMA materials; internal memos","Checklists","Checklists","Internal memos; drawings; schedules; correspondence with LACMA","Panel and label proofs","Label copy","Invoices; internal memos; layouts; meeting reports","Correspondence with Albemarle Farms; internal memos; clippings; invoices; press release; correspondence with Kluges; correspondence with conservator; drawings","Internal memos; clippings; correspondence with Philbrook; shipping information; budget information; drawings","Internal memos; drawings","Internal memos; checklists; correspondence with Virginia Department of Education","Guest book; notes; press release; drawings; invitation; clippings; internal memos; hygrometer readings; contract; correspondence with National Trust for Exhibitions (organizer)","Correspondence with Trust for Museum Exhibitions; internal memos; mailing list","Internal memos; drawings; sales records; script copy; correspondence","Usage statistics; tour schedules; internal memos; correspondence","Invitation; correspondence with Trust for Museum Exhibitions; 1 copy of CMA brochure; Acoustiguide materials (contract, usage statistics, correspondence); budget information; notes; internal memos; hygrometer readings; clippings; tour statistics","Publications' materials (including schedules \u0026 drafts \u0026 copy); internal memos; 1 copy of honor roll card","Correspondence with Trust for Museum Exhibitions; correspondence with lenders; internal memo","Internal memos; correspondence with Trust; drawings; checklists","Contracts; correspondence with Trust; internal memos","Internal memos; correspondence with Trust; scripts; narrator biographical information; tour lists","27 slides; press release; drawings; invoices; label proofs; correspondence with Walter Art Center (organizer); Walker materials; internal memos; brochure","Internal memos; correspondence with Walker; Walker materials","Exhibition contract; internal memos; correspondence with Walker; checklists; invoices","Slides; internal memos; label copy; invitation copy; Art Services International materials; correspondence with Terra (another venue); correspondence with ASI; notes; budget information; correspondence with Maier; checklists; research; contract; 1 copy of invitation","Internal memos; budget information","2 photos; label copy; correspondence with Royal Collection; hygrometer readings; attendance figures; clippings; drawings; budget information; contract; correspondence","Internal memos; correspondence; correspondence with Embassy; 1 copy of invitation; correspondence with Kimbell (another venue); correspondence with Royal Collection","Invoices; internal memos; correspondence","Empty folder","Photographs; internal memos; invoices; correspondence with Royal Collection; hygrometer readings; checklists","Correspondence with Royal Collection; checklists; internal memos; label proofs","Xeroxes of photos","Correspondence with Royal Collection; label copy","Contracts; internal memos; correspondence with Kimbell; correspondence with Royal Collection","Invoices; internal memos; correspondence; correspondence with Royal Collection; checklists","Internal memos; label copy","Panel and label proofs; checklists; internal memos","Internal memos; George Eastman House materials (organizer); correspondence with GEH; invoices; exhibition contract","30 slides; 6 duplicate slides; invitations; exhibition contract; internal memos; correspondence with Dallas (organizer); checklists; Dallas materials","Internal memos; drawings","Drawings; internal memos; correspondence with Dallas; checklists; label copy","Internal memos; correspondence with Dallas; checklists; publications copy","Brochure; internal memos; press releases; invitations; clippings; publications copy","Internal memos; checklists; other institutions' materials","High Museum press kit; brochure; docent training packet; 5 ¼\" floppy with labels","Internal memos; label copy; correspondence with institutions","Panel \u0026 label proofs \u0026 copy","Internal memos; panel \u0026 label proofs; press release; correspondence with Virginia Department of Education; checklists","Internal memos; layout","One slide; duplicates: brochure, checklists, 2 summaries; St. Petersburg Museum of Fine Arts press kit; press release; internal memos; exhibition contract; correspondence with St. Petersburg; correspondence with Attorney General","Budget information; drawings; internal memos; correspondence with St. Petersburg; research; label proofs \u0026 copy","Correspondence with St. Petersburg; invitation; internal memos; correspondence with Belmont","Internal memos; brochure; invitation; St. Petersburg materials; research","Label \u0026 panel proofs \u0026 copy; correspondence; invoice","Internal memos; checklists; label \u0026 panel proofs \u0026 copy","Internal memos; correspondence with sponsor; label \u0026 panel proofs; other catalogs; research","One photo; catalog; NSAL materials; research, correspondence with NSAL; internal memos; checklists; loan agreements; 1 copy of \"The Luxury of Tears\" – winning stories from NSAL competition; publications copy","Panel, label \u0026 catalog proofs \u0026 copy","Four photos; invoices; internal memos; correspondence with Rijksdienst; loan agreement","Three photos; internal memos; correspondence with Rijksdienst; label proofs","Correspondence with UVirginia re: possible showing; drawing","Checklists; drawing; catalog copy","Internal memos; Bayly label proofs; drawings; correspondence with Bayly; checklists","Clippings; internal memos; notes; invoices; panel copy; checklists; research","Invitation; internal memos; invoices; budget information; contract; layouts; correspondence with other institutions; exhibition proposal","1989 catalogue; checklists; label proofs; drawings; correspondence with Council","Brochure; guidelines; internal memos; drawing; invitation","Checklist","Checklists; internal memos","Correspondence with Council; drawings","Checklists; internal memos; correspondence with Council","Six photos; internal memos; layouts; checklists; brochure","Brochure; 40 slides, photographs; internal memos; drawings; correspondence with Trust for Museum Exhibitions (circulator); checklists; Trust for Museum Exhibitions materials; Trust press kit; panel \u0026 label proofs; exhibition contract","Internal memos; correspondence with Trust; invoices","Invoices; internal memos; correspondence with Trust; clippings; checklists","Exhibition contract; invoices; internal memos","This series is comprised of information regarding general exhibition management. Information may include correspondence, exhibition schedules and programming, long term planning, potential partnerships with other organizations, exhibition committees, couriers, grant applications, protection of artwork, collectors, and reports. Files on potential exhibitions conceived by the museum but never presented are also included.","This series is comprised of information on gallery renovations, installations, reinstallations, fire suppression studies and hazard analyses, storage policies, and other related buildings and grounds files.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections","English \n.    "],"unitid_tesim":["RG-23","/repositories/2/resources/355"],"normalized_title_ssm":["Records of the Exhibitions Department (RG-23)"],"collection_title_tesim":["Records of the Exhibitions Department (RG-23)"],"collection_ssim":["Records of the Exhibitions Department (RG-23)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Virginia Museum of Fine Arts"],"creator_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts"],"creators_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["193.0 Linear Feet 265 boxes"],"extent_tesim":["193.0 Linear Feet 265 boxes"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. \u003c/p\u003e\n","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.\u003c/p\u003e\n","\u003cp\u003eSeries 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","Series 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 4 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series. The collection is minimally processed, so folder arrangement, titles, or dates are subject to change if additional processing occurs.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1936-2012, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eExhibitions Management, 1936-2015, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eCollections Management, 1977-2004, undated [RESTRICTED]\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eGalleries, 1977-2004, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 4 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series. The collection is minimally processed, so folder arrangement, titles, or dates are subject to change if additional processing occurs.","Series 1 Exhibition Files, 1936-2012, undated Series 2 Exhibitions Management, 1936-2015, undated Series 3 Collections Management, 1977-2004, undated [RESTRICTED] Series 4 Galleries, 1977-2004, undated"],"bibliography_html_tesm":["\u003cbibref\u003eMany of the museum's exhibitions have published catalogs, which can be found in the Library's catalog \u003ca href=\"http://www.pandora.vmfa.museum/\"\u003ePandora\u003c/a\u003e or in the Archives \u003ca href=\"https://archives.vmfa.museum/repositories/2/resources/57\"\u003eCatalog Collection (PB-01)\u003c/a\u003e. \u003c/bibref\u003e","\u003cbibref\u003eFor each exhibition held at the museum, the Archives has a vertical file which may include announcements, clippings, press releases, brochures, reviews, invitations, small exhibition catalogs, and other ephemeral material. \u003c/bibref\u003e","\u003cbibref\u003e Some early exhibition records are found in the Archives \u003ca href=\"https://archives.vmfa.museum/repositories/2/resources/44\"\u003eDirector's Correspondence (RG-01)\u003c/a\u003e and curators often created their own exhibition records which are found in the Archives \u003ca href=\"https://archives.vmfa.museum/repositories/2/resources/24\"\u003eCuratorial Collection (RG-03)\u003c/a\u003e.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library and Archives"],"bibliography_tesim":["Many of the museum's exhibitions have published catalogs, which can be found in the Library's catalog  Pandora  or in the Archives  Catalog Collection (PB-01) . ","For each exhibition held at the museum, the Archives has a vertical file which may include announcements, clippings, press releases, brochures, reviews, invitations, small exhibition catalogs, and other ephemeral material. "," Some early exhibition records are found in the Archives  Director's Correspondence (RG-01)  and curators often created their own exhibition records which are found in the Archives  Curatorial Collection (RG-03) ."],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Exhibitions Department through periodic deposits.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Exhibitions Department through periodic deposits."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Exhibitions Department (RG-23). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of the Exhibitions Department (RG-23). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally processed from June through August 2011, and then reprocessed in 2016. During processing, non-permanent materials such as copies of meeting minutes, routine correspondence, copies of invoices, departmental budgetary information, and declined exhibition proposals were destroyed according to VMFA's Records Retention and Disposition Schedule. Periodicals, books, and exhibition catalogs were transferred to the Library's collection. All files before 1980 were rehoused in new archivally sound folders. Original folder titles were generally retained, when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally processed from June through August 2011, and then reprocessed in 2016. During processing, non-permanent materials such as copies of meeting minutes, routine correspondence, copies of invoices, departmental budgetary information, and declined exhibition proposals were destroyed according to VMFA's Records Retention and Disposition Schedule. Periodicals, books, and exhibition catalogs were transferred to the Library's collection. All files before 1980 were rehoused in new archivally sound folders. Original folder titles were generally retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1936-2015, with the bulk of the material dating from 1979-2004. The collection is comprised of correspondence, exhibition schedules, budgets, grant applications, photographs, object lists, notes, collection statements, planning documents, project files, policies, loan arrangements and decisions, and other materials.\u003c/p\u003e","\u003cp\u003eThis series is comprised of information regarding exhibitions that were held at the VMFA. Files may include correspondence, schedules, contracts, photographs and slides, installation drawings and procedures, label and catalog text, budgets and invoices, insurance, venue information, and publicity.\u003c/p\u003e","\u003cp\u003eEntry card with tear-off for back of work; catalog; announcement\u003c/p\u003e","\u003cp\u003eCopies of checklists, shipping lists and prices (for sale); exhibition circulated by Art Institute of Chicago\u003c/p\u003e","\u003cp\u003eCatalog; packing list with values, 2 different ones\u003c/p\u003e","\u003cp\u003eProspectus of season, 1937-1937; large typed, spring bound copy of annotated text for inaugural exhibition catalog containing: catalog of paintings in the Museum, budget materials for exhibition, timeline of early Museum, all types of exhibition materials, gallery layout and drawings\u003c/p\u003e","\u003cp\u003eInvitation; copy of Strause Collection catalog; 1936-37 prospectus of program; 1958 letter between Muriel Christison \u0026amp; Oscar Lang of Minneapolis re: Strause exhibition\u003c/p\u003e","\u003cp\u003eEntry blank; prospectus/rules; catalog/ invitation/mailing label; submission tag; generic letter for Virginia photo clubs or possibly for shops to request submissions\u003c/p\u003e","\u003cp\u003eInvitation; catalog; inventories from the exhibition; catalog copy; copy of foreword (typed); letter from Margaret May Dashiell who loaned items; lots of correspondence from all over the country; lists of sponsors\u003c/p\u003e","\u003cp\u003eExtensive correspondence regarding memorial committee and its purchase of a memorial; his works; and fundraising efforts; Colt was treasurer. The Committee also paid off all of the debts for Walker's illness, donations coming from across the country. Thank you letters in alpha order, hundreds of them, plus originals from donators; a few have copies of bookplates attached; original loan requests and replies; original Christmas card with Walker print of a home in Connecticut (1931) and a memorial card that he created in 1936\u003c/p\u003e","\u003cp\u003eInvitation; catalog; list of paintings from Burch and Schulze with dimensions\u003c/p\u003e","\u003cp\u003eInvitation; list of pieces to be shipped from Shearwater Pottery, with coding to indicate glazes\u003c/p\u003e","\u003cp\u003eCopies of inventories, plus amendment, text; mainly correspondence regarding loans including shipping receipts\u003c/p\u003e","\u003cp\u003eCatalog, entry card, invitation, announcement; 1 copy of 5th catalogue (1936); Colt's notes\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; catalog copy; checklists (some with prices)\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates: announcement, patron card (sent with invitation); correspondence with artist; shipping information and receipts; budget information; catalog proofs; schedules; invitation list; 1 copy of catalogue; list of sales\u003c/p\u003e","\u003cp\u003eInvitation; copies of inventories with insurance values; single copy of catalog\u003c/p\u003e","\u003cp\u003eNewspaper clippings; genealogical charts; typed copy of article, \"Colonel William Byrd of Westover,\" by Lucy Parke Byrd\u003c/p\u003e","\u003cp\u003eLetters of solicitation (ex.: one to O'Keeffe); shipping/return correspondence; correspondence with jurors (including Hopper) including discussion of invited artists list; rough draft of jury selection rules; correspondence with galleries (mainly in New York City) for artists to enter competition\u003c/p\u003e","\u003cp\u003eInvitation; card of admission; information request postcard; thank you card; entry card (regular-red); entry card (invited-orange); receipt card; announcement; rejection notification; list of 125 paintings invited and accepted; prospectus; jury memorandum; list of invited artists divided by gallery; list of deliveries for return of paintings\u003c/p\u003e","\u003cp\u003eHundreds of rejection forms with return shipment affirmation signed below (includes artist name and title of work)\u003c/p\u003e","\u003cp\u003eInvitation; World's Fair circular of information; list of paintings to be included; World's Fair circular of information (8 pages); Adele Clark and Leslie Cheek on panel for southern states; reports to Colt on state committees\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eCatalog; letter from Anne Moncure to Colt explaining pictures; typed copy of \"History of Ambler Family\" by J.J. Ambler, 1826; list of portraits; typed copy of catalog text; 4 photographs of portraits - Katherine, William, and St. George Moncure, grandchildren of Colonel John Ambler; Mary Cary, wife of Edward Ambler; Colonel John Ambler; wife of Dr. Peterfield Trent and his two daughters\u003c/p\u003e","\u003cp\u003eOne copy of catalog; list of paintings; 1 letter\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors\u003c/p\u003e","\u003cp\u003eCorrespondence with Committee of Virginia Artist Commission; correspondence with artists submitting models; rejection letter; shipping correspondence; invoices; correspondence with U.S. Department of the Interior, NPS, Fredericksburg; correspondence with Virginia Conservation Commission; Correspondence with Douglas Southall Freeman, Editor of the Richmond News Leader; correspondence with National Sculpture Society, Commission for the Arts, and Senator John Warwick Rust; loan of a portrait of Stonewall Jackson from Adler in NYC; correspondence with Leslie Cheek, the Sons of Confederate Veterans; news release; planning and invitations for the preview; correspondence with the United Daughters of the Confederacy and with Joseph Pollia, the winner\u003c/p\u003e","\u003cp\u003eEntry card; invitation to meet the jurors; invitation to preview of models; announcement; map of site; news release; list of members of Sculptors Guild; Pollia's curriculum vitae\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation, catalog; text of catalog with drawings of mock-up and list of drawings\u003c/p\u003e","\u003cp\u003eAnnotated catalogs of early shows, correspondence with Mrs. Holden, shipping information\u003c/p\u003e","\u003cp\u003eCatalog, invitation; typed biography in first person, list of paintings, curriculum vitae\u003c/p\u003e","\u003cp\u003eCorrespondence with Pan American Union in D.C.; Comisión Nacional de Bellas Artes; shipping information; correspondence with Governor; Department of State; national press (Time, New York Times, Town \u0026amp; Country, Antiques Magazine, Washington Post, United Press); copies of speech materials for guests at preview; letter from Emilio Pettoruti\u003c/p\u003e","\u003cp\u003eAnnouncement; banner; one catalog; solo copies of invitations to preview and meet the Ambassadors at the Commonwealth Club\u003c/p\u003e","\u003cp\u003eInventories with sizes, values and damages noted; customs forms; shipping information; annotated catalog\u003c/p\u003e","\u003cp\u003eCorrespondence, speech copy\u003c/p\u003e","\u003cp\u003eCorrespondence with L.B. Houff at the American Federation of Arts; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence with Klapperach; Argentine government participation; New York World's Fair 1939; speech copy; foreword copy; shipping information\u003c/p\u003e","\u003cp\u003eShipping receipts, packing lists; lists of addresses of sponsors, lenders, press, museums, invitation lists\u003c/p\u003e","\u003cp\u003eCorrespondence with Marval, Commissioner General of Argentine government; participation; shipping information; planning information; customs and sales information\u003c/p\u003e","\u003cp\u003eInvitation list; art critics list; memos; schedule of radio program and typed text; Commonwealth Club menu; speech texts\u003c/p\u003e","\u003cp\u003eInventories of paintings that would go from New York to San Francisco to Riverside Museum; correspondence with Museum about shipping; shipping receipts\u003c/p\u003e","\u003cp\u003eFreight bills; shipping receipts, correspondence with Treasury Department; customs forms, inventories with values\u003c/p\u003e","\u003cp\u003eCorrespondence with Alexander Weddell and J. A. de Marval\u003c/p\u003e","\u003cp\u003eOriginal mounted drawing by Leslie Cheek, Jr. for exhibition panels\u003c/p\u003e","\u003cp\u003eComments of the jury; award speech; copy of thank you letters; requests for catalogs, purchase information; publicity information; invitation lists; inventories; correspondence with artists; correspondence with jurors\u003c/p\u003e","\u003cp\u003eRejection letter; prospectus; \"an invitation,\"; invitation; receipt card; entry card (invited-yellow); entry card (regular-red); acceptance card; news releases; prospectus; catalog copy; comments of the committee; memos\u003c/p\u003e","\u003cp\u003eBound, typed list by gallery; inventories; correspondence with galleries and artists\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Mrs. De Marclay\u003c/p\u003e","\u003cp\u003eCorrespondence; checklist; shipping information\u003c/p\u003e","\u003cp\u003eOne copy of catalog; gallery layout; mailer text; catalog listing; biographical text; artist's statement\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with Adele Williams; inventories; biographical information; catalog text\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with Willingham; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; correspondence with Binford and lenders; shipping information; inventories with values; shipping information; gallery correspondence; catalog text\u003c/p\u003e","\u003cp\u003eInvitation; catalog; inventories, text copy, values, text of radio announcements/interviews; loan correspondence; galley proofs of label copy by Edward Davis\u003c/p\u003e","\u003cp\u003eInventory lists including insurance values; list of items by lenders; hundreds of shipping receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with galleries, dealers, and collectors/lenders; catalog proof\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy, curriculum vitae; copy of Colt's introduction\u003c/p\u003e","\u003cp\u003eCatalog; invitation; catalog copy; biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with Chrysler, Fox (curator), publicity people. Walter P. Sr. died in August of 1940, shipping and insurance information; inventories with values; opening plans; list of news and magazine articles (extensive)\u003c/p\u003e","\u003cp\u003eCocktail invitation; preview invitation; supper invitation; annotated proofs\u003c/p\u003e","\u003cp\u003eInventories; values annotated with van assignments (from NYC to Richmond \u0026amp; Richmond to Philadelphia); shipping and storage receipts and contracts; letter from Parke-Bernet in 1945 asking for prints as they were selling part of collection\u003c/p\u003e","\u003cp\u003eCorrespondence with Fiske Kimball, Director of Philadelphia Museum of Art re: shipping, insurance, inventories, division of cost\u003c/p\u003e","\u003cp\u003eInventories; radio program transcript; party list; invitations list; hostess list; timelines, schedules, memos, Leger came!\u003c/p\u003e","\u003cp\u003ePlan \u0026amp; prospectus re: showing his collection in South America; correspondence with Fox and Chrysler. Executive Committee turned it down\u003c/p\u003e","\u003cp\u003eOne copy of invitation and one copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy and proof; inventory with values; correspondence with Concetta; shipping information; correspondence regarding publicity; correspondence re: broken statue and payment\u003c/p\u003e","\u003cp\u003eCatalog copy; one invitation; one copy of catalog; biographical data\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with jurors; letters to publicity; correspondence with galleries; shipping information; list of awards; clippings; rejection postcard; one entry card; one catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Federal Works Agency; with institutions before (with Lyman Allyn Museum, New London, CT) and after (with Institute of Modern Art, Boston) traveling exhibition; invitation list; correspondence with Richmond Housing Authority, decision later in favor of Housing Authority in Norfolk instead of Boston\u003c/p\u003e","\u003cp\u003eCorrespondence with Riverside Museum, lenders; 1 invitation\u003c/p\u003e","\u003cp\u003eCorrespondence with Cincinnati Museum of Art, lender; installation; instructors; shipping information; news releases; invitations to college all over the state for preview; inventories; one invitation\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; biographical information; correspondence with Hattorf\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with artist; catalog copy; 1 catalog\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with artist; biographical information; catalog copy; letters to publicity\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; biographical information; correspondence with artist and gallery\u003c/p\u003e","\u003cp\u003eList/receipts of items taken by Henry P. Strause from VMFA; annotated lists of items deposited at VMFA from H.P.S. for loan exhibition; numerous warehouse receipts\u003c/p\u003e","\u003cp\u003ePennsylvania Society catalog (1933); inventories by artist with values; correspondence; research\u003c/p\u003e","\u003cp\u003eInvitation; research correspondence to locate miniatures (potential lenders); catalog copy\u003c/p\u003e","\u003cp\u003eReceipts; inventories; index cards with owner's name \u0026amp; address (some with date stamp)\u003c/p\u003e","\u003cp\u003eAll receipts (large quantity), some with 2 copies, some with correspondence, some with shipping receipt from mail\u003c/p\u003e","\u003cp\u003eCatalog copy; invitation list; correspondence with state planning board, 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. Myers, widow of the artist and Landgren, dealer for Newman; clippings, inventories with values; correspondence with Whitney, where Myers exhibition originated; correspondence with potential lenders for Newman; shipping information; insurance information; catalog copy; Invitation; annotated catalogs; Whitney catalogs; Knoedler catalog; loan/shipping receipts; invitation list; inventories with values; correspondence with publicity; catalog copy; inventories by institution\u003c/p\u003e","\u003cp\u003eInvitation; proof of catalog; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with artists, both accepted and rejected; shipping information; correspondence regarding damage, (notation at bottom of letters in unusual style, coding maybe)\u003c/p\u003e","\u003cp\u003eBound pages from gallery trip to NYC and consequent invited artists list; correspondence with galleries; letters to invited artists; shipping information \u0026amp; receipts; correspondence with jury, (Charles Burchfield declined but raved about it; George Grosz declined with a beautiful signature.)\u003c/p\u003e","\u003cp\u003eAll regret letters, signed by artist/agent/owner, and returned to VMFA (hundreds of them); some with handwritten notes, (H.P. Sargeant very upset.)\u003c/p\u003e","\u003cp\u003eInvitation; entry card (invited-yellow); entry card (regular-white); \"Good and Bad News Night\" (yellow trifold); prospectus; acceptance card; rejection card; memo for the evening; news release (3/3/42); annotated catalog with prices; correspondence with hosts; speech copy; news releases; list of artists by state; inventories; jury comments; values on inventories\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; biographical information; catalog copy; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; catalog copy; correspondence at sales; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eInvitation; first exhibition to include correspondence from Mrs. Pollard; inventories, correspondence; invitations; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence with Museum of Modern Art that was circulating exhibition; shipping information; contract; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eCorrespondence; invitation; Lenox catalog; a few Mint Museum catalogs; correspondence with artist; inventories; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence; guest lists; inventories with values; Commonwealth Club menu; catalog copy; shipping information; black and white photo of \"Boys\"\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; letters from Theresa Pollak; inventories with prices; shipping information; biographical information; reimbursement request; copy of bulletin\u003c/p\u003e","\u003cp\u003eCatalog; inventories with artist biographies (ie: partially or congenitally blind, age); correspondence with originator (Lowenstein); traveling loan contract; critics' statements\u003c/p\u003e","\u003cp\u003eSan Francisco Art Association bulletins; correspondence with artist; inventories; invitation; catalog; shipping information; catalog copy; various Artists' Guild of Washington materials (he was President)\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; inventories with values and receipts\u003c/p\u003e","\u003cp\u003eInvitation; clipping on his death; correspondence\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; catalog proof; various other catalogs \u0026amp; announcements; correspondence with vendors; shipping information\u003c/p\u003e","\u003cp\u003eClipping; correspondence with lenders; shipping information\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; inventories with values; biographical information; catalog copy; 1 copy of catalog and invitation.\u003c/p\u003e","\u003cp\u003eRadio broadcast transcript; catalogs of other show; clippings (both from Cincinnati Museum); MFA Boston materials; catalog copy; invitation lists; correspondence; MFA Boston catalog; VMFA catalog and proof; shipping information from Boston; inventories\u003c/p\u003e","\u003cp\u003eCorrespondence; shipping information; annotated catalog; radio transcript; insurance information\u003c/p\u003e","\u003cp\u003eAnnouncement (trifold); 1 catalog; correspondence; catalog proof; inventories with prices; catalog copy; jury correspondence; correspondence with publicity; shipping information; 1 invitation\u003c/p\u003e","\u003cp\u003eInvitation; catalog proof; 1 letter\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; correspondence with artist; inventory with prices; 1 catalog\u003c/p\u003e","\u003cp\u003eCatalog; invitation; correspondence; research; shipping information; catalog proof; catalog copy\u003c/p\u003e","\u003cp\u003eArticle; correspondence with American Federation of Arts; inventory with values; other catalogs; loan agreement; shipping information; research; installation drawing; clipping; transcript of lecture on Chinese painting\u003c/p\u003e","\u003cp\u003eAnnouncement; photographs of winners; correspondence; ArtNews issue (October 1-4) 1943; inventories with prices\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; clipping; correspondence; research; RISD \"Museum Notes,\" 1943; shipping information\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; correspondence; inventory with price list\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with other museums; itinerary copy; research; catalog copy; inventories with prices; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence (mainly with Metropolitan Museum of Art)\u003c/p\u003e","\u003cp\u003eCorrespondence (mainly with Metropolitan Museum of Art)\u003c/p\u003e","\u003cp\u003eInventories; correspondence; shipping information\u003c/p\u003e","\u003cp\u003eInvitation; news release; correspondence; correspondence with publicity and with lender (UVirginia)\u003c/p\u003e","\u003cp\u003eInvitation; catalog proof; other catalogs; correspondence; correspondence with lecturer; correspondence at preview; correspondence with publicity; loan correspondence \u0026amp; requests; shipping information; research on pieces; catalog copy; inventories; catalog; loan forms; annotated catalog; shipping receipts\u003c/p\u003e","\u003cp\u003eCatalog; invitation; invitation list; correspondence; catalog copy; inventories with values; shipping information; insurance information\u003c/p\u003e","\u003cp\u003eCatalog correspondence; clippings; catalog copy; speech copy; inventories with publication date; correspondence with lenders and publicity; shipping receipts later too (1956)\u003c/p\u003e","\u003cp\u003eProspectus; annotated catalog; catalog copy; shipping list; inventories with prices\u003c/p\u003e","\u003cp\u003eCatalog; news releases; fact checking cards; bound copy of lists by dealer; clippings, voting information; invitation; catalog proof; timeline; prospectus copy; correspondence; artists' c.v.'s; dealer catalogues and correspondence; inventories with values; transcripts of publicity; speech notes; catalog copy; lists of accepted and invited artists (Virginia separate); shipping information and receipts; correspondence with publicity; correspondence with jury; prospectus\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; biographical information; catalog copy; inventories with prices\u003c/p\u003e","\u003cp\u003eCatalog; announcement\u003c/p\u003e","\u003cp\u003eAnnouncement; catalog; invitation; catalog copy; lecturer c.v.; lists of institutions; list of works by institution; label copy; annotated catalog; inventories with prices; correspondence with institutions; correspondence with jury; shipping information\u003c/p\u003e","\u003cp\u003eAnnotated catalog; correspondence with artist; inventory; research; gallery layout diagram; price list; 1 catalog\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Netherlands Information Bureau; other catalogs; checklists; shipping information \u0026amp; receipts (from before \u0026amp; after museums; correspondence with ambassador who spoke; lecture text; 1 copy of handwritten invitation to dinner with Governor Darden\u003c/p\u003e","\u003cp\u003eCatalog; 1 invitation; correspondence with artist; inventories; catalog copy; price information\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; correspondence; copies of \"Information Bulletin: Embassy of the Union of Soviet Socialist Republics\"; loan requests (including A La Vieille Russie); traveling exhibition contracts; shipping information and receipts (with before and after museums); inventories; other catalogs; price information; loan forms; annotated catalogs; original copy of \"The Schaffer Collection of Authentic Imperial Russian Art Treasures\"; correspondence with Ray Schaffer and others at ALVR regarding exhibition arrangements (no mention of Pratt) and damage to Faberge topaz vase\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with National Gallery (lender); insurance values and contracts; shipping information and receipts; gallery layout; catalog copy; research; loan requests\u003c/p\u003e","\u003cp\u003eCorrespondence from Davis, the VMFA Curator, with lenders to the exhibition with last names beginning with A-H; proof of article by Davis in Commonwealth Magazine; copy of text of article\u003c/p\u003e","\u003cp\u003eCorrespondence from Curator Davis and sometimes the Director with lenders to the exhibition with last names beginning with I-Z; copy of information releases re: survey\u003c/p\u003e","\u003cp\u003eCorrespondence with National Gallery Director (they had an exhibition at the same time); correspondence with Weddell (exhibition did not take place); copies of letters sent to the executive committee to explain decision\u003c/p\u003e","\u003cp\u003eCopies of plan; correspondence with Weddell re: all the research that went into the aborted exhibition; correspondence with Mexican museums; Mrs. Whitman's reports on artists and museums' holdings\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders \u0026amp; galleries; inventories with prices; shipping information and receipts (loans before and after)\u003c/p\u003e","\u003cp\u003eCopies of labels on prints from National Gallery; inventory and instructions; shipping information (both before and after)\u003c/p\u003e","\u003cp\u003eCivilian Open Air Art Sale announcement; copy of \"War Art: A Catalogue of Paintings Done on the War Fronts by American Artists for Life,\" including Barse Miller and Paul Sample; catalog copy; inventories; copy of \"Traveling Exhibitions,\" catalog by the AFA's National Exhibition Service; correspondence; 5 photographs of items in exhibit; copy of catalog, \"Art Exhibition by Men of the Armed Forces\"; shipping information and receipts; exhibition agreement; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCopies of shipment return forms for paintings not chosen for 4th Biennial of Contemporary Art, many with comments, signed by artist/agent; inventory of paintings in the show\u003c/p\u003e","\u003cp\u003e3rd Biennial prospectus (printed); 4th Biennial prospectus (typed); announcement of College Art in Virginia; prospectus copy (4th Biennial, Virginia Artists and Library bookplate); copy of Corcoran's prospectus (annotated); old 3rd Biennial prospectus (annotated); letter from Thomas Colt\u003c/p\u003e","\u003cp\u003eShipping information and receipts to lenders; correspondence with Worcester Art Museum and other museums; insurance values; correspondence with lenders attached\u003c/p\u003e","\u003cp\u003ePress release copy; inventories by institution; correspondence with lenders; insurance values; shipping information and receipts; loan requests; book purchase requests\u003c/p\u003e","\u003cp\u003eInvitation, catalog; catalog copy; correspondence; more shipping information and receipts; correspondence re: damages; annotated catalog\u003c/p\u003e","\u003cp\u003eLoan forms and receipts\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with artists; catalog copy; inventories; annotated catalog; prices; shipping information and receipts; sales information\u003c/p\u003e","\u003cp\u003eCorrespondence with rug dealer; research; catalog copy; shipping information and receipts; annotated catalog; gallery layout; copies of things donor (H. Michaelyan) wrote; inventories with prices\u003c/p\u003e","\u003cp\u003eAnnouncement/prospectus; typed press release; correspondence with artists; correspondence with jurors; invitation lists; correspondence to get more armed services men; list of entrants; catalog copy; one copy of entry card; one copy of catalog\u003c/p\u003e","\u003cp\u003eCatalog; catalog copy; gallery layout; inventories; catalog proof; correspondence with jury\u003c/p\u003e","\u003cp\u003eInvitation; exhibition contract; correspondence; gallery layout; invitation list; another list for even with Spanish speaking Luncheon Club; list of architects; press release copy; installation list from MOMA\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with possible lenders; lists of possible loans; ended up taking British-American Goodwill Exhibition; shipping information and receipts; inventories; budget figures\u003c/p\u003e","\u003cp\u003eCatalog; one invitation; correspondence with author; list of invitations; 1 photograph of \"Red Still Life\"\u003c/p\u003e","\u003cp\u003eCorrespondence between curator and potential lenders; correspondence with institutions and churches\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; correspondence re: damages; catalog copy; one catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; correspondence re: damages (including 2 photographs)\u003c/p\u003e","\u003cp\u003eCorrespondence re: genre painting; exhibition; some from lenders, some not; some including photographs\u003c/p\u003e","\u003cp\u003eInvitation list; correspondence with invitees to the 19th century genre preview; folder of handwritten notes re: genre; handwritten research; typed research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (DIA); inventories with values; shipping information and receipts; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence with possible lenders (including 1 photograph from lender); research\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; correspondence with artist (Colt is back!); inventories; sales information\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eStenographers pad with notes from NY Gallery/dealers' visits; preliminary lists; final lists; correspondence with galleries; correspondence with invited artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eContracts with Budworth on shipping; correspondence with jurors; correspondence with Budworth; inventories with values and locations\u003c/p\u003e","\u003cp\u003eEntry card: yellow (invited), regular (orange), good and bad news night (yellow-trifold), inclusion card; typed summary information; typed list of artists; teacher invitation (yellow); annotated catalog with prices; inventories by state; full catalog copy; list of Virginia artists; form letter to art teachers\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers; clippings; other catalogs; correspondence with jury; award list; award letters to dealers and press\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; list of recipients of entry cards and prospectus for distribution (art organizations, museums, dealers, etc.) and letters to them; letters to press; entry card copy; thank yous for sending out cards (n.b.: all lists of artists sent to/from dealers, museums, etc., were removed)\u003c/p\u003e","\u003cp\u003eLetters confirming receipt of paintings returned, both those selected and those not; many with comments, less shipping complaints!\u003c/p\u003e","\u003cp\u003eHundreds of requests for entry cards\u003c/p\u003e","\u003cp\u003eHundreds more requests for entry cards\u003c/p\u003e","\u003cp\u003eInvitation; catalog; invitation copy; catalog copy\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; invitation copy; correspondence with Virginia World War 2 History Commission; inventory with prices; invitation list; catalog copy; letters to press; annotated catalog; correspondence with lenders\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with lender, Philadelphia Museum of Art; inventory; copy of the Richmond Times-Dispatch article; correspondence with potential lenders; copy of the Philadelphia Museum bulletin and Atwater Kent Museum bulletin\u003c/p\u003e","\u003cp\u003eCatalog; invitation; correspondence with artist; correspondence with lenders; shipping information and receipts; inventories with values; invitation list; catalog copy, correspondence with wife Rosalie re: her photographs\u003c/p\u003e","\u003cp\u003eShipping receipts; catalog copy, correspondence with lenders; list of invitees; invitation\u003c/p\u003e","\u003cp\u003eRecent Additions to the Upjohn Collection, catalog of collection; correspondence with dealer (Midtown Galleries); shipping information and receipts (both before and after); invitation\u003c/p\u003e","\u003cp\u003eCatalog; invitation; catalog copy; catalog proof; correspondence with potential lenders; text of broadcast calling for paintings; shipping information and receipts; research (Davis)\u003c/p\u003e","\u003cp\u003eInventories with values; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; shipping information and receipts; inventories\u003c/p\u003e","\u003cp\u003eResearch; correspondence with furniture manufacturers; invitation copy; inventories; correspondence with Metropolitan Museum of Art and MOMA (main lenders); correspondence with Leslie Cheek, Jr. at Architectural Forum!; shipping information and receipts; catalog copy; letters to press (photograph of chair from Dubar, but not included in exhibition)\u003c/p\u003e","\u003cp\u003e\"Notice to Virginia Artists\"; requests for entry blank; correspondence re: late entries; returned fees, etc.\u003c/p\u003e","\u003cp\u003eAcknowledgement letters; press release; SSAL Bulletin (Summer 1947) (more of these later); inventories by state (jury picks); correspondence with artists, jurors and SSAL; breakdown of entry cards by place; lists of artists eligible for submission; entry cards of pieces bought or withdrawn; biographical notes on winners\u003c/p\u003e","\u003cp\u003e24th Annual Convention program; catalog Virginia Art 1947; Southern Art 1947; invitation; entry card; SSAL membership blank; received card; rejection card; convention program copy; Southern art catalog copy; Virginia art catalog copy; catalog of 26th SSAL exhibition at the High; correspondence with SSAL; correspondence with jurors; list of works accepted (Virginia artists); old convention program; more SSAL bulletins; correspondence with artists re: 8 paintings that were vandalized; correspondence re: prizes; correspondence re: sales\u003c/p\u003e","\u003cp\u003eInvitation; catalog proof; announcement from Camera Club; correspondence with artists; invitation copy; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; loan agreements; memo to staff re: handling of paintings; shipping information and receipts; inventories with insurance value\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders by lender; inventories\u003c/p\u003e","\u003cp\u003eCatalog; museum attendance card (9/3/47); correspondence with press; research; correspondence with lenders; shipping information and receipts; Budworth contracts; catalog copy; press releases; inventories; clippings\u003c/p\u003e","\u003cp\u003eInvitation, American Commission brochure; shipping information and receipts; correspondence with lenders, AFA; loan forms; catalog copy; inventories with values\u003c/p\u003e","\u003cp\u003eShipping information and receipts; catalog of exhibition; inventories; catalog copy; research; correspondence with AFA and AFRIM; label copy\u003c/p\u003e","\u003cp\u003eInvitation; invitation copy\u003c/p\u003e","\u003cp\u003eCorrespondence re: shipping and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Louvre and other institutions re: original Louvre collection not being available; 5 museums trying to do alternate French exhibition from dealers/galleries and some from Louvre; unknown outcome; ArtNews was involved too; trying to use a story in lieu of a catalog\u003c/p\u003e","\u003cp\u003eCatalog; correspondence; clippings; sale information; text of lecture\u003c/p\u003e","\u003cp\u003eInvitation copy; catalog copy; correspondence with artists; inventories; invitation to lecture; 1 catalog; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; copy of Time (1/26/48), article on pages 47-48\u003c/p\u003e","\u003cp\u003eMiscellaneous exhibition-related correspondence re: one mis-shipment to VMFA, most re: exhibition offers and programming\u003c/p\u003e","\u003cp\u003eIndex cards with lenders and item; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders (denials)\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with press; correspondence with Mrs. Catesby; invitation copy; correspondence with Lurçat; typed article on Jones; preview invitation lists and replies; catalog requests; radio press release copy; typescript copy of \"A Letter to A Friend on Modern Art,\" by T. Catesby Jones; typescript copies of all of his writings, incorporated into catalog; catalog copy\u003c/p\u003e","\u003cp\u003eProspectus; shipping information and receipts; correspondence with press; checklist with insurance values; loan requests for paintings in exhibition; list of artists to whom they sent biographical questionnaires\u003c/p\u003e","\u003cp\u003eProspectus; correspondence with medal winners; correspondence re: sales; list of artists by state; submission statistics by state; statistics tally sheets (one per state); correspondence with press\u003c/p\u003e","\u003cp\u003eCopy of La Revue Moderne magazine (July 1947) from artist Wilma Prezzi who was featured in magazine but declined to submit; correspondence with artists, answering questions; comments from artists re: submission vs. invitation, etc.; shipping information and receipts; correspondence with galleries; requests for entry cards; correspondence re: Pepsi Cola Southern Regional Competition in Richmond (artists could specify that if work was not accepted, it could go to Pepsi exhibition)\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence with dealers; valuation information; shipping information and receipts; lists of invited artists (by name, by agent/organization, some with annotated values)\u003c/p\u003e","\u003cp\u003e\"Arrangements for the Jury\"; shipping information and receipts; correspondence re: jurors; correspondence with jury\u003c/p\u003e","\u003cp\u003eInvitation; rejection card; entry card (pink); entry card – invited \u0026amp; acceptance card (yellow); annotated invitation (5th Biennial); prospectus copy; annotated entry cards and prospectus (5th Biennial); invitation copy; catalog copy\u003c/p\u003e","\u003cp\u003eRejection letter; prospectus\u003c/p\u003e","\u003cp\u003eSigned rejection letter; receipts, some with comments - catalog request, why receipts request, or badly packed\u003c/p\u003e","\u003cp\u003eRequests for entry cards (mainly from artists), a few with replies\u003c/p\u003e","\u003cp\u003eRequests for entry cards (mainly from artists), a few with replies\u003c/p\u003e","\u003cp\u003e2 photographs (lamp and manuscript); list of objects lent by The Jewish Museum in NY; correspondence with The Jewish Museum; lists with values; clipping; catalog copy\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with potential lenders and potential advisors; invitation letter; correspondence with The Jewish Museum; shipping information and receipts; clippings [no catalog made]\u003c/p\u003e","\u003cp\u003e\"The Common Glory\" Poster Project; correspondence with Virginia Conservation Commission; exhibition information (typed); entry lists by high school; tea information; shipping information and receipts [all from Mrs. Muriel Christison]\u003c/p\u003e","\u003cp\u003eOriginal pencil drawing plus blueprint copy of drawing by Leslie Cheek, Jr., for outside signpost for exhibition\u003c/p\u003e","\u003cp\u003eCatalog; shipping information and receipts (loan from Philadelphia Museum of Art); correspondence with Philadelphia; list of Richmond artists to be added to exhibition; label copy for Richmond artists; correspondence with selected artists in exhibition; checklists from Philadelphia\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; research correspondence; lists of photographs with values\u003c/p\u003e","\u003cp\u003eOriginal drawings and one blueprint copy of exhibition signage, exhibition labels, and gallery layout\u003c/p\u003e","\u003cp\u003eChecklist (one portion circulated by MOMA); shipping information and receipts; correspondence with MOMA; membership lists cf: Virginia Chapter of AIA, Home Builders Association of Richmond, Richmond Real Estate Exchange; exhibition contract; 1 invitation; preview invitation letter; correspondence with Architectural Forum (they circulated the other portion); correspondence re: film rentals\u003c/p\u003e","\u003cp\u003eCorrespondence with dealer (Knoedler); shipping information \u0026amp; receipts\u003c/p\u003e","\u003cp\u003eInvitation; correspondence; checklist with values; shipping information and receipts; exhibition construction notes; correspondence with dealers; press release copy (typed); correspondence with artists; invitation list; correspondence with lenders\u003c/p\u003e","\u003cp\u003eOriginal blueprint copy of signage\u003c/p\u003e","\u003cp\u003eCatalog; shipping information and receipts; checklists; correspondence with Colonel Anderson; correspondence with lenders; correspondence with artist\u003c/p\u003e","\u003cp\u003eDraft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA)\u003c/p\u003e","\u003cp\u003eDraft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA); catalogs; photographs; clippings\u003c/p\u003e","\u003cp\u003eShipping information and receipts; checklist; correspondence with artist\u003c/p\u003e","\u003cp\u003eLecture invitation; correspondence with lecturers; information regarding exhibit from American Craftsmen Educational Council; correspondence re: sales; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with the Coin Club re: exhibition; later declined due to Colt's resignation\u003c/p\u003e","\u003cp\u003eCorrespondence with American Craftsmen Educational Council (lender); correspondence with lecturers; shipping information and receipts; exhibition information; ACEI brochure; clipping\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with vendors; checklist with values; invitation copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e4 original drawings of lectern, information panels/stands; gallery layout, etc.\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with Canadian Embassy; correspondence with National Gallery of Canada (co-sponsor); shipping information and receipts; lecture copy; correspondence with lecturer; research; catalog copy; exhibition plan/schedule (to do); 1 copy of invitation; gallery layout\u003c/p\u003e","\u003cp\u003eCorrespondence with National Gallery of Canada; correspondence with press; correspondence with state forester (lent pine trees); research; clipping; photograph and biography of curator\u003c/p\u003e","\u003cp\u003eOriginal drawing of exhibition sign\u003c/p\u003e","\u003cp\u003eCorrespondence with Virginia State Board of Education; correspondence with Southeastern Arts Association; shipping information and receipts; correspondence with education institutions (Mrs. Christison)\u003c/p\u003e","\u003cp\u003eForm letter to Antiquarian Society members; preview invitation list; Antiquarian Society history (co-sponsor)\u003c/p\u003e","\u003cp\u003eOriginal drawing of Museum information panel and traveling show panel\u003c/p\u003e","\u003cp\u003eInvitation copy; correspondence with MOMA re: traveling exhibition; shipping information and receipts; billing information\u003c/p\u003e","\u003cp\u003e1 drawing of Calder signs\u003c/p\u003e","\u003cp\u003ePreview invitation, correspondence with artist; correspondence with lenders; invitation copy; correspondence with Philip Godwin and Mrs. T. Catesby Jones; research; correspondence with Archipenko; clippings (response to Richmond Times-Dispatch article mocking exhibition); Calder's handwritten invitation list [no catalog made]\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders (galleries, dealers, museums, etc.); checklists; shipping information and receipts; correspondence with artists; checklists with values; press release copy\u003c/p\u003e","\u003cp\u003eChecklists; exhibition information (typed); receipts\u003c/p\u003e","\u003cp\u003ePhotograph of books and Hurds; children's books catalog (retail); correspondence with publishers; research; clipping; correspondence with lenders; label copy; shipping information and receipts; checklists by publisher, by lender, by artist\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; checklist with values; correspondence with artist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; correspondence with publicity; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; correspondence with publicity; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003eOutline of children's programs from summer workshops; research on group behavior; clipping; Richmond Film Society Program; photograph of Times Square in New York; Department of Education Annual Report copy; lots of random exhibition information copies; clippings; correspondence with educational services\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts; exhibition information (typed); correspondence with artists\u003c/p\u003e","\u003cp\u003e1 drawing, layout for panel\u003c/p\u003e","\u003cp\u003e1 layout and 1 piece of correspondence\u003c/p\u003e","\u003cp\u003e1 drawing – summer sign, 1949\u003c/p\u003e","\u003cp\u003eExhibition offerings from galleries, institutions, etc.; AFA brochures\u003c/p\u003e","\u003cp\u003eExhibition schedule; invitation lists; correspondence; clippings\u003c/p\u003e","\u003cp\u003e1949-1950 season schedule; schedules; correspondence re: possible exhibitions\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; dinner invitation list and preparation; shipping information and receipts; budget/billing information; checklist with values; research\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalog; cut-out reply from VMFA Bulletin\u003c/p\u003e","\u003cp\u003ePostcard announcement; correspondence re: catalog requests\u003c/p\u003e","\u003cp\u003eCorrespondence organized by lender with lenders; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence re: insurance; checklists by subject/person; research; shipping information and receipts; correspondence with lenders; checklists with values\u003c/p\u003e","\u003cp\u003eCorrespondence and paintings list, just as title says\u003c/p\u003e","\u003cp\u003eCorrespondence re: permission to reproduce images for catalog [originally not intended to publish catalog; did so after exhibition]\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence re: cost of prints ordered and made for show\u003c/p\u003e","\u003cp\u003eAnnouncement; Baltimore catalog; preview invitation; 3 photographs; copies of her other catalogs (Mrs. James Ward Thorne); correspondence with Women's League Club; correspondence with lender (circulating museum AIC); budget information; checklists; shipping information and receipts; exhibition contract; correspondence with publicity; copies of various magazines (Virginia Bulletin, Virginia Women's Magazine); correspondence with PTA's\u003c/p\u003e","\u003cp\u003eBlueprints: room installation (3 copies) and original drawing; drawing of signs; drawing of entrance details\u003c/p\u003e","\u003cp\u003eChecklist; 8 photographs; correspondence with publicity; budget information; admission price policy; lecture and tour schedule; correspondence re: catalog including billing information\u003c/p\u003e","\u003cp\u003eChecklist\u003c/p\u003e","\u003cp\u003eCorrespondence with Library of Congress re: loan of lithograph; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Block, including copies of publicity; checklists with values; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Block and others\u003c/p\u003e","\u003cp\u003e3 drawings of exhibition signage\u003c/p\u003e","\u003cp\u003eDrawing and blueprint copy of information kiosk; 1 photograph; 3 other layouts of the exhibition, including 2 didactic panel layouts by Cheek (\"Russia Before the Revolution\" and \"Imperial Jewelry of Russia\")\u003c/p\u003e","\u003cp\u003eCorrespondence on opening of show; proposed schedule; checklists by lenders; shipping information and receipts; checklists by artists; correspondence with artists; checklists with values\u003c/p\u003e","\u003cp\u003eChecklists; shipping information and receipts; correspondence re: catalog; correspondence with publicity; research; statistics from 6th Biennial; correspondence with artists; catalog mailing list; catalog copy; loan information forms\u003c/p\u003e","\u003cp\u003e2 excerpts from publicity (typed); correspondence with catalog essay authors; correspondence with publicity; clippings; checklists; catalog copy; requests from artists; chipping information and receipts; correspondence of James Johnson Sweeney (sole juror invited); checklist for traveling exhibition; hand-written copy of register of the paintings received\u003c/p\u003e","\u003cp\u003e1 drawing of layout and signage; 2 small lettering drawings; 1 small catalog sign drawing\u003c/p\u003e","\u003cp\u003eShipping information and receipts including correspondence with artists, bills and information for crating requests; correspondence re: Richmond regional jury process for national metropolitan competition\u003c/p\u003e","\u003cp\u003ePress release; correspondence with Sweeney; correspondence with publicity; shipping information and receipts; checklists, sales information\u003c/p\u003e","\u003cp\u003eSweeney's own correspondence with artists and dealers and galleries re: exhibition, including Naum Gabo and Morris Louis\u003c/p\u003e","\u003cp\u003eCorrespondence with SF MOMA; checklist from AFA; copies of publicity; shipping information and receipts; correspondence with publicity; correspondence with AFA; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eDrawing and blueprint copy of layout\u003c/p\u003e","\u003cp\u003eCatalog copy; correspondence with lenders; shipping information and receipts (or label)\u003c/p\u003e","\u003cp\u003e1 photograph; catalog (or label) copy; correspondence with Knoedler (lender); shipping information and receipts; 1 photograph of X-ray\u003c/p\u003e","\u003cp\u003eInvitation lists; correspondence; radio spot information; correspondence with lenders; checklists; shipping information and receipts; press release copy; catalog copy; loan item information blank\u003c/p\u003e","\u003cp\u003eOne note on a rug cleaning\u003c/p\u003e","\u003cp\u003eChecklists with values, by lender and by artist; label research; correspondence with lenders; installation notes; shipping information and receipts; press release copy; correspondence with other institutions including the Met where the exhibition went next\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA (distributor of exhibition); shipping information and receipts; checklist; information on the photographer (non-VMFA publicity); correspondence with photographer\u003c/p\u003e","\u003cp\u003ePhotograph of Reino Aarnio soap dish for Fiat Metal, photograph of new RCA portable radio; correspondence with lenders [sold it as a big 2-3 year traveling exhibition]; shipping information and receipts; clippings (for ideas); correspondence with manufacturers from all around the USA; lots of catalogs; installation sketches; catalog copy; lists of checklists from a similar MOMA exhibition; 1 copy of preview invitation; checklists; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Block (Post cartoonist) and Comstock (Connoisseur and Antiques magazine editor); lectures; biographical information; correspondence with publicity\u003c/p\u003e","\u003cp\u003eOriginal drawing plus 2 blueprint copies of design for silver display case\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders from 1940 show due to requests by an author, prompted by current Valentine show; clipping re: Valentine show; copy of 1940 catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Rogers and her agent; confusion about scheduling dates; article in Vogue about Rogers [ended up cancelling show due to high costs of insurance and shipping]\u003c/p\u003e","\u003cp\u003eShipping information and receipts and labels for loan of some Pratt jewels by Mrs. Joseph Davies of Washington D.C. to the 1950 Easter eggs exhibition\u003c/p\u003e","\u003cp\u003eCatalog [loan exhibition organized by the English speaking Union]; copy of catalog; microfilm copy of NYT clipping; correspondence with ESU; copies of ESU Bulletin; checklists; press release copy; correspondence with other institutions who are borrowing; catalog/label copy; shipping information and receipts installation instructions; annotated catalog; big ESU publicity kit; correspondence to/from J. L. Blair Buck in State Board of Education, main contact and President of the ESU, Virginia Branch; original NYT clipping; correspondence to/from Brigadier J.W.F. Treadwell, VP of ESU [called it \"Operation Canvass\" to garner interest in ESU in Virginia]; billing/payment information; correspondence with British Embassy\u003c/p\u003e","\u003cp\u003eCorrespondence with Knoedler and Newhouse [photograph of painting offered but not chosen]; copy of invitation; picked Provost's painting from Knoedler – in another folder]; correspondence re: cedar trees in galleries\u003c/p\u003e","\u003cp\u003eCirculated by MOMA; correspondence with them; packing instructions; loan agreements; loan contracts; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eGroup form letter; correspondence with Wedgwood \u0026amp; Sons; publicity information; research; checklists; correspondence with other institutions; shipping information and receipts; 1 copy of invitation; list of Wedgwood dealers in Virginia [to invite]; correspondence with Annie Reese, Director of Promotions and Hensleigh Wedgwood, President, who lectured at preview\u003c/p\u003e","\u003cp\u003eCorrespondence with various clubs; dinner party plans and invitee lists; more correspondence with Wedgwood; copy of Museum bulletin; biographical information on Hensleigh; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; biographical information; Museum Bulletin copy; installation instructions; label information forms; correspondence with Newhouse; checklists with values\u003c/p\u003e","\u003cp\u003eDrawing of label boards; drawing of signage\u003c/p\u003e","\u003cp\u003eChose 4 exhibitions from PAU to circulate; correspondence with PAW; exhibition information; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eAnnouncement; correspondence with printers; correspondence re: sales [1st year Museum has added Architecture]; copy for all printed materials; correspondence with prizewinning artists (including Stuart Davis); correspondence re: azaleas; biographical information on jury chairman, Hermann Williams, Director of Corcoran; correspondence with publicity; clippings; copy of catalog from 1949\u003c/p\u003e","\u003cp\u003eProspectus; requests for blanks; letter copy re: Virginia art interest and education and businesses; correspondence with artists; correspondence with art departments; correspondence re: sales; jury comments; biographical juror information; breakdown/tally by city; correspondence with jurors\u003c/p\u003e","\u003cp\u003eCatalog copy; checklists with prices; correspondence with artists re: blanks; shipping information and receipts; correspondence re: sales and purchases; 1 copy of catalog\u003c/p\u003e","\u003cp\u003e4 original drawings; introductory panels, signage; layout sketches; traveling show panels\u003c/p\u003e","\u003cp\u003e4 drawings of lighting layouts in gallery; 1 drawing of movie projector stand; 1 drawing of panels; 1 drawing of overall layout\u003c/p\u003e","\u003cp\u003e9 photographs of Metropolitan Museum of Art objects; copy of invitation; label copy for projector room showing film on armor; other label copy; correspondence with lenders; shipping information and receipts; correspondence with Met (major lender); correspondence with lecturer (Gracey), curator of Met arms \u0026amp; armor\u003c/p\u003e","\u003cp\u003eCorrespondence with artist and his wife; biographical information; copy of catalog from Hollins; clippings\u003c/p\u003e","\u003cp\u003e1 photo of Stuart Davis; biographical information; catalog copy; shipping information and receipts; checklists with values; loan agreements; correspondence with jurors; correspondence with lender; correspondence with potential jurors (Andrew Wyeth)\u003c/p\u003e","\u003cp\u003e2 drawings: sign and panel layout\u003c/p\u003e","\u003cp\u003ePhotograph of Tsar Nicholas II and family; 2 page exhibition design write-up (color, lighting, cases); catalog copy\u003c/p\u003e","\u003cp\u003eMemo re: Arthritis Foundation; article on Dufy; reprint of 3/51 article on Dufy; paintings information sheets; shipping information and receipts; catalog of ICA in Boston; correspondence with lenders; correspondence with Arthritis Foundation; checklists with values; correspondence with publicity; correspondence with Dufy's gallery agent\u003c/p\u003e","\u003cp\u003e4 drawings of signs and layouts\u003c/p\u003e","\u003cp\u003e11 photographs of layout with and without people; close-ups of panels; correspondence with lecturer; correspondence with American Institute for Graphic Arts (organizer); publicity materials from AIGA; shipping information and receipts; catalog\u003c/p\u003e","\u003cp\u003eDinner guest list; correspondence with Chrysler; Chrysler catalog copy; correspondence with NYT\u003c/p\u003e","\u003cp\u003ePhotograph of Chrysler; copy of Art Digest (October 15, 1951) with photograph of gallery setup; catalog copy (paintings); correspondence with publicity; shipping information and receipts; catalogs of exhibition at University of Miami Art Gallery (correspondence with University of Miami Gallery also); checklist\u003c/p\u003e","\u003cp\u003eChecklists and hanging order; correspondence with publicity; rough layout; catalog copy; correspondence with artist; checklist with values; correspondence with AFA (organizer); AFA 1953 catalog; wonderful letters that are art!\u003c/p\u003e","\u003cp\u003ePreview invitation; correspondence with artist and wife; checklists\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with Director of Syracuse Museum of Fine Arts (Anna Wetherill Olmsted, speaker); biographical information on her, checklist\u003c/p\u003e","\u003cp\u003e1 drawing: installation layout\u003c/p\u003e","\u003cp\u003e14 photographs of items; \"prize awards\" press release; correspondence with Syracuse Museum of Fine Arts; publicity information from SMFA; catalogs; catalog copy; shipping information and receipts; annotated catalogs (one size, one price)\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions and individuals re: potential exhibitions, some with catalogs and clippings; list of proposed exhibition season\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Ouriel) and gallery (Knoedler); shipping information and receipts\u003c/p\u003e","\u003cp\u003eVarious mailing lists (Bulletin, publications), some by type, some alpha; letters to other institutions offering mailings (all Miss Frances Boushall)\u003c/p\u003e","\u003cp\u003e1 drawing of small museum truck\u003c/p\u003e","\u003cp\u003eLayout panels for 1st Museum brochure/guide\u003c/p\u003e","\u003cp\u003e1 drawing and 1 copy of Information \u0026amp; Publication Desk of Museum\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders of fabrics; shipping information and receipts; some original tags; label copy; some catalogs\u003c/p\u003e","\u003cp\u003eCorrespondence re: invitation mailing (one with return address of VMFA, one with Kiwanis Club); correspondence with lenders in Los Angeles\u003c/p\u003e","\u003cp\u003eInvitation to screening; preview invitation list to film screening\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; checklists; Mona Lisa research; shipping information and receipts; correspondence with lenders; 1 copy of catalog; correspondence with organizer; invitation copy; installation information; correspondence with Kiwanis Club\u003c/p\u003e","\u003cp\u003e6 blueprints for models by Panold Masters; 1 drawing of signs; 1 drawing of layout; 4 drawings of lighting; 3 drawings of niches\u003c/p\u003e","\u003cp\u003e1 drawing of layouts, panels\u003c/p\u003e","\u003cp\u003eCatalog copy; clippings; annotated copy of catalog of retablos from Barton Collection; shipping information and receipts; checklists; annotated copies of catalog of textiles from Barton Collection; correspondence re: damage to retablos; correspondence with institutions; correspondence with lenders\u003c/p\u003e","\u003cp\u003e1 drawing of signs; 4 drawings of lighting; 1 drawing of details of interior; 3 drawings of layout; 1 drawing of interior\u003c/p\u003e","\u003cp\u003e1 photograph of clock; few compliments; some receipts for library exchange\u003c/p\u003e","\u003cp\u003eCorrespondence; damage reports; receipts; memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Helen Comstock (editor of Magazine Antiques and guest curator); correspondence with potential lenders (individuals and institutions)\u003c/p\u003e","\u003cp\u003eCorrespondence with WSG; clippings; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence with WSG; catalog copy; press release copy; press releases; shipping information and receipts; biographical information; checklist with prices\u003c/p\u003e","\u003cp\u003e2 photographs of paintings; traveling checklist; correspondence with artist; clippings; press release; catalog copy; catalogs of shows in New York and Toronto; shipping information and receipts; label copy; checklist with values; correspondence with lenders; correspondence with AFA (originator)\u003c/p\u003e","\u003cp\u003eInvitation to preview; correspondence with designer and speaker, John Van Koert; correspondence with Walker Art Center (organizer); copy of Walker invitation\u003c/p\u003e","\u003cp\u003ePress release; publicity copies from Towle Silversmiths; press releases; copy of catalog from Walker\u003c/p\u003e","\u003cp\u003e5 photographs (duplicates); invitation to preview; press release copy; correspondence with Fogg; copy of catalog from Detroit; label copy, checklists; shipping information and receipts; correspondence re: theft of Degas drawing\u003c/p\u003e","\u003cp\u003eInvitation to preview; invitation to lecture; clippings; correspondence with artisans re: exhibition decoration; correspondence with other lenders; shipping information and receipts; checklists; correspondence with dressmaker/speaker (Pauline Trigère); correspondence with Metropolitan Museum's Costume Institute\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; research (list of American and English novels); shipping information and receipts; correspondence with publisher; correspondence with publicity; correspondence with Met's Costume Institute; checklists with values\u003c/p\u003e","\u003cp\u003e6 photographs (5 paintings and Maxson Holloway, Chicago Historical Society curator); shipping information and receipts; checklists; correspondence with Chicago Historical Society (organizer); annotated catalog from CHS; correspondence with other institutions; bulletin copy; press release\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with CHS; correspondence with other lender (Broadnax)\u003c/p\u003e","\u003cp\u003ePhotograph of picture; press release; correspondence with Red Cross; clippings; invitation copy; Red Cross promotional material; press release copy\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with AFA (organizer); shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with members of Club; correspondence with AFA\u003c/p\u003e","\u003cp\u003eDrawing of layout; 2 photographs of paintings not in exhibit; research; label copy; correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with Lady Astor; checklist of gift\u003c/p\u003e","\u003cp\u003eCatalog copy; correspondence re: opening and Governor's dinner; invitation proofs; correspondence with publicity; text of Colonel Anderson's speech\u003c/p\u003e","\u003cp\u003eCorrespondence re: opening (mainly regrets)\u003c/p\u003e","\u003cp\u003eCorrespondence with the artist\u003c/p\u003e","\u003cp\u003e1 drawing of sign\u003c/p\u003e","\u003cp\u003eCorrespondence with Institute of Contemporary Art in Boston, organizer; lecturer is Director, James Sachs Plaut; promotional materials\u003c/p\u003e","\u003cp\u003eCorrespondence with ICA in Boston; shipping information and receipts; catalog\u003c/p\u003e","\u003cp\u003eInvitation; photograph of painting (1952); label copy; installation instructions; shipping information and receipts; correspondence with lenders\u003c/p\u003e","\u003cp\u003e1 clipping\u003c/p\u003e","\u003cp\u003eClipping; press release copy re: move of cigar store figures from Jefferson to VMFA\u003c/p\u003e","\u003cp\u003eLots of correspondence from different institutions; publicity; list of contacts with great comments\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA\u003c/p\u003e","\u003cp\u003eCorrespondence with woman at new museum about restoring a painting\u003c/p\u003e","\u003cp\u003e1 photograph of Leonardo's bridge; Boushall's correspondence file with publicity and others interested in our publications and exhibitions\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA\u003c/p\u003e","\u003cp\u003eQuiz sheet\u003c/p\u003e","\u003cp\u003e7 photographs of opening, gallery and piece; 1 copy of catalog\u003c/p\u003e","\u003cp\u003e2 drawings and 1 copy of gallery layout and entry desk\u003c/p\u003e","\u003cp\u003eChecklist; invitation, shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 drawing of book and theme table layout\u003c/p\u003e","\u003cp\u003e6 photographs of Goya pieces; 1 photograph of someone (with mandala); catalog copy\u003c/p\u003e","\u003cp\u003e2 invitations (1 with checklist; 1 for loan exhibition); label copy; checklists; correspondence; correspondence with lenders; catalog requests; catalog proof; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence; label copy; cover of U.S. News \u0026amp; World Report (2/13/53) (looks like De Stijl); shipping information and receipts; correspondence with MOMA (organizer); checklists\u003c/p\u003e","\u003cp\u003ePress release copy; correspondence with Netherlands Embassy; lecture copy (introductions); lecturer biographical information [Carroll L. V. Meeks, Assoc. Professor of Architecture and Art History at Yale]; correspondence with MOMA\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors; correspondence with potential jurors; lists of loan requests; correspondence with lenders; correspondence with publicity; shipping information and receipts; checklists; installation memos; checklists with values\u003c/p\u003e","\u003cp\u003e\"The Significance of African Art,\" 8 photographs of items; publication reprint of \"Warega Ivories\" by Ladislas Segy; label copy; publications from Segy Gallery on African Art; correspondence with Segy Gallery (organizer); biographical data on speaker [James Johnson Sweeney, Director of the Guggenheim in NYC]; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with speaker; label copy; press release copy; publications from Segy Gallery\u003c/p\u003e","\u003cp\u003e1 photograph of street scene, but it has been drawn on\u003c/p\u003e","\u003cp\u003eCopy of 1949 catalog; 1 copy of catalog; label copy; checklists by city; catalog copy; letter from Theresa Pollak regarding the way the show is chosen and hung; correspondence with artists; annotated older biennial materials; list of purchase recommendations; schedule for jurors visit; catalogs from other institutions (state shows); shipping information and receipts; traveling evaluation checklists\u003c/p\u003e","\u003cp\u003eCopy of 1953 prospectus; correspondence with artists (Pollard's correspondence file); list of entry cards received\u003c/p\u003e","\u003cp\u003eCorrespondence with artists re: missing checks, incomplete blanks or other issues (Gaines' file)\u003c/p\u003e","\u003cp\u003eInformation from MOMA (organizer); correspondence with MOMA; checklists; shipping information and receipts; installation memo; 1 copy of invitation to opening\u003c/p\u003e","\u003cp\u003e2 drawings\u003c/p\u003e","\u003cp\u003eList of loans (Baltimore Museum of Art); correspondence with BMA; correspondence with speaker [Mrs. Adelyn D. Breeskin, Director of the BMA]; installation memo; checklists; label copy; shipping information and receipts. Show had 16 year age limit!\u003c/p\u003e","\u003cp\u003eEntry/prospectus; correspondence with American Craftsmen's Educational Council; list of regional entries; correspondence with artists; completed entries; shipping information and receipts\u003c/p\u003e","\u003cp\u003eFebruary 1953 issue of \"The Richmond Home Builder\"\u003c/p\u003e","\u003cp\u003eMayor's reception schedule; lecture copy; copy of Directory of Virginia Governmental Officials (November 1950); invitation lists and planning\u003c/p\u003e","\u003cp\u003e1 copy of invitation; lecture copy; correspondence with potential consultants\u003c/p\u003e","\u003cp\u003eCorrespondence with Thalhimer's; press release copy; lecture copy; slide list; clippings; speaker biography\u003c/p\u003e","\u003cp\u003eCorrespondence re: parking problems and conferring police authority to the Museum's guards\u003c/p\u003e","\u003cp\u003e\"The New Art Wind Quintet\" press release; Harp Trio photograph and program; correspondence re: New Art Wind Quintet; contract copy; Harp Trio press release copy; Philippe Entremart photo; press release copy and program; correspondence with National Music league; programs; clippings\u003c/p\u003e","\u003cp\u003e1 photograph of Victor Guye; actually a Goya exhibition file – correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eInvitation; photograph of Queen Anne teapot; \"Art in Fashion\" invitation; label copy; catalog copy; correspondence with Lipton (lender) and Lipton's dealer; correspondence with speaker\u003c/p\u003e","\u003cp\u003eCorrespondence with potential participants; interim reports; correspondence with institutions in Scandinavia; exhibition proposal (typed); correspondence with embassies, consulates, etc.; shipping information and receipts; label copy; correspondence with speaker [John Van Koert]; checklists; correspondence with publicity; correspondence with AFA (organizer); 1 copy of brief prospectus; list of itinerary\u003c/p\u003e","\u003cp\u003eFolder is incorrectly labeled \"1967\" at Library of Virginia. 1 drawing (1953-54); ALL FROM THE 1950'S: panel copy; shipping information and receipts; clippings; Sidney Janis catalogue; 1 copy of Bulletin (11/53); 1 copy of invitation, plus 1 internal memo re: new iteration as traveling show, checklist\u003c/p\u003e","\u003cp\u003e1953 Virginia Artists prospectus; correspondence with artists; correspondence with publicity; label copy; correspondence with Des Moines Art Center (co-sponsor); shipping information and receipts; correspondence with lenders; correspondence re: purchases; biographical information on Dwight Kirsch (curator of show and Director of DMAC)\u003c/p\u003e","\u003cp\u003eMailing 12/1/55, \"To Virginia Painters\"; budget information; correspondence with artists; correspondence with Dwight Kirsch; annotated catalog; catalog requests; catalog disbursement list; shipping information and receipts; copy of Kansas State College Biennial Catalog (including quote from Kirsch)\u003c/p\u003e","\u003cp\u003e1 photograph of artist and painting (John Koos with wife and Peter Khan, head of Hampton Institute Art Department); correspondence with juror; press release; correspondence with publicity; correspondence with artists (Newell's correspondence file); biographical information on Kirsch; clippings\u003c/p\u003e","\u003cp\u003e1 copy each of 1950 and 1954 catalogs\u003c/p\u003e","\u003cp\u003eCatalog copy; catalog proof; suggested arrangement; label copy, checklists\u003c/p\u003e","\u003cp\u003e1 photograph of Armand Hammer; 1 photograph of room in his house; 1 photograph of Breughel painting; 1 photograph of [Erwin] Panofsky [from Institute for Advanced Study at Princeton], lecturer; 2 press releases; correspondence with Hammer; general collection information\u003c/p\u003e","\u003cp\u003e1 drawing of main panel layout\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders and dealers, artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts\u003c/p\u003e","\u003cp\u003eRegistration forms for each painting; checklists by gallery and by artist\u003c/p\u003e","\u003cp\u003eEntry cards (completed); other institutional catalogs; prospectus copy; annotated catalogs; catalog copy; 1 copy of catalog; label copy correspondence with artists; correspondence re: publicity; shipping information and receipts; correspondence with jurors\u003c/p\u003e","\u003cp\u003eProspectus; mailing lists; budget tracking; correspondence with jurors\u003c/p\u003e","\u003cp\u003e6 photographs of designs; shipping information and receipts; label copy; correspondence with AFA (organizer); checklists; correspondence with Cooper Union (lender)\u003c/p\u003e","\u003cp\u003e2 drawings of panel layouts; notes re: pre-Columbian panel layout\u003c/p\u003e","\u003cp\u003e1 drawing of panel layout; label copy\u003c/p\u003e","\u003cp\u003e1 drawing of 20th century gallery layout with section for Virginia rotating artists; correspondence with artists; correspondence re: purchases; shipping information and receipts; biographical information; correspondence with lenders; memos re: installation; checklists\u003c/p\u003e","\u003cp\u003eChecklists by lender and by artist; correspondence with lenders; label copy; shipping information and receipts; copy of catalog from University of Louisville with similar exhibition\u003c/p\u003e","\u003cp\u003e1 drawing of panels; notes re: panels for exhibition\u003c/p\u003e","\u003cp\u003eLetter to AFA re: exhibitions; exhibition proposal for Design for Theatre\u003c/p\u003e","\u003cp\u003eCorrespondence with various people and institutions re: possible exhibitions; program schedule for 1953-54; scattered exhibition-related materials as well; correspondence re: various programs, performances and dinners; correspondence with publicity; copies of Members Bulletin for March, April \u0026amp; May, 1954\u003c/p\u003e","\u003cp\u003e1 photograph of Furniture of the Old South; mainly lists, both general and for particular shows\u003c/p\u003e","\u003cp\u003eCorrespondence re: an article proposed by Gulf on the Artmobile, including a photographic assignment, to run in their company magazine Orange Disc; correspondence re: subsequent mailing of issue\u003c/p\u003e","\u003cp\u003eLetter to Presidents of Garden Clubs, 10/11/54; correspondence re: securing funding for Waddy fountain planting each season; mailing lists\u003c/p\u003e","\u003cp\u003eCorrespondence re: arrangement to use galleries for their meetings\u003c/p\u003e","\u003cp\u003eMembership List\u003c/p\u003e","\u003cp\u003eCopy of The Orange Disc Magazine (March-April 1954); list of Artmobile pictures used\u003c/p\u003e","\u003cp\u003eDrawing of new membership brochure [Not taken, too hard to reproduce]; annotated membership forms; new form copy; copies of MOMA \u0026amp; Walker membership forms; membership campaign materials: proposal, committee schedule, plan for calls, etc., minutes of meetings, campaign reports, membership report (statistics)\u003c/p\u003e","\u003cp\u003eCorrespondence re: special loan exhibition from permanent collection; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence re: meeting; biographical information on speakers; schedule/agenda; transcribed notes from Question \u0026amp; Answer session\u003c/p\u003e","\u003cp\u003e2 photographs of mural; correspondence with Rochester Institute of Technology, where she was a student (she was a VMFA Fellowship winner); correspondence with artist\u003c/p\u003e","\u003cp\u003e\"Endorsement of the forthcoming Artmobile\" 3/10/53; \"An Exhibition of Sculpture from Africa,\" 3/22/53; \"The Hammer Collection…\" [n.d.]; \"The VMFA has purchased 3 paintings…\" 3/24/54 (short one); copies of press releases from March/April 1952/1954\u003c/p\u003e","\u003cp\u003e13 drawings of pedestals in various galleries; notes\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for American 19th Century\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Early Near Eastern\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Late Italian and Spanish\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Roman\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Oriental\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for German\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for French 17th-18th centuries\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Italian, 14th \u0026amp; 15th centuries\u003c/p\u003e","\u003cp\u003eJust list of photographs for English 16th-17th centuries\u003c/p\u003e","\u003cp\u003e1 drawing (English 18th-19th centuries; 3 photograph lists (medieval, American 18th century, English 18th-19th centuries\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for American 20th century\u003c/p\u003e","\u003cp\u003eList of photographs for Virginia Today\u003c/p\u003e","\u003cp\u003e1 drawing (Egyptian); list of photographs for Egyptian, notes\u003c/p\u003e","\u003cp\u003e2 drawings of text panels; notes; list of photographs for North Sculpture Hall\u003c/p\u003e","\u003cp\u003ePhotograph of Blanche Tarjus; correspondence; biographical information; program copy; programs; clippings; publicity materials from National Music League; artist fee schedule; correspondence with artists; invitation copy\u003c/p\u003e","\u003cp\u003ePhotograph of damaged jade, 2 annotated photographs (all Minneapolis); shipping information and receipts; label outlines; checklists by lender and by type; correspondence with lenders; clippings, research notes; label copy; correspondence with other potential lenders\u003c/p\u003e","\u003cp\u003e3 panel layout drawings; 4 other layout drawings; label copy; label outlines; section color suggestions and samples; list of cases needed\u003c/p\u003e","\u003cp\u003e1 photograph of children with eggs; tear sheets from Interiors magazine; copy of 1947 Pratt catalog; suggested publicity schedule; outline of work to be done; label copy; correspondence; press releases; research; clippings; correspondence with publicity\u003c/p\u003e","\u003cp\u003e1 drawing; 6 photographs; blue AFA Catalog list; correspondence with AFA (organizer); label copy; checklists; shipping information and receipts; fabric and paper samples; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; biographical information; shipping information and receipts; label copy; checklists\u003c/p\u003e","\u003cp\u003e1 drawing, 1 photograph of Karolik; catalog copy; checklist; shipping information and receipts; label copy; dimension list; correspondence with Smithsonian (organizer); correspondence with collector (Maxim Karolik); 1 copy of invitation; copy of bulletin; copy of MFA Boston Bulletin on collection (10/51)\u003c/p\u003e","\u003cp\u003eWilliam Kienbusch and William Zorach [2 of 3 judges] catalogs; list of purchase considerations; correspondence with artists; correspondence with galleries; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003e1 drawing; clippings; bulletin photograph copy; correspondence with Addison (1 letter) [Addison Gallery of American Art, Chairman of Jury was Bartlett H. Hayes, Jr., Director of Addison]\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; biographical information; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 drawing; label list\u003c/p\u003e","\u003cp\u003e1 photograph of Charles Baker; 1 drawing; shipping information and receipts; correspondence with artists; checklists; biographical information; Davis' Fellowship application; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; mailing lists of artists; requests for blanks\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; requests for blanks; correspondence re: incomplete forms or missing checks; handwritten list of entries received\u003c/p\u003e","\u003cp\u003e4 layout drawings\u003c/p\u003e","\u003cp\u003eList of winners; copy of blank certificate; copy of green prospectus; checklists; shipping information and receipts; entry copy; catalog copy; label copy; other institutions' catalogs/prospectuses; correspondence with jurors; staff members; list of artists\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; entry blank requests; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; biographical information; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eTyped remarks by preview speaker [Honorable Shigenobu Shima, Minister of Japan]; list of credits for exhibition\u003c/p\u003e","\u003cp\u003eDrawings of invitation copy; 1 photograph; checklists (organized by MOMA); correspondence; label copy; 1 copy of invitation; shipping information and receipts; correspondence with Minister of Japan (preview speaker); press release copy; correspondence with MOMA; correspondence with MIYA company (lent accessories); correspondence with Japan Society\u003c/p\u003e","\u003cp\u003e1 drawing of panel layout; correspondence with artists; shipping information and receipts; checklist\u003c/p\u003e","\u003cp\u003eCorrespondence with Corcoran (lender); label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs of ICA installation; checklists from ICA in Boston; fabric samples; correspondence with manufacturer (i.e.; lender); includes some publicity materials and catalogs; shipping information and receipts; list of items sold to staff members; ICA catalog/brochure copy; correspondence with ICA; ICA press releases; label copy; ICA catalogs (1954 \u0026amp; 1955)\u003c/p\u003e","\u003cp\u003eChecklist; miscellaneous correspondence; ICA news releases; fabric samples; checklists\u003c/p\u003e","\u003cp\u003eShipping receipts for Designs for Christmas show\u003c/p\u003e","\u003cp\u003eList of items available for purchase; correspondence with manufacturers re: sale\u003c/p\u003e","\u003cp\u003e3 photographs; publicity materials from Virginia Chapter of AIA; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eCopies of suggested schedule\u003c/p\u003e","\u003cp\u003eFew pieces of miscellaneous correspondence related to other exhibitions\u003c/p\u003e","\u003cp\u003e2 photographs of Suzanne Bloch; correspondence with various music organizations; publicity materials (mainly programs); clippings; Suzanne Bloch press release copy and biographical information\u003c/p\u003e","\u003cp\u003eCatalogs and samples of wall and paper materials\u003c/p\u003e","\u003cp\u003eLetter solicitation (7/1/55); correspondence with studios; research; exhibition proposals (Samuel Goldwyn or Cecil B. DeMille); mailing list\u003c/p\u003e","\u003cp\u003eCorrespondence; correspondence with manufacturers (including catalogs)\u003c/p\u003e","\u003cp\u003eCopy of the Annual Report; typed and written drafts for \"Information Services and Public Relations\" report\u003c/p\u003e","\u003cp\u003ePress release; correspondence with publicity; clippings; mailing lists; grand opening schedules; new members' room information\u003c/p\u003e","\u003cp\u003eCopy of letter to press (11/29/55); memo re: use of mats sent to newspapers from Rex Allyn to Cheek; 5 actual mats by Virginia Stereotype Service\u003c/p\u003e","\u003cp\u003e1 photograph of camera; correspondence with Colonial Williamsburg (author of book on Cook); label copy; camera catalogs; checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of invitation; research articles\u003c/p\u003e","\u003cp\u003eJohn Koenig was Guest Promotion Director; correspondence with publicity; news releases; mailing lists; clippings; copy of catalog\u003c/p\u003e","\u003cp\u003eBulletin copy; Bulletin proofs; correspondence with speakers\u003c/p\u003e","\u003cp\u003e2 copies of newsletter (2/55 and 12/54); 1 piece of AFA membership publicity\u003c/p\u003e","\u003cp\u003eCopies of 51st and 53rd programs; copy of letter to publisher of 55th (VMFA was in it)\u003c/p\u003e","\u003cp\u003eRex Allyn's correspondence file; correspondence with publicity; correspondence with other institutions; clippings\u003c/p\u003e","\u003cp\u003e4 drawings; 10 photographs; copy of catalog of traveling show in São Paulo, copy of checklist and hanging order sheet; label copy; correspondence with artists; publicity; biographical information; shipping information and receipts; correspondence with publisher; press release, checklists (for traveling too); circulated by AFA\u003c/p\u003e","\u003cp\u003eCopy of invitation to costume ball with note about asking about museum as location\u003c/p\u003e","\u003cp\u003eAFA Newsletter, 12/55\u003c/p\u003e","\u003cp\u003ePublicity; correspondence with Junior League about volunteers; copies of articles in The Leaguer; press releases\u003c/p\u003e","\u003cp\u003ePublicity; copy; catalog photographs; correspondence with speakers; cards with state exhibitions on them; clippings\u003c/p\u003e","\u003cp\u003ePublicity; copy of Bulletin; press releases\u003c/p\u003e","\u003cp\u003eCopy of Carl Sandberg's prologue; invitation; correspondence with MOMA (circulator); copies of drawings of installation from MOMA; copy of catalog; contract; press releases; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eArticle copies (by Marguerite Tabb)\u003c/p\u003e","\u003cp\u003eCorrespondence with Jaycees\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence with Society; copies of minutes\u003c/p\u003e","\u003cp\u003ePublicity from American National Theatre and Academy\u003c/p\u003e","\u003cp\u003eCorrespondence with WRVirginia \u0026amp; WLEE; list of personnel\u003c/p\u003e","\u003cp\u003ePublicity; Artmobile schedule\u003c/p\u003e","\u003cp\u003eCorrespondence with Society; publicity; schedule and financial statement of Society\u003c/p\u003e","\u003cp\u003ePress releases (4/14/55; 4/12/55); schedule and procedure for ceremony of awards (4/29/55); press release (4/25/55); other press releases\u003c/p\u003e","\u003cp\u003eCopy of minutes from meeting\u003c/p\u003e","\u003cp\u003eCorrespondence with printers; budget information; samples of items; purchase orders\u003c/p\u003e","\u003cp\u003eMiscellaneous correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence; summary and minutes from conference\u003c/p\u003e","\u003cp\u003eCorrespondence with Whitney Museum; correspondence with other museum directors (Leslie Cheek a sort of consultant)\u003c/p\u003e","\u003cp\u003eCopy of letter from Rhoads to Board; correspondence with Rhoads\u003c/p\u003e","\u003cp\u003eCorrespondence re: Georg Jensen exhibition; checklists (from SITES)\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; biographical information; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Catherwood Foundation; label copy; exhibition proposal\u003c/p\u003e","\u003cp\u003ePress release; shipping information and receipts; correspondence with Catherwood; Catherwood publicity; checklists; label copy\u003c/p\u003e","\u003cp\u003e1 drawing of layout; label copy; checklists; list of loans requested; shipping information and receipts; correspondence; correspondence with publicity; correspondence with lenders; 2 annotated copies of printed checklists; copy of Bulletin\u003c/p\u003e","\u003cp\u003e1 copy of printed checklist; correspondence with lenders; request for information cards; 1 annotated copy of printed checklist\u003c/p\u003e","\u003cp\u003e\"Caption for Watteau Mat\" and press release (1/11/52); press releases; list of loans; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders for Fetes Galantes\u003c/p\u003e","\u003cp\u003ePhotography purchase requests; invoices\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts; request for information forms; label copy\u003c/p\u003e","\u003cp\u003e1 copy of catalog; 1 copy of Ford Times on which the show was based; checklists; correspondence; catalog copy; correspondence with Ford; copy of story for Commonwealth\u003c/p\u003e","\u003cp\u003e2 photographs of Helen Wearstler Foht; 1 duplicate photograph of her; checklists; correspondence with artists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with artist and his dealer (Hammer Galleries); copy of the exhibition catalog; label copy; 1 book jacket of his (High World); insurance information; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs; checklists; shipping information \u0026amp; receipts; correspondence with artists; label copy\u003c/p\u003e","\u003cp\u003e1 photograph; 1 duplicate photograph (Aubrey Bodine or O.F. Romig) [these 2 were judges, A. Aubrey Bodine of Baltimore and Orlando F. Romig of Pittsburgh]; correspondence with artists\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence; press release\u003c/p\u003e","\u003cp\u003e1 photograph of unknown; 1 photograph of Carl Roseberg; shipping information and receipts; sales information; checklists; correspondence with artists; label copy\u003c/p\u003e","\u003cp\u003e3 photographs; checklists; biographical information; correspondence with artists; label copy\u003c/p\u003e","\u003cp\u003eInvitation; list of possible artists publicity/catalogs from other shows; invitation copy; mailing list; checklists; correspondence with Sculpture Center; shipping information and receipts; correspondence with artists; correspondence with lenders; label copy\u003c/p\u003e","\u003cp\u003e4 drawings of label panels; sheet for each with list of photographs for panels\u003c/p\u003e","\u003cp\u003e2 photographs; shipping information and receipts; correspondence with artists; checklists; sale information; biographical information; label copy\u003c/p\u003e","\u003cp\u003eInvitation; 1 photograph of show at Corcoran; 1 drawing; also 1 drawing of Chinese gallery, press release 3/4/55; correspondence with SITES (organizer); shipping information and receipts; checklists; correspondence re: damage to a chair; label copy; correspondence with publicity; 1 copy of catalog; 1 copy of Danish Foreign Office Journal\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; shipping information and receipts; checklists; George Poiret print collection exhibition catalog (rents them)\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence; clippings\u003c/p\u003e","\u003cp\u003eCopy for theatre publications\u003c/p\u003e","\u003cp\u003eProgram for 57-58 season; copy for earlier brochure\u003c/p\u003e","\u003cp\u003eOne letter re: season's policies\u003c/p\u003e","\u003cp\u003e2 pieces of correspondence\u003c/p\u003e","\u003cp\u003e\"A Proposal,\" (letter 7/14/56); Dance Society meeting minutes; correspondence; budget information; mailing list\u003c/p\u003e","\u003cp\u003eProgram April 20, February 24, January 6, October 21, September 16; correspondence (1 letter); 1 copy of a mailing\u003c/p\u003e","\u003cp\u003eCheckbook; correspondence re: taxes\u003c/p\u003e","\u003cp\u003e1 photograph (Richard Steinway); duplicate photograph (John Langstaff); 1 photograph of John Langstaff with Berkshire Quartet; 1 duplicate photograph and 1 regular photograph of Albeneri Trio; 1 season program\u003c/p\u003e","\u003cp\u003e1 photograph of John Langstaff; 1 duplicate photograph of Robert Conant; 2 photographs of Amadeus Quartet; 1 photograph of Alfred Deller; 1 duplicate photograph of Alfred Deller Trio; 1 photograph of Emily Frankel and Mark Ryder; correspondence; proposed relations between the 2 organizations; meeting minutes; letter drafts; program copy; publicity materials\u003c/p\u003e","\u003cp\u003eWishes to thank card; Davenport Carrington letter; response card; meeting minutes; program schedule; clippings; correspondence; budget information; form letter with mailing lists; promotion planning\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence\u003c/p\u003e","\u003cp\u003e1 copy of schedule of programs and events\u003c/p\u003e","\u003cp\u003eCorrespondence from Velz (he was on Executive Committee for 1956-1957) to various people re: events; \"The Public Relations and Information Program of the Virginia Museum of Fine Arts\" paper\u003c/p\u003e","\u003cp\u003e1 clipping (RTD 2/15/56-they got charter)\u003c/p\u003e","\u003cp\u003eRAUC Summary Report 1949-1956; correspondence of RAUC; evening courses for adults announcement\u003c/p\u003e","\u003cp\u003eCorrespondence re: lecture on architecture of Japan\u003c/p\u003e","\u003cp\u003eCorrespondence re: fundraising drive; interoffice memos\u003c/p\u003e","\u003cp\u003eHundreds of photographic department purchase requests\u003c/p\u003e","\u003cp\u003e1 copy of magazine, October 1956 issue with VMFA feature\u003c/p\u003e","\u003cp\u003e8 drawings of alcoves; layouts; permanent installations; lists of photographs for alcoves; memos re: installation needs; photograph orders; lists of titles for information panels; correspondence re: information panel production; panel copy; budget information; information re: hanging heights in galleries; sample label paper\u003c/p\u003e","\u003cp\u003e\"Art Reference Resources in Virginia\" questionnaire (all about art libraries); 1 piece of correspondence about putting brochures on ferries\u003c/p\u003e","\u003cp\u003e3 photographs from Brazilian show; newspaper and magazine clippings; catalogue and clippings for 1951 Brazilian show (Children's Book Illustrations); information and press releases and correspondence for 1953 fellowships; 1950-51 fellowship information; blank application; information on Jenny-Lynn Franklin's mural; press releases for 1956-1957 fellowships\u003c/p\u003e","\u003cp\u003eTraveling checklist and hanging order; label copy; correspondence with artist; shipping information and receipts; correspondence re: traveling exhibition; checklists; correspondence with AFA; clippings; blank loan contract; correspondence with borrower; itinerary; AFA publicity materials for show\u003c/p\u003e","\u003cp\u003eMaterial from MOMA on their 25th anniversary\u003c/p\u003e","\u003cp\u003e2 drawings of panel layouts; list of photographs used; memos; label copy; photograph order\u003c/p\u003e","\u003cp\u003eMailing list; copy of Bulletin; cards sent to institution for their exhibition listing in Bulletin (called \"Elsewhere in Virginia\")\u003c/p\u003e","\u003cp\u003ePhotograph of Merrill Moore; 1 photograph of Governor Stanley; biographical information on speakers; correspondence with speakers; publicity material for Merrill Moore's new book\u003c/p\u003e","\u003cp\u003eMailing (open house invitation); letter from Rhoads to members; renewal card, 1 photograph by Yardley; membership letter draft; correspondence between committee members; brochure proofs; previous membership requests; privilege information; budget information; brochure copy; paper samples\u003c/p\u003e","\u003cp\u003eBrochure copy\u003c/p\u003e","\u003cp\u003eFashion Festival facts; Council letter (3/21/56); program; invitation copy; correspondence with Miller \u0026amp; Rhoads; correspondence re: Council; correspondence with Harper's Bazaar; correspondence with publicity; mailing lists; schedules; meeting minutes; annotated scripts \u0026amp; schedules; fabric samples; program copy\u003c/p\u003e","\u003cp\u003eComplete reply cards; correspondence re: Council children's events; publicity materials for puppet theatre; blank reply cards\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; checklists with sale prices; shipping information and receipts; biographical information; label copy; photograph purchase requests\u003c/p\u003e","\u003cp\u003e1 photograph of \"Black Beast,\" 1 photograph of \"Croquet Player\"; correspondence with AFA (who turned down show) and ICA Boston; correspondence with publicity; shipping information and receipts (now called \"Collection Memos Receipt\"); correspondence with lenders; insurance information\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity; correspondence with artists; correspondence re: preview, installation information and schedules; correspondence with lenders; shipping information and receipts; label copy; correspondence with AFA re: withdrawal; list of lenders; photograph orders\u003c/p\u003e","\u003cp\u003e1 drawing, 27 photographs; 1 duplicate photograph (Henry Robinson Luce); label copy; correspondence; shipping information and receipts; [unlabeled: (lady) Elsie de Wolfe; Henry Dreyfuss (architect)]\u003c/p\u003e","\u003cp\u003e3 photographs of jurors; 1 photograph of sculpture; 1 photograph of tempera painting; correspondence with jury; checklists; shipping information and receipts; clippings; dinner lists and plans; correspondence with lenders; label copy; Ben Shahn catalog; biographical information; insurance information\u003c/p\u003e","\u003cp\u003e1963 Virginia Artists blank; shipping information and receipts; correspondence with artists; label copy; biographical information\u003c/p\u003e","\u003cp\u003e2 drawings (1 by her, 1 by Leslie Cheek); checklist with values; correspondence with artist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eEntry cards; shipping information and receipts; sale information; correspondence with artist; insurance information; Council Preview Party gifts information (new); check stubs; list of entrants; preview mailing list for businesses\u003c/p\u003e","\u003cp\u003eVirginia Artists jury memo (1/25/57); blank certificates (signed); traveling exhibition checklist; 1957 prospectus; label copy; copy of 1936 catalog; speech copy; Bulletin copy; annotated 1955 blank; prospectus list; entry requests; catalogs and brochures from other exhibitions; prospectus copy; catalog copy; schedule; correspondence with publicity; shipping information and receipts; correspondence with jury; clippings; certificate recommendation list; jury report; correspondence with artists; biographical information on certificate winners\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with artists; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eDrawing of layout\u003c/p\u003e","\u003cp\u003e3 photographs of installation (location unknown, not VMFA); correspondence with American Institute for Graphic Arts (organizer); shipping information and receipts\u003c/p\u003e","\u003cp\u003e\"A Brief Description of the 'New World Achievement' Exhibit,\" invitation and drawing; label copy; checklists; schedules; Jamestown materials for 1957 festival; list of lenders; for letter draft; credits; musical selections; annotated invitation; correspondence with Jamestown Committee members; copy of Commission report; shipping information and receipts; invitation copy\u003c/p\u003e","\u003cp\u003eIllustration lists for panels; label copy\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; research and information panel copy\u003c/p\u003e","\u003cp\u003e1 photograph of a plate; correspondence with lenders; shipping information and receipts; information request forms; label samples\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with lenders; shipping information and receipts; information request forms\u003c/p\u003e","\u003cp\u003eInformation on VMFA and Jamestown Festival\u003c/p\u003e","\u003cp\u003eCorrespondence with ESU re: speaker and other events; correspondence with embassy; clippings; invitations; speaker publicity\u003c/p\u003e","\u003cp\u003eChecklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of VMFA Summer Calendar\u003c/p\u003e","\u003cp\u003e1 drawing; photograph; checklist; catalog; publicity materials from AFA (organizer); measurement lists; correspondence with AFA; correspondence with Near East College Association (co-organizer); shipping information and receipts; label copy; checklists with values\u003c/p\u003e","\u003cp\u003e2 photographs; \"Emblem of the 1957 R.S. Reynolds Memorial Award\"; 20th century works of art catalogue from the University of Illinois-Urbana; label copy; AFA publicity materials; Reynolds Memorial Award publicity materials; correspondence with AFA; correspondence with Reynolds; correspondence with artist\u003c/p\u003e","\u003cp\u003e1 drawing, 7 photographs, press release; checklists; label copy; shipping information and receipts; MOMA publicity materials; correspondence with MOMA; label copy; condition report\u003c/p\u003e","\u003cp\u003e1 application; 2 memos\u003c/p\u003e","\u003cp\u003eCouncil member letter (2/1/57); \"The Big Frame-Up,\" script and cast list; volunteer lists by reject type; Council proposal for buying Virginia Art; preview invitations; clippings; correspondence with and between Council members; invitation copy; prize list\u003c/p\u003e","\u003cp\u003e1 photograph (Joseph Gilliard); correspondence with artists; invitation correspondence; checklists; biographical information; shipping information and receipts; photograph orders; label copy\u003c/p\u003e","\u003cp\u003eInvitation, traveling exhibition checklist; label copy; shipping information and receipts; checklists; correspondence with publicity; correspondence with artists; biographical information; correspondence with AFA; catalog of other comic show in NYC; press release copy; AFA Catalog 1957-58; photograph orders\u003c/p\u003e","\u003cp\u003e1 photograph of speaker (Rorimer); correspondence with speakers (library lecture series); list of speaker possibilities\u003c/p\u003e","\u003cp\u003eChecklists; shipping information and receipts (re: return of traveling show)\u003c/p\u003e","\u003cp\u003eInvitation to children's play; correspondence re: children's events, including play\u003c/p\u003e","\u003cp\u003eMembership letters; blank application; list of dropped group members with form letter; memo re: procedure\u003c/p\u003e","\u003cp\u003eIntroduction letter (9/28/56); letter (1/15/57); menu; correspondence and planning re: Council luncheon and other meetings; list of Council programs for year; correspondence; shipping information and receipts for lecture supplies; clippings\u003c/p\u003e","\u003cp\u003e4 photographs (Iris Nordquist?); label copy; correspondence with artists; shipping information and receipts; biographical information; checklists\u003c/p\u003e","\u003cp\u003eAn example file: instructions regarding how to do the shows, rules, etc. plus samples of forms and documents\u003c/p\u003e","\u003cp\u003eMemos and notes re: quality of transparencies used for postcards\u003c/p\u003e","\u003cp\u003eCorrespondence re: adult photography class taught by Burris (Gordon G.), staff photographer; correspondence with manufacturers re: enlargers; equipment brochures\u003c/p\u003e","\u003cp\u003eCorrespondence and agreements re: film society showings for year\u003c/p\u003e","\u003cp\u003e5 Remington Rand catalogs; Library and filing supplies; correspondence with other librarians (arts); correspondence with possible applicants; results of art resources surveys; list of equipment desired; list of periodicals [bunch of \"Habiliments\" material]\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; correspondence; correspondence with artists; sales information; repairs, shipping information and receipts\u003c/p\u003e","\u003cp\u003eForm letter from Rhoads to members\u003c/p\u003e","\u003cp\u003eCorrespondence and memos from McClellan \u0026amp; Velz (PR and publicity-related) [Richard Velz, Division Head, Administrative Division; E.T. McClellan, Public Information Head]\u003c/p\u003e","\u003cp\u003e1 photograph (Thomas Kenneth Rowe); 4 photographs of paintings; correspondence with artists; checklists; shipping information and receipts; biographical information; clipping\u003c/p\u003e","\u003cp\u003eLabel copy; shipping information and receipts; correspondence with artists; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; label copy; shipping information and receipts (no catalog published for this one)\u003c/p\u003e","\u003cp\u003ePreview invitation; 2 photographs; layout drawing; label copy; correspondence with ICA Boston (organizer) \u0026amp; Detroit Institute of Arts; correspondence with Winston; checklists; shipping info and receipts; catalog of collection at University of Michigan\u003c/p\u003e","\u003cp\u003e7 photographs; label copy; shipping information and receipts; correspondence with artists; checklists; clippings; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph; label copy; AFA publicity materials; correspondence with lenders; shipping information \u0026amp; receipts; credits; correspondence with designer (Oenslager); clippings; biographical information; 1 copy of catalog; AFA brochure (1957-1958)\u003c/p\u003e","\u003cp\u003e2 photographs; AFA materials; correspondence with AFA; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003ePanel layout drawing; 1 photograph; checklist; list of lenders; label copy; checklists; Carnegie press releases (organizer); correspondence with ICA Boston (circulator); correspondence with Carnegie; correspondence with lecturers; shipping information and receipts; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Smithsonian; Smithsonian press release; checklist; shipping information and receipts; label copy; 1 copy of catalog\u003c/p\u003e","\u003cp\u003e6 photographs (Barbee); 6 photographs (Lou Ponder-Rogers); checklists; correspondence with artists; shipping information and receipts; biographical information; various catalogs; label copy\u003c/p\u003e","\u003cp\u003e6 photographs (Thomas Gorman); 6 photographs (Marilyn Downes-Bennett); shipping information and receipts; correspondence with artists; checklists; label copy\u003c/p\u003e","\u003cp\u003e1 drawing; duplicate: invitation letter; \"Art Lending Service\"; press release; mailing list; Bulletin copy; invitation copy; copy of 1947 catalog; correspondence with artists; list of eligible artists; list of previous rotating exhibitions\u003c/p\u003e","\u003cp\u003e1 layout drawing; 2 photographs; checklists; label copy; correspondence with Warburg; shipping information and receipts; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eCopy of invitation; miscellaneous memos\u003c/p\u003e","\u003cp\u003e1 American classics drawing; 1 duplicate Skidmore, Owings, Merrill layout drawing; 1 copy of a gallery catalogue from New York; checklists; list of preview guests; shipping information and receipts; promotion plan; correspondence with publicity; promotion plans; press release\u003c/p\u003e","\u003cp\u003e\"SOM Projects,\" clipped prose and labels; label copy; copy of MOMA Bulletin on SOM (Fall 1950), XVIII, 1\u003c/p\u003e","\u003cp\u003eFolder with label on front \"William Rhodes\" scheduling events surrounding opening of new Reynolds Metals Building; correspondence with publicity; correspondence with SOM; correspondence with Reynolds; shipping information and receipts; preview plans\u003c/p\u003e","\u003cp\u003e1 photograph (Colorado Springs Air Force Academy); 1 photograph (Frederick D. Nichols, professor at School of Architecture, UVirginia); label copy; correspondence with publicity; Reynolds Metals opening schedule; annotated press releases; clippings, correspondence with potential speakers; Bulletin; shipping receipts\u003c/p\u003e","\u003cp\u003e5 photographs and 1 slide; correspondence with Reynolds; correspondence with publicity; correspondence with William O'Neal, lots of miscellaneous correspondence\u003c/p\u003e","\u003cp\u003eAround 10 magazine clippings\u003c/p\u003e","\u003cp\u003e1 photograph; clippings; press release; \"1962 American Painting\" catalog; \"The Story of Steuben Glass\" book\u003c/p\u003e","\u003cp\u003e1 photograph (duplicate); 1 drawing of pedestal; label copy; correspondence with Steuben glass; shipping information and receipts\u003c/p\u003e","\u003cp\u003e9 photographs; 1 drawing; 1 duplicate photograph (Dorothy Miner); label copy; correspondence with Andrew Wyeth; correspondence with lenders; correspondence with local librarians; correspondence with speaker (Dorothy Miner); 1 copy of invitation; 3 annotated copies of catalog of paintings at Knoedler; shipping information and receipts; biographical information\u003c/p\u003e","\u003cp\u003eDocumentation; correspondence and schedules for school group tours, all ages and subjects; some docent information\u003c/p\u003e","\u003cp\u003e1 copy of November 1958 – 44:11\u003c/p\u003e","\u003cp\u003e1 folder of press releases, VMFA Bulletin, 2 photographs, called \"News About our New General Office Building.\"\u003c/p\u003e","\u003cp\u003e1 folder with label \"Mrs. M.B. Christison\" with opening schedule information\u003c/p\u003e","\u003cp\u003e1 photograph (Edwin Burr Pettit – Brandeis lectures); information re: Council lecture-luncheon 1957; handouts; reservation cards; correspondence, Lecture Series schedule; correspondence with potential lecturers; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence re: mailing list and press releases\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity; publishers and personalities; printer\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with publicity; correspondence with dealers; press releases, Poussin material; mailing list\u003c/p\u003e","\u003cp\u003eCorrespondence with Professor of Applied Social Research at Columbia re: public relations\u003c/p\u003e","\u003cp\u003e1 drawing; shipping information and receipts; correspondence; label copy; correspondence with lenders; UVirginia catalog\u003c/p\u003e","\u003cp\u003e3 drawings; 9 photographs; 1 duplicate photograph; label copy; exhibition catalog from L'Art Ancien, S.A. Zurich; correspondence with Brooklyn; shipping information and receipts; invitation copy; 1 copy of invitation; clippings; AFA materials and correspondence\u003c/p\u003e","\u003cp\u003e\"Virginia Artists Jurying: Requested Arrangements \u0026amp; Operations\"; 17 photographs (1 of Perrin - labeled, 1 of Bertoia - hat, 1 of Lee – other; correspondence with potential jurors; correspondence with jurors; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 photograph; invitation (3 copies scattered); 1 drawing; checklists; biographical information; label copy; correspondence with Aldrich; catalog correspondence; correspondence with publicity; catalog copy; shipping information and receipts; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with printer re: catalog; \"thank yous\" for exchange or gift of catalog\u003c/p\u003e","\u003cp\u003e\"Complete Catalog\" copy; correspondence with artists; information requests; shipping information and receipts; 1 certificate (signed by Sherman Lee); clippings; correspondence with jurors; schedules; lists of entries by place; entries (completed); certificate recommendations; prospectus copy; clippings; checklists; other institutions' prospectuses; other catalogs; correspondence with publicity\u003c/p\u003e","\u003cp\u003e1 drawing; catalog copy; 1 copy of prospectus; label copy; prospectus proof\u003c/p\u003e","\u003cp\u003eCorrespondence with winners; list of certificates; list of recommendations\u003c/p\u003e","\u003cp\u003e15 photographs; 1 drawing; correspondence with Metropolitan Museum of Art (speaker); label copy; correspondence with Minneapolis Institute of Art (lender); checklist; shipping information and receipts\u003c/p\u003e","\u003cp\u003e5 photographs; correspondence with potential lenders; correspondence with APVirginia; correspondence with Virginia State Bar; checklists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with the Olsen Foundation (lender); 1 copy of catalog; shipping information and receipts; checklist\u003c/p\u003e","\u003cp\u003e12 photographs (whoever had show October 7- November 4, 1956); catalogue; research; checklists; correspondence with Olsen Foundation\u003c/p\u003e","\u003cp\u003eSuggestion for gala fundraiser\u003c/p\u003e","\u003cp\u003eCorrespondence with VHS\u003c/p\u003e","\u003cp\u003eCorrespondence with artists re: eligibility; old Virginia artists catalogues (1953 \u0026amp; 1955); prospectus and rules\u003c/p\u003e","\u003cp\u003e1959 catalogue; lists of eligible artists; label copy\u003c/p\u003e","\u003cp\u003e3 negatives, 5 photographs; correspondence with lenders (NYPL, Wadsworth, Met); checklists; chipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Virginia State Bar Association\u003c/p\u003e","\u003cp\u003e7 small photographs (Broaddus); 5 photographs (Russi); 5 photographs – prints – (Turner); correspondence re: sales; biographical information; correspondence with artists\u003c/p\u003e","\u003cp\u003e1 photograph (Davenport); 9 photographs (Davenport); 1 photograph (Jones); 4 photographs (Jones); checklists; label copy; correspondence with artists; biographical information; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; request for information forms\u003c/p\u003e","\u003cp\u003eReceipts\u003c/p\u003e","\u003cp\u003e7 photographs (I. Moore?); 7 photographs (Lois Jacobsen); 7 photographs (Bill Gaines); 1 photograph (Jacobsen); correspondence with artists; shipping information and receipts; invitation copy; correspondence re: sales\u003c/p\u003e","\u003cp\u003e4 photographs; 1 drawing (duplicate); duplicate: catalog list (blue); correspondence with AFA; AFA materials; clippings; biographical information on lecturer; checklist; correspondence with publicity; preview dinner plans; shipping information and receipts; 1 copy of catalogue\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; publication exchange cards; checklists; committee member list; correspondence re: catalog\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph (Basil Taylor); 1 duplicate photograph of unknown; 1 duplicate photograph (Alice Higgins); 1 drawing; clippings; biographical information on Sports Illustrated photographers; press releases; checklists; mailing lists; budget\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003eClippings; publication exchange cards; correspondence with publicity; 1 copy each of 2 invitations; dinner seating arrangement\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders\u003c/p\u003e","\u003cp\u003eDinner reservation list; dinner invitation (March 1960); list of patrons; budget information; invitation copy; shipping information and receipts; financial reports; correspondence with publicity; travel plans, correspondence with Basil Taylor; 1 copy each of 2 invitations; correspondence with Mellon\u003c/p\u003e","\u003cp\u003eResearch; checklists; correspondence with possible lenders; correspondence with Corcoran (organizer of Sports Illustrated exhibition); other exhibition catalogs; correspondence with Mellon; clippings; committee correspondence; label copy; correspondence with publicity; correspondence with ambassadors; invoices; issue of \"Sport \u0026amp; the Horse: The Chronicle,\" (4/1/60)\u003c/p\u003e","\u003cp\u003e1 drawing of dinner arrangement; correspondence with lenders; correspondence with committee members (including Mellon); shipping information and receipts; correspondence re: catalog; travel plans; invitation copy; correspondence with lecturer; correspondence with ambassadors\u003c/p\u003e","\u003cp\u003e3 photographs of packing Manet's \"Races at Longchamp, Paris\"; correspondence with lenders; shipping information and receipts; correspondence with Mellon; correspondence with publicity; correspondence re: damage to Manet\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with Blunt (Courtauld) and with royal collection\u003c/p\u003e","\u003cp\u003eCatalog copy; 1 letter from the Palais du Louvre\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; correspondence with committee members; list of patrons; requests to join committee\u003c/p\u003e","\u003cp\u003eCorrespondence with Constable, consultant to exhibition (former curator, MFA Boston); Courtauld Director; Art History Professor, University of London)\u003c/p\u003e","\u003cp\u003eCorrespondence with Bourlet \u0026amp; Sons\u003c/p\u003e","\u003cp\u003eCorrespondence with Duveen \u0026amp; Walker (insurance brokers); copy of policy\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; various lists\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders; preliminary loan list\u003c/p\u003e","\u003cp\u003e1 photograph of Sir Robert Walpole by Wootton; shipping information and receipts; correspondence with lenders; correspondence with Paul Mellon; handwritten list of lenders\u003c/p\u003e","\u003cp\u003eChecklists; item cards\u003c/p\u003e","\u003cp\u003eBudget tracking (including dinners); list of contributors; correspondence with Department of Accounts; receipts with correspondence; gala invitation copy; correspondence with publicity; correspondence with Mellon; 1 invitation; gala planning; menu copy; various ad rate cards (including Sports Illustrated); \"The Sports Illustrated Guide to Regional Marketing,\" with Sports Illustrated issue 4/18/60\u003c/p\u003e","\u003cp\u003e1 duplicate photograph of \"Brown Horse \u0026amp; Spaniel\" by Stubbs; correspondence re: repair (blister) of Stubbs' painting lent by Katherine Gilbey of England\u003c/p\u003e","\u003cp\u003e2 photographs (of Stubbs' Hambletonian, Rubbing Down receipt); correspondence with lender (Estate of the Dowager Marchioness of Londonderry); shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence of the British Council\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalogue\u003c/p\u003e","\u003cp\u003eRequests for catalogue\u003c/p\u003e","\u003cp\u003eChecklists by lenders, artists, type\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders\u003c/p\u003e","\u003cp\u003eMiscellaneous correspondence re: Sport \u0026amp; the Horse\u003c/p\u003e","\u003cp\u003eCorrespondence with Murray, librarian at the Witt Library, Courtauld\u003c/p\u003e","\u003cp\u003eCatalogue copy; label copy\u003c/p\u003e","\u003cp\u003eOver 100 plus photographs!\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; suggested publicity plan; clippings, correspondence especially Basil Taylor [Librarian, Royal College of Art, London] and W.G. Constable; checklists (essentially Muriel Christison's file)\u003c/p\u003e","\u003cp\u003eShipping information and receipts\u003c/p\u003e","\u003cp\u003eCompleted request for information forms; packet of information on paintings from Wildenstein\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers; checklists; correspondence\u003c/p\u003e","\u003cp\u003e3 photographs of Monet's painting packed; 1 photograph of James Ward \u0026amp; Skewbald Stallion; correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003e1 duplicate photograph (Gilpin's Gulliver \u0026amp; Houyhnhnms); correspondence with Basil Taylor (Librarian, Royal College of Art); essentially Muriel Christison's correspondence file; biographical information; catalog copy; label copy; checklists\u003c/p\u003e","\u003cp\u003e6 Prentiss Taylor photographs, 1 photograph of Taylor, 1 photograph of Lazaron exhibition; correspondence with artists; sale information; other catalogs; biographical information; clippings; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eProspectus copy; misfiled correspondence\u003c/p\u003e","\u003cp\u003eProspectus copy\u003c/p\u003e","\u003cp\u003e1 photograph of installation; 6 slides (unlabeled); 1 copy of prospectus; correspondence re: jurors and jurying; list of certificate winners; correspondence with winners; dinner replies; other catalogs; correspondence with artists; correspondence with jurors\u003c/p\u003e","\u003cp\u003e1 drawing; 1 copy of 20th Photographic Salon prospectus (blue); 2 posters from Virginia Art Directors Club 57th Annual Exhibition; Mariners Museum catalogs, etc. (lots of prospectuses and catalogs for similar exhibitions; entry requests; correspondence with jurors; jurying information\u003c/p\u003e","\u003cp\u003eChecklists; notes; 1 copy of 20th Virginia Photographic Salon invitation and catalog; press release\u003c/p\u003e","\u003cp\u003eADP prospectus; requests for entry; mailing lists; correspondence with Camera Club \u0026amp; Photographic Society of America; annotated copies of 20th Virginia Salon catalog; 1 copy of PSA Journal 1960 – membership list\u003c/p\u003e","\u003cp\u003eSale information; checklists; correspondence with artists; insurance information; biographical information; shipping information and receipts\u003c/p\u003e","\u003cp\u003e3 duplicate photographs of artists, 1 photograph of panel; biographical information; correspondence with artists; checklists; shipping information and receipts; correspondence with publicity\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; checklists; shipping information and receipts; sales information; biographical information\u003c/p\u003e","\u003cp\u003e\"Art Lending Service,\" generic invitation; correspondence with artists\u003c/p\u003e","\u003cp\u003e\"Notice to Virginia Photographers,\" 1 drawing, 1 photograph of juror [Hoyt L.] Roush; prospectus copy; entry requests; checklists; annotated prospectus; information re: jurying; correspondence with jurors; correspondence with Camera Club; catalog copy; copies of 18th \u0026amp; 19th photographic salon catalogs; lists of winners; shipping information and receipts; biographical information\u003c/p\u003e","\u003cp\u003e20th Photographic Salon prospectus; other catalog; entry requests; prospectus copy; ADP prospectus copy; clippings; news release; 1 drawing of ADP layout (already have it)\u003c/p\u003e","\u003cp\u003e1 drawing; 1 copy of catalog; correspondence with MOMA (organizer); MOMA materials; shipping information and receipts; label copy; checklists; contract\u003c/p\u003e","\u003cp\u003eTwo 12/1/59 press releases; 3 photographs from 1/2/60; press release; clippings; correspondence with publicity; list of attendees; correspondence with UNESCO\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors; shipping information and receipts; correspondence with lenders; completed request for information forms\u003c/p\u003e","\u003cp\u003e2 negatives of Joseph A. White (shipper) and Perry Rathbone (Director, MFA Boston); checklists; correspondence with publicity; correspondence with lenders; biographical information; list of events; 2 prints of negatives\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders\u003c/p\u003e","\u003cp\u003eInvitation copy; catalog copy; annotated Sport and the Horse invitations, programs and menus; copy of \"Brief History of Virginia Museum,\" lecture copy\u003c/p\u003e","\u003cp\u003eCorrespondence with CW's President; biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with Gibbs (President of Gibbs \u0026amp; Cox, Architects); biographical information\u003c/p\u003e","\u003cp\u003eBiographical information (of Lehman Brothers, investment banking); correspondence with Lehman\u003c/p\u003e","\u003cp\u003eCorrespondence with Marshall Fredericks (accepted Carl Milles award); biographical information; correspondence with Mrs. Milles\u003c/p\u003e","\u003cp\u003eAnnual reports (1956-58, 51-55, 41-50); biographical information on Ernest Brooks (President of Foundation) and correspondence with Brooks; miscellaneous correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence with Saarinen; biographical information (correspondence re: Arts in Virginia article)\u003c/p\u003e","\u003cp\u003eNotes; correspondence with contributors; correspondence with vendors\u003c/p\u003e","\u003cp\u003e25 photographs; 1 duplicate photograph; correspondence with lenders and directors of lending institutions; biographical information\u003c/p\u003e","\u003cp\u003e1 copy of preview invitation; list of invitees; drafts of publicity correspondence; correspondence with governor; memos\u003c/p\u003e","\u003cp\u003eVarious checklists\u003c/p\u003e","\u003cp\u003eMore checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders (in alpha order of lenders)\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders (compiled by lender)\u003c/p\u003e","\u003cp\u003e1 letter to Director of Toledo Museum of Art\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity (compiled by institution)\u003c/p\u003e","\u003cp\u003e33 duplicate photographs; 9 new photographs; shipping information and receipts; requests for information forms\u003c/p\u003e","\u003cp\u003e24 duplicate photographs; 4 new photographs; shipping information and receipts; requests for information forms [n.b.: some overlap between folders 8 and 9]\u003c/p\u003e","\u003cp\u003eShipping information and receipts with new form: \"Collection Memo \u0026amp; Receipt.\"\u003c/p\u003e","\u003cp\u003e1 drawing; 3 maps of table arrangements with names; 1 letter of thanks to Miller \u0026amp; Rhoads\u003c/p\u003e","\u003cp\u003e\"Virginia Artists Jurying\"; 1 photograph; completed entry blanks; prospectus copy; correspondence with artists; correspondence re: sales; shipping information and receipts; list of certificate winners; labels; budget information; correspondence with jurors; prospectus proofs; correspondence re: damages; list of invitees for collectors reception\u003c/p\u003e","\u003cp\u003eSmall bit of correspondence; prospectus copy\u003c/p\u003e","\u003cp\u003e5 photographs; correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003ePress release form; SITES checklist; SITES press release, 3 photographs; collection of memos and receipts; press release copy; correspondence with venders; staff memos; checklists; clippings; shipping information and receipts; request for information forms; SITES contract\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence re: sales; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence re: sales; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence re: sales; shipping information and receipts; biographical information; overall rotating schedule; insurance form (new that year)\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with artists; shipping information and receipts; checklists, insurance form\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; shipping information and receipts; other catalog; checklists; insurance forms\u003c/p\u003e","\u003cp\u003e1 drawing; correspondence with publishers and booksellers; correspondence with American Institute of Graphic Arts (circulator); shipping information and receipts; label copy; insurance form\u003c/p\u003e","\u003cp\u003e5 photographs; label copy; research, correspondence with AFA (circulator); AFA materials; checklists; exhibition contract; press releases; shipping information and receipts; 1 copy of invitation\u003c/p\u003e","\u003cp\u003e1 photograph; 1 drawing; 1 copy of invitation; correspondence with artist (Ruth Perkins Safford); label copy; price list; invitation copy; traveling exhibition checklist\u003c/p\u003e","\u003cp\u003e9 photographs; 1 duplicate photograph; correspondence with MOMA (organizer and circulator); label copy; shipping information and receipts; 1 copy of invitation; MOMA materials; checklists\u003c/p\u003e","\u003cp\u003e3 photographs; shipping information and receipts; correspondence with artists; lists of all eligible artists\u003c/p\u003e","\u003cp\u003eLabel copy; correspondence with artists; correspondence with lenders; insurance form, checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 drawing; duplicate: preview invitation; AFA materials (circulator); panel copy; 1 copy of Bulletin (November 1961); checklists; label copy; exhibition contract; correspondence with AFA; shipping information and receipts; AFA informational card (1 copy); correspondence re: sales\u003c/p\u003e","\u003cp\u003eList of private purchasers; correspondence with artists; check receipts; shipping information and receipts; signed release forms (when items were released from museum custody); checklists; \"Report of the Council Committee for the Virginia Artists' Exhibition, 1961\"; list of business purchasers\u003c/p\u003e","\u003cp\u003e\"Art Lending Service,\" \"Release Form,\" 1 drawing, \"Artist Form,\" another \"Art Lending Service\"; correspondence; schedule; procedures\u003c/p\u003e","\u003cp\u003e\"Virginia Artists Jurying,\" \"Collectors' Reception\" (2/24/59), \"Tax Consequencies of Gifts of Picture,\" \"List of Firms\"; correspondence; invitation copy; memos; catalog and prospectus copy for 1961 show; label copy; procedures re: sales; check receipts\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with artist; recommendation from Cheek; biographical information\u003c/p\u003e","\u003cp\u003e1 bound copy of \"Cross-Examination of an Art Collection\" by Fred L. Palmer; correspondence with Palmer; checklists; shipping information and receipts; list of valuations; biographical information; collection memo and receipt; insurance report form\u003c/p\u003e","\u003cp\u003e3 pieces of correspondence re: possible Eisenstaedt exhibition\u003c/p\u003e","\u003cp\u003e2 photographs (duplicates); research; checklists; insurance report forms; shipping information and receipts; collection memo and receipts; label copy\u003c/p\u003e","\u003cp\u003ePanel copy; label copy\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; correspondence with artists; insurance report forms; Virginia Artist application; checklists\u003c/p\u003e","\u003cp\u003eInvitation; label copy; clippings; correspondence with Railey (Mrs. Howard); research; auction catalogue: Hotel Drouot, 20 November 1861; shipping information and receipts; checklists; insurance report form\u003c/p\u003e","\u003cp\u003e5 photographs, 1 drawing; correspondence with Director, H. Bryan Caldwell; checklists; collection memo and receipts; insurance report forms; research; press release; copies of Norfolk Museum Bulletins; Norfolk materials; 1 copy of \"Hugh Gordon Miller Collection of Paintings\"; correspondence with other Norfolk staff; 1 copy of \"The Great Mace of Norfolk\"; shipping information and receipts\u003c/p\u003e","\u003cp\u003eFact sheet; catalog copy; list of winners; copy of speech at preview\u003c/p\u003e","\u003cp\u003eProspectus copy; signed endorsement of prospectus by AIA, Virginia Chapter; prospectus proof\u003c/p\u003e","\u003cp\u003eSigned certificates of distinction; prospectus copy; correspondence with jurors; biographical information; jury instructions; fact sheet\u003c/p\u003e","\u003cp\u003eJury instructions; fact sheer; list of winners\u003c/p\u003e","\u003cp\u003eLabel copy; insurance report form; memos; shipping information and receipts; correspondence with artists; biographical information\u003c/p\u003e","\u003cp\u003e2 photographs, 1 drawing; label copy; correspondence with lender; correspondence with Basil Taylor; correspondence re: insurance; shipping information and receipts; police stand information\u003c/p\u003e","\u003cp\u003e1 drawing; label copy; police stand information; correspondence with artists; correspondence with Hayes (Director of Addison); biographical information\u003c/p\u003e","\u003cp\u003e1 copy of catalog; 1 copy of \"Artist-Craftsmen of Western Europe\" Catalog; unsigned invitation forms from Hayes; copies of telegraph information requests; label copy; correspondence with artists; correspondence with lenders\u003c/p\u003e","\u003cp\u003e7 photographs; 1 copy of catalog; catalog copy; correspondence re: possible purchase of Nell Blaine painting\u003c/p\u003e","\u003cp\u003e2 photographs, invitation; correspondence re: damage; shipping information and receipts; correspondence re: insurance [other correspondence: with artists; re: catalog; with publicity; with Hayes; re: lecture; with lenders; press releases; copy of Time magazine 1/19/62 re: Yu-Ho]; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; signed invitation forms; a few other catalogs\u003c/p\u003e","\u003cp\u003e22 new photographs; 8 duplicate photographs; some correspondence re: photographs\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; checklists; insurance report form\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with contributors to AIV and Miss Christine Alexander, former curator at the Met \u0026amp; now advisor on Greek art to VMFA; staff memos; label copy; checklists; correspondence re: photographic panels for exhibition\u003c/p\u003e","\u003cp\u003eResearch (including sketches by Christine Alexander); notes; label copy\u003c/p\u003e","\u003cp\u003ePress release; checklist; label copy\u003c/p\u003e","\u003cp\u003e41 photographs; 12 duplicate photographs; label copy; correspondence with publicity; memos\u003c/p\u003e","\u003cp\u003e1 drawing; label copy; checklists; shipping information and receipts; correspondence with Karolik; research; collection memo and receipt; insurance report form\u003c/p\u003e","\u003cp\u003e12 photographs; correspondence with publicity; correspondence with potential lenders; correspondence with lenders; Jamestown Festival materials; correspondence with Jamestown; label copy\u003c/p\u003e","\u003cp\u003e8 photographs; correspondence with artists; insurance report forms; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003e1 photograph; 1 duplicate photograph; 1 duplicate information sheet [\"Collectors Circle,\" 4/30/62]; shipping information and receipts; information request form; correspondence with collectors; label copy; schedule of \"expert\" lecture; insurance report form; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eLabel copy; memos; correspondence with potential lenders; correspondence with SITES; correspondence with various Civil War Centennial Commissions; loan contracts (SITES); checklists; SITES materials; press releases; shipping information and receipts\u003c/p\u003e","\u003cp\u003e12 photographs, 1 sealed envelope with possible photographic material ;checklists; label copy; correspondence with artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e14 photographs; correspondence with artist; biographical information; memos; shipping information and receipts; insurance report form; clippings; label copy\u003c/p\u003e","\u003cp\u003e5 photographs, 10 slides (Bristow); correspondence with artist; correspondence re: sale; press release, biographical information; memos; label copy; checklists; insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; 1 annotated copy of \"Stravinsky and the Dance,\" NYPL, 1962\u003c/p\u003e","\u003cp\u003e7 photographs; 2 duplicate photographs; staff memos; correspondence re: preview; correspondence with lenders; correspondence with AFA (circulator); checklists; correspondence with publicity\u003c/p\u003e","\u003cp\u003eSample of stuffed envelope to be weighed for postage\u003c/p\u003e","\u003cp\u003e7 photographs; duplicates: checklist, suggested press release; correspondence with SITES; SITES materials; exhibition contract; staff memos; 1 copy of SITES catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Thorne (potential Virginia Artist)\u003c/p\u003e","\u003cp\u003eStaff memos; correspondence with potential and real lenders; checklists; collection memo and receipts; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 copy of Saturday Review 6/18/62\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; various checklists; completed applications; blank applications (1 annotated; 1 not)\u003c/p\u003e","\u003cp\u003eApplication packet; completed applications\u003c/p\u003e","\u003cp\u003eCorrespondence with Goodrich (Director of Whitney); lecture schedule (for all lecturers for chapters and affiliates)\u003c/p\u003e","\u003cp\u003eCorrespondence with Rich (Director at Worcester); proposed schedule for Rich\u003c/p\u003e","\u003cp\u003eCorrespondence with Walker (Director, National Gallery of Art, DC); proposed schedule for Walker\u003c/p\u003e","\u003cp\u003e2 photographs [Robert Lippold, Perry Rathbone]; duplicates: loan/own letter (8/10/62); Dear Virginia Artist (1/16/63); correspondence with artists; 2 label panels; checklist of eligible artists; prospectus copy; list of awards\u003c/p\u003e","\u003cp\u003e1 press release\u003c/p\u003e","\u003cp\u003e\"Curator's Choice: Collectors' Opportunity\" (orange); \"$50 Hens\" (blue); \"Procedure for Party\"; label copy; staff memos; text of speech; \"rules of etiquette\"; purchase request cards\u003c/p\u003e","\u003cp\u003e'62 ADP catalog; old prospectuses; catalog copy; staff memo\u003c/p\u003e","\u003cp\u003e1 drawing; 1 invitation; correspondence with artists; checklists (actually price lists); insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003ePress release (9/8), 16 duplicate photographs, 7 new photographs, 1 contact sheet; 1 copy of Arts in Virginia (Spring 1962); correspondence with RMWC; checklists; correspondence with publicity\u003c/p\u003e","\u003cp\u003eSuggested press release; checklist (circulated by MOMA); shipping information and receipts; MOMA materials; label copy; correspondence with MOMA\u003c/p\u003e","\u003cp\u003e10 photographs; 1 copy of \"Finlandia\" catalog; correspondence with SITES. Correspondence with John Rorimer (Director of the Met); correspondence with AFA; correspondence with Finnish Society of Crafts \u0026amp; Designs [didn't take place!]\u003c/p\u003e","\u003cp\u003eCorrespondence with Rosenwald; correspondence with Walker \u0026amp; Brown at NGA; work schedule; correspondence with lenders; shipping information and receipts; staff memos; list of invitees to preview dinner; collection memo and receipt; 1 copy of invitation; foreword copy\u003c/p\u003e","\u003cp\u003eCatalog copy; catalog proofs; miscellaneous correspondence; foreword copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Philadelphia Museum; shipping information and receipts; insurance report form; correspondence with Rosenwald\u003c/p\u003e","\u003cp\u003e3 photographs; shipping information and receipts; correspondence with SITES; checklists; press release; SITES materials; contract; label copy\u003c/p\u003e","\u003cp\u003eAnnotated copies of old prospectuses and catalogs; catalog copy\u003c/p\u003e","\u003cp\u003eMailing lists; list of hometowns; correspondence with artists; statistics; correspondence re: sales\u003c/p\u003e","\u003cp\u003e1963 catalog; prospectus copy; catalog copy; catalog proof\u003c/p\u003e","\u003cp\u003eCertificate (1 signed; few unsigned), invoices (purchasers and file copies); checklists; presentation schedule; correspondence with artists\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; staff memo with form letters; Council letter (5/5/65)\u003c/p\u003e","\u003cp\u003eMemos re: visit of Carl Weinhardt, juror; various staff memos; various form letters\u003c/p\u003e","\u003cp\u003eLetter to purchaser from 20th exhibition, receiving and handling of prospectus and works (2/19/65); jurying procedures (3/18/65); dear Virginia Artist Printmaker; various staff memos; council committee report; Council form letters; correspondence with artists; various form letters; 1 copy of 1963 prospectus\u003c/p\u003e","\u003cp\u003e1 slide; lists of works purchased; label copy; insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003e3 drawings; duplicates: invitation; 1 copy of Bulletin (September 1965); collection memo and receipts; 1 copy of catalog; correspondence with lenders; correspondence with Moore; checklists\u003c/p\u003e","\u003cp\u003e\"Suggested Introduction,\" 2 photographs; schedule of trip; correspondence with Arnson; miscellaneous correspondence; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates: 1 clipping (Time 9/3/65); label copy; clippings; other invitations; Dictaphone belts with Henry Moore!; other catalogs; other press releases; transcription of interview\u003c/p\u003e","\u003cp\u003e34 new photographs; 6 duplicate photographs\u003c/p\u003e","\u003cp\u003eShipping information and receipts; request for information forms; checklists; correspondence; insurance report forms; 1 copy of catalog (annotated)\u003c/p\u003e","\u003cp\u003e1 annotated copy of \"William Blake: Poet, Printer, Prophet,\" by SITES\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates: \"Suggested press release,\" \"checklist, handling instructions\"; correspondence with SITES; SITES material; correspondence with Mellon (re: loans)\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with lenders and The Blake Trust; clippings\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Mellon; checklists; collection memo and receipts; shipping information and receipts; insurance report form\u003c/p\u003e","\u003cp\u003e7 photographs\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Rosenwald; correspondence with lenders; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e23 photographs; 2 duplicate photographs; correspondence with artists; photograph reproduction requests\u003c/p\u003e","\u003cp\u003eFact sheet for Virginia Artists 1963; correspondence with artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; lists of works purchased\u003c/p\u003e","\u003cp\u003eStaff memos and notes re: improvement suggestions\u003c/p\u003e","\u003cp\u003eCorrespondence with Oenslager re: possible lecture\u003c/p\u003e","\u003cp\u003eCorrespondence with museums for slides of their expansions for a lecture\u003c/p\u003e","\u003cp\u003e\"Fact Sheet – Virginia Artists Preview Committee-1965\"; copies of Bulletins (2/63 \u0026amp; 3/65); various fact sheets from previous Virginia shows; checklists; correspondence; staff memos; shipping information and receipts; correspondence with artists\u003c/p\u003e","\u003cp\u003e1 photograph: declined exhibition, \"Good Design in Toys,\" sponsored by Creative Playthings of Princeton and L.A.; correspondence re: denied exhibition proposals; some correspondence with jurors\u003c/p\u003e","\u003cp\u003eCatalog proofs; billing information; meeting minutes (Education in the Arts Committee); rough fact sheets; schedules; correspondence with artists; checklists; catalogue copy; label copy; annotated copy of ADP '64\u003c/p\u003e","\u003cp\u003eMemo re: AIA Dinner, 3/2/66; correspondence with artists; correspondence with associations; correspondence with Virginia AIA; clippings; budget information\u003c/p\u003e","\u003cp\u003eDuplicates: form letter from Bill Gaines (2/4/66); certificate of distinction (unsigned); reply card\u003c/p\u003e","\u003cp\u003e3 photographs (Arthur d'Arazien); duplicates: d'Arazien's biography; 1 photograph of Edgar Kaufmann (newsprint); correspondence with jurors; biographical information; clippings; press release\u003c/p\u003e","\u003cp\u003eEliot Elisofon's biography; 1 duplicate photograph (Elisofon); correspondence with jurors; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph (Louis Kahn); correspondence with juror (Kahn); schedules\u003c/p\u003e","\u003cp\u003e\"ADP Jury Schedule\"; 5 photographs; photocopy of contact sheet; comment notes; list of potential jurors; schedules; correspondence re: dinner and hosting\u003c/p\u003e","\u003cp\u003e\"Receiving and Handling of Material\" (11/29/65, \"Procedures for Jurying\" (1/19/66); staff memos; text of Walter Robertson's speech to dinner; notes re: jury report\u003c/p\u003e","\u003cp\u003eADP '62, ADP '64 catalogs; prospectus proofs; 1 copy of ADP '60 \u0026amp; '66 catalog; 1 copy of ADP '62, '64, '66 prospectuses\u003c/p\u003e","\u003cp\u003eADP slide commentary, 1966; checklists of selected entries; correspondence with artists; comments; fact sheet estimates\u003c/p\u003e","\u003cp\u003eVirginia ADP 1966: Traveling Designs, Traveling Photographs, Traveling Transparencies\u003c/p\u003e","\u003cp\u003e2 photographs; insurance report form; correspondence with Koplin; shipping information and receipts; biographical information; checklists; 1 copy of 9/65 Bulletin; clippings; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; duplicates: 10/65 Bulletin; internal memos; shipping information and receipts; other catalog; correspondence with Jackson\u003c/p\u003e","\u003cp\u003e12/65 Bulletin; 2 photographs; label copy; shipping information and receipts; internal memos; insurance report form; correspondence with Alexick; biographical information\u003c/p\u003e","\u003cp\u003e1 copy of 11/65 Bulletin; biographical information; label copy; insurance report form; correspondence with Biehl, checklists\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Belair; shipping information and receipts; insurance report form; 1 copy of 1/66 Bulletin; internal memos\u003c/p\u003e","\u003cp\u003e3 photographs; 2 photographs; biographical information; insurance report form; 1 copy of 2/66 Bulletin; shipping information and receipts; correspondence with Pienkowski\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph; 3/66 Bulletin; label copy; biographical information; shipping information and receipts; insurance report form\u003c/p\u003e","\u003cp\u003e2 photographs; label copy; shipping information and receipts; insurance report form; checklists; correspondence with Aldreth\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; insurance report form; shipping information and receipts; correspondence with Driskell; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; checklists; insurance report form; shipping information and receipts; 5/66 Bulletin; correspondence with artist; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; clippings; correspondence with artist; checklists; shipping information and receipts; insurance report form; 9/66 Bulletin; press releases; internal memos; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 3 photographs; 10/66 Bulletin; correspondence with artist; shipping information and receipts; biographical information; clippings\u003c/p\u003e","\u003cp\u003e3 photographs; label copy; clippings; correspondence with artist; insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph; correspondence with artist; insurance report form; shipping information and receipts; 12/66 Bulletin; clippings; label copy; letter to members from Leslie Cheek Jr. re: opening\u003c/p\u003e","\u003cp\u003e2 photographs; 3 photographs; correspondence with artist; insurance report form; 1/67 Bulletin; shipping information and receipts; biographical information; clippings; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 3 photographs; clippings; 2/67 Bulletin; correspondence with artist; insurance report form; shipping information and receipts; label copy; checklists; other brochure; blank gallery floor plan (photocopy)\u003c/p\u003e","\u003cp\u003eClipping; 3 photographs; insurance report form; shipping information and receipts; correspondence with artist; gallery map\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; correspondence with artist; 4/67 Bulletin; insurance report form; checklists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph; correspondence with artist; biographical information; 3/67 Bulletin; clippings; checklists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence trying to track artist down\u003c/p\u003e","\u003cp\u003e3 photographs; 4 photographs; 9/67 Bulletin; clippings; correspondence with artist; 1 copy of invitation; shipping information and receipts; biographical information; label copy\u003c/p\u003e","\u003cp\u003e3 photographs; 1 photograph; correspondence with artist; clippings; label copy; 10/67 Bulletin; 1 copy of invitation; shipping information and receipts; price list (hand drawn!)\u003c/p\u003e","\u003cp\u003e1 photograph; 3 photographs; 11/67 Bulletin; correspondence with artist; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eComparative statistics for Tut and Greek Gold; correspondence with lenders (especially MFA Boston); correspondence re: insurance; clippings; press releases; staff memos re: procedures\u003c/p\u003e","\u003cp\u003eLots of photographs!; 1 copy of press packet (new!)\u003c/p\u003e","\u003cp\u003eLots of photographs!; shipping information and receipts; correspondence with lenders; correspondence with MFA Boston and Brooklyn (2 other venues0; correspondence with Senator Byrd and other legislators re: Senate Bill S.2273 7/9/65\u003c/p\u003e","\u003cp\u003e[essentially Mary Louise Pinckney's (Loans Registrar-Programs Division) file]; schedules; staff memos; shipping information and receipts; correspondence with MFA Boston and Brooklyn; memos re: procedures; checklists\u003c/p\u003e","\u003cp\u003eCopy of S.2273 Senate Bill report; label copy; memos re: procedures; clippings; correspondence with lenders; shipping information and receipts; 1 copy of invitation; research, correspondence re: recovery of stolen gold\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalog (with MFA Boston, Brooklyn, author Herbert Hoffmann, printer); catalog proofs; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCatalog proofs; catalog copy\u003c/p\u003e","\u003cp\u003e1 drawing; correspondence with MFA Boston \u0026amp; Brooklyn; correspondence with Greek Embassy; correspondence with Department of State; correspondence with Hoffmann, author; correspondence with publicity; staff memos; correspondence re: research\u003c/p\u003e","\u003cp\u003eIntroduction; correspondence with Pat Davidson (Brooklyn/lecturer); correspondence with Hoffmann; schedules; press release\u003c/p\u003e","\u003cp\u003eOne annotated checklist\u003c/p\u003e","\u003cp\u003e3 articles re: theft of jewelry; 1 drawing; shipping information and receipts; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with MFA Boston \u0026amp; Brooklyn; correspondence re: insurance; correspondence with lenders; 1 copy of MFA Bulletin (November 1965); checklists; copies of policies\u003c/p\u003e","\u003cp\u003eCopy of S.2273 Bill; correspondence with legislators; clippings\u003c/p\u003e","\u003cp\u003eChecklists; correspondence\u003c/p\u003e","\u003cp\u003ePanel copy\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; clippings; correspondence with Patricia Davidson (her writings); catalog proofs\u003c/p\u003e","\u003cp\u003e2 items\u003c/p\u003e","\u003cp\u003eCorrespondence re: shipping with security company and lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with Alderman; shipping information and receipts; checklists; insurance report form; label copy; traveling exhibition checklists; press release\u003c/p\u003e","\u003cp\u003e1 photograph (Thomas George, painter); correspondence with lender (Betty Parsons); label copy\u003c/p\u003e","\u003cp\u003e4 photographs; label copy; correspondence with SITES\u003c/p\u003e","\u003cp\u003e4 photographs (duplicates); 1 new photograph; other duplicates: SITES suggested press release, Joseph V. McMullan Islamic carpets catalog; 1 copy of the catalog (annotated in a few places); checklists; correspondence with the de Young, next exhibitor; shipping information and receipts; label copy; clipping; correspondence with SITES; 1 copy of Textile Museum catalog; correspondence with Textile Museum; correspondence with Kevorkian Foundation (other choice for exhibition-denied)\u003c/p\u003e","\u003cp\u003e2 press releases; introduction; invitation; correspondence with McMullan; itinerary for visit\u003c/p\u003e","\u003cp\u003e10 mounted photographs only if unduplicated; 8 Photographs, 2 installation photographs, 1 photograph of building, 1 photograph of artist; 1 drawing; duplicates: catalog, 1 \"Visions of Man\" invitation; checklists; shipping information and receipts; correspondence with Reynolds; label copy, 1 copy of \"Visions of Man\"\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Hans Beckmann (lecturer)\u003c/p\u003e","\u003cp\u003e5 drawings; 9 photographs; 8 duplicate photographs; 1 copy of invitation; MOMA materials (circulator); correspondence with lenders; shipping information and receipts; label copy; research; correspondence with Anni \u0026amp; Joseph Albers; checklists; correspondence with MOMA; Gemini lithograph catalog\u003c/p\u003e","\u003cp\u003e1 photograph (Jonathan Williams); [rest of photos are from Virginia ADP show, probably duplicates from earlier box]; correspondence with potential lecturers for Albers exhibition\u003c/p\u003e","\u003cp\u003e1 photograph (Robert Light-speaker); pricelist; checklists; label copy; invitation list; procedures; correspondence with lecturer\u003c/p\u003e","\u003cp\u003e1 drawing; 9 photographs; duplicates: suggested press release; checklist; 5 duplicate photographs; shipping information and receipts; correspondence with SITES; correspondence with lecturer; SITES materials; label copy; checklist\u003c/p\u003e","\u003cp\u003e2 drawings; 20 photographs; 6 duplicate photographs (from previous folder); correspondence with SITES; SITES materials; shipping information and receipts; label copy; correspondence with lecture sites; annotated checklists; 1 copy of lecture announcement\u003c/p\u003e","\u003cp\u003eIntroduction, suggested news release, 1 duplicate photograph of Dr. Regina Soria; correspondence with Soria; clippings; itinerary; biographical information on Soria\u003c/p\u003e","\u003cp\u003eInvoices and shipping instructions\u003c/p\u003e","\u003cp\u003eMiscellaneous correspondence re: exhibitions\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: exhibition schedule change\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: addition to catalog\u003c/p\u003e","\u003cp\u003ePress release, 1 duplicate photograph, introduction; itinerary (lecturer); biographical information; correspondence with Dimitri; label copy; clippings (typed) [1 piece of correspondence has a color drawing on bottom]\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; memo re: engagements (8/25/64); 2 press releases; 2 introductions; \"Color by Sultner-Wells\" brochure; correspondence with Sultner-Wells; clippings; 1 copy of Longwood Gardens invitation; procedures; itinerary\u003c/p\u003e","\u003cp\u003e2 photographs; itinerary; correspondence with Sultner-Wells; 2 posters of his clippings (montages); 2 dust jacket with his photograph; copies of other press releases\u003c/p\u003e","\u003cp\u003e4 transparencies, photographs; label copy; correspondence with next venue (Easton Academy of Arts); shipping information and receipts; correspondence with lender (Roland Gibson); checklists\u003c/p\u003e","\u003cp\u003eCorrespondence re: possible lecture series in Virginia (Blake is connected to Architectural Forum magazine)\u003c/p\u003e","\u003cp\u003eCorrespondence re: possible lecture series (Minor connected to the Met)\u003c/p\u003e","\u003cp\u003eC.V. for Stern; correspondence with R. Stern about leave for Council series on new building (he's Head of Architectural League of NY); correspondence with other potential speakers; correspondence with Pearsalls [John and Laila] (hosts)\u003c/p\u003e","\u003cp\u003eIntroduction; correspondence re: Christmas' lecture series; itinerary; other promotional material\u003c/p\u003e","\u003cp\u003eCorrespondence with other museums that recently expanded to obtain slides for a lecture; long letter from Cheek to Robertson re: decision of Governor's committee (turned down design); list of committee members; form letter to President of affiliates asking them to write to their legislators in support of new building plan\u003c/p\u003e","\u003cp\u003eCorrespondence with Mielziner re: lecture series; correspondence with other potential lecturers; correspondence with other institutions that recently expanded re: slides\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; lists of panel photographs\u003c/p\u003e","\u003cp\u003e5 photographs of proposed floor plans (Baskervill \u0026amp; Son)\u003c/p\u003e","\u003cp\u003eSlide lists; copy of talk; checklists\u003c/p\u003e","\u003cp\u003eInsurance report forms; label copy\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; insurance report forms; correspondence\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; checklists; insurance report forms; request for information forms; correspondence re: damage of a loaned painting by Jan Stussy\u003c/p\u003e","\u003cp\u003e1 drawing; news clipping; 1 photograph of installation; label copy; correspondence with C.V. Donovan (juror \u0026amp; Director of Krannert Art Museum); correspondence with publicity; copy of lecture; checklists; other artists' promotional materials\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; information request forms\u003c/p\u003e","\u003cp\u003eIntroduction; suggested press release; 1 slide: Paul Paul Horiuchi's \"Winter Receding,\" 1964; correspondence with Donovan; itinerary; other artists' promotional material\u003c/p\u003e","\u003cp\u003e1 drawing; 1 duplicate photograph; 7 photographs; 1 copy of the \"Jeffersonian,\" 5/13/66 with article on exhibition and pictures of Gwathmey's painting; information request forms; checklists; catalog copy; 1 copy of invitation; correspondence with lenders\u003c/p\u003e","\u003cp\u003eInformation packet\u003c/p\u003e","\u003cp\u003eOriginal proposal; copies of information packet items (drawings \u0026amp; proposal); copy of same\u003c/p\u003e","\u003cp\u003e\"Exhibition Materials\"; checklists; correspondence with George Stevens Productions\u003c/p\u003e","\u003cp\u003eVarious packeted materials (promotional)\u003c/p\u003e","\u003cp\u003eCorrespondence with Hollywood Museum; correspondence with Motion Picture Association; correspondence with Ford Foundation; correspondence with George Stevens Productions; correspondence with Smithsonian Institution; correspondence with Old Dominion Foundation\u003c/p\u003e","\u003cp\u003eLists of panels; film sequences lists\u003c/p\u003e","\u003cp\u003eResearch notebook (Gaines' handwriting?); 1 copy of catalog \"Scenery for Cinema\" at Baltimore Museum of Art, 1942 (when Leslie Cheek was Director); lists of panels; label copy\u003c/p\u003e","\u003cp\u003ePromotional materials from film companies (i.e. Technicolor, Panavision)\u003c/p\u003e","\u003cp\u003e8 drawings; movie production sheet with film negatives (to stay at LVA)\u003c/p\u003e","\u003cp\u003eLife magazine 3/27/64 offprint with article on movie\u003c/p\u003e","\u003cp\u003eFilm reel labeled \"Selected Documentary Trims\"\u003c/p\u003e","\u003cp\u003eCouldn't pull it out without ripping envelope – looks like scripts or set notes; possibly a drawing\u003c/p\u003e","\u003cp\u003ePhotographs; Newsweek reprint (1/23/67); checklists; lender lists; internal memos; correspondence with various members/visitors with questions re: exhibition; correspondence with Colonial Williamsburg Foundation (supporter of exhibition)\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; correspondence with lenders; checklists; correspondence with publicity; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Toledo Museum of Art re: possible loan (denied)\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalog; annotated copy of John Summerson's essay\u003c/p\u003e","\u003cp\u003e5 photographs of packing/unpacking process; correspondence re: Smith College Museum of Art's loan of \"Portrait of the Reverend John Headley,\" including shipping information and receipts and request for information form\u003c/p\u003e","\u003cp\u003eCorrespondence re: Washington University's loan of \"Grey Children,\" including shipping information and receipts and correspondence re: damage to fram upon return\u003c/p\u003e","\u003cp\u003eCorrespondence re; Worcester Art Museum's loan of \"Mrs. Elizabeth James\" and \"William James,\" including shipping information and receipts; and request for information form\u003c/p\u003e","\u003cp\u003eCorrespondence re: Columbus Gallery of Fine Arts' loan of \"Portrait of Anne Hogarth,\" including shipping information and receipts; and request for information form\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence re: Allen Memorial Art Museum [Oberlin] \u0026amp; loan of \"Theodore Jacobsen,\" including shipping information and receipts and request for information form\u003c/p\u003e","\u003cp\u003e9 photographs of packing/unpacking; correspondence re: Albright-Knox's loan of \"The Lady's Last Stake,\" including shipping information and receipts and requests for information form\u003c/p\u003e","\u003cp\u003e2 photographs; duplicates: \"Loans to the Wm. Hogarth Exhibition\"; catalogue copy; 1 copy of catalogue; correspondence with publicity; correspondence with visitors/members re: catalogue and exhibition; clippings; 1 copy of invitation; checklists\u003c/p\u003e","\u003cp\u003e1 envelope of Lessing Rosenwald Prints (couldn't open without ripping); duplicates: catalog; correspondence re: catalogue requests and comments; catalogue copy; checklists\u003c/p\u003e","\u003cp\u003eSuggested press release; correspondence with Hofer (Professor at Harvard) re: lecture; internal memos; itineraries; 1 copy of bulletin\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; catalogue copy; checklists; request for information forms; shipping information and receipts\u003c/p\u003e","\u003cp\u003e25 photographs (see list); research; copy; internal memos; panel drawings (copies); HOGARTH PANEL PHOTOGRAPHS - 12789 Self-Portrait, 12786 Shop Card, 13313 Jane Thornhill, 12788 Pool of Bethesda, 13305 Captain Thomas Coram, 12785 Battle of the Pictures, 13304 Analysis of Beauty title page, 13306 Grave at Chiswick, 11812 Canvassing for Votes, 13311 Views Down the Thames, 11814 St. Paul's Cathedral, 12829 Beer Street, 12966 Gin Lane, 11852 Country House, 13079 Saint Martin-in-the Fields, 12970 The Four Times of the Day: Noon, 13078 Leister Square, 11816 Renelagh, 11857 Mr. and Mrs. Paul Mellon, 10890 Lessing Rosenwald, 5272 Masterpieces of American Silver, 13001 Marriage a la Mode, 13677 Philip Hofer, 13299 Sir John Summerson, 13074 George II, 13076 Robert Walpole, 13084 William Pitt, 11811 George III, 11813 Iron Forge by Wright\u003c/p\u003e","\u003cp\u003e\"William Hogarth: His Life,\" William Hogarth: His Times,\" William Hogarth: This Exhibition\"; copy; proofs\u003c/p\u003e","\u003cp\u003e2 photographs; 1 duplicate photograph; correspondence with Mielziner; shipping information and receipts; clippings; panel proofs; panel copy; research; internal memos; checklists; correspondence with IEF (International Exhibitions Foundation) re: traveling exhibitions\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; correspondence with Multiples, Inc.; list of purchase considerations; label copy; checklists; panel drawings (copies)\u003c/p\u003e","\u003cp\u003eCorrespondence with National Gallery of Art DC re: pictures of J. Carter Brown\u003c/p\u003e","\u003cp\u003eInvitation; fact sheet; 1 copy of catalog; internal memos; annotated copy of 1965 Salon des Réfusés catalog; correspondence with jurors; schedule of work for exhibition; panel proofs; list of certificate winners\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence with purchasers; copies of invoices; release forms for transfer of custody\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists; internal memos\u003c/p\u003e","\u003cp\u003eCatalog; list of certificate winners at Biennial; catalog copy; correspondence with Thalhimer's; internal memos; information for 1965 Salon\u003c/p\u003e","\u003cp\u003e19 photographs; invitation; catalogue copy; other similar exhibition catalogs from other institutions; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; checklists\u003c/p\u003e","\u003cp\u003eMarch '67 Bulletin; photographs; correspondence with jurors [Milton Hebald, Jack Youngerman, Jock Truman, Paul Smith]; label copy; biographical information; schedules; internal memos; correspondence with hostesses\u003c/p\u003e","\u003cp\u003e\"Presentation of certificates\" blank certificates; artist reply card; checklists; schedule; internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003eApril '67 Bulletin, \"use of French Galleries\" memo; label copy; statistics ('67 and earlier); internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eGaines to artists 6/12/67; correspondence with artists; internal memos; shipping information and receipts; invoices for stored worsk; entry blanks\u003c/p\u003e","\u003cp\u003e2 letters from Council to purchasers, Gaines letter, yellow \"Gaines-Brandt System,\" 4 photographs; checklists; internal memos; correspondence with artists; press release, 1965 and 1963 information\u003c/p\u003e","\u003cp\u003e3 internal memos\u003c/p\u003e","\u003cp\u003e'67 prospectus, 2 form letters (1/16/47); prospectus copy; mailing lists; annotated '65 prospectus; '70 prospectus\u003c/p\u003e","\u003cp\u003eCorrespondence; panel drawings (copies); for traveling exhibitions; [3 traveling shows: \"Treasures from the Guggenheim\"; \"Treasures from the Whitney Museum\"; \"Contemporary Watercolors.\" Also contained \"Art by Virginia Teachers\"]\u003c/p\u003e","\u003cp\u003e1 copy of catalog (Heeramaneck Collection) by MFA Boston (annotated)\u003c/p\u003e","\u003cp\u003eCorrespondence with Heeramaneck; correspondence with Indian embassy; shipping information and receipts; correspondence with Royal Ontario Museum (who received exhibition after VMFA); correspondence with Detroit Institute of Arts (who had it before VMFA); correspondence with MFA Boston, originator; internal memos; drawings (photocopies)\u003c/p\u003e","\u003cp\u003e1 copy of invitation; panel copy; panel proofs; correspondence with MFA Boston; correspondence with Royal Ontario Museum; shipping information and receipts; MFA materials (including checklists); internal memos\u003c/p\u003e","\u003cp\u003e4 drawings; correspondence with Veener player for preview; clippings re: Indian music; label copy; clippings re: show\u003c/p\u003e","\u003cp\u003ePhotographs; some select, bad quality photocopies\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePanel proofs; lecture for chapters copy; correspondence with previous VMFA designer (Ariel Ballif); checklists\u003c/p\u003e","\u003cp\u003eSuggested press release; introduction; correspondence with Gleaser (from MOMA) (lecturer for chapters); itinerary; noted speaker report form\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lecturers for preview; 1 copy of invitation; Glaeser's biographical information; correspondence with Glaeser\u003c/p\u003e","\u003cp\u003ePhotographs; (envelope of photos from D.I.A. for Arts of India \u0026amp; Nepal exhibition); invitation to lecture; 1 copy of invitation to preview; 1 copy of invitation to Glaeser's lecture; shipping information and receipts; MOMA (originator) materials, including checklists; drawings (photocopies)\u003c/p\u003e","\u003cp\u003e1 drawing; duplicate: preview invitation; panel copy; drawings (photocopies); correspondence with MOMA; MOMA materials, including checklists; exhibition contract; correspondence with John Hand (lecturer from National Gallery of Art DC); shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; shipping information and receipts; internal memos\u003c/p\u003e","\u003cp\u003eMembership list; shipping information and receipts; correspondence with dealers; price lists from dealers; panel proofs; checklists; speech copy; Collectors Circle meeting agenda; list of items purchased\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel proofs (annotated 1966 panels); checklists; correspondence with dealers *lots of '66 show files)\u003c/p\u003e","\u003cp\u003eCorrespondence re: borrowing Wyeth film; correspondence with Philip Hofer (Harvard) re: lecture; blank invitations for Artmobile exhibition (Wyeth \u0026amp; Japanese Art); clipping; internal memo re: trip to interview Wyeth for AIV article; blank floor plan\u003c/p\u003e","\u003cp\u003eLabel copy; drawing (photocopy); internal memos; radio guide copy\u003c/p\u003e","\u003cp\u003e3 photographs; 11 duplicate photographs; checklists; internal memos; drawings (photocopies); panel proofs; panel copy; shipping information and receipts; 1 copy of Knoedler catalog \"Unpainted Pictures\" (lender); correspondence with Knoedler; correspondence with Detroit Institute of Arts (had exhibition before VMFA); clipping from TIME (3/17/67)\u003c/p\u003e","\u003cp\u003ePanel copy; panel proofs; drawing (photocopy); internal memo: all of this re: 400 Years of Prints\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; drawings (photocopies); panel copy; panel proofs; correspondence with lender (NGA \u0026amp; AIC); correspondence with Mr. \u0026amp; Mrs. Leigh Block; checklists; label copy\u003c/p\u003e","\u003cp\u003e1 copy of \"Persian \u0026amp; Indian Miniatures from the Collection of Edwin Binney, 3rd\" from Portland; 1 copy of \"Islamic Art from the Collection of Edwin Binney, 3rd,\" from SITES; correspondence with Portland [VMFA denied exhibition]\u003c/p\u003e","\u003cp\u003e1 internal memo re: replacement of \"Jewels\" with \"Resident Craftsmen\"\u003c/p\u003e","\u003cp\u003eJones article reprint; slides, 4 photographs, 5 duplicate photographs; correspondence with IEF (circulator); correspondence with Nelson-Atkins *who received exhibition after VMFA); 1 copy of lecture invitation; 1 copy of preview invitation; shipping information and receipts; panel proofs; clippings; correspondence with potential musicians; checklists; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with AFA (circulator); panel copy; checklists; panel proofs; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e5 duplicate photographs; 1 photograph; correspondence with MOMA (originator); exhibition contract; MOMA materials, including checklists; shipping information and receipts; MOMA circulating exhibitions catalog 1967-68; drawing (photocopy); panel proofs\u003c/p\u003e","\u003cp\u003eLecture invitation; clipping; internal memo; biographical information; correspondence with Smith (Director of Museum of Contemporary Crafts); correspondence re: juror (chairman) for 1967 Virginia Artists too\u003c/p\u003e","\u003cp\u003e1 photograph; 2 new photographs; duplicate of introduction; correspondence with Slivka re: lecture at chapters/editor in chief of Craft Horizons; itinerary; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; shipping information and receipts; checklists; Bulletin photocopy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; shipping information and receipts; 1/68 Bulletin; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; shipping information and receipts; correspondence with artist; 2/68 Bulletin; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; shipping information and receipts; label copy; 3/68 Bulletin\u003c/p\u003e","\u003cp\u003e3/68 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts; internal memos; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; biographical information; shipping information and receipts; internal memos; label copy; 4/68 Bulletin; checklists; correspondence with artist\u003c/p\u003e","\u003cp\u003ePhotographs; checklists; shipping information and receipts; label copy; biographical information; correspondence with artist\u003c/p\u003e","\u003cp\u003e9/68 Bulletin, 4 photographs; biographical information; label copy; price list (hand drawn!); shipping information and receipts; correspondence with artist; internal memos\u003c/p\u003e","\u003cp\u003ePhotographs; 10/68 Bulletin; label copy; biographical information; checklists; shipping information and receipts; correspondence with artist\u003c/p\u003e","\u003cp\u003ePhotographs; shipping information and receipts; label copy; 11/68 Bulletin; checklists; correspondence with publicity\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; 12/68 Bulletin; shipping information and receipts; internal memos; correspondence re: damage to sculpture\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; label copy; shipping information and receipts; correspondence with artist; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; shipping information and receipts; 3/69 Bulletin; checklists\u003c/p\u003e","\u003cp\u003e2/69 Bulletin; photographs; correspondence with artist; correspondence re: damage; label copy; internal memos; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e44 photographs; correspondence with lecturer; shipping information and receipts; materials from Brooklyn Museum of Art (organizer); drawings (photocopies); panel lists; 1 copy of lecture invitation; 1 copy of preview invitation; correspondence with Brooklyn; checklists\u003c/p\u003e","\u003cp\u003ePreview invitation; 1 copy of catalog; clippings; panel copy; correspondence with Brooklyn; shipping information and receipts; Brooklyn materials; panel lists; checklists; internal memos; correspondence with visitors\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with McCoubrey (Chair of Art Department at University of Pennsylvania); his c.v.\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Oenslager (lecturer)\u003c/p\u003e","\u003cp\u003eCybis porcelain brochure; shipping information and receipts; panel proofs; exhibitors information \"lent\"; clippings; correspondence with Ruder \u0026amp; Finn Inc. (co-organizers); checklists; drawings (photocopies); correspondence with Cybis porcelain (co-organizer)\u003c/p\u003e","\u003cp\u003e2 photographs; catalog; invitation; correspondence with Robert B. Widder (juror); correspondence with entrants; internal memos; slide talk lists; correspondence with juror (Morris Ketchum, Jr.)\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eInvitation, catalog, '64 Architects, Designers \u0026amp; Photographers, '66 ADP, 3 photographs; catalog proof; checklists; catalog copy\u003c/p\u003e","\u003cp\u003e\"Southern Exposure\" newsletter (2/68); clippings; correspondence with artists; label copy; internal memos; schedule\u003c/p\u003e","\u003cp\u003eChecklists\u003c/p\u003e","\u003cp\u003e\"Comparison…for 1966-68\"; internal memo\u003c/p\u003e","\u003cp\u003eCorrespondence with artists (4 winning architects mainly); list of winners\u003c/p\u003e","\u003cp\u003eBiographical information on Ketchum and Eames, 2 photographs; 1 photograph; correspondence with jurors [Morris Ketchum, Robert Widder, Charles Eames]; internal memos; lecture copy; biographical information\u003c/p\u003e","\u003cp\u003eChecklist\u003c/p\u003e","\u003cp\u003eGaines to artist (2/26/68), signed certificates; artist reply cards; correspondence with speaker; checklist\u003c/p\u003e","\u003cp\u003e3 prospectuses; prospectus copy; schedule; internal memos\u003c/p\u003e","\u003cp\u003eSchedule, 1/11/68 memo, 1/24/68 memo; '66 information; internal memos\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs of 1790s Russian silver cup (\"Charka\"); shipping information and receipts; checklists; internal memos; correspondence with Hollins; panel proofs; drawings (photocopies); correspondence from alumnae; research; correspondence with silver expert; correspondence from Helen Scott Reed (our consultant)\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel copy \u0026amp; proofs; drawings (photocopies); checklists with prices; biographical information (Anna Smith- weaver)\u003c/p\u003e","\u003cp\u003e3 photographs; AFA materials (circulator); shipping information and receipts; correspondence with Morgan State College (had exhibit before VMFA); correspondence with AFA; reprint of Rohm \u0026amp; Haas Reporter on \"New AA Forms in Plexiglass\" (Mar/Apr 1966); correspondence with lender, Howard Wise Gallery; 1 copy of May '68 Bulletin; clippings; drawings (photocopies); biographical information on artists; 1 copy of a Howard Wise Gallery catalog for Otto Piene (VMFA's lecturer); 1 copy of catalog; 1 copy of lecture invitation; 1 copy of preview invitation. To take place in Loan Gallery\u003c/p\u003e","\u003cp\u003eBiographical information on Kepes; 1 photograph; correspondence with Gyorgy Kepes (organizer of Light show \u0026amp; original lecturer); correspondence with Piene (M.I.T.), Kepes' replacement; Piene's biographical information; 1 copy of Arts Canada (April 1968) with one of Piene's articles\u003c/p\u003e","\u003cp\u003eCatalog; 3 photographs; correspondence with Photographs in the Fine Arts (a company); drawings (photocopies); clippings; panel proofs; checklists; packet of available exhibitions from George Eastman House; 1 copy of PSA Journal (August 1967) [Leslie Cheek was a judge]\u003c/p\u003e","\u003cp\u003e5 photographs; 1 catalog; exhibition contract; correspondence with MOMA (circulator); shipping information and receipts; checklists; panel proofs; MOMA materials\u003c/p\u003e","\u003cp\u003eLecture invitation, checklist; 4 photographs; duplicates: \"A Look at Carter Collection,\" \"Vender Gives Rodin to Museum\"; clippings; correspondence with LACMA (circulator); shipping information and receipts; internal memos; exhibition contract; 1 copy of preview invitation; correspondence with Gerald Carter (collector)\u003c/p\u003e","\u003cp\u003e1 photograph, biographical information; correspondence with Adams (Director of Cincinnati Art Museum \u0026amp; VMFA lecturer); 1 copy of lecture invitation; internal memos; correspondence with Reynolds (his hosts)\u003c/p\u003e","\u003cp\u003e\"Selections from Virginia Architecture\"; panel proofs; drawing (photocopy); internal memos\u003c/p\u003e","\u003cp\u003e1 drawing; MOMA exhibition packet, MOMA press release (6/20/67); MOMA materials (circulator); drawings (photocopies); correspondence with MOMA; shipping information and receipts; clippings; internal memos\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e1 photograph; biographical information; lecture invitation; correspondence with Szarkowski (MOMA Director of Photography \u0026amp; VMFA lecturer); itinerary; correspondence with Bryans (his hosts)\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel proofs; internal memos; drawing (photocopy);\u003c/p\u003e","\u003cp\u003e7 drawings (on graph paper-drawn by Brown herself); label copy; shipping information and receipts; checklists; 2 more prints of transparencies from envelope; correspondence with Brown; biographical information; panel copy; panel lists; drawings (photocopies)\u003c/p\u003e","\u003cp\u003eShipping information and receipts; request for special/specific information forms; white envelope with 5 transparencies; 2 prints of 2 of the transparences for Collector of the Year exhibition\u003c/p\u003e","\u003cp\u003eSpecial/specific request for information forms\u003c/p\u003e","\u003cp\u003eBiographical information; correspondence with Griffith re: lectures (Curator of Films, MOMA); lecturing for \"George Stevens Makes a Film\"\u003c/p\u003e","\u003cp\u003eShipping information and receipts; biographical information; photocopies of 2 catalogs\u003c/p\u003e","\u003cp\u003e1 copy of Council 1967-68 membership book; internal memos; various reports (budgetary \u0026amp; non); correspondence, 2 slides for lecture on Council budget 66-67 season\u003c/p\u003e","\u003cp\u003eLecture invitation, 1 photograph; Correspondence with Dee (curator of drawings \u0026amp; prints at Cooper-Hewitt) re: lecture; 1 copy of January 1969 Bulletin; correspondence with hosts; biographical information\u003c/p\u003e","\u003cp\u003ePacking list, photographs; 1 copy of catalog (cut up) of View of Florence \u0026amp; Tuscany by Giuseppe Zocchi, loaned by Pierpont Morgan Library\u003c/p\u003e","\u003cp\u003ePhotographs; shipping information and receipts; correspondence with IEF (circulator); correspondence with Dee re: lecture; IEF materials; drawings (photocopies); label copy; internal memos; 1 copy of America-Italy Newsletter (spring 1968); 1 copy of Pierpont invitation; 1 copy of preview invitation; correspondence re: catalogs; correspondence re: opening\u003c/p\u003e","\u003cp\u003eCorrespondence with Senator Scott from 1982 from Richard Woodward; checklists; clippings; internal memos; correspondence with Scott; shipping information and receipts; drawings (photocopies); panel proofs\u003c/p\u003e","\u003cp\u003eInvitation; checklists; internal memos; correspondence re; filmstrip for Orientation Theatre; drawings (photocopies)\u003c/p\u003e","\u003cp\u003eC.v., invitation, 1 photograph; correspondence with Begley (professor at School of Art, University of Iowa); internal memos; correspondence with hosts\u003c/p\u003e","\u003cp\u003e3 photographs; 3 photographs (small one, Dr. \u0026amp; Mrs. George B. Green); panel copy; panel proofs; label copy; drawings (photocopies); correspondence with lender (George Green); shipping information and receipts; internal memos; correspondence with Colonial Williamsburg; research; checklists\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e8 photographs; 5 new photographs; shipping information and receipts; internal memos; checklists with values; correspondence with Motherwell (juror) and correspondence with his gallery representation (Marlborough); correspondence with Frank Gallo (juror); and his representation (Gilman Gallery and Graham Gallery); request for information forms; drawings (photocopies); label copy\u003c/p\u003e","\u003cp\u003eChecklists; list of lenders; internal memos; correspondence with lenders (including MFA Boston and AIC); shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 photograph; lecture invitation; preview invitation; correspondence with Wardell (Curator, Department of Primitive Art at AIC) re: lecture; correspondence with hosts; 1 copy of April 1969 Bulletin\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e1 drawing; other press releases; shipping information and receipts; checklists; internal memos; correspondence with MFA Boston (organizer); correspondence with AIC (lender); clippings; panel proofs; 1 copy of preview invitation; list of lenders\u003c/p\u003e","\u003cp\u003e8 photographs; correspondence with MFA Boston; exhibition contract; internal memos; 1 copy each of The World of Peru in the United States, Three Centuries of Peruvian Silver, Master Craftsmen of Peru; Folk Art of Peru, 2,500 Years of Peruvian Art, Folk Art of Peru (longer version), Contemporary Peruvian Paintings and Sculptures\u003c/p\u003e","\u003cp\u003e1 photograph; list of members; special request for information form; correspondence re: broken object (belonged to Stewart Bryan)\u003c/p\u003e","\u003cp\u003eCatalog, 3 duplicate photographs, 2 new photos; internal memos; shipping information and receipts; checklists; label proofs; exhibition contract (MOMA is circulator); correspondence with MOMA; clippings; MOMA materials (including press release)\u003c/p\u003e","\u003cp\u003ePress release (4/2/69); Kandinsky article by Johnson; wall label, Photographs; correspondence with MOMA (organizer); MOMA materials; exhibition contract; shipping information and receipts; checklists; drawings (photocopies); panel proofs\u003c/p\u003e","\u003cp\u003e2 photographs; duplicates: invitation, 1 duplicate photograph; correspondence with potential lecturers; correspondence with Beckmann (visiting Bauhaus artist); clipping\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel proofs; panel copy; drawings (photocopies); special request for information forms; label proofs; label copy; checklists; correspondence with UVirginia (lender and co-organizer); correspondence from State Library (co-organizer)\u003c/p\u003e","\u003cp\u003e4 photographs; checklists; shipping information and receipts; correspondence with O'Neal; photocopies of drawings; list of lenders; correspondence with UVirginia; correspondence with State Library; research; internal memos; correspondence with lenders\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs, 1 transparency; catalog copy; internal memos; checklists; correspondence with lenders; correspondence with William O'Neal (guest curator)\u003c/p\u003e","\u003cp\u003e1 photograph; introduction; correspondence re: lecture; invitation\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with lenders; correspondence with O'Neal\u003c/p\u003e","\u003cp\u003eChecklists from dealers with prices/values; shipping information and receipts; correspondence with dealers; checklists; internal memos\u003c/p\u003e","\u003cp\u003eInvitation, \"Suggested Remarks for Mr. Arthur Brinkley,\" 5/12/69; 1 copy of catalog; introduction; correspondence with Alloway re: lecture\u003c/p\u003e","\u003cp\u003eCorrespondence with various speakers; internal memos; schedules\u003c/p\u003e","\u003cp\u003eInternal memos; list and schedules (entertainment, exhibitions, events, theatre, etc.)\u003c/p\u003e","\u003cp\u003e4 invitations; 3 other invitations (Once Invisible, Alloway's lecture, Gold of Ancient America)\u003c/p\u003e","\u003cp\u003eInternal memos; mailing lists\u003c/p\u003e","\u003cp\u003eGreen pickup cards, Gaines to Artist (7/3/69); shipping information and receipts; correspondence with artists; entry blanks; internal memos; checklists\u003c/p\u003e","\u003cp\u003eGaines to Purchaser invitation, purchasers; preview tearsheet (yellow), memo 4/29/69 (blue), 1969 fact sheets; checklists\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with artists; invoices re: sales; checklists\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eMemo 11/17/69, memo 11/26/69; correspondence with artists\u003c/p\u003e","\u003cp\u003e'69 invitation, '69 salon catalogue; 1 copy of '67 invitation and catalogue; catalogue copy; 1 copy of '69 catalogue; catalogue proof\u003c/p\u003e","\u003cp\u003e'69 fact sheet; statistics\u003c/p\u003e","\u003cp\u003e'67 and '69 Salon catalogues; checklist; internal memos; form letter to artists from Ellyson\u003c/p\u003e","\u003cp\u003e3 photographs; schedule; internal memos; correspondence with jurors; biographical information; correspondence with hosts; lecture invitation; correspondence with potential jurors [Bontecou agreed but then had to cancel]\u003c/p\u003e","\u003cp\u003ePhotographs; label copy; 1 copy of ADP '68 catalog; 1/70 Bulletin; biographical information on Paul Rand; correspondence with Rand; internal memos\u003c/p\u003e","\u003cp\u003e2 slides, 18 photographs; 5 duplicate photographs; label copy\u003c/p\u003e","\u003cp\u003e\"Receiving \u0026amp; Handling of Material\" memo 1/28/70, 1 photograph [Kenneth Winebrenner \"Mirror\"]; 1 copy of 1970 prospectus; entry blanks; internal memos; correspondence with artists; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph [Paul Smith looking at Castle's work from an earlier juried exhibition?]; 2/70 Bulletin; correspondence with juror [Wendell Castle]\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of 1970 catalog (annotated); correspondence re: image of Winebrenner's mirror\u003c/p\u003e","\u003cp\u003e1 copy of 1970 catalog (annotated); internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003eForm letter; shipping information and receipts; correspondence with artist; checklists\u003c/p\u003e","\u003cp\u003e1 form letter; shipping information and receipts; correspondence with artists; checklists; internal memos\u003c/p\u003e","\u003cp\u003eSlides; duplicates; signed certificates; correspondence with winners; checklists; presentation order\u003c/p\u003e","\u003cp\u003eLabel copy; clippings; catalogue copy; checklists; internal memos; lease agreement for warehouse; drawing (photocopy); jury tokens; correspondence with artists\u003c/p\u003e","\u003cp\u003eProspectus, form letter from C. Ellyson; correspondence with chapters; annotated '67 prospectus; prospectus copy schedule\u003c/p\u003e","\u003cp\u003eMemo 1/23/69, memo 1/25/67; internal memos; correspondence with 7th \u0026amp; Franklin; schedule\u003c/p\u003e","\u003cp\u003eCatalog ('70 Designers); catalogue proofs; entry blanks; 1 copy of '68 ADP catalogue; catalogue copy; checklists\u003c/p\u003e","\u003cp\u003eAnnotated '70 prospectus; correspondence with juror; prospectus copy; internal memos; schedule\u003c/p\u003e","\u003cp\u003eEntry blanks; 1 copy of '70 Craftsmen catalogue; 1 copy of '67 Artists catalogue; checklists; catalogue copy; preview invitation; label copy\u003c/p\u003e","\u003cp\u003eProspectus copy; schedule\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eChecklists; internal memos\u003c/p\u003e","\u003cp\u003eMemo 9/3/69, memo 6/30/69; checklists; internal memos; fact sheets; correspondence with artists; label copy; excerpts from juror speech\u003c/p\u003e","\u003cp\u003eCatalogue copy; checklists; 1 piece of correspondence re: catalogue\u003c/p\u003e","\u003cp\u003eSigned certificates, reply cards, Gaines form letter; reply cards from winners; checklists; correspondence with artists\u003c/p\u003e","\u003cp\u003ePress release 6/27/69, biographical information, 1 photograph; correspondence with potential jurors; internal memos; correspondence with juror (Peter Bunnell)\u003c/p\u003e","\u003cp\u003ePhotographs; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; 3/69 Bulletin; label copy; shipping information and receipts; biographical information\u003c/p\u003e","\u003cp\u003e4/69 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e5/69 Bulletin; photographs; correspondence with artist; biographical information; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e9/69 Bulletin, invitation; photographs; checklists; correspondence with artist; label copy; insurance report form; internal memos; biographical information\u003c/p\u003e","\u003cp\u003eInvitation; 10/69 Bulletin, photographs; correspondence with artist; checklists; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; biographical information; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; biographical information; shipping information and receipts; internal memos\u003c/p\u003e","\u003cp\u003e2/70 Bulletin; photographs; label copy; checklists; 5/69 Bulletin; invitations; correspondence with artist; internal memos re: missing print\u003c/p\u003e","\u003cp\u003e3/70 Bulletin, photographs; correspondence with artist; internal memos; price list (hand drawn!); press release; biographical information; label copy\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs; 3/70 Bulletin; correspondence with artist; label copy; checklists\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; checklists; 4/70 Bulletin; label copy; biographical information\u003c/p\u003e","\u003cp\u003e5/70 Bulletin, invitation, photographs; checklists; label copy; correspondence with artist; biographical information\u003c/p\u003e","\u003cp\u003eInvitation, \"suggested stand\" drawing; 1 photograph; label copy; correspondence with artist; clippings; biographical information; checklists; 9/70 Bulletin\u003c/p\u003e","\u003cp\u003e10/70 Bulletin; 2 photographs; label copy; clipping; internal memos; checklists; correspondence with artist; invitation\u003c/p\u003e","\u003cp\u003eInvitation; photographs; label copy; internal memos; shipping information and receipts; correspondence re: letter of recommendation for job\u003c/p\u003e","\u003cp\u003eInvitation, 5 photographs; 5 new photographs; 5 slides; correspondence with artist; label copy; clipping\u003c/p\u003e","\u003cp\u003eCorrespondence with potential jurors; internal memos\u003c/p\u003e","\u003cp\u003e1 photograph of Rand, prospectus; correspondence with Rand (juror); catalog of Rand's work; research\u003c/p\u003e","\u003cp\u003e'69 prospectus, letter Ellyson to art department 6/23/69, memo to chapters 6/23/69; copy of '68 ADP prospectus; prospectus proof; prospectus copy; internal memos; schedule\u003c/p\u003e","\u003cp\u003eChecklists; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; fact sheets\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eMemo 7/7/70; internal memos; entry blanks; correspondence with architects; schedule; project descriptions; drawing (photocopy); lecture invitation copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003eReply cards; internal memos; correspondence with architects\u003c/p\u003e","\u003cp\u003eCatalogue; correspondence with architects; catalogue copy\u003c/p\u003e","\u003cp\u003eOne signed certificate; correspondence with winners\u003c/p\u003e","\u003cp\u003e4 photographs; correspondence with juror (Romaldo Giurgola); internal memos; clipping; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; clippings\u003c/p\u003e","\u003cp\u003eProspectus, announcement; prospectus proof; prospectus copy; '68 annotated ADP prospectus; clipping\u003c/p\u003e","\u003cp\u003eEntry blanks; fact sheets; internal memos; checklists\u003c/p\u003e","\u003cp\u003eInternal memo; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with SITES; SITES materials; invitations; exhibition information; Bulletins; correspondence with other Smithsonian Institution staff\u003c/p\u003e","\u003cp\u003eSITES catalogues, 1967-1970\u003c/p\u003e","\u003cp\u003eChecklists; insurance report forms; correspondence with lenders (dealers); membership list\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders; checklists; shipping information and receipts; label proofs; research; budget planning; correspondence with consultants\u003c/p\u003e","\u003cp\u003ePreview invitation; correspondence with and between consultants (Helen Scott Reed and Kathryn Buhler); catalog copy\u003c/p\u003e","\u003cp\u003eInvitation (preview); invitation (lecture); exhibition prospectus; catalog proofs\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; clippings; catalog notes; correspondence with lenders; checklists; invitation list\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts; correspondence with various organizations\u003c/p\u003e","\u003cp\u003e1 copy of catalog; special information form\u003c/p\u003e","\u003cp\u003eCorrespondence with Rouse (Jamestown Foundation) re: lecture; copy of lecture text\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Buhler (consultant) re: lecture; copy of lecture text\u003c/p\u003e","\u003cp\u003e4 photographs; suggested press release; checklist; correspondence with IEF; label proofs; exhibition contract; IEF materials; shipping information and receipts; internal memos\u003c/p\u003e","\u003cp\u003e7 photographs; 2 contact sheets and 1 new photo; duplicate: invitation; crawing (photocopy); internal memos; label proofs\u003c/p\u003e","\u003cp\u003e9 photographs, 4 new photographs including 1 contact sheet; duplicates: lecture invitation; label copy; drawings (photocopies); shipping information and receipts; MOMA materials; checklists; correspondence with MOMA (circulator); exhibition contract; research; internal memos; 1 copy of preview invitation\u003c/p\u003e","\u003cp\u003eLecture invitation; correspondence with Fern re; lecture (Library of Congress Prints \u0026amp;   Photos Division); internal memos\u003c/p\u003e","\u003cp\u003e1 photograph (contact sheet); checklists; varied correspondence\u003c/p\u003e","\u003cp\u003eProspectus with entry cards; 2 photographs; 1 duplicate photograph; correspondence with Castle (juror, Penland School of Crafts)\u003c/p\u003e","\u003cp\u003e1 photograph; label copy; correspondence re: item breakage; label proofs\u003c/p\u003e","\u003cp\u003ePreview invitation; chipping information; correspondence with lenders; internal memos; 1 copy of catalogue; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; request for information forms; 1 copy of Art Gallery Magazine (12/69); 1 copy of TIME (6/1/70), reason unknown, no more receipts kept in these files\u003c/p\u003e","\u003cp\u003e2 contact sheets; correspondence with Peter Selz (UC Berkeley, juror); correspondence with lenders; internal memos (including correspondence re: installation of Robert Irwin's \"Disc\"); correspondence with artists re: their Vietnam War protest\u003c/p\u003e","\u003cp\u003eInternal memos; catalogue copy; label copy; research; 1 copy of catalogue (damaged)\u003c/p\u003e","\u003cp\u003e1 photograph (1966 show); photographs of works not in show (Krushenick, Warhol, Ruscha); copies of '62 and '66 show information; correspondence with lenders; shipping information; checklists\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; panel copy; mailing and invitation lists; lender lists\u003c/p\u003e","\u003cp\u003ePhotographs (VMFA copies)\u003c/p\u003e","\u003cp\u003ePhotographs (originals)\u003c/p\u003e","\u003cp\u003eLecture invitation; 1 duplicate photograph; correspondence with Selz (juror) re: exhibition and lecture; biographical information; invitation copy\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; exhibition contract; internal memos; correspondence with Paul Tishman (collector whose works comprise show); correspondence with High Museum (earlier venue); IEF materials\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; correspondence with High and with UT Austin (earlier venues); correspondence with IEF; shipping information\u003c/p\u003e","\u003cp\u003eChecklists; IEF materials; research; panel copy\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e5 photographs; 3 duplicate photographs\u003c/p\u003e","\u003cp\u003e7 photographs; 8 duplicate photographs\u003c/p\u003e","\u003cp\u003e11 photographs; 3 duplicate photographs\u003c/p\u003e","\u003cp\u003e5 photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003e9 photographs; 8 duplicate photographs\u003c/p\u003e","\u003cp\u003e15 photographs; 4 duplicate photographs\u003c/p\u003e","\u003cp\u003e12 photographs; 2 duplicate photographs\u003c/p\u003e","\u003cp\u003e1 duplicate photographs\u003c/p\u003e","\u003cp\u003e7 photographs; 4 duplicate photographs\u003c/p\u003e","\u003cp\u003e2 drawings; duplicates: loan exhibition announcement; invitation; 40 slides; 1 copy of High's brochure; internal memos; NGA brochures; IEF materials; correspondence re: possible speakers; correspondence with Tishman; copy of 9/70 Bulletin; slide list [see end of box]\u003c/p\u003e","\u003cp\u003e5 photographs; checklist; internal memos re: this traveling exhibition SP-19 [loans from 4 major NY galleries, distributed by State Services Division]; correspondence with dealers/lenders; 1 copy of 10/70 Bulletin\u003c/p\u003e","\u003cp\u003eCatalog (Edgeworth \u0026amp; VMFA); 1 photograph; audio (reel) tape \"J.[oel] Aldred – tapestries – 71/2 ips\" [Canadian broadcaster]; 1 copy of invitation; catalogue: Hommage à Jean Lurçat, Rothmans, ca. 1966; another Rothmans' catalogue ca. 1964\u003c/p\u003e","\u003cp\u003e1 copy of catalog; 1 copy of black tie reception invitation\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Rothmans of Pall Mall Canada; correspondence with House of Edgeworth (co-sponsors); planning re: previous receptions, etc.\u003c/p\u003e","\u003cp\u003e6 photographs\u003c/p\u003e","\u003cp\u003eBlack tie reception invitation; other invitations (non-VMFA)\u003c/p\u003e","\u003cp\u003eChecklist (contemporary French tapestries); checklists (various, including hommage à Jean Lurçat); invitation lists; staff working lists\u003c/p\u003e","\u003cp\u003eNotes on the Rothmans Collection; Rothmans press release; Contemporary French Tapestry; research; clippings; copies of other's letters to/from Lurçat [speech by Madame Denise Majorel, 2 clippings]; Lurçat letters (3/29/48 \u0026amp; 12/24/47)\u003c/p\u003e","\u003cp\u003e3 photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs [overlap between these 2 folders]\u003c/p\u003e","\u003cp\u003e8 duplicate photographs\u003c/p\u003e","\u003cp\u003e8 photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003e1 catalog for July/August program with catalog card application [1969]\u003c/p\u003e","\u003cp\u003eLists of speakers; internal memos; biographical information; correspondence with speakers; report from Museum Entertainment Committee\u003c/p\u003e","\u003cp\u003eVM 1969-1970 events; lists of events; calendars; internal memos; schedules including exhibition, theatre, mailings, events, etc.; 1 copy of Theatre schedule card\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eCatalog; 4 photographs; 23 new photographs; exhibition contract (Mat is circulator); research; correspondence with Met; internal memos; shipping information and receipts\u003c/p\u003e","\u003cp\u003eMailing, 16 duplicate photographs; 7 new photos; correspondence with Baltimore Museum of Art (circulator); checklists; BMA materials; press release; internal memos; research; 1 copy of catalog (annotated)\u003c/p\u003e","\u003cp\u003e4 new photographs; 7 duplicate photographs\u003c/p\u003e","\u003cp\u003e1 new photograph; 4 duplicate photographs; correspondence with Norton Simon; clippings; checklists; internal memos; copy of Henry Moore annotated transcript from '63; label and panel copy; information sheets on paintings; 1 copy of invitation; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with collectors; checklists; drawings (photocopies); research, photocopy of Vogue article (4/15/60) on Colin\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; internal memos\u003c/p\u003e","\u003cp\u003ePreview invitation; correspondence with lenders; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders\u003c/p\u003e","\u003cp\u003eReminder card; invitation; checklists; research; lender lists; label copy; request for information forms; clippings; shipping information and receipts; mailing lists\u003c/p\u003e","\u003cp\u003e33 new photographs\u003c/p\u003e","\u003cp\u003e3 new photographs; 13 duplicate photos\u003c/p\u003e","\u003cp\u003e5 new photographs; 10 duplicate photographs\u003c/p\u003e","\u003cp\u003e5 new photographs; 10 duplicate photographs\u003c/p\u003e","\u003cp\u003e2 new photographs; 10 duplicate photographs\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders who gave no initial response\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders re: return of works; internal memos; mailing lists; form letters\u003c/p\u003e","\u003cp\u003eCopies of AIV articles from which loan list was gathered, annotated (probably for label/panel/catalog use)\u003c/p\u003e","\u003cp\u003eChecklist; suggested press release, invitation, 4 duplicate photographs; 14 new photographs; 2 AFA folders of materials; internal memos; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eShipping information; correspondence with AFA; correspondence with Smith College Museum of Art Director\u003c/p\u003e","\u003cp\u003eWall label; clippings; correspondence with MOMA (circulator); MOMA materials (including press release and checklist); 1 copy of MOMA members' newsletter (Spring 1970); correspondence with Peter Bunnell (photograph curator at MOMA \u0026amp; organizer); drawings; internal memos; exhibition contract\u003c/p\u003e","\u003cp\u003eInvitation; 1 copy of September 1971 Bulletin; internal memos; mailing list\u003c/p\u003e","\u003cp\u003eProspectus; correspondence with artists; internal memos; checklists; schedules; 1 copy of October 1971 Bulletin; 1 annotated copy of Virginia Photographers '69 catalog; 1 copy of '71 catalog\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders re: potential loans; correspondence with lenders; correspondence re: extension of exhibition; correspondence with Robert Koch (speaker); correspondence with publicity\u003c/p\u003e","\u003cp\u003eInvitation; poster; 1 duplicate photograph; 4 new photographs, 7 slides; notes; research; information request forms; 1 copy of November 1971 Bulletin; panel copy; clippings; 1 copy of December 1971 Bulletin\u003c/p\u003e","\u003cp\u003e1 copy of November 1971 Bulletin; 1 copy of the January 1972 Antique Monthly\u003c/p\u003e","\u003cp\u003e1 copy of the January 1972 Antique Monthly\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003eBlank copy of information form\u003c/p\u003e","\u003cp\u003e6 drawings (photocopies) of lighting schemes\u003c/p\u003e","\u003cp\u003e3 photographs (items from Lewis Collection from some catalog); checklists; loan lists; mailing lists; internal memos; panel/catalog copy\u003c/p\u003e","\u003cp\u003eBlank request for information forms\u003c/p\u003e","\u003cp\u003eChecklist for catalog\u003c/p\u003e","\u003cp\u003eChecklist for catalog\u003c/p\u003e","\u003cp\u003eChecklist for catalog\u003c/p\u003e","\u003cp\u003eTransparencies, 91 photographs\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eLabel copy; internal memos; scripts; notes\u003c/p\u003e","\u003cp\u003eSpecial object information forms\u003c/p\u003e","\u003cp\u003eSpecial object information forms\u003c/p\u003e","\u003cp\u003eInvitation; special object information forms\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; 1 copy of 1969-70 AFA Catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions (museums, universities, organizations); internal memos; promotional materials\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; exhibition information sheets\u003c/p\u003e","\u003cp\u003e1 press release from Howard University\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions (museums, universities, organizations); promotional materials\u003c/p\u003e","\u003cp\u003e2 invitations, 2 catalogs (1969 \u0026amp; 1971 for both shows); congratulations letter; pink salon des refuses card; prospectus; 1 contact sheet; schedule; internal memos; correspondence with juror (Thomas Hess); list of buyers; committee lists; correspondence with 7th \u0026amp; Franklin building owners (where judging was done); 1 drawing (photocopy)\u003c/p\u003e","\u003cp\u003e16 photographs; duplicates: 6 photographs, prospectus; correspondence with Thalhimer's; internal memos; fact sheets; correspondence with artists; clippings; label copy; checklists; 1 copy of catalogue; 1 copy of May 1971 Bulletin; copies of certificate winners' entry blanks\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of catalog; 1 copy of prospectus; lease agreement for 7th \u0026amp; Franklin Building\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eCorrespondence with potential speakers\u003c/p\u003e","\u003cp\u003eMemo 3/16/71, 5/71 Bulletin; fact sheets; internal memos; correspondence with artists; correspondence with 7th \u0026amp; Franklin; schedule; clipping; checklists\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eCatalogue; internal memos; catalog copy; correspondence with artist\u003c/p\u003e","\u003cp\u003eSigned certificates; entry blanks; 1 copy of catalogue; correspondence with winners; checklists; internal memos\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with artists; internal memos; schedules; correspondence with juror\u003c/p\u003e","\u003cp\u003eSlides; photographs; checklists\u003c/p\u003e","\u003cp\u003eRelease forms; invoices; preview invitation list; fact sheets; checklists; internal memos; '71 invitation; correspondence with artists\u003c/p\u003e","\u003cp\u003eAnnotated catalogs; correspondence with purchasers; correspondence with artists; purchase information cards\u003c/p\u003e","\u003cp\u003eMemo 9/8/71; correspondence with artists; label copy; internal memos\u003c/p\u003e","\u003cp\u003e1 copy of '71 prospectus; 1 copy of '60 catalogue; correspondence with juror (Harry Callahan); fact sheets; research/biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; '69 and '71 prospectuses\u003c/p\u003e","\u003cp\u003eProspectus copy; correspondence with artist\u003c/p\u003e","\u003cp\u003eFact sheets; internal memos; checklists; entry blanks\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with artists; checklists\u003c/p\u003e","\u003cp\u003e\"Guidelines for Preparing Panels,\" memo 3/19/71; dinner invitation copy; internal memos; project descriptions; correspondence with designers; schedule; catalog copy; AIID Virginia Chapter Directory 70-71; correspondence with Virginia AID; entry blanks; 1 copy of dinner invitation with reply card\u003c/p\u003e","\u003cp\u003eCorrespondence with winners\u003c/p\u003e","\u003cp\u003e1 photograph; slides; correspondence with juror (Sarah Tomerlin Lee-former Editor of House Beautiful); schedule; internal memos\u003c/p\u003e","\u003cp\u003e2 new photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003eSigned certificates; entry blanks; label copy; biographical information; correspondence with juror (Henry Wolf); correspondence with potential jurors; internal memos; reception invitation list; checklists; correspondence with artists; fact sheets\u003c/p\u003e","\u003cp\u003eCatalogue ('72); catalogue copy\u003c/p\u003e","\u003cp\u003e14 new photographs; 2 duplicate photographs; catalogue\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; annotated '68 prospectus copy\u003c/p\u003e","\u003cp\u003eForm letter from Ellyson, prospectus; annotated '69 prospectus; correspondence with artists: re: prospectus, prospectus copy\u003c/p\u003e","\u003cp\u003eCatalogue; fact sheets; shipping information and receipts\u003c/p\u003e","\u003cp\u003eReply cards; correspondence with artists; internal memos; checklists\u003c/p\u003e","\u003cp\u003eLetter 4/8/71; fact sheets for printmakers\u003c/p\u003e","\u003cp\u003eCatalogue; catalogue copy; checklists\u003c/p\u003e","\u003cp\u003eSigned certificates; correspondence with winners; checklists\u003c/p\u003e","\u003cp\u003e1 copy of '71 catalogue; checklists; catalogue copy; internal memos\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; correspondence with designers\u003c/p\u003e","\u003cp\u003eCopy of Art Directors Club prospectus\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with artists; 1 copy of catalogue; reply cards\u003c/p\u003e","\u003cp\u003eEntry cards; shipping information and receipts; internal memos; fact sheets; checklists; correspondence with artists; 1 signed certificate; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; internal memo\u003c/p\u003e","\u003cp\u003eCatalogue; catalogue copy; catalogue proofs; label copy\u003c/p\u003e","\u003cp\u003eSigned certificate; correspondence with winners\u003c/p\u003e","\u003cp\u003e5 new photographs; 8 duplicate photographs\u003c/p\u003e","\u003cp\u003eAnnotated '67 prospectus; prospectus copy; blank mailing labels\u003c/p\u003e","\u003cp\u003eLabel copy; correspondence with artist; clipping; 12/70 Bulletin; checklists\u003c/p\u003e","\u003cp\u003eInvitation; photographs; label copy; internal memos; correspondence with artist; invitation list; biographical information 1/71 Bulletin; Robinson House exhibition checklist\u003c/p\u003e","\u003cp\u003eInvitation; photographs; checklists; internal memos; label copy; biographical information; correspondence with artist; \"Art Now: New York,\" Vol. 2, no. 10; installation sketches by Jackson; 2/71 Bulletin; Robinson House checklist\u003c/p\u003e","\u003cp\u003e3/71 Bulletin; 2 photographs; 7 slides; Robinson House exhibition checklist; internal memos; correspondence with artist; label copy; biographical information\u003c/p\u003e","\u003cp\u003e3/71 Bulletin, 1 photograph; clippings; correspondence with artist; internal memos; label copy; Robinson House exhibition checklist; invitation list\u003c/p\u003e","\u003cp\u003e3 photographs; internal memos; correspondence with artist; label copy; biographical information; Robinson House exhibition checklist; 4/71 Bulletin; invitation list\u003c/p\u003e","\u003cp\u003e1 slide, invitation; 4 photographs; internal memos and correspondence with artist re: damaged works; biographical information; label copy; correspondence with artist; clippings; checklist; 5/73 Bulletin; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation, 9/71 Bulletin, 2 duplicate slides; 2 photographs; 3 slides; label copy; correspondence with artist; invitation list\u003c/p\u003e","\u003cp\u003e10/71 Bulletin, invitation; 4 photographs; biographical information; correspondence with artist; label copy; checklists\u003c/p\u003e","\u003cp\u003ePhotographs; 3 slides; invitation list; 1 copy of invitation; correspondence with artist; internal memos; biographical information; checklists; label copy; 11/71 Bulletin\u003c/p\u003e","\u003cp\u003e2 photographs; 3 slides; label copy; price list (hand drawn!); correspondence with artist; biographical information; 12/71 Bulletin\u003c/p\u003e","\u003cp\u003e2 photographs; 3 slides; invitation; label copy; biographical information; correspondence with artist; Robinson House exhibition; checklist; 12/71 Bulletin\u003c/p\u003e","\u003cp\u003eInvitation, 1 slide; 1 new slide; 1/72 Bulletin; label copy; biographical information; checklists; internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003e1 photograph; \"Masterpieces of Early American Furniture, Antiques (11/70), invitation, \"The U.S. Department of State Americana Fund…\"; correspondence with possible collectors; research, correspondence with Clement E. Conger, Collector of the Year 1972 (Chairman of Special Fine Arts Committee for acquisition of furnishings for the Department of State); internal memos; clippings; biographical information; press releases; clippings; checklists layout (typed)\u003c/p\u003e","\u003cp\u003ePhotographs; 1 drawing; drawing (typed!); clippings; label copy\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e6 photographs; duplicates: 8 photographs, invitation; drawings (photocopies); correspondence with Mourot; research; internal memos; checklists; clippings; label copy\u003c/p\u003e","\u003cp\u003eProspectus; internal memos; correspondence with artists; reception guest list\u003c/p\u003e","\u003cp\u003eInvitation, poster, MOMA information sheet, \"Modern Museum Offers Works…\"; 13 photographs; memos; correspondence with MOMA (circulator); shipping information and receipts; checklists, 1 poster\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders; research; clippings; catalog copy; 1 copy of May 1972 Bulletin; clippings; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Muller; list of tentative loans\u003c/p\u003e","\u003cp\u003e9 photographs; 1 duplicate photograph\u003c/p\u003e","\u003cp\u003e1 new photograph; 1 duplicate photograph; correspondence with the AIC; request for information form\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; correspondence with Princeton; request for information form\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; correspondence with Atkins; request for information form\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; correspondence with Fogg; request for information form\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; correspondence with Meadows Museum; request for information form\u003c/p\u003e","\u003cp\u003e2 photographs; 6 duplicate photographs; correspondence with Met; request for information form\u003c/p\u003e","\u003cp\u003e4 duplicate photographs; correspondence with MFA Boston; request for information form; internal memos; insurance certificate\u003c/p\u003e","\u003cp\u003e6 duplicate photographs; correspondence with NGA; request for information form\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; correspondence with RISD; request for information form\u003c/p\u003e","\u003cp\u003e3 duplicate photographs; correspondence with Thaw; request for information form. invitation; photographs\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Worcester; shipping information and receipts; request for information form; correspondence re: insurance\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence re; photograph orders and framing for our pieces; request for information forms\u003c/p\u003e","\u003cp\u003e16 new photographs; 4 duplicate photographs\u003c/p\u003e","\u003cp\u003e18 new photographs; 6 duplicate photographs\u003c/p\u003e","\u003cp\u003eRequest for information form; piece of box from printer\u003c/p\u003e","\u003cp\u003eChecklists; lists of loans; shipping lists; mailing lists\u003c/p\u003e","\u003cp\u003eOne piece of correspondence\u003c/p\u003e","\u003cp\u003e5 new photographs; 1 duplicate photograph\u003c/p\u003e","\u003cp\u003e8 new photographs\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders who denied loan request\u003c/p\u003e","\u003cp\u003eChecklist, wall label, press release, 7 photographs; 2 contact sheet strips; materials from MOMA (circulator); correspondence with MOMA; internal memos; label copy; drawings (photocopies); 1 [misfiled] mock-up of Goya Catalogue cover\u003c/p\u003e","\u003cp\u003eChecklist, 2 photographs; 4 new photographs, 2 invitations, members' preview postcard and special reception in envelope; \"Gund Collection of Western Art,\" 1970; internal memos; correspondence with Gund; correspondence with lenders; clippings; \"American Western Art: a Personal Narrative.\"\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Gund Museum; internal memos; research; checklists; blank request for information forms; correspondence with lenders; lists of movies; Gund Collection materials\u003c/p\u003e","\u003cp\u003e4 photographs with labels, 5th=#15494, Carl Kauba, b. 1865, \"Indian\", Gilt Bronze, Collection Bobby Chandler; loan request; information sheets with small photos stapled to them (left in folder); correspondence with lenders; checklists; research\u003c/p\u003e","\u003cp\u003e1 catalog; 1 contact sheet strip; internal memos; label copy; 1 copy of invitation; correspondence with AIA, Richmond Chapter\u003c/p\u003e","\u003cp\u003eInvitation, 2 layout designs by Lipton, 6 photos; 27 new photos; correspondence with MIT (circulator); internal memos; correspondence with Marlborough Gallery (organizer); panel drawing (photocopy); checklists; correspondence with Lipton; label copy; research\u003c/p\u003e","\u003cp\u003e2 invitations, \"An Exhibition of Sculpture and Drawings by Gaston Lachaise,\" 2 photographs; 9 new photos; correspondence with Lachaise Foundation and [Felix] Landau Galleries (organizer); internal memos; checklists with prices; shipping information and receipts; drawing (photocopy); clippings\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with MOMA re: possible exhibitions, including Otto Frei exhibition [unsure if declined or not]\u003c/p\u003e","\u003cp\u003eChecklist; 1 photograph; internal memos; clippings; list of items sold or rented\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: lecture offer declined\u003c/p\u003e","\u003cp\u003eCorrespondence with Bernard Danenberg Galleries re: possible showing\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA\u003c/p\u003e","\u003cp\u003eCorrespondence with Advertising Trade Publications, Inc.\u003c/p\u003e","\u003cp\u003eCorrespondence with the IEF\u003c/p\u003e","\u003cp\u003eCorrespondence with Maritime Museum in Newport News and Philadelphia\u003c/p\u003e","\u003cp\u003e\"Project background \u0026amp; history,\" \"Bonniers introduces 9 incredible toys,\" 8 photos; 1 drawing; internal memos; correspondence with Bonnier International Design (organizer); correspondence with Ruder \u0026amp; Finn (circulators); Bonnier materials (including tear sheets); 1 copy of New York (9/11/72)\u003c/p\u003e","\u003cp\u003eProposals and materials from: George Eastman House, National Association of Women Artists, Rice University, California Arts Commission, Haus Rucker Company; MFA Houston, St. Paul Art Center, Fran Grace, Walter Art Center\u003c/p\u003e","\u003cp\u003eProposals and materials from: Japan Cultural Society, MOMA, Museum of the Confederacy, J.B. Speed, Library of Congress, Appalachian Corridor, SITES, Renwick Gallery, Asian Theatre Artists, NGA, Sculpture Center, International Museum of Photography, Oakland\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Smith (juror, Museum of Contemporary Crafts); biographical information\u003c/p\u003e","\u003cp\u003eCatalogs, prospectus, 1 photograph; correspondence with Wolf (juror; Trahey Wolf Advertising, Inc.); biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; 1971-1972 catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with institutions; artists; galleries and others (including materials)\u003c/p\u003e","\u003cp\u003eInvitation, 2 slides; invitation list; correspondence with artist; clippings; label copy; 2/72 Bulletin\u003c/p\u003e","\u003cp\u003eInvitation; 4 slides; 5 photographs; biographical information; label copy; correspondence with artist; 3/72 Bulletin; checklists\u003c/p\u003e","\u003cp\u003eInvitation, 4/72 Bulletin; 1 slide; correspondence with artist; internal memos; label copy; checklists; biographical information\u003c/p\u003e","\u003cp\u003e4/73 Bulletin, 1 slide, invitation; 1 negative; 1 photograph; 12/69 Bulletin; label copy; shipping information and receipts; biographical information; checklists correspondence with artist\u003c/p\u003e","\u003cp\u003e5/72 Bulletin, invitation; 1 photograph; 4 slides; correspondence with artist; label copy; checklists; biographical information\u003c/p\u003e","\u003cp\u003eInvitation, 1 photograph; 4 slides; label copy; 9/72 Bulletin; correspondence with artist; checklist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation, 4 photographs; 1 slide; shipping information and receipts; checklists; biographical information; 10/72 Bulletin; label copy; correspondence with artist\u003c/p\u003e","\u003cp\u003eInvitation; 1 photograph; 4 slides; checklists; shipping information and receipts; correspondence with artist; label copy; biographical information\u003c/p\u003e","\u003cp\u003eLabel copy; correspondence with artist; 11/72 Bulletin; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e\"1972-73 Robinson House One-Man Exhibitions\" List; internal memos; schedules\u003c/p\u003e","\u003cp\u003e1 photograph; 4 slides; label copy; 1/73 Bulletin; correspondence with artist; internal memos; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 slide, invitation, 2 photographs; 1 new photograph; label copy; 1/73 Bulletin; correspondence with artist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation, 2/73 Bulletin; 2 photographs; checklists; biographical information; internal memos; correspondence with artist; transportation request form; label copy\u003c/p\u003e","\u003cp\u003eInvitation, 3 photographs; 3 new photographs; 3 slides; biographical information; shipping information and receipts; checklists; correspondence with artist; transparencies request form; internal memos; label copy; 3/73 Bulletin\u003c/p\u003e","\u003cp\u003e'72 Honor Awards Program, Virginia AIA Chapter; concealed ID form; catalogue; internal memos; prospectus copy; Virginia Chapter AIA materials; 1 copy of prospectus; catalogue copy\u003c/p\u003e","\u003cp\u003eCorrespondence with juror (Hugh Jacobsen)\u003c/p\u003e","\u003cp\u003e2 photographs (Paul Smith); entry blanks; correspondence with artists; reception guest list; drawing (photocopy); internal memos; 1 copy of catalogue; correspondence with juror (Paul Smith)\u003c/p\u003e","\u003cp\u003eInternal memos; checklists; fact sheets; shipping information and receipts; entry blanks\u003c/p\u003e","\u003cp\u003ePurchase cards; annotated catalogues ('73); invoices; checklists; correspondence with purchasers; correspondence with artists; shipping information and receipts; release forms\u003c/p\u003e","\u003cp\u003eSlides; 7 new photographs; 3 duplicate photographs\u003c/p\u003e","\u003cp\u003eLetter (9/12/73); entry blanks; reception invitation list; shipping information and receipts; correspondence with artists; internal memos; correspondence with winners\u003c/p\u003e","\u003cp\u003e1 copy of catalogue; catalogue copy; internal memos; checklists\u003c/p\u003e","\u003cp\u003eSchedule; prospectus copy\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; internal memos; fact sheets; checklists\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists\u003c/p\u003e","\u003cp\u003e2 invitations, 8 duplicate photographs; 9 new photos; internal memos; checklists with values; correspondence with Blumkas (Mr. and Mrs. Leopold); research; correspondence re: complete loss of Gothic velvet tapestry due to water damage\u003c/p\u003e","\u003cp\u003e7 photographs; correspondence with MOMA (circulator); checklists; internal memos; MOMA materials (including wall label, press release)\u003c/p\u003e","\u003cp\u003e3 photographs; internal memos; panel layout notes; Accession Committee meeting minutes copies (to look at new accessions)\u003c/p\u003e","\u003cp\u003eInvitation; photographs; label copy; drawing (photocopy)\u003c/p\u003e","\u003cp\u003ePhotographs; duplicates; 2 invitations; invitation copy; internal memos; correspondence with Whitney (circulator); Whitney materials; label copy; 1 copy of \"Edward Hopper: Selections from the Hopper Bequest,\" published by Whitney; 1 copy of 3/73 Bulletin\u003c/p\u003e","\u003cp\u003e5 photographs; label copy; correspondence with lenders; request for information form; internal memos; correspondence re: Bernard Martin \"copying\" Alfred Newman's photograph of Hopper re: possible copyright infringement\u003c/p\u003e","\u003cp\u003eCatalog; 2 photographs; 1 copy of prospectus; internal memos; label copy; list of designers; correspondence with AIID\u003c/p\u003e","\u003cp\u003eInvitation, 10 photographs; internal memos; label copy; invitation copy; mailing lists\u003c/p\u003e","\u003cp\u003eCatalog, invitation, 1 photograph; 2 slides, 1 new photograph; internal memos; correspondence with artists; label copy; 1 copy of prospectus; checklists; clippings\u003c/p\u003e","\u003cp\u003e5/73 bulletin; shipping information and receipts; correspondence with artists; internal memos; correspondence with Thalhimer's re: display; label copy; checklists; fact sheets\u003c/p\u003e","\u003cp\u003e1 copy of catalogue; catalogue copy; checklists; internal m emos; prospectus copy\u003c/p\u003e","\u003cp\u003eSigned certificates; correspondence with winners\u003c/p\u003e","\u003cp\u003eCorrespondence with juror (William Seitz); biographical information\u003c/p\u003e","\u003cp\u003e28 photographs\u003c/p\u003e","\u003cp\u003eMemo (2/28/73); printmakers card; letter (3/22/73); internal memos\u003c/p\u003e","\u003cp\u003eReply cards; correspondence with artists; internal memos; checklists\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates, certificates; juror biographical information (William Pahlmann); correspondence with juror; internal memos; fact sheets; checklists; correspondence with artists; entry blanks\u003c/p\u003e","\u003cp\u003eProspectus (1 copy); AID Virginia Chapter '70-'71 directory; prospectus copy; catalogue (1 copy); checklists; correspondence with NSID\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e3 photographs; 1 duplicate photograph; label copy; entry blank; correspondence with Solomon; biographical information; shipping information and receipts; 11/73 Bulletin\u003c/p\u003e","\u003cp\u003eInvitation, 2 duplicate photographs, 10/73 Bulletin; 1 new photograph; label copy; correspondence with Beer; biographical information; checklists\u003c/p\u003e","\u003cp\u003e2 photographs; internal memos; correspondence with juror (Nathan Lyons); biographical information\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eEntry blank; correspondence with Dougherty\u003c/p\u003e","\u003cp\u003e1 photograph; 1 new photograph; 9/73 Bulletin; correspondence with Davenport; entry blank; biographical information; clipping\u003c/p\u003e","\u003cp\u003eInvitation, 2 photographs; 7 new photographs; correspondence with Lewises; drawing (photocopy); internal memos, 1 copy of May '72 W\u0026amp;L Alumni Bulletin\u003c/p\u003e","\u003cp\u003e7 photographs; press release; internal memos; materials from Museum of Primitive Art (organizer); clippings; catalog copy\u003c/p\u003e","\u003cp\u003eInvitation; catalog; internal memos; correspondence with prospective jurors; 1 photocopy of prospectus; mailing list; article by Nathan Lyon (juror); clipping; NEA grant materials\u003c/p\u003e","\u003cp\u003ePress release, 3 photographs, checklist; correspondence with IEF (circulator); IEF materials; internal memos\u003c/p\u003e","\u003cp\u003eResearch; checklists; catalog copy; mailing lists for catalogs [all materials Blaine-related]\u003c/p\u003e","\u003cp\u003e3 clippings, 3 invitations; 7 photographs; internal memos; correspondence with Blaine; mailing lists; catalog copy (Blaine)\u003c/p\u003e","\u003cp\u003eNell Blaine at the Poindexter Gallery, 1972, catalogue folder; 2 new photographs; research; other catalogs; mailing lists; request for information forms; checklists; price lists; internal memos; correspondence with Boston University (Beal co-organizer); correspondence with Poindexter Gallery (Blaine co-organizer); correspondence with Lawrence Campbell (essay writer; Art Students' league); correspondence with lenders; correspondence with artists; catalog copy (Beal)\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of Blaine catalog; list of Beal color transparencies returned\u003c/p\u003e","\u003cp\u003eCorrespondence with artist and purchasers re: sale of paintings (including copies of checks, etc.); checklists; price lists [all material related to Blaine]\u003c/p\u003e","\u003cp\u003e1 drawing by Blaine; correspondence with Boston University, Poindexter Gallery, Blaine, Campbell, lenders; internal memos; 1 copy of Blaine catalog; clippings; loan agreement forms; other catalog (Beal); research; label copy; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; 1972-73 catalog; 1973-74 listing in new 8 ½ X 11 format (unbound)\u003c/p\u003e","\u003cp\u003e2 copies of 67-68 catalog; correspondence with AFA; 2 copies of 68-69 catalog; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence re: possible prison art show\u003c/p\u003e","\u003cp\u003eCorrespondence with Ruder and Finn\u003c/p\u003e","\u003cp\u003eClippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]\u003c/p\u003e","\u003cp\u003eClippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]\u003c/p\u003e","\u003cp\u003eMaterial re; possible exhibition of Cecil Beaton as well as Samuel Kirk \u0026amp; Son\u003c/p\u003e","\u003cp\u003eMaterial re: possible exhibition of Cecil Beaton, as well as for Sir Jacob Epstein, and others\u003c/p\u003e","\u003cp\u003eCorrespondence re: Objects: USA (collection of S.C. Johnson \u0026amp; Son, organized by Lee Nordness Gallery); correspondence with various other institutions; various catalogs from late 1960s\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; various catalogs from 1973\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; various catalogs from late 1960s; early 1970s]\u003c/p\u003e","\u003cp\u003eCorrespondence; internal memos\u003c/p\u003e","\u003cp\u003e1 copy of 66-67 catalog; 2 copies of 68-69 catalog; correspondence with MOMA; MOMA materials; clippings; internal memos\u003c/p\u003e","\u003cp\u003e1 clipping on Peggy Guggenheim\u003c/p\u003e","\u003cp\u003eCorrespondence with Multiples, Inc. gallery; internal memo\u003c/p\u003e","\u003cp\u003eEastman House materials\u003c/p\u003e","\u003cp\u003eCorrespondence with SITES; 1972 catalogs; SITES materials; various SI bulletins; 1 catalog (French playbills)\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; MOMA materials, 1 copy of catalog\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Hirschl \u0026amp; Adler\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with \"Curators of Art for Corporate Collections\" [actually called Danese Design]\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with Art professor at Mary Baldwin\u003c/p\u003e","\u003cp\u003eCorrespondence with Asia House Gallery; checklist; internal memo [not shown]\u003c/p\u003e","\u003cp\u003eCorrespondence with Whitney and Aldrich Museum of Contemporary Art\u003c/p\u003e","\u003cp\u003eCorrespondence with Museum of Fine Arts, St. Petersburg; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Multiples, Inc.\u003c/p\u003e","\u003cp\u003eLetter from Claiborne to members (10/24/73); 1 copy of invitation; label copy\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eCatalog, invitation, 6 photographs; 1 new photograph; 1 copy of Virginia Designers 1970 catalog; internal memos; mailing list; catalog copy; correspondence with Federal Council on the Arts \u0026amp; Humanities (speaker, Lani Lattin); schecklists\u003c/p\u003e","\u003cp\u003eMembers special film program card, 2 photographs; 1 new photograph; 1 copy of Wildenstein catalog; research; correspondence with Bakwin; correspondence with members; internal memos; 1 copy of invitation; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation, reply card; 1 photograph; 1 copy of Craftsmen's Biennial 2 (VCU) prospectus; 1 copy of Virginia Craftsmen 1970 catalog; 1 copy of 74 catalog; 1 copy of 74 prospectus; internal memos; mailing list; research\u003c/p\u003e","\u003cp\u003eInvitation, 11 photographs; 4 new photographs; 1 copy of catalog \"Walter Gropius: Buildings, Plans, Projects, 1906-1969\"; correspondence; 1 copy of \"Portrait of an idea: Rosenthal Studio-Line\"; correspondence with IEF; IEF materials; exhibition contract; 1 drawing (photocopy); internal memos\u003c/p\u003e","\u003cp\u003eVMFA exhibition SP-28; internal memos; checklist; label copy\u003c/p\u003e","\u003cp\u003eClippings; 1 copy of Commonwealth: the Magazine of Virginia (5/74)\u003c/p\u003e","\u003cp\u003e2 preview invitations, lecture card, brochure; photographs; label copy\u003c/p\u003e","\u003cp\u003e3 photographs; 1 new photograph\u003c/p\u003e","\u003cp\u003eAnnouncement; 3 transparencies; 4 drawings of \"Project: Folk Art\"; correspondence with Whitney (circulator; organizer); internal memos; correspondence with Ruder and Finn; label copy; correspondence with Philip Morris (sponsor); research; invitation copy; brochure copy; Whitney materials; preview mailing list; 1 copy of 4/74 Bulletin; correspondence re: posters and billboard; clipping\u003c/p\u003e","\u003cp\u003eInvitation, \"Project: Folk Art\"; 1 photograph; internal memos; correspondence with Ruder \u0026amp; Finn; correspondence with Whitney; checklists, correspondence with Philip Morris; brochure copy; clipping; correspondence with publicity; correspondence with other institutions\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003e3 photographs; 2 new photographs; TV speech copy; correspondence with De Young (other venue); correspondence with Central Virginia Educational Television; verbal storyboards\u003c/p\u003e","\u003cp\u003eInternal memos; mailing/invitation lists\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Whitney; correspondence with other institutions; Whitney brochures; clippings; layout drawings (photocopies); label copy\u003c/p\u003e","\u003cp\u003e7 photographs; duplicates: transcript, announcement card; 4 dictabelts (interview with Bill Gaines); checklists; correspondence with Chermayeff; internal memos; correspondence with Philip Morris (owners of tapestries); mailing list; 1 copy of invitation; press release; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Nancy Hoffman Gallery (organizer); correspondence with lenders; checklists; request for information form; gallery materials\u003c/p\u003e","\u003cp\u003eCatalog; photographs; catalog copy; internal memos; checklists; correspondence with lenders; blank information request form; clipping\u003c/p\u003e","\u003cp\u003ePhotographs, 2 transparencies, 1 slide; 1 copy of invitation; internal memos; clippings; exhibition design drawings (photocopy)\u003c/p\u003e","\u003cp\u003e33 photographs; 7 transparencies; duplicates: 15 photographs\u003c/p\u003e","\u003cp\u003e4 photographs; 1 transparency, slides; correspondence with potential lenders; correspondence with Diebenkorn; internal memos; request for information forms; checklists\u003c/p\u003e","\u003cp\u003e4 photographs; 3 new photos, 1 transparency; correspondence with potential lenders; correspondence with lenders; correspondence with Estes (the photos he provided were for his passport!); request for information forms; checklists; research\u003c/p\u003e","\u003cp\u003e6 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklists; correspondence with Francis\u003c/p\u003e","\u003cp\u003e5 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklist; correspondence with Frankenthaler; internal memo\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with lenders; correspondence re: damage; request for information forms; internal memos; correspondence with Hans Nemuth re: portrait of Indiana (photograph)\u003c/p\u003e","\u003cp\u003e5 photographs; checklists; correspondence with potential lenders; request for information forms\u003c/p\u003e","\u003cp\u003e6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklist\u003c/p\u003e","\u003cp\u003e5 photographs; 1 new photograph, 2 transparencies; correspondence with potential lenders; correspondence with Motherwell; checklists; request for information forms\u003c/p\u003e","\u003cp\u003e6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklists\u003c/p\u003e","\u003cp\u003e5 photographs; 1 new photograph; correspondence with potential lenders; request for information forms; internal memos; checklists\u003c/p\u003e","\u003cp\u003e5 photographs; 1 new photograph; 1 transparency; correspondence with Thiebaud; correspondence with potential lenders; request for information forms; checklists\u003c/p\u003e","\u003cp\u003e5 photographs; 1 transparency; internal memos; correspondence with potential lenders; request for information forms; checklists\u003c/p\u003e","\u003cp\u003eCatalog; internal memos; correspondence with Virginia AIA Awards Committee\u003c/p\u003e","\u003cp\u003eEntry blanks; correspondence with designers; label copy; internal memos; checklists; fact sheets\u003c/p\u003e","\u003cp\u003e1 copy of '74 catalog; catalog copy\u003c/p\u003e","\u003cp\u003eSigned certificates; correspondence with juror (Ivan Chermayeff); clipping\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eProspectus; checklists; art directors' club materials; prospectus copy; schedule\u003c/p\u003e","\u003cp\u003e4 photographs; correspondence with Hagan; shipping information and receipts; entry blank; label copy; 5/74 Bulletin; biographical information\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs; 2 new photographs; 4/74 Bulletin; shipping information and receipts; biographical information; correspondence with Abbott; label copy\u003c/p\u003e","\u003cp\u003eInvitation; 1 photograph; 1 new photograph; label copy; transportation requests; entry blanks; biographical information; correspondence with Barry; shipping information and receipts; 2/74 Bulletin\u003c/p\u003e","\u003cp\u003e5 photographs; 1 duplicate photograph; invitations; 1/74 Bulletin; shipping information and receipts; checklists; label copy; internal memos; correspondence with Fridley\u003c/p\u003e","\u003cp\u003eInvitation; 4 photographs; NEA booklet; 10/74 Bulletin; correspondence with NEA for Sandborn; brochure (1 copy); brochure copy; internal memos; biographical information; correspondence with Sandborn; entry blank; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs, invitations; 6 photographs; 9/74 Bulletin; correspondence with Ames; biographical information; shipping information and receipts; checklists; label copy; internal memos; entry blank\u003c/p\u003e","\u003cp\u003eCatalog; photographs; internal memos; correspondence with artists; label copy; checklists; correspondence with Michael Graves (lecturer); correspondence with juror (Bill Newman); invitation copy; invitation list; prospectus copy; biographical information; 12/74 Bulletin\u003c/p\u003e","\u003cp\u003e3 photographs: 1 duplicate photograph, invitations; 11/74 Bulletin; brochure; shipping information and receipts; checklists; biographical information; correspondence with Scalin; entry blank; label copy\u003c/p\u003e","\u003cp\u003e22 photographs; 9 new photographs; internal memos; checklists\u003c/p\u003e","\u003cp\u003eResearch; checklists; internal memos; clippings; correspondence re: poster; drawings (photocopies); panel copy\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eLabel copy; research; checklists; correspondence with lenders; internal memos; correspondence with Comprehensive Exhibition Services (circulator); correspondence with potential lenders; blank request for information forms\u003c/p\u003e","\u003cp\u003e8 photographs; 6 new photographs; request for information forms; internal memos; correspondence with lenders\u003c/p\u003e","\u003cp\u003eSITES and National Art Collection Materials; internal memos; correspondence re: materials for Children's Day\u003c/p\u003e","\u003cp\u003e1 photograph; 2 new photographs; correspondence with Delaware Art Museum (lender); 1 copy of 4/74 Bulletin; checklists; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with potential speakers they declined\u003c/p\u003e","\u003cp\u003ePhotographs; research; biographical information; clippings, drawing (photocopy); 1 copy of 5/74 Bulletin; internal memos; correspondence with VCU (Professor Lester Van Winkle is co-organizer); correspondence with lenders; invitation list; 1 copy of invitation; checklists; correspondence from visitors\u003c/p\u003e","\u003cp\u003e4/74 Bulletin, \"photographic resume,\" 1 photograph; 5 new photographs; correspondence with artist; biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with and materials from various institutions, galleries, and organizations; internal memos; clippings; catalog\u003c/p\u003e","\u003cp\u003e1 photograph (William B. O'Neal, UVirginia); correspondence with potential speakers; promotional materials; internal memos\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: questionnaire (5/2/74)\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA re: possible traveling shows\u003c/p\u003e","\u003cp\u003eCorrespondence with and materials from various institutions, organizations, and individuals re: declined exhibitions; internal memos; catalogs\u003c/p\u003e","\u003cp\u003eCorrespondence with Modern Master Tapestries, Inc. (organizing circulator) and Charles E. Slatkin, Inc. Galleries (organizing circulator); promotional materials\u003c/p\u003e","\u003cp\u003eSigned certificates, catalog; 1 photograph; internal memo; correspondence with artists; fact sheets; invoices; checklists; clippings; shipping information and receipts\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; annotated '72 prospectus\u003c/p\u003e","\u003cp\u003eNOVirginia invitation, jurors' statement, Lynchburg prospectus, signed certificates (NOVirginia); 10 photographs; checklists; prospectus copy; invitation copy; NOVirginia prospectus; correspondence with artists; catalog copy; Lynchburg catalog; correspondence with directors of affiliates; Lynchburg signed certificate\u003c/p\u003e","\u003cp\u003e10 photographs; duplicates: Roanoke catalog, Roanoke invitation; correspondence with artists; Peninsula prospectus copy; Peninsula catalog copy; internal memos; Peninsula prospectus; Peninsula signed certificate; checklists; Roanoke catalog copy; clippings; correspondence with juror (Lawrence Alloway)\u003c/p\u003e","\u003cp\u003e'75 prospectus; shipping information and receipts; annotated '73 prospectus; prospectus copy\u003c/p\u003e","\u003cp\u003ePhotographs; signed certificates, invitation; checklists; '75 catalog; correspondence with NEA re: grant; internal memos; correspondence with juror (Aaron Siskind); fact sheets; prospectus copy\u003c/p\u003e","\u003cp\u003eVirginia Commission of the Arts and Humanities grant application\u003c/p\u003e","\u003cp\u003eCatalog; catalog copy\u003c/p\u003e","\u003cp\u003e1 signed certificate; correspondence with winners\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of '75 catalog\u003c/p\u003e","\u003cp\u003eProspectus copy; internal memos; correspondence re: prospectus\u003c/p\u003e","\u003cp\u003eCatalog; purchase cards; invoices; correspondence with artists; internal memos\u003c/p\u003e","\u003cp\u003eReply cards; checklists; correspondence with artists\u003c/p\u003e","\u003cp\u003eInvitation, 1 photograph; shipping information and receipts; correspondence with potential jurors; correspondence with juror (Robert Buck); biographical information; schedule; internal memos; checklists; 5/75 Bulletin\u003c/p\u003e","\u003cp\u003eSigned certificates; fact sheets; correspondence with juror (Elke Solomon); biographical information; internal memos; checklists; correspondence with artists\u003c/p\u003e","\u003cp\u003ePhotographs; prospectus; prospectus copy; 1 copy of catalogue; catalogue copy\u003c/p\u003e","\u003cp\u003eLetter 2/9/75, purchase card; correspondence with artists; internal memos; invoices\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists\u003c/p\u003e","\u003cp\u003eInvitation, 5 photographs; 1 new photograph; internal memos; invitation copy; correspondence with Mrs. Lammot DuPont Copeland [collector of the year]\u003c/p\u003e","\u003cp\u003e1 copy of 2/75 Bulletin; internal memos; checklists (Artmobile exhibition); label copy\u003c/p\u003e","\u003cp\u003e1 photograph; 1 copy of catalog; 1 copy of prospectus; internal memos; checklists\u003c/p\u003e","\u003cp\u003ePhotographs; checklists; label copy; catalog copy; research; invitation copy; correspondence with NC Museum of Art; internal memos; mailing list; 1 copy of invitation\u003c/p\u003e","\u003cp\u003e2 photographs; \"1940, Remember?\" clipping; correspondence with Library of Congress Prints \u0026amp; Photographs Division; internal memos; research; checklists\u003c/p\u003e","\u003cp\u003eCatalog, \"Observations on …,\" \"Collecting,\" 2 photographs; 2 new photographs; correspondence with O'Neal; checklists; internal memos; catalog copy; biographical information\u003c/p\u003e","\u003cp\u003e4 new photographs; catalog\u003c/p\u003e","\u003cp\u003eCatalog, 4 photographs; 4 new photographs; checklists; correspondence with Lewises; internal memos\u003c/p\u003e","\u003cp\u003eCatalog, invitation, 6 photographs; 2 new photographs; 1 copy of prospectus; internal memos; invitation copy; correspondence with Robert Buck (juror, Director of Albright Knox)\u003c/p\u003e","\u003cp\u003e1 internal memo\u003c/p\u003e","\u003cp\u003e1 catalog, 5 photographs; 1 new photograph; internal memos; checklists\u003c/p\u003e","\u003cp\u003eInvitation, 6 photographs; 6 new photographs; correspondence with University Art Gallery (Rutgers, organizer); internal memos; invitation copy; correspondence with VM Youth Guild; clipping; correspondence from visitors; 1 copy of catalog; list of books for sale at VMFA Shop\u003c/p\u003e","\u003cp\u003e\"Art as Adornment\"; 10 photographs; internal memos; checklists; label copy; catalog copy\u003c/p\u003e","\u003cp\u003e3 new photographs; 3 duplicate photographs; correspondence with Art Museum of South Texas (borrower)\u003c/p\u003e","\u003cp\u003eCorrespondence with Josef Albers Foundation; correspondence; internal memos\u003c/p\u003e","\u003cp\u003eInvitation, catalog; internal memos; correspondence re: successful NEA grant; grant   materials; statistics\u003c/p\u003e","\u003cp\u003e1 photograph; internal memos; checklists; correspondence with Light Gallery (lender); correspondence with Siskind\u003c/p\u003e","\u003cp\u003ePress release; photographs; correspondence with AFA (circulator); correspondence with Museum of Primitive Art (lender); drawing (photocopy); in use list; internal memos; correspondence with African Arts magazine; clipping\u003c/p\u003e","\u003cp\u003ePoster, catalog, 1 photograph; 4 new photographs; correspondence with AFA; checklists; internal memos; exhibition contract; invitation copy; correspondence with African Arts; correspondence with Museum of Primitive Arts; correspondence with local TV station\u003c/p\u003e","\u003cp\u003e\"Masterpieces of Pre-Columbian Art,\" 5 photographs; 1 new photograph; internal memos; label opy; Artmobile slide lecture copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Museum of the American Indian (organizer); internal memos; clipping\u003c/p\u003e","\u003cp\u003eCorrespondence with Met (organizer); internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Hyatt re: possible accommodations; correspondence with AAM; internal memos\u003c/p\u003e","\u003cp\u003e3 photographs; 3 new photographs; correspondence with lenders; request for information forms; checklists; shipping information and receipts; 1 copy of invitation\u003c/p\u003e","\u003cp\u003e3 photographs; 3 new photographs; 1 copy of brochure (\"Landscape in Photography\");   internal memos; checklists\u003c/p\u003e","\u003cp\u003e12 photographs; brochure copy; internal memos; checklists; panel copy; press releases\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; 1 copy of invitation; clipping; internal memos; press release\u003c/p\u003e","\u003cp\u003e3 photographs; 12 new photographs; correspondence with MOMA (organizer); checklist; exhibition contract; internal memos; clipping; MOMA materials\u003c/p\u003e","\u003cp\u003eUnsigned certificate; 2 photographs; duplicates: letter 8/1/75, 2 blank information forms\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e2/75 Bulletin, invitation, 1 photograph; 2 new photographs; internal memos; correspondence with artist; shipping information and receipts; biographical information; label copy\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs; 4 duplicate photographs, 11/14/74 memo; internal memos; label coy; blank floor plan; 1/75 Bulletin; correspondence with artists; clippings; invoices [lots of correspondence re: student show]\u003c/p\u003e","\u003cp\u003e21 photographs; information forms; biographical information; correspondence with artists; internal memos; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; duplicates: Roanoke prospectus, Peninsula prospectus, Roanoke catalogue; clippings; correspondence with artists; prospectus copy; juror biographical information; internal memos; correspondence with jurors; NOVirginia prospectus; annotated Roanoke prospectus; checklists; signed certificates; invitation; blank certificates\u003c/p\u003e","\u003cp\u003ePhotographs; drawings (photocopies); panel copy; research; catalog copy\u003c/p\u003e","\u003cp\u003eChecklists by object type (transferred contents of a binder)\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e3 photographs; internal memos; correspondence re: events such as demos and clinics; research; correspondence with visitors; invitation copy; correspondence re: catalog; correspondence with lenders; checklists\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; research\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with lenders; internal memos; correspondence with Virginia Commission of the Arts \u0026amp; Humanities re: special funding; checklists; research\u003c/p\u003e","\u003cp\u003eCatalog copy; research; checklists; labels\u003c/p\u003e","\u003cp\u003ePhotographs; checklists; other lists\u003c/p\u003e","\u003cp\u003e15 photographs; shipping information and receipts; catalog proof; checklists; catalog copy; research; lists by type\u003c/p\u003e","\u003cp\u003e10 photographs; 2 new photographs; correspondence with Toledo Museum of Art (organizer); checklists; insurance certificate; clipping, correspondence with Steuben; 1 copy of \"Steuben: 70 Years of American Glassmaking\"; internal memos; correspondence with publicity\u003c/p\u003e","\u003cp\u003e\"Forms in Metal\" catalogue; 1 photograph; correspondence with Museum of Contemporary Crafts (organizer); exhibition contract; Museum of Contemporary Crafts materials; internal memos; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e3 photographs, invitation, reply card; 1 copy of catalog; correspondence with Lawrence Alloway (juror); invitation copy; internal memos; correspondence with members of arts organizations coming to ceremony; guest lists\u003c/p\u003e","\u003cp\u003eExhibition contract; correspondence with MOMA (organizer); MOMA materials; checklist; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with University of New Mexico (organizer); research; exhibition contract; internal memos; correspondence with Western Association of Art Museums (organizer); biographical information; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with Dean Brown Foundation (curator is Carol Brown, widow) and Akron Art Institute (organizer); internal memos; biographical information; AAI materials\u003c/p\u003e","\u003cp\u003eCorrespondence with Bowdoin (organizer) [cancelled]; Bowdoin materials\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Israel Museum; clippings\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with Museum of the American Indian; correspondence with Phillip Morris (connection to Museum of AI)\u003c/p\u003e","\u003cp\u003eCatalog, prospectus; statistics; letter to members of \"Richmond Communicating Artists\"\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; VMFA materials; label copy\u003c/p\u003e","\u003cp\u003eOne press release [written by Bob Keefe] re: Reeves collection\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Terry Dintenfass (organizer); internal memos\u003c/p\u003e","\u003cp\u003e19 photographs; correspondence with Gallery Association of New York State (organizer); internal memos; checklist; correspondence with Architectural League of NY (organizer); budget materials (for fundraising); GANYS materials\u003c/p\u003e","\u003cp\u003ePhotographs; 2 slides\u003c/p\u003e","\u003cp\u003e1 drawing; 1 photograph; duplicates: museum tear sheet; general museum and various exhibitions' label copy; catalogue or essay copy for \"The 18th Century Drama\"\u003c/p\u003e","\u003cp\u003eBiographical information\u003c/p\u003e","\u003cp\u003eAttendance statistics\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003eFact sheet\u003c/p\u003e","\u003cp\u003eList of music for Danish Silver exhibition\u003c/p\u003e","\u003cp\u003eLists of alumni in Richmond\u003c/p\u003e","\u003cp\u003e2 drawings; Leslie Cheek Jr.'s notes\u003c/p\u003e","\u003cp\u003e2 drawings\u003c/p\u003e","\u003cp\u003e3 drawings\u003c/p\u003e","\u003cp\u003e3 drawings\u003c/p\u003e","\u003cp\u003e2 checklists of members\u003c/p\u003e","\u003cp\u003e1 drawing; list of photographs for panels\u003c/p\u003e","\u003cp\u003e1 drawing\u003c/p\u003e","\u003cp\u003e\"Remarks\" 5/25/77\u003c/p\u003e","\u003cp\u003eInternal memos; article copy; checklist; correspondence re: permission to publish images\u003c/p\u003e","\u003cp\u003e1 transparency; catalog copy; internal memos; correspondence with lenders; research; correspondence re: transparencies; correspondence with Mariner's Museum\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders; correspondence re: transparencies; catalogue copy\u003c/p\u003e","\u003cp\u003eBlank information forms\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003e1 photograph [Vose Galleries]; correspondence with lenders who denied loans\u003c/p\u003e","\u003cp\u003eCatalog proofs\u003c/p\u003e","\u003cp\u003eCorrespondence with Suffolk Art League\u003c/p\u003e","\u003cp\u003eCorrespondence with Mint Museum; Mint materials\u003c/p\u003e","\u003cp\u003e1 copy of \"The Virginia Peninsula Today,\" 11/76; speech copy\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with Met re: possible loan\u003c/p\u003e","\u003cp\u003eInvitation lists\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; 2 new photographs; request for information forms; correspondence with potential lenders\u003c/p\u003e","\u003cp\u003eChecklists; internal memos re: postcards for sale (correspondence with other museums' shops)\u003c/p\u003e","\u003cp\u003ePress release (8/26/74); correspondence with Mariners Museum; internal memos; clippings; fact sheet\u003c/p\u003e","\u003cp\u003e3 photographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eRequest for information forms (folder 2)\u003c/p\u003e","\u003cp\u003eRequest for information forms\u003c/p\u003e","\u003cp\u003eInternal memo; correspondence with Vose re: catalogue; Artmobile label/brochure copy\u003c/p\u003e","\u003cp\u003eBudget information; internal memos\u003c/p\u003e","\u003cp\u003eArtmobile label copy; Artmobile layout drawing (photocopy)\u003c/p\u003e","\u003cp\u003eResearch\u003c/p\u003e","\u003cp\u003eSlide lists\u003c/p\u003e","\u003cp\u003eInternal memos; Artmobile brochure; checklists; Artmobile teachers' kit; clipping\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; correspondence with Mariners Museum; checklists\u003c/p\u003e","\u003cp\u003eChecklists\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with Mariners Museum\u003c/p\u003e","\u003cp\u003e1 slide; 1 photograph (A. Cary Smith, portrait of the Yacht Agnes); correspondence with lenders; research; internal memos; schedule; correspondence with mariners Museum; clippings; other materials\u003c/p\u003e","\u003cp\u003eInternal memos; invitation lists; correspondence with attendees/invitees; clipping\u003c/p\u003e","\u003cp\u003eCorrespondence and internal memos re: budget\u003c/p\u003e","\u003cp\u003eLists; schedule; correspondence with Mariners Museum; correspondence with film companies; internal memos\u003c/p\u003e","\u003cp\u003eBudget information; internal memos; correspondence with Mariners Museum; correspondence with NEA; clipping; grant application\u003c/p\u003e","\u003cp\u003e6 photographs; correspondence with NNS; 1 copy of \"3 Generations of Shipbuilding\"; NNS materials; \"Men, Ships and the Sea\"; Bring Her Home\"; label copy for publicity photographs0; \"Always Good Ships\"\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003e14 duplicate photographs; 2 new photographs; 1 drawing; 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internal memos; '77 catalogue; correspondence with NEA re: grant; '77 prospectus; correspondence with juror (Lloyd Herman)\u003c/p\u003e","\u003cp\u003e25 slides, 9 photographs; 1 duplicate photograph; clippings; correspondence with Santa Barbara Museum of Art (organizer); internal memos; correspondence with SITES (circulator); 1 copy of catalog; labels; schedule; checklists; Santa Barbara materials, including press release and prospectus; exhibition contract\u003c/p\u003e","\u003cp\u003ePhotographs; invitation list; announcement; correspondence with artist; announcement copy; price list; entry blank, invitation (signed \u0026amp; 22/58)\u003c/p\u003e","\u003cp\u003ePhotographs; invitation list; price list; entry blank; announcement; announcement copy; biographical information; internal memos; correspondence with artist\u003c/p\u003e","\u003cp\u003e3 photographs; invitation list; entry blank; invitation; internal memos; clipping; biographical information; correspondence with artist\u003c/p\u003e","\u003cp\u003e1 photograph; invitation; announcement proof; correspondence with purchasers; biographical information; checklists; invitation list; correspondence with artist\u003c/p\u003e","\u003cp\u003e3 photographs; announcement; announcement copy; invitation; internal memos; entry card; correspondence with artist; biographical information; invitation list\u003c/p\u003e","\u003cp\u003e3 photographs; announcement; checklists; entry blank; invitation list; correspondence with artist; invitation; biographical information\u003c/p\u003e","\u003cp\u003e2 photographs; checklists; correspondence with artist; artists' sale terms and conditions; announcement; invitation list; biographical information; invitation; internal memos\u003c/p\u003e","\u003cp\u003eAnnouncement; invitation; correspondence with artist; announcement copy; biographical information; invitation list; internal memos\u003c/p\u003e","\u003cp\u003eAnnouncement, invitation; announcement copy; biographical information; entry blank; Guggenheim fellowship application; clippings; correspondence with artist; invitation list\u003c/p\u003e","\u003cp\u003eInvitation; schedule; 1 copy of prospectus; correspondence with Thalhimer's; internal memos; statistics; correspondence with artists\u003c/p\u003e","\u003cp\u003eProspectus copy; label copy; jurors' statement copy; 2 copies of catalog (1 annotated; 1 not); catalogue copy; correspondence with visitor re: complaint about nude woman in painting\u003c/p\u003e","\u003cp\u003e5 photographs; 8 duplicate photographs\u003c/p\u003e","\u003cp\u003eSigned certificates; 1 photograph; invitation; internal memos; correspondence with artists; correspondence with juror (Suzanne Delehanty); checklists; statistics\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with Thalhimer's; correspondence with artists\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists\u003c/p\u003e","\u003cp\u003eForm letter to Virginia artists from Director Peter Mooz; correspondence with purchasers; correspondence with artists; internal memos; invitation list; reply cards\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eInvoices; budget information; incident report; correspondence with artist\u003c/p\u003e","\u003cp\u003eInvitation; clippings; poster; materials from other exhibitions\u003c/p\u003e","\u003cp\u003eClippings; materials from other exhibitions\u003c/p\u003e","\u003cp\u003ePostcard; checklists; label proof; lecture; invitation copy; installation drawing [checklists from Edwin A. Ulrich Museum of Art, Wichita State University)\u003c/p\u003e","\u003cp\u003e7 photos; 5 new photos\u003c/p\u003e","\u003cp\u003eCorrespondence with Wichita State; correspondence with Lewises; correspondence with artist; correspondence with Whitney (other venue)\u003c/p\u003e","\u003cp\u003eInvitation, reply card, brochure; 5 photographs; 1 copy of catalogue: \"The Proctor \u0026amp; Gamble Company Antique English Coffee Pots: The Folger's Coffee Collection\"; correspondence; internal memos; correspondence with the Rowland Company (organized the show); correspondence with Proctor \u0026amp; Gamble; invitation copy\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with lenders; clippings; internal memos; correspondence with Lewises (lenders of typewriter eraser)\u003c/p\u003e","\u003cp\u003eInvitation, 5 photographs; 33 new photographs; clippings; internal memos; correspondence with Kreegers; checklist; drawings (photocopies); invitation list; research; label copy; invitation copy\u003c/p\u003e","\u003cp\u003eInternal memos; specs. For A.V. presentation; presentation copy\u003c/p\u003e","\u003cp\u003eInvitation; invitation copy\u003c/p\u003e","\u003cp\u003e2 slides; photographs; internal memos\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eBudget information; internal memos; invoices; research on Owen Cheatham Foundation\u003c/p\u003e","\u003cp\u003eCorrespondence with public; correspondence re: copyright; internal memos; publicity schedule\u003c/p\u003e","\u003cp\u003eInternal memos; label copy; checklists; drawings (photocopies)\u003c/p\u003e","\u003cp\u003eLabel copy; internal memos; catalogue proofs; correspondence re: copyright; invitation; checklists\u003c/p\u003e","\u003cp\u003eInternal memos re: duties \u0026amp; plans\u003c/p\u003e","\u003cp\u003eClippings; internal memo\u003c/p\u003e","\u003cp\u003eChecklist; research of the objets d'art; Owen Cheatham catalog (1 annotated; 1 not)\u003c/p\u003e","\u003cp\u003e40 slide set from MOMA\u003c/p\u003e","\u003cp\u003eClippings\u003c/p\u003e","\u003cp\u003e1 copy of VMFA operating budget, 1976-77\u003c/p\u003e","\u003cp\u003e2 slide lists (102 slides \u0026amp; 40 slides); checklists; MOMA brochure re: slide set\u003c/p\u003e","\u003cp\u003eCorrespondence with speakers and hostesses\u003c/p\u003e","\u003cp\u003eInstallation instructions; internal memos; checklists; drawings (photocopies); correspondence with MOMA; MOMA materials\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; internal memo\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with MOMA; MOMA materials\u003c/p\u003e","\u003cp\u003eInternal memo re: related books in VMFA Shop; exhibition bibiliography\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eRichmond Sinfonia program; letter from MOMA (6/20/75); exhibition contract; internal memos; correspondence with MOMA; budget information; MOMA invitation; American Art Since 1945 (1 copy of catalogue, loose)\u003c/p\u003e","\u003cp\u003eInvitation (3 pieces); invitation list; internal memos; correspondence with MOMA; invitation copy\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Lewises; clipping; internal memos\u003c/p\u003e","\u003cp\u003eChecklists (MOMA materials)\u003c/p\u003e","\u003cp\u003eInternal memo\u003c/p\u003e","\u003cp\u003eInternal memos and information re: Brandts' trip to Greenville to see show\u003c/p\u003e","\u003cp\u003eMOMA materials for labels\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA re: posters\u003c/p\u003e","\u003cp\u003ePhotographs; clipping; correspondence with Mark Davis (curator at the Century Association); internal memos; checklists; label copy\u003c/p\u003e","\u003cp\u003eBrochure (summer exhibition announcement), 1 photo; 19 slides; 3 photos; correspondence with SITES (circulator); checklists; internal memos; exhibition contract\u003c/p\u003e","\u003cp\u003eSummer exhibition announcement; 8 slides; 9 photos; correspondence with SITES (circulator); exhibition contract; checklists; internal memos; SITES materials including SITES press release; clippings; label\u003c/p\u003e","\u003cp\u003e2 photos; checklists; internal memo\u003c/p\u003e","\u003cp\u003e2 photos; 5 slides; internal memos; correspondence with artist; clippings; correspondence with Bowdoin (circulator); Bowdoin materials; checklists; budget information; biographical information; research\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; correspondence with visitors; internal memos; correspondence with publicity; materials from other exhibitions; invitation; invitation copy; installation drawing; checklist\u003c/p\u003e","\u003cp\u003eClippings; internal memo\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA re: circulation, catalogue proof inserted in file\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with printer re: mistake; correspondence with AFA; catalog copy; checklists; correspondence with Wiltshire\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eChecklist\u003c/p\u003e","\u003cp\u003eSlides\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; checklist\u003c/p\u003e","\u003cp\u003eDrawings (photocopies); internal memos; 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correspondence with sponsors; correspondence with Coe Kerr Gallery; correspondence with artist; correspondence with Weisman; checklists [no signatures]\u003c/p\u003e","\u003cp\u003ePostcard (2), 7 photos; 2 new photos; clippings\u003c/p\u003e","\u003cp\u003e1 photo; internal memos; catalog proofs; clippings; correspondence with VCU re: silk screening project; budget information; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders\u003c/p\u003e","\u003cp\u003ePhotographs; slides\u003c/p\u003e","\u003cp\u003eCorrespondence with MFA Boston (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Chrysler (lender)\u003c/p\u003e","\u003cp\u003e\"NEW\" loan agreement form\u003c/p\u003e","\u003cp\u003eCorrespondence with Ackland (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with AIC (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with BMA (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Phillips (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Clark (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Met (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with NCMA (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with lender\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; checklists; internal memos; clippings\u003c/p\u003e","\u003cp\u003e2 invitations (6 parts total); internal memos; invitation list\u003c/p\u003e","\u003cp\u003eBudget information; internal memos; Virginia Commission for the Arts \u0026amp; Humanities grant information\u003c/p\u003e","\u003cp\u003eIPR's; internal memos (form about 1 year old for IPR)\u003c/p\u003e","\u003cp\u003eDrawings (photocopies); checklists; internal memos\u003c/p\u003e","\u003cp\u003eClipping; internal memos; press release copy\u003c/p\u003e","\u003cp\u003eChecklist (4 part)\u003c/p\u003e","\u003cp\u003eLabel proofs; label copy; 1 copy of checklist\u003c/p\u003e","\u003cp\u003eLabel proofs; **clippings inserted in folder at end**\u003c/p\u003e","\u003cp\u003eInvitation; prospectus; internal memos; program schedule; correspondence with hostesses; schedule; correspondence with juror (Thomas Barrow, Associate Professor of Photography, U of New Mexico)\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; drawings (photocopies); correspondence with Ms. Conover Hunt-Jones (consultant); checklists; correspondence with sponsors; budget information\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003ePhotocopy from a catalog for scientific instruments\u003c/p\u003e","\u003cp\u003eLACMA press release, \"Major Silver and Mosaic Collections…\"; label copy; research; LACMA materials (circulator)\u003c/p\u003e","\u003cp\u003eBiographical information on John Gilmore Ford\u003c/p\u003e","\u003cp\u003eChecklist proof; checklist copy\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's; budget information\u003c/p\u003e","\u003cp\u003e1 duplicate photo\u003c/p\u003e","\u003cp\u003eExhibition contract; correspondence with LACMA; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Gilberts; internal memos; correspondence with LACMA\u003c/p\u003e","\u003cp\u003eInternal memos; drawings (photocopies); 1 copy of LACMA paper; correspondence with LACMA\u003c/p\u003e","\u003cp\u003eInvitation (2 – both in 2 parts); internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with public (all wanted to know dates of show after reading Smithsonian!)\u003c/p\u003e","\u003cp\u003eEnvelope containing checklist from Ford with insurance values; 1 copy of invitation; 1 copy with catalog\u003c/p\u003e","\u003cp\u003eBudget information; IPR's\u003c/p\u003e","\u003cp\u003eLabel copy; research\u003c/p\u003e","\u003cp\u003e8 new photos; 2 duplicate photos; drawings (photocopies); checklists; internal memos\u003c/p\u003e","\u003cp\u003eClippings; label copy; invitation copy; 1 copy of Weisgall invitation\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003e14 new photos\u003c/p\u003e","\u003cp\u003eCorrespondence with hostesses; correspondence with Collectors Circle members; mailing list; correspondence with Ford\u003c/p\u003e","\u003cp\u003e2 photos; duplicates: invitation, November '78 Bulletin; 1 copy of Collectors Circle program\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eInvitation, Guggenheim press release; correspondence with lenders; correspondence with Guggenheim (circulator); drawings (photocopies); checklists; clippings; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; label copy\u003c/p\u003e","\u003cp\u003eBudget information; slide script copy\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Guggenheim; schedule for Contemporary Art One-Day Symposium (2/14/79)\u003c/p\u003e","\u003cp\u003eLabel copy; loan agreements; correspondence with lender; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; script copy; catalogue copy; clippings; correspondence with visitor; copy of Guggenheim brochure; research; label copy\u003c/p\u003e","\u003cp\u003e5 duplicate photos; 9 new photos\u003c/p\u003e","\u003cp\u003eExhibition summary, form letter, information questionnaire; checklists; drawings (photocopies); internal memos; correspondence with galleries re: biographical information for artists; clipping\u003c/p\u003e","\u003cp\u003e13 slides; open house poster; catalogue; label copy\u003c/p\u003e","\u003cp\u003eChecklists; catalog copy\u003c/p\u003e","\u003cp\u003eDrawing (photocopy); checklists\u003c/p\u003e","\u003cp\u003eRemarks by Woodward at press conference; clippings; remarks by Mooz at press conference\u003c/p\u003e","\u003cp\u003eIPR's; budget information; calendar\u003c/p\u003e","\u003cp\u003eInternal memos; meeting minutes, panel drawing (photocopy)\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Columbus Museum of Art re: show\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eChecklists; annotated gallery guide\u003c/p\u003e","\u003cp\u003eAgenda; family tree; IEF materials; correspondence with IEF; notes; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; correspondence with visitors; internal memos; correspondence with corporate sponsors; schedule; correspondence with other museum locations; exhibition contract\u003c/p\u003e","\u003cp\u003eInternal memos; invitation copy; schedules; meeting minutes; checklists\u003c/p\u003e","\u003cp\u003e14 photos; correspondence with IEF\u003c/p\u003e","\u003cp\u003e1 copy of bumper sticker; place card; brochure; announcement; internal memos; meeting minutes; correspondence with IEF; clipping\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; internal memos; budget information\u003c/p\u003e","\u003cp\u003eChecklists; internal memos\u003c/p\u003e","\u003cp\u003eNote\u003c/p\u003e","\u003cp\u003eInvoices; internal memos; budget information\u003c/p\u003e","\u003cp\u003eInternal memos; drawings (photocopies); correspondence with Lewises re: closing Art Nouveau facility\u003c/p\u003e","\u003cp\u003eList of films \u0026amp; lecturers from IEF\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF re: Duke's address; internal memo\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eInternal memos; lists of tour groups\u003c/p\u003e","\u003cp\u003eBiography, general information, itinerary, \"Short History of Chatsworth\"; IEF materials (including press release)\u003c/p\u003e","\u003cp\u003eTimetable; meeting minutes; proposed schedule\u003c/p\u003e","\u003cp\u003eAgendas; notes; checklists; internal memos\u003c/p\u003e","\u003cp\u003eIPR's; internal memos; invoices\u003c/p\u003e","\u003cp\u003e\"A.V. Program\" script; correspondence re: school A/V program; internal memos; budget information\u003c/p\u003e","\u003cp\u003eBudget information; internal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eCalendars; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF; 1 copy of the \"Chatsworth Herald\"; guide for children published by VMFA\u003c/p\u003e","\u003cp\u003eSchedule; internal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; meeting minutes\u003c/p\u003e","\u003cp\u003ePhotos; NEA reports\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; correspondence with other museums (including invitation\u003c/p\u003e","\u003cp\u003eInternal memos; budget information\u003c/p\u003e","\u003cp\u003eExhibition contract; correspondence with IEF; correspondence with corporate sponsor\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with patrons\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with ESU branches; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eHuge final report; internal memos; budget information; back-up report information\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with invitees; meeting minutes; correspondence with IEF\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; internal memos; correspondence with other museums\u003c/p\u003e","\u003cp\u003eClippings; internal memos; correspondence with publicity; TV spot script; budget information; correspondence with IEF\u003c/p\u003e","\u003cp\u003eWeekly reports; internal memos\u003c/p\u003e","\u003cp\u003ePrice lists; internal memos; invoices; correspondence with other museums\u003c/p\u003e","\u003cp\u003eInternal memos; drawing (photocopy)\u003c/p\u003e","\u003cp\u003eEnvelope that couldn't open without ripping\u003c/p\u003e","\u003cp\u003eSlide lists; budget information; correspondence with other museums; correspondence with printers; internal memos; correspondence with IEF; correspondence with Duke; reports\u003c/p\u003e","\u003cp\u003eFinal report on sales; internal memos; teacher form letters \u0026amp; materials; group bus forms; \"docent study materials\" from Toledo Museum of Art\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eProspectus; internal memos; statistics; correspondence with hosts; correspondence re: juror (Lasansky)\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; label copy\u003c/p\u003e","\u003cp\u003eInternal memos; meeting minutes; annotated gallery map\u003c/p\u003e","\u003cp\u003eCorrespondence with artists whose work purchased by Museum; internal memos; '79 prospectus; '79 invitation; correspondence with D'Arcangelo (juror)\u003c/p\u003e","\u003cp\u003eInvitations; invitation list; internal memos; invitation copy\u003c/p\u003e","\u003cp\u003eSchedule draft\u003c/p\u003e","\u003cp\u003eChecklists; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with visitors and inquiries about show\u003c/p\u003e","\u003cp\u003eClippings; internal memos; list of press kits sent\u003c/p\u003e","\u003cp\u003eInvitation lists; correspondence with Lewises for names\u003c/p\u003e","\u003cp\u003eList of music; sheet music\u003c/p\u003e","\u003cp\u003eResearch; 1 piece of correspondence with Yvonne Brunhammer\u003c/p\u003e","\u003cp\u003eProgram, invitation; correspondence with attendees; clipping; correspondence with speakers; internal memos; participant list; invitation lists; 1 copy of program for 1977 \"Great Collectors of American Decorative Arts\" weekend\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with printers; printers' materials\u003c/p\u003e","\u003cp\u003eBudget information; correspondence with lenders; checklists; research\u003c/p\u003e","\u003cp\u003e5X7 cards per object\u003c/p\u003e","\u003cp\u003ePhotographs; photocopies of images\u003c/p\u003e","\u003cp\u003eChecklists; clipping; label copy; research\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with film organizations \u0026amp; vendors; IPR's; information and catalogs for projectors\u003c/p\u003e","\u003cp\u003e2 invoices from shipping company\u003c/p\u003e","\u003cp\u003eCorrespondence with Gras re: insurance for French loans\u003c/p\u003e","\u003cp\u003eCorrespondence re: shipping of works\u003c/p\u003e","\u003cp\u003eCorrespondence with other museums re: possible travel\u003c/p\u003e","\u003cp\u003ePhotocopies of photographs\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; checklists; drawings (photocopies)\u003c/p\u003e","\u003cp\u003eInvoices; catalogue copy; correspondence with Martin Battersby (essayist)\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003eResearch\u003c/p\u003e","\u003cp\u003eCorrespondence with Brunhammer (conservateur @ Musée des Arts Décoratifs, Paris) re: French loans; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with d\"Iberville @ Museum of Decorative Arts, Montreal re: possible venue for show (denied)\u003c/p\u003e","\u003cp\u003eCorrespondence with Harris (guest curator); research; internal memos; Harris; c.v.; schedules\u003c/p\u003e","\u003cp\u003ePhotos; 1 new photo; correspondence with AIC (lender); loan agreement\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with BMA; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with BHP\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with BF; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with MFA, Boston\u003c/p\u003e","\u003cp\u003ePhotos; 1 transparency; correspondence with BAD; loan agreements; checklist\u003c/p\u003e","\u003cp\u003e1 duplicate photo; correspondence with Brooklyn; internal memos; loan agreement; research\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Merklen; loan agreements; research\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Chrysler; loan agreements\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with CMA; loan agreements; label\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with CMG; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Fine Arts Museum; loan agreements\u003c/p\u003e","\u003cp\u003eCorrespondence with Haskell; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with LC; loan agreements\u003c/p\u003e","\u003cp\u003e1 photo; correspondence with Lieberman; loan agreement\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Darien House, Inc.\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Macklowe; loan agreements\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with McNay; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Maryhill; loan agreements\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Gallion\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Musée; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; loan agreements\u003c/p\u003e","\u003cp\u003eCorrespondence with NARA\u003c/p\u003e","\u003cp\u003eOne negative (8 X 10); correspondence with NYPL; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; loan agreement; correspondence with Pollard\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Pratt; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with Reed; research\u003c/p\u003e","\u003cp\u003eTransparency; 9 duplicate photos; correspondence with Schimmel; loan agreement\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Silverman; correspondence with Sotheby's; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with Sommer; research; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with U of CA\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eCorrespondence with Vitry; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Wittamer de Camps; loan agreements\u003c/p\u003e","\u003cp\u003eOne photo\u003c/p\u003e","\u003cp\u003eTwo duplicate photos\u003c/p\u003e","\u003cp\u003eCorrespondence with University\u003c/p\u003e","\u003cp\u003eCorrespondence with SDSU\u003c/p\u003e","\u003cp\u003eCorrespondence with NGA\u003c/p\u003e","\u003cp\u003eCorrespondence with Musée\u003c/p\u003e","\u003cp\u003eCorrespondence with Met\u003c/p\u003e","\u003cp\u003eCorrespondence with DIA\u003c/p\u003e","\u003cp\u003eCorrespondence with Delaunay\u003c/p\u003e","\u003cp\u003eCorrespondence with Albertina\u003c/p\u003e","\u003cp\u003eCorrespondence with Gallery\u003c/p\u003e","\u003cp\u003e1 poster; internal memos; label copy; 1 copy of brochure\u003c/p\u003e","\u003cp\u003eInternal memos; donor lists; list of lenders; correspondence with invitees; 1 copy of invitation; correspondence re: and with Collectors' Circle\u003c/p\u003e","\u003cp\u003eBudget information, IPR's\u003c/p\u003e","\u003cp\u003eList of invitees; correspondence from invitees\u003c/p\u003e","\u003cp\u003eLabel copy; internal memos\u003c/p\u003e","\u003cp\u003e1 copy of member mailing with brochure; donor lists; brochure copy\u003c/p\u003e","\u003cp\u003eNotes\u003c/p\u003e","\u003cp\u003eInternal memos; budget information; checklists\u003c/p\u003e","\u003cp\u003eInternal memos; drawings (photocopies); checklists\u003c/p\u003e","\u003cp\u003eLabel copy; 1 copy of brochure; 1 copy of \"The Tidewater Guide\" (5/80)\u003c/p\u003e","\u003cp\u003e23 photos; 1 duplicate photo; 1 copy of brochure\u003c/p\u003e","\u003cp\u003e19 photos; internal memos; mailing lists; clippings; correspondence re: catalogue; label; correspondence with lending brochure copy; correspondence with public; drawing (photocopy); schedule; checklists; correspondence re: speaker; correspondence re: shirts\u003c/p\u003e","\u003cp\u003ePhotos; 5 duplicate photos; case design drawing\u003c/p\u003e","\u003cp\u003eBrochure; 4/80 Bulletin; clippings; 1 copy of invitation; 5/80 Bulletin; 1 copy of mailing\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Linda Connor (juror); 1 copy of catalog\u003c/p\u003e","\u003cp\u003e28 photos [photos don't seem to be of Designers show]\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; internal memos; drawings (photocopies); correspondence with publicity\u003c/p\u003e","\u003cp\u003eShipping information \u0026amp; receipts; label copy; internal memos; clippings; traveling checklists\u003c/p\u003e","\u003cp\u003eSITE materials; label copy\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; invitation copy; checklists\u003c/p\u003e","\u003cp\u003e1 poster; clipping\u003c/p\u003e","\u003cp\u003ePhotos; clippings; folder with photos; clippings; press releases\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with publicity; correspondence with SITE; correspondence with hosts; correspondence with James Wines (co-founder of SITES, speaker); correspondence with BEST; list of invitees; budget information; schedules\u003c/p\u003e","\u003cp\u003eInternal memos; schedules; correspondence with publicity; correspondence with BEST\u003c/p\u003e","\u003cp\u003eInternal memos; invoices; correspondence with BEST; Purchase order; budget information, IPR's\u003c/p\u003e","\u003cp\u003eThree photos; label copy; internal memos; correspondence with SITE; drawing (photocopy); schedules\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; correspondence with Milwaukee Art Center (circulator); invitation list; poster\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; budget information; correspondence with Milwaukee; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Milwaukee; correspondence with Philip Morris; symposium program copy\u003c/p\u003e","\u003cp\u003e24 photos; invitation; internal memos; Milwaukee materials; drawings (photocopies); checklists; correspondence with Milwaukee\u003c/p\u003e","\u003cp\u003e10 photos; press release; 1 copy of catalogue; 1 poster; label copy; research; Milwaukee materials; 1 copy of 1/80 Bulletin; meeting minutes\u003c/p\u003e","\u003cp\u003ePoster; label copy; catalog copy; clippings; research; 1 copy of Spring '77 AIV; 1 copy of 11/79 Bulletin\u003c/p\u003e","\u003cp\u003eInvoices; internal memos; budget information; correspondence with MFA Houston (circulator); exhibition contract\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; internal memos; correspondence with MFA Houston; copy of birth certificate (!)\u003c/p\u003e","\u003cp\u003e4 new photos; internal memos; checklists; label copy; drawings (photocopies); schedules\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Bruce (Patrick Henry Bruce's son, who came to see show for 4 days, only venue he visited, lived in CA) \u0026amp; wife; correspondence with MFA Houston; invitation list\u003c/p\u003e","\u003cp\u003eShipping information and receipts; 1 copy of catalogue; correspondence re: catalogue requests; VFH grant application, internal memos\u003c/p\u003e","\u003cp\u003ePhotos; clippings; VFH materials; VFH grant application; correspondence with Mrs. John Dos Passos\u003c/p\u003e","\u003cp\u003eClippings; internal memos\u003c/p\u003e","\u003cp\u003eCatalogue; label copy\u003c/p\u003e","\u003cp\u003eResearch; checklists; correspondence with Mary Ellen Stumpf (consultant); label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with VFH; VFH materials; grant application; narrative; grant report; internal memos\u003c/p\u003e","\u003cp\u003eIPR's; budget information\u003c/p\u003e","\u003cp\u003eCorrespondence with institutions lending images; internal memos; other museum catalogues; correspondence with Dos Passos; correspondence with Stumpf (consultant, VCU faculty member); correspondence with visitors\u003c/p\u003e","\u003cp\u003eAnnotated catalog; shipping information \u0026amp; receipts; checklists; correspondence with Dos Passos\u003c/p\u003e","\u003cp\u003e10 photographs; research; list of invitees; clippings; internal memos; biographical information; correspondence with May Cossitt; subpoena for Pinkney for trial (!)\u003c/p\u003e","\u003cp\u003eCorrespondence with Ruder Finn (circulator); invitation copy; internal memos\u003c/p\u003e","\u003cp\u003eIPR's; internal memos; invitation list\u003c/p\u003e","\u003cp\u003e16 photos; internal memos; IPR's drawings (photocopies)\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; correspondence with AMEX; invitation copy; invitation list; 1 copy of brochure\u003c/p\u003e","\u003cp\u003e\"Henri-Cartier-Bresson: Glimpses\"; clippings; research\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003eInvitation\u003c/p\u003e","\u003cp\u003eInternal memos; catalog copy; research; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Yale (organizer); correspondence with AFA (circulator); AFA materials (including checklist); research; 1 copy of brochure\u003c/p\u003e","\u003cp\u003eMaterials from other institutions\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; internal memos; exhibition contract; AFA materials\u003c/p\u003e","\u003cp\u003eInternal memos; schedules; invitation copy; checklist\u003c/p\u003e","\u003cp\u003eDrawing (photocopy); internal memos; correspondence with AFA; AFA checklist\u003c/p\u003e","\u003cp\u003eCorrespondence with Yale University Art Gallery\u003c/p\u003e","\u003cp\u003eIPR's; PO's; invoices; [1 copy of poster inserted here]\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; internal memos; clipping\u003c/p\u003e","\u003cp\u003eInvitation, postcard; 1 copy of other preview invitation; invitation lists; information sheet on one-day symposium\u003c/p\u003e","\u003cp\u003e1 poster; correspondence with AFA (circulator); research; NEA application\u003c/p\u003e","\u003cp\u003eLabel copy; AFA checklists\u003c/p\u003e","\u003cp\u003eSpecs. For \"New Gallery Entrance\" (8/29/79) [remodeled a gallery \u0026amp; named it the Mottahedeh Gallery] by Hardwicke \u0026amp; Associates; IPR's; internal memos; label copy; invoices, P.O.'s; correspondence with Mottahedeh; budget information\u003c/p\u003e","\u003cp\u003ePostcard, special events postcard, 8 photos; 4 new photos; NEA Grant narrative; internal memos; correspondence with AFA; correspondence with NY State Museum re: found Maria \u0026amp; Julian Martinez pottery; rubbing of their signature; label copy; invitation lists; IPR's; AFA checklist; budget information; exhibition contract; postcard proofs; drawing (photocopy); NEA Grant application\u003c/p\u003e","\u003cp\u003eTwo slides; invitations; internal memos; correspondence with Mint (organizer); installation drawings; checklist; correspondence re: opening\u003c/p\u003e","\u003cp\u003eClippings; catalog copy; Mint materials; invitation\u003c/p\u003e","\u003cp\u003eTwo duplicate photos; 3 new photos\u003c/p\u003e","\u003cp\u003eChecklists; research\u003c/p\u003e","\u003cp\u003e7 photos\u003c/p\u003e","\u003cp\u003eInternal memos; checklists; correspondence with lenders; loan agreements\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; correspondence with lenders; loan agreements; correspondence re: opening; invitation list; invoices; installation drawing; exhibition contract\u003c/p\u003e","\u003cp\u003eInvitation; correspondence; clippings; label proofs; correspondence with lenders; correspondence with media; correspondence with visitors; internal memos; loan agreements; checklists; research\u003c/p\u003e","\u003cp\u003e6 photos; 7 duplicate photos\u003c/p\u003e","\u003cp\u003eInternal memos; schedule; label copy; research\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's; budget information; invoices\u003c/p\u003e","\u003cp\u003eOne slide; 13 photos; 3 duplicate photos; correspondence with one lender\u003c/p\u003e","\u003cp\u003eChecklist; label copy; internal memos; lecture copy; research; checklist copy\u003c/p\u003e","\u003cp\u003eInvitation; research; internal memos; correspondence with lenders; loan agreements; correspondence with media\u003c/p\u003e","\u003cp\u003eIPR's; invoices; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; research; list of lenders\u003c/p\u003e","\u003cp\u003eInternal memos; checklist copy; label copy; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; correspondence with visitors; internal memos\u003c/p\u003e","\u003cp\u003eInstallation drawing; internal memos; checklists; label copy\u003c/p\u003e","\u003cp\u003eInternal memos; budget information; invoices; shipping information\u003c/p\u003e","\u003cp\u003eInvitation copy; internal memos; correspondence with lender; notes; 1 copy of invitation; 1 copy of Collectors' Circle program\u003c/p\u003e","\u003cp\u003eIPR's; invoices; correspondence with printer; research; internal memos\u003c/p\u003e","\u003cp\u003eSchedule; correspondence re: carpet\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003eIbsen \u0026amp; Munch brochure, press release, poster; 4 slides; photographs; clippings; internal memos; 1 copy of checklist\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence correspondence with artists; incident report re: warehouse alarm\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence; research/notes on show idea [fascinating committee work/proposals on how to revise Virginia artists shows] [mainly Woodward, Burke, Farago]\u003c/p\u003e","\u003cp\u003eProposals; form letters; notes\u003c/p\u003e","\u003cp\u003eAdvanced purchase program proposal; form letters; notes; invitation\u003c/p\u003e","\u003cp\u003eNotes (Pinkney Near); research\u003c/p\u003e","\u003cp\u003eCatalog copy; photocopies of photos\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003e1 photo; correspondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003e1 photo; correspondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eMailing lists; correspondence\u003c/p\u003e","\u003cp\u003eInternal memos; invitation list\u003c/p\u003e","\u003cp\u003eInvitation, 5 photos, slides; correspondence with visitors; internal memos; checklists; correspondence; clippings; drawing (installation); correspondence with lender; invitation list; IPR's; budget information; notes; research\u003c/p\u003e","\u003cp\u003eClippings\u003c/p\u003e","\u003cp\u003eInvoices; research; correspondence with lenders; 1 copy of catalogue\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; research\u003c/p\u003e","\u003cp\u003e1 invoice; research\u003c/p\u003e","\u003cp\u003eResearch\u003c/p\u003e","\u003cp\u003e10 photos; correspondence with lenders; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eSlides; 1 reel to reel audiotape\u003c/p\u003e","\u003cp\u003eCorrespondence with HHK; internal memos; correspondence with other institutions\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Attorney General; exhibition contract; facilities report\u003c/p\u003e","\u003cp\u003eTwo photos (not in exhibit); museum mailings; clippings; label copy; internal memos\u003c/p\u003e","\u003cp\u003eMailing, 1 photo; 12 new photos; internal memos; proposals, HHK materials; mailing copy; schedules; notes\u003c/p\u003e","\u003cp\u003ePhotos; checklists; internal memos; catalog copy; label copy\u003c/p\u003e","\u003cp\u003eSlides; label proofs\u003c/p\u003e","\u003cp\u003eCorrespondence with Portland Art Association of Portland Art Museum (organizer); internal memos; exhibition contract\u003c/p\u003e","\u003cp\u003eFour photos; shipping info \u0026amp; receipts; internal memos; correspondence with other institutions [mainly Allentown Art Museum]; invoices; notes; IPR's; research\u003c/p\u003e","\u003cp\u003eInternal memos; purchase orders; correspondence with other institutions; research\u003c/p\u003e","\u003cp\u003e\"Why We Commemorate\" by Armenian National Committee, invitation; 1 transparency; one copy of brochure; schedules; label copy; internal memos; clippings; Portland Art Museum materials; invoices; IPR's; correspondence with Turkish ambassador; Allentown materials; notes; checklists; correspondence with Binney\u003c/p\u003e","\u003cp\u003eInvitation list; 1 copy of invitation\u003c/p\u003e","\u003cp\u003e10 slides; 'Scribbler' Twombly clipping, mailing card; 3 photos; label copy; checklists; clippings; DIA Art Foundation materials (organizer); invoices; catalog copy\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Newport Harbor Art Museum (organizer); correspondence with speaker; correspondence with visitors; drawings (installation); exhibition contract; correspondence re: rescheduling\u003c/p\u003e","\u003cp\u003eSlides; 6 photos; 12 duplicate photos; duplicates: mailing card, 2 clippings\u003c/p\u003e","\u003cp\u003eSlides\u003c/p\u003e","\u003cp\u003eChecklists; label copy; catalog copy\u003c/p\u003e","\u003cp\u003eNotes; internal memos; drawing (installation); checklists; correspondence with Delaware Art Museum (Collection home)\u003c/p\u003e","\u003cp\u003eLabel copy; catalog copy; research\u003c/p\u003e","\u003cp\u003eMailing brochure, catalog; slides; 3 transparencies; 19 photographs; 1 negative; 6 duplicate photos; internal memos; press release; label proofs; clippings; Delaware materials\u003c/p\u003e","\u003cp\u003eOne photo; research; notes\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; check requests; internal memos; correspondence with vendors\u003c/p\u003e","\u003cp\u003eInternal memos; clippings; correspondence with Delaware Art Museum; correspondence with lender; correspondence with visitors; correspondence with other institutions\u003c/p\u003e","\u003cp\u003eClippings; bulletin; internal memos; correspondence re: publications; catalog copy; label proofs; mailing brochure copy\u003c/p\u003e","\u003cp\u003e6 photos (duplicate in Folder 20); 1 internal memo\u003c/p\u003e","\u003cp\u003eNotes; research\u003c/p\u003e","\u003cp\u003eNotes; checklists; loan agreements\u003c/p\u003e","\u003cp\u003eChecklists\u003c/p\u003e","\u003cp\u003eCorrespondence; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Office of Attorney General; exhibition contract drafts; internal memos\u003c/p\u003e","\u003cp\u003eExhibition contract; internal memos; correspondence with DIA\u003c/p\u003e","\u003cp\u003eExhibition contract; budget information; correspondence with Philbrook; internal memos; loose material \u0026amp; notes re: 18th century prints of antiquity/archaeology\u003c/p\u003e","\u003cp\u003ePhotos; correspondence; internal memos; budget information; notes; schedule\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's; \"Publicity Outline\" report\u003c/p\u003e","\u003cp\u003eSchedules\u003c/p\u003e","\u003cp\u003e\"A Loan Exhibition on Display at the Virginia Museum\"; internal memos\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Fine Arts Museums of San Francisco\u003c/p\u003e","\u003cp\u003eCorrespondence; budget information; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; budget info [info re: Council Anniversary Fund]; notes\u003c/p\u003e","\u003cp\u003eSymposium brochure, 2 transparencies; 2 new transparencies\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Frank Raysor); internal memos\u003c/p\u003e","\u003cp\u003eNotes; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (NGA); checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (MFA Boston); checklists\u003c/p\u003e","\u003cp\u003e6 photos; label copy; checklists; brochure copy; loan agreements; correspondence with lender (Raysor); research\u003c/p\u003e","\u003cp\u003eCorrespondence with PAFA (organizer) [Pennsylvania Academy of Fine Arts]; clippings; internal memos; invitation; PAFA materials\u003c/p\u003e","\u003cp\u003e24 slides; negatives; 4 photos; 4 transparencies; 1 duplicate transparency; clippings; 1 poster\u003c/p\u003e","\u003cp\u003eCorrespondence with PAFA; invoices; IPR's; internal memos; 2 envelopes of material: 1) 14 photos, 2 duplicate photos; 2) 5 photos\u003c/p\u003e","\u003cp\u003e6 photos; 10 duplicate photos; exhibition proposal from PAFA; envelope of PAFA materials\u003c/p\u003e","\u003cp\u003eInternal memos; notes; guest list for opening\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; guest lists; notes\u003c/p\u003e","\u003cp\u003eInternal memos; mailings; correspondence with speakers; script copy; correspondence with PAFA; schedules\u003c/p\u003e","\u003cp\u003eOne annotated copy of catalog; checklists; notes\u003c/p\u003e","\u003cp\u003eCatalog proofs; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with visitors; correspondence with lenders; correspondence with PAFA; internal memos; exhibition contract\u003c/p\u003e","\u003cp\u003eInvitation, catalog; correspondence with PAFA; invoices; internal memos; invitation copy; checklists; label copy\u003c/p\u003e","\u003cp\u003eSchedule of payments; consultants; responsibilities\u003c/p\u003e","\u003cp\u003eCorrespondence with Donaldson; c.v.; notes; research; writings; drafts\u003c/p\u003e","\u003cp\u003eCorrespondence with Donaldson; c.v.; notes; research; writings; drafts\u003c/p\u003e","\u003cp\u003eCorrespondence with Corn; c.v.; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Wood; c.v.; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Davis; obituary and correspondence with wife after his death in 3/81; c.v.; notes; brochure for his book \"Intellectual Life in the Colored South\"\u003c/p\u003e","\u003cp\u003eCorrespondence with Williams; c.v.; notes\u003c/p\u003e","\u003cp\u003eChecklists\u003c/p\u003e","\u003cp\u003eOne internal memo\u003c/p\u003e","\u003cp\u003eOne piece of correspondence with Robert Zimmerman (Baltimore Museum of Art); 2 blank travel vouchers with Zimmerman's signature \u0026amp; 55#\u003c/p\u003e","\u003cp\u003eBudget information; 2 invoices from Cumberland Art Conservation Center (Nashville)\u003c/p\u003e","\u003cp\u003eCorrespondence with Atlantic Van Lines; notes\u003c/p\u003e","\u003cp\u003eBudget information; clippings \u0026amp; press materials related to Greek Vases\u003c/p\u003e","\u003cp\u003eOne internal memo re: promotion budget\u003c/p\u003e","\u003cp\u003eOne piece of correspondence with prospective intern; one index card with name\u003c/p\u003e","\u003cp\u003eCorrespondence with one musician; notes; scores; one internal memo re: NEA grant (denied); \"Writing Realistic Grant Budgets\" from Museum News\u003c/p\u003e","\u003cp\u003eInterim report for NEH Grant\u003c/p\u003e","\u003cp\u003eCorrespondence with NEH; copy of grant administrator guidelines\u003c/p\u003e","\u003cp\u003eCorrespondence with Tormey re: advertising project for Philip Morris\u003c/p\u003e","\u003cp\u003eTwo blank requests; 1 complete request\u003c/p\u003e","\u003cp\u003ePhotos; [note: not all included in final exhibition]\u003c/p\u003e","\u003cp\u003eCorrespondence with various companies re: slide set duplication; invoices\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions re: potential bookings\u003c/p\u003e","\u003cp\u003eCorrespondence with institutions who declined a potential booking; internal memos\u003c/p\u003e","\u003cp\u003eClippings; one internal memo re: TVA\u003c/p\u003e","\u003cp\u003eCorrespondence with Coggins (Southern painting collector); correspondence with Berry-Hill Galleries re: exhibition of Coffins' collection\u003c/p\u003e","\u003cp\u003eCorrespondence with Wolfe re: possible lecture\u003c/p\u003e","\u003cp\u003eList of proposed programs; [collection of internal memos from David Griffith inserted here]\u003c/p\u003e","\u003cp\u003eCorrespondence with American Heritage Publishing re: catalog; proofs; one internal memos \u0026amp; 1 piece of correspondence re: Philip Morris\u003c/p\u003e","\u003cp\u003eBrochure copy; internal memos; copies of other children's brochures\u003c/p\u003e","\u003cp\u003eOne phone message\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (MESDA); artist worksheet\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (Charleston Museum is lender); artist worksheet\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (MESDA); notes; artist worksheet\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (Muscarelle); conservation report; memo re: treatment; artist worksheet\u003c/p\u003e","\u003cp\u003eOne photo; loan agreement; correspondence with lender (Brodnax \u0026amp; Associates); artist worksheet\u003c/p\u003e","\u003cp\u003eOne photo; loan agreement; correspondence with lender (Brodnax \u0026amp; Associates); artist worksheet\u003c/p\u003e","\u003cp\u003eResearch; conservation report; artist worksheet\u003c/p\u003e","\u003cp\u003eCorrespondence with Wintherthur; artist worksheet; conservation reports\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with Club (lender); conservation bill\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Maria Tabb); artist worksheet; receipt\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (NPG); research\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with VHS; research\u003c/p\u003e","\u003cp\u003eThree photos; loan agreement; correspondence with NYPL\u003c/p\u003e","\u003cp\u003eLoan agreement; copy of accession card\u003c/p\u003e","\u003cp\u003eOne photo; loan agreement; research; correspondence with Andrew Christian; condition report; artist worksheet\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Colonial Williamsburg)\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Pennsylvania Academy of Fine Arts); artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003e1 duplicate slide; correspondence with lender (Mordecai Square Historical Society); artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eOne photo; correspondence with lender (St. John's Lutheran Church, Charleston); artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003e13 slides; correspondence with lender (Hunter Museum of Art); artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eTwo photos; correspondence with Cheekwood re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center\u003c/p\u003e","\u003cp\u003eOne photo; correspondence with Tulane re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center\u003c/p\u003e","\u003cp\u003e7 photos; correspondence with Ulrich re: damage; loan agreements; condition reports\u003c/p\u003e","\u003cp\u003eFour photos; correspondence with Valentine re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center\u003c/p\u003e","\u003cp\u003eOne photo; correspondence with VHS re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center\u003c/p\u003e","\u003cp\u003eOne photo; shipping information and receipts; condition logsheet; correspondence; loan agreements\u003c/p\u003e","\u003cp\u003eOne photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003eOne photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003eShipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003eFour photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; 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invitations; correspondence\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence; budget information; IPR's; invitation copy; checklists; calendars\u003c/p\u003e","\u003cp\u003eCorrespondence; internal memos; invitation list; invoices\u003c/p\u003e","\u003cp\u003eClippings; correspondence; internal memos; correspondence with Forbes\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Forbes; IPR's; budget information; Kip Forbes' biographical information\u003c/p\u003e","\u003cp\u003eInternal memos; checks; correspondence re: tapes\u003c/p\u003e","\u003cp\u003eInternal memos \u0026amp; correspondence re: Acoustiguide\u003c/p\u003e","\u003cp\u003eResearch; Acoustiguide script\u003c/p\u003e","\u003cp\u003eOne photo; invoices; IPR's; internal memos\u003c/p\u003e","\u003cp\u003eIPR's; correspondence with Forbes; checklists\u003c/p\u003e","\u003cp\u003eNotes; internal memos; correspondence with Forbes; copy of 1947 Pratt announcement\u003c/p\u003e","\u003cp\u003eTwo photos\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eIPR; note\u003c/p\u003e","\u003cp\u003eResearch; program proposals; press release\u003c/p\u003e","\u003cp\u003eBlank travel reimbursement vouchers with SSN's; meeting notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Forbes mainly (also Council, conservator)\u003c/p\u003e","\u003cp\u003e6 photos; 2 duplicate photos; guest book for visitors; correspondence from visitors; 1 copy of TVA \"Gin Game\" program; internal memos; research; clippings; IPR's; invoices; correspondence with Forbes\u003c/p\u003e","\u003cp\u003eWeekly reports; Acoustiguide; cost reports; attendance reports\u003c/p\u003e","\u003cp\u003eArticle copy; loose book dust jacket\u003c/p\u003e","\u003cp\u003eChecklist copy; checklist proof; loose bulletins, plus 1 piece of correspondence\u003c/p\u003e","\u003cp\u003eLabel copy; research\u003c/p\u003e","\u003cp\u003eLabel copy; label proofs\u003c/p\u003e","\u003cp\u003eCorrespondence with Forbes; correspondence with Acoustiguide; label copy; research\u003c/p\u003e","\u003cp\u003eOne photo; correspondence with CINOA; internal memos; correspondence with visitors; label copy; checklists with insurance values; clippings, invitation copy; schedules; installation drawing; budget information; correspondence re: opening; research; invoices\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eThree photos; publications catalog\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence with CINOA; foreword copy; checklists; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with CINOA; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with CINOA; clippings; notes; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with CINOA; exhibition contract; notes; photocopies of photos of exhibition at Metropolitan Museum of Art\u003c/p\u003e","\u003cp\u003e24 duplicate photos; 10 new photos\u003c/p\u003e","\u003cp\u003eCorrespondence; internal memos; invoices; notes; checklists [correspondence only with Kimbell]\u003c/p\u003e","\u003cp\u003eCorrespondence with Hunts; Collectors Circle invitation; clippins; checklists; internal memos\u003c/p\u003e","\u003cp\u003eOne photo; \"Ancient Art Shows Shifting Images\"; clippings; Kimbell materials, 1 copy of poster; attendance figures\u003c/p\u003e","\u003cp\u003eOutline; correspondence with speaker; itineraries; invoices; internal memos\u003c/p\u003e","\u003cp\u003eTwo photos; copy of a review; correspondence with Kimbell; internal memos; Mayo essay copy; correspondence with Mayo; essay; reviews\u003c/p\u003e","\u003cp\u003eInvitation; invitation copy; mailing lists; internal memos\u003c/p\u003e","\u003cp\u003e13 slides; condition reports; correspondence with Getty conservator; correspondence with Kimbell; internal memos; research\u003c/p\u003e","\u003cp\u003eAttendance figures\u003c/p\u003e","\u003cp\u003eCorrespondence with Kimbell; internal memos; checklists\u003c/p\u003e","\u003cp\u003e2 photos; 19 photos; 3 drawings; checklists; purchase orders; internal memos; panel copy; label copy; correspondence with other institutions; 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correspondence in the mid 1980s between Pinkney and Anne regarding the museum\u003c/p\u003e","\u003cp\u003eTypeset copy of Fred Brandt's interview with Mrs. Fischer, 32 pages\u003c/p\u003e","\u003cp\u003eTypeset and annotated copy of Fred Brandt's interview with Simon and Fischer, 18 pages\u003c/p\u003e","\u003cp\u003eInternal memos and correspondence regarding exhibition, including Anne to Fred, Perrot, and others\u003c/p\u003e","\u003cp\u003eInternal memos and correspondence regarding exhibition, including Anne to Fred; correspondence between Simon and you regarding loan forms, checklist accuracy, and one photocopy of a handwritten document detailing the ownership of the collection\u003c/p\u003e","\u003cp\u003eInternal memos and correspondence regarding the exhibition catalog\u003c/p\u003e","\u003cp\u003eList of 27 questions for Fred's interview with Mrs. Fischer, in various forms; includes some of Fred's notes\u003c/p\u003e","\u003cp\u003eInvitation\u003c/p\u003e","\u003cp\u003e1 photo\u003c/p\u003e","\u003cp\u003eCatalog\u003c/p\u003e","\u003cp\u003e9 photos\u003c/p\u003e","\u003cp\u003eBudget information; 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checklists; budget information; correspondence with IEF\u003c/p\u003e","\u003cp\u003eThree photos; educational packet; SITES materials (circulator) including checklists; actual labels; internal memos; installation drawing (copy); invoices; study guide; 1 copy of brochure; 1 copy of mailing\u003c/p\u003e","\u003cp\u003eContract; correspondence with SITES; correspondence with Attorney General\u003c/p\u003e","\u003cp\u003eLoan agreements; correspondence with lenders\u003c/p\u003e","\u003cp\u003eSmithsonian mailer; internal memos; notes; clippings; correspondence; budget information; correspondence with SITES\u003c/p\u003e","\u003cp\u003eSITES materials\u003c/p\u003e","\u003cp\u003e8 photos; internal memos; invoices; correspondence with Craft Museum; brochure, \"Philip Morris and the Arts'; press release; craft materials\u003c/p\u003e","\u003cp\u003eInternal memos; checklists; Craft Museum materials\u003c/p\u003e","\u003cp\u003eCorrespondence with Craft Museum; contract; invoices; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; 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checklists; Ontario materials\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Ontario\u003c/p\u003e","\u003cp\u003eOntario materials\u003c/p\u003e","\u003cp\u003eChecklists; Ontario materials; correspondence with Glasgow; budget information\u003c/p\u003e","\u003cp\u003e1 photo; 1 new photo; invoices; budget information; correspondence; internal memos; 1 copy of Sept/Oct '88 Bulletin; checklists; clippings; drawings\u003c/p\u003e","\u003cp\u003eBudget information; invitation; internal memo; label copy\u003c/p\u003e","\u003cp\u003eContract; correspondence with Center for African Art (organizer); correspondence with Attorney General\u003c/p\u003e","\u003cp\u003eCatalog copy; catalog proofs; correspondence with Center for African Art\u003c/p\u003e","\u003cp\u003eResearch; article\u003c/p\u003e","\u003cp\u003eResearch; article\u003c/p\u003e","\u003cp\u003eResearch (copy of catalog article)\u003c/p\u003e","\u003cp\u003eLabel coy; research; correspondence with Center for African Art\u003c/p\u003e","\u003cp\u003ePress release; 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correspondence with Philbrook (organizer); internal memos; Philbrook materials; checklists; label copy; mailing lists; Philbrook press packets; press releases\u003c/p\u003e","\u003cp\u003eContract; correspondence with Philbrook; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Philbrook; internal memos; budget information\u003c/p\u003e","\u003cp\u003e6 photos; duplicates: brochure, invitation; media kit; internal memos; High Museum materials; Studio Museum poster; American Museum Association 1987 catalog; drawings; research\u003c/p\u003e","\u003cp\u003eChecklists; label copy\u003c/p\u003e","\u003cp\u003eNotes; label copy; label proofs\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003e6 photos; press release (Philbrook); checklists; correspondence with AMA\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with other institutions\u003c/p\u003e","\u003cp\u003eExhibition contract; correspondence with AFA \u0026amp; AMA\u003c/p\u003e","\u003cp\u003e1 clipping; 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Information may include correspondence, exhibition schedules and programming, long term planning, potential partnerships with other organizations, exhibition committees, couriers, grant applications, protection of artwork, collectors, and reports. 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1936-2015, with the bulk of the material dating from 1979-2004. The collection is comprised of correspondence, exhibition schedules, budgets, grant applications, photographs, object lists, notes, collection statements, planning documents, project files, policies, loan arrangements and decisions, and other materials.","This series is comprised of information regarding exhibitions that were held at the VMFA. Files may include correspondence, schedules, contracts, photographs and slides, installation drawings and procedures, label and catalog text, budgets and invoices, insurance, venue information, and publicity.","Entry card with tear-off for back of work; catalog; announcement","Copies of checklists, shipping lists and prices (for sale); exhibition circulated by Art Institute of Chicago","Catalog; packing list with values, 2 different ones","Prospectus of season, 1937-1937; large typed, spring bound copy of annotated text for inaugural exhibition catalog containing: catalog of paintings in the Museum, budget materials for exhibition, timeline of early Museum, all types of exhibition materials, gallery layout and drawings","Invitation; copy of Strause Collection catalog; 1936-37 prospectus of program; 1958 letter between Muriel Christison \u0026 Oscar Lang of Minneapolis re: Strause exhibition","Entry blank; prospectus/rules; catalog/ invitation/mailing label; submission tag; generic letter for Virginia photo clubs or possibly for shops to request submissions","Invitation; catalog; inventories from the exhibition; catalog copy; copy of foreword (typed); letter from Margaret May Dashiell who loaned items; lots of correspondence from all over the country; lists of sponsors","Extensive correspondence regarding memorial committee and its purchase of a memorial; his works; and fundraising efforts; Colt was treasurer. The Committee also paid off all of the debts for Walker's illness, donations coming from across the country. Thank you letters in alpha order, hundreds of them, plus originals from donators; a few have copies of bookplates attached; original loan requests and replies; original Christmas card with Walker print of a home in Connecticut (1931) and a memorial card that he created in 1936","Invitation; catalog; list of paintings from Burch and Schulze with dimensions","Invitation; list of pieces to be shipped from Shearwater Pottery, with coding to indicate glazes","Copies of inventories, plus amendment, text; mainly correspondence regarding loans including shipping receipts","Catalog, entry card, invitation, announcement; 1 copy of 5th catalogue (1936); Colt's notes","Correspondence with artist; catalog copy; checklists (some with prices)","1 photograph; duplicates: announcement, patron card (sent with invitation); correspondence with artist; shipping information and receipts; budget information; catalog proofs; schedules; invitation list; 1 copy of catalogue; list of sales","Invitation; copies of inventories with insurance values; single copy of catalog","Newspaper clippings; genealogical charts; typed copy of article, \"Colonel William Byrd of Westover,\" by Lucy Parke Byrd","Letters of solicitation (ex.: one to O'Keeffe); shipping/return correspondence; correspondence with jurors (including Hopper) including discussion of invited artists list; rough draft of jury selection rules; correspondence with galleries (mainly in New York City) for artists to enter competition","Invitation; card of admission; information request postcard; thank you card; entry card (regular-red); entry card (invited-orange); receipt card; announcement; rejection notification; list of 125 paintings invited and accepted; prospectus; jury memorandum; list of invited artists divided by gallery; list of deliveries for return of paintings","Hundreds of rejection forms with return shipment affirmation signed below (includes artist name and title of work)","Invitation; World's Fair circular of information; list of paintings to be included; World's Fair circular of information (8 pages); Adele Clark and Leslie Cheek on panel for southern states; reports to Colt on state committees","One copy of catalog","One copy of catalog","One copy of catalog","One copy of catalog","Catalog; letter from Anne Moncure to Colt explaining pictures; typed copy of \"History of Ambler Family\" by J.J. Ambler, 1826; list of portraits; typed copy of catalog text; 4 photographs of portraits - Katherine, William, and St. George Moncure, grandchildren of Colonel John Ambler; Mary Cary, wife of Edward Ambler; Colonel John Ambler; wife of Dr. Peterfield Trent and his two daughters","One copy of catalog; list of paintings; 1 letter","One copy of catalog","Correspondence with jurors","Correspondence with Committee of Virginia Artist Commission; correspondence with artists submitting models; rejection letter; shipping correspondence; invoices; correspondence with U.S. Department of the Interior, NPS, Fredericksburg; correspondence with Virginia Conservation Commission; Correspondence with Douglas Southall Freeman, Editor of the Richmond News Leader; correspondence with National Sculpture Society, Commission for the Arts, and Senator John Warwick Rust; loan of a portrait of Stonewall Jackson from Adler in NYC; correspondence with Leslie Cheek, the Sons of Confederate Veterans; news release; planning and invitations for the preview; correspondence with the United Daughters of the Confederacy and with Joseph Pollia, the winner","Entry card; invitation to meet the jurors; invitation to preview of models; announcement; map of site; news release; list of members of Sculptors Guild; Pollia's curriculum vitae","One copy of catalog","Invitation, catalog; text of catalog with drawings of mock-up and list of drawings","Annotated catalogs of early shows, correspondence with Mrs. Holden, shipping information","Catalog, invitation; typed biography in first person, list of paintings, curriculum vitae","Correspondence with Pan American Union in D.C.; Comisión Nacional de Bellas Artes; shipping information; correspondence with Governor; Department of State; national press (Time, New York Times, Town \u0026 Country, Antiques Magazine, Washington Post, United Press); copies of speech materials for guests at preview; letter from Emilio Pettoruti","Announcement; banner; one catalog; solo copies of invitations to preview and meet the Ambassadors at the Commonwealth Club","Inventories with sizes, values and damages noted; customs forms; shipping information; annotated catalog","Correspondence, speech copy","Correspondence with L.B. Houff at the American Federation of Arts; shipping information","Correspondence with Klapperach; Argentine government participation; New York World's Fair 1939; speech copy; foreword copy; shipping information","Shipping receipts, packing lists; lists of addresses of sponsors, lenders, press, museums, invitation lists","Correspondence with Marval, Commissioner General of Argentine government; participation; shipping information; planning information; customs and sales information","Invitation list; art critics list; memos; schedule of radio program and typed text; Commonwealth Club menu; speech texts","Inventories of paintings that would go from New York to San Francisco to Riverside Museum; correspondence with Museum about shipping; shipping receipts","Freight bills; shipping receipts, correspondence with Treasury Department; customs forms, inventories with values","Correspondence with Alexander Weddell and J. A. de Marval","Original mounted drawing by Leslie Cheek, Jr. for exhibition panels","Comments of the jury; award speech; copy of thank you letters; requests for catalogs, purchase information; publicity information; invitation lists; inventories; correspondence with artists; correspondence with jurors","Rejection letter; prospectus; \"an invitation,\"; invitation; receipt card; entry card (invited-yellow); entry card (regular-red); acceptance card; news releases; prospectus; catalog copy; comments of the committee; memos","Bound, typed list by gallery; inventories; correspondence with galleries and artists","Correspondence with jurors","One copy of catalog","Invitation; correspondence with Mrs. De Marclay","Correspondence; checklist; shipping information","One copy of catalog; gallery layout; mailer text; catalog listing; biographical text; artist's statement","Invitation; catalog; correspondence with Adele Williams; inventories; biographical information; catalog text","Invitation; catalog; correspondence with Willingham; shipping information and receipts","Invitation; one copy of catalog; correspondence with Binford and lenders; shipping information; inventories with values; shipping information; gallery correspondence; catalog text","Invitation; catalog; inventories, text copy, values, text of radio announcements/interviews; loan correspondence; galley proofs of label copy by Edward Davis","Inventory lists including insurance values; list of items by lenders; hundreds of shipping receipts","Correspondence with galleries, dealers, and collectors/lenders; catalog proof","Invitation; catalog; catalog copy, curriculum vitae; copy of Colt's introduction","Catalog; invitation; catalog copy; biographical information","Correspondence with Chrysler, Fox (curator), publicity people. Walter P. Sr. died in August of 1940, shipping and insurance information; inventories with values; opening plans; list of news and magazine articles (extensive)","Cocktail invitation; preview invitation; supper invitation; annotated proofs","Inventories; values annotated with van assignments (from NYC to Richmond \u0026 Richmond to Philadelphia); shipping and storage receipts and contracts; letter from Parke-Bernet in 1945 asking for prints as they were selling part of collection","Correspondence with Fiske Kimball, Director of Philadelphia Museum of Art re: shipping, insurance, inventories, division of cost","Inventories; radio program transcript; party list; invitations list; hostess list; timelines, schedules, memos, Leger came!","Plan \u0026 prospectus re: showing his collection in South America; correspondence with Fox and Chrysler. Executive Committee turned it down","One copy of invitation and one copy of catalog","Invitation; catalog copy and proof; inventory with values; correspondence with Concetta; shipping information; correspondence regarding publicity; correspondence re: broken statue and payment","Catalog copy; one invitation; one copy of catalog; biographical data","Invitation; correspondence with jurors; letters to publicity; correspondence with galleries; shipping information; list of awards; clippings; rejection postcard; one entry card; one catalog","Correspondence with Federal Works Agency; with institutions before (with Lyman Allyn Museum, New London, CT) and after (with Institute of Modern Art, Boston) traveling exhibition; invitation list; correspondence with Richmond Housing Authority, decision later in favor of Housing Authority in Norfolk instead of Boston","Correspondence with Riverside Museum, lenders; 1 invitation","Correspondence with Cincinnati Museum of Art, lender; installation; instructors; shipping information; news releases; invitations to college all over the state for preview; inventories; one invitation","Invitation; catalog; catalog copy; biographical information; correspondence with Hattorf","Invitation; correspondence with artist; catalog copy; 1 catalog","Invitation; catalog; correspondence with artist; biographical information; catalog copy; letters to publicity","Invitation; catalog; catalog copy; biographical information; correspondence with artist and gallery","List/receipts of items taken by Henry P. Strause from VMFA; annotated lists of items deposited at VMFA from H.P.S. for loan exhibition; numerous warehouse receipts","Pennsylvania Society catalog (1933); inventories by artist with values; correspondence; research","Invitation; research correspondence to locate miniatures (potential lenders); catalog copy","Receipts; inventories; index cards with owner's name \u0026 address (some with date stamp)","All receipts (large quantity), some with 2 copies, some with correspondence, some with shipping receipt from mail","Catalog copy; invitation list; correspondence with state planning board, 1 copy of catalog","Correspondence with Mrs. Myers, widow of the artist and Landgren, dealer for Newman; clippings, inventories with values; correspondence with Whitney, where Myers exhibition originated; correspondence with potential lenders for Newman; shipping information; insurance information; catalog copy; Invitation; annotated catalogs; Whitney catalogs; Knoedler catalog; loan/shipping receipts; invitation list; inventories with values; correspondence with publicity; catalog copy; inventories by institution","Invitation; proof of catalog; 1 copy of catalog","Correspondence with artists, both accepted and rejected; shipping information; correspondence regarding damage, (notation at bottom of letters in unusual style, coding maybe)","Bound pages from gallery trip to NYC and consequent invited artists list; correspondence with galleries; letters to invited artists; shipping information \u0026 receipts; correspondence with jury, (Charles Burchfield declined but raved about it; George Grosz declined with a beautiful signature.)","All regret letters, signed by artist/agent/owner, and returned to VMFA (hundreds of them); some with handwritten notes, (H.P. Sargeant very upset.)","Invitation; entry card (invited-yellow); entry card (regular-white); \"Good and Bad News Night\" (yellow trifold); prospectus; acceptance card; rejection card; memo for the evening; news release (3/3/42); annotated catalog with prices; correspondence with hosts; speech copy; news releases; list of artists by state; inventories; jury comments; values on inventories","Catalog; correspondence with artist; biographical information; catalog copy; 1 copy of invitation","Catalog; correspondence with artist; catalog copy; correspondence at sales; 1 copy of invitation","Invitation; first exhibition to include correspondence from Mrs. Pollard; inventories, correspondence; invitations; shipping information","Correspondence with Museum of Modern Art that was circulating exhibition; shipping information; contract; 1 copy of invitation","Correspondence; invitation; Lenox catalog; a few Mint Museum catalogs; correspondence with artist; inventories; catalog copy","Correspondence; guest lists; inventories with values; Commonwealth Club menu; catalog copy; shipping information; black and white photo of \"Boys\"","Correspondence with artist; letters from Theresa Pollak; inventories with prices; shipping information; biographical information; reimbursement request; copy of bulletin","Catalog; inventories with artist biographies (ie: partially or congenitally blind, age); correspondence with originator (Lowenstein); traveling loan contract; critics' statements","San Francisco Art Association bulletins; correspondence with artist; inventories; invitation; catalog; shipping information; catalog copy; various Artists' Guild of Washington materials (he was President)","Invitation; one copy of catalog; inventories with values and receipts","Invitation; clipping on his death; correspondence","Invitation; one copy of catalog; catalog proof; various other catalogs \u0026 announcements; correspondence with vendors; shipping information","Clipping; correspondence with lenders; shipping information","Invitation; one copy of catalog; correspondence","Correspondence with artist; inventories with values; biographical information; catalog copy; 1 copy of catalog and invitation.","Radio broadcast transcript; catalogs of other show; clippings (both from Cincinnati Museum); MFA Boston materials; catalog copy; invitation lists; correspondence; MFA Boston catalog; VMFA catalog and proof; shipping information from Boston; inventories","Correspondence; shipping information; annotated catalog; radio transcript; insurance information","Announcement (trifold); 1 catalog; correspondence; catalog proof; inventories with prices; catalog copy; jury correspondence; correspondence with publicity; shipping information; 1 invitation","Invitation; catalog proof; 1 letter","Invitation; catalog copy; correspondence with artist; inventory with prices; 1 catalog","Catalog; invitation; correspondence; research; shipping information; catalog proof; catalog copy","Article; correspondence with American Federation of Arts; inventory with values; other catalogs; loan agreement; shipping information; research; installation drawing; clipping; transcript of lecture on Chinese painting","Announcement; photographs of winners; correspondence; ArtNews issue (October 1-4) 1943; inventories with prices","Invitation; catalog; catalog copy; clipping; correspondence; research; RISD \"Museum Notes,\" 1943; shipping information","Invitation; catalog copy; correspondence; inventory with price list","Invitation; correspondence with other museums; itinerary copy; research; catalog copy; inventories with prices; shipping information","Correspondence (mainly with Metropolitan Museum of Art)","Correspondence (mainly with Metropolitan Museum of Art)","Inventories; correspondence; shipping information","Invitation; news release; correspondence; correspondence with publicity and with lender (UVirginia)","Invitation; catalog proof; other catalogs; correspondence; correspondence with lecturer; correspondence at preview; correspondence with publicity; loan correspondence \u0026 requests; shipping information; research on pieces; catalog copy; inventories; catalog; loan forms; annotated catalog; shipping receipts","Catalog; invitation; invitation list; correspondence; catalog copy; inventories with values; shipping information; insurance information","Catalog correspondence; clippings; catalog copy; speech copy; inventories with publication date; correspondence with lenders and publicity; shipping receipts later too (1956)","Prospectus; annotated catalog; catalog copy; shipping list; inventories with prices","Catalog; news releases; fact checking cards; bound copy of lists by dealer; clippings, voting information; invitation; catalog proof; timeline; prospectus copy; correspondence; artists' c.v.'s; dealer catalogues and correspondence; inventories with values; transcripts of publicity; speech notes; catalog copy; lists of accepted and invited artists (Virginia separate); shipping information and receipts; correspondence with publicity; correspondence with jury; prospectus","Catalog; correspondence with artist; biographical information; catalog copy; inventories with prices","Catalog; announcement","Announcement; catalog; invitation; catalog copy; lecturer c.v.; lists of institutions; list of works by institution; label copy; annotated catalog; inventories with prices; correspondence with institutions; correspondence with jury; shipping information","Annotated catalog; correspondence with artist; inventory; research; gallery layout diagram; price list; 1 catalog","Invitation; correspondence with Netherlands Information Bureau; other catalogs; checklists; shipping information \u0026 receipts (from before \u0026 after museums; correspondence with ambassador who spoke; lecture text; 1 copy of handwritten invitation to dinner with Governor Darden","Catalog; 1 invitation; correspondence with artist; inventories; catalog copy; price information","Invitation; catalog; catalog copy; correspondence; copies of \"Information Bulletin: Embassy of the Union of Soviet Socialist Republics\"; loan requests (including A La Vieille Russie); traveling exhibition contracts; shipping information and receipts (with before and after museums); inventories; other catalogs; price information; loan forms; annotated catalogs; original copy of \"The Schaffer Collection of Authentic Imperial Russian Art Treasures\"; correspondence with Ray Schaffer and others at ALVR regarding exhibition arrangements (no mention of Pratt) and damage to Faberge topaz vase","Catalog; correspondence with National Gallery (lender); insurance values and contracts; shipping information and receipts; gallery layout; catalog copy; research; loan requests","Correspondence from Davis, the VMFA Curator, with lenders to the exhibition with last names beginning with A-H; proof of article by Davis in Commonwealth Magazine; copy of text of article","Correspondence from Curator Davis and sometimes the Director with lenders to the exhibition with last names beginning with I-Z; copy of information releases re: survey","Correspondence with National Gallery Director (they had an exhibition at the same time); correspondence with Weddell (exhibition did not take place); copies of letters sent to the executive committee to explain decision","Copies of plan; correspondence with Weddell re: all the research that went into the aborted exhibition; correspondence with Mexican museums; Mrs. Whitman's reports on artists and museums' holdings","Correspondence with lenders \u0026 galleries; inventories with prices; shipping information and receipts (loans before and after)","Copies of labels on prints from National Gallery; inventory and instructions; shipping information (both before and after)","Civilian Open Air Art Sale announcement; copy of \"War Art: A Catalogue of Paintings Done on the War Fronts by American Artists for Life,\" including Barse Miller and Paul Sample; catalog copy; inventories; copy of \"Traveling Exhibitions,\" catalog by the AFA's National Exhibition Service; correspondence; 5 photographs of items in exhibit; copy of catalog, \"Art Exhibition by Men of the Armed Forces\"; shipping information and receipts; exhibition agreement; 1 copy of catalog","Copies of shipment return forms for paintings not chosen for 4th Biennial of Contemporary Art, many with comments, signed by artist/agent; inventory of paintings in the show","3rd Biennial prospectus (printed); 4th Biennial prospectus (typed); announcement of College Art in Virginia; prospectus copy (4th Biennial, Virginia Artists and Library bookplate); copy of Corcoran's prospectus (annotated); old 3rd Biennial prospectus (annotated); letter from Thomas Colt","Shipping information and receipts to lenders; correspondence with Worcester Art Museum and other museums; insurance values; correspondence with lenders attached","Press release copy; inventories by institution; correspondence with lenders; insurance values; shipping information and receipts; loan requests; book purchase requests","Invitation, catalog; catalog copy; correspondence; more shipping information and receipts; correspondence re: damages; annotated catalog","Loan forms and receipts","Invitation; correspondence with artists; catalog copy; inventories; annotated catalog; prices; shipping information and receipts; sales information","Correspondence with rug dealer; research; catalog copy; shipping information and receipts; annotated catalog; gallery layout; copies of things donor (H. Michaelyan) wrote; inventories with prices","Announcement/prospectus; typed press release; correspondence with artists; correspondence with jurors; invitation lists; correspondence to get more armed services men; list of entrants; catalog copy; one copy of entry card; one copy of catalog","Catalog; catalog copy; gallery layout; inventories; catalog proof; correspondence with jury","Invitation; exhibition contract; correspondence; gallery layout; invitation list; another list for even with Spanish speaking Luncheon Club; list of architects; press release copy; installation list from MOMA","Invitation; catalog; correspondence with possible lenders; lists of possible loans; ended up taking British-American Goodwill Exhibition; shipping information and receipts; inventories; budget figures","Catalog; one invitation; correspondence with author; list of invitations; 1 photograph of \"Red Still Life\"","Correspondence between curator and potential lenders; correspondence with institutions and churches","Correspondence with lender; correspondence re: damages; catalog copy; one catalog","Correspondence with lenders; correspondence re: damages (including 2 photographs)","Correspondence re: genre painting; exhibition; some from lenders, some not; some including photographs","Invitation list; correspondence with invitees to the 19th century genre preview; folder of handwritten notes re: genre; handwritten research; typed research","Correspondence with lender (DIA); inventories with values; shipping information and receipts; catalog copy","Correspondence with possible lenders (including 1 photograph from lender); research","Invitation; catalog; catalog copy; correspondence with artist (Colt is back!); inventories; sales information","Correspondence with artists; shipping information and receipts","Stenographers pad with notes from NY Gallery/dealers' visits; preliminary lists; final lists; correspondence with galleries; correspondence with invited artists; shipping information and receipts","Contracts with Budworth on shipping; correspondence with jurors; correspondence with Budworth; inventories with values and locations","Entry card: yellow (invited), regular (orange), good and bad news night (yellow-trifold), inclusion card; typed summary information; typed list of artists; teacher invitation (yellow); annotated catalog with prices; inventories by state; full catalog copy; list of Virginia artists; form letter to art teachers","Correspondence with dealers; clippings; other catalogs; correspondence with jury; award list; award letters to dealers and press","Prospectus; prospectus copy; list of recipients of entry cards and prospectus for distribution (art organizations, museums, dealers, etc.) and letters to them; letters to press; entry card copy; thank yous for sending out cards (n.b.: all lists of artists sent to/from dealers, museums, etc., were removed)","Letters confirming receipt of paintings returned, both those selected and those not; many with comments, less shipping complaints!","Hundreds of requests for entry cards","Hundreds more requests for entry cards","Invitation; catalog; invitation copy; catalog copy","Catalog; correspondence with artist; invitation copy; correspondence with Virginia World War 2 History Commission; inventory with prices; invitation list; catalog copy; letters to press; annotated catalog; correspondence with lenders","Invitation; correspondence with lender, Philadelphia Museum of Art; inventory; copy of the Richmond Times-Dispatch article; correspondence with potential lenders; copy of the Philadelphia Museum bulletin and Atwater Kent Museum bulletin","Catalog; invitation; correspondence with artist; correspondence with lenders; shipping information and receipts; inventories with values; invitation list; catalog copy, correspondence with wife Rosalie re: her photographs","Shipping receipts; catalog copy, correspondence with lenders; list of invitees; invitation","Recent Additions to the Upjohn Collection, catalog of collection; correspondence with dealer (Midtown Galleries); shipping information and receipts (both before and after); invitation","Catalog; invitation; catalog copy; catalog proof; correspondence with potential lenders; text of broadcast calling for paintings; shipping information and receipts; research (Davis)","Inventories with values; shipping information and receipts","Invitation; shipping information and receipts; inventories","Research; correspondence with furniture manufacturers; invitation copy; inventories; correspondence with Metropolitan Museum of Art and MOMA (main lenders); correspondence with Leslie Cheek, Jr. at Architectural Forum!; shipping information and receipts; catalog copy; letters to press (photograph of chair from Dubar, but not included in exhibition)","\"Notice to Virginia Artists\"; requests for entry blank; correspondence re: late entries; returned fees, etc.","Acknowledgement letters; press release; SSAL Bulletin (Summer 1947) (more of these later); inventories by state (jury picks); correspondence with artists, jurors and SSAL; breakdown of entry cards by place; lists of artists eligible for submission; entry cards of pieces bought or withdrawn; biographical notes on winners","24th Annual Convention program; catalog Virginia Art 1947; Southern Art 1947; invitation; entry card; SSAL membership blank; received card; rejection card; convention program copy; Southern art catalog copy; Virginia art catalog copy; catalog of 26th SSAL exhibition at the High; correspondence with SSAL; correspondence with jurors; list of works accepted (Virginia artists); old convention program; more SSAL bulletins; correspondence with artists re: 8 paintings that were vandalized; correspondence re: prizes; correspondence re: sales","Invitation; catalog proof; announcement from Camera Club; correspondence with artists; invitation copy; catalog copy","Correspondence with lenders; loan agreements; memo to staff re: handling of paintings; shipping information and receipts; inventories with insurance value","Correspondence with lenders by lender; inventories","Catalog; museum attendance card (9/3/47); correspondence with press; research; correspondence with lenders; shipping information and receipts; Budworth contracts; catalog copy; press releases; inventories; clippings","Invitation, American Commission brochure; shipping information and receipts; correspondence with lenders, AFA; loan forms; catalog copy; inventories with values","Shipping information and receipts; catalog of exhibition; inventories; catalog copy; research; correspondence with AFA and AFRIM; label copy","Invitation; invitation copy","Correspondence re: shipping and receipts","Correspondence with Louvre and other institutions re: original Louvre collection not being available; 5 museums trying to do alternate French exhibition from dealers/galleries and some from Louvre; unknown outcome; ArtNews was involved too; trying to use a story in lieu of a catalog","Catalog; correspondence; clippings; sale information; text of lecture","Invitation copy; catalog copy; correspondence with artists; inventories; invitation to lecture; 1 catalog; shipping information and receipts","Shipping information and receipts; correspondence with lenders; copy of Time (1/26/48), article on pages 47-48","Miscellaneous exhibition-related correspondence re: one mis-shipment to VMFA, most re: exhibition offers and programming","Index cards with lenders and item; correspondence with lenders","Correspondence with potential lenders (denials)","Catalog; correspondence with press; correspondence with Mrs. Catesby; invitation copy; correspondence with Lurçat; typed article on Jones; preview invitation lists and replies; catalog requests; radio press release copy; typescript copy of \"A Letter to A Friend on Modern Art,\" by T. Catesby Jones; typescript copies of all of his writings, incorporated into catalog; catalog copy","Prospectus; shipping information and receipts; correspondence with press; checklist with insurance values; loan requests for paintings in exhibition; list of artists to whom they sent biographical questionnaires","Prospectus; correspondence with medal winners; correspondence re: sales; list of artists by state; submission statistics by state; statistics tally sheets (one per state); correspondence with press","Copy of La Revue Moderne magazine (July 1947) from artist Wilma Prezzi who was featured in magazine but declined to submit; correspondence with artists, answering questions; comments from artists re: submission vs. invitation, etc.; shipping information and receipts; correspondence with galleries; requests for entry cards; correspondence re: Pepsi Cola Southern Regional Competition in Richmond (artists could specify that if work was not accepted, it could go to Pepsi exhibition)","Correspondence with artists; correspondence with dealers; valuation information; shipping information and receipts; lists of invited artists (by name, by agent/organization, some with annotated values)","\"Arrangements for the Jury\"; shipping information and receipts; correspondence re: jurors; correspondence with jury","Invitation; rejection card; entry card (pink); entry card – invited \u0026 acceptance card (yellow); annotated invitation (5th Biennial); prospectus copy; annotated entry cards and prospectus (5th Biennial); invitation copy; catalog copy","Rejection letter; prospectus","Signed rejection letter; receipts, some with comments - catalog request, why receipts request, or badly packed","Requests for entry cards (mainly from artists), a few with replies","Requests for entry cards (mainly from artists), a few with replies","2 photographs (lamp and manuscript); list of objects lent by The Jewish Museum in NY; correspondence with The Jewish Museum; lists with values; clipping; catalog copy","Invitation; correspondence with potential lenders and potential advisors; invitation letter; correspondence with The Jewish Museum; shipping information and receipts; clippings [no catalog made]","\"The Common Glory\" Poster Project; correspondence with Virginia Conservation Commission; exhibition information (typed); entry lists by high school; tea information; shipping information and receipts [all from Mrs. Muriel Christison]","Original pencil drawing plus blueprint copy of drawing by Leslie Cheek, Jr., for outside signpost for exhibition","Catalog; shipping information and receipts (loan from Philadelphia Museum of Art); correspondence with Philadelphia; list of Richmond artists to be added to exhibition; label copy for Richmond artists; correspondence with selected artists in exhibition; checklists from Philadelphia","Correspondence with lenders; research correspondence; lists of photographs with values","Original drawings and one blueprint copy of exhibition signage, exhibition labels, and gallery layout","Checklist (one portion circulated by MOMA); shipping information and receipts; correspondence with MOMA; membership lists cf: Virginia Chapter of AIA, Home Builders Association of Richmond, Richmond Real Estate Exchange; exhibition contract; 1 invitation; preview invitation letter; correspondence with Architectural Forum (they circulated the other portion); correspondence re: film rentals","Correspondence with dealer (Knoedler); shipping information \u0026 receipts","Invitation; correspondence; checklist with values; shipping information and receipts; exhibition construction notes; correspondence with dealers; press release copy (typed); correspondence with artists; invitation list; correspondence with lenders","Original blueprint copy of signage","Catalog; shipping information and receipts; checklists; correspondence with Colonel Anderson; correspondence with lenders; correspondence with artist","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA)","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA); catalogs; photographs; clippings","Shipping information and receipts; checklist; correspondence with artist","Lecture invitation; correspondence with lecturers; information regarding exhibit from American Craftsmen Educational Council; correspondence re: sales; shipping information and receipts","Correspondence with the Coin Club re: exhibition; later declined due to Colt's resignation","Correspondence with American Craftsmen Educational Council (lender); correspondence with lecturers; shipping information and receipts; exhibition information; ACEI brochure; clipping","Invitation; correspondence with vendors; checklist with values; invitation copy; shipping information and receipts","4 original drawings of lectern, information panels/stands; gallery layout, etc.","Catalog; correspondence with Canadian Embassy; correspondence with National Gallery of Canada (co-sponsor); shipping information and receipts; lecture copy; correspondence with lecturer; research; catalog copy; exhibition plan/schedule (to do); 1 copy of invitation; gallery layout","Correspondence with National Gallery of Canada; correspondence with press; correspondence with state forester (lent pine trees); research; clipping; photograph and biography of curator","Original drawing of exhibition sign","Correspondence with Virginia State Board of Education; correspondence with Southeastern Arts Association; shipping information and receipts; correspondence with education institutions (Mrs. Christison)","Form letter to Antiquarian Society members; preview invitation list; Antiquarian Society history (co-sponsor)","Original drawing of Museum information panel and traveling show panel","Invitation copy; correspondence with MOMA re: traveling exhibition; shipping information and receipts; billing information","1 drawing of Calder signs","Preview invitation, correspondence with artist; correspondence with lenders; invitation copy; correspondence with Philip Godwin and Mrs. T. Catesby Jones; research; correspondence with Archipenko; clippings (response to Richmond Times-Dispatch article mocking exhibition); Calder's handwritten invitation list [no catalog made]","Correspondence with lenders (galleries, dealers, museums, etc.); checklists; shipping information and receipts; correspondence with artists; checklists with values; press release copy","Checklists; exhibition information (typed); receipts","Photograph of books and Hurds; children's books catalog (retail); correspondence with publishers; research; clipping; correspondence with lenders; label copy; shipping information and receipts; checklists by publisher, by lender, by artist","Correspondence with lender; checklist with values; correspondence with artist; shipping information and receipts","Correspondence with lender; correspondence with publicity; research","Correspondence with lender; correspondence with publicity; label copy; shipping information and receipts","Outline of children's programs from summer workshops; research on group behavior; clipping; Richmond Film Society Program; photograph of Times Square in New York; Department of Education Annual Report copy; lots of random exhibition information copies; clippings; correspondence with educational services","Correspondence with lenders; shipping information and receipts; exhibition information (typed); correspondence with artists","1 drawing, layout for panel","1 layout and 1 piece of correspondence","1 drawing – summer sign, 1949","Exhibition offerings from galleries, institutions, etc.; AFA brochures","Exhibition schedule; invitation lists; correspondence; clippings","1949-1950 season schedule; schedules; correspondence re: possible exhibitions","Correspondence with lenders; dinner invitation list and preparation; shipping information and receipts; budget/billing information; checklist with values; research","Correspondence re: catalog; cut-out reply from VMFA Bulletin","Postcard announcement; correspondence re: catalog requests","Correspondence organized by lender with lenders; shipping information and receipts","Correspondence re: insurance; checklists by subject/person; research; shipping information and receipts; correspondence with lenders; checklists with values","Correspondence and paintings list, just as title says","Correspondence re: permission to reproduce images for catalog [originally not intended to publish catalog; did so after exhibition]","Catalog copy","Correspondence re: cost of prints ordered and made for show","Announcement; Baltimore catalog; preview invitation; 3 photographs; copies of her other catalogs (Mrs. James Ward Thorne); correspondence with Women's League Club; correspondence with lender (circulating museum AIC); budget information; checklists; shipping information and receipts; exhibition contract; correspondence with publicity; copies of various magazines (Virginia Bulletin, Virginia Women's Magazine); correspondence with PTA's","Blueprints: room installation (3 copies) and original drawing; drawing of signs; drawing of entrance details","Checklist; 8 photographs; correspondence with publicity; budget information; admission price policy; lecture and tour schedule; correspondence re: catalog including billing information","Checklist","Correspondence with Library of Congress re: loan of lithograph; shipping information and receipts","Correspondence with Block, including copies of publicity; checklists with values; shipping information and receipts","Correspondence with Block and others","3 drawings of exhibition signage","Drawing and blueprint copy of information kiosk; 1 photograph; 3 other layouts of the exhibition, including 2 didactic panel layouts by Cheek (\"Russia Before the Revolution\" and \"Imperial Jewelry of Russia\")","Correspondence on opening of show; proposed schedule; checklists by lenders; shipping information and receipts; checklists by artists; correspondence with artists; checklists with values","Checklists; shipping information and receipts; correspondence re: catalog; correspondence with publicity; research; statistics from 6th Biennial; correspondence with artists; catalog mailing list; catalog copy; loan information forms","2 excerpts from publicity (typed); correspondence with catalog essay authors; correspondence with publicity; clippings; checklists; catalog copy; requests from artists; chipping information and receipts; correspondence of James Johnson Sweeney (sole juror invited); checklist for traveling exhibition; hand-written copy of register of the paintings received","1 drawing of layout and signage; 2 small lettering drawings; 1 small catalog sign drawing","Shipping information and receipts including correspondence with artists, bills and information for crating requests; correspondence re: Richmond regional jury process for national metropolitan competition","Press release; correspondence with Sweeney; correspondence with publicity; shipping information and receipts; checklists, sales information","Sweeney's own correspondence with artists and dealers and galleries re: exhibition, including Naum Gabo and Morris Louis","Correspondence with SF MOMA; checklist from AFA; copies of publicity; shipping information and receipts; correspondence with publicity; correspondence with AFA; 1 copy of catalog","Drawing and blueprint copy of layout","Catalog copy; correspondence with lenders; shipping information and receipts (or label)","1 photograph; catalog (or label) copy; correspondence with Knoedler (lender); shipping information and receipts; 1 photograph of X-ray","Invitation lists; correspondence; radio spot information; correspondence with lenders; checklists; shipping information and receipts; press release copy; catalog copy; loan item information blank","One note on a rug cleaning","Checklists with values, by lender and by artist; label research; correspondence with lenders; installation notes; shipping information and receipts; press release copy; correspondence with other institutions including the Met where the exhibition went next","Correspondence with AFA (distributor of exhibition); shipping information and receipts; checklist; information on the photographer (non-VMFA publicity); correspondence with photographer","Photograph of Reino Aarnio soap dish for Fiat Metal, photograph of new RCA portable radio; correspondence with lenders [sold it as a big 2-3 year traveling exhibition]; shipping information and receipts; clippings (for ideas); correspondence with manufacturers from all around the USA; lots of catalogs; installation sketches; catalog copy; lists of checklists from a similar MOMA exhibition; 1 copy of preview invitation; checklists; label copy","Correspondence with Block (Post cartoonist) and Comstock (Connoisseur and Antiques magazine editor); lectures; biographical information; correspondence with publicity","Original drawing plus 2 blueprint copies of design for silver display case","Correspondence with lenders from 1940 show due to requests by an author, prompted by current Valentine show; clipping re: Valentine show; copy of 1940 catalog","Correspondence with Rogers and her agent; confusion about scheduling dates; article in Vogue about Rogers [ended up cancelling show due to high costs of insurance and shipping]","Shipping information and receipts and labels for loan of some Pratt jewels by Mrs. Joseph Davies of Washington D.C. to the 1950 Easter eggs exhibition","Catalog [loan exhibition organized by the English speaking Union]; copy of catalog; microfilm copy of NYT clipping; correspondence with ESU; copies of ESU Bulletin; checklists; press release copy; correspondence with other institutions who are borrowing; catalog/label copy; shipping information and receipts installation instructions; annotated catalog; big ESU publicity kit; correspondence to/from J. L. Blair Buck in State Board of Education, main contact and President of the ESU, Virginia Branch; original NYT clipping; correspondence to/from Brigadier J.W.F. Treadwell, VP of ESU [called it \"Operation Canvass\" to garner interest in ESU in Virginia]; billing/payment information; correspondence with British Embassy","Correspondence with Knoedler and Newhouse [photograph of painting offered but not chosen]; copy of invitation; picked Provost's painting from Knoedler – in another folder]; correspondence re: cedar trees in galleries","Circulated by MOMA; correspondence with them; packing instructions; loan agreements; loan contracts; checklists; shipping information and receipts","Group form letter; correspondence with Wedgwood \u0026 Sons; publicity information; research; checklists; correspondence with other institutions; shipping information and receipts; 1 copy of invitation; list of Wedgwood dealers in Virginia [to invite]; correspondence with Annie Reese, Director of Promotions and Hensleigh Wedgwood, President, who lectured at preview","Correspondence with various clubs; dinner party plans and invitee lists; more correspondence with Wedgwood; copy of Museum bulletin; biographical information on Hensleigh; shipping information and receipts","Shipping information and receipts; biographical information; Museum Bulletin copy; installation instructions; label information forms; correspondence with Newhouse; checklists with values","Drawing of label boards; drawing of signage","Chose 4 exhibitions from PAU to circulate; correspondence with PAW; exhibition information; checklists; shipping information and receipts","Announcement; correspondence with printers; correspondence re: sales [1st year Museum has added Architecture]; copy for all printed materials; correspondence with prizewinning artists (including Stuart Davis); correspondence re: azaleas; biographical information on jury chairman, Hermann Williams, Director of Corcoran; correspondence with publicity; clippings; copy of catalog from 1949","Prospectus; requests for blanks; letter copy re: Virginia art interest and education and businesses; correspondence with artists; correspondence with art departments; correspondence re: sales; jury comments; biographical juror information; breakdown/tally by city; correspondence with jurors","Catalog copy; checklists with prices; correspondence with artists re: blanks; shipping information and receipts; correspondence re: sales and purchases; 1 copy of catalog","4 original drawings; introductory panels, signage; layout sketches; traveling show panels","4 drawings of lighting layouts in gallery; 1 drawing of movie projector stand; 1 drawing of panels; 1 drawing of overall layout","9 photographs of Metropolitan Museum of Art objects; copy of invitation; label copy for projector room showing film on armor; other label copy; correspondence with lenders; shipping information and receipts; correspondence with Met (major lender); correspondence with lecturer (Gracey), curator of Met arms \u0026 armor","Correspondence with artist and his wife; biographical information; copy of catalog from Hollins; clippings","1 photo of Stuart Davis; biographical information; catalog copy; shipping information and receipts; checklists with values; loan agreements; correspondence with jurors; correspondence with lender; correspondence with potential jurors (Andrew Wyeth)","2 drawings: sign and panel layout","Photograph of Tsar Nicholas II and family; 2 page exhibition design write-up (color, lighting, cases); catalog copy","Memo re: Arthritis Foundation; article on Dufy; reprint of 3/51 article on Dufy; paintings information sheets; shipping information and receipts; catalog of ICA in Boston; correspondence with lenders; correspondence with Arthritis Foundation; checklists with values; correspondence with publicity; correspondence with Dufy's gallery agent","4 drawings of signs and layouts","11 photographs of layout with and without people; close-ups of panels; correspondence with lecturer; correspondence with American Institute for Graphic Arts (organizer); publicity materials from AIGA; shipping information and receipts; catalog","Dinner guest list; correspondence with Chrysler; Chrysler catalog copy; correspondence with NYT","Photograph of Chrysler; copy of Art Digest (October 15, 1951) with photograph of gallery setup; catalog copy (paintings); correspondence with publicity; shipping information and receipts; catalogs of exhibition at University of Miami Art Gallery (correspondence with University of Miami Gallery also); checklist","Checklists and hanging order; correspondence with publicity; rough layout; catalog copy; correspondence with artist; checklist with values; correspondence with AFA (organizer); AFA 1953 catalog; wonderful letters that are art!","Preview invitation; correspondence with artist and wife; checklists","Catalog; correspondence with Director of Syracuse Museum of Fine Arts (Anna Wetherill Olmsted, speaker); biographical information on her, checklist","1 drawing: installation layout","14 photographs of items; \"prize awards\" press release; correspondence with Syracuse Museum of Fine Arts; publicity information from SMFA; catalogs; catalog copy; shipping information and receipts; annotated catalogs (one size, one price)","Correspondence with various institutions and individuals re: potential exhibitions, some with catalogs and clippings; list of proposed exhibition season","Correspondence with lender (Ouriel) and gallery (Knoedler); shipping information and receipts","Various mailing lists (Bulletin, publications), some by type, some alpha; letters to other institutions offering mailings (all Miss Frances Boushall)","1 drawing of small museum truck","Layout panels for 1st Museum brochure/guide","1 drawing and 1 copy of Information \u0026 Publication Desk of Museum","Correspondence with lenders of fabrics; shipping information and receipts; some original tags; label copy; some catalogs","Correspondence re: invitation mailing (one with return address of VMFA, one with Kiwanis Club); correspondence with lenders in Los Angeles","Invitation to screening; preview invitation list to film screening","Invitation; catalog copy; checklists; Mona Lisa research; shipping information and receipts; correspondence with lenders; 1 copy of catalog; correspondence with organizer; invitation copy; installation information; correspondence with Kiwanis Club","6 blueprints for models by Panold Masters; 1 drawing of signs; 1 drawing of layout; 4 drawings of lighting; 3 drawings of niches","1 drawing of layouts, panels","Catalog copy; clippings; annotated copy of catalog of retablos from Barton Collection; shipping information and receipts; checklists; annotated copies of catalog of textiles from Barton Collection; correspondence re: damage to retablos; correspondence with institutions; correspondence with lenders","1 drawing of signs; 4 drawings of lighting; 1 drawing of details of interior; 3 drawings of layout; 1 drawing of interior","1 photograph of clock; few compliments; some receipts for library exchange","Correspondence; damage reports; receipts; memos","Correspondence with Helen Comstock (editor of Magazine Antiques and guest curator); correspondence with potential lenders (individuals and institutions)","Correspondence with WSG; clippings; shipping information","Correspondence with WSG; catalog copy; press release copy; press releases; shipping information and receipts; biographical information; checklist with prices","2 photographs of paintings; traveling checklist; correspondence with artist; clippings; press release; catalog copy; catalogs of shows in New York and Toronto; shipping information and receipts; label copy; checklist with values; correspondence with lenders; correspondence with AFA (originator)","Invitation to preview; correspondence with designer and speaker, John Van Koert; correspondence with Walker Art Center (organizer); copy of Walker invitation","Press release; publicity copies from Towle Silversmiths; press releases; copy of catalog from Walker","5 photographs (duplicates); invitation to preview; press release copy; correspondence with Fogg; copy of catalog from Detroit; label copy, checklists; shipping information and receipts; correspondence re: theft of Degas drawing","Invitation to preview; invitation to lecture; clippings; correspondence with artisans re: exhibition decoration; correspondence with other lenders; shipping information and receipts; checklists; correspondence with dressmaker/speaker (Pauline Trigère); correspondence with Metropolitan Museum's Costume Institute","Correspondence with lenders; research (list of American and English novels); shipping information and receipts; correspondence with publisher; correspondence with publicity; correspondence with Met's Costume Institute; checklists with values","6 photographs (5 paintings and Maxson Holloway, Chicago Historical Society curator); shipping information and receipts; checklists; correspondence with Chicago Historical Society (organizer); annotated catalog from CHS; correspondence with other institutions; bulletin copy; press release","Catalog; correspondence with CHS; correspondence with other lender (Broadnax)","Photograph of picture; press release; correspondence with Red Cross; clippings; invitation copy; Red Cross promotional material; press release copy","Catalog; correspondence with AFA (organizer); shipping information and receipts","Shipping information and receipts; checklists","Correspondence with members of Club; correspondence with AFA","Drawing of layout; 2 photographs of paintings not in exhibit; research; label copy; correspondence with lenders; shipping information and receipts; checklists","Correspondence with Lady Astor; checklist of gift","Catalog copy; correspondence re: opening and Governor's dinner; invitation proofs; correspondence with publicity; text of Colonel Anderson's speech","Correspondence re: opening (mainly regrets)","Correspondence with the artist","1 drawing of sign","Correspondence with Institute of Contemporary Art in Boston, organizer; lecturer is Director, James Sachs Plaut; promotional materials","Correspondence with ICA in Boston; shipping information and receipts; catalog","Invitation; photograph of painting (1952); label copy; installation instructions; shipping information and receipts; correspondence with lenders","1 clipping","Clipping; press release copy re: move of cigar store figures from Jefferson to VMFA","Lots of correspondence from different institutions; publicity; list of contacts with great comments","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Correspondence with woman at new museum about restoring a painting","1 photograph of Leonardo's bridge; Boushall's correspondence file with publicity and others interested in our publications and exhibitions","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Quiz sheet","7 photographs of opening, gallery and piece; 1 copy of catalog","2 drawings and 1 copy of gallery layout and entry desk","Checklist; invitation, shipping information and receipts","1 drawing of book and theme table layout","6 photographs of Goya pieces; 1 photograph of someone (with mandala); catalog copy","2 invitations (1 with checklist; 1 for loan exhibition); label copy; checklists; correspondence; correspondence with lenders; catalog requests; catalog proof; shipping information and receipts","Correspondence; label copy; cover of U.S. News \u0026 World Report (2/13/53) (looks like De Stijl); shipping information and receipts; correspondence with MOMA (organizer); checklists","Press release copy; correspondence with Netherlands Embassy; lecture copy (introductions); lecturer biographical information [Carroll L. V. Meeks, Assoc. Professor of Architecture and Art History at Yale]; correspondence with MOMA","Correspondence with jurors; correspondence with potential jurors; lists of loan requests; correspondence with lenders; correspondence with publicity; shipping information and receipts; checklists; installation memos; checklists with values","\"The Significance of African Art,\" 8 photographs of items; publication reprint of \"Warega Ivories\" by Ladislas Segy; label copy; publications from Segy Gallery on African Art; correspondence with Segy Gallery (organizer); biographical data on speaker [James Johnson Sweeney, Director of the Guggenheim in NYC]; shipping information and receipts","Correspondence with speaker; label copy; press release copy; publications from Segy Gallery","1 photograph of street scene, but it has been drawn on","Copy of 1949 catalog; 1 copy of catalog; label copy; checklists by city; catalog copy; letter from Theresa Pollak regarding the way the show is chosen and hung; correspondence with artists; annotated older biennial materials; list of purchase recommendations; schedule for jurors visit; catalogs from other institutions (state shows); shipping information and receipts; traveling evaluation checklists","Copy of 1953 prospectus; correspondence with artists (Pollard's correspondence file); list of entry cards received","Correspondence with artists re: missing checks, incomplete blanks or other issues (Gaines' file)","Information from MOMA (organizer); correspondence with MOMA; checklists; shipping information and receipts; installation memo; 1 copy of invitation to opening","2 drawings","List of loans (Baltimore Museum of Art); correspondence with BMA; correspondence with speaker [Mrs. Adelyn D. Breeskin, Director of the BMA]; installation memo; checklists; label copy; shipping information and receipts. Show had 16 year age limit!","Entry/prospectus; correspondence with American Craftsmen's Educational Council; list of regional entries; correspondence with artists; completed entries; shipping information and receipts","February 1953 issue of \"The Richmond Home Builder\"","Mayor's reception schedule; lecture copy; copy of Directory of Virginia Governmental Officials (November 1950); invitation lists and planning","1 copy of invitation; lecture copy; correspondence with potential consultants","Correspondence with Thalhimer's; press release copy; lecture copy; slide list; clippings; speaker biography","Correspondence re: parking problems and conferring police authority to the Museum's guards","\"The New Art Wind Quintet\" press release; Harp Trio photograph and program; correspondence re: New Art Wind Quintet; contract copy; Harp Trio press release copy; Philippe Entremart photo; press release copy and program; correspondence with National Music league; programs; clippings","1 photograph of Victor Guye; actually a Goya exhibition file – correspondence with lenders; shipping information and receipts; checklists","Invitation; photograph of Queen Anne teapot; \"Art in Fashion\" invitation; label copy; catalog copy; correspondence with Lipton (lender) and Lipton's dealer; correspondence with speaker","Correspondence with potential participants; interim reports; correspondence with institutions in Scandinavia; exhibition proposal (typed); correspondence with embassies, consulates, etc.; shipping information and receipts; label copy; correspondence with speaker [John Van Koert]; checklists; correspondence with publicity; correspondence with AFA (organizer); 1 copy of brief prospectus; list of itinerary","Folder is incorrectly labeled \"1967\" at Library of Virginia. 1 drawing (1953-54); ALL FROM THE 1950'S: panel copy; shipping information and receipts; clippings; Sidney Janis catalogue; 1 copy of Bulletin (11/53); 1 copy of invitation, plus 1 internal memo re: new iteration as traveling show, checklist","1953 Virginia Artists prospectus; correspondence with artists; correspondence with publicity; label copy; correspondence with Des Moines Art Center (co-sponsor); shipping information and receipts; correspondence with lenders; correspondence re: purchases; biographical information on Dwight Kirsch (curator of show and Director of DMAC)","Mailing 12/1/55, \"To Virginia Painters\"; budget information; correspondence with artists; correspondence with Dwight Kirsch; annotated catalog; catalog requests; catalog disbursement list; shipping information and receipts; copy of Kansas State College Biennial Catalog (including quote from Kirsch)","1 photograph of artist and painting (John Koos with wife and Peter Khan, head of Hampton Institute Art Department); correspondence with juror; press release; correspondence with publicity; correspondence with artists (Newell's correspondence file); biographical information on Kirsch; clippings","1 copy each of 1950 and 1954 catalogs","Catalog copy; catalog proof; suggested arrangement; label copy, checklists","1 photograph of Armand Hammer; 1 photograph of room in his house; 1 photograph of Breughel painting; 1 photograph of [Erwin] Panofsky [from Institute for Advanced Study at Princeton], lecturer; 2 press releases; correspondence with Hammer; general collection information","1 drawing of main panel layout","Correspondence with lenders and dealers, artists; shipping information and receipts","Shipping information and receipts","Registration forms for each painting; checklists by gallery and by artist","Entry cards (completed); other institutional catalogs; prospectus copy; annotated catalogs; catalog copy; 1 copy of catalog; label copy correspondence with artists; correspondence re: publicity; shipping information and receipts; correspondence with jurors","Prospectus; mailing lists; budget tracking; correspondence with jurors","6 photographs of designs; shipping information and receipts; label copy; correspondence with AFA (organizer); checklists; correspondence with Cooper Union (lender)","2 drawings of panel layouts; notes re: pre-Columbian panel layout","1 drawing of panel layout; label copy","1 drawing of 20th century gallery layout with section for Virginia rotating artists; correspondence with artists; correspondence re: purchases; shipping information and receipts; biographical information; correspondence with lenders; memos re: installation; checklists","Checklists by lender and by artist; correspondence with lenders; label copy; shipping information and receipts; copy of catalog from University of Louisville with similar exhibition","1 drawing of panels; notes re: panels for exhibition","Letter to AFA re: exhibitions; exhibition proposal for Design for Theatre","Correspondence with various people and institutions re: possible exhibitions; program schedule for 1953-54; scattered exhibition-related materials as well; correspondence re: various programs, performances and dinners; correspondence with publicity; copies of Members Bulletin for March, April \u0026 May, 1954","1 photograph of Furniture of the Old South; mainly lists, both general and for particular shows","Correspondence re: an article proposed by Gulf on the Artmobile, including a photographic assignment, to run in their company magazine Orange Disc; correspondence re: subsequent mailing of issue","Letter to Presidents of Garden Clubs, 10/11/54; correspondence re: securing funding for Waddy fountain planting each season; mailing lists","Correspondence re: arrangement to use galleries for their meetings","Membership List","Copy of The Orange Disc Magazine (March-April 1954); list of Artmobile pictures used","Drawing of new membership brochure [Not taken, too hard to reproduce]; annotated membership forms; new form copy; copies of MOMA \u0026 Walker membership forms; membership campaign materials: proposal, committee schedule, plan for calls, etc., minutes of meetings, campaign reports, membership report (statistics)","Correspondence re: special loan exhibition from permanent collection; shipping information and receipts; checklists","Correspondence re: meeting; biographical information on speakers; schedule/agenda; transcribed notes from Question \u0026 Answer session","2 photographs of mural; correspondence with Rochester Institute of Technology, where she was a student (she was a VMFA Fellowship winner); correspondence with artist","\"Endorsement of the forthcoming Artmobile\" 3/10/53; \"An Exhibition of Sculpture from Africa,\" 3/22/53; \"The Hammer Collection…\" [n.d.]; \"The VMFA has purchased 3 paintings…\" 3/24/54 (short one); copies of press releases from March/April 1952/1954","13 drawings of pedestals in various galleries; notes","1 drawing; 1 list of photographs for American 19th Century","1 drawing; 1 list of photographs for Early Near Eastern","1 drawing; 1 list of photographs for Late Italian and Spanish","1 drawing; 1 list of photographs for Roman","1 drawing; 1 list of photographs for Oriental","1 drawing; 1 list of photographs for German","1 drawing; 1 list of photographs for French 17th-18th centuries","1 drawing; 1 list of photographs for Italian, 14th \u0026 15th centuries","Just list of photographs for English 16th-17th centuries","1 drawing (English 18th-19th centuries; 3 photograph lists (medieval, American 18th century, English 18th-19th centuries","1 drawing; 1 list of photographs for American 20th century","List of photographs for Virginia Today","1 drawing (Egyptian); list of photographs for Egyptian, notes","2 drawings of text panels; notes; list of photographs for North Sculpture Hall","Photograph of Blanche Tarjus; correspondence; biographical information; program copy; programs; clippings; publicity materials from National Music League; artist fee schedule; correspondence with artists; invitation copy","Photograph of damaged jade, 2 annotated photographs (all Minneapolis); shipping information and receipts; label outlines; checklists by lender and by type; correspondence with lenders; clippings, research notes; label copy; correspondence with other potential lenders","3 panel layout drawings; 4 other layout drawings; label copy; label outlines; section color suggestions and samples; list of cases needed","1 photograph of children with eggs; tear sheets from Interiors magazine; copy of 1947 Pratt catalog; suggested publicity schedule; outline of work to be done; label copy; correspondence; press releases; research; clippings; correspondence with publicity","1 drawing; 6 photographs; blue AFA Catalog list; correspondence with AFA (organizer); label copy; checklists; shipping information and receipts; fabric and paper samples; correspondence with lenders","Correspondence with artist; biographical information; shipping information and receipts; label copy; checklists","1 drawing, 1 photograph of Karolik; catalog copy; checklist; shipping information and receipts; label copy; dimension list; correspondence with Smithsonian (organizer); correspondence with collector (Maxim Karolik); 1 copy of invitation; copy of bulletin; copy of MFA Boston Bulletin on collection (10/51)","William Kienbusch and William Zorach [2 of 3 judges] catalogs; list of purchase considerations; correspondence with artists; correspondence with galleries; shipping information and receipts; checklists","1 drawing; clippings; bulletin photograph copy; correspondence with Addison (1 letter) [Addison Gallery of American Art, Chairman of Jury was Bartlett H. Hayes, Jr., Director of Addison]","Correspondence with artists; biographical information; label copy; shipping information and receipts","1 drawing; label list","1 photograph of Charles Baker; 1 drawing; shipping information and receipts; correspondence with artists; checklists; biographical information; Davis' Fellowship application; label copy","Correspondence with artists; mailing lists of artists; requests for blanks","Correspondence with artists; requests for blanks; correspondence re: incomplete forms or missing checks; handwritten list of entries received","4 layout drawings","List of winners; copy of blank certificate; copy of green prospectus; checklists; shipping information and receipts; entry copy; catalog copy; label copy; other institutions' catalogs/prospectuses; correspondence with jurors; staff members; list of artists","Correspondence with artists; entry blank requests; shipping information and receipts","Correspondence with artists; biographical information; shipping information and receipts; label copy","Typed remarks by preview speaker [Honorable Shigenobu Shima, Minister of Japan]; list of credits for exhibition","Drawings of invitation copy; 1 photograph; checklists (organized by MOMA); correspondence; label copy; 1 copy of invitation; shipping information and receipts; correspondence with Minister of Japan (preview speaker); press release copy; correspondence with MOMA; correspondence with MIYA company (lent accessories); correspondence with Japan Society","1 drawing of panel layout; correspondence with artists; shipping information and receipts; checklist","Correspondence with Corcoran (lender); label copy; shipping information and receipts","2 photographs of ICA installation; checklists from ICA in Boston; fabric samples; correspondence with manufacturer (i.e.; lender); includes some publicity materials and catalogs; shipping information and receipts; list of items sold to staff members; ICA catalog/brochure copy; correspondence with ICA; ICA press releases; label copy; ICA catalogs (1954 \u0026 1955)","Checklist; miscellaneous correspondence; ICA news releases; fabric samples; checklists","Shipping receipts for Designs for Christmas show","List of items available for purchase; correspondence with manufacturers re: sale","3 photographs; publicity materials from Virginia Chapter of AIA; shipping information and receipts; label copy","Copies of suggested schedule","Few pieces of miscellaneous correspondence related to other exhibitions","2 photographs of Suzanne Bloch; correspondence with various music organizations; publicity materials (mainly programs); clippings; Suzanne Bloch press release copy and biographical information","Catalogs and samples of wall and paper materials","Letter solicitation (7/1/55); correspondence with studios; research; exhibition proposals (Samuel Goldwyn or Cecil B. DeMille); mailing list","Correspondence; correspondence with manufacturers (including catalogs)","Copy of the Annual Report; typed and written drafts for \"Information Services and Public Relations\" report","Press release; correspondence with publicity; clippings; mailing lists; grand opening schedules; new members' room information","Copy of letter to press (11/29/55); memo re: use of mats sent to newspapers from Rex Allyn to Cheek; 5 actual mats by Virginia Stereotype Service","1 photograph of camera; correspondence with Colonial Williamsburg (author of book on Cook); label copy; camera catalogs; checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of invitation; research articles","John Koenig was Guest Promotion Director; correspondence with publicity; news releases; mailing lists; clippings; copy of catalog","Bulletin copy; Bulletin proofs; correspondence with speakers","2 copies of newsletter (2/55 and 12/54); 1 piece of AFA membership publicity","Copies of 51st and 53rd programs; copy of letter to publisher of 55th (VMFA was in it)","Rex Allyn's correspondence file; correspondence with publicity; correspondence with other institutions; clippings","4 drawings; 10 photographs; copy of catalog of traveling show in São Paulo, copy of checklist and hanging order sheet; label copy; correspondence with artists; publicity; biographical information; shipping information and receipts; correspondence with publisher; press release, checklists (for traveling too); circulated by AFA","Copy of invitation to costume ball with note about asking about museum as location","AFA Newsletter, 12/55","Publicity; correspondence with Junior League about volunteers; copies of articles in The Leaguer; press releases","Publicity; copy; catalog photographs; correspondence with speakers; cards with state exhibitions on them; clippings","Publicity; copy of Bulletin; press releases","Copy of Carl Sandberg's prologue; invitation; correspondence with MOMA (circulator); copies of drawings of installation from MOMA; copy of catalog; contract; press releases; checklists; shipping information and receipts","Article copies (by Marguerite Tabb)","Correspondence with Jaycees","Correspondence","Correspondence with Society; copies of minutes","Publicity from American National Theatre and Academy","Correspondence with WRVirginia \u0026 WLEE; list of personnel","Publicity; Artmobile schedule","Correspondence with Society; publicity; schedule and financial statement of Society","Press releases (4/14/55; 4/12/55); schedule and procedure for ceremony of awards (4/29/55); press release (4/25/55); other press releases","Copy of minutes from meeting","Correspondence with printers; budget information; samples of items; purchase orders","Miscellaneous correspondence","Correspondence; summary and minutes from conference","Correspondence with Whitney Museum; correspondence with other museum directors (Leslie Cheek a sort of consultant)","Copy of letter from Rhoads to Board; correspondence with Rhoads","Correspondence re: Georg Jensen exhibition; checklists (from SITES)","Correspondence with artists; biographical information; checklists; shipping information and receipts","Invitation; correspondence with Catherwood Foundation; label copy; exhibition proposal","Press release; shipping information and receipts; correspondence with Catherwood; Catherwood publicity; checklists; label copy","1 drawing of layout; label copy; checklists; list of loans requested; shipping information and receipts; correspondence; correspondence with publicity; correspondence with lenders; 2 annotated copies of printed checklists; copy of Bulletin","1 copy of printed checklist; correspondence with lenders; request for information cards; 1 annotated copy of printed checklist","\"Caption for Watteau Mat\" and press release (1/11/52); press releases; list of loans; checklists","Correspondence with potential lenders for Fetes Galantes","Photography purchase requests; invoices","Shipping information and receipts; correspondence with lenders; clippings","Correspondence with lenders; shipping information and receipts; request for information forms; label copy","1 copy of catalog; 1 copy of Ford Times on which the show was based; checklists; correspondence; catalog copy; correspondence with Ford; copy of story for Commonwealth","2 photographs of Helen Wearstler Foht; 1 duplicate photograph of her; checklists; correspondence with artists; shipping information and receipts; label copy","Correspondence with artist and his dealer (Hammer Galleries); copy of the exhibition catalog; label copy; 1 book jacket of his (High World); insurance information; shipping information and receipts","2 photographs; checklists; shipping information \u0026 receipts; correspondence with artists; label copy","1 photograph; 1 duplicate photograph (Aubrey Bodine or O.F. Romig) [these 2 were judges, A. Aubrey Bodine of Baltimore and Orlando F. Romig of Pittsburgh]; correspondence with artists","Shipping information and receipts; correspondence; press release","1 photograph of unknown; 1 photograph of Carl Roseberg; shipping information and receipts; sales information; checklists; correspondence with artists; label copy","3 photographs; checklists; biographical information; correspondence with artists; label copy","Invitation; list of possible artists publicity/catalogs from other shows; invitation copy; mailing list; checklists; correspondence with Sculpture Center; shipping information and receipts; correspondence with artists; correspondence with lenders; label copy","4 drawings of label panels; sheet for each with list of photographs for panels","2 photographs; shipping information and receipts; correspondence with artists; checklists; sale information; biographical information; label copy","Invitation; 1 photograph of show at Corcoran; 1 drawing; also 1 drawing of Chinese gallery, press release 3/4/55; correspondence with SITES (organizer); shipping information and receipts; checklists; correspondence re: damage to a chair; label copy; correspondence with publicity; 1 copy of catalog; 1 copy of Danish Foreign Office Journal","Correspondence with lender; shipping information and receipts; checklists; George Poiret print collection exhibition catalog (rents them)","1 photograph; correspondence; clippings","Copy for theatre publications","Program for 57-58 season; copy for earlier brochure","One letter re: season's policies","2 pieces of correspondence","\"A Proposal,\" (letter 7/14/56); Dance Society meeting minutes; correspondence; budget information; mailing list","Program April 20, February 24, January 6, October 21, September 16; correspondence (1 letter); 1 copy of a mailing","Checkbook; correspondence re: taxes","1 photograph (Richard Steinway); duplicate photograph (John Langstaff); 1 photograph of John Langstaff with Berkshire Quartet; 1 duplicate photograph and 1 regular photograph of Albeneri Trio; 1 season program","1 photograph of John Langstaff; 1 duplicate photograph of Robert Conant; 2 photographs of Amadeus Quartet; 1 photograph of Alfred Deller; 1 duplicate photograph of Alfred Deller Trio; 1 photograph of Emily Frankel and Mark Ryder; correspondence; proposed relations between the 2 organizations; meeting minutes; letter drafts; program copy; publicity materials","Wishes to thank card; Davenport Carrington letter; response card; meeting minutes; program schedule; clippings; correspondence; budget information; form letter with mailing lists; promotion planning","Shipping information and receipts; correspondence","1 copy of schedule of programs and events","Correspondence from Velz (he was on Executive Committee for 1956-1957) to various people re: events; \"The Public Relations and Information Program of the Virginia Museum of Fine Arts\" paper","1 clipping (RTD 2/15/56-they got charter)","RAUC Summary Report 1949-1956; correspondence of RAUC; evening courses for adults announcement","Correspondence re: lecture on architecture of Japan","Correspondence re: fundraising drive; interoffice memos","Hundreds of photographic department purchase requests","1 copy of magazine, October 1956 issue with VMFA feature","8 drawings of alcoves; layouts; permanent installations; lists of photographs for alcoves; memos re: installation needs; photograph orders; lists of titles for information panels; correspondence re: information panel production; panel copy; budget information; information re: hanging heights in galleries; sample label paper","\"Art Reference Resources in Virginia\" questionnaire (all about art libraries); 1 piece of correspondence about putting brochures on ferries","3 photographs from Brazilian show; newspaper and magazine clippings; catalogue and clippings for 1951 Brazilian show (Children's Book Illustrations); information and press releases and correspondence for 1953 fellowships; 1950-51 fellowship information; blank application; information on Jenny-Lynn Franklin's mural; press releases for 1956-1957 fellowships","Traveling checklist and hanging order; label copy; correspondence with artist; shipping information and receipts; correspondence re: traveling exhibition; checklists; correspondence with AFA; clippings; blank loan contract; correspondence with borrower; itinerary; AFA publicity materials for show","Material from MOMA on their 25th anniversary","2 drawings of panel layouts; list of photographs used; memos; label copy; photograph order","Mailing list; copy of Bulletin; cards sent to institution for their exhibition listing in Bulletin (called \"Elsewhere in Virginia\")","Photograph of Merrill Moore; 1 photograph of Governor Stanley; biographical information on speakers; correspondence with speakers; publicity material for Merrill Moore's new book","Mailing (open house invitation); letter from Rhoads to members; renewal card, 1 photograph by Yardley; membership letter draft; correspondence between committee members; brochure proofs; previous membership requests; privilege information; budget information; brochure copy; paper samples","Brochure copy","Fashion Festival facts; Council letter (3/21/56); program; invitation copy; correspondence with Miller \u0026 Rhoads; correspondence re: Council; correspondence with Harper's Bazaar; correspondence with publicity; mailing lists; schedules; meeting minutes; annotated scripts \u0026 schedules; fabric samples; program copy","Complete reply cards; correspondence re: Council children's events; publicity materials for puppet theatre; blank reply cards","Correspondence with artists; checklists with sale prices; shipping information and receipts; biographical information; label copy; photograph purchase requests","1 photograph of \"Black Beast,\" 1 photograph of \"Croquet Player\"; correspondence with AFA (who turned down show) and ICA Boston; correspondence with publicity; shipping information and receipts (now called \"Collection Memos Receipt\"); correspondence with lenders; insurance information","Correspondence with publicity; correspondence with artists; correspondence re: preview, installation information and schedules; correspondence with lenders; shipping information and receipts; label copy; correspondence with AFA re: withdrawal; list of lenders; photograph orders","1 drawing, 27 photographs; 1 duplicate photograph (Henry Robinson Luce); label copy; correspondence; shipping information and receipts; [unlabeled: (lady) Elsie de Wolfe; Henry Dreyfuss (architect)]","3 photographs of jurors; 1 photograph of sculpture; 1 photograph of tempera painting; correspondence with jury; checklists; shipping information and receipts; clippings; dinner lists and plans; correspondence with lenders; label copy; Ben Shahn catalog; biographical information; insurance information","1963 Virginia Artists blank; shipping information and receipts; correspondence with artists; label copy; biographical information","2 drawings (1 by her, 1 by Leslie Cheek); checklist with values; correspondence with artist; shipping information and receipts","Entry cards; shipping information and receipts; sale information; correspondence with artist; insurance information; Council Preview Party gifts information (new); check stubs; list of entrants; preview mailing list for businesses","Virginia Artists jury memo (1/25/57); blank certificates (signed); traveling exhibition checklist; 1957 prospectus; label copy; copy of 1936 catalog; speech copy; Bulletin copy; annotated 1955 blank; prospectus list; entry requests; catalogs and brochures from other exhibitions; prospectus copy; catalog copy; schedule; correspondence with publicity; shipping information and receipts; correspondence with jury; clippings; certificate recommendation list; jury report; correspondence with artists; biographical information on certificate winners","Shipping information and receipts; correspondence with artists; 1 copy of catalog","Drawing of layout","3 photographs of installation (location unknown, not VMFA); correspondence with American Institute for Graphic Arts (organizer); shipping information and receipts","\"A Brief Description of the 'New World Achievement' Exhibit,\" invitation and drawing; label copy; checklists; schedules; Jamestown materials for 1957 festival; list of lenders; for letter draft; credits; musical selections; annotated invitation; correspondence with Jamestown Committee members; copy of Commission report; shipping information and receipts; invitation copy","Illustration lists for panels; label copy","2 duplicate photographs; research and information panel copy","1 photograph of a plate; correspondence with lenders; shipping information and receipts; information request forms; label samples","3 photographs; correspondence with lenders; shipping information and receipts; information request forms","Information on VMFA and Jamestown Festival","Correspondence with ESU re: speaker and other events; correspondence with embassy; clippings; invitations; speaker publicity","Checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of VMFA Summer Calendar","1 drawing; photograph; checklist; catalog; publicity materials from AFA (organizer); measurement lists; correspondence with AFA; correspondence with Near East College Association (co-organizer); shipping information and receipts; label copy; checklists with values","2 photographs; \"Emblem of the 1957 R.S. Reynolds Memorial Award\"; 20th century works of art catalogue from the University of Illinois-Urbana; label copy; AFA publicity materials; Reynolds Memorial Award publicity materials; correspondence with AFA; correspondence with Reynolds; correspondence with artist","1 drawing, 7 photographs, press release; checklists; label copy; shipping information and receipts; MOMA publicity materials; correspondence with MOMA; label copy; condition report","1 application; 2 memos","Council member letter (2/1/57); \"The Big Frame-Up,\" script and cast list; volunteer lists by reject type; Council proposal for buying Virginia Art; preview invitations; clippings; correspondence with and between Council members; invitation copy; prize list","1 photograph (Joseph Gilliard); correspondence with artists; invitation correspondence; checklists; biographical information; shipping information and receipts; photograph orders; label copy","Invitation, traveling exhibition checklist; label copy; shipping information and receipts; checklists; correspondence with publicity; correspondence with artists; biographical information; correspondence with AFA; catalog of other comic show in NYC; press release copy; AFA Catalog 1957-58; photograph orders","1 photograph of speaker (Rorimer); correspondence with speakers (library lecture series); list of speaker possibilities","Checklists; shipping information and receipts (re: return of traveling show)","Invitation to children's play; correspondence re: children's events, including play","Membership letters; blank application; list of dropped group members with form letter; memo re: procedure","Introduction letter (9/28/56); letter (1/15/57); menu; correspondence and planning re: Council luncheon and other meetings; list of Council programs for year; correspondence; shipping information and receipts for lecture supplies; clippings","4 photographs (Iris Nordquist?); label copy; correspondence with artists; shipping information and receipts; biographical information; checklists","An example file: instructions regarding how to do the shows, rules, etc. plus samples of forms and documents","Memos and notes re: quality of transparencies used for postcards","Correspondence re: adult photography class taught by Burris (Gordon G.), staff photographer; correspondence with manufacturers re: enlargers; equipment brochures","Correspondence and agreements re: film society showings for year","5 Remington Rand catalogs; Library and filing supplies; correspondence with other librarians (arts); correspondence with possible applicants; results of art resources surveys; list of equipment desired; list of periodicals [bunch of \"Habiliments\" material]","Label copy; checklists; correspondence; correspondence with artists; sales information; repairs, shipping information and receipts","Form letter from Rhoads to members","Correspondence and memos from McClellan \u0026 Velz (PR and publicity-related) [Richard Velz, Division Head, Administrative Division; E.T. McClellan, Public Information Head]","1 photograph (Thomas Kenneth Rowe); 4 photographs of paintings; correspondence with artists; checklists; shipping information and receipts; biographical information; clipping","Label copy; shipping information and receipts; correspondence with artists; checklists","Correspondence with lenders; label copy; shipping information and receipts (no catalog published for this one)","Preview invitation; 2 photographs; layout drawing; label copy; correspondence with ICA Boston (organizer) \u0026 Detroit Institute of Arts; correspondence with Winston; checklists; shipping info and receipts; catalog of collection at University of Michigan","7 photographs; label copy; shipping information and receipts; correspondence with artists; checklists; clippings; biographical information","1 photograph; label copy; AFA publicity materials; correspondence with lenders; shipping information \u0026 receipts; credits; correspondence with designer (Oenslager); clippings; biographical information; 1 copy of catalog; AFA brochure (1957-1958)","2 photographs; AFA materials; correspondence with AFA; label copy; shipping information and receipts","Panel layout drawing; 1 photograph; checklist; list of lenders; label copy; checklists; Carnegie press releases (organizer); correspondence with ICA Boston (circulator); correspondence with Carnegie; correspondence with lecturers; shipping information and receipts; 1 copy of catalog","Correspondence with Smithsonian; Smithsonian press release; checklist; shipping information and receipts; label copy; 1 copy of catalog","6 photographs (Barbee); 6 photographs (Lou Ponder-Rogers); checklists; correspondence with artists; shipping information and receipts; biographical information; various catalogs; label copy","6 photographs (Thomas Gorman); 6 photographs (Marilyn Downes-Bennett); shipping information and receipts; correspondence with artists; checklists; label copy","1 drawing; duplicate: invitation letter; \"Art Lending Service\"; press release; mailing list; Bulletin copy; invitation copy; copy of 1947 catalog; correspondence with artists; list of eligible artists; list of previous rotating exhibitions","1 layout drawing; 2 photographs; checklists; label copy; correspondence with Warburg; shipping information and receipts; 1 copy of invitation","Copy of invitation; miscellaneous memos","1 American classics drawing; 1 duplicate Skidmore, Owings, Merrill layout drawing; 1 copy of a gallery catalogue from New York; checklists; list of preview guests; shipping information and receipts; promotion plan; correspondence with publicity; promotion plans; press release","\"SOM Projects,\" clipped prose and labels; label copy; copy of MOMA Bulletin on SOM (Fall 1950), XVIII, 1","Folder with label on front \"William Rhodes\" scheduling events surrounding opening of new Reynolds Metals Building; correspondence with publicity; correspondence with SOM; correspondence with Reynolds; shipping information and receipts; preview plans","1 photograph (Colorado Springs Air Force Academy); 1 photograph (Frederick D. Nichols, professor at School of Architecture, UVirginia); label copy; correspondence with publicity; Reynolds Metals opening schedule; annotated press releases; clippings, correspondence with potential speakers; Bulletin; shipping receipts","5 photographs and 1 slide; correspondence with Reynolds; correspondence with publicity; correspondence with William O'Neal, lots of miscellaneous correspondence","Around 10 magazine clippings","1 photograph; clippings; press release; \"1962 American Painting\" catalog; \"The Story of Steuben Glass\" book","1 photograph (duplicate); 1 drawing of pedestal; label copy; correspondence with Steuben glass; shipping information and receipts","9 photographs; 1 drawing; 1 duplicate photograph (Dorothy Miner); label copy; correspondence with Andrew Wyeth; correspondence with lenders; correspondence with local librarians; correspondence with speaker (Dorothy Miner); 1 copy of invitation; 3 annotated copies of catalog of paintings at Knoedler; shipping information and receipts; biographical information","Documentation; correspondence and schedules for school group tours, all ages and subjects; some docent information","1 copy of November 1958 – 44:11","1 folder of press releases, VMFA Bulletin, 2 photographs, called \"News About our New General Office Building.\"","1 folder with label \"Mrs. M.B. Christison\" with opening schedule information","1 photograph (Edwin Burr Pettit – Brandeis lectures); information re: Council lecture-luncheon 1957; handouts; reservation cards; correspondence, Lecture Series schedule; correspondence with potential lecturers; clippings","Correspondence re: mailing list and press releases","Correspondence with publicity; publishers and personalities; printer","1 photograph; correspondence with publicity; correspondence with dealers; press releases, Poussin material; mailing list","Correspondence with Professor of Applied Social Research at Columbia re: public relations","1 drawing; shipping information and receipts; correspondence; label copy; correspondence with lenders; UVirginia catalog","3 drawings; 9 photographs; 1 duplicate photograph; label copy; exhibition catalog from L'Art Ancien, S.A. Zurich; correspondence with Brooklyn; shipping information and receipts; invitation copy; 1 copy of invitation; clippings; AFA materials and correspondence","\"Virginia Artists Jurying: Requested Arrangements \u0026 Operations\"; 17 photographs (1 of Perrin - labeled, 1 of Bertoia - hat, 1 of Lee – other; correspondence with potential jurors; correspondence with jurors; shipping information and receipts","1 photograph; invitation (3 copies scattered); 1 drawing; checklists; biographical information; label copy; correspondence with Aldrich; catalog correspondence; correspondence with publicity; catalog copy; shipping information and receipts; clippings","Correspondence with printer re: catalog; \"thank yous\" for exchange or gift of catalog","\"Complete Catalog\" copy; correspondence with artists; information requests; shipping information and receipts; 1 certificate (signed by Sherman Lee); clippings; correspondence with jurors; schedules; lists of entries by place; entries (completed); certificate recommendations; prospectus copy; clippings; checklists; other institutions' prospectuses; other catalogs; correspondence with publicity","1 drawing; catalog copy; 1 copy of prospectus; label copy; prospectus proof","Correspondence with winners; list of certificates; list of recommendations","15 photographs; 1 drawing; correspondence with Metropolitan Museum of Art (speaker); label copy; correspondence with Minneapolis Institute of Art (lender); checklist; shipping information and receipts","5 photographs; correspondence with potential lenders; correspondence with APVirginia; correspondence with Virginia State Bar; checklists; shipping information and receipts; label copy","Correspondence; label copy","Correspondence with the Olsen Foundation (lender); 1 copy of catalog; shipping information and receipts; checklist","12 photographs (whoever had show October 7- November 4, 1956); catalogue; research; checklists; correspondence with Olsen Foundation","Suggestion for gala fundraiser","Correspondence with VHS","Correspondence with artists re: eligibility; old Virginia artists catalogues (1953 \u0026 1955); prospectus and rules","1959 catalogue; lists of eligible artists; label copy","3 negatives, 5 photographs; correspondence with lenders (NYPL, Wadsworth, Met); checklists; chipping information and receipts","Correspondence with Virginia State Bar Association","7 small photographs (Broaddus); 5 photographs (Russi); 5 photographs – prints – (Turner); correspondence re: sales; biographical information; correspondence with artists","1 photograph (Davenport); 9 photographs (Davenport); 1 photograph (Jones); 4 photographs (Jones); checklists; label copy; correspondence with artists; biographical information; shipping information and receipts","Shipping information and receipts; request for information forms","Receipts","7 photographs (I. Moore?); 7 photographs (Lois Jacobsen); 7 photographs (Bill Gaines); 1 photograph (Jacobsen); correspondence with artists; shipping information and receipts; invitation copy; correspondence re: sales","4 photographs; 1 drawing (duplicate); duplicate: catalog list (blue); correspondence with AFA; AFA materials; clippings; biographical information on lecturer; checklist; correspondence with publicity; preview dinner plans; shipping information and receipts; 1 copy of catalogue","Correspondence with lenders; publication exchange cards; checklists; committee member list; correspondence re: catalog","2 photographs; 1 photograph (Basil Taylor); 1 duplicate photograph of unknown; 1 duplicate photograph (Alice Higgins); 1 drawing; clippings; biographical information on Sports Illustrated photographers; press releases; checklists; mailing lists; budget","Label copy; checklists","Clippings; publication exchange cards; correspondence with publicity; 1 copy each of 2 invitations; dinner seating arrangement","Correspondence with lenders","Dinner reservation list; dinner invitation (March 1960); list of patrons; budget information; invitation copy; shipping information and receipts; financial reports; correspondence with publicity; travel plans, correspondence with Basil Taylor; 1 copy each of 2 invitations; correspondence with Mellon","Research; checklists; correspondence with possible lenders; correspondence with Corcoran (organizer of Sports Illustrated exhibition); other exhibition catalogs; correspondence with Mellon; clippings; committee correspondence; label copy; correspondence with publicity; correspondence with ambassadors; invoices; issue of \"Sport \u0026 the Horse: The Chronicle,\" (4/1/60)","1 drawing of dinner arrangement; correspondence with lenders; correspondence with committee members (including Mellon); shipping information and receipts; correspondence re: catalog; travel plans; invitation copy; correspondence with lecturer; correspondence with ambassadors","3 photographs of packing Manet's \"Races at Longchamp, Paris\"; correspondence with lenders; shipping information and receipts; correspondence with Mellon; correspondence with publicity; correspondence re: damage to Manet","Shipping information and receipts; correspondence with lenders","Correspondence with Blunt (Courtauld) and with royal collection","Catalog copy; 1 letter from the Palais du Louvre","Correspondence with Mellon; correspondence with committee members; list of patrons; requests to join committee","Correspondence with Constable, consultant to exhibition (former curator, MFA Boston); Courtauld Director; Art History Professor, University of London)","Correspondence with Bourlet \u0026 Sons","Correspondence with Duveen \u0026 Walker (insurance brokers); copy of policy","Correspondence with Mellon; various lists","Correspondence with potential lenders; preliminary loan list","1 photograph of Sir Robert Walpole by Wootton; shipping information and receipts; correspondence with lenders; correspondence with Paul Mellon; handwritten list of lenders","Checklists; item cards","Budget tracking (including dinners); list of contributors; correspondence with Department of Accounts; receipts with correspondence; gala invitation copy; correspondence with publicity; correspondence with Mellon; 1 invitation; gala planning; menu copy; various ad rate cards (including Sports Illustrated); \"The Sports Illustrated Guide to Regional Marketing,\" with Sports Illustrated issue 4/18/60","1 duplicate photograph of \"Brown Horse \u0026 Spaniel\" by Stubbs; correspondence re: repair (blister) of Stubbs' painting lent by Katherine Gilbey of England","2 photographs (of Stubbs' Hambletonian, Rubbing Down receipt); correspondence with lender (Estate of the Dowager Marchioness of Londonderry); shipping information and receipts","Correspondence of the British Council","Correspondence re: catalogue","Requests for catalogue","Checklists by lenders, artists, type","Correspondence with lenders","Miscellaneous correspondence re: Sport \u0026 the Horse","Correspondence with Murray, librarian at the Witt Library, Courtauld","Catalogue copy; label copy","Over 100 plus photographs!","Correspondence with publicity; clippings","Correspondence with Mellon; suggested publicity plan; clippings, correspondence especially Basil Taylor [Librarian, Royal College of Art, London] and W.G. Constable; checklists (essentially Muriel Christison's file)","Shipping information and receipts","Completed request for information forms; packet of information on paintings from Wildenstein","Correspondence with dealers; checklists; correspondence","3 photographs of Monet's painting packed; 1 photograph of James Ward \u0026 Skewbald Stallion; correspondence with lenders; shipping information and receipts; checklists","1 duplicate photograph (Gilpin's Gulliver \u0026 Houyhnhnms); correspondence with Basil Taylor (Librarian, Royal College of Art); essentially Muriel Christison's correspondence file; biographical information; catalog copy; label copy; checklists","6 Prentiss Taylor photographs, 1 photograph of Taylor, 1 photograph of Lazaron exhibition; correspondence with artists; sale information; other catalogs; biographical information; clippings; checklists; shipping information and receipts","Prospectus copy; misfiled correspondence","Prospectus copy","1 photograph of installation; 6 slides (unlabeled); 1 copy of prospectus; correspondence re: jurors and jurying; list of certificate winners; correspondence with winners; dinner replies; other catalogs; correspondence with artists; correspondence with jurors","1 drawing; 1 copy of 20th Photographic Salon prospectus (blue); 2 posters from Virginia Art Directors Club 57th Annual Exhibition; Mariners Museum catalogs, etc. (lots of prospectuses and catalogs for similar exhibitions; entry requests; correspondence with jurors; jurying information","Checklists; notes; 1 copy of 20th Virginia Photographic Salon invitation and catalog; press release","ADP prospectus; requests for entry; mailing lists; correspondence with Camera Club \u0026 Photographic Society of America; annotated copies of 20th Virginia Salon catalog; 1 copy of PSA Journal 1960 – membership list","Sale information; checklists; correspondence with artists; insurance information; biographical information; shipping information and receipts","3 duplicate photographs of artists, 1 photograph of panel; biographical information; correspondence with artists; checklists; shipping information and receipts; correspondence with publicity","Correspondence with artists; checklists; shipping information and receipts; sales information; biographical information","\"Art Lending Service,\" generic invitation; correspondence with artists","\"Notice to Virginia Photographers,\" 1 drawing, 1 photograph of juror [Hoyt L.] Roush; prospectus copy; entry requests; checklists; annotated prospectus; information re: jurying; correspondence with jurors; correspondence with Camera Club; catalog copy; copies of 18th \u0026 19th photographic salon catalogs; lists of winners; shipping information and receipts; biographical information","20th Photographic Salon prospectus; other catalog; entry requests; prospectus copy; ADP prospectus copy; clippings; news release; 1 drawing of ADP layout (already have it)","1 drawing; 1 copy of catalog; correspondence with MOMA (organizer); MOMA materials; shipping information and receipts; label copy; checklists; contract","Two 12/1/59 press releases; 3 photographs from 1/2/60; press release; clippings; correspondence with publicity; list of attendees; correspondence with UNESCO","Correspondence with jurors; shipping information and receipts; correspondence with lenders; completed request for information forms","2 negatives of Joseph A. White (shipper) and Perry Rathbone (Director, MFA Boston); checklists; correspondence with publicity; correspondence with lenders; biographical information; list of events; 2 prints of negatives","Correspondence with lenders","Invitation copy; catalog copy; annotated Sport and the Horse invitations, programs and menus; copy of \"Brief History of Virginia Museum,\" lecture copy","Correspondence with CW's President; biographical information","Correspondence with Gibbs (President of Gibbs \u0026 Cox, Architects); biographical information","Biographical information (of Lehman Brothers, investment banking); correspondence with Lehman","Correspondence with Marshall Fredericks (accepted Carl Milles award); biographical information; correspondence with Mrs. Milles","Annual reports (1956-58, 51-55, 41-50); biographical information on Ernest Brooks (President of Foundation) and correspondence with Brooks; miscellaneous correspondence","Correspondence with Saarinen; biographical information (correspondence re: Arts in Virginia article)","Notes; correspondence with contributors; correspondence with vendors","25 photographs; 1 duplicate photograph; correspondence with lenders and directors of lending institutions; biographical information","1 copy of preview invitation; list of invitees; drafts of publicity correspondence; correspondence with governor; memos","Various checklists","More checklists","Correspondence with lenders (in alpha order of lenders)","Correspondence with potential lenders (compiled by lender)","1 letter to Director of Toledo Museum of Art","Correspondence with publicity (compiled by institution)","33 duplicate photographs; 9 new photographs; shipping information and receipts; requests for information forms","24 duplicate photographs; 4 new photographs; shipping information and receipts; requests for information forms [n.b.: some overlap between folders 8 and 9]","Shipping information and receipts with new form: \"Collection Memo \u0026 Receipt.\"","1 drawing; 3 maps of table arrangements with names; 1 letter of thanks to Miller \u0026 Rhoads","\"Virginia Artists Jurying\"; 1 photograph; completed entry blanks; prospectus copy; correspondence with artists; correspondence re: sales; shipping information and receipts; list of certificate winners; labels; budget information; correspondence with jurors; prospectus proofs; correspondence re: damages; list of invitees for collectors reception","Small bit of correspondence; prospectus copy","5 photographs; correspondence with lenders; shipping information and receipts; checklists","Press release form; SITES checklist; SITES press release, 3 photographs; collection of memos and receipts; press release copy; correspondence with venders; staff memos; checklists; clippings; shipping information and receipts; request for information forms; SITES contract","Empty folder","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts; biographical information; overall rotating schedule; insurance form (new that year)","3 photographs; correspondence with artists; shipping information and receipts; checklists, insurance form","Correspondence with artists; shipping information and receipts; other catalog; checklists; insurance forms","1 drawing; correspondence with publishers and booksellers; correspondence with American Institute of Graphic Arts (circulator); shipping information and receipts; label copy; insurance form","5 photographs; label copy; research, correspondence with AFA (circulator); AFA materials; checklists; exhibition contract; press releases; shipping information and receipts; 1 copy of invitation","1 photograph; 1 drawing; 1 copy of invitation; correspondence with artist (Ruth Perkins Safford); label copy; price list; invitation copy; traveling exhibition checklist","9 photographs; 1 duplicate photograph; correspondence with MOMA (organizer and circulator); label copy; shipping information and receipts; 1 copy of invitation; MOMA materials; checklists","3 photographs; shipping information and receipts; correspondence with artists; lists of all eligible artists","Label copy; correspondence with artists; correspondence with lenders; insurance form, checklists; shipping information and receipts","1 drawing; duplicate: preview invitation; AFA materials (circulator); panel copy; 1 copy of Bulletin (November 1961); checklists; label copy; exhibition contract; correspondence with AFA; shipping information and receipts; AFA informational card (1 copy); correspondence re: sales","List of private purchasers; correspondence with artists; check receipts; shipping information and receipts; signed release forms (when items were released from museum custody); checklists; \"Report of the Council Committee for the Virginia Artists' Exhibition, 1961\"; list of business purchasers","\"Art Lending Service,\" \"Release Form,\" 1 drawing, \"Artist Form,\" another \"Art Lending Service\"; correspondence; schedule; procedures","\"Virginia Artists Jurying,\" \"Collectors' Reception\" (2/24/59), \"Tax Consequencies of Gifts of Picture,\" \"List of Firms\"; correspondence; invitation copy; memos; catalog and prospectus copy for 1961 show; label copy; procedures re: sales; check receipts","1 photograph; correspondence with artist; recommendation from Cheek; biographical information","1 bound copy of \"Cross-Examination of an Art Collection\" by Fred L. Palmer; correspondence with Palmer; checklists; shipping information and receipts; list of valuations; biographical information; collection memo and receipt; insurance report form","3 pieces of correspondence re: possible Eisenstaedt exhibition","2 photographs (duplicates); research; checklists; insurance report forms; shipping information and receipts; collection memo and receipts; label copy","Panel copy; label copy","1 photograph; shipping information and receipts; correspondence with artists; insurance report forms; Virginia Artist application; checklists","Invitation; label copy; clippings; correspondence with Railey (Mrs. Howard); research; auction catalogue: Hotel Drouot, 20 November 1861; shipping information and receipts; checklists; insurance report form","5 photographs, 1 drawing; correspondence with Director, H. Bryan Caldwell; checklists; collection memo and receipts; insurance report forms; research; press release; copies of Norfolk Museum Bulletins; Norfolk materials; 1 copy of \"Hugh Gordon Miller Collection of Paintings\"; correspondence with other Norfolk staff; 1 copy of \"The Great Mace of Norfolk\"; shipping information and receipts","Fact sheet; catalog copy; list of winners; copy of speech at preview","Prospectus copy; signed endorsement of prospectus by AIA, Virginia Chapter; prospectus proof","Signed certificates of distinction; prospectus copy; correspondence with jurors; biographical information; jury instructions; fact sheet","Jury instructions; fact sheer; list of winners","Label copy; insurance report form; memos; shipping information and receipts; correspondence with artists; biographical information","2 photographs, 1 drawing; label copy; correspondence with lender; correspondence with Basil Taylor; correspondence re: insurance; shipping information and receipts; police stand information","1 drawing; label copy; police stand information; correspondence with artists; correspondence with Hayes (Director of Addison); biographical information","1 copy of catalog; 1 copy of \"Artist-Craftsmen of Western Europe\" Catalog; unsigned invitation forms from Hayes; copies of telegraph information requests; label copy; correspondence with artists; correspondence with lenders","7 photographs; 1 copy of catalog; catalog copy; correspondence re: possible purchase of Nell Blaine painting","2 photographs, invitation; correspondence re: damage; shipping information and receipts; correspondence re: insurance [other correspondence: with artists; re: catalog; with publicity; with Hayes; re: lecture; with lenders; press releases; copy of Time magazine 1/19/62 re: Yu-Ho]; 1 copy of catalog","Shipping information and receipts; correspondence with lenders; signed invitation forms; a few other catalogs","22 new photographs; 8 duplicate photographs; some correspondence re: photographs","Shipping information and receipts; correspondence with lenders; checklists; insurance report form","Invitation; correspondence with contributors to AIV and Miss Christine Alexander, former curator at the Met \u0026 now advisor on Greek art to VMFA; staff memos; label copy; checklists; correspondence re: photographic panels for exhibition","Research (including sketches by Christine Alexander); notes; label copy","Press release; checklist; label copy","41 photographs; 12 duplicate photographs; label copy; correspondence with publicity; memos","1 drawing; label copy; checklists; shipping information and receipts; correspondence with Karolik; research; collection memo and receipt; insurance report form","12 photographs; correspondence with publicity; correspondence with potential lenders; correspondence with lenders; Jamestown Festival materials; correspondence with Jamestown; label copy","8 photographs; correspondence with artists; insurance report forms; shipping information and receipts; checklists","1 photograph; 1 duplicate photograph; 1 duplicate information sheet [\"Collectors Circle,\" 4/30/62]; shipping information and receipts; information request form; correspondence with collectors; label copy; schedule of \"expert\" lecture; insurance report form; 1 copy of invitation","Label copy; memos; correspondence with potential lenders; correspondence with SITES; correspondence with various Civil War Centennial Commissions; loan contracts (SITES); checklists; SITES materials; press releases; shipping information and receipts","12 photographs, 1 sealed envelope with possible photographic material ;checklists; label copy; correspondence with artists; shipping information and receipts","14 photographs; correspondence with artist; biographical information; memos; shipping information and receipts; insurance report form; clippings; label copy","5 photographs, 10 slides (Bristow); correspondence with artist; correspondence re: sale; press release, biographical information; memos; label copy; checklists; insurance report form; shipping information and receipts","Invitation; 1 annotated copy of \"Stravinsky and the Dance,\" NYPL, 1962","7 photographs; 2 duplicate photographs; staff memos; correspondence re: preview; correspondence with lenders; correspondence with AFA (circulator); checklists; correspondence with publicity","Sample of stuffed envelope to be weighed for postage","7 photographs; duplicates: checklist, suggested press release; correspondence with SITES; SITES materials; exhibition contract; staff memos; 1 copy of SITES catalog","Correspondence with Thorne (potential Virginia Artist)","Staff memos; correspondence with potential and real lenders; checklists; collection memo and receipts; shipping information and receipts","1 copy of Saturday Review 6/18/62","Correspondence with artists; various checklists; completed applications; blank applications (1 annotated; 1 not)","Application packet; completed applications","Correspondence with Goodrich (Director of Whitney); lecture schedule (for all lecturers for chapters and affiliates)","Correspondence with Rich (Director at Worcester); proposed schedule for Rich","Correspondence with Walker (Director, National Gallery of Art, DC); proposed schedule for Walker","2 photographs [Robert Lippold, Perry Rathbone]; duplicates: loan/own letter (8/10/62); Dear Virginia Artist (1/16/63); correspondence with artists; 2 label panels; checklist of eligible artists; prospectus copy; list of awards","1 press release","\"Curator's Choice: Collectors' Opportunity\" (orange); \"$50 Hens\" (blue); \"Procedure for Party\"; label copy; staff memos; text of speech; \"rules of etiquette\"; purchase request cards","'62 ADP catalog; old prospectuses; catalog copy; staff memo","1 drawing; 1 invitation; correspondence with artists; checklists (actually price lists); insurance report form; shipping information and receipts","Press release (9/8), 16 duplicate photographs, 7 new photographs, 1 contact sheet; 1 copy of Arts in Virginia (Spring 1962); correspondence with RMWC; checklists; correspondence with publicity","Suggested press release; checklist (circulated by MOMA); shipping information and receipts; MOMA materials; label copy; correspondence with MOMA","10 photographs; 1 copy of \"Finlandia\" catalog; correspondence with SITES. Correspondence with John Rorimer (Director of the Met); correspondence with AFA; correspondence with Finnish Society of Crafts \u0026 Designs [didn't take place!]","Correspondence with Rosenwald; correspondence with Walker \u0026 Brown at NGA; work schedule; correspondence with lenders; shipping information and receipts; staff memos; list of invitees to preview dinner; collection memo and receipt; 1 copy of invitation; foreword copy","Catalog copy; catalog proofs; miscellaneous correspondence; foreword copy","Correspondence with Philadelphia Museum; shipping information and receipts; insurance report form; correspondence with Rosenwald","3 photographs; shipping information and receipts; correspondence with SITES; checklists; press release; SITES materials; contract; label copy","Annotated copies of old prospectuses and catalogs; catalog copy","Mailing lists; list of hometowns; correspondence with artists; statistics; correspondence re: sales","1963 catalog; prospectus copy; catalog copy; catalog proof","Certificate (1 signed; few unsigned), invoices (purchasers and file copies); checklists; presentation schedule; correspondence with artists","Correspondence with artists; staff memo with form letters; Council letter (5/5/65)","Memos re: visit of Carl Weinhardt, juror; various staff memos; various form letters","Letter to purchaser from 20th exhibition, receiving and handling of prospectus and works (2/19/65); jurying procedures (3/18/65); dear Virginia Artist Printmaker; various staff memos; council committee report; Council form letters; correspondence with artists; various form letters; 1 copy of 1963 prospectus","1 slide; lists of works purchased; label copy; insurance report form; shipping information and receipts","3 drawings; duplicates: invitation; 1 copy of Bulletin (September 1965); collection memo and receipts; 1 copy of catalog; correspondence with lenders; correspondence with Moore; checklists","\"Suggested Introduction,\" 2 photographs; schedule of trip; correspondence with Arnson; miscellaneous correspondence; biographical information","1 photograph; duplicates: 1 clipping (Time 9/3/65); label copy; clippings; other invitations; Dictaphone belts with Henry Moore!; other catalogs; other press releases; transcription of interview","34 new photographs; 6 duplicate photographs","Shipping information and receipts; request for information forms; checklists; correspondence; insurance report forms; 1 copy of catalog (annotated)","1 annotated copy of \"William Blake: Poet, Printer, Prophet,\" by SITES","1 photograph; duplicates: \"Suggested press release,\" \"checklist, handling instructions\"; correspondence with SITES; SITES material; correspondence with Mellon (re: loans)","Invitation; correspondence with lenders and The Blake Trust; clippings","Label copy","Label copy; checklists","3 photographs; correspondence with Mellon; checklists; collection memo and receipts; shipping information and receipts; insurance report form","7 photographs","1 photograph; correspondence with Rosenwald; correspondence with lenders; checklists; shipping information and receipts","23 photographs; 2 duplicate photographs; correspondence with artists; photograph reproduction requests","Fact sheet for Virginia Artists 1963; correspondence with artists; shipping information and receipts","Correspondence with artists; lists of works purchased","Staff memos and notes re: improvement suggestions","Correspondence with Oenslager re: possible lecture","Correspondence with museums for slides of their expansions for a lecture","\"Fact Sheet – Virginia Artists Preview Committee-1965\"; copies of Bulletins (2/63 \u0026 3/65); various fact sheets from previous Virginia shows; checklists; correspondence; staff memos; shipping information and receipts; correspondence with artists","1 photograph: declined exhibition, \"Good Design in Toys,\" sponsored by Creative Playthings of Princeton and L.A.; correspondence re: denied exhibition proposals; some correspondence with jurors","Catalog proofs; billing information; meeting minutes (Education in the Arts Committee); rough fact sheets; schedules; correspondence with artists; checklists; catalogue copy; label copy; annotated copy of ADP '64","Memo re: AIA Dinner, 3/2/66; correspondence with artists; correspondence with associations; correspondence with Virginia AIA; clippings; budget information","Duplicates: form letter from Bill Gaines (2/4/66); certificate of distinction (unsigned); reply card","3 photographs (Arthur d'Arazien); duplicates: d'Arazien's biography; 1 photograph of Edgar Kaufmann (newsprint); correspondence with jurors; biographical information; clippings; press release","Eliot Elisofon's biography; 1 duplicate photograph (Elisofon); correspondence with jurors; biographical information","1 photograph (Louis Kahn); correspondence with juror (Kahn); schedules","\"ADP Jury Schedule\"; 5 photographs; photocopy of contact sheet; comment notes; list of potential jurors; schedules; correspondence re: dinner and hosting","\"Receiving and Handling of Material\" (11/29/65, \"Procedures for Jurying\" (1/19/66); staff memos; text of Walter Robertson's speech to dinner; notes re: jury report","ADP '62, ADP '64 catalogs; prospectus proofs; 1 copy of ADP '60 \u0026 '66 catalog; 1 copy of ADP '62, '64, '66 prospectuses","ADP slide commentary, 1966; checklists of selected entries; correspondence with artists; comments; fact sheet estimates","Virginia ADP 1966: Traveling Designs, Traveling Photographs, Traveling Transparencies","2 photographs; insurance report form; correspondence with Koplin; shipping information and receipts; biographical information; checklists; 1 copy of 9/65 Bulletin; clippings; label copy","2 photographs; duplicates: 10/65 Bulletin; internal memos; shipping information and receipts; other catalog; correspondence with Jackson","12/65 Bulletin; 2 photographs; label copy; shipping information and receipts; internal memos; insurance report form; correspondence with Alexick; biographical information","1 copy of 11/65 Bulletin; biographical information; label copy; insurance report form; correspondence with Biehl, checklists","3 photographs; correspondence with Belair; shipping information and receipts; insurance report form; 1 copy of 1/66 Bulletin; internal memos","3 photographs; 2 photographs; biographical information; insurance report form; 1 copy of 2/66 Bulletin; shipping information and receipts; correspondence with Pienkowski","2 photographs; 1 photograph; 3/66 Bulletin; label copy; biographical information; shipping information and receipts; insurance report form","2 photographs; label copy; shipping information and receipts; insurance report form; checklists; correspondence with Aldreth","2 photographs; 2 photographs; insurance report form; shipping information and receipts; correspondence with Driskell; label copy","2 photographs; 2 photographs; checklists; insurance report form; shipping information and receipts; 5/66 Bulletin; correspondence with artist; label copy","2 photographs; 2 photographs; clippings; correspondence with artist; checklists; shipping information and receipts; insurance report form; 9/66 Bulletin; press releases; internal memos; label copy","2 photographs; 3 photographs; 10/66 Bulletin; correspondence with artist; shipping information and receipts; biographical information; clippings","3 photographs; label copy; clippings; correspondence with artist; insurance report form; shipping information and receipts","2 photographs; 1 photograph; correspondence with artist; insurance report form; shipping information and receipts; 12/66 Bulletin; clippings; label copy; letter to members from Leslie Cheek Jr. re: opening","2 photographs; 3 photographs; correspondence with artist; insurance report form; 1/67 Bulletin; shipping information and receipts; biographical information; clippings; label copy","2 photographs; 3 photographs; clippings; 2/67 Bulletin; correspondence with artist; insurance report form; shipping information and receipts; label copy; checklists; other brochure; blank gallery floor plan (photocopy)","Clipping; 3 photographs; insurance report form; shipping information and receipts; correspondence with artist; gallery map","2 photographs; 2 photographs; correspondence with artist; 4/67 Bulletin; insurance report form; checklists; shipping information and receipts; label copy","2 photographs; 1 photograph; correspondence with artist; biographical information; 3/67 Bulletin; clippings; checklists; shipping information and receipts; label copy","1 photograph; correspondence trying to track artist down","3 photographs; 4 photographs; 9/67 Bulletin; clippings; correspondence with artist; 1 copy of invitation; shipping information and receipts; biographical information; label copy","3 photographs; 1 photograph; correspondence with artist; clippings; label copy; 10/67 Bulletin; 1 copy of invitation; shipping information and receipts; price list (hand drawn!)","1 photograph; 3 photographs; 11/67 Bulletin; correspondence with artist; shipping information and receipts; label copy","Comparative statistics for Tut and Greek Gold; correspondence with lenders (especially MFA Boston); correspondence re: insurance; clippings; press releases; staff memos re: procedures","Lots of photographs!; 1 copy of press packet (new!)","Lots of photographs!; shipping information and receipts; correspondence with lenders; correspondence with MFA Boston and Brooklyn (2 other venues0; correspondence with Senator Byrd and other legislators re: Senate Bill S.2273 7/9/65","[essentially Mary Louise Pinckney's (Loans Registrar-Programs Division) file]; schedules; staff memos; shipping information and receipts; correspondence with MFA Boston and Brooklyn; memos re: procedures; checklists","Copy of S.2273 Senate Bill report; label copy; memos re: procedures; clippings; correspondence with lenders; shipping information and receipts; 1 copy of invitation; research, correspondence re: recovery of stolen gold","Correspondence re: catalog (with MFA Boston, Brooklyn, author Herbert Hoffmann, printer); catalog proofs; correspondence with lenders","Catalog proofs; catalog copy","1 drawing; correspondence with MFA Boston \u0026 Brooklyn; correspondence with Greek Embassy; correspondence with Department of State; correspondence with Hoffmann, author; correspondence with publicity; staff memos; correspondence re: research","Introduction; correspondence with Pat Davidson (Brooklyn/lecturer); correspondence with Hoffmann; schedules; press release","One annotated checklist","3 articles re: theft of jewelry; 1 drawing; shipping information and receipts; correspondence with lenders","Correspondence with MFA Boston \u0026 Brooklyn; correspondence re: insurance; correspondence with lenders; 1 copy of MFA Bulletin (November 1965); checklists; copies of policies","Copy of S.2273 Bill; correspondence with legislators; clippings","Checklists; correspondence","Panel copy","Label copy; checklists; clippings; correspondence with Patricia Davidson (her writings); catalog proofs","2 items","Correspondence re: shipping with security company and lenders","Correspondence with Alderman; shipping information and receipts; checklists; insurance report form; label copy; traveling exhibition checklists; press release","1 photograph (Thomas George, painter); correspondence with lender (Betty Parsons); label copy","4 photographs; label copy; correspondence with SITES","4 photographs (duplicates); 1 new photograph; other duplicates: SITES suggested press release, Joseph V. McMullan Islamic carpets catalog; 1 copy of the catalog (annotated in a few places); checklists; correspondence with the de Young, next exhibitor; shipping information and receipts; label copy; clipping; correspondence with SITES; 1 copy of Textile Museum catalog; correspondence with Textile Museum; correspondence with Kevorkian Foundation (other choice for exhibition-denied)","2 press releases; introduction; invitation; correspondence with McMullan; itinerary for visit","10 mounted photographs only if unduplicated; 8 Photographs, 2 installation photographs, 1 photograph of building, 1 photograph of artist; 1 drawing; duplicates: catalog, 1 \"Visions of Man\" invitation; checklists; shipping information and receipts; correspondence with Reynolds; label copy, 1 copy of \"Visions of Man\"","3 photographs; correspondence with Hans Beckmann (lecturer)","5 drawings; 9 photographs; 8 duplicate photographs; 1 copy of invitation; MOMA materials (circulator); correspondence with lenders; shipping information and receipts; label copy; research; correspondence with Anni \u0026 Joseph Albers; checklists; correspondence with MOMA; Gemini lithograph catalog","1 photograph (Jonathan Williams); [rest of photos are from Virginia ADP show, probably duplicates from earlier box]; correspondence with potential lecturers for Albers exhibition","1 photograph (Robert Light-speaker); pricelist; checklists; label copy; invitation list; procedures; correspondence with lecturer","1 drawing; 9 photographs; duplicates: suggested press release; checklist; 5 duplicate photographs; shipping information and receipts; correspondence with SITES; correspondence with lecturer; SITES materials; label copy; checklist","2 drawings; 20 photographs; 6 duplicate photographs (from previous folder); correspondence with SITES; SITES materials; shipping information and receipts; label copy; correspondence with lecture sites; annotated checklists; 1 copy of lecture announcement","Introduction, suggested news release, 1 duplicate photograph of Dr. Regina Soria; correspondence with Soria; clippings; itinerary; biographical information on Soria","Invoices and shipping instructions","Miscellaneous correspondence re: exhibitions","1 piece of correspondence re: exhibition schedule change","1 piece of correspondence re: addition to catalog","Press release, 1 duplicate photograph, introduction; itinerary (lecturer); biographical information; correspondence with Dimitri; label copy; clippings (typed) [1 piece of correspondence has a color drawing on bottom]","1 duplicate photograph; memo re: engagements (8/25/64); 2 press releases; 2 introductions; \"Color by Sultner-Wells\" brochure; correspondence with Sultner-Wells; clippings; 1 copy of Longwood Gardens invitation; procedures; itinerary","2 photographs; itinerary; correspondence with Sultner-Wells; 2 posters of his clippings (montages); 2 dust jacket with his photograph; copies of other press releases","4 transparencies, photographs; label copy; correspondence with next venue (Easton Academy of Arts); shipping information and receipts; correspondence with lender (Roland Gibson); checklists","Correspondence re: possible lecture series in Virginia (Blake is connected to Architectural Forum magazine)","Correspondence re: possible lecture series (Minor connected to the Met)","C.V. for Stern; correspondence with R. Stern about leave for Council series on new building (he's Head of Architectural League of NY); correspondence with other potential speakers; correspondence with Pearsalls [John and Laila] (hosts)","Introduction; correspondence re: Christmas' lecture series; itinerary; other promotional material","Correspondence with other museums that recently expanded to obtain slides for a lecture; long letter from Cheek to Robertson re: decision of Governor's committee (turned down design); list of committee members; form letter to President of affiliates asking them to write to their legislators in support of new building plan","Correspondence with Mielziner re: lecture series; correspondence with other potential lecturers; correspondence with other institutions that recently expanded re: slides","Label copy; checklists; lists of panel photographs","5 photographs of proposed floor plans (Baskervill \u0026 Son)","Slide lists; copy of talk; checklists","Insurance report forms; label copy","Label copy; checklists; insurance report forms; correspondence","Shipping information and receipts; correspondence with lenders; checklists; insurance report forms; request for information forms; correspondence re: damage of a loaned painting by Jan Stussy","1 drawing; news clipping; 1 photograph of installation; label copy; correspondence with C.V. Donovan (juror \u0026 Director of Krannert Art Museum); correspondence with publicity; copy of lecture; checklists; other artists' promotional materials","Shipping information and receipts; correspondence with lenders; information request forms","Introduction; suggested press release; 1 slide: Paul Paul Horiuchi's \"Winter Receding,\" 1964; correspondence with Donovan; itinerary; other artists' promotional material","1 drawing; 1 duplicate photograph; 7 photographs; 1 copy of the \"Jeffersonian,\" 5/13/66 with article on exhibition and pictures of Gwathmey's painting; information request forms; checklists; catalog copy; 1 copy of invitation; correspondence with lenders","Information packet","Original proposal; copies of information packet items (drawings \u0026 proposal); copy of same","\"Exhibition Materials\"; checklists; correspondence with George Stevens Productions","Various packeted materials (promotional)","Correspondence with Hollywood Museum; correspondence with Motion Picture Association; correspondence with Ford Foundation; correspondence with George Stevens Productions; correspondence with Smithsonian Institution; correspondence with Old Dominion Foundation","Lists of panels; film sequences lists","Research notebook (Gaines' handwriting?); 1 copy of catalog \"Scenery for Cinema\" at Baltimore Museum of Art, 1942 (when Leslie Cheek was Director); lists of panels; label copy","Promotional materials from film companies (i.e. Technicolor, Panavision)","8 drawings; movie production sheet with film negatives (to stay at LVA)","Life magazine 3/27/64 offprint with article on movie","Film reel labeled \"Selected Documentary Trims\"","Couldn't pull it out without ripping envelope – looks like scripts or set notes; possibly a drawing","Photographs; Newsweek reprint (1/23/67); checklists; lender lists; internal memos; correspondence with various members/visitors with questions re: exhibition; correspondence with Colonial Williamsburg Foundation (supporter of exhibition)","1 photograph; shipping information and receipts; correspondence with lenders; checklists; correspondence with publicity; internal memos","Correspondence with Toledo Museum of Art re: possible loan (denied)","Correspondence re: catalog; annotated copy of John Summerson's essay","5 photographs of packing/unpacking process; correspondence re: Smith College Museum of Art's loan of \"Portrait of the Reverend John Headley,\" including shipping information and receipts and request for information form","Correspondence re: Washington University's loan of \"Grey Children,\" including shipping information and receipts and correspondence re: damage to fram upon return","Correspondence re; Worcester Art Museum's loan of \"Mrs. Elizabeth James\" and \"William James,\" including shipping information and receipts; and request for information form","Correspondence re: Columbus Gallery of Fine Arts' loan of \"Portrait of Anne Hogarth,\" including shipping information and receipts; and request for information form","1 photograph; correspondence re: Allen Memorial Art Museum [Oberlin] \u0026 loan of \"Theodore Jacobsen,\" including shipping information and receipts and request for information form","9 photographs of packing/unpacking; correspondence re: Albright-Knox's loan of \"The Lady's Last Stake,\" including shipping information and receipts and requests for information form","2 photographs; duplicates: \"Loans to the Wm. Hogarth Exhibition\"; catalogue copy; 1 copy of catalogue; correspondence with publicity; correspondence with visitors/members re: catalogue and exhibition; clippings; 1 copy of invitation; checklists","1 envelope of Lessing Rosenwald Prints (couldn't open without ripping); duplicates: catalog; correspondence re: catalogue requests and comments; catalogue copy; checklists","Suggested press release; correspondence with Hofer (Professor at Harvard) re: lecture; internal memos; itineraries; 1 copy of bulletin","Correspondence with Mellon; catalogue copy; checklists; request for information forms; shipping information and receipts","25 photographs (see list); research; copy; internal memos; panel drawings (copies); HOGARTH PANEL PHOTOGRAPHS - 12789 Self-Portrait, 12786 Shop Card, 13313 Jane Thornhill, 12788 Pool of Bethesda, 13305 Captain Thomas Coram, 12785 Battle of the Pictures, 13304 Analysis of Beauty title page, 13306 Grave at Chiswick, 11812 Canvassing for Votes, 13311 Views Down the Thames, 11814 St. Paul's Cathedral, 12829 Beer Street, 12966 Gin Lane, 11852 Country House, 13079 Saint Martin-in-the Fields, 12970 The Four Times of the Day: Noon, 13078 Leister Square, 11816 Renelagh, 11857 Mr. and Mrs. Paul Mellon, 10890 Lessing Rosenwald, 5272 Masterpieces of American Silver, 13001 Marriage a la Mode, 13677 Philip Hofer, 13299 Sir John Summerson, 13074 George II, 13076 Robert Walpole, 13084 William Pitt, 11811 George III, 11813 Iron Forge by Wright","\"William Hogarth: His Life,\" William Hogarth: His Times,\" William Hogarth: This Exhibition\"; copy; proofs","2 photographs; 1 duplicate photograph; correspondence with Mielziner; shipping information and receipts; clippings; panel proofs; panel copy; research; internal memos; checklists; correspondence with IEF (International Exhibitions Foundation) re: traveling exhibitions","1 photograph; shipping information and receipts; correspondence with Multiples, Inc.; list of purchase considerations; label copy; checklists; panel drawings (copies)","Correspondence with National Gallery of Art DC re: pictures of J. Carter Brown","Invitation; fact sheet; 1 copy of catalog; internal memos; annotated copy of 1965 Salon des Réfusés catalog; correspondence with jurors; schedule of work for exhibition; panel proofs; list of certificate winners","Correspondence with artists; correspondence with purchasers; copies of invoices; release forms for transfer of custody","Checklists; correspondence with artists; internal memos","Catalog; list of certificate winners at Biennial; catalog copy; correspondence with Thalhimer's; internal memos; information for 1965 Salon","19 photographs; invitation; catalogue copy; other similar exhibition catalogs from other institutions; internal memos","Correspondence with artists; checklists","March '67 Bulletin; photographs; correspondence with jurors [Milton Hebald, Jack Youngerman, Jock Truman, Paul Smith]; label copy; biographical information; schedules; internal memos; correspondence with hostesses","\"Presentation of certificates\" blank certificates; artist reply card; checklists; schedule; internal memos; correspondence with artists","April '67 Bulletin, \"use of French Galleries\" memo; label copy; statistics ('67 and earlier); internal memos; correspondence with artists","Checklists; correspondence with artists","Photographs","Photographs","Gaines to artists 6/12/67; correspondence with artists; internal memos; shipping information and receipts; invoices for stored worsk; entry blanks","2 letters from Council to purchasers, Gaines letter, yellow \"Gaines-Brandt System,\" 4 photographs; checklists; internal memos; correspondence with artists; press release, 1965 and 1963 information","3 internal memos","'67 prospectus, 2 form letters (1/16/47); prospectus copy; mailing lists; annotated '65 prospectus; '70 prospectus","Correspondence; panel drawings (copies); for traveling exhibitions; [3 traveling shows: \"Treasures from the Guggenheim\"; \"Treasures from the Whitney Museum\"; \"Contemporary Watercolors.\" Also contained \"Art by Virginia Teachers\"]","1 copy of catalog (Heeramaneck Collection) by MFA Boston (annotated)","Correspondence with Heeramaneck; correspondence with Indian embassy; shipping information and receipts; correspondence with Royal Ontario Museum (who received exhibition after VMFA); correspondence with Detroit Institute of Arts (who had it before VMFA); correspondence with MFA Boston, originator; internal memos; drawings (photocopies)","1 copy of invitation; panel copy; panel proofs; correspondence with MFA Boston; correspondence with Royal Ontario Museum; shipping information and receipts; MFA materials (including checklists); internal memos","4 drawings; correspondence with Veener player for preview; clippings re: Indian music; label copy; clippings re: show","Photographs; some select, bad quality photocopies","Photographs","Panel proofs; lecture for chapters copy; correspondence with previous VMFA designer (Ariel Ballif); checklists","Suggested press release; introduction; correspondence with Gleaser (from MOMA) (lecturer for chapters); itinerary; noted speaker report form","Correspondence with potential lecturers for preview; 1 copy of invitation; Glaeser's biographical information; correspondence with Glaeser","Photographs; (envelope of photos from D.I.A. for Arts of India \u0026 Nepal exhibition); invitation to lecture; 1 copy of invitation to preview; 1 copy of invitation to Glaeser's lecture; shipping information and receipts; MOMA (originator) materials, including checklists; drawings (photocopies)","1 drawing; duplicate: preview invitation; panel copy; drawings (photocopies); correspondence with MOMA; MOMA materials, including checklists; exhibition contract; correspondence with John Hand (lecturer from National Gallery of Art DC); shipping information and receipts","Correspondence with MOMA; shipping information and receipts; internal memos","Membership list; shipping information and receipts; correspondence with dealers; price lists from dealers; panel proofs; checklists; speech copy; Collectors Circle meeting agenda; list of items purchased","Shipping information and receipts; panel proofs (annotated 1966 panels); checklists; correspondence with dealers *lots of '66 show files)","Correspondence re: borrowing Wyeth film; correspondence with Philip Hofer (Harvard) re: lecture; blank invitations for Artmobile exhibition (Wyeth \u0026 Japanese Art); clipping; internal memo re: trip to interview Wyeth for AIV article; blank floor plan","Label copy; drawing (photocopy); internal memos; radio guide copy","3 photographs; 11 duplicate photographs; checklists; internal memos; drawings (photocopies); panel proofs; panel copy; shipping information and receipts; 1 copy of Knoedler catalog \"Unpainted Pictures\" (lender); correspondence with Knoedler; correspondence with Detroit Institute of Arts (had exhibition before VMFA); clipping from TIME (3/17/67)","Panel copy; panel proofs; drawing (photocopy); internal memo: all of this re: 400 Years of Prints","1 photograph; shipping information and receipts; drawings (photocopies); panel copy; panel proofs; correspondence with lender (NGA \u0026 AIC); correspondence with Mr. \u0026 Mrs. Leigh Block; checklists; label copy","1 copy of \"Persian \u0026 Indian Miniatures from the Collection of Edwin Binney, 3rd\" from Portland; 1 copy of \"Islamic Art from the Collection of Edwin Binney, 3rd,\" from SITES; correspondence with Portland [VMFA denied exhibition]","1 internal memo re: replacement of \"Jewels\" with \"Resident Craftsmen\"","Jones article reprint; slides, 4 photographs, 5 duplicate photographs; correspondence with IEF (circulator); correspondence with Nelson-Atkins *who received exhibition after VMFA); 1 copy of lecture invitation; 1 copy of preview invitation; shipping information and receipts; panel proofs; clippings; correspondence with potential musicians; checklists; internal memos","Internal memos; correspondence with AFA (circulator); panel copy; checklists; panel proofs; drawing (photocopy)","5 duplicate photographs; 1 photograph; correspondence with MOMA (originator); exhibition contract; MOMA materials, including checklists; shipping information and receipts; MOMA circulating exhibitions catalog 1967-68; drawing (photocopy); panel proofs","Lecture invitation; clipping; internal memo; biographical information; correspondence with Smith (Director of Museum of Contemporary Crafts); correspondence re: juror (chairman) for 1967 Virginia Artists too","1 photograph; 2 new photographs; duplicate of introduction; correspondence with Slivka re: lecture at chapters/editor in chief of Craft Horizons; itinerary; biographical information","Photographs; correspondence with artist; shipping information and receipts; checklists; Bulletin photocopy","Photographs; correspondence with artist; label copy; shipping information and receipts; 1/68 Bulletin; biographical information","Photographs; shipping information and receipts; correspondence with artist; 2/68 Bulletin; label copy","Photographs; correspondence with artist; shipping information and receipts; label copy; 3/68 Bulletin","3/68 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts; internal memos; biographical information","Photographs; biographical information; shipping information and receipts; internal memos; label copy; 4/68 Bulletin; checklists; correspondence with artist","Photographs; checklists; shipping information and receipts; label copy; biographical information; correspondence with artist","9/68 Bulletin, 4 photographs; biographical information; label copy; price list (hand drawn!); shipping information and receipts; correspondence with artist; internal memos","Photographs; 10/68 Bulletin; label copy; biographical information; checklists; shipping information and receipts; correspondence with artist","Photographs; shipping information and receipts; label copy; 11/68 Bulletin; checklists; correspondence with publicity","Photographs; correspondence with artist; label copy; 12/68 Bulletin; shipping information and receipts; internal memos; correspondence re: damage to sculpture","Photographs; internal memos; label copy; shipping information and receipts; correspondence with artist; biographical information","Photographs; correspondence with artist; label copy; shipping information and receipts; 3/69 Bulletin; checklists","2/69 Bulletin; photographs; correspondence with artist; correspondence re: damage; label copy; internal memos; checklists; shipping information and receipts","44 photographs; correspondence with lecturer; shipping information and receipts; materials from Brooklyn Museum of Art (organizer); drawings (photocopies); panel lists; 1 copy of lecture invitation; 1 copy of preview invitation; correspondence with Brooklyn; checklists","Preview invitation; 1 copy of catalog; clippings; panel copy; correspondence with Brooklyn; shipping information and receipts; Brooklyn materials; panel lists; checklists; internal memos; correspondence with visitors","1 photograph; correspondence with McCoubrey (Chair of Art Department at University of Pennsylvania); his c.v.","1 photograph; correspondence with Oenslager (lecturer)","Cybis porcelain brochure; shipping information and receipts; panel proofs; exhibitors information \"lent\"; clippings; correspondence with Ruder \u0026 Finn Inc. (co-organizers); checklists; drawings (photocopies); correspondence with Cybis porcelain (co-organizer)","2 photographs; catalog; invitation; correspondence with Robert B. Widder (juror); correspondence with entrants; internal memos; slide talk lists; correspondence with juror (Morris Ketchum, Jr.)","Photographs","Invitation, catalog, '64 Architects, Designers \u0026 Photographers, '66 ADP, 3 photographs; catalog proof; checklists; catalog copy","\"Southern Exposure\" newsletter (2/68); clippings; correspondence with artists; label copy; internal memos; schedule","Checklists","\"Comparison…for 1966-68\"; internal memo","Correspondence with artists (4 winning architects mainly); list of winners","Biographical information on Ketchum and Eames, 2 photographs; 1 photograph; correspondence with jurors [Morris Ketchum, Robert Widder, Charles Eames]; internal memos; lecture copy; biographical information","Checklist","Gaines to artist (2/26/68), signed certificates; artist reply cards; correspondence with speaker; checklist","3 prospectuses; prospectus copy; schedule; internal memos","Schedule, 1/11/68 memo, 1/24/68 memo; '66 information; internal memos","Invitation; 2 photographs of 1790s Russian silver cup (\"Charka\"); shipping information and receipts; checklists; internal memos; correspondence with Hollins; panel proofs; drawings (photocopies); correspondence from alumnae; research; correspondence with silver expert; correspondence from Helen Scott Reed (our consultant)","Shipping information and receipts; panel copy \u0026 proofs; drawings (photocopies); checklists with prices; biographical information (Anna Smith- weaver)","3 photographs; AFA materials (circulator); shipping information and receipts; correspondence with Morgan State College (had exhibit before VMFA); correspondence with AFA; reprint of Rohm \u0026 Haas Reporter on \"New AA Forms in Plexiglass\" (Mar/Apr 1966); correspondence with lender, Howard Wise Gallery; 1 copy of May '68 Bulletin; clippings; drawings (photocopies); biographical information on artists; 1 copy of a Howard Wise Gallery catalog for Otto Piene (VMFA's lecturer); 1 copy of catalog; 1 copy of lecture invitation; 1 copy of preview invitation. To take place in Loan Gallery","Biographical information on Kepes; 1 photograph; correspondence with Gyorgy Kepes (organizer of Light show \u0026 original lecturer); correspondence with Piene (M.I.T.), Kepes' replacement; Piene's biographical information; 1 copy of Arts Canada (April 1968) with one of Piene's articles","Catalog; 3 photographs; correspondence with Photographs in the Fine Arts (a company); drawings (photocopies); clippings; panel proofs; checklists; packet of available exhibitions from George Eastman House; 1 copy of PSA Journal (August 1967) [Leslie Cheek was a judge]","5 photographs; 1 catalog; exhibition contract; correspondence with MOMA (circulator); shipping information and receipts; checklists; panel proofs; MOMA materials","Lecture invitation, checklist; 4 photographs; duplicates: \"A Look at Carter Collection,\" \"Vender Gives Rodin to Museum\"; clippings; correspondence with LACMA (circulator); shipping information and receipts; internal memos; exhibition contract; 1 copy of preview invitation; correspondence with Gerald Carter (collector)","1 photograph, biographical information; correspondence with Adams (Director of Cincinnati Art Museum \u0026 VMFA lecturer); 1 copy of lecture invitation; internal memos; correspondence with Reynolds (his hosts)","\"Selections from Virginia Architecture\"; panel proofs; drawing (photocopy); internal memos","1 drawing; MOMA exhibition packet, MOMA press release (6/20/67); MOMA materials (circulator); drawings (photocopies); correspondence with MOMA; shipping information and receipts; clippings; internal memos","Photographs","1 photograph; biographical information; lecture invitation; correspondence with Szarkowski (MOMA Director of Photography \u0026 VMFA lecturer); itinerary; correspondence with Bryans (his hosts)","Shipping information and receipts; panel proofs; internal memos; drawing (photocopy);","7 drawings (on graph paper-drawn by Brown herself); label copy; shipping information and receipts; checklists; 2 more prints of transparencies from envelope; correspondence with Brown; biographical information; panel copy; panel lists; drawings (photocopies)","Shipping information and receipts; request for special/specific information forms; white envelope with 5 transparencies; 2 prints of 2 of the transparences for Collector of the Year exhibition","Special/specific request for information forms","Biographical information; correspondence with Griffith re: lectures (Curator of Films, MOMA); lecturing for \"George Stevens Makes a Film\"","Shipping information and receipts; biographical information; photocopies of 2 catalogs","1 copy of Council 1967-68 membership book; internal memos; various reports (budgetary \u0026 non); correspondence, 2 slides for lecture on Council budget 66-67 season","Lecture invitation, 1 photograph; Correspondence with Dee (curator of drawings \u0026 prints at Cooper-Hewitt) re: lecture; 1 copy of January 1969 Bulletin; correspondence with hosts; biographical information","Packing list, photographs; 1 copy of catalog (cut up) of View of Florence \u0026 Tuscany by Giuseppe Zocchi, loaned by Pierpont Morgan Library","Photographs; shipping information and receipts; correspondence with IEF (circulator); correspondence with Dee re: lecture; IEF materials; drawings (photocopies); label copy; internal memos; 1 copy of America-Italy Newsletter (spring 1968); 1 copy of Pierpont invitation; 1 copy of preview invitation; correspondence re: catalogs; correspondence re: opening","Correspondence with Senator Scott from 1982 from Richard Woodward; checklists; clippings; internal memos; correspondence with Scott; shipping information and receipts; drawings (photocopies); panel proofs","Invitation; checklists; internal memos; correspondence re; filmstrip for Orientation Theatre; drawings (photocopies)","C.v., invitation, 1 photograph; correspondence with Begley (professor at School of Art, University of Iowa); internal memos; correspondence with hosts","3 photographs; 3 photographs (small one, Dr. \u0026 Mrs. George B. Green); panel copy; panel proofs; label copy; drawings (photocopies); correspondence with lender (George Green); shipping information and receipts; internal memos; correspondence with Colonial Williamsburg; research; checklists","Photographs","8 photographs; 5 new photographs; shipping information and receipts; internal memos; checklists with values; correspondence with Motherwell (juror) and correspondence with his gallery representation (Marlborough); correspondence with Frank Gallo (juror); and his representation (Gilman Gallery and Graham Gallery); request for information forms; drawings (photocopies); label copy","Checklists; list of lenders; internal memos; correspondence with lenders (including MFA Boston and AIC); shipping information and receipts","1 photograph; lecture invitation; preview invitation; correspondence with Wardell (Curator, Department of Primitive Art at AIC) re: lecture; correspondence with hosts; 1 copy of April 1969 Bulletin","Photographs","Photographs","1 drawing; other press releases; shipping information and receipts; checklists; internal memos; correspondence with MFA Boston (organizer); correspondence with AIC (lender); clippings; panel proofs; 1 copy of preview invitation; list of lenders","8 photographs; correspondence with MFA Boston; exhibition contract; internal memos; 1 copy each of The World of Peru in the United States, Three Centuries of Peruvian Silver, Master Craftsmen of Peru; Folk Art of Peru, 2,500 Years of Peruvian Art, Folk Art of Peru (longer version), Contemporary Peruvian Paintings and Sculptures","1 photograph; list of members; special request for information form; correspondence re: broken object (belonged to Stewart Bryan)","Catalog, 3 duplicate photographs, 2 new photos; internal memos; shipping information and receipts; checklists; label proofs; exhibition contract (MOMA is circulator); correspondence with MOMA; clippings; MOMA materials (including press release)","Press release (4/2/69); Kandinsky article by Johnson; wall label, Photographs; correspondence with MOMA (organizer); MOMA materials; exhibition contract; shipping information and receipts; checklists; drawings (photocopies); panel proofs","2 photographs; duplicates: invitation, 1 duplicate photograph; correspondence with potential lecturers; correspondence with Beckmann (visiting Bauhaus artist); clipping","Shipping information and receipts; panel proofs; panel copy; drawings (photocopies); special request for information forms; label proofs; label copy; checklists; correspondence with UVirginia (lender and co-organizer); correspondence from State Library (co-organizer)","4 photographs; checklists; shipping information and receipts; correspondence with O'Neal; photocopies of drawings; list of lenders; correspondence with UVirginia; correspondence with State Library; research; internal memos; correspondence with lenders","Invitation; 2 photographs, 1 transparency; catalog copy; internal memos; checklists; correspondence with lenders; correspondence with William O'Neal (guest curator)","1 photograph; introduction; correspondence re: lecture; invitation","Checklists; correspondence with lenders; correspondence with O'Neal","Checklists from dealers with prices/values; shipping information and receipts; correspondence with dealers; checklists; internal memos","Invitation, \"Suggested Remarks for Mr. Arthur Brinkley,\" 5/12/69; 1 copy of catalog; introduction; correspondence with Alloway re: lecture","Correspondence with various speakers; internal memos; schedules","Internal memos; list and schedules (entertainment, exhibitions, events, theatre, etc.)","4 invitations; 3 other invitations (Once Invisible, Alloway's lecture, Gold of Ancient America)","Internal memos; mailing lists","Green pickup cards, Gaines to Artist (7/3/69); shipping information and receipts; correspondence with artists; entry blanks; internal memos; checklists","Gaines to Purchaser invitation, purchasers; preview tearsheet (yellow), memo 4/29/69 (blue), 1969 fact sheets; checklists","Internal memos; correspondence with artists; invoices re: sales; checklists","Photographs","Memo 11/17/69, memo 11/26/69; correspondence with artists","'69 invitation, '69 salon catalogue; 1 copy of '67 invitation and catalogue; catalogue copy; 1 copy of '69 catalogue; catalogue proof","'69 fact sheet; statistics","'67 and '69 Salon catalogues; checklist; internal memos; form letter to artists from Ellyson","3 photographs; schedule; internal memos; correspondence with jurors; biographical information; correspondence with hosts; lecture invitation; correspondence with potential jurors [Bontecou agreed but then had to cancel]","Photographs; label copy; 1 copy of ADP '68 catalog; 1/70 Bulletin; biographical information on Paul Rand; correspondence with Rand; internal memos","2 slides, 18 photographs; 5 duplicate photographs; label copy","\"Receiving \u0026 Handling of Material\" memo 1/28/70, 1 photograph [Kenneth Winebrenner \"Mirror\"]; 1 copy of 1970 prospectus; entry blanks; internal memos; correspondence with artists; biographical information","1 photograph [Paul Smith looking at Castle's work from an earlier juried exhibition?]; 2/70 Bulletin; correspondence with juror [Wendell Castle]","Photographs; 1 copy of 1970 catalog (annotated); correspondence re: image of Winebrenner's mirror","1 copy of 1970 catalog (annotated); internal memos; correspondence with artists","Form letter; shipping information and receipts; correspondence with artist; checklists","1 form letter; shipping information and receipts; correspondence with artists; checklists; internal memos","Slides; duplicates; signed certificates; correspondence with winners; checklists; presentation order","Label copy; clippings; catalogue copy; checklists; internal memos; lease agreement for warehouse; drawing (photocopy); jury tokens; correspondence with artists","Prospectus, form letter from C. Ellyson; correspondence with chapters; annotated '67 prospectus; prospectus copy schedule","Memo 1/23/69, memo 1/25/67; internal memos; correspondence with 7th \u0026 Franklin; schedule","Catalog ('70 Designers); catalogue proofs; entry blanks; 1 copy of '68 ADP catalogue; catalogue copy; checklists","Annotated '70 prospectus; correspondence with juror; prospectus copy; internal memos; schedule","Entry blanks; 1 copy of '70 Craftsmen catalogue; 1 copy of '67 Artists catalogue; checklists; catalogue copy; preview invitation; label copy","Prospectus copy; schedule","Internal memos; checklists","Checklists; internal memos","Memo 9/3/69, memo 6/30/69; checklists; internal memos; fact sheets; correspondence with artists; label copy; excerpts from juror speech","Catalogue copy; checklists; 1 piece of correspondence re: catalogue","Signed certificates, reply cards, Gaines form letter; reply cards from winners; checklists; correspondence with artists","Press release 6/27/69, biographical information, 1 photograph; correspondence with potential jurors; internal memos; correspondence with juror (Peter Bunnell)","Photographs; label copy","Photographs; correspondence with artist; 3/69 Bulletin; label copy; shipping information and receipts; biographical information","4/69 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts","5/69 Bulletin; photographs; correspondence with artist; biographical information; label copy; shipping information and receipts","9/69 Bulletin, invitation; photographs; checklists; correspondence with artist; label copy; insurance report form; internal memos; biographical information","Invitation; 10/69 Bulletin, photographs; correspondence with artist; checklists; label copy","Photographs; correspondence with artist; biographical information; label copy","Photographs; correspondence with artist; label copy; biographical information; shipping information and receipts; internal memos","2/70 Bulletin; photographs; label copy; checklists; 5/69 Bulletin; invitations; correspondence with artist; internal memos re: missing print","3/70 Bulletin, photographs; correspondence with artist; internal memos; price list (hand drawn!); press release; biographical information; label copy","Invitation; 2 photographs; 3/70 Bulletin; correspondence with artist; label copy; checklists","Photographs; correspondence with artist; checklists; 4/70 Bulletin; label copy; biographical information","5/70 Bulletin, invitation, photographs; checklists; label copy; correspondence with artist; biographical information","Invitation, \"suggested stand\" drawing; 1 photograph; label copy; correspondence with artist; clippings; biographical information; checklists; 9/70 Bulletin","10/70 Bulletin; 2 photographs; label copy; clipping; internal memos; checklists; correspondence with artist; invitation","Invitation; photographs; label copy; internal memos; shipping information and receipts; correspondence re: letter of recommendation for job","Invitation, 5 photographs; 5 new photographs; 5 slides; correspondence with artist; label copy; clipping","Correspondence with potential jurors; internal memos","1 photograph of Rand, prospectus; correspondence with Rand (juror); catalog of Rand's work; research","'69 prospectus, letter Ellyson to art department 6/23/69, memo to chapters 6/23/69; copy of '68 ADP prospectus; prospectus proof; prospectus copy; internal memos; schedule","Checklists; internal memos","Checklists; fact sheets","Internal memos; checklists","Memo 7/7/70; internal memos; entry blanks; correspondence with architects; schedule; project descriptions; drawing (photocopy); lecture invitation copy; shipping information and receipts","Reply cards; internal memos; correspondence with architects","Catalogue; correspondence with architects; catalogue copy","One signed certificate; correspondence with winners","4 photographs; correspondence with juror (Romaldo Giurgola); internal memos; clipping; biographical information","Photographs; clippings","Prospectus, announcement; prospectus proof; prospectus copy; '68 annotated ADP prospectus; clipping","Entry blanks; fact sheets; internal memos; checklists","Internal memo; checklists","Correspondence with SITES; SITES materials; invitations; exhibition information; Bulletins; correspondence with other Smithsonian Institution staff","SITES catalogues, 1967-1970","Checklists; insurance report forms; correspondence with lenders (dealers); membership list","Internal memos; correspondence with lenders; checklists; shipping information and receipts; label proofs; research; budget planning; correspondence with consultants","Preview invitation; correspondence with and between consultants (Helen Scott Reed and Kathryn Buhler); catalog copy","Invitation (preview); invitation (lecture); exhibition prospectus; catalog proofs","Photographs; internal memos; clippings; catalog notes; correspondence with lenders; checklists; invitation list","Correspondence with lenders; shipping information and receipts; correspondence with various organizations","1 copy of catalog; special information form","Correspondence with Rouse (Jamestown Foundation) re: lecture; copy of lecture text","1 photograph; correspondence with Buhler (consultant) re: lecture; copy of lecture text","4 photographs; suggested press release; checklist; correspondence with IEF; label proofs; exhibition contract; IEF materials; shipping information and receipts; internal memos","7 photographs; 2 contact sheets and 1 new photo; duplicate: invitation; crawing (photocopy); internal memos; label proofs","9 photographs, 4 new photographs including 1 contact sheet; duplicates: lecture invitation; label copy; drawings (photocopies); shipping information and receipts; MOMA materials; checklists; correspondence with MOMA (circulator); exhibition contract; research; internal memos; 1 copy of preview invitation","Lecture invitation; correspondence with Fern re; lecture (Library of Congress Prints \u0026   Photos Division); internal memos","1 photograph (contact sheet); checklists; varied correspondence","Prospectus with entry cards; 2 photographs; 1 duplicate photograph; correspondence with Castle (juror, Penland School of Crafts)","1 photograph; label copy; correspondence re: item breakage; label proofs","Preview invitation; chipping information; correspondence with lenders; internal memos; 1 copy of catalogue; clippings","Correspondence with lenders; request for information forms; 1 copy of Art Gallery Magazine (12/69); 1 copy of TIME (6/1/70), reason unknown, no more receipts kept in these files","2 contact sheets; correspondence with Peter Selz (UC Berkeley, juror); correspondence with lenders; internal memos (including correspondence re: installation of Robert Irwin's \"Disc\"); correspondence with artists re: their Vietnam War protest","Internal memos; catalogue copy; label copy; research; 1 copy of catalogue (damaged)","1 photograph (1966 show); photographs of works not in show (Krushenick, Warhol, Ruscha); copies of '62 and '66 show information; correspondence with lenders; shipping information; checklists","Label copy; checklists; panel copy; mailing and invitation lists; lender lists","Photographs (VMFA copies)","Photographs (originals)","Lecture invitation; 1 duplicate photograph; correspondence with Selz (juror) re: exhibition and lecture; biographical information; invitation copy","Correspondence with IEF; exhibition contract; internal memos; correspondence with Paul Tishman (collector whose works comprise show); correspondence with High Museum (earlier venue); IEF materials","Photographs; internal memos; correspondence with High and with UT Austin (earlier venues); correspondence with IEF; shipping information","Checklists; IEF materials; research; panel copy","Photographs","Photographs","Photographs","5 photographs; 3 duplicate photographs","7 photographs; 8 duplicate photographs","11 photographs; 3 duplicate photographs","5 photographs; 9 duplicate photographs","9 photographs; 8 duplicate photographs","15 photographs; 4 duplicate photographs","12 photographs; 2 duplicate photographs","1 duplicate photographs","7 photographs; 4 duplicate photographs","2 drawings; duplicates: loan exhibition announcement; invitation; 40 slides; 1 copy of High's brochure; internal memos; NGA brochures; IEF materials; correspondence re: possible speakers; correspondence with Tishman; copy of 9/70 Bulletin; slide list [see end of box]","5 photographs; checklist; internal memos re: this traveling exhibition SP-19 [loans from 4 major NY galleries, distributed by State Services Division]; correspondence with dealers/lenders; 1 copy of 10/70 Bulletin","Catalog (Edgeworth \u0026 VMFA); 1 photograph; audio (reel) tape \"J.[oel] Aldred – tapestries – 71/2 ips\" [Canadian broadcaster]; 1 copy of invitation; catalogue: Hommage à Jean Lurçat, Rothmans, ca. 1966; another Rothmans' catalogue ca. 1964","1 copy of catalog; 1 copy of black tie reception invitation","Internal memos; correspondence with Rothmans of Pall Mall Canada; correspondence with House of Edgeworth (co-sponsors); planning re: previous receptions, etc.","6 photographs","Black tie reception invitation; other invitations (non-VMFA)","Checklist (contemporary French tapestries); checklists (various, including hommage à Jean Lurçat); invitation lists; staff working lists","Notes on the Rothmans Collection; Rothmans press release; Contemporary French Tapestry; research; clippings; copies of other's letters to/from Lurçat [speech by Madame Denise Majorel, 2 clippings]; Lurçat letters (3/29/48 \u0026 12/24/47)","3 photographs; 9 duplicate photographs","Photographs","Photographs [overlap between these 2 folders]","8 duplicate photographs","8 photographs; 9 duplicate photographs","1 catalog for July/August program with catalog card application [1969]","Lists of speakers; internal memos; biographical information; correspondence with speakers; report from Museum Entertainment Committee","VM 1969-1970 events; lists of events; calendars; internal memos; schedules including exhibition, theatre, mailings, events, etc.; 1 copy of Theatre schedule card","Internal memos","Catalog; 4 photographs; 23 new photographs; exhibition contract (Mat is circulator); research; correspondence with Met; internal memos; shipping information and receipts","Mailing, 16 duplicate photographs; 7 new photos; correspondence with Baltimore Museum of Art (circulator); checklists; BMA materials; press release; internal memos; research; 1 copy of catalog (annotated)","4 new photographs; 7 duplicate photographs","1 new photograph; 4 duplicate photographs; correspondence with Norton Simon; clippings; checklists; internal memos; copy of Henry Moore annotated transcript from '63; label and panel copy; information sheets on paintings; 1 copy of invitation; shipping information and receipts","2 photographs; correspondence with collectors; checklists; drawings (photocopies); research, photocopy of Vogue article (4/15/60) on Colin","Correspondence with lenders; shipping information and receipts","Correspondence with lenders; internal memos","Preview invitation; correspondence with lenders; internal memos","Correspondence with potential lenders","Reminder card; invitation; checklists; research; lender lists; label copy; request for information forms; clippings; shipping information and receipts; mailing lists","33 new photographs","3 new photographs; 13 duplicate photos","5 new photographs; 10 duplicate photographs","5 new photographs; 10 duplicate photographs","2 new photographs; 10 duplicate photographs","Correspondence with lenders who gave no initial response","Correspondence with lenders re: return of works; internal memos; mailing lists; form letters","Copies of AIV articles from which loan list was gathered, annotated (probably for label/panel/catalog use)","Checklist; suggested press release, invitation, 4 duplicate photographs; 14 new photographs; 2 AFA folders of materials; internal memos; 1 copy of catalog","Shipping information; correspondence with AFA; correspondence with Smith College Museum of Art Director","Wall label; clippings; correspondence with MOMA (circulator); MOMA materials (including press release and checklist); 1 copy of MOMA members' newsletter (Spring 1970); correspondence with Peter Bunnell (photograph curator at MOMA \u0026 organizer); drawings; internal memos; exhibition contract","Invitation; 1 copy of September 1971 Bulletin; internal memos; mailing list","Prospectus; correspondence with artists; internal memos; checklists; schedules; 1 copy of October 1971 Bulletin; 1 annotated copy of Virginia Photographers '69 catalog; 1 copy of '71 catalog","Internal memos; correspondence with lenders re: potential loans; correspondence with lenders; correspondence re: extension of exhibition; correspondence with Robert Koch (speaker); correspondence with publicity","Invitation; poster; 1 duplicate photograph; 4 new photographs, 7 slides; notes; research; information request forms; 1 copy of November 1971 Bulletin; panel copy; clippings; 1 copy of December 1971 Bulletin","1 copy of November 1971 Bulletin; 1 copy of the January 1972 Antique Monthly","1 copy of the January 1972 Antique Monthly","Catalog copy","Catalog copy","Blank copy of information form","6 drawings (photocopies) of lighting schemes","3 photographs (items from Lewis Collection from some catalog); checklists; loan lists; mailing lists; internal memos; panel/catalog copy","Blank request for information forms","Checklist for catalog","Checklist for catalog","Checklist for catalog","Transparencies, 91 photographs","Empty folder","Label copy; internal memos; scripts; notes","Special object information forms","Special object information forms","Invitation; special object information forms","Correspondence with AFA; 1 copy of 1969-70 AFA Catalog","Correspondence with various institutions (museums, universities, organizations); internal memos; promotional materials","Correspondence with IEF; exhibition information sheets","1 press release from Howard University","Correspondence with various institutions (museums, universities, organizations); promotional materials","2 invitations, 2 catalogs (1969 \u0026 1971 for both shows); congratulations letter; pink salon des refuses card; prospectus; 1 contact sheet; schedule; internal memos; correspondence with juror (Thomas Hess); list of buyers; committee lists; correspondence with 7th \u0026 Franklin building owners (where judging was done); 1 drawing (photocopy)","16 photographs; duplicates: 6 photographs, prospectus; correspondence with Thalhimer's; internal memos; fact sheets; correspondence with artists; clippings; label copy; checklists; 1 copy of catalogue; 1 copy of May 1971 Bulletin; copies of certificate winners' entry blanks","Photographs; 1 copy of catalog; 1 copy of prospectus; lease agreement for 7th \u0026 Franklin Building","Photographs","Photographs","Correspondence with potential speakers","Memo 3/16/71, 5/71 Bulletin; fact sheets; internal memos; correspondence with artists; correspondence with 7th \u0026 Franklin; schedule; clipping; checklists","Internal memos; checklists","Catalogue; internal memos; catalog copy; correspondence with artist","Signed certificates; entry blanks; 1 copy of catalogue; correspondence with winners; checklists; internal memos","2 photographs; correspondence with artists; internal memos; schedules; correspondence with juror","Slides; photographs; checklists","Release forms; invoices; preview invitation list; fact sheets; checklists; internal memos; '71 invitation; correspondence with artists","Annotated catalogs; correspondence with purchasers; correspondence with artists; purchase information cards","Memo 9/8/71; correspondence with artists; label copy; internal memos","1 copy of '71 prospectus; 1 copy of '60 catalogue; correspondence with juror (Harry Callahan); fact sheets; research/biographical information","Photographs; '69 and '71 prospectuses","Prospectus copy; correspondence with artist","Fact sheets; internal memos; checklists; entry blanks","Internal memos; correspondence with artists; checklists","\"Guidelines for Preparing Panels,\" memo 3/19/71; dinner invitation copy; internal memos; project descriptions; correspondence with designers; schedule; catalog copy; AIID Virginia Chapter Directory 70-71; correspondence with Virginia AID; entry blanks; 1 copy of dinner invitation with reply card","Correspondence with winners","1 photograph; slides; correspondence with juror (Sarah Tomerlin Lee-former Editor of House Beautiful); schedule; internal memos","2 new photographs; 9 duplicate photographs","Signed certificates; entry blanks; label copy; biographical information; correspondence with juror (Henry Wolf); correspondence with potential jurors; internal memos; reception invitation list; checklists; correspondence with artists; fact sheets","Catalogue ('72); catalogue copy","14 new photographs; 2 duplicate photographs; catalogue","Prospectus; prospectus copy; annotated '68 prospectus copy","Form letter from Ellyson, prospectus; annotated '69 prospectus; correspondence with artists: re: prospectus, prospectus copy","Catalogue; fact sheets; shipping information and receipts","Reply cards; correspondence with artists; internal memos; checklists","Letter 4/8/71; fact sheets for printmakers","Catalogue; catalogue copy; checklists","Signed certificates; correspondence with winners; checklists","1 copy of '71 catalogue; checklists; catalogue copy; internal memos","Prospectus; prospectus copy; correspondence with designers","Copy of Art Directors Club prospectus","Internal memos; correspondence with artists; 1 copy of catalogue; reply cards","Entry cards; shipping information and receipts; internal memos; fact sheets; checklists; correspondence with artists; 1 signed certificate; label copy","Photographs; internal memo","Catalogue; catalogue copy; catalogue proofs; label copy","Signed certificate; correspondence with winners","5 new photographs; 8 duplicate photographs","Annotated '67 prospectus; prospectus copy; blank mailing labels","Label copy; correspondence with artist; clipping; 12/70 Bulletin; checklists","Invitation; photographs; label copy; internal memos; correspondence with artist; invitation list; biographical information 1/71 Bulletin; Robinson House exhibition checklist","Invitation; photographs; checklists; internal memos; label copy; biographical information; correspondence with artist; \"Art Now: New York,\" Vol. 2, no. 10; installation sketches by Jackson; 2/71 Bulletin; Robinson House checklist","3/71 Bulletin; 2 photographs; 7 slides; Robinson House exhibition checklist; internal memos; correspondence with artist; label copy; biographical information","3/71 Bulletin, 1 photograph; clippings; correspondence with artist; internal memos; label copy; Robinson House exhibition checklist; invitation list","3 photographs; internal memos; correspondence with artist; label copy; biographical information; Robinson House exhibition checklist; 4/71 Bulletin; invitation list","1 slide, invitation; 4 photographs; internal memos and correspondence with artist re: damaged works; biographical information; label copy; correspondence with artist; clippings; checklist; 5/73 Bulletin; shipping information and receipts","Invitation, 9/71 Bulletin, 2 duplicate slides; 2 photographs; 3 slides; label copy; correspondence with artist; invitation list","10/71 Bulletin, invitation; 4 photographs; biographical information; correspondence with artist; label copy; checklists","Photographs; 3 slides; invitation list; 1 copy of invitation; correspondence with artist; internal memos; biographical information; checklists; label copy; 11/71 Bulletin","2 photographs; 3 slides; label copy; price list (hand drawn!); correspondence with artist; biographical information; 12/71 Bulletin","2 photographs; 3 slides; invitation; label copy; biographical information; correspondence with artist; Robinson House exhibition; checklist; 12/71 Bulletin","Invitation, 1 slide; 1 new slide; 1/72 Bulletin; label copy; biographical information; checklists; internal memos; correspondence with artists","1 photograph; \"Masterpieces of Early American Furniture, Antiques (11/70), invitation, \"The U.S. Department of State Americana Fund…\"; correspondence with possible collectors; research, correspondence with Clement E. Conger, Collector of the Year 1972 (Chairman of Special Fine Arts Committee for acquisition of furnishings for the Department of State); internal memos; clippings; biographical information; press releases; clippings; checklists layout (typed)","Photographs; 1 drawing; drawing (typed!); clippings; label copy","Photographs","6 photographs; duplicates: 8 photographs, invitation; drawings (photocopies); correspondence with Mourot; research; internal memos; checklists; clippings; label copy","Prospectus; internal memos; correspondence with artists; reception guest list","Invitation, poster, MOMA information sheet, \"Modern Museum Offers Works…\"; 13 photographs; memos; correspondence with MOMA (circulator); shipping information and receipts; checklists, 1 poster","Internal memos; correspondence with lenders; research; clippings; catalog copy; 1 copy of May 1972 Bulletin; clippings; shipping information and receipts","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Correspondence with Muller; list of tentative loans","9 photographs; 1 duplicate photograph","1 new photograph; 1 duplicate photograph; correspondence with the AIC; request for information form","2 duplicate photographs; correspondence with Princeton; request for information form","1 duplicate photograph; correspondence with Atkins; request for information form","1 duplicate photograph; correspondence with Fogg; request for information form","1 duplicate photograph; correspondence with Meadows Museum; request for information form","2 photographs; 6 duplicate photographs; correspondence with Met; request for information form","4 duplicate photographs; correspondence with MFA Boston; request for information form; internal memos; insurance certificate","6 duplicate photographs; correspondence with NGA; request for information form","2 duplicate photographs; correspondence with RISD; request for information form","3 duplicate photographs; correspondence with Thaw; request for information form. invitation; photographs","1 photograph; correspondence with Worcester; shipping information and receipts; request for information form; correspondence re: insurance","1 photograph; correspondence re; photograph orders and framing for our pieces; request for information forms","16 new photographs; 4 duplicate photographs","18 new photographs; 6 duplicate photographs","Request for information form; piece of box from printer","Checklists; lists of loans; shipping lists; mailing lists","One piece of correspondence","5 new photographs; 1 duplicate photograph","8 new photographs","Correspondence with lenders who denied loan request","Checklist, wall label, press release, 7 photographs; 2 contact sheet strips; materials from MOMA (circulator); correspondence with MOMA; internal memos; label copy; drawings (photocopies); 1 [misfiled] mock-up of Goya Catalogue cover","Checklist, 2 photographs; 4 new photographs, 2 invitations, members' preview postcard and special reception in envelope; \"Gund Collection of Western Art,\" 1970; internal memos; correspondence with Gund; correspondence with lenders; clippings; \"American Western Art: a Personal Narrative.\"","Photographs","Invitation; correspondence with Gund Museum; internal memos; research; checklists; blank request for information forms; correspondence with lenders; lists of movies; Gund Collection materials","4 photographs with labels, 5th=#15494, Carl Kauba, b. 1865, \"Indian\", Gilt Bronze, Collection Bobby Chandler; loan request; information sheets with small photos stapled to them (left in folder); correspondence with lenders; checklists; research","1 catalog; 1 contact sheet strip; internal memos; label copy; 1 copy of invitation; correspondence with AIA, Richmond Chapter","Invitation, 2 layout designs by Lipton, 6 photos; 27 new photos; correspondence with MIT (circulator); internal memos; correspondence with Marlborough Gallery (organizer); panel drawing (photocopy); checklists; correspondence with Lipton; label copy; research","2 invitations, \"An Exhibition of Sculpture and Drawings by Gaston Lachaise,\" 2 photographs; 9 new photos; correspondence with Lachaise Foundation and [Felix] Landau Galleries (organizer); internal memos; checklists with prices; shipping information and receipts; drawing (photocopy); clippings","1 photograph; correspondence with MOMA re: possible exhibitions, including Otto Frei exhibition [unsure if declined or not]","Checklist; 1 photograph; internal memos; clippings; list of items sold or rented","1 piece of correspondence re: lecture offer declined","Correspondence with Bernard Danenberg Galleries re: possible showing","Correspondence with AFA","Correspondence with Advertising Trade Publications, Inc.","Correspondence with the IEF","Correspondence with Maritime Museum in Newport News and Philadelphia","\"Project background \u0026 history,\" \"Bonniers introduces 9 incredible toys,\" 8 photos; 1 drawing; internal memos; correspondence with Bonnier International Design (organizer); correspondence with Ruder \u0026 Finn (circulators); Bonnier materials (including tear sheets); 1 copy of New York (9/11/72)","Proposals and materials from: George Eastman House, National Association of Women Artists, Rice University, California Arts Commission, Haus Rucker Company; MFA Houston, St. Paul Art Center, Fran Grace, Walter Art Center","Proposals and materials from: Japan Cultural Society, MOMA, Museum of the Confederacy, J.B. Speed, Library of Congress, Appalachian Corridor, SITES, Renwick Gallery, Asian Theatre Artists, NGA, Sculpture Center, International Museum of Photography, Oakland","1 photograph; correspondence with Smith (juror, Museum of Contemporary Crafts); biographical information","Catalogs, prospectus, 1 photograph; correspondence with Wolf (juror; Trahey Wolf Advertising, Inc.); biographical information","Correspondence with AFA; 1971-1972 catalog","Correspondence with institutions; artists; galleries and others (including materials)","Invitation, 2 slides; invitation list; correspondence with artist; clippings; label copy; 2/72 Bulletin","Invitation; 4 slides; 5 photographs; biographical information; label copy; correspondence with artist; 3/72 Bulletin; checklists","Invitation, 4/72 Bulletin; 1 slide; correspondence with artist; internal memos; label copy; checklists; biographical information","4/73 Bulletin, 1 slide, invitation; 1 negative; 1 photograph; 12/69 Bulletin; label copy; shipping information and receipts; biographical information; checklists correspondence with artist","5/72 Bulletin, invitation; 1 photograph; 4 slides; correspondence with artist; label copy; checklists; biographical information","Invitation, 1 photograph; 4 slides; label copy; 9/72 Bulletin; correspondence with artist; checklist; shipping information and receipts","Invitation, 4 photographs; 1 slide; shipping information and receipts; checklists; biographical information; 10/72 Bulletin; label copy; correspondence with artist","Invitation; 1 photograph; 4 slides; checklists; shipping information and receipts; correspondence with artist; label copy; biographical information","Label copy; correspondence with artist; 11/72 Bulletin; checklists; shipping information and receipts","\"1972-73 Robinson House One-Man Exhibitions\" List; internal memos; schedules","1 photograph; 4 slides; label copy; 1/73 Bulletin; correspondence with artist; internal memos; checklists; shipping information and receipts","1 slide, invitation, 2 photographs; 1 new photograph; label copy; 1/73 Bulletin; correspondence with artist; shipping information and receipts","Invitation, 2/73 Bulletin; 2 photographs; checklists; biographical information; internal memos; correspondence with artist; transportation request form; label copy","Invitation, 3 photographs; 3 new photographs; 3 slides; biographical information; shipping information and receipts; checklists; correspondence with artist; transparencies request form; internal memos; label copy; 3/73 Bulletin","'72 Honor Awards Program, Virginia AIA Chapter; concealed ID form; catalogue; internal memos; prospectus copy; Virginia Chapter AIA materials; 1 copy of prospectus; catalogue copy","Correspondence with juror (Hugh Jacobsen)","2 photographs (Paul Smith); entry blanks; correspondence with artists; reception guest list; drawing (photocopy); internal memos; 1 copy of catalogue; correspondence with juror (Paul Smith)","Internal memos; checklists; fact sheets; shipping information and receipts; entry blanks","Purchase cards; annotated catalogues ('73); invoices; checklists; correspondence with purchasers; correspondence with artists; shipping information and receipts; release forms","Slides; 7 new photographs; 3 duplicate photographs","Letter (9/12/73); entry blanks; reception invitation list; shipping information and receipts; correspondence with artists; internal memos; correspondence with winners","1 copy of catalogue; catalogue copy; internal memos; checklists","Schedule; prospectus copy","Correspondence with artists; internal memos; fact sheets; checklists","Checklists; correspondence with artists","2 invitations, 8 duplicate photographs; 9 new photos; internal memos; checklists with values; correspondence with Blumkas (Mr. and Mrs. Leopold); research; correspondence re: complete loss of Gothic velvet tapestry due to water damage","7 photographs; correspondence with MOMA (circulator); checklists; internal memos; MOMA materials (including wall label, press release)","3 photographs; internal memos; panel layout notes; Accession Committee meeting minutes copies (to look at new accessions)","Invitation; photographs; label copy; drawing (photocopy)","Photographs; duplicates; 2 invitations; invitation copy; internal memos; correspondence with Whitney (circulator); Whitney materials; label copy; 1 copy of \"Edward Hopper: Selections from the Hopper Bequest,\" published by Whitney; 1 copy of 3/73 Bulletin","5 photographs; label copy; correspondence with lenders; request for information form; internal memos; correspondence re: Bernard Martin \"copying\" Alfred Newman's photograph of Hopper re: possible copyright infringement","Catalog; 2 photographs; 1 copy of prospectus; internal memos; label copy; list of designers; correspondence with AIID","Invitation, 10 photographs; internal memos; label copy; invitation copy; mailing lists","Catalog, invitation, 1 photograph; 2 slides, 1 new photograph; internal memos; correspondence with artists; label copy; 1 copy of prospectus; checklists; clippings","5/73 bulletin; shipping information and receipts; correspondence with artists; internal memos; correspondence with Thalhimer's re: display; label copy; checklists; fact sheets","1 copy of catalogue; catalogue copy; checklists; internal m emos; prospectus copy","Signed certificates; correspondence with winners","Correspondence with juror (William Seitz); biographical information","28 photographs","Memo (2/28/73); printmakers card; letter (3/22/73); internal memos","Reply cards; correspondence with artists; internal memos; checklists","1 photograph; duplicates, certificates; juror biographical information (William Pahlmann); correspondence with juror; internal memos; fact sheets; checklists; correspondence with artists; entry blanks","Prospectus (1 copy); AID Virginia Chapter '70-'71 directory; prospectus copy; catalogue (1 copy); checklists; correspondence with NSID","Photographs","3 photographs; 1 duplicate photograph; label copy; entry blank; correspondence with Solomon; biographical information; shipping information and receipts; 11/73 Bulletin","Invitation, 2 duplicate photographs, 10/73 Bulletin; 1 new photograph; label copy; correspondence with Beer; biographical information; checklists","2 photographs; internal memos; correspondence with juror (Nathan Lyons); biographical information","Photographs","Entry blank; correspondence with Dougherty","1 photograph; 1 new photograph; 9/73 Bulletin; correspondence with Davenport; entry blank; biographical information; clipping","Invitation, 2 photographs; 7 new photographs; correspondence with Lewises; drawing (photocopy); internal memos, 1 copy of May '72 W\u0026L Alumni Bulletin","7 photographs; press release; internal memos; materials from Museum of Primitive Art (organizer); clippings; catalog copy","Invitation; catalog; internal memos; correspondence with prospective jurors; 1 photocopy of prospectus; mailing list; article by Nathan Lyon (juror); clipping; NEA grant materials","Press release, 3 photographs, checklist; correspondence with IEF (circulator); IEF materials; internal memos","Research; checklists; catalog copy; mailing lists for catalogs [all materials Blaine-related]","3 clippings, 3 invitations; 7 photographs; internal memos; correspondence with Blaine; mailing lists; catalog copy (Blaine)","Nell Blaine at the Poindexter Gallery, 1972, catalogue folder; 2 new photographs; research; other catalogs; mailing lists; request for information forms; checklists; price lists; internal memos; correspondence with Boston University (Beal co-organizer); correspondence with Poindexter Gallery (Blaine co-organizer); correspondence with Lawrence Campbell (essay writer; Art Students' league); correspondence with lenders; correspondence with artists; catalog copy (Beal)","Photographs; 1 copy of Blaine catalog; list of Beal color transparencies returned","Correspondence with artist and purchasers re: sale of paintings (including copies of checks, etc.); checklists; price lists [all material related to Blaine]","1 drawing by Blaine; correspondence with Boston University, Poindexter Gallery, Blaine, Campbell, lenders; internal memos; 1 copy of Blaine catalog; clippings; loan agreement forms; other catalog (Beal); research; label copy; checklists","Correspondence with AFA; 1972-73 catalog; 1973-74 listing in new 8 ½ X 11 format (unbound)","2 copies of 67-68 catalog; correspondence with AFA; 2 copies of 68-69 catalog; clippings","Correspondence re: possible prison art show","Correspondence with Ruder and Finn","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Material re; possible exhibition of Cecil Beaton as well as Samuel Kirk \u0026 Son","Material re: possible exhibition of Cecil Beaton, as well as for Sir Jacob Epstein, and others","Correspondence re: Objects: USA (collection of S.C. Johnson \u0026 Son, organized by Lee Nordness Gallery); correspondence with various other institutions; various catalogs from late 1960s","Correspondence with various institutions; various catalogs from 1973","Correspondence with various institutions; various catalogs from late 1960s; early 1970s]","Correspondence; internal memos","1 copy of 66-67 catalog; 2 copies of 68-69 catalog; correspondence with MOMA; MOMA materials; clippings; internal memos","1 clipping on Peggy Guggenheim","Correspondence with Multiples, Inc. gallery; internal memo","Eastman House materials","Correspondence with SITES; 1972 catalogs; SITES materials; various SI bulletins; 1 catalog (French playbills)","Correspondence with IEF; IEF materials","Correspondence with IEF; IEF materials","Correspondence with MOMA; MOMA materials, 1 copy of catalog","1 piece of correspondence with Hirschl \u0026 Adler","Internal memos; correspondence with \"Curators of Art for Corporate Collections\" [actually called Danese Design]","Correspondence with IEF; IEF materials","Correspondence with Art professor at Mary Baldwin","Correspondence with Asia House Gallery; checklist; internal memo [not shown]","Correspondence with Whitney and Aldrich Museum of Contemporary Art","Correspondence with Museum of Fine Arts, St. Petersburg; internal memos","Internal memos; correspondence with Multiples, Inc.","Letter from Claiborne to members (10/24/73); 1 copy of invitation; label copy","Internal memos; checklists","Catalog, invitation, 6 photographs; 1 new photograph; 1 copy of Virginia Designers 1970 catalog; internal memos; mailing list; catalog copy; correspondence with Federal Council on the Arts \u0026 Humanities (speaker, Lani Lattin); schecklists","Members special film program card, 2 photographs; 1 new photograph; 1 copy of Wildenstein catalog; research; correspondence with Bakwin; correspondence with members; internal memos; 1 copy of invitation; 1 copy of catalog","Invitation, reply card; 1 photograph; 1 copy of Craftsmen's Biennial 2 (VCU) prospectus; 1 copy of Virginia Craftsmen 1970 catalog; 1 copy of 74 catalog; 1 copy of 74 prospectus; internal memos; mailing list; research","Invitation, 11 photographs; 4 new photographs; 1 copy of catalog \"Walter Gropius: Buildings, Plans, Projects, 1906-1969\"; correspondence; 1 copy of \"Portrait of an idea: Rosenthal Studio-Line\"; correspondence with IEF; IEF materials; exhibition contract; 1 drawing (photocopy); internal memos","VMFA exhibition SP-28; internal memos; checklist; label copy","Clippings; 1 copy of Commonwealth: the Magazine of Virginia (5/74)","2 preview invitations, lecture card, brochure; photographs; label copy","3 photographs; 1 new photograph","Announcement; 3 transparencies; 4 drawings of \"Project: Folk Art\"; correspondence with Whitney (circulator; organizer); internal memos; correspondence with Ruder and Finn; label copy; correspondence with Philip Morris (sponsor); research; invitation copy; brochure copy; Whitney materials; preview mailing list; 1 copy of 4/74 Bulletin; correspondence re: posters and billboard; clipping","Invitation, \"Project: Folk Art\"; 1 photograph; internal memos; correspondence with Ruder \u0026 Finn; correspondence with Whitney; checklists, correspondence with Philip Morris; brochure copy; clipping; correspondence with publicity; correspondence with other institutions","Catalog copy","3 photographs; 2 new photographs; TV speech copy; correspondence with De Young (other venue); correspondence with Central Virginia Educational Television; verbal storyboards","Internal memos; mailing/invitation lists","1 photograph; correspondence with Whitney; correspondence with other institutions; Whitney brochures; clippings; layout drawings (photocopies); label copy","7 photographs; duplicates: transcript, announcement card; 4 dictabelts (interview with Bill Gaines); checklists; correspondence with Chermayeff; internal memos; correspondence with Philip Morris (owners of tapestries); mailing list; 1 copy of invitation; press release; drawing (photocopy)","3 photographs; correspondence with Nancy Hoffman Gallery (organizer); correspondence with lenders; checklists; request for information form; gallery materials","Catalog; photographs; catalog copy; internal memos; checklists; correspondence with lenders; blank information request form; clipping","Photographs, 2 transparencies, 1 slide; 1 copy of invitation; internal memos; clippings; exhibition design drawings (photocopy)","33 photographs; 7 transparencies; duplicates: 15 photographs","4 photographs; 1 transparency, slides; correspondence with potential lenders; correspondence with Diebenkorn; internal memos; request for information forms; checklists","4 photographs; 3 new photos, 1 transparency; correspondence with potential lenders; correspondence with lenders; correspondence with Estes (the photos he provided were for his passport!); request for information forms; checklists; research","6 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklists; correspondence with Francis","5 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklist; correspondence with Frankenthaler; internal memo","2 photographs; correspondence with lenders; correspondence re: damage; request for information forms; internal memos; correspondence with Hans Nemuth re: portrait of Indiana (photograph)","5 photographs; checklists; correspondence with potential lenders; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklist","5 photographs; 1 new photograph, 2 transparencies; correspondence with potential lenders; correspondence with Motherwell; checklists; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 new photograph; correspondence with potential lenders; request for information forms; internal memos; checklists","5 photographs; 1 new photograph; 1 transparency; correspondence with Thiebaud; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 transparency; internal memos; correspondence with potential lenders; request for information forms; checklists","Catalog; internal memos; correspondence with Virginia AIA Awards Committee","Entry blanks; correspondence with designers; label copy; internal memos; checklists; fact sheets","1 copy of '74 catalog; catalog copy","Signed certificates; correspondence with juror (Ivan Chermayeff); clipping","Photographs","Prospectus; checklists; art directors' club materials; prospectus copy; schedule","4 photographs; correspondence with Hagan; shipping information and receipts; entry blank; label copy; 5/74 Bulletin; biographical information","Invitation; 2 photographs; 2 new photographs; 4/74 Bulletin; shipping information and receipts; biographical information; correspondence with Abbott; label copy","Invitation; 1 photograph; 1 new photograph; label copy; transportation requests; entry blanks; biographical information; correspondence with Barry; shipping information and receipts; 2/74 Bulletin","5 photographs; 1 duplicate photograph; invitations; 1/74 Bulletin; shipping information and receipts; checklists; label copy; internal memos; correspondence with Fridley","Invitation; 4 photographs; NEA booklet; 10/74 Bulletin; correspondence with NEA for Sandborn; brochure (1 copy); brochure copy; internal memos; biographical information; correspondence with Sandborn; entry blank; shipping information and receipts","2 photographs, invitations; 6 photographs; 9/74 Bulletin; correspondence with Ames; biographical information; shipping information and receipts; checklists; label copy; internal memos; entry blank","Catalog; photographs; internal memos; correspondence with artists; label copy; checklists; correspondence with Michael Graves (lecturer); correspondence with juror (Bill Newman); invitation copy; invitation list; prospectus copy; biographical information; 12/74 Bulletin","3 photographs: 1 duplicate photograph, invitations; 11/74 Bulletin; brochure; shipping information and receipts; checklists; biographical information; correspondence with Scalin; entry blank; label copy","22 photographs; 9 new photographs; internal memos; checklists","Research; checklists; internal memos; clippings; correspondence re: poster; drawings (photocopies); panel copy","Photographs","Label copy; research; checklists; correspondence with lenders; internal memos; correspondence with Comprehensive Exhibition Services (circulator); correspondence with potential lenders; blank request for information forms","8 photographs; 6 new photographs; request for information forms; internal memos; correspondence with lenders","SITES and National Art Collection Materials; internal memos; correspondence re: materials for Children's Day","1 photograph; 2 new photographs; correspondence with Delaware Art Museum (lender); 1 copy of 4/74 Bulletin; checklists; internal memos","Correspondence with IEF; IEF materials","Correspondence with potential speakers they declined","Photographs; research; biographical information; clippings, drawing (photocopy); 1 copy of 5/74 Bulletin; internal memos; correspondence with VCU (Professor Lester Van Winkle is co-organizer); correspondence with lenders; invitation list; 1 copy of invitation; checklists; correspondence from visitors","4/74 Bulletin, \"photographic resume,\" 1 photograph; 5 new photographs; correspondence with artist; biographical information","Correspondence with and materials from various institutions, galleries, and organizations; internal memos; clippings; catalog","1 photograph (William B. O'Neal, UVirginia); correspondence with potential speakers; promotional materials; internal memos","1 piece of correspondence re: questionnaire (5/2/74)","Correspondence with MOMA re: possible traveling shows","Correspondence with and materials from various institutions, organizations, and individuals re: declined exhibitions; internal memos; catalogs","Correspondence with Modern Master Tapestries, Inc. (organizing circulator) and Charles E. Slatkin, Inc. Galleries (organizing circulator); promotional materials","Signed certificates, catalog; 1 photograph; internal memo; correspondence with artists; fact sheets; invoices; checklists; clippings; shipping information and receipts","Photographs","Prospectus; prospectus copy; annotated '72 prospectus","NOVirginia invitation, jurors' statement, Lynchburg prospectus, signed certificates (NOVirginia); 10 photographs; checklists; prospectus copy; invitation copy; NOVirginia prospectus; correspondence with artists; catalog copy; Lynchburg catalog; correspondence with directors of affiliates; Lynchburg signed certificate","10 photographs; duplicates: Roanoke catalog, Roanoke invitation; correspondence with artists; Peninsula prospectus copy; Peninsula catalog copy; internal memos; Peninsula prospectus; Peninsula signed certificate; checklists; Roanoke catalog copy; clippings; correspondence with juror (Lawrence Alloway)","'75 prospectus; shipping information and receipts; annotated '73 prospectus; prospectus copy","Photographs; signed certificates, invitation; checklists; '75 catalog; correspondence with NEA re: grant; internal memos; correspondence with juror (Aaron Siskind); fact sheets; prospectus copy","Virginia Commission of the Arts and Humanities grant application","Catalog; catalog copy","1 signed certificate; correspondence with winners","Photographs; 1 copy of '75 catalog","Prospectus copy; internal memos; correspondence re: prospectus","Catalog; purchase cards; invoices; correspondence with artists; internal memos","Reply cards; checklists; correspondence with artists","Invitation, 1 photograph; shipping information and receipts; correspondence with potential jurors; correspondence with juror (Robert Buck); biographical information; schedule; internal memos; checklists; 5/75 Bulletin","Signed certificates; fact sheets; correspondence with juror (Elke Solomon); biographical information; internal memos; checklists; correspondence with artists","Photographs; prospectus; prospectus copy; 1 copy of catalogue; catalogue copy","Letter 2/9/75, purchase card; correspondence with artists; internal memos; invoices","Checklists; correspondence with artists","Invitation, 5 photographs; 1 new photograph; internal memos; invitation copy; correspondence with Mrs. Lammot DuPont Copeland [collector of the year]","1 copy of 2/75 Bulletin; internal memos; checklists (Artmobile exhibition); label copy","1 photograph; 1 copy of catalog; 1 copy of prospectus; internal memos; checklists","Photographs; checklists; label copy; catalog copy; research; invitation copy; correspondence with NC Museum of Art; internal memos; mailing list; 1 copy of invitation","2 photographs; \"1940, Remember?\" clipping; correspondence with Library of Congress Prints \u0026 Photographs Division; internal memos; research; checklists","Catalog, \"Observations on …,\" \"Collecting,\" 2 photographs; 2 new photographs; correspondence with O'Neal; checklists; internal memos; catalog copy; biographical information","4 new photographs; catalog","Catalog, 4 photographs; 4 new photographs; checklists; correspondence with Lewises; internal memos","Catalog, invitation, 6 photographs; 2 new photographs; 1 copy of prospectus; internal memos; invitation copy; correspondence with Robert Buck (juror, Director of Albright Knox)","1 internal memo","1 catalog, 5 photographs; 1 new photograph; internal memos; checklists","Invitation, 6 photographs; 6 new photographs; correspondence with University Art Gallery (Rutgers, organizer); internal memos; invitation copy; correspondence with VM Youth Guild; clipping; correspondence from visitors; 1 copy of catalog; list of books for sale at VMFA Shop","\"Art as Adornment\"; 10 photographs; internal memos; checklists; label copy; catalog copy","3 new photographs; 3 duplicate photographs; correspondence with Art Museum of South Texas (borrower)","Correspondence with Josef Albers Foundation; correspondence; internal memos","Invitation, catalog; internal memos; correspondence re: successful NEA grant; grant   materials; statistics","1 photograph; internal memos; checklists; correspondence with Light Gallery (lender); correspondence with Siskind","Press release; photographs; correspondence with AFA (circulator); correspondence with Museum of Primitive Art (lender); drawing (photocopy); in use list; internal memos; correspondence with African Arts magazine; clipping","Poster, catalog, 1 photograph; 4 new photographs; correspondence with AFA; checklists; internal memos; exhibition contract; invitation copy; correspondence with African Arts; correspondence with Museum of Primitive Arts; correspondence with local TV station","\"Masterpieces of Pre-Columbian Art,\" 5 photographs; 1 new photograph; internal memos; label opy; Artmobile slide lecture copy","Correspondence with Museum of the American Indian (organizer); internal memos; clipping","Correspondence with Met (organizer); internal memos","Correspondence with Hyatt re: possible accommodations; correspondence with AAM; internal memos","3 photographs; 3 new photographs; correspondence with lenders; request for information forms; checklists; shipping information and receipts; 1 copy of invitation","3 photographs; 3 new photographs; 1 copy of brochure (\"Landscape in Photography\");   internal memos; checklists","12 photographs; brochure copy; internal memos; checklists; panel copy; press releases","Correspondence with artist; 1 copy of invitation; clipping; internal memos; press release","3 photographs; 12 new photographs; correspondence with MOMA (organizer); checklist; exhibition contract; internal memos; clipping; MOMA materials","Unsigned certificate; 2 photographs; duplicates: letter 8/1/75, 2 blank information forms","Photographs","2/75 Bulletin, invitation, 1 photograph; 2 new photographs; internal memos; correspondence with artist; shipping information and receipts; biographical information; label copy","Invitation; 2 photographs; 4 duplicate photographs, 11/14/74 memo; internal memos; label coy; blank floor plan; 1/75 Bulletin; correspondence with artists; clippings; invoices [lots of correspondence re: student show]","21 photographs; information forms; biographical information; correspondence with artists; internal memos; label copy","2 photographs; duplicates: Roanoke prospectus, Peninsula prospectus, Roanoke catalogue; clippings; correspondence with artists; prospectus copy; juror biographical information; internal memos; correspondence with jurors; NOVirginia prospectus; annotated Roanoke prospectus; checklists; signed certificates; invitation; blank certificates","Photographs; drawings (photocopies); panel copy; research; catalog copy","Checklists by object type (transferred contents of a binder)","Photographs","3 photographs; internal memos; correspondence re: events such as demos and clinics; research; correspondence with visitors; invitation copy; correspondence re: catalog; correspondence with lenders; checklists","Label copy; checklists; research","Photographs; correspondence with lenders; internal memos; correspondence with Virginia Commission of the Arts \u0026 Humanities re: special funding; checklists; research","Catalog copy; research; checklists; labels","Photographs; checklists; other lists","15 photographs; shipping information and receipts; catalog proof; checklists; catalog copy; research; lists by type","10 photographs; 2 new photographs; correspondence with Toledo Museum of Art (organizer); checklists; insurance certificate; clipping, correspondence with Steuben; 1 copy of \"Steuben: 70 Years of American Glassmaking\"; internal memos; correspondence with publicity","\"Forms in Metal\" catalogue; 1 photograph; correspondence with Museum of Contemporary Crafts (organizer); exhibition contract; Museum of Contemporary Crafts materials; internal memos; drawing (photocopy)","3 photographs, invitation, reply card; 1 copy of catalog; correspondence with Lawrence Alloway (juror); invitation copy; internal memos; correspondence with members of arts organizations coming to ceremony; guest lists","Exhibition contract; correspondence with MOMA (organizer); MOMA materials; checklist; internal memos","Checklists; correspondence with University of New Mexico (organizer); research; exhibition contract; internal memos; correspondence with Western Association of Art Museums (organizer); biographical information; drawing (photocopy)","2 photographs; correspondence with Dean Brown Foundation (curator is Carol Brown, widow) and Akron Art Institute (organizer); internal memos; biographical information; AAI materials","Correspondence with Bowdoin (organizer) [cancelled]; Bowdoin materials","3 photographs; correspondence with Israel Museum; clippings","2 photographs; correspondence with Museum of the American Indian; correspondence with Phillip Morris (connection to Museum of AI)","Catalog, prospectus; statistics; letter to members of \"Richmond Communicating Artists\"","Photographs; internal memos; VMFA materials; label copy","One press release [written by Bob Keefe] re: Reeves collection","Internal memos","Correspondence with Terry Dintenfass (organizer); internal memos","19 photographs; correspondence with Gallery Association of New York State (organizer); internal memos; checklist; correspondence with Architectural League of NY (organizer); budget materials (for fundraising); GANYS materials","Photographs; 2 slides","1 drawing; 1 photograph; duplicates: museum tear sheet; general museum and various exhibitions' label copy; catalogue or essay copy for \"The 18th Century Drama\"","Biographical information","Attendance statistics","Label copy","Fact sheet","List of music for Danish Silver exhibition","Lists of alumni in Richmond","2 drawings; Leslie Cheek Jr.'s notes","2 drawings","3 drawings","3 drawings","2 checklists of members","1 drawing; list of photographs for panels","1 drawing","\"Remarks\" 5/25/77","Internal memos; article copy; checklist; correspondence re: permission to publish images","1 transparency; catalog copy; internal memos; correspondence with lenders; research; correspondence re: transparencies; correspondence with Mariner's Museum","Internal memos; correspondence with lenders; correspondence re: transparencies; catalogue copy","Blank information forms","Catalog copy","1 photograph [Vose Galleries]; correspondence with lenders who denied loans","Catalog proofs","Correspondence with Suffolk Art League","Correspondence with Mint Museum; Mint materials","1 copy of \"The Virginia Peninsula Today,\" 11/76; speech copy","Checklists; correspondence with Met re: possible loan","Invitation lists","2 duplicate photographs; 2 new photographs; request for information forms; correspondence with potential lenders","Checklists; internal memos re: postcards for sale (correspondence with other museums' shops)","Press release (8/26/74); correspondence with Mariners Museum; internal memos; clippings; fact sheet","3 photographs","Photographs","Photographs","Request for information forms (folder 2)","Request for information forms","Internal memo; correspondence with Vose re: catalogue; Artmobile label/brochure copy","Budget information; internal memos","Artmobile label copy; Artmobile layout drawing (photocopy)","Research","Slide lists","Internal memos; Artmobile brochure; checklists; Artmobile teachers' kit; clipping","Photographs","Correspondence with potential lenders; internal memos","Correspondence","Correspondence with lenders; correspondence with Mariners Museum; checklists","Checklists","Checklists; correspondence with Mariners Museum","1 slide; 1 photograph (A. Cary Smith, portrait of the Yacht Agnes); correspondence with lenders; research; internal memos; schedule; correspondence with mariners Museum; clippings; other materials","Internal memos; invitation lists; correspondence with attendees/invitees; clipping","Correspondence and internal memos re: budget","Lists; schedule; correspondence with Mariners Museum; correspondence with film companies; internal memos","Budget information; internal memos; correspondence with Mariners Museum; correspondence with NEA; clipping; grant application","6 photographs; correspondence with NNS; 1 copy of \"3 Generations of Shipbuilding\"; NNS materials; \"Men, Ships and the Sea\"; Bring Her Home\"; label copy for publicity photographs0; \"Always Good Ships\"","Label copy","14 duplicate photographs; 2 new photographs; 1 drawing; internal memo","Invitation; invitation list; correspondence with Mariners Museum; internal memos","1 photograph; internal memos; correspondence re: cancellation of Virginia Architecture 1976 (Reality and Revival is the replacement); label copy; drawings of panels (photocopies); '76 AIA honor program","Internal memos (2)","Signed certificate; correspondence with juror (Alan Shestack); correspondence with artists; checklists; internal memos; one entry","Prospectus; photographs; 1 copy of catalog (annotated); biographical information on juror (Alan Shestack, Director of Yale University Art Gallery); checklists; catalogue copy; prospectus copy; un-annotated copy of catalog","2 photographs; internal memos; correspondence with artist","1 photograph; 1 invitation; checklists; internal memos","1977 invitation; internal memos; '77 catalogue; correspondence with NEA re: grant; '77 prospectus; correspondence with juror (Lloyd Herman)","25 slides, 9 photographs; 1 duplicate photograph; clippings; correspondence with Santa Barbara Museum of Art (organizer); internal memos; correspondence with SITES (circulator); 1 copy of catalog; labels; schedule; checklists; Santa Barbara materials, including press release and prospectus; exhibition contract","Photographs; invitation list; announcement; correspondence with artist; announcement copy; price list; entry blank, invitation (signed \u0026 22/58)","Photographs; invitation list; price list; entry blank; announcement; announcement copy; biographical information; internal memos; correspondence with artist","3 photographs; invitation list; entry blank; invitation; internal memos; clipping; biographical information; correspondence with artist","1 photograph; invitation; announcement proof; correspondence with purchasers; biographical information; checklists; invitation list; correspondence with artist","3 photographs; announcement; announcement copy; invitation; internal memos; entry card; correspondence with artist; biographical information; invitation list","3 photographs; announcement; checklists; entry blank; invitation list; correspondence with artist; invitation; biographical information","2 photographs; checklists; correspondence with artist; artists' sale terms and conditions; announcement; invitation list; biographical information; invitation; internal memos","Announcement; invitation; correspondence with artist; announcement copy; biographical information; invitation list; internal memos","Announcement, invitation; announcement copy; biographical information; entry blank; Guggenheim fellowship application; clippings; correspondence with artist; invitation list","Invitation; schedule; 1 copy of prospectus; correspondence with Thalhimer's; internal memos; statistics; correspondence with artists","Prospectus copy; label copy; jurors' statement copy; 2 copies of catalog (1 annotated; 1 not); catalogue copy; correspondence with visitor re: complaint about nude woman in painting","5 photographs; 8 duplicate photographs","Signed certificates; 1 photograph; invitation; internal memos; correspondence with artists; correspondence with juror (Suzanne Delehanty); checklists; statistics","Checklists; correspondence with Thalhimer's; correspondence with artists","Checklists; correspondence with artists","Form letter to Virginia artists from Director Peter Mooz; correspondence with purchasers; correspondence with artists; internal memos; invitation list; reply cards","Internal memos","Invoices; budget information; incident report; correspondence with artist","Invitation; clippings; poster; materials from other exhibitions","Clippings; materials from other exhibitions","Postcard; checklists; label proof; lecture; invitation copy; installation drawing [checklists from Edwin A. Ulrich Museum of Art, Wichita State University)","7 photos; 5 new photos","Correspondence with Wichita State; correspondence with Lewises; correspondence with artist; correspondence with Whitney (other venue)","Invitation, reply card, brochure; 5 photographs; 1 copy of catalogue: \"The Proctor \u0026 Gamble Company Antique English Coffee Pots: The Folger's Coffee Collection\"; correspondence; internal memos; correspondence with the Rowland Company (organized the show); correspondence with Proctor \u0026 Gamble; invitation copy","3 photographs; correspondence with lenders; clippings; internal memos; correspondence with Lewises (lenders of typewriter eraser)","Invitation, 5 photographs; 33 new photographs; clippings; internal memos; correspondence with Kreegers; checklist; drawings (photocopies); invitation list; research; label copy; invitation copy","Internal memos; specs. For A.V. presentation; presentation copy","Invitation; invitation copy","2 slides; photographs; internal memos","Photographs","Budget information; internal memos; invoices; research on Owen Cheatham Foundation","Correspondence with public; correspondence re: copyright; internal memos; publicity schedule","Internal memos; label copy; checklists; drawings (photocopies)","Label copy; internal memos; catalogue proofs; correspondence re: copyright; invitation; checklists","Internal memos re: duties \u0026 plans","Clippings; internal memo","Checklist; research of the objets d'art; Owen Cheatham catalog (1 annotated; 1 not)","40 slide set from MOMA","Clippings","1 copy of VMFA operating budget, 1976-77","2 slide lists (102 slides \u0026 40 slides); checklists; MOMA brochure re: slide set","Correspondence with speakers and hostesses","Installation instructions; internal memos; checklists; drawings (photocopies); correspondence with MOMA; MOMA materials","Correspondence with MOMA; internal memo","Checklists; correspondence with MOMA; MOMA materials","Internal memo re: related books in VMFA Shop; exhibition bibiliography","Photographs","Richmond Sinfonia program; letter from MOMA (6/20/75); exhibition contract; internal memos; correspondence with MOMA; budget information; MOMA invitation; American Art Since 1945 (1 copy of catalogue, loose)","Invitation (3 pieces); invitation list; internal memos; correspondence with MOMA; invitation copy","1 photograph; correspondence with Lewises; clipping; internal memos","Checklists (MOMA materials)","Internal memo","Internal memos and information re: Brandts' trip to Greenville to see show","MOMA materials for labels","Correspondence with MOMA re: posters","Photographs; clipping; correspondence with Mark Davis (curator at the Century Association); internal memos; checklists; label copy","Brochure (summer exhibition announcement), 1 photo; 19 slides; 3 photos; correspondence with SITES (circulator); checklists; internal memos; exhibition contract","Summer exhibition announcement; 8 slides; 9 photos; correspondence with SITES (circulator); exhibition contract; checklists; internal memos; SITES materials including SITES press release; clippings; label","2 photos; checklists; internal memo","2 photos; 5 slides; internal memos; correspondence with artist; clippings; correspondence with Bowdoin (circulator); Bowdoin materials; checklists; budget information; biographical information; research","Correspondence with various institutions; correspondence with visitors; internal memos; correspondence with publicity; materials from other exhibitions; invitation; invitation copy; installation drawing; checklist","Clippings; internal memo","Correspondence with AFA re: circulation, catalogue proof inserted in file","Internal memos; correspondence with printer re: mistake; correspondence with AFA; catalog copy; checklists; correspondence with Wiltshire","Photographs","Checklist","Slides","Invitation; catalog copy; checklist","Drawings (photocopies); internal memos; budget information; checklist","Invitation; invitation lists; internal memos; correspondence with AFA","Label copy","Label copy; correspondence with Weisgall; biographical information; checklists; research","Frames checklist; correspondence with Weisgall; March'78 Bulletin","Correspondence with Weisgall; internal memos; clipping; catalog; catalog copy; budget information","Photographs","Invitation, Richmond News Leader clipping (1/30/78); internal memos; correspondence with musicians; program copy; all re: musical program, musical scores; one copy of \"The Collecting Muse: The Nathalie \u0026 Hugo Weisgall Collection\"","Poster","Clippings","Budget information; internal memos; correspondence with Fred Hughes of Andy Warhol Enterprises; correspondence with sponsors; correspondence with Coe Kerr Gallery; correspondence with artist; correspondence with Weisman; checklists [no signatures]","Postcard (2), 7 photos; 2 new photos; clippings","1 photo; internal memos; catalog proofs; clippings; correspondence with VCU re: silk screening project; budget information; catalog copy","Correspondence with potential lenders","Photographs; slides","Correspondence with MFA Boston (lender)","Correspondence with Chrysler (lender)","\"NEW\" loan agreement form","Correspondence with Ackland (lender)","Correspondence with AIC (lender)","Correspondence with BMA (lender)","Correspondence with Phillips (lender)","Correspondence with Clark (lender)","Correspondence with Mellon (lender)","Correspondence with Met (lender)","Correspondence with NCMA (lender)","Correspondence with lender","Correspondence with various institutions; checklists; internal memos; clippings","2 invitations (6 parts total); internal memos; invitation list","Budget information; internal memos; Virginia Commission for the Arts \u0026 Humanities grant information","IPR's; internal memos (form about 1 year old for IPR)","Drawings (photocopies); checklists; internal memos","Clipping; internal memos; press release copy","Checklist (4 part)","Label proofs; label copy; 1 copy of checklist","Label proofs; **clippings inserted in folder at end**","Invitation; prospectus; internal memos; program schedule; correspondence with hostesses; schedule; correspondence with juror (Thomas Barrow, Associate Professor of Photography, U of New Mexico)","Invitation; internal memos; drawings (photocopies); correspondence with Ms. Conover Hunt-Jones (consultant); checklists; correspondence with sponsors; budget information","Internal memos","Label copy","Photocopy from a catalog for scientific instruments","LACMA press release, \"Major Silver and Mosaic Collections…\"; label copy; research; LACMA materials (circulator)","Biographical information on John Gilmore Ford","Checklist proof; checklist copy","Internal memos; IPR's; budget information","1 duplicate photo","Exhibition contract; correspondence with LACMA; internal memos","Correspondence with Gilberts; internal memos; correspondence with LACMA","Internal memos; drawings (photocopies); 1 copy of LACMA paper; correspondence with LACMA","Invitation (2 – both in 2 parts); internal memos","Correspondence with public (all wanted to know dates of show after reading Smithsonian!)","Envelope containing checklist from Ford with insurance values; 1 copy of invitation; 1 copy with catalog","Budget information; IPR's","Label copy; research","8 new photos; 2 duplicate photos; drawings (photocopies); checklists; internal memos","Clippings; label copy; invitation copy; 1 copy of Weisgall invitation","Empty folder","14 new photos","Correspondence with hostesses; correspondence with Collectors Circle members; mailing list; correspondence with Ford","2 photos; duplicates: invitation, November '78 Bulletin; 1 copy of Collectors Circle program","Internal memos","Invitation, Guggenheim press release; correspondence with lenders; correspondence with Guggenheim (circulator); drawings (photocopies); checklists; clippings; internal memos","Checklists; label copy","Budget information; slide script copy","Internal memos; correspondence with Guggenheim; schedule for Contemporary Art One-Day Symposium (2/14/79)","Label copy; loan agreements; correspondence with lender; internal memos","Checklists; script copy; catalogue copy; clippings; correspondence with visitor; copy of Guggenheim brochure; research; label copy","5 duplicate photos; 9 new photos","Exhibition summary, form letter, information questionnaire; checklists; drawings (photocopies); internal memos; correspondence with galleries re: biographical information for artists; clipping","13 slides; open house poster; catalogue; label copy","Checklists; catalog copy","Drawing (photocopy); checklists","Remarks by Woodward at press conference; clippings; remarks by Mooz at press conference","IPR's; budget information; calendar","Internal memos; meeting minutes, panel drawing (photocopy)","1 piece of correspondence with Columbus Museum of Art re: show","Empty folder","Checklists; annotated gallery guide","Agenda; family tree; IEF materials; correspondence with IEF; notes; internal memos","Correspondence with IEF; correspondence with visitors; internal memos; correspondence with corporate sponsors; schedule; correspondence with other museum locations; exhibition contract","Internal memos; invitation copy; schedules; meeting minutes; checklists","14 photos; correspondence with IEF","1 copy of bumper sticker; place card; brochure; announcement; internal memos; meeting minutes; correspondence with IEF; clipping","Invoices; IPR's; internal memos; budget information","Checklists; internal memos","Note","Invoices; internal memos; budget information","Internal memos; drawings (photocopies); correspondence with Lewises re: closing Art Nouveau facility","List of films \u0026 lecturers from IEF","Correspondence with IEF re: Duke's address; internal memo","Internal memos","Internal memos; lists of tour groups","Biography, general information, itinerary, \"Short History of Chatsworth\"; IEF materials (including press release)","Timetable; meeting minutes; proposed schedule","Agendas; notes; checklists; internal memos","IPR's; internal memos; invoices","\"A.V. Program\" script; correspondence re: school A/V program; internal memos; budget information","Budget information; internal memos; correspondence with IEF","Calendars; internal memos","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF; 1 copy of the \"Chatsworth Herald\"; guide for children published by VMFA","Schedule; internal memos; correspondence with IEF","Internal memos; meeting minutes","Photos; NEA reports","Correspondence with IEF; correspondence with other museums (including invitation","Internal memos; budget information","Exhibition contract; correspondence with IEF; correspondence with corporate sponsor","Internal memos; correspondence with patrons","Internal memos","Internal memos; correspondence with ESU branches; correspondence with IEF","Internal memos; correspondence with IEF","Huge final report; internal memos; budget information; back-up report information","Internal memos; correspondence with invitees; meeting minutes; correspondence with IEF","Correspondence with IEF; internal memos; correspondence with other museums","Clippings; internal memos; correspondence with publicity; TV spot script; budget information; correspondence with IEF","Weekly reports; internal memos","Price lists; internal memos; invoices; correspondence with other museums","Internal memos; drawing (photocopy)","Envelope that couldn't open without ripping","Slide lists; budget information; correspondence with other museums; correspondence with printers; internal memos; correspondence with IEF; correspondence with Duke; reports","Final report on sales; internal memos; teacher form letters \u0026 materials; group bus forms; \"docent study materials\" from Toledo Museum of Art","Internal memos","Prospectus; internal memos; statistics; correspondence with hosts; correspondence re: juror (Lasansky)","Invitation; internal memos; label copy","Internal memos; meeting minutes; annotated gallery map","Correspondence with artists whose work purchased by Museum; internal memos; '79 prospectus; '79 invitation; correspondence with D'Arcangelo (juror)","Invitations; invitation list; internal memos; invitation copy","Schedule draft","Checklists; label copy","Correspondence with visitors and inquiries about show","Clippings; internal memos; list of press kits sent","Invitation lists; correspondence with Lewises for names","List of music; sheet music","Research; 1 piece of correspondence with Yvonne Brunhammer","Program, invitation; correspondence with attendees; clipping; correspondence with speakers; internal memos; participant list; invitation lists; 1 copy of program for 1977 \"Great Collectors of American Decorative Arts\" weekend","Internal memos; correspondence with printers; printers' materials","Budget information; correspondence with lenders; checklists; research","5X7 cards per object","Photographs; photocopies of images","Checklists; clipping; label copy; research","Internal memos; correspondence with film organizations \u0026 vendors; IPR's; information and catalogs for projectors","2 invoices from shipping company","Correspondence with Gras re: insurance for French loans","Correspondence re: shipping of works","Correspondence with other museums re: possible travel","Photocopies of photographs","Photographs; internal memos; checklists; drawings (photocopies)","Invoices; catalogue copy; correspondence with Martin Battersby (essayist)","Label copy","Research","Correspondence with Brunhammer (conservateur @ Musée des Arts Décoratifs, Paris) re: French loans; checklists","Correspondence with d\"Iberville @ Museum of Decorative Arts, Montreal re: possible venue for show (denied)","Correspondence with Harris (guest curator); research; internal memos; Harris; c.v.; schedules","Photos; 1 new photo; correspondence with AIC (lender); loan agreement","Photo; correspondence with BMA; loan agreement","Correspondence with BHP","Photo; correspondence with BF; loan agreement","Correspondence with MFA, Boston","Photos; 1 transparency; correspondence with BAD; loan agreements; checklist","1 duplicate photo; correspondence with Brooklyn; internal memos; loan agreement; research","Photos; correspondence with Merklen; loan agreements; research","Photos; correspondence with Chrysler; loan agreements","Photos; correspondence with CMA; loan agreements; label","Photo; correspondence with CMG; loan agreement","Photos; correspondence with Fine Arts Museum; loan agreements","Correspondence with Haskell; loan agreement","Correspondence with LC; loan agreements","1 photo; correspondence with Lieberman; loan agreement","Photo; correspondence with Darien House, Inc.","Photos; correspondence with Macklowe; loan agreements","Photo; correspondence with McNay; loan agreement","Photos; correspondence with Maryhill; loan agreements","Photo; correspondence with Gallion","Photo; correspondence with Musée; loan agreement","Correspondence with MOMA; loan agreements","Correspondence with NARA","One negative (8 X 10); correspondence with NYPL; loan agreement","Photos; loan agreement; correspondence with Pollard","Photo; correspondence with Pratt; loan agreement","Correspondence with Reed; research","Transparency; 9 duplicate photos; correspondence with Schimmel; loan agreement","Photo; correspondence with Silverman; correspondence with Sotheby's; loan agreement","Correspondence with Sommer; research; loan agreement","Correspondence with U of CA","Empty folder","Correspondence with Vitry; loan agreement","Photos; correspondence with Wittamer de Camps; loan agreements","One photo","Two duplicate photos","Correspondence with University","Correspondence with SDSU","Correspondence with NGA","Correspondence with Musée","Correspondence with Met","Correspondence with DIA","Correspondence with Delaunay","Correspondence with Albertina","Correspondence with Gallery","1 poster; internal memos; label copy; 1 copy of brochure","Internal memos; donor lists; list of lenders; correspondence with invitees; 1 copy of invitation; correspondence re: and with Collectors' Circle","Budget information, IPR's","List of invitees; correspondence from invitees","Label copy; internal memos","1 copy of member mailing with brochure; donor lists; brochure copy","Notes","Internal memos; budget information; checklists","Internal memos; drawings (photocopies); checklists","Label copy; 1 copy of brochure; 1 copy of \"The Tidewater Guide\" (5/80)","23 photos; 1 duplicate photo; 1 copy of brochure","19 photos; internal memos; mailing lists; clippings; correspondence re: catalogue; label; correspondence with lending brochure copy; correspondence with public; drawing (photocopy); schedule; checklists; correspondence re: speaker; correspondence re: shirts","Photos; 5 duplicate photos; case design drawing","Brochure; 4/80 Bulletin; clippings; 1 copy of invitation; 5/80 Bulletin; 1 copy of mailing","Correspondence","1 piece of correspondence with Linda Connor (juror); 1 copy of catalog","28 photos [photos don't seem to be of Designers show]","Label copy; checklists; internal memos; drawings (photocopies); correspondence with publicity","Shipping information \u0026 receipts; label copy; internal memos; clippings; traveling checklists","SITE materials; label copy","Invitation; internal memos; invitation copy; checklists","1 poster; clipping","Photos; clippings; folder with photos; clippings; press releases","Internal memos; correspondence with publicity; correspondence with SITE; correspondence with hosts; correspondence with James Wines (co-founder of SITES, speaker); correspondence with BEST; list of invitees; budget information; schedules","Internal memos; schedules; correspondence with publicity; correspondence with BEST","Internal memos; invoices; correspondence with BEST; Purchase order; budget information, IPR's","Three photos; label copy; internal memos; correspondence with SITE; drawing (photocopy); schedules","Invitation; internal memos; correspondence with Milwaukee Art Center (circulator); invitation list; poster","Invoices; IPR's; budget information; correspondence with Milwaukee; internal memos","Internal memos; correspondence with Milwaukee; correspondence with Philip Morris; symposium program copy","24 photos; invitation; internal memos; Milwaukee materials; drawings (photocopies); checklists; correspondence with Milwaukee","10 photos; press release; 1 copy of catalogue; 1 poster; label copy; research; Milwaukee materials; 1 copy of 1/80 Bulletin; meeting minutes","Poster; label copy; catalog copy; clippings; research; 1 copy of Spring '77 AIV; 1 copy of 11/79 Bulletin","Invoices; internal memos; budget information; correspondence with MFA Houston (circulator); exhibition contract","Correspondence with MOMA; internal memos; correspondence with MFA Houston; copy of birth certificate (!)","4 new photos; internal memos; checklists; label copy; drawings (photocopies); schedules","Internal memos; correspondence with Bruce (Patrick Henry Bruce's son, who came to see show for 4 days, only venue he visited, lived in CA) \u0026 wife; correspondence with MFA Houston; invitation list","Shipping information and receipts; 1 copy of catalogue; correspondence re: catalogue requests; VFH grant application, internal memos","Photos; clippings; VFH materials; VFH grant application; correspondence with Mrs. John Dos Passos","Clippings; internal memos","Catalogue; label copy","Research; checklists; correspondence with Mary Ellen Stumpf (consultant); label copy","Correspondence with VFH; VFH materials; grant application; narrative; grant report; internal memos","IPR's; budget information","Correspondence with institutions lending images; internal memos; other museum catalogues; correspondence with Dos Passos; correspondence with Stumpf (consultant, VCU faculty member); correspondence with visitors","Annotated catalog; shipping information \u0026 receipts; checklists; correspondence with Dos Passos","10 photographs; research; list of invitees; clippings; internal memos; biographical information; correspondence with May Cossitt; subpoena for Pinkney for trial (!)","Correspondence with Ruder Finn (circulator); invitation copy; internal memos","IPR's; internal memos; invitation list","16 photos; internal memos; IPR's drawings (photocopies)","Invitation; internal memos; correspondence with AMEX; invitation copy; invitation list; 1 copy of brochure","\"Henri-Cartier-Bresson: Glimpses\"; clippings; research","Label copy; checklists","Invitation","Internal memos; catalog copy; research; label copy","Correspondence with Yale (organizer); correspondence with AFA (circulator); AFA materials (including checklist); research; 1 copy of brochure","Materials from other institutions","Correspondence with AFA; internal memos; exhibition contract; AFA materials","Internal memos; schedules; invitation copy; checklist","Drawing (photocopy); internal memos; correspondence with AFA; AFA checklist","Correspondence with Yale University Art Gallery","IPR's; PO's; invoices; [1 copy of poster inserted here]","Correspondence with AFA; internal memos; clipping","Invitation, postcard; 1 copy of other preview invitation; invitation lists; information sheet on one-day symposium","1 poster; correspondence with AFA (circulator); research; NEA application","Label copy; AFA checklists","Specs. For \"New Gallery Entrance\" (8/29/79) [remodeled a gallery \u0026 named it the Mottahedeh Gallery] by Hardwicke \u0026 Associates; IPR's; internal memos; label copy; invoices, P.O.'s; correspondence with Mottahedeh; budget information","Postcard, special events postcard, 8 photos; 4 new photos; NEA Grant narrative; internal memos; correspondence with AFA; correspondence with NY State Museum re: found Maria \u0026 Julian Martinez pottery; rubbing of their signature; label copy; invitation lists; IPR's; AFA checklist; budget information; exhibition contract; postcard proofs; drawing (photocopy); NEA Grant application","Two slides; invitations; internal memos; correspondence with Mint (organizer); installation drawings; checklist; correspondence re: opening","Clippings; catalog copy; Mint materials; invitation","Two duplicate photos; 3 new photos","Checklists; research","7 photos","Internal memos; checklists; correspondence with lenders; loan agreements","Invitation; internal memos; correspondence with lenders; loan agreements; correspondence re: opening; invitation list; invoices; installation drawing; exhibition contract","Invitation; correspondence; clippings; label proofs; correspondence with lenders; correspondence with media; correspondence with visitors; internal memos; loan agreements; checklists; research","6 photos; 7 duplicate photos","Internal memos; schedule; label copy; research","Internal memos; IPR's; budget information; invoices","One slide; 13 photos; 3 duplicate photos; correspondence with one lender","Checklist; label copy; internal memos; lecture copy; research; checklist copy","Invitation; research; internal memos; correspondence with lenders; loan agreements; correspondence with media","IPR's; invoices; internal memos","Checklists; research; list of lenders","Internal memos; checklist copy; label copy; research","Correspondence with lenders; correspondence with visitors; internal memos","Installation drawing; internal memos; checklists; label copy","Internal memos; budget information; invoices; shipping information","Invitation copy; internal memos; correspondence with lender; notes; 1 copy of invitation; 1 copy of Collectors' Circle program","IPR's; invoices; correspondence with printer; research; internal memos","Schedule; correspondence re: carpet","Label copy; checklists","Ibsen \u0026 Munch brochure, press release, poster; 4 slides; photographs; clippings; internal memos; 1 copy of checklist","Internal memos; correspondence correspondence with artists; incident report re: warehouse alarm","Internal memos; correspondence; research/notes on show idea [fascinating committee work/proposals on how to revise Virginia artists shows] [mainly Woodward, Burke, Farago]","Proposals; form letters; notes","Advanced purchase program proposal; form letters; notes; invitation","Notes (Pinkney Near); research","Catalog copy; photocopies of photos","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Mailing lists; correspondence","Internal memos; invitation list","Invitation, 5 photos, slides; correspondence with visitors; internal memos; checklists; correspondence; clippings; drawing (installation); correspondence with lender; invitation list; IPR's; budget information; notes; research","Clippings","Invoices; research; correspondence with lenders; 1 copy of catalogue","Correspondence with lenders; research","1 invoice; research","Research","10 photos; correspondence with lenders; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Slides; 1 reel to reel audiotape","Correspondence with HHK; internal memos; correspondence with other institutions","Invoices; IPR's; internal memos","Correspondence with Attorney General; exhibition contract; facilities report","Two photos (not in exhibit); museum mailings; clippings; label copy; internal memos","Mailing, 1 photo; 12 new photos; internal memos; proposals, HHK materials; mailing copy; schedules; notes","Photos; checklists; internal memos; catalog copy; label copy","Slides; label proofs","Correspondence with Portland Art Association of Portland Art Museum (organizer); internal memos; exhibition contract","Four photos; shipping info \u0026 receipts; internal memos; correspondence with other institutions [mainly Allentown Art Museum]; invoices; notes; IPR's; research","Internal memos; purchase orders; correspondence with other institutions; research","\"Why We Commemorate\" by Armenian National Committee, invitation; 1 transparency; one copy of brochure; schedules; label copy; internal memos; clippings; Portland Art Museum materials; invoices; IPR's; correspondence with Turkish ambassador; Allentown materials; notes; checklists; correspondence with Binney","Invitation list; 1 copy of invitation","10 slides; 'Scribbler' Twombly clipping, mailing card; 3 photos; label copy; checklists; clippings; DIA Art Foundation materials (organizer); invoices; catalog copy","Internal memos; correspondence with Newport Harbor Art Museum (organizer); correspondence with speaker; correspondence with visitors; drawings (installation); exhibition contract; correspondence re: rescheduling","Slides; 6 photos; 12 duplicate photos; duplicates: mailing card, 2 clippings","Slides","Checklists; label copy; catalog copy","Notes; internal memos; drawing (installation); checklists; correspondence with Delaware Art Museum (Collection home)","Label copy; catalog copy; research","Mailing brochure, catalog; slides; 3 transparencies; 19 photographs; 1 negative; 6 duplicate photos; internal memos; press release; label proofs; clippings; Delaware materials","One photo; research; notes","Invoices; IPR's; check requests; internal memos; correspondence with vendors","Internal memos; clippings; correspondence with Delaware Art Museum; correspondence with lender; correspondence with visitors; correspondence with other institutions","Clippings; bulletin; internal memos; correspondence re: publications; catalog copy; label proofs; mailing brochure copy","6 photos (duplicate in Folder 20); 1 internal memo","Notes; research","Notes; checklists; loan agreements","Checklists","Correspondence; notes","Correspondence with Office of Attorney General; exhibition contract drafts; internal memos","Exhibition contract; internal memos; correspondence with DIA","Exhibition contract; budget information; correspondence with Philbrook; internal memos; loose material \u0026 notes re: 18th century prints of antiquity/archaeology","Photos; correspondence; internal memos; budget information; notes; schedule","Internal memos; IPR's","Internal memos; IPR's; \"Publicity Outline\" report","Schedules","\"A Loan Exhibition on Display at the Virginia Museum\"; internal memos","1 piece of correspondence with Fine Arts Museums of San Francisco","Correspondence; budget information; internal memos","Internal memos; budget info [info re: Council Anniversary Fund]; notes","Symposium brochure, 2 transparencies; 2 new transparencies","Correspondence with lender (Frank Raysor); internal memos","Notes; research","Correspondence with lender (NGA); checklists","Correspondence with lender (MFA Boston); checklists","6 photos; label copy; checklists; brochure copy; loan agreements; correspondence with lender (Raysor); research","Correspondence with PAFA (organizer) [Pennsylvania Academy of Fine Arts]; clippings; internal memos; invitation; PAFA materials","24 slides; negatives; 4 photos; 4 transparencies; 1 duplicate transparency; clippings; 1 poster","Correspondence with PAFA; invoices; IPR's; internal memos; 2 envelopes of material: 1) 14 photos, 2 duplicate photos; 2) 5 photos","6 photos; 10 duplicate photos; exhibition proposal from PAFA; envelope of PAFA materials","Internal memos; notes; guest list for opening","Invitation; internal memos; guest lists; notes","Internal memos; mailings; correspondence with speakers; script copy; correspondence with PAFA; schedules","One annotated copy of catalog; checklists; notes","Catalog proofs; notes","Correspondence with visitors; correspondence with lenders; correspondence with PAFA; internal memos; exhibition contract","Invitation, catalog; correspondence with PAFA; invoices; internal memos; invitation copy; checklists; label copy","Schedule of payments; consultants; responsibilities","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Corn; c.v.; notes","Correspondence with Wood; c.v.; notes","Correspondence with Davis; obituary and correspondence with wife after his death in 3/81; c.v.; notes; brochure for his book \"Intellectual Life in the Colored South\"","Correspondence with Williams; c.v.; notes","Checklists","One internal memo","One piece of correspondence with Robert Zimmerman (Baltimore Museum of Art); 2 blank travel vouchers with Zimmerman's signature \u0026 55#","Budget information; 2 invoices from Cumberland Art Conservation Center (Nashville)","Correspondence with Atlantic Van Lines; notes","Budget information; clippings \u0026 press materials related to Greek Vases","One internal memo re: promotion budget","One piece of correspondence with prospective intern; one index card with name","Correspondence with one musician; notes; scores; one internal memo re: NEA grant (denied); \"Writing Realistic Grant Budgets\" from Museum News","Interim report for NEH Grant","Correspondence with NEH; copy of grant administrator guidelines","Correspondence with Tormey re: advertising project for Philip Morris","Two blank requests; 1 complete request","Photos; [note: not all included in final exhibition]","Correspondence with various companies re: slide set duplication; invoices","Correspondence with various institutions re: potential bookings","Correspondence with institutions who declined a potential booking; internal memos","Clippings; one internal memo re: TVA","Correspondence with Coggins (Southern painting collector); correspondence with Berry-Hill Galleries re: exhibition of Coffins' collection","Correspondence with Wolfe re: possible lecture","List of proposed programs; [collection of internal memos from David Griffith inserted here]","Correspondence with American Heritage Publishing re: catalog; proofs; one internal memos \u0026 1 piece of correspondence re: Philip Morris","Brochure copy; internal memos; copies of other children's brochures","One phone message","Loan agreement; correspondence with lender (MESDA); artist worksheet","Loan agreement; correspondence with lender (Charleston Museum is lender); artist worksheet","Loan agreement; correspondence with lender (MESDA); notes; artist worksheet","Loan agreement; correspondence with lender (Muscarelle); conservation report; memo re: treatment; artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","Research; conservation report; artist worksheet","Correspondence with Wintherthur; artist worksheet; conservation reports","Loan agreement; correspondence with Club (lender); conservation bill","Correspondence with lender (Maria Tabb); artist worksheet; receipt","Correspondence with lender (NPG); research","Loan agreement; correspondence with VHS; research","Three photos; loan agreement; correspondence with NYPL","Loan agreement; copy of accession card","One photo; loan agreement; research; correspondence with Andrew Christian; condition report; artist worksheet","Correspondence with lender; artist worksheet; research","Correspondence with lender (Colonial Williamsburg)","Correspondence with lender (Pennsylvania Academy of Fine Arts); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","1 duplicate slide; correspondence with lender (Mordecai Square Historical Society); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","One photo; correspondence with lender (St. John's Lutheran Church, Charleston); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","13 slides; correspondence with lender (Hunter Museum of Art); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Two photos; correspondence with Cheekwood re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with Tulane re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","7 photos; correspondence with Ulrich re: damage; loan agreements; condition reports","Four photos; correspondence with Valentine re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with VHS re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Four photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos, 1 slide, 1 duplicate transparency; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","11 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","10 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 slide; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Two photos; condition logs; shipping information \u0026 receipts; loan agreements; correspondence","Invoices from Atlantic Van Lines","List of lenders; correspondence; Request for Travel Authorization forms; shipping information \u0026 receipts","Invoices; correspondence; internal memos","Clippings; correspondence; internal memos; shipping information","Correspondence; checklists; shipping information","Exhibition agreement; request for travel authorizations; correspondence; shipping information; loose pages – budget information 1 copy of catalogue; checklists; forms; correspondence","Checklists; correspondence with Tabb, Brockenbrough \u0026 Ragland","Invoices; purchase orders","Invoices; checklists; budget information","Invoices; checklists; budget information","Internal memo; receipts","Internal memos; checklists; correspondence","Correspondence; budget information; internal memos; invoices; budget reports; checklists","Checklists; correspondence; invitations; internal memos; NEA Grant draft; correspondence re: opening; correspondence with Philip Morris","Internal memos; correspondence; request for travel authorization; invoices; itineraries","45 slides; correspondence with Richmond Conservation Studio (reports) – Cleo Mullins; notes; loose notes: checklists, correspondence; notes","Three of the exhibition agreements","Two photos; artist's work sheet","Correspondence with Briggs re: reproduction","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; 2 slides; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 duplicate photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Selected bibliography copy","SEMC's 2nd annual meeting materials; Charleston materials; correspondence; request for travel funds","Correspondence with other institutions; checklists","Agenda; list of registrants","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Correspondence re: ball and other programming; photocopies of pictures","Correspondence \u0026 research re: possible trips","Notes","Correspondence re: books to sell in shop; loose papers re: guest curators","Schedule of payment; responsibilities","Biographical information; research; correspondence","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Budget information","Exhibition contract; internal memos; correspondence with MOMA","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","16 photos; invitations; correspondence","Internal memos; correspondence; budget information; IPR's; invitation copy; checklists; calendars","Correspondence; internal memos; invitation list; invoices","Clippings; correspondence; internal memos; correspondence with Forbes","Internal memos; correspondence with Forbes; IPR's; budget information; Kip Forbes' biographical information","Internal memos; checks; correspondence re: tapes","Internal memos \u0026 correspondence re: Acoustiguide","Research; Acoustiguide script","One photo; invoices; IPR's; internal memos","IPR's; correspondence with Forbes; checklists","Notes; internal memos; correspondence with Forbes; copy of 1947 Pratt announcement","Two photos","Internal memos","IPR; note","Research; program proposals; press release","Blank travel reimbursement vouchers with SSN's; meeting notes","Correspondence with Forbes mainly (also Council, conservator)","6 photos; 2 duplicate photos; guest book for visitors; correspondence from visitors; 1 copy of TVA \"Gin Game\" program; internal memos; research; clippings; IPR's; invoices; correspondence with Forbes","Weekly reports; Acoustiguide; cost reports; attendance reports","Article copy; loose book dust jacket","Checklist copy; checklist proof; loose bulletins, plus 1 piece of correspondence","Label copy; research","Label copy; label proofs","Correspondence with Forbes; correspondence with Acoustiguide; label copy; research","One photo; correspondence with CINOA; internal memos; correspondence with visitors; label copy; checklists with insurance values; clippings, invitation copy; schedules; installation drawing; budget information; correspondence re: opening; research; invoices","Internal memos","Three photos; publications catalog","Catalog copy","Correspondence with CINOA; foreword copy; checklists; internal memos","Correspondence with CINOA; internal memos","Correspondence with CINOA; clippings; notes; internal memos","Correspondence with CINOA; exhibition contract; notes; photocopies of photos of exhibition at Metropolitan Museum of Art","24 duplicate photos; 10 new photos","Correspondence; internal memos; invoices; notes; checklists [correspondence only with Kimbell]","Correspondence with Hunts; Collectors Circle invitation; clippins; checklists; internal memos","One photo; \"Ancient Art Shows Shifting Images\"; clippings; Kimbell materials, 1 copy of poster; attendance figures","Outline; correspondence with speaker; itineraries; invoices; internal memos","Two photos; copy of a review; correspondence with Kimbell; internal memos; Mayo essay copy; correspondence with Mayo; essay; reviews","Invitation; invitation copy; mailing lists; internal memos","13 slides; condition reports; correspondence with Getty conservator; correspondence with Kimbell; internal memos; research","Attendance figures","Correspondence with Kimbell; internal memos; checklists","2 photos; 19 photos; 3 drawings; checklists; purchase orders; internal memos; panel copy; label copy; correspondence with other institutions; invoices","Five duplicate postcards; correspondence with SITES (organizer); SITES material","Symposium brochure; correspondence with other institutions; correspondence with SITES; internal memos","Correspondence with Calouste Gulbenkian Museum (lender); internal memos; correspondence with IEF (organizer); IEF materials; correspondence with Lewises","Drawings (photocopies); correspondence; internal memos; checklists; label copy","Grant application (NEA); clippings; internal memos; IEF materials (including press release \u0026 fact sheet)","Exhibition contract; correspondence with Gulbenkian \u0026 IEF; internal memos","Label copy; label proofs; checklists","Correspondence between Ernst and Brown regarding being collector of the year (he declined); correspondence from Anne, which includes copies of correspondence between Lothar Griesbach (\"who edited Kirchner's Diary of Davos\") and Ernst regarding paintings the Fischers acquired before collecting Expressionists","Correspondence in the late 1970s between Pinkney and Ernst regarding his collection, including photocopies of pictures of the house taken when PN went to Frankfurt in 1976; correspondence in the mid 1980s between Pinkney and Anne regarding the museum","Typeset copy of Fred Brandt's interview with Mrs. Fischer, 32 pages","Typeset and annotated copy of Fred Brandt's interview with Simon and Fischer, 18 pages","Internal memos and correspondence regarding exhibition, including Anne to Fred, Perrot, and others","Internal memos and correspondence regarding exhibition, including Anne to Fred; correspondence between Simon and you regarding loan forms, checklist accuracy, and one photocopy of a handwritten document detailing the ownership of the collection","Internal memos and correspondence regarding the exhibition catalog","List of 27 questions for Fred's interview with Mrs. Fischer, in various forms; includes some of Fred's notes","Invitation","1 photo","Catalog","9 photos","Budget information; invoices; notes; correspondence \u0026 contracts for M.H. de Young (San Francisco) and Kimbell; notes; correspondence and invoices for author's contract","Budget information; internal memos","Correspondence; invoices; contracts for MOMA design \u0026 labor","Notes; internal memos; check requests","Brochure; internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; contract copy; correspondence with institutions; checklists","Internal memos; notes; installation drawing (copy)","Internal memos; label copy","Internal memos; attendance figures","Correspondence re: insurance","Internal memos; correspondence with Colin Morris; contract","Invoices; check requests; correspondence with institutions; internal memos","Brochure, press packet; Kimbell materials; invoices","Internal memos; correspondence with press; author C.V.'s; correspondence with authors; catalogue copy","Budget information; NEA report; internal memos","Label proofs","Internal memos; budget information; invoices; check requests; reports; catalogue copy (including checklist)","Photographs; correspondence with Trust for Museum Exhibitions (organizer); catalog copy (including checklist); 1 annotated copy of catalog","Checklists; correspondence with Trust for Museum Exhibitions; drawing (copy)","Correspondence with Trust; internal memos; correspondence re: Federal Indemnity Act; J.B. Speed materials","Internal memos; budget information; schedule","Contract; correspondence with Trust","Press release; press packet; label proofs; label copy; old correspondence with Cheek re: possible exhibition of his early Theatre drawings in 1987; internal memos; TVA materials; notes","Label proofs; clipping","Checklists; internal memos; clippings","Correspondence from visitors; internal memo re: opening","Invitation; checklist","Correspondence with IEF (circulator); contract; internal memos","Correspondence with Chester Beatty Library (organizer); correspondence with IEF; internal memos","Research","Empty folder","Five photos; IEF materials; research; installation drawing (copy); checklists; budget information; correspondence with IEF","Three photos; educational packet; SITES materials (circulator) including checklists; actual labels; internal memos; installation drawing (copy); invoices; study guide; 1 copy of brochure; 1 copy of mailing","Contract; correspondence with SITES; correspondence with Attorney General","Loan agreements; correspondence with lenders","Smithsonian mailer; internal memos; notes; clippings; correspondence; budget information; correspondence with SITES","SITES materials","8 photos; internal memos; invoices; correspondence with Craft Museum; brochure, \"Philip Morris and the Arts'; press release; craft materials","Internal memos; checklists; Craft Museum materials","Correspondence with Craft Museum; contract; invoices; internal memos","Internal memos; checklists; notes","Internal memos; correspondence with Mount Holyoke College Art Museum (organizer)","Internal memos; correspondence with Mount Holyoke; internal memos; invoices; correspondence with Attorney General; 1 copy of brochure","Internal memos; correspondence with Mount Holyoke; Mount Holyoke materials","One photo; internal memos; incident report; hygrometer readings; correspondence with lenders; correspondence with Art Gallery of Ontario (organizer); hygrometer information; piece of fabric; press kit; clippings; correspondence with Glasgow Library","Internal memo re: attendance; check copy","Internal memos; notes; correspondence with Glasgow","Contracts; internal memos; correspondence with institutions; correspondence with Attorney General; invoices","Drawings (copies); checklists; Ontario materials","Internal memos; correspondence with Ontario","Ontario materials","Checklists; Ontario materials; correspondence with Glasgow; budget information","1 photo; 1 new photo; invoices; budget information; correspondence; internal memos; 1 copy of Sept/Oct '88 Bulletin; checklists; clippings; drawings","Budget information; invitation; internal memo; label copy","Contract; correspondence with Center for African Art (organizer); correspondence with Attorney General","Catalog copy; catalog proofs; correspondence with Center for African Art","Research; article","Research; article","Research (copy of catalog article)","Label coy; research; correspondence with Center for African Art","Press release; CFAA materials; checklists","Label copy","13 photos; 2 duplicate photos","Clipping; internal memos; contract drafts; invoices; Bulletin copy; exhibition contracts","Correspondence","Correspondence","Correspondence","Two photos; contract drafts; press releases; correspondence with Attorney General","9 slides; 8 photos; drawings; invoices; correspondence with IMA [Indiana Museum of Art] (organizer); exhibition contract; catalog copy; checklists; press releases; internal memos; research; correspondence with Attorney General; 1 catalog/brochure","Checklists; notes; internal memos; correspondence with IMA; IMA materials","Label copy","21 slides; 1 transparency; 29 photos; other institutions' materials; correspondence with Philbrook (organizer); internal memos; Philbrook materials; checklists; label copy; mailing lists; Philbrook press packets; press releases","Contract; correspondence with Philbrook; internal memos","Correspondence with Philbrook; internal memos; budget information","6 photos; duplicates: brochure, invitation; media kit; internal memos; High Museum materials; Studio Museum poster; American Museum Association 1987 catalog; drawings; research","Checklists; label copy","Notes; label copy; label proofs","Internal memos","6 photos; press release (Philbrook); checklists; correspondence with AMA","Internal memos; correspondence with other institutions","Exhibition contract; correspondence with AFA \u0026 AMA","1 clipping; budget information","Internal memos; contract; correspondence; checklists","Contract; correspondence with Denver Art Museum (organizer); correspondence with Attorney General","Postcard mailing; 3 photos; internal memos; exhibition contract; drawings; 1 copy of 1990 Un/Common Ground prospectus","Contract; correspondence with Southeastern Center for Contemporary Art; AVirginia brochure","Internal memos; checklists; correspondence with SCCA; label copy; clippings; SCCA materials","1 copy of catalog; internal memos; checklists [George Cruger show]","Correspondence with Names Project; internal memos; media materials","One photo; internal memos; correspondence with Menil Collection; press releases; label copy; drawings; invoices; exhibition contract; checklists","Correspondence with Menil; label copy; internal memos; drawings; checklists, research","2 photos; checklists; label copy; internal memos; correspondence with Virginia Dept. of Education; artwork permission forms","Internal memos; invoices; correspondence with Philadelphia Museum of Art (lender)","7 photos; internal memos; invoices; label copy; press releases; budget information correspondence with Carter Collections' curator; correspondence with speaker","Internal memos; correspondence with Carter Collection; security system specs and drawings","Correspondence with MOCA Chicago (lender); label copy; internal memos; research","Internal memos; correspondence with BEST; checklists","Correspondence with AFA; drawings; AFA materials checklists; invoices; clipping","Mailing lists","Clippings; correspondence; research","Correspondence; correspondence with AFA; AFA materials","Label copy","Correspondence with AFA; research re: African dance","Correspondence; checklists; invoice","Internal memos; correspondence with AFA; correspondence with videographer and contract","Internal memos; research; events listing","Internal memos; correspondence with AFA","Internal memos; contract; budget information; invoices; correspondence with AFA","Notes; internal memos","Checklists; correspondence with AFA","Checklists; label copy","Checklists; correspondence with AFA","Checklists","Checklists","Empty folder","Clippings","Clipping","Label copy","Brochure; correspondence; budget information; drawings; mailing list","Internal memos; correspondence with LACMA (organizer); brochure copy","Correspondence with LACMS; contract; correspondence with Attorney General; research; budget information; correspondence with David Foundation","Two photos; internal memos; press release; checklist; correspondence with LACMA; correspondence with David Foundation","MIT mailer; internal memos; clipping; budget information","Contract; correspondence with MIT list Visual Arts Center (organizer); correspondence with Attorney General; internal memos","MIT materials (including checklist); correspondence with MIT; internal memos","Correspondence with MIT; internal memos","Two photos; 4 slides; internal memos; budget information; notes; checklist; drawings","Internal memos; checklists; correspondence with Laguna Art Museum (organizer); Laguna materials (including press release, clippings)","Correspondence with Laguna; contract; internal memos; correspondence with Attorney General","Checklist; correspondence with AIA; internal memos; correspondence with architects","Correspondence with Baskervill \u0026 Son; internal memos; checklists; label copy","Internal memos; correspondence with St. Catherine's (lender); checklists","Internal memos; budget information; label copy; catalog copy; invitation copy; clippings; biographical information; checklists","Internal memos; checklists; label copy; correspondence with Council; 1 copy of catalog","Label copy; checklists; internal memos","Checklists; notes; catalog proofs","Internal memos; budget information","Internal memos; checklists; label proofs; drawings; invitations","Internal memos; schedules; clippings; prospectus; press release; checklist proofs; drawings","Internal memos; budget information; correspondence with lenders","Internal memos","Press release; internal memos; invoices; mailer; contract; budget information","Panel \u0026 label copy \u0026 proofs; drawings","Internal memos; invoices; checklists; correspondence with lenders; budget information; clippings","Internal memos; press release; DIA materials (organizer); budget information; drawings; contract","Internal memos; correspondence with DIA; invoices; correspondence with Attorney General; checklists","Internal memos; correspondence with DIA; checklists","Exhibition contract; correspondence with DIA","Three photos; duplicates: clipping; clippings; internal memos; checklist; exhibition contract; invoices; correspondence with LACMA (organizer); 1 copy of Councillor (Spring '90)","Budget information; correspondence with LACMA","Clippings; internal memos","Internal memos","Mailing list for gala","Correspondence with LACMA; checklist","Mailers; internal memos; correspondence with LACMA; correspondence with lenders; LACMA materials; internal memos","Checklists","Checklists","Internal memos; drawings; schedules; correspondence with LACMA","Panel and label proofs","Label copy","Invoices; internal memos; layouts; meeting reports","Correspondence with Albemarle Farms; internal memos; clippings; invoices; press release; correspondence with Kluges; correspondence with conservator; drawings","Internal memos; clippings; correspondence with Philbrook; shipping information; budget information; drawings","Internal memos; drawings","Internal memos; checklists; correspondence with Virginia Department of Education","Guest book; notes; press release; drawings; invitation; clippings; internal memos; hygrometer readings; contract; correspondence with National Trust for Exhibitions (organizer)","Correspondence with Trust for Museum Exhibitions; internal memos; mailing list","Internal memos; drawings; sales records; script copy; correspondence","Usage statistics; tour schedules; internal memos; correspondence","Invitation; correspondence with Trust for Museum Exhibitions; 1 copy of CMA brochure; Acoustiguide materials (contract, usage statistics, correspondence); budget information; notes; internal memos; hygrometer readings; clippings; tour statistics","Publications' materials (including schedules \u0026 drafts \u0026 copy); internal memos; 1 copy of honor roll card","Correspondence with Trust for Museum Exhibitions; correspondence with lenders; internal memo","Internal memos; correspondence with Trust; drawings; checklists","Contracts; correspondence with Trust; internal memos","Internal memos; correspondence with Trust; scripts; narrator biographical information; tour lists","27 slides; press release; drawings; invoices; label proofs; correspondence with Walter Art Center (organizer); Walker materials; internal memos; brochure","Internal memos; correspondence with Walker; Walker materials","Exhibition contract; internal memos; correspondence with Walker; checklists; invoices","Slides; internal memos; label copy; invitation copy; Art Services International materials; correspondence with Terra (another venue); correspondence with ASI; notes; budget information; correspondence with Maier; checklists; research; contract; 1 copy of invitation","Internal memos; budget information","2 photos; label copy; correspondence with Royal Collection; hygrometer readings; attendance figures; clippings; drawings; budget information; contract; correspondence","Internal memos; correspondence; correspondence with Embassy; 1 copy of invitation; correspondence with Kimbell (another venue); correspondence with Royal Collection","Invoices; internal memos; correspondence","Empty folder","Photographs; internal memos; invoices; correspondence with Royal Collection; hygrometer readings; checklists","Correspondence with Royal Collection; checklists; internal memos; label proofs","Xeroxes of photos","Correspondence with Royal Collection; label copy","Contracts; internal memos; correspondence with Kimbell; correspondence with Royal Collection","Invoices; internal memos; correspondence; correspondence with Royal Collection; checklists","Internal memos; label copy","Panel and label proofs; checklists; internal memos","Internal memos; George Eastman House materials (organizer); correspondence with GEH; invoices; exhibition contract","30 slides; 6 duplicate slides; invitations; exhibition contract; internal memos; correspondence with Dallas (organizer); checklists; Dallas materials","Internal memos; drawings","Drawings; internal memos; correspondence with Dallas; checklists; label copy","Internal memos; correspondence with Dallas; checklists; publications copy","Brochure; internal memos; press releases; invitations; clippings; publications copy","Internal memos; checklists; other institutions' materials","High Museum press kit; brochure; docent training packet; 5 ¼\" floppy with labels","Internal memos; label copy; correspondence with institutions","Panel \u0026 label proofs \u0026 copy","Internal memos; panel \u0026 label proofs; press release; correspondence with Virginia Department of Education; checklists","Internal memos; layout","One slide; duplicates: brochure, checklists, 2 summaries; St. Petersburg Museum of Fine Arts press kit; press release; internal memos; exhibition contract; correspondence with St. Petersburg; correspondence with Attorney General","Budget information; drawings; internal memos; correspondence with St. Petersburg; research; label proofs \u0026 copy","Correspondence with St. Petersburg; invitation; internal memos; correspondence with Belmont","Internal memos; brochure; invitation; St. Petersburg materials; research","Label \u0026 panel proofs \u0026 copy; correspondence; invoice","Internal memos; checklists; label \u0026 panel proofs \u0026 copy","Internal memos; correspondence with sponsor; label \u0026 panel proofs; other catalogs; research","One photo; catalog; NSAL materials; research, correspondence with NSAL; internal memos; checklists; loan agreements; 1 copy of \"The Luxury of Tears\" – winning stories from NSAL competition; publications copy","Panel, label \u0026 catalog proofs \u0026 copy","Four photos; invoices; internal memos; correspondence with Rijksdienst; loan agreement","Three photos; internal memos; correspondence with Rijksdienst; label proofs","Correspondence with UVirginia re: possible showing; drawing","Checklists; drawing; catalog copy","Internal memos; Bayly label proofs; drawings; correspondence with Bayly; checklists","Clippings; internal memos; notes; invoices; panel copy; checklists; research","Invitation; internal memos; invoices; budget information; contract; layouts; correspondence with other institutions; exhibition proposal","1989 catalogue; checklists; label proofs; drawings; correspondence with Council","Brochure; guidelines; internal memos; drawing; invitation","Checklist","Checklists; internal memos","Correspondence with Council; drawings","Checklists; internal memos; correspondence with Council","Six photos; internal memos; layouts; checklists; brochure","Brochure; 40 slides, photographs; internal memos; drawings; correspondence with Trust for Museum Exhibitions (circulator); checklists; Trust for Museum Exhibitions materials; Trust press kit; panel \u0026 label proofs; exhibition contract","Internal memos; correspondence with Trust; invoices","Invoices; internal memos; correspondence with Trust; clippings; checklists","Exhibition contract; invoices; internal memos","This series is comprised of information regarding general exhibition management. Information may include correspondence, exhibition schedules and programming, long term planning, potential partnerships with other organizations, exhibition committees, couriers, grant applications, protection of artwork, collectors, and reports. Files on potential exhibitions conceived by the museum but never presented are also included.","This series is comprised of information on gallery renovations, installations, reinstallations, fire suppression studies and hazard analyses, storage policies, and other related buildings and grounds files."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"names_coll_ssim":["Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections"],"language_ssim":["English \n.    "],"total_component_count_is":5477,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:19:09.876Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_355_c01_c4726"}},{"id":"virmu_repositories_2_resources_355_c01_c4728","type":"File","attributes":{"title":"1607/Jamestown","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_355_c01_c4728#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_355_c01_c4728","ref_ssm":["virmu_repositories_2_resources_355_c01_c4728"],"id":"virmu_repositories_2_resources_355_c01_c4728","ead_ssi":"virmu_repositories_2_resources_355","_root_":"virmu_repositories_2_resources_355","_nest_parent_":"virmu_repositories_2_resources_355_c01","parent_ssi":"virmu_repositories_2_resources_355_c01","parent_ssim":["virmu_repositories_2_resources_355","virmu_repositories_2_resources_355_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_355","virmu_repositories_2_resources_355_c01"],"parent_unittitles_ssm":["Records of the Exhibitions Department (RG-23)","Series 1: Exhibition Files"],"parent_unittitles_tesim":["Records of the Exhibitions Department (RG-23)","Series 1: Exhibition Files"],"text":["Records of the Exhibitions Department (RG-23)","Series 1: Exhibition Files","1607/Jamestown","English","box RG-23 Box TMP-334","folder RG23.01.0.4727"],"title_filing_ssi":"1607/Jamestown","title_ssm":["1607/Jamestown"],"title_tesim":["1607/Jamestown"],"unitdate_other_ssim":["undated"],"normalized_title_ssm":["1607/Jamestown"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Exhibitions Department (RG-23)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4729,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","Series 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. "],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"language_ssim":["English"],"containers_ssim":["box RG-23 Box TMP-334","folder RG23.01.0.4727"],"_nest_path_":"/components#0/components#4727","timestamp":"2026-05-21T03:19:09.876Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_355","ead_ssi":"virmu_repositories_2_resources_355","_root_":"virmu_repositories_2_resources_355","_nest_parent_":"virmu_repositories_2_resources_355","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_355.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/355","title_filing_ssi":"Exhibitions Department (RG-23)","title_ssm":["Records of the Exhibitions Department (RG-23)"],"title_tesim":["Records of the Exhibitions Department (RG-23)"],"unitdate_ssm":["1936-2015 [minimally processed; subject to change]"],"unitdate_inclusive_ssm":["1936-2015 [minimally processed; subject to change]"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-23","/repositories/2/resources/355"],"text":["RG-23","/repositories/2/resources/355","Records of the Exhibitions Department (RG-23)","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","Series 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. ","The collection is organized into 4 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series. The collection is minimally processed, so folder arrangement, titles, or dates are subject to change if additional processing occurs.","Series 1 Exhibition Files, 1936-2012, undated Series 2 Exhibitions Management, 1936-2015, undated Series 3 Collections Management, 1977-2004, undated [RESTRICTED] Series 4 Galleries, 1977-2004, undated","Many of the museum's exhibitions have published catalogs, which can be found in the Library's catalog  Pandora  or in the Archives  Catalog Collection (PB-01) . ","For each exhibition held at the museum, the Archives has a vertical file which may include announcements, clippings, press releases, brochures, reviews, invitations, small exhibition catalogs, and other ephemeral material. "," Some early exhibition records are found in the Archives  Director's Correspondence (RG-01)  and curators often created their own exhibition records which are found in the Archives  Curatorial Collection (RG-03) .","The collection was transferred from the Exhibitions Department through periodic deposits.","This collection was originally processed from June through August 2011, and then reprocessed in 2016. During processing, non-permanent materials such as copies of meeting minutes, routine correspondence, copies of invoices, departmental budgetary information, and declined exhibition proposals were destroyed according to VMFA's Records Retention and Disposition Schedule. Periodicals, books, and exhibition catalogs were transferred to the Library's collection. All files before 1980 were rehoused in new archivally sound folders. Original folder titles were generally retained, when provided.","The collection's inclusive dates are 1936-2015, with the bulk of the material dating from 1979-2004. The collection is comprised of correspondence, exhibition schedules, budgets, grant applications, photographs, object lists, notes, collection statements, planning documents, project files, policies, loan arrangements and decisions, and other materials.","This series is comprised of information regarding exhibitions that were held at the VMFA. Files may include correspondence, schedules, contracts, photographs and slides, installation drawings and procedures, label and catalog text, budgets and invoices, insurance, venue information, and publicity.","Entry card with tear-off for back of work; catalog; announcement","Copies of checklists, shipping lists and prices (for sale); exhibition circulated by Art Institute of Chicago","Catalog; packing list with values, 2 different ones","Prospectus of season, 1937-1937; large typed, spring bound copy of annotated text for inaugural exhibition catalog containing: catalog of paintings in the Museum, budget materials for exhibition, timeline of early Museum, all types of exhibition materials, gallery layout and drawings","Invitation; copy of Strause Collection catalog; 1936-37 prospectus of program; 1958 letter between Muriel Christison \u0026 Oscar Lang of Minneapolis re: Strause exhibition","Entry blank; prospectus/rules; catalog/ invitation/mailing label; submission tag; generic letter for Virginia photo clubs or possibly for shops to request submissions","Invitation; catalog; inventories from the exhibition; catalog copy; copy of foreword (typed); letter from Margaret May Dashiell who loaned items; lots of correspondence from all over the country; lists of sponsors","Extensive correspondence regarding memorial committee and its purchase of a memorial; his works; and fundraising efforts; Colt was treasurer. The Committee also paid off all of the debts for Walker's illness, donations coming from across the country. Thank you letters in alpha order, hundreds of them, plus originals from donators; a few have copies of bookplates attached; original loan requests and replies; original Christmas card with Walker print of a home in Connecticut (1931) and a memorial card that he created in 1936","Invitation; catalog; list of paintings from Burch and Schulze with dimensions","Invitation; list of pieces to be shipped from Shearwater Pottery, with coding to indicate glazes","Copies of inventories, plus amendment, text; mainly correspondence regarding loans including shipping receipts","Catalog, entry card, invitation, announcement; 1 copy of 5th catalogue (1936); Colt's notes","Correspondence with artist; catalog copy; checklists (some with prices)","1 photograph; duplicates: announcement, patron card (sent with invitation); correspondence with artist; shipping information and receipts; budget information; catalog proofs; schedules; invitation list; 1 copy of catalogue; list of sales","Invitation; copies of inventories with insurance values; single copy of catalog","Newspaper clippings; genealogical charts; typed copy of article, \"Colonel William Byrd of Westover,\" by Lucy Parke Byrd","Letters of solicitation (ex.: one to O'Keeffe); shipping/return correspondence; correspondence with jurors (including Hopper) including discussion of invited artists list; rough draft of jury selection rules; correspondence with galleries (mainly in New York City) for artists to enter competition","Invitation; card of admission; information request postcard; thank you card; entry card (regular-red); entry card (invited-orange); receipt card; announcement; rejection notification; list of 125 paintings invited and accepted; prospectus; jury memorandum; list of invited artists divided by gallery; list of deliveries for return of paintings","Hundreds of rejection forms with return shipment affirmation signed below (includes artist name and title of work)","Invitation; World's Fair circular of information; list of paintings to be included; World's Fair circular of information (8 pages); Adele Clark and Leslie Cheek on panel for southern states; reports to Colt on state committees","One copy of catalog","One copy of catalog","One copy of catalog","One copy of catalog","Catalog; letter from Anne Moncure to Colt explaining pictures; typed copy of \"History of Ambler Family\" by J.J. Ambler, 1826; list of portraits; typed copy of catalog text; 4 photographs of portraits - Katherine, William, and St. George Moncure, grandchildren of Colonel John Ambler; Mary Cary, wife of Edward Ambler; Colonel John Ambler; wife of Dr. Peterfield Trent and his two daughters","One copy of catalog; list of paintings; 1 letter","One copy of catalog","Correspondence with jurors","Correspondence with Committee of Virginia Artist Commission; correspondence with artists submitting models; rejection letter; shipping correspondence; invoices; correspondence with U.S. Department of the Interior, NPS, Fredericksburg; correspondence with Virginia Conservation Commission; Correspondence with Douglas Southall Freeman, Editor of the Richmond News Leader; correspondence with National Sculpture Society, Commission for the Arts, and Senator John Warwick Rust; loan of a portrait of Stonewall Jackson from Adler in NYC; correspondence with Leslie Cheek, the Sons of Confederate Veterans; news release; planning and invitations for the preview; correspondence with the United Daughters of the Confederacy and with Joseph Pollia, the winner","Entry card; invitation to meet the jurors; invitation to preview of models; announcement; map of site; news release; list of members of Sculptors Guild; Pollia's curriculum vitae","One copy of catalog","Invitation, catalog; text of catalog with drawings of mock-up and list of drawings","Annotated catalogs of early shows, correspondence with Mrs. Holden, shipping information","Catalog, invitation; typed biography in first person, list of paintings, curriculum vitae","Correspondence with Pan American Union in D.C.; Comisión Nacional de Bellas Artes; shipping information; correspondence with Governor; Department of State; national press (Time, New York Times, Town \u0026 Country, Antiques Magazine, Washington Post, United Press); copies of speech materials for guests at preview; letter from Emilio Pettoruti","Announcement; banner; one catalog; solo copies of invitations to preview and meet the Ambassadors at the Commonwealth Club","Inventories with sizes, values and damages noted; customs forms; shipping information; annotated catalog","Correspondence, speech copy","Correspondence with L.B. Houff at the American Federation of Arts; shipping information","Correspondence with Klapperach; Argentine government participation; New York World's Fair 1939; speech copy; foreword copy; shipping information","Shipping receipts, packing lists; lists of addresses of sponsors, lenders, press, museums, invitation lists","Correspondence with Marval, Commissioner General of Argentine government; participation; shipping information; planning information; customs and sales information","Invitation list; art critics list; memos; schedule of radio program and typed text; Commonwealth Club menu; speech texts","Inventories of paintings that would go from New York to San Francisco to Riverside Museum; correspondence with Museum about shipping; shipping receipts","Freight bills; shipping receipts, correspondence with Treasury Department; customs forms, inventories with values","Correspondence with Alexander Weddell and J. A. de Marval","Original mounted drawing by Leslie Cheek, Jr. for exhibition panels","Comments of the jury; award speech; copy of thank you letters; requests for catalogs, purchase information; publicity information; invitation lists; inventories; correspondence with artists; correspondence with jurors","Rejection letter; prospectus; \"an invitation,\"; invitation; receipt card; entry card (invited-yellow); entry card (regular-red); acceptance card; news releases; prospectus; catalog copy; comments of the committee; memos","Bound, typed list by gallery; inventories; correspondence with galleries and artists","Correspondence with jurors","One copy of catalog","Invitation; correspondence with Mrs. De Marclay","Correspondence; checklist; shipping information","One copy of catalog; gallery layout; mailer text; catalog listing; biographical text; artist's statement","Invitation; catalog; correspondence with Adele Williams; inventories; biographical information; catalog text","Invitation; catalog; correspondence with Willingham; shipping information and receipts","Invitation; one copy of catalog; correspondence with Binford and lenders; shipping information; inventories with values; shipping information; gallery correspondence; catalog text","Invitation; catalog; inventories, text copy, values, text of radio announcements/interviews; loan correspondence; galley proofs of label copy by Edward Davis","Inventory lists including insurance values; list of items by lenders; hundreds of shipping receipts","Correspondence with galleries, dealers, and collectors/lenders; catalog proof","Invitation; catalog; catalog copy, curriculum vitae; copy of Colt's introduction","Catalog; invitation; catalog copy; biographical information","Correspondence with Chrysler, Fox (curator), publicity people. Walter P. Sr. died in August of 1940, shipping and insurance information; inventories with values; opening plans; list of news and magazine articles (extensive)","Cocktail invitation; preview invitation; supper invitation; annotated proofs","Inventories; values annotated with van assignments (from NYC to Richmond \u0026 Richmond to Philadelphia); shipping and storage receipts and contracts; letter from Parke-Bernet in 1945 asking for prints as they were selling part of collection","Correspondence with Fiske Kimball, Director of Philadelphia Museum of Art re: shipping, insurance, inventories, division of cost","Inventories; radio program transcript; party list; invitations list; hostess list; timelines, schedules, memos, Leger came!","Plan \u0026 prospectus re: showing his collection in South America; correspondence with Fox and Chrysler. Executive Committee turned it down","One copy of invitation and one copy of catalog","Invitation; catalog copy and proof; inventory with values; correspondence with Concetta; shipping information; correspondence regarding publicity; correspondence re: broken statue and payment","Catalog copy; one invitation; one copy of catalog; biographical data","Invitation; correspondence with jurors; letters to publicity; correspondence with galleries; shipping information; list of awards; clippings; rejection postcard; one entry card; one catalog","Correspondence with Federal Works Agency; with institutions before (with Lyman Allyn Museum, New London, CT) and after (with Institute of Modern Art, Boston) traveling exhibition; invitation list; correspondence with Richmond Housing Authority, decision later in favor of Housing Authority in Norfolk instead of Boston","Correspondence with Riverside Museum, lenders; 1 invitation","Correspondence with Cincinnati Museum of Art, lender; installation; instructors; shipping information; news releases; invitations to college all over the state for preview; inventories; one invitation","Invitation; catalog; catalog copy; biographical information; correspondence with Hattorf","Invitation; correspondence with artist; catalog copy; 1 catalog","Invitation; catalog; correspondence with artist; biographical information; catalog copy; letters to publicity","Invitation; catalog; catalog copy; biographical information; correspondence with artist and gallery","List/receipts of items taken by Henry P. Strause from VMFA; annotated lists of items deposited at VMFA from H.P.S. for loan exhibition; numerous warehouse receipts","Pennsylvania Society catalog (1933); inventories by artist with values; correspondence; research","Invitation; research correspondence to locate miniatures (potential lenders); catalog copy","Receipts; inventories; index cards with owner's name \u0026 address (some with date stamp)","All receipts (large quantity), some with 2 copies, some with correspondence, some with shipping receipt from mail","Catalog copy; invitation list; correspondence with state planning board, 1 copy of catalog","Correspondence with Mrs. Myers, widow of the artist and Landgren, dealer for Newman; clippings, inventories with values; correspondence with Whitney, where Myers exhibition originated; correspondence with potential lenders for Newman; shipping information; insurance information; catalog copy; Invitation; annotated catalogs; Whitney catalogs; Knoedler catalog; loan/shipping receipts; invitation list; inventories with values; correspondence with publicity; catalog copy; inventories by institution","Invitation; proof of catalog; 1 copy of catalog","Correspondence with artists, both accepted and rejected; shipping information; correspondence regarding damage, (notation at bottom of letters in unusual style, coding maybe)","Bound pages from gallery trip to NYC and consequent invited artists list; correspondence with galleries; letters to invited artists; shipping information \u0026 receipts; correspondence with jury, (Charles Burchfield declined but raved about it; George Grosz declined with a beautiful signature.)","All regret letters, signed by artist/agent/owner, and returned to VMFA (hundreds of them); some with handwritten notes, (H.P. Sargeant very upset.)","Invitation; entry card (invited-yellow); entry card (regular-white); \"Good and Bad News Night\" (yellow trifold); prospectus; acceptance card; rejection card; memo for the evening; news release (3/3/42); annotated catalog with prices; correspondence with hosts; speech copy; news releases; list of artists by state; inventories; jury comments; values on inventories","Catalog; correspondence with artist; biographical information; catalog copy; 1 copy of invitation","Catalog; correspondence with artist; catalog copy; correspondence at sales; 1 copy of invitation","Invitation; first exhibition to include correspondence from Mrs. Pollard; inventories, correspondence; invitations; shipping information","Correspondence with Museum of Modern Art that was circulating exhibition; shipping information; contract; 1 copy of invitation","Correspondence; invitation; Lenox catalog; a few Mint Museum catalogs; correspondence with artist; inventories; catalog copy","Correspondence; guest lists; inventories with values; Commonwealth Club menu; catalog copy; shipping information; black and white photo of \"Boys\"","Correspondence with artist; letters from Theresa Pollak; inventories with prices; shipping information; biographical information; reimbursement request; copy of bulletin","Catalog; inventories with artist biographies (ie: partially or congenitally blind, age); correspondence with originator (Lowenstein); traveling loan contract; critics' statements","San Francisco Art Association bulletins; correspondence with artist; inventories; invitation; catalog; shipping information; catalog copy; various Artists' Guild of Washington materials (he was President)","Invitation; one copy of catalog; inventories with values and receipts","Invitation; clipping on his death; correspondence","Invitation; one copy of catalog; catalog proof; various other catalogs \u0026 announcements; correspondence with vendors; shipping information","Clipping; correspondence with lenders; shipping information","Invitation; one copy of catalog; correspondence","Correspondence with artist; inventories with values; biographical information; catalog copy; 1 copy of catalog and invitation.","Radio broadcast transcript; catalogs of other show; clippings (both from Cincinnati Museum); MFA Boston materials; catalog copy; invitation lists; correspondence; MFA Boston catalog; VMFA catalog and proof; shipping information from Boston; inventories","Correspondence; shipping information; annotated catalog; radio transcript; insurance information","Announcement (trifold); 1 catalog; correspondence; catalog proof; inventories with prices; catalog copy; jury correspondence; correspondence with publicity; shipping information; 1 invitation","Invitation; catalog proof; 1 letter","Invitation; catalog copy; correspondence with artist; inventory with prices; 1 catalog","Catalog; invitation; correspondence; research; shipping information; catalog proof; catalog copy","Article; correspondence with American Federation of Arts; inventory with values; other catalogs; loan agreement; shipping information; research; installation drawing; clipping; transcript of lecture on Chinese painting","Announcement; photographs of winners; correspondence; ArtNews issue (October 1-4) 1943; inventories with prices","Invitation; catalog; catalog copy; clipping; correspondence; research; RISD \"Museum Notes,\" 1943; shipping information","Invitation; catalog copy; correspondence; inventory with price list","Invitation; correspondence with other museums; itinerary copy; research; catalog copy; inventories with prices; shipping information","Correspondence (mainly with Metropolitan Museum of Art)","Correspondence (mainly with Metropolitan Museum of Art)","Inventories; correspondence; shipping information","Invitation; news release; correspondence; correspondence with publicity and with lender (UVirginia)","Invitation; catalog proof; other catalogs; correspondence; correspondence with lecturer; correspondence at preview; correspondence with publicity; loan correspondence \u0026 requests; shipping information; research on pieces; catalog copy; inventories; catalog; loan forms; annotated catalog; shipping receipts","Catalog; invitation; invitation list; correspondence; catalog copy; inventories with values; shipping information; insurance information","Catalog correspondence; clippings; catalog copy; speech copy; inventories with publication date; correspondence with lenders and publicity; shipping receipts later too (1956)","Prospectus; annotated catalog; catalog copy; shipping list; inventories with prices","Catalog; news releases; fact checking cards; bound copy of lists by dealer; clippings, voting information; invitation; catalog proof; timeline; prospectus copy; correspondence; artists' c.v.'s; dealer catalogues and correspondence; inventories with values; transcripts of publicity; speech notes; catalog copy; lists of accepted and invited artists (Virginia separate); shipping information and receipts; correspondence with publicity; correspondence with jury; prospectus","Catalog; correspondence with artist; biographical information; catalog copy; inventories with prices","Catalog; announcement","Announcement; catalog; invitation; catalog copy; lecturer c.v.; lists of institutions; list of works by institution; label copy; annotated catalog; inventories with prices; correspondence with institutions; correspondence with jury; shipping information","Annotated catalog; correspondence with artist; inventory; research; gallery layout diagram; price list; 1 catalog","Invitation; correspondence with Netherlands Information Bureau; other catalogs; checklists; shipping information \u0026 receipts (from before \u0026 after museums; correspondence with ambassador who spoke; lecture text; 1 copy of handwritten invitation to dinner with Governor Darden","Catalog; 1 invitation; correspondence with artist; inventories; catalog copy; price information","Invitation; catalog; catalog copy; correspondence; copies of \"Information Bulletin: Embassy of the Union of Soviet Socialist Republics\"; loan requests (including A La Vieille Russie); traveling exhibition contracts; shipping information and receipts (with before and after museums); inventories; other catalogs; price information; loan forms; annotated catalogs; original copy of \"The Schaffer Collection of Authentic Imperial Russian Art Treasures\"; correspondence with Ray Schaffer and others at ALVR regarding exhibition arrangements (no mention of Pratt) and damage to Faberge topaz vase","Catalog; correspondence with National Gallery (lender); insurance values and contracts; shipping information and receipts; gallery layout; catalog copy; research; loan requests","Correspondence from Davis, the VMFA Curator, with lenders to the exhibition with last names beginning with A-H; proof of article by Davis in Commonwealth Magazine; copy of text of article","Correspondence from Curator Davis and sometimes the Director with lenders to the exhibition with last names beginning with I-Z; copy of information releases re: survey","Correspondence with National Gallery Director (they had an exhibition at the same time); correspondence with Weddell (exhibition did not take place); copies of letters sent to the executive committee to explain decision","Copies of plan; correspondence with Weddell re: all the research that went into the aborted exhibition; correspondence with Mexican museums; Mrs. Whitman's reports on artists and museums' holdings","Correspondence with lenders \u0026 galleries; inventories with prices; shipping information and receipts (loans before and after)","Copies of labels on prints from National Gallery; inventory and instructions; shipping information (both before and after)","Civilian Open Air Art Sale announcement; copy of \"War Art: A Catalogue of Paintings Done on the War Fronts by American Artists for Life,\" including Barse Miller and Paul Sample; catalog copy; inventories; copy of \"Traveling Exhibitions,\" catalog by the AFA's National Exhibition Service; correspondence; 5 photographs of items in exhibit; copy of catalog, \"Art Exhibition by Men of the Armed Forces\"; shipping information and receipts; exhibition agreement; 1 copy of catalog","Copies of shipment return forms for paintings not chosen for 4th Biennial of Contemporary Art, many with comments, signed by artist/agent; inventory of paintings in the show","3rd Biennial prospectus (printed); 4th Biennial prospectus (typed); announcement of College Art in Virginia; prospectus copy (4th Biennial, Virginia Artists and Library bookplate); copy of Corcoran's prospectus (annotated); old 3rd Biennial prospectus (annotated); letter from Thomas Colt","Shipping information and receipts to lenders; correspondence with Worcester Art Museum and other museums; insurance values; correspondence with lenders attached","Press release copy; inventories by institution; correspondence with lenders; insurance values; shipping information and receipts; loan requests; book purchase requests","Invitation, catalog; catalog copy; correspondence; more shipping information and receipts; correspondence re: damages; annotated catalog","Loan forms and receipts","Invitation; correspondence with artists; catalog copy; inventories; annotated catalog; prices; shipping information and receipts; sales information","Correspondence with rug dealer; research; catalog copy; shipping information and receipts; annotated catalog; gallery layout; copies of things donor (H. Michaelyan) wrote; inventories with prices","Announcement/prospectus; typed press release; correspondence with artists; correspondence with jurors; invitation lists; correspondence to get more armed services men; list of entrants; catalog copy; one copy of entry card; one copy of catalog","Catalog; catalog copy; gallery layout; inventories; catalog proof; correspondence with jury","Invitation; exhibition contract; correspondence; gallery layout; invitation list; another list for even with Spanish speaking Luncheon Club; list of architects; press release copy; installation list from MOMA","Invitation; catalog; correspondence with possible lenders; lists of possible loans; ended up taking British-American Goodwill Exhibition; shipping information and receipts; inventories; budget figures","Catalog; one invitation; correspondence with author; list of invitations; 1 photograph of \"Red Still Life\"","Correspondence between curator and potential lenders; correspondence with institutions and churches","Correspondence with lender; correspondence re: damages; catalog copy; one catalog","Correspondence with lenders; correspondence re: damages (including 2 photographs)","Correspondence re: genre painting; exhibition; some from lenders, some not; some including photographs","Invitation list; correspondence with invitees to the 19th century genre preview; folder of handwritten notes re: genre; handwritten research; typed research","Correspondence with lender (DIA); inventories with values; shipping information and receipts; catalog copy","Correspondence with possible lenders (including 1 photograph from lender); research","Invitation; catalog; catalog copy; correspondence with artist (Colt is back!); inventories; sales information","Correspondence with artists; shipping information and receipts","Stenographers pad with notes from NY Gallery/dealers' visits; preliminary lists; final lists; correspondence with galleries; correspondence with invited artists; shipping information and receipts","Contracts with Budworth on shipping; correspondence with jurors; correspondence with Budworth; inventories with values and locations","Entry card: yellow (invited), regular (orange), good and bad news night (yellow-trifold), inclusion card; typed summary information; typed list of artists; teacher invitation (yellow); annotated catalog with prices; inventories by state; full catalog copy; list of Virginia artists; form letter to art teachers","Correspondence with dealers; clippings; other catalogs; correspondence with jury; award list; award letters to dealers and press","Prospectus; prospectus copy; list of recipients of entry cards and prospectus for distribution (art organizations, museums, dealers, etc.) and letters to them; letters to press; entry card copy; thank yous for sending out cards (n.b.: all lists of artists sent to/from dealers, museums, etc., were removed)","Letters confirming receipt of paintings returned, both those selected and those not; many with comments, less shipping complaints!","Hundreds of requests for entry cards","Hundreds more requests for entry cards","Invitation; catalog; invitation copy; catalog copy","Catalog; correspondence with artist; invitation copy; correspondence with Virginia World War 2 History Commission; inventory with prices; invitation list; catalog copy; letters to press; annotated catalog; correspondence with lenders","Invitation; correspondence with lender, Philadelphia Museum of Art; inventory; copy of the Richmond Times-Dispatch article; correspondence with potential lenders; copy of the Philadelphia Museum bulletin and Atwater Kent Museum bulletin","Catalog; invitation; correspondence with artist; correspondence with lenders; shipping information and receipts; inventories with values; invitation list; catalog copy, correspondence with wife Rosalie re: her photographs","Shipping receipts; catalog copy, correspondence with lenders; list of invitees; invitation","Recent Additions to the Upjohn Collection, catalog of collection; correspondence with dealer (Midtown Galleries); shipping information and receipts (both before and after); invitation","Catalog; invitation; catalog copy; catalog proof; correspondence with potential lenders; text of broadcast calling for paintings; shipping information and receipts; research (Davis)","Inventories with values; shipping information and receipts","Invitation; shipping information and receipts; inventories","Research; correspondence with furniture manufacturers; invitation copy; inventories; correspondence with Metropolitan Museum of Art and MOMA (main lenders); correspondence with Leslie Cheek, Jr. at Architectural Forum!; shipping information and receipts; catalog copy; letters to press (photograph of chair from Dubar, but not included in exhibition)","\"Notice to Virginia Artists\"; requests for entry blank; correspondence re: late entries; returned fees, etc.","Acknowledgement letters; press release; SSAL Bulletin (Summer 1947) (more of these later); inventories by state (jury picks); correspondence with artists, jurors and SSAL; breakdown of entry cards by place; lists of artists eligible for submission; entry cards of pieces bought or withdrawn; biographical notes on winners","24th Annual Convention program; catalog Virginia Art 1947; Southern Art 1947; invitation; entry card; SSAL membership blank; received card; rejection card; convention program copy; Southern art catalog copy; Virginia art catalog copy; catalog of 26th SSAL exhibition at the High; correspondence with SSAL; correspondence with jurors; list of works accepted (Virginia artists); old convention program; more SSAL bulletins; correspondence with artists re: 8 paintings that were vandalized; correspondence re: prizes; correspondence re: sales","Invitation; catalog proof; announcement from Camera Club; correspondence with artists; invitation copy; catalog copy","Correspondence with lenders; loan agreements; memo to staff re: handling of paintings; shipping information and receipts; inventories with insurance value","Correspondence with lenders by lender; inventories","Catalog; museum attendance card (9/3/47); correspondence with press; research; correspondence with lenders; shipping information and receipts; Budworth contracts; catalog copy; press releases; inventories; clippings","Invitation, American Commission brochure; shipping information and receipts; correspondence with lenders, AFA; loan forms; catalog copy; inventories with values","Shipping information and receipts; catalog of exhibition; inventories; catalog copy; research; correspondence with AFA and AFRIM; label copy","Invitation; invitation copy","Correspondence re: shipping and receipts","Correspondence with Louvre and other institutions re: original Louvre collection not being available; 5 museums trying to do alternate French exhibition from dealers/galleries and some from Louvre; unknown outcome; ArtNews was involved too; trying to use a story in lieu of a catalog","Catalog; correspondence; clippings; sale information; text of lecture","Invitation copy; catalog copy; correspondence with artists; inventories; invitation to lecture; 1 catalog; shipping information and receipts","Shipping information and receipts; correspondence with lenders; copy of Time (1/26/48), article on pages 47-48","Miscellaneous exhibition-related correspondence re: one mis-shipment to VMFA, most re: exhibition offers and programming","Index cards with lenders and item; correspondence with lenders","Correspondence with potential lenders (denials)","Catalog; correspondence with press; correspondence with Mrs. Catesby; invitation copy; correspondence with Lurçat; typed article on Jones; preview invitation lists and replies; catalog requests; radio press release copy; typescript copy of \"A Letter to A Friend on Modern Art,\" by T. Catesby Jones; typescript copies of all of his writings, incorporated into catalog; catalog copy","Prospectus; shipping information and receipts; correspondence with press; checklist with insurance values; loan requests for paintings in exhibition; list of artists to whom they sent biographical questionnaires","Prospectus; correspondence with medal winners; correspondence re: sales; list of artists by state; submission statistics by state; statistics tally sheets (one per state); correspondence with press","Copy of La Revue Moderne magazine (July 1947) from artist Wilma Prezzi who was featured in magazine but declined to submit; correspondence with artists, answering questions; comments from artists re: submission vs. invitation, etc.; shipping information and receipts; correspondence with galleries; requests for entry cards; correspondence re: Pepsi Cola Southern Regional Competition in Richmond (artists could specify that if work was not accepted, it could go to Pepsi exhibition)","Correspondence with artists; correspondence with dealers; valuation information; shipping information and receipts; lists of invited artists (by name, by agent/organization, some with annotated values)","\"Arrangements for the Jury\"; shipping information and receipts; correspondence re: jurors; correspondence with jury","Invitation; rejection card; entry card (pink); entry card – invited \u0026 acceptance card (yellow); annotated invitation (5th Biennial); prospectus copy; annotated entry cards and prospectus (5th Biennial); invitation copy; catalog copy","Rejection letter; prospectus","Signed rejection letter; receipts, some with comments - catalog request, why receipts request, or badly packed","Requests for entry cards (mainly from artists), a few with replies","Requests for entry cards (mainly from artists), a few with replies","2 photographs (lamp and manuscript); list of objects lent by The Jewish Museum in NY; correspondence with The Jewish Museum; lists with values; clipping; catalog copy","Invitation; correspondence with potential lenders and potential advisors; invitation letter; correspondence with The Jewish Museum; shipping information and receipts; clippings [no catalog made]","\"The Common Glory\" Poster Project; correspondence with Virginia Conservation Commission; exhibition information (typed); entry lists by high school; tea information; shipping information and receipts [all from Mrs. Muriel Christison]","Original pencil drawing plus blueprint copy of drawing by Leslie Cheek, Jr., for outside signpost for exhibition","Catalog; shipping information and receipts (loan from Philadelphia Museum of Art); correspondence with Philadelphia; list of Richmond artists to be added to exhibition; label copy for Richmond artists; correspondence with selected artists in exhibition; checklists from Philadelphia","Correspondence with lenders; research correspondence; lists of photographs with values","Original drawings and one blueprint copy of exhibition signage, exhibition labels, and gallery layout","Checklist (one portion circulated by MOMA); shipping information and receipts; correspondence with MOMA; membership lists cf: Virginia Chapter of AIA, Home Builders Association of Richmond, Richmond Real Estate Exchange; exhibition contract; 1 invitation; preview invitation letter; correspondence with Architectural Forum (they circulated the other portion); correspondence re: film rentals","Correspondence with dealer (Knoedler); shipping information \u0026 receipts","Invitation; correspondence; checklist with values; shipping information and receipts; exhibition construction notes; correspondence with dealers; press release copy (typed); correspondence with artists; invitation list; correspondence with lenders","Original blueprint copy of signage","Catalog; shipping information and receipts; checklists; correspondence with Colonel Anderson; correspondence with lenders; correspondence with artist","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA)","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA); catalogs; photographs; clippings","Shipping information and receipts; checklist; correspondence with artist","Lecture invitation; correspondence with lecturers; information regarding exhibit from American Craftsmen Educational Council; correspondence re: sales; shipping information and receipts","Correspondence with the Coin Club re: exhibition; later declined due to Colt's resignation","Correspondence with American Craftsmen Educational Council (lender); correspondence with lecturers; shipping information and receipts; exhibition information; ACEI brochure; clipping","Invitation; correspondence with vendors; checklist with values; invitation copy; shipping information and receipts","4 original drawings of lectern, information panels/stands; gallery layout, etc.","Catalog; correspondence with Canadian Embassy; correspondence with National Gallery of Canada (co-sponsor); shipping information and receipts; lecture copy; correspondence with lecturer; research; catalog copy; exhibition plan/schedule (to do); 1 copy of invitation; gallery layout","Correspondence with National Gallery of Canada; correspondence with press; correspondence with state forester (lent pine trees); research; clipping; photograph and biography of curator","Original drawing of exhibition sign","Correspondence with Virginia State Board of Education; correspondence with Southeastern Arts Association; shipping information and receipts; correspondence with education institutions (Mrs. Christison)","Form letter to Antiquarian Society members; preview invitation list; Antiquarian Society history (co-sponsor)","Original drawing of Museum information panel and traveling show panel","Invitation copy; correspondence with MOMA re: traveling exhibition; shipping information and receipts; billing information","1 drawing of Calder signs","Preview invitation, correspondence with artist; correspondence with lenders; invitation copy; correspondence with Philip Godwin and Mrs. T. Catesby Jones; research; correspondence with Archipenko; clippings (response to Richmond Times-Dispatch article mocking exhibition); Calder's handwritten invitation list [no catalog made]","Correspondence with lenders (galleries, dealers, museums, etc.); checklists; shipping information and receipts; correspondence with artists; checklists with values; press release copy","Checklists; exhibition information (typed); receipts","Photograph of books and Hurds; children's books catalog (retail); correspondence with publishers; research; clipping; correspondence with lenders; label copy; shipping information and receipts; checklists by publisher, by lender, by artist","Correspondence with lender; checklist with values; correspondence with artist; shipping information and receipts","Correspondence with lender; correspondence with publicity; research","Correspondence with lender; correspondence with publicity; label copy; shipping information and receipts","Outline of children's programs from summer workshops; research on group behavior; clipping; Richmond Film Society Program; photograph of Times Square in New York; Department of Education Annual Report copy; lots of random exhibition information copies; clippings; correspondence with educational services","Correspondence with lenders; shipping information and receipts; exhibition information (typed); correspondence with artists","1 drawing, layout for panel","1 layout and 1 piece of correspondence","1 drawing – summer sign, 1949","Exhibition offerings from galleries, institutions, etc.; AFA brochures","Exhibition schedule; invitation lists; correspondence; clippings","1949-1950 season schedule; schedules; correspondence re: possible exhibitions","Correspondence with lenders; dinner invitation list and preparation; shipping information and receipts; budget/billing information; checklist with values; research","Correspondence re: catalog; cut-out reply from VMFA Bulletin","Postcard announcement; correspondence re: catalog requests","Correspondence organized by lender with lenders; shipping information and receipts","Correspondence re: insurance; checklists by subject/person; research; shipping information and receipts; correspondence with lenders; checklists with values","Correspondence and paintings list, just as title says","Correspondence re: permission to reproduce images for catalog [originally not intended to publish catalog; did so after exhibition]","Catalog copy","Correspondence re: cost of prints ordered and made for show","Announcement; Baltimore catalog; preview invitation; 3 photographs; copies of her other catalogs (Mrs. James Ward Thorne); correspondence with Women's League Club; correspondence with lender (circulating museum AIC); budget information; checklists; shipping information and receipts; exhibition contract; correspondence with publicity; copies of various magazines (Virginia Bulletin, Virginia Women's Magazine); correspondence with PTA's","Blueprints: room installation (3 copies) and original drawing; drawing of signs; drawing of entrance details","Checklist; 8 photographs; correspondence with publicity; budget information; admission price policy; lecture and tour schedule; correspondence re: catalog including billing information","Checklist","Correspondence with Library of Congress re: loan of lithograph; shipping information and receipts","Correspondence with Block, including copies of publicity; checklists with values; shipping information and receipts","Correspondence with Block and others","3 drawings of exhibition signage","Drawing and blueprint copy of information kiosk; 1 photograph; 3 other layouts of the exhibition, including 2 didactic panel layouts by Cheek (\"Russia Before the Revolution\" and \"Imperial Jewelry of Russia\")","Correspondence on opening of show; proposed schedule; checklists by lenders; shipping information and receipts; checklists by artists; correspondence with artists; checklists with values","Checklists; shipping information and receipts; correspondence re: catalog; correspondence with publicity; research; statistics from 6th Biennial; correspondence with artists; catalog mailing list; catalog copy; loan information forms","2 excerpts from publicity (typed); correspondence with catalog essay authors; correspondence with publicity; clippings; checklists; catalog copy; requests from artists; chipping information and receipts; correspondence of James Johnson Sweeney (sole juror invited); checklist for traveling exhibition; hand-written copy of register of the paintings received","1 drawing of layout and signage; 2 small lettering drawings; 1 small catalog sign drawing","Shipping information and receipts including correspondence with artists, bills and information for crating requests; correspondence re: Richmond regional jury process for national metropolitan competition","Press release; correspondence with Sweeney; correspondence with publicity; shipping information and receipts; checklists, sales information","Sweeney's own correspondence with artists and dealers and galleries re: exhibition, including Naum Gabo and Morris Louis","Correspondence with SF MOMA; checklist from AFA; copies of publicity; shipping information and receipts; correspondence with publicity; correspondence with AFA; 1 copy of catalog","Drawing and blueprint copy of layout","Catalog copy; correspondence with lenders; shipping information and receipts (or label)","1 photograph; catalog (or label) copy; correspondence with Knoedler (lender); shipping information and receipts; 1 photograph of X-ray","Invitation lists; correspondence; radio spot information; correspondence with lenders; checklists; shipping information and receipts; press release copy; catalog copy; loan item information blank","One note on a rug cleaning","Checklists with values, by lender and by artist; label research; correspondence with lenders; installation notes; shipping information and receipts; press release copy; correspondence with other institutions including the Met where the exhibition went next","Correspondence with AFA (distributor of exhibition); shipping information and receipts; checklist; information on the photographer (non-VMFA publicity); correspondence with photographer","Photograph of Reino Aarnio soap dish for Fiat Metal, photograph of new RCA portable radio; correspondence with lenders [sold it as a big 2-3 year traveling exhibition]; shipping information and receipts; clippings (for ideas); correspondence with manufacturers from all around the USA; lots of catalogs; installation sketches; catalog copy; lists of checklists from a similar MOMA exhibition; 1 copy of preview invitation; checklists; label copy","Correspondence with Block (Post cartoonist) and Comstock (Connoisseur and Antiques magazine editor); lectures; biographical information; correspondence with publicity","Original drawing plus 2 blueprint copies of design for silver display case","Correspondence with lenders from 1940 show due to requests by an author, prompted by current Valentine show; clipping re: Valentine show; copy of 1940 catalog","Correspondence with Rogers and her agent; confusion about scheduling dates; article in Vogue about Rogers [ended up cancelling show due to high costs of insurance and shipping]","Shipping information and receipts and labels for loan of some Pratt jewels by Mrs. Joseph Davies of Washington D.C. to the 1950 Easter eggs exhibition","Catalog [loan exhibition organized by the English speaking Union]; copy of catalog; microfilm copy of NYT clipping; correspondence with ESU; copies of ESU Bulletin; checklists; press release copy; correspondence with other institutions who are borrowing; catalog/label copy; shipping information and receipts installation instructions; annotated catalog; big ESU publicity kit; correspondence to/from J. L. Blair Buck in State Board of Education, main contact and President of the ESU, Virginia Branch; original NYT clipping; correspondence to/from Brigadier J.W.F. Treadwell, VP of ESU [called it \"Operation Canvass\" to garner interest in ESU in Virginia]; billing/payment information; correspondence with British Embassy","Correspondence with Knoedler and Newhouse [photograph of painting offered but not chosen]; copy of invitation; picked Provost's painting from Knoedler – in another folder]; correspondence re: cedar trees in galleries","Circulated by MOMA; correspondence with them; packing instructions; loan agreements; loan contracts; checklists; shipping information and receipts","Group form letter; correspondence with Wedgwood \u0026 Sons; publicity information; research; checklists; correspondence with other institutions; shipping information and receipts; 1 copy of invitation; list of Wedgwood dealers in Virginia [to invite]; correspondence with Annie Reese, Director of Promotions and Hensleigh Wedgwood, President, who lectured at preview","Correspondence with various clubs; dinner party plans and invitee lists; more correspondence with Wedgwood; copy of Museum bulletin; biographical information on Hensleigh; shipping information and receipts","Shipping information and receipts; biographical information; Museum Bulletin copy; installation instructions; label information forms; correspondence with Newhouse; checklists with values","Drawing of label boards; drawing of signage","Chose 4 exhibitions from PAU to circulate; correspondence with PAW; exhibition information; checklists; shipping information and receipts","Announcement; correspondence with printers; correspondence re: sales [1st year Museum has added Architecture]; copy for all printed materials; correspondence with prizewinning artists (including Stuart Davis); correspondence re: azaleas; biographical information on jury chairman, Hermann Williams, Director of Corcoran; correspondence with publicity; clippings; copy of catalog from 1949","Prospectus; requests for blanks; letter copy re: Virginia art interest and education and businesses; correspondence with artists; correspondence with art departments; correspondence re: sales; jury comments; biographical juror information; breakdown/tally by city; correspondence with jurors","Catalog copy; checklists with prices; correspondence with artists re: blanks; shipping information and receipts; correspondence re: sales and purchases; 1 copy of catalog","4 original drawings; introductory panels, signage; layout sketches; traveling show panels","4 drawings of lighting layouts in gallery; 1 drawing of movie projector stand; 1 drawing of panels; 1 drawing of overall layout","9 photographs of Metropolitan Museum of Art objects; copy of invitation; label copy for projector room showing film on armor; other label copy; correspondence with lenders; shipping information and receipts; correspondence with Met (major lender); correspondence with lecturer (Gracey), curator of Met arms \u0026 armor","Correspondence with artist and his wife; biographical information; copy of catalog from Hollins; clippings","1 photo of Stuart Davis; biographical information; catalog copy; shipping information and receipts; checklists with values; loan agreements; correspondence with jurors; correspondence with lender; correspondence with potential jurors (Andrew Wyeth)","2 drawings: sign and panel layout","Photograph of Tsar Nicholas II and family; 2 page exhibition design write-up (color, lighting, cases); catalog copy","Memo re: Arthritis Foundation; article on Dufy; reprint of 3/51 article on Dufy; paintings information sheets; shipping information and receipts; catalog of ICA in Boston; correspondence with lenders; correspondence with Arthritis Foundation; checklists with values; correspondence with publicity; correspondence with Dufy's gallery agent","4 drawings of signs and layouts","11 photographs of layout with and without people; close-ups of panels; correspondence with lecturer; correspondence with American Institute for Graphic Arts (organizer); publicity materials from AIGA; shipping information and receipts; catalog","Dinner guest list; correspondence with Chrysler; Chrysler catalog copy; correspondence with NYT","Photograph of Chrysler; copy of Art Digest (October 15, 1951) with photograph of gallery setup; catalog copy (paintings); correspondence with publicity; shipping information and receipts; catalogs of exhibition at University of Miami Art Gallery (correspondence with University of Miami Gallery also); checklist","Checklists and hanging order; correspondence with publicity; rough layout; catalog copy; correspondence with artist; checklist with values; correspondence with AFA (organizer); AFA 1953 catalog; wonderful letters that are art!","Preview invitation; correspondence with artist and wife; checklists","Catalog; correspondence with Director of Syracuse Museum of Fine Arts (Anna Wetherill Olmsted, speaker); biographical information on her, checklist","1 drawing: installation layout","14 photographs of items; \"prize awards\" press release; correspondence with Syracuse Museum of Fine Arts; publicity information from SMFA; catalogs; catalog copy; shipping information and receipts; annotated catalogs (one size, one price)","Correspondence with various institutions and individuals re: potential exhibitions, some with catalogs and clippings; list of proposed exhibition season","Correspondence with lender (Ouriel) and gallery (Knoedler); shipping information and receipts","Various mailing lists (Bulletin, publications), some by type, some alpha; letters to other institutions offering mailings (all Miss Frances Boushall)","1 drawing of small museum truck","Layout panels for 1st Museum brochure/guide","1 drawing and 1 copy of Information \u0026 Publication Desk of Museum","Correspondence with lenders of fabrics; shipping information and receipts; some original tags; label copy; some catalogs","Correspondence re: invitation mailing (one with return address of VMFA, one with Kiwanis Club); correspondence with lenders in Los Angeles","Invitation to screening; preview invitation list to film screening","Invitation; catalog copy; checklists; Mona Lisa research; shipping information and receipts; correspondence with lenders; 1 copy of catalog; correspondence with organizer; invitation copy; installation information; correspondence with Kiwanis Club","6 blueprints for models by Panold Masters; 1 drawing of signs; 1 drawing of layout; 4 drawings of lighting; 3 drawings of niches","1 drawing of layouts, panels","Catalog copy; clippings; annotated copy of catalog of retablos from Barton Collection; shipping information and receipts; checklists; annotated copies of catalog of textiles from Barton Collection; correspondence re: damage to retablos; correspondence with institutions; correspondence with lenders","1 drawing of signs; 4 drawings of lighting; 1 drawing of details of interior; 3 drawings of layout; 1 drawing of interior","1 photograph of clock; few compliments; some receipts for library exchange","Correspondence; damage reports; receipts; memos","Correspondence with Helen Comstock (editor of Magazine Antiques and guest curator); correspondence with potential lenders (individuals and institutions)","Correspondence with WSG; clippings; shipping information","Correspondence with WSG; catalog copy; press release copy; press releases; shipping information and receipts; biographical information; checklist with prices","2 photographs of paintings; traveling checklist; correspondence with artist; clippings; press release; catalog copy; catalogs of shows in New York and Toronto; shipping information and receipts; label copy; checklist with values; correspondence with lenders; correspondence with AFA (originator)","Invitation to preview; correspondence with designer and speaker, John Van Koert; correspondence with Walker Art Center (organizer); copy of Walker invitation","Press release; publicity copies from Towle Silversmiths; press releases; copy of catalog from Walker","5 photographs (duplicates); invitation to preview; press release copy; correspondence with Fogg; copy of catalog from Detroit; label copy, checklists; shipping information and receipts; correspondence re: theft of Degas drawing","Invitation to preview; invitation to lecture; clippings; correspondence with artisans re: exhibition decoration; correspondence with other lenders; shipping information and receipts; checklists; correspondence with dressmaker/speaker (Pauline Trigère); correspondence with Metropolitan Museum's Costume Institute","Correspondence with lenders; research (list of American and English novels); shipping information and receipts; correspondence with publisher; correspondence with publicity; correspondence with Met's Costume Institute; checklists with values","6 photographs (5 paintings and Maxson Holloway, Chicago Historical Society curator); shipping information and receipts; checklists; correspondence with Chicago Historical Society (organizer); annotated catalog from CHS; correspondence with other institutions; bulletin copy; press release","Catalog; correspondence with CHS; correspondence with other lender (Broadnax)","Photograph of picture; press release; correspondence with Red Cross; clippings; invitation copy; Red Cross promotional material; press release copy","Catalog; correspondence with AFA (organizer); shipping information and receipts","Shipping information and receipts; checklists","Correspondence with members of Club; correspondence with AFA","Drawing of layout; 2 photographs of paintings not in exhibit; research; label copy; correspondence with lenders; shipping information and receipts; checklists","Correspondence with Lady Astor; checklist of gift","Catalog copy; correspondence re: opening and Governor's dinner; invitation proofs; correspondence with publicity; text of Colonel Anderson's speech","Correspondence re: opening (mainly regrets)","Correspondence with the artist","1 drawing of sign","Correspondence with Institute of Contemporary Art in Boston, organizer; lecturer is Director, James Sachs Plaut; promotional materials","Correspondence with ICA in Boston; shipping information and receipts; catalog","Invitation; photograph of painting (1952); label copy; installation instructions; shipping information and receipts; correspondence with lenders","1 clipping","Clipping; press release copy re: move of cigar store figures from Jefferson to VMFA","Lots of correspondence from different institutions; publicity; list of contacts with great comments","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Correspondence with woman at new museum about restoring a painting","1 photograph of Leonardo's bridge; Boushall's correspondence file with publicity and others interested in our publications and exhibitions","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Quiz sheet","7 photographs of opening, gallery and piece; 1 copy of catalog","2 drawings and 1 copy of gallery layout and entry desk","Checklist; invitation, shipping information and receipts","1 drawing of book and theme table layout","6 photographs of Goya pieces; 1 photograph of someone (with mandala); catalog copy","2 invitations (1 with checklist; 1 for loan exhibition); label copy; checklists; correspondence; correspondence with lenders; catalog requests; catalog proof; shipping information and receipts","Correspondence; label copy; cover of U.S. News \u0026 World Report (2/13/53) (looks like De Stijl); shipping information and receipts; correspondence with MOMA (organizer); checklists","Press release copy; correspondence with Netherlands Embassy; lecture copy (introductions); lecturer biographical information [Carroll L. V. Meeks, Assoc. Professor of Architecture and Art History at Yale]; correspondence with MOMA","Correspondence with jurors; correspondence with potential jurors; lists of loan requests; correspondence with lenders; correspondence with publicity; shipping information and receipts; checklists; installation memos; checklists with values","\"The Significance of African Art,\" 8 photographs of items; publication reprint of \"Warega Ivories\" by Ladislas Segy; label copy; publications from Segy Gallery on African Art; correspondence with Segy Gallery (organizer); biographical data on speaker [James Johnson Sweeney, Director of the Guggenheim in NYC]; shipping information and receipts","Correspondence with speaker; label copy; press release copy; publications from Segy Gallery","1 photograph of street scene, but it has been drawn on","Copy of 1949 catalog; 1 copy of catalog; label copy; checklists by city; catalog copy; letter from Theresa Pollak regarding the way the show is chosen and hung; correspondence with artists; annotated older biennial materials; list of purchase recommendations; schedule for jurors visit; catalogs from other institutions (state shows); shipping information and receipts; traveling evaluation checklists","Copy of 1953 prospectus; correspondence with artists (Pollard's correspondence file); list of entry cards received","Correspondence with artists re: missing checks, incomplete blanks or other issues (Gaines' file)","Information from MOMA (organizer); correspondence with MOMA; checklists; shipping information and receipts; installation memo; 1 copy of invitation to opening","2 drawings","List of loans (Baltimore Museum of Art); correspondence with BMA; correspondence with speaker [Mrs. Adelyn D. Breeskin, Director of the BMA]; installation memo; checklists; label copy; shipping information and receipts. Show had 16 year age limit!","Entry/prospectus; correspondence with American Craftsmen's Educational Council; list of regional entries; correspondence with artists; completed entries; shipping information and receipts","February 1953 issue of \"The Richmond Home Builder\"","Mayor's reception schedule; lecture copy; copy of Directory of Virginia Governmental Officials (November 1950); invitation lists and planning","1 copy of invitation; lecture copy; correspondence with potential consultants","Correspondence with Thalhimer's; press release copy; lecture copy; slide list; clippings; speaker biography","Correspondence re: parking problems and conferring police authority to the Museum's guards","\"The New Art Wind Quintet\" press release; Harp Trio photograph and program; correspondence re: New Art Wind Quintet; contract copy; Harp Trio press release copy; Philippe Entremart photo; press release copy and program; correspondence with National Music league; programs; clippings","1 photograph of Victor Guye; actually a Goya exhibition file – correspondence with lenders; shipping information and receipts; checklists","Invitation; photograph of Queen Anne teapot; \"Art in Fashion\" invitation; label copy; catalog copy; correspondence with Lipton (lender) and Lipton's dealer; correspondence with speaker","Correspondence with potential participants; interim reports; correspondence with institutions in Scandinavia; exhibition proposal (typed); correspondence with embassies, consulates, etc.; shipping information and receipts; label copy; correspondence with speaker [John Van Koert]; checklists; correspondence with publicity; correspondence with AFA (organizer); 1 copy of brief prospectus; list of itinerary","Folder is incorrectly labeled \"1967\" at Library of Virginia. 1 drawing (1953-54); ALL FROM THE 1950'S: panel copy; shipping information and receipts; clippings; Sidney Janis catalogue; 1 copy of Bulletin (11/53); 1 copy of invitation, plus 1 internal memo re: new iteration as traveling show, checklist","1953 Virginia Artists prospectus; correspondence with artists; correspondence with publicity; label copy; correspondence with Des Moines Art Center (co-sponsor); shipping information and receipts; correspondence with lenders; correspondence re: purchases; biographical information on Dwight Kirsch (curator of show and Director of DMAC)","Mailing 12/1/55, \"To Virginia Painters\"; budget information; correspondence with artists; correspondence with Dwight Kirsch; annotated catalog; catalog requests; catalog disbursement list; shipping information and receipts; copy of Kansas State College Biennial Catalog (including quote from Kirsch)","1 photograph of artist and painting (John Koos with wife and Peter Khan, head of Hampton Institute Art Department); correspondence with juror; press release; correspondence with publicity; correspondence with artists (Newell's correspondence file); biographical information on Kirsch; clippings","1 copy each of 1950 and 1954 catalogs","Catalog copy; catalog proof; suggested arrangement; label copy, checklists","1 photograph of Armand Hammer; 1 photograph of room in his house; 1 photograph of Breughel painting; 1 photograph of [Erwin] Panofsky [from Institute for Advanced Study at Princeton], lecturer; 2 press releases; correspondence with Hammer; general collection information","1 drawing of main panel layout","Correspondence with lenders and dealers, artists; shipping information and receipts","Shipping information and receipts","Registration forms for each painting; checklists by gallery and by artist","Entry cards (completed); other institutional catalogs; prospectus copy; annotated catalogs; catalog copy; 1 copy of catalog; label copy correspondence with artists; correspondence re: publicity; shipping information and receipts; correspondence with jurors","Prospectus; mailing lists; budget tracking; correspondence with jurors","6 photographs of designs; shipping information and receipts; label copy; correspondence with AFA (organizer); checklists; correspondence with Cooper Union (lender)","2 drawings of panel layouts; notes re: pre-Columbian panel layout","1 drawing of panel layout; label copy","1 drawing of 20th century gallery layout with section for Virginia rotating artists; correspondence with artists; correspondence re: purchases; shipping information and receipts; biographical information; correspondence with lenders; memos re: installation; checklists","Checklists by lender and by artist; correspondence with lenders; label copy; shipping information and receipts; copy of catalog from University of Louisville with similar exhibition","1 drawing of panels; notes re: panels for exhibition","Letter to AFA re: exhibitions; exhibition proposal for Design for Theatre","Correspondence with various people and institutions re: possible exhibitions; program schedule for 1953-54; scattered exhibition-related materials as well; correspondence re: various programs, performances and dinners; correspondence with publicity; copies of Members Bulletin for March, April \u0026 May, 1954","1 photograph of Furniture of the Old South; mainly lists, both general and for particular shows","Correspondence re: an article proposed by Gulf on the Artmobile, including a photographic assignment, to run in their company magazine Orange Disc; correspondence re: subsequent mailing of issue","Letter to Presidents of Garden Clubs, 10/11/54; correspondence re: securing funding for Waddy fountain planting each season; mailing lists","Correspondence re: arrangement to use galleries for their meetings","Membership List","Copy of The Orange Disc Magazine (March-April 1954); list of Artmobile pictures used","Drawing of new membership brochure [Not taken, too hard to reproduce]; annotated membership forms; new form copy; copies of MOMA \u0026 Walker membership forms; membership campaign materials: proposal, committee schedule, plan for calls, etc., minutes of meetings, campaign reports, membership report (statistics)","Correspondence re: special loan exhibition from permanent collection; shipping information and receipts; checklists","Correspondence re: meeting; biographical information on speakers; schedule/agenda; transcribed notes from Question \u0026 Answer session","2 photographs of mural; correspondence with Rochester Institute of Technology, where she was a student (she was a VMFA Fellowship winner); correspondence with artist","\"Endorsement of the forthcoming Artmobile\" 3/10/53; \"An Exhibition of Sculpture from Africa,\" 3/22/53; \"The Hammer Collection…\" [n.d.]; \"The VMFA has purchased 3 paintings…\" 3/24/54 (short one); copies of press releases from March/April 1952/1954","13 drawings of pedestals in various galleries; notes","1 drawing; 1 list of photographs for American 19th Century","1 drawing; 1 list of photographs for Early Near Eastern","1 drawing; 1 list of photographs for Late Italian and Spanish","1 drawing; 1 list of photographs for Roman","1 drawing; 1 list of photographs for Oriental","1 drawing; 1 list of photographs for German","1 drawing; 1 list of photographs for French 17th-18th centuries","1 drawing; 1 list of photographs for Italian, 14th \u0026 15th centuries","Just list of photographs for English 16th-17th centuries","1 drawing (English 18th-19th centuries; 3 photograph lists (medieval, American 18th century, English 18th-19th centuries","1 drawing; 1 list of photographs for American 20th century","List of photographs for Virginia Today","1 drawing (Egyptian); list of photographs for Egyptian, notes","2 drawings of text panels; notes; list of photographs for North Sculpture Hall","Photograph of Blanche Tarjus; correspondence; biographical information; program copy; programs; clippings; publicity materials from National Music League; artist fee schedule; correspondence with artists; invitation copy","Photograph of damaged jade, 2 annotated photographs (all Minneapolis); shipping information and receipts; label outlines; checklists by lender and by type; correspondence with lenders; clippings, research notes; label copy; correspondence with other potential lenders","3 panel layout drawings; 4 other layout drawings; label copy; label outlines; section color suggestions and samples; list of cases needed","1 photograph of children with eggs; tear sheets from Interiors magazine; copy of 1947 Pratt catalog; suggested publicity schedule; outline of work to be done; label copy; correspondence; press releases; research; clippings; correspondence with publicity","1 drawing; 6 photographs; blue AFA Catalog list; correspondence with AFA (organizer); label copy; checklists; shipping information and receipts; fabric and paper samples; correspondence with lenders","Correspondence with artist; biographical information; shipping information and receipts; label copy; checklists","1 drawing, 1 photograph of Karolik; catalog copy; checklist; shipping information and receipts; label copy; dimension list; correspondence with Smithsonian (organizer); correspondence with collector (Maxim Karolik); 1 copy of invitation; copy of bulletin; copy of MFA Boston Bulletin on collection (10/51)","William Kienbusch and William Zorach [2 of 3 judges] catalogs; list of purchase considerations; correspondence with artists; correspondence with galleries; shipping information and receipts; checklists","1 drawing; clippings; bulletin photograph copy; correspondence with Addison (1 letter) [Addison Gallery of American Art, Chairman of Jury was Bartlett H. Hayes, Jr., Director of Addison]","Correspondence with artists; biographical information; label copy; shipping information and receipts","1 drawing; label list","1 photograph of Charles Baker; 1 drawing; shipping information and receipts; correspondence with artists; checklists; biographical information; Davis' Fellowship application; label copy","Correspondence with artists; mailing lists of artists; requests for blanks","Correspondence with artists; requests for blanks; correspondence re: incomplete forms or missing checks; handwritten list of entries received","4 layout drawings","List of winners; copy of blank certificate; copy of green prospectus; checklists; shipping information and receipts; entry copy; catalog copy; label copy; other institutions' catalogs/prospectuses; correspondence with jurors; staff members; list of artists","Correspondence with artists; entry blank requests; shipping information and receipts","Correspondence with artists; biographical information; shipping information and receipts; label copy","Typed remarks by preview speaker [Honorable Shigenobu Shima, Minister of Japan]; list of credits for exhibition","Drawings of invitation copy; 1 photograph; checklists (organized by MOMA); correspondence; label copy; 1 copy of invitation; shipping information and receipts; correspondence with Minister of Japan (preview speaker); press release copy; correspondence with MOMA; correspondence with MIYA company (lent accessories); correspondence with Japan Society","1 drawing of panel layout; correspondence with artists; shipping information and receipts; checklist","Correspondence with Corcoran (lender); label copy; shipping information and receipts","2 photographs of ICA installation; checklists from ICA in Boston; fabric samples; correspondence with manufacturer (i.e.; lender); includes some publicity materials and catalogs; shipping information and receipts; list of items sold to staff members; ICA catalog/brochure copy; correspondence with ICA; ICA press releases; label copy; ICA catalogs (1954 \u0026 1955)","Checklist; miscellaneous correspondence; ICA news releases; fabric samples; checklists","Shipping receipts for Designs for Christmas show","List of items available for purchase; correspondence with manufacturers re: sale","3 photographs; publicity materials from Virginia Chapter of AIA; shipping information and receipts; label copy","Copies of suggested schedule","Few pieces of miscellaneous correspondence related to other exhibitions","2 photographs of Suzanne Bloch; correspondence with various music organizations; publicity materials (mainly programs); clippings; Suzanne Bloch press release copy and biographical information","Catalogs and samples of wall and paper materials","Letter solicitation (7/1/55); correspondence with studios; research; exhibition proposals (Samuel Goldwyn or Cecil B. DeMille); mailing list","Correspondence; correspondence with manufacturers (including catalogs)","Copy of the Annual Report; typed and written drafts for \"Information Services and Public Relations\" report","Press release; correspondence with publicity; clippings; mailing lists; grand opening schedules; new members' room information","Copy of letter to press (11/29/55); memo re: use of mats sent to newspapers from Rex Allyn to Cheek; 5 actual mats by Virginia Stereotype Service","1 photograph of camera; correspondence with Colonial Williamsburg (author of book on Cook); label copy; camera catalogs; checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of invitation; research articles","John Koenig was Guest Promotion Director; correspondence with publicity; news releases; mailing lists; clippings; copy of catalog","Bulletin copy; Bulletin proofs; correspondence with speakers","2 copies of newsletter (2/55 and 12/54); 1 piece of AFA membership publicity","Copies of 51st and 53rd programs; copy of letter to publisher of 55th (VMFA was in it)","Rex Allyn's correspondence file; correspondence with publicity; correspondence with other institutions; clippings","4 drawings; 10 photographs; copy of catalog of traveling show in São Paulo, copy of checklist and hanging order sheet; label copy; correspondence with artists; publicity; biographical information; shipping information and receipts; correspondence with publisher; press release, checklists (for traveling too); circulated by AFA","Copy of invitation to costume ball with note about asking about museum as location","AFA Newsletter, 12/55","Publicity; correspondence with Junior League about volunteers; copies of articles in The Leaguer; press releases","Publicity; copy; catalog photographs; correspondence with speakers; cards with state exhibitions on them; clippings","Publicity; copy of Bulletin; press releases","Copy of Carl Sandberg's prologue; invitation; correspondence with MOMA (circulator); copies of drawings of installation from MOMA; copy of catalog; contract; press releases; checklists; shipping information and receipts","Article copies (by Marguerite Tabb)","Correspondence with Jaycees","Correspondence","Correspondence with Society; copies of minutes","Publicity from American National Theatre and Academy","Correspondence with WRVirginia \u0026 WLEE; list of personnel","Publicity; Artmobile schedule","Correspondence with Society; publicity; schedule and financial statement of Society","Press releases (4/14/55; 4/12/55); schedule and procedure for ceremony of awards (4/29/55); press release (4/25/55); other press releases","Copy of minutes from meeting","Correspondence with printers; budget information; samples of items; purchase orders","Miscellaneous correspondence","Correspondence; summary and minutes from conference","Correspondence with Whitney Museum; correspondence with other museum directors (Leslie Cheek a sort of consultant)","Copy of letter from Rhoads to Board; correspondence with Rhoads","Correspondence re: Georg Jensen exhibition; checklists (from SITES)","Correspondence with artists; biographical information; checklists; shipping information and receipts","Invitation; correspondence with Catherwood Foundation; label copy; exhibition proposal","Press release; shipping information and receipts; correspondence with Catherwood; Catherwood publicity; checklists; label copy","1 drawing of layout; label copy; checklists; list of loans requested; shipping information and receipts; correspondence; correspondence with publicity; correspondence with lenders; 2 annotated copies of printed checklists; copy of Bulletin","1 copy of printed checklist; correspondence with lenders; request for information cards; 1 annotated copy of printed checklist","\"Caption for Watteau Mat\" and press release (1/11/52); press releases; list of loans; checklists","Correspondence with potential lenders for Fetes Galantes","Photography purchase requests; invoices","Shipping information and receipts; correspondence with lenders; clippings","Correspondence with lenders; shipping information and receipts; request for information forms; label copy","1 copy of catalog; 1 copy of Ford Times on which the show was based; checklists; correspondence; catalog copy; correspondence with Ford; copy of story for Commonwealth","2 photographs of Helen Wearstler Foht; 1 duplicate photograph of her; checklists; correspondence with artists; shipping information and receipts; label copy","Correspondence with artist and his dealer (Hammer Galleries); copy of the exhibition catalog; label copy; 1 book jacket of his (High World); insurance information; shipping information and receipts","2 photographs; checklists; shipping information \u0026 receipts; correspondence with artists; label copy","1 photograph; 1 duplicate photograph (Aubrey Bodine or O.F. Romig) [these 2 were judges, A. Aubrey Bodine of Baltimore and Orlando F. Romig of Pittsburgh]; correspondence with artists","Shipping information and receipts; correspondence; press release","1 photograph of unknown; 1 photograph of Carl Roseberg; shipping information and receipts; sales information; checklists; correspondence with artists; label copy","3 photographs; checklists; biographical information; correspondence with artists; label copy","Invitation; list of possible artists publicity/catalogs from other shows; invitation copy; mailing list; checklists; correspondence with Sculpture Center; shipping information and receipts; correspondence with artists; correspondence with lenders; label copy","4 drawings of label panels; sheet for each with list of photographs for panels","2 photographs; shipping information and receipts; correspondence with artists; checklists; sale information; biographical information; label copy","Invitation; 1 photograph of show at Corcoran; 1 drawing; also 1 drawing of Chinese gallery, press release 3/4/55; correspondence with SITES (organizer); shipping information and receipts; checklists; correspondence re: damage to a chair; label copy; correspondence with publicity; 1 copy of catalog; 1 copy of Danish Foreign Office Journal","Correspondence with lender; shipping information and receipts; checklists; George Poiret print collection exhibition catalog (rents them)","1 photograph; correspondence; clippings","Copy for theatre publications","Program for 57-58 season; copy for earlier brochure","One letter re: season's policies","2 pieces of correspondence","\"A Proposal,\" (letter 7/14/56); Dance Society meeting minutes; correspondence; budget information; mailing list","Program April 20, February 24, January 6, October 21, September 16; correspondence (1 letter); 1 copy of a mailing","Checkbook; correspondence re: taxes","1 photograph (Richard Steinway); duplicate photograph (John Langstaff); 1 photograph of John Langstaff with Berkshire Quartet; 1 duplicate photograph and 1 regular photograph of Albeneri Trio; 1 season program","1 photograph of John Langstaff; 1 duplicate photograph of Robert Conant; 2 photographs of Amadeus Quartet; 1 photograph of Alfred Deller; 1 duplicate photograph of Alfred Deller Trio; 1 photograph of Emily Frankel and Mark Ryder; correspondence; proposed relations between the 2 organizations; meeting minutes; letter drafts; program copy; publicity materials","Wishes to thank card; Davenport Carrington letter; response card; meeting minutes; program schedule; clippings; correspondence; budget information; form letter with mailing lists; promotion planning","Shipping information and receipts; correspondence","1 copy of schedule of programs and events","Correspondence from Velz (he was on Executive Committee for 1956-1957) to various people re: events; \"The Public Relations and Information Program of the Virginia Museum of Fine Arts\" paper","1 clipping (RTD 2/15/56-they got charter)","RAUC Summary Report 1949-1956; correspondence of RAUC; evening courses for adults announcement","Correspondence re: lecture on architecture of Japan","Correspondence re: fundraising drive; interoffice memos","Hundreds of photographic department purchase requests","1 copy of magazine, October 1956 issue with VMFA feature","8 drawings of alcoves; layouts; permanent installations; lists of photographs for alcoves; memos re: installation needs; photograph orders; lists of titles for information panels; correspondence re: information panel production; panel copy; budget information; information re: hanging heights in galleries; sample label paper","\"Art Reference Resources in Virginia\" questionnaire (all about art libraries); 1 piece of correspondence about putting brochures on ferries","3 photographs from Brazilian show; newspaper and magazine clippings; catalogue and clippings for 1951 Brazilian show (Children's Book Illustrations); information and press releases and correspondence for 1953 fellowships; 1950-51 fellowship information; blank application; information on Jenny-Lynn Franklin's mural; press releases for 1956-1957 fellowships","Traveling checklist and hanging order; label copy; correspondence with artist; shipping information and receipts; correspondence re: traveling exhibition; checklists; correspondence with AFA; clippings; blank loan contract; correspondence with borrower; itinerary; AFA publicity materials for show","Material from MOMA on their 25th anniversary","2 drawings of panel layouts; list of photographs used; memos; label copy; photograph order","Mailing list; copy of Bulletin; cards sent to institution for their exhibition listing in Bulletin (called \"Elsewhere in Virginia\")","Photograph of Merrill Moore; 1 photograph of Governor Stanley; biographical information on speakers; correspondence with speakers; publicity material for Merrill Moore's new book","Mailing (open house invitation); letter from Rhoads to members; renewal card, 1 photograph by Yardley; membership letter draft; correspondence between committee members; brochure proofs; previous membership requests; privilege information; budget information; brochure copy; paper samples","Brochure copy","Fashion Festival facts; Council letter (3/21/56); program; invitation copy; correspondence with Miller \u0026 Rhoads; correspondence re: Council; correspondence with Harper's Bazaar; correspondence with publicity; mailing lists; schedules; meeting minutes; annotated scripts \u0026 schedules; fabric samples; program copy","Complete reply cards; correspondence re: Council children's events; publicity materials for puppet theatre; blank reply cards","Correspondence with artists; checklists with sale prices; shipping information and receipts; biographical information; label copy; photograph purchase requests","1 photograph of \"Black Beast,\" 1 photograph of \"Croquet Player\"; correspondence with AFA (who turned down show) and ICA Boston; correspondence with publicity; shipping information and receipts (now called \"Collection Memos Receipt\"); correspondence with lenders; insurance information","Correspondence with publicity; correspondence with artists; correspondence re: preview, installation information and schedules; correspondence with lenders; shipping information and receipts; label copy; correspondence with AFA re: withdrawal; list of lenders; photograph orders","1 drawing, 27 photographs; 1 duplicate photograph (Henry Robinson Luce); label copy; correspondence; shipping information and receipts; [unlabeled: (lady) Elsie de Wolfe; Henry Dreyfuss (architect)]","3 photographs of jurors; 1 photograph of sculpture; 1 photograph of tempera painting; correspondence with jury; checklists; shipping information and receipts; clippings; dinner lists and plans; correspondence with lenders; label copy; Ben Shahn catalog; biographical information; insurance information","1963 Virginia Artists blank; shipping information and receipts; correspondence with artists; label copy; biographical information","2 drawings (1 by her, 1 by Leslie Cheek); checklist with values; correspondence with artist; shipping information and receipts","Entry cards; shipping information and receipts; sale information; correspondence with artist; insurance information; Council Preview Party gifts information (new); check stubs; list of entrants; preview mailing list for businesses","Virginia Artists jury memo (1/25/57); blank certificates (signed); traveling exhibition checklist; 1957 prospectus; label copy; copy of 1936 catalog; speech copy; Bulletin copy; annotated 1955 blank; prospectus list; entry requests; catalogs and brochures from other exhibitions; prospectus copy; catalog copy; schedule; correspondence with publicity; shipping information and receipts; correspondence with jury; clippings; certificate recommendation list; jury report; correspondence with artists; biographical information on certificate winners","Shipping information and receipts; correspondence with artists; 1 copy of catalog","Drawing of layout","3 photographs of installation (location unknown, not VMFA); correspondence with American Institute for Graphic Arts (organizer); shipping information and receipts","\"A Brief Description of the 'New World Achievement' Exhibit,\" invitation and drawing; label copy; checklists; schedules; Jamestown materials for 1957 festival; list of lenders; for letter draft; credits; musical selections; annotated invitation; correspondence with Jamestown Committee members; copy of Commission report; shipping information and receipts; invitation copy","Illustration lists for panels; label copy","2 duplicate photographs; research and information panel copy","1 photograph of a plate; correspondence with lenders; shipping information and receipts; information request forms; label samples","3 photographs; correspondence with lenders; shipping information and receipts; information request forms","Information on VMFA and Jamestown Festival","Correspondence with ESU re: speaker and other events; correspondence with embassy; clippings; invitations; speaker publicity","Checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of VMFA Summer Calendar","1 drawing; photograph; checklist; catalog; publicity materials from AFA (organizer); measurement lists; correspondence with AFA; correspondence with Near East College Association (co-organizer); shipping information and receipts; label copy; checklists with values","2 photographs; \"Emblem of the 1957 R.S. Reynolds Memorial Award\"; 20th century works of art catalogue from the University of Illinois-Urbana; label copy; AFA publicity materials; Reynolds Memorial Award publicity materials; correspondence with AFA; correspondence with Reynolds; correspondence with artist","1 drawing, 7 photographs, press release; checklists; label copy; shipping information and receipts; MOMA publicity materials; correspondence with MOMA; label copy; condition report","1 application; 2 memos","Council member letter (2/1/57); \"The Big Frame-Up,\" script and cast list; volunteer lists by reject type; Council proposal for buying Virginia Art; preview invitations; clippings; correspondence with and between Council members; invitation copy; prize list","1 photograph (Joseph Gilliard); correspondence with artists; invitation correspondence; checklists; biographical information; shipping information and receipts; photograph orders; label copy","Invitation, traveling exhibition checklist; label copy; shipping information and receipts; checklists; correspondence with publicity; correspondence with artists; biographical information; correspondence with AFA; catalog of other comic show in NYC; press release copy; AFA Catalog 1957-58; photograph orders","1 photograph of speaker (Rorimer); correspondence with speakers (library lecture series); list of speaker possibilities","Checklists; shipping information and receipts (re: return of traveling show)","Invitation to children's play; correspondence re: children's events, including play","Membership letters; blank application; list of dropped group members with form letter; memo re: procedure","Introduction letter (9/28/56); letter (1/15/57); menu; correspondence and planning re: Council luncheon and other meetings; list of Council programs for year; correspondence; shipping information and receipts for lecture supplies; clippings","4 photographs (Iris Nordquist?); label copy; correspondence with artists; shipping information and receipts; biographical information; checklists","An example file: instructions regarding how to do the shows, rules, etc. plus samples of forms and documents","Memos and notes re: quality of transparencies used for postcards","Correspondence re: adult photography class taught by Burris (Gordon G.), staff photographer; correspondence with manufacturers re: enlargers; equipment brochures","Correspondence and agreements re: film society showings for year","5 Remington Rand catalogs; Library and filing supplies; correspondence with other librarians (arts); correspondence with possible applicants; results of art resources surveys; list of equipment desired; list of periodicals [bunch of \"Habiliments\" material]","Label copy; checklists; correspondence; correspondence with artists; sales information; repairs, shipping information and receipts","Form letter from Rhoads to members","Correspondence and memos from McClellan \u0026 Velz (PR and publicity-related) [Richard Velz, Division Head, Administrative Division; E.T. McClellan, Public Information Head]","1 photograph (Thomas Kenneth Rowe); 4 photographs of paintings; correspondence with artists; checklists; shipping information and receipts; biographical information; clipping","Label copy; shipping information and receipts; correspondence with artists; checklists","Correspondence with lenders; label copy; shipping information and receipts (no catalog published for this one)","Preview invitation; 2 photographs; layout drawing; label copy; correspondence with ICA Boston (organizer) \u0026 Detroit Institute of Arts; correspondence with Winston; checklists; shipping info and receipts; catalog of collection at University of Michigan","7 photographs; label copy; shipping information and receipts; correspondence with artists; checklists; clippings; biographical information","1 photograph; label copy; AFA publicity materials; correspondence with lenders; shipping information \u0026 receipts; credits; correspondence with designer (Oenslager); clippings; biographical information; 1 copy of catalog; AFA brochure (1957-1958)","2 photographs; AFA materials; correspondence with AFA; label copy; shipping information and receipts","Panel layout drawing; 1 photograph; checklist; list of lenders; label copy; checklists; Carnegie press releases (organizer); correspondence with ICA Boston (circulator); correspondence with Carnegie; correspondence with lecturers; shipping information and receipts; 1 copy of catalog","Correspondence with Smithsonian; Smithsonian press release; checklist; shipping information and receipts; label copy; 1 copy of catalog","6 photographs (Barbee); 6 photographs (Lou Ponder-Rogers); checklists; correspondence with artists; shipping information and receipts; biographical information; various catalogs; label copy","6 photographs (Thomas Gorman); 6 photographs (Marilyn Downes-Bennett); shipping information and receipts; correspondence with artists; checklists; label copy","1 drawing; duplicate: invitation letter; \"Art Lending Service\"; press release; mailing list; Bulletin copy; invitation copy; copy of 1947 catalog; correspondence with artists; list of eligible artists; list of previous rotating exhibitions","1 layout drawing; 2 photographs; checklists; label copy; correspondence with Warburg; shipping information and receipts; 1 copy of invitation","Copy of invitation; miscellaneous memos","1 American classics drawing; 1 duplicate Skidmore, Owings, Merrill layout drawing; 1 copy of a gallery catalogue from New York; checklists; list of preview guests; shipping information and receipts; promotion plan; correspondence with publicity; promotion plans; press release","\"SOM Projects,\" clipped prose and labels; label copy; copy of MOMA Bulletin on SOM (Fall 1950), XVIII, 1","Folder with label on front \"William Rhodes\" scheduling events surrounding opening of new Reynolds Metals Building; correspondence with publicity; correspondence with SOM; correspondence with Reynolds; shipping information and receipts; preview plans","1 photograph (Colorado Springs Air Force Academy); 1 photograph (Frederick D. Nichols, professor at School of Architecture, UVirginia); label copy; correspondence with publicity; Reynolds Metals opening schedule; annotated press releases; clippings, correspondence with potential speakers; Bulletin; shipping receipts","5 photographs and 1 slide; correspondence with Reynolds; correspondence with publicity; correspondence with William O'Neal, lots of miscellaneous correspondence","Around 10 magazine clippings","1 photograph; clippings; press release; \"1962 American Painting\" catalog; \"The Story of Steuben Glass\" book","1 photograph (duplicate); 1 drawing of pedestal; label copy; correspondence with Steuben glass; shipping information and receipts","9 photographs; 1 drawing; 1 duplicate photograph (Dorothy Miner); label copy; correspondence with Andrew Wyeth; correspondence with lenders; correspondence with local librarians; correspondence with speaker (Dorothy Miner); 1 copy of invitation; 3 annotated copies of catalog of paintings at Knoedler; shipping information and receipts; biographical information","Documentation; correspondence and schedules for school group tours, all ages and subjects; some docent information","1 copy of November 1958 – 44:11","1 folder of press releases, VMFA Bulletin, 2 photographs, called \"News About our New General Office Building.\"","1 folder with label \"Mrs. M.B. Christison\" with opening schedule information","1 photograph (Edwin Burr Pettit – Brandeis lectures); information re: Council lecture-luncheon 1957; handouts; reservation cards; correspondence, Lecture Series schedule; correspondence with potential lecturers; clippings","Correspondence re: mailing list and press releases","Correspondence with publicity; publishers and personalities; printer","1 photograph; correspondence with publicity; correspondence with dealers; press releases, Poussin material; mailing list","Correspondence with Professor of Applied Social Research at Columbia re: public relations","1 drawing; shipping information and receipts; correspondence; label copy; correspondence with lenders; UVirginia catalog","3 drawings; 9 photographs; 1 duplicate photograph; label copy; exhibition catalog from L'Art Ancien, S.A. Zurich; correspondence with Brooklyn; shipping information and receipts; invitation copy; 1 copy of invitation; clippings; AFA materials and correspondence","\"Virginia Artists Jurying: Requested Arrangements \u0026 Operations\"; 17 photographs (1 of Perrin - labeled, 1 of Bertoia - hat, 1 of Lee – other; correspondence with potential jurors; correspondence with jurors; shipping information and receipts","1 photograph; invitation (3 copies scattered); 1 drawing; checklists; biographical information; label copy; correspondence with Aldrich; catalog correspondence; correspondence with publicity; catalog copy; shipping information and receipts; clippings","Correspondence with printer re: catalog; \"thank yous\" for exchange or gift of catalog","\"Complete Catalog\" copy; correspondence with artists; information requests; shipping information and receipts; 1 certificate (signed by Sherman Lee); clippings; correspondence with jurors; schedules; lists of entries by place; entries (completed); certificate recommendations; prospectus copy; clippings; checklists; other institutions' prospectuses; other catalogs; correspondence with publicity","1 drawing; catalog copy; 1 copy of prospectus; label copy; prospectus proof","Correspondence with winners; list of certificates; list of recommendations","15 photographs; 1 drawing; correspondence with Metropolitan Museum of Art (speaker); label copy; correspondence with Minneapolis Institute of Art (lender); checklist; shipping information and receipts","5 photographs; correspondence with potential lenders; correspondence with APVirginia; correspondence with Virginia State Bar; checklists; shipping information and receipts; label copy","Correspondence; label copy","Correspondence with the Olsen Foundation (lender); 1 copy of catalog; shipping information and receipts; checklist","12 photographs (whoever had show October 7- November 4, 1956); catalogue; research; checklists; correspondence with Olsen Foundation","Suggestion for gala fundraiser","Correspondence with VHS","Correspondence with artists re: eligibility; old Virginia artists catalogues (1953 \u0026 1955); prospectus and rules","1959 catalogue; lists of eligible artists; label copy","3 negatives, 5 photographs; correspondence with lenders (NYPL, Wadsworth, Met); checklists; chipping information and receipts","Correspondence with Virginia State Bar Association","7 small photographs (Broaddus); 5 photographs (Russi); 5 photographs – prints – (Turner); correspondence re: sales; biographical information; correspondence with artists","1 photograph (Davenport); 9 photographs (Davenport); 1 photograph (Jones); 4 photographs (Jones); checklists; label copy; correspondence with artists; biographical information; shipping information and receipts","Shipping information and receipts; request for information forms","Receipts","7 photographs (I. Moore?); 7 photographs (Lois Jacobsen); 7 photographs (Bill Gaines); 1 photograph (Jacobsen); correspondence with artists; shipping information and receipts; invitation copy; correspondence re: sales","4 photographs; 1 drawing (duplicate); duplicate: catalog list (blue); correspondence with AFA; AFA materials; clippings; biographical information on lecturer; checklist; correspondence with publicity; preview dinner plans; shipping information and receipts; 1 copy of catalogue","Correspondence with lenders; publication exchange cards; checklists; committee member list; correspondence re: catalog","2 photographs; 1 photograph (Basil Taylor); 1 duplicate photograph of unknown; 1 duplicate photograph (Alice Higgins); 1 drawing; clippings; biographical information on Sports Illustrated photographers; press releases; checklists; mailing lists; budget","Label copy; checklists","Clippings; publication exchange cards; correspondence with publicity; 1 copy each of 2 invitations; dinner seating arrangement","Correspondence with lenders","Dinner reservation list; dinner invitation (March 1960); list of patrons; budget information; invitation copy; shipping information and receipts; financial reports; correspondence with publicity; travel plans, correspondence with Basil Taylor; 1 copy each of 2 invitations; correspondence with Mellon","Research; checklists; correspondence with possible lenders; correspondence with Corcoran (organizer of Sports Illustrated exhibition); other exhibition catalogs; correspondence with Mellon; clippings; committee correspondence; label copy; correspondence with publicity; correspondence with ambassadors; invoices; issue of \"Sport \u0026 the Horse: The Chronicle,\" (4/1/60)","1 drawing of dinner arrangement; correspondence with lenders; correspondence with committee members (including Mellon); shipping information and receipts; correspondence re: catalog; travel plans; invitation copy; correspondence with lecturer; correspondence with ambassadors","3 photographs of packing Manet's \"Races at Longchamp, Paris\"; correspondence with lenders; shipping information and receipts; correspondence with Mellon; correspondence with publicity; correspondence re: damage to Manet","Shipping information and receipts; correspondence with lenders","Correspondence with Blunt (Courtauld) and with royal collection","Catalog copy; 1 letter from the Palais du Louvre","Correspondence with Mellon; correspondence with committee members; list of patrons; requests to join committee","Correspondence with Constable, consultant to exhibition (former curator, MFA Boston); Courtauld Director; Art History Professor, University of London)","Correspondence with Bourlet \u0026 Sons","Correspondence with Duveen \u0026 Walker (insurance brokers); copy of policy","Correspondence with Mellon; various lists","Correspondence with potential lenders; preliminary loan list","1 photograph of Sir Robert Walpole by Wootton; shipping information and receipts; correspondence with lenders; correspondence with Paul Mellon; handwritten list of lenders","Checklists; item cards","Budget tracking (including dinners); list of contributors; correspondence with Department of Accounts; receipts with correspondence; gala invitation copy; correspondence with publicity; correspondence with Mellon; 1 invitation; gala planning; menu copy; various ad rate cards (including Sports Illustrated); \"The Sports Illustrated Guide to Regional Marketing,\" with Sports Illustrated issue 4/18/60","1 duplicate photograph of \"Brown Horse \u0026 Spaniel\" by Stubbs; correspondence re: repair (blister) of Stubbs' painting lent by Katherine Gilbey of England","2 photographs (of Stubbs' Hambletonian, Rubbing Down receipt); correspondence with lender (Estate of the Dowager Marchioness of Londonderry); shipping information and receipts","Correspondence of the British Council","Correspondence re: catalogue","Requests for catalogue","Checklists by lenders, artists, type","Correspondence with lenders","Miscellaneous correspondence re: Sport \u0026 the Horse","Correspondence with Murray, librarian at the Witt Library, Courtauld","Catalogue copy; label copy","Over 100 plus photographs!","Correspondence with publicity; clippings","Correspondence with Mellon; suggested publicity plan; clippings, correspondence especially Basil Taylor [Librarian, Royal College of Art, London] and W.G. Constable; checklists (essentially Muriel Christison's file)","Shipping information and receipts","Completed request for information forms; packet of information on paintings from Wildenstein","Correspondence with dealers; checklists; correspondence","3 photographs of Monet's painting packed; 1 photograph of James Ward \u0026 Skewbald Stallion; correspondence with lenders; shipping information and receipts; checklists","1 duplicate photograph (Gilpin's Gulliver \u0026 Houyhnhnms); correspondence with Basil Taylor (Librarian, Royal College of Art); essentially Muriel Christison's correspondence file; biographical information; catalog copy; label copy; checklists","6 Prentiss Taylor photographs, 1 photograph of Taylor, 1 photograph of Lazaron exhibition; correspondence with artists; sale information; other catalogs; biographical information; clippings; checklists; shipping information and receipts","Prospectus copy; misfiled correspondence","Prospectus copy","1 photograph of installation; 6 slides (unlabeled); 1 copy of prospectus; correspondence re: jurors and jurying; list of certificate winners; correspondence with winners; dinner replies; other catalogs; correspondence with artists; correspondence with jurors","1 drawing; 1 copy of 20th Photographic Salon prospectus (blue); 2 posters from Virginia Art Directors Club 57th Annual Exhibition; Mariners Museum catalogs, etc. (lots of prospectuses and catalogs for similar exhibitions; entry requests; correspondence with jurors; jurying information","Checklists; notes; 1 copy of 20th Virginia Photographic Salon invitation and catalog; press release","ADP prospectus; requests for entry; mailing lists; correspondence with Camera Club \u0026 Photographic Society of America; annotated copies of 20th Virginia Salon catalog; 1 copy of PSA Journal 1960 – membership list","Sale information; checklists; correspondence with artists; insurance information; biographical information; shipping information and receipts","3 duplicate photographs of artists, 1 photograph of panel; biographical information; correspondence with artists; checklists; shipping information and receipts; correspondence with publicity","Correspondence with artists; checklists; shipping information and receipts; sales information; biographical information","\"Art Lending Service,\" generic invitation; correspondence with artists","\"Notice to Virginia Photographers,\" 1 drawing, 1 photograph of juror [Hoyt L.] Roush; prospectus copy; entry requests; checklists; annotated prospectus; information re: jurying; correspondence with jurors; correspondence with Camera Club; catalog copy; copies of 18th \u0026 19th photographic salon catalogs; lists of winners; shipping information and receipts; biographical information","20th Photographic Salon prospectus; other catalog; entry requests; prospectus copy; ADP prospectus copy; clippings; news release; 1 drawing of ADP layout (already have it)","1 drawing; 1 copy of catalog; correspondence with MOMA (organizer); MOMA materials; shipping information and receipts; label copy; checklists; contract","Two 12/1/59 press releases; 3 photographs from 1/2/60; press release; clippings; correspondence with publicity; list of attendees; correspondence with UNESCO","Correspondence with jurors; shipping information and receipts; correspondence with lenders; completed request for information forms","2 negatives of Joseph A. White (shipper) and Perry Rathbone (Director, MFA Boston); checklists; correspondence with publicity; correspondence with lenders; biographical information; list of events; 2 prints of negatives","Correspondence with lenders","Invitation copy; catalog copy; annotated Sport and the Horse invitations, programs and menus; copy of \"Brief History of Virginia Museum,\" lecture copy","Correspondence with CW's President; biographical information","Correspondence with Gibbs (President of Gibbs \u0026 Cox, Architects); biographical information","Biographical information (of Lehman Brothers, investment banking); correspondence with Lehman","Correspondence with Marshall Fredericks (accepted Carl Milles award); biographical information; correspondence with Mrs. Milles","Annual reports (1956-58, 51-55, 41-50); biographical information on Ernest Brooks (President of Foundation) and correspondence with Brooks; miscellaneous correspondence","Correspondence with Saarinen; biographical information (correspondence re: Arts in Virginia article)","Notes; correspondence with contributors; correspondence with vendors","25 photographs; 1 duplicate photograph; correspondence with lenders and directors of lending institutions; biographical information","1 copy of preview invitation; list of invitees; drafts of publicity correspondence; correspondence with governor; memos","Various checklists","More checklists","Correspondence with lenders (in alpha order of lenders)","Correspondence with potential lenders (compiled by lender)","1 letter to Director of Toledo Museum of Art","Correspondence with publicity (compiled by institution)","33 duplicate photographs; 9 new photographs; shipping information and receipts; requests for information forms","24 duplicate photographs; 4 new photographs; shipping information and receipts; requests for information forms [n.b.: some overlap between folders 8 and 9]","Shipping information and receipts with new form: \"Collection Memo \u0026 Receipt.\"","1 drawing; 3 maps of table arrangements with names; 1 letter of thanks to Miller \u0026 Rhoads","\"Virginia Artists Jurying\"; 1 photograph; completed entry blanks; prospectus copy; correspondence with artists; correspondence re: sales; shipping information and receipts; list of certificate winners; labels; budget information; correspondence with jurors; prospectus proofs; correspondence re: damages; list of invitees for collectors reception","Small bit of correspondence; prospectus copy","5 photographs; correspondence with lenders; shipping information and receipts; checklists","Press release form; SITES checklist; SITES press release, 3 photographs; collection of memos and receipts; press release copy; correspondence with venders; staff memos; checklists; clippings; shipping information and receipts; request for information forms; SITES contract","Empty folder","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts; biographical information; overall rotating schedule; insurance form (new that year)","3 photographs; correspondence with artists; shipping information and receipts; checklists, insurance form","Correspondence with artists; shipping information and receipts; other catalog; checklists; insurance forms","1 drawing; correspondence with publishers and booksellers; correspondence with American Institute of Graphic Arts (circulator); shipping information and receipts; label copy; insurance form","5 photographs; label copy; research, correspondence with AFA (circulator); AFA materials; checklists; exhibition contract; press releases; shipping information and receipts; 1 copy of invitation","1 photograph; 1 drawing; 1 copy of invitation; correspondence with artist (Ruth Perkins Safford); label copy; price list; invitation copy; traveling exhibition checklist","9 photographs; 1 duplicate photograph; correspondence with MOMA (organizer and circulator); label copy; shipping information and receipts; 1 copy of invitation; MOMA materials; checklists","3 photographs; shipping information and receipts; correspondence with artists; lists of all eligible artists","Label copy; correspondence with artists; correspondence with lenders; insurance form, checklists; shipping information and receipts","1 drawing; duplicate: preview invitation; AFA materials (circulator); panel copy; 1 copy of Bulletin (November 1961); checklists; label copy; exhibition contract; correspondence with AFA; shipping information and receipts; AFA informational card (1 copy); correspondence re: sales","List of private purchasers; correspondence with artists; check receipts; shipping information and receipts; signed release forms (when items were released from museum custody); checklists; \"Report of the Council Committee for the Virginia Artists' Exhibition, 1961\"; list of business purchasers","\"Art Lending Service,\" \"Release Form,\" 1 drawing, \"Artist Form,\" another \"Art Lending Service\"; correspondence; schedule; procedures","\"Virginia Artists Jurying,\" \"Collectors' Reception\" (2/24/59), \"Tax Consequencies of Gifts of Picture,\" \"List of Firms\"; correspondence; invitation copy; memos; catalog and prospectus copy for 1961 show; label copy; procedures re: sales; check receipts","1 photograph; correspondence with artist; recommendation from Cheek; biographical information","1 bound copy of \"Cross-Examination of an Art Collection\" by Fred L. Palmer; correspondence with Palmer; checklists; shipping information and receipts; list of valuations; biographical information; collection memo and receipt; insurance report form","3 pieces of correspondence re: possible Eisenstaedt exhibition","2 photographs (duplicates); research; checklists; insurance report forms; shipping information and receipts; collection memo and receipts; label copy","Panel copy; label copy","1 photograph; shipping information and receipts; correspondence with artists; insurance report forms; Virginia Artist application; checklists","Invitation; label copy; clippings; correspondence with Railey (Mrs. Howard); research; auction catalogue: Hotel Drouot, 20 November 1861; shipping information and receipts; checklists; insurance report form","5 photographs, 1 drawing; correspondence with Director, H. Bryan Caldwell; checklists; collection memo and receipts; insurance report forms; research; press release; copies of Norfolk Museum Bulletins; Norfolk materials; 1 copy of \"Hugh Gordon Miller Collection of Paintings\"; correspondence with other Norfolk staff; 1 copy of \"The Great Mace of Norfolk\"; shipping information and receipts","Fact sheet; catalog copy; list of winners; copy of speech at preview","Prospectus copy; signed endorsement of prospectus by AIA, Virginia Chapter; prospectus proof","Signed certificates of distinction; prospectus copy; correspondence with jurors; biographical information; jury instructions; fact sheet","Jury instructions; fact sheer; list of winners","Label copy; insurance report form; memos; shipping information and receipts; correspondence with artists; biographical information","2 photographs, 1 drawing; label copy; correspondence with lender; correspondence with Basil Taylor; correspondence re: insurance; shipping information and receipts; police stand information","1 drawing; label copy; police stand information; correspondence with artists; correspondence with Hayes (Director of Addison); biographical information","1 copy of catalog; 1 copy of \"Artist-Craftsmen of Western Europe\" Catalog; unsigned invitation forms from Hayes; copies of telegraph information requests; label copy; correspondence with artists; correspondence with lenders","7 photographs; 1 copy of catalog; catalog copy; correspondence re: possible purchase of Nell Blaine painting","2 photographs, invitation; correspondence re: damage; shipping information and receipts; correspondence re: insurance [other correspondence: with artists; re: catalog; with publicity; with Hayes; re: lecture; with lenders; press releases; copy of Time magazine 1/19/62 re: Yu-Ho]; 1 copy of catalog","Shipping information and receipts; correspondence with lenders; signed invitation forms; a few other catalogs","22 new photographs; 8 duplicate photographs; some correspondence re: photographs","Shipping information and receipts; correspondence with lenders; checklists; insurance report form","Invitation; correspondence with contributors to AIV and Miss Christine Alexander, former curator at the Met \u0026 now advisor on Greek art to VMFA; staff memos; label copy; checklists; correspondence re: photographic panels for exhibition","Research (including sketches by Christine Alexander); notes; label copy","Press release; checklist; label copy","41 photographs; 12 duplicate photographs; label copy; correspondence with publicity; memos","1 drawing; label copy; checklists; shipping information and receipts; correspondence with Karolik; research; collection memo and receipt; insurance report form","12 photographs; correspondence with publicity; correspondence with potential lenders; correspondence with lenders; Jamestown Festival materials; correspondence with Jamestown; label copy","8 photographs; correspondence with artists; insurance report forms; shipping information and receipts; checklists","1 photograph; 1 duplicate photograph; 1 duplicate information sheet [\"Collectors Circle,\" 4/30/62]; shipping information and receipts; information request form; correspondence with collectors; label copy; schedule of \"expert\" lecture; insurance report form; 1 copy of invitation","Label copy; memos; correspondence with potential lenders; correspondence with SITES; correspondence with various Civil War Centennial Commissions; loan contracts (SITES); checklists; SITES materials; press releases; shipping information and receipts","12 photographs, 1 sealed envelope with possible photographic material ;checklists; label copy; correspondence with artists; shipping information and receipts","14 photographs; correspondence with artist; biographical information; memos; shipping information and receipts; insurance report form; clippings; label copy","5 photographs, 10 slides (Bristow); correspondence with artist; correspondence re: sale; press release, biographical information; memos; label copy; checklists; insurance report form; shipping information and receipts","Invitation; 1 annotated copy of \"Stravinsky and the Dance,\" NYPL, 1962","7 photographs; 2 duplicate photographs; staff memos; correspondence re: preview; correspondence with lenders; correspondence with AFA (circulator); checklists; correspondence with publicity","Sample of stuffed envelope to be weighed for postage","7 photographs; duplicates: checklist, suggested press release; correspondence with SITES; SITES materials; exhibition contract; staff memos; 1 copy of SITES catalog","Correspondence with Thorne (potential Virginia Artist)","Staff memos; correspondence with potential and real lenders; checklists; collection memo and receipts; shipping information and receipts","1 copy of Saturday Review 6/18/62","Correspondence with artists; various checklists; completed applications; blank applications (1 annotated; 1 not)","Application packet; completed applications","Correspondence with Goodrich (Director of Whitney); lecture schedule (for all lecturers for chapters and affiliates)","Correspondence with Rich (Director at Worcester); proposed schedule for Rich","Correspondence with Walker (Director, National Gallery of Art, DC); proposed schedule for Walker","2 photographs [Robert Lippold, Perry Rathbone]; duplicates: loan/own letter (8/10/62); Dear Virginia Artist (1/16/63); correspondence with artists; 2 label panels; checklist of eligible artists; prospectus copy; list of awards","1 press release","\"Curator's Choice: Collectors' Opportunity\" (orange); \"$50 Hens\" (blue); \"Procedure for Party\"; label copy; staff memos; text of speech; \"rules of etiquette\"; purchase request cards","'62 ADP catalog; old prospectuses; catalog copy; staff memo","1 drawing; 1 invitation; correspondence with artists; checklists (actually price lists); insurance report form; shipping information and receipts","Press release (9/8), 16 duplicate photographs, 7 new photographs, 1 contact sheet; 1 copy of Arts in Virginia (Spring 1962); correspondence with RMWC; checklists; correspondence with publicity","Suggested press release; checklist (circulated by MOMA); shipping information and receipts; MOMA materials; label copy; correspondence with MOMA","10 photographs; 1 copy of \"Finlandia\" catalog; correspondence with SITES. Correspondence with John Rorimer (Director of the Met); correspondence with AFA; correspondence with Finnish Society of Crafts \u0026 Designs [didn't take place!]","Correspondence with Rosenwald; correspondence with Walker \u0026 Brown at NGA; work schedule; correspondence with lenders; shipping information and receipts; staff memos; list of invitees to preview dinner; collection memo and receipt; 1 copy of invitation; foreword copy","Catalog copy; catalog proofs; miscellaneous correspondence; foreword copy","Correspondence with Philadelphia Museum; shipping information and receipts; insurance report form; correspondence with Rosenwald","3 photographs; shipping information and receipts; correspondence with SITES; checklists; press release; SITES materials; contract; label copy","Annotated copies of old prospectuses and catalogs; catalog copy","Mailing lists; list of hometowns; correspondence with artists; statistics; correspondence re: sales","1963 catalog; prospectus copy; catalog copy; catalog proof","Certificate (1 signed; few unsigned), invoices (purchasers and file copies); checklists; presentation schedule; correspondence with artists","Correspondence with artists; staff memo with form letters; Council letter (5/5/65)","Memos re: visit of Carl Weinhardt, juror; various staff memos; various form letters","Letter to purchaser from 20th exhibition, receiving and handling of prospectus and works (2/19/65); jurying procedures (3/18/65); dear Virginia Artist Printmaker; various staff memos; council committee report; Council form letters; correspondence with artists; various form letters; 1 copy of 1963 prospectus","1 slide; lists of works purchased; label copy; insurance report form; shipping information and receipts","3 drawings; duplicates: invitation; 1 copy of Bulletin (September 1965); collection memo and receipts; 1 copy of catalog; correspondence with lenders; correspondence with Moore; checklists","\"Suggested Introduction,\" 2 photographs; schedule of trip; correspondence with Arnson; miscellaneous correspondence; biographical information","1 photograph; duplicates: 1 clipping (Time 9/3/65); label copy; clippings; other invitations; Dictaphone belts with Henry Moore!; other catalogs; other press releases; transcription of interview","34 new photographs; 6 duplicate photographs","Shipping information and receipts; request for information forms; checklists; correspondence; insurance report forms; 1 copy of catalog (annotated)","1 annotated copy of \"William Blake: Poet, Printer, Prophet,\" by SITES","1 photograph; duplicates: \"Suggested press release,\" \"checklist, handling instructions\"; correspondence with SITES; SITES material; correspondence with Mellon (re: loans)","Invitation; correspondence with lenders and The Blake Trust; clippings","Label copy","Label copy; checklists","3 photographs; correspondence with Mellon; checklists; collection memo and receipts; shipping information and receipts; insurance report form","7 photographs","1 photograph; correspondence with Rosenwald; correspondence with lenders; checklists; shipping information and receipts","23 photographs; 2 duplicate photographs; correspondence with artists; photograph reproduction requests","Fact sheet for Virginia Artists 1963; correspondence with artists; shipping information and receipts","Correspondence with artists; lists of works purchased","Staff memos and notes re: improvement suggestions","Correspondence with Oenslager re: possible lecture","Correspondence with museums for slides of their expansions for a lecture","\"Fact Sheet – Virginia Artists Preview Committee-1965\"; copies of Bulletins (2/63 \u0026 3/65); various fact sheets from previous Virginia shows; checklists; correspondence; staff memos; shipping information and receipts; correspondence with artists","1 photograph: declined exhibition, \"Good Design in Toys,\" sponsored by Creative Playthings of Princeton and L.A.; correspondence re: denied exhibition proposals; some correspondence with jurors","Catalog proofs; billing information; meeting minutes (Education in the Arts Committee); rough fact sheets; schedules; correspondence with artists; checklists; catalogue copy; label copy; annotated copy of ADP '64","Memo re: AIA Dinner, 3/2/66; correspondence with artists; correspondence with associations; correspondence with Virginia AIA; clippings; budget information","Duplicates: form letter from Bill Gaines (2/4/66); certificate of distinction (unsigned); reply card","3 photographs (Arthur d'Arazien); duplicates: d'Arazien's biography; 1 photograph of Edgar Kaufmann (newsprint); correspondence with jurors; biographical information; clippings; press release","Eliot Elisofon's biography; 1 duplicate photograph (Elisofon); correspondence with jurors; biographical information","1 photograph (Louis Kahn); correspondence with juror (Kahn); schedules","\"ADP Jury Schedule\"; 5 photographs; photocopy of contact sheet; comment notes; list of potential jurors; schedules; correspondence re: dinner and hosting","\"Receiving and Handling of Material\" (11/29/65, \"Procedures for Jurying\" (1/19/66); staff memos; text of Walter Robertson's speech to dinner; notes re: jury report","ADP '62, ADP '64 catalogs; prospectus proofs; 1 copy of ADP '60 \u0026 '66 catalog; 1 copy of ADP '62, '64, '66 prospectuses","ADP slide commentary, 1966; checklists of selected entries; correspondence with artists; comments; fact sheet estimates","Virginia ADP 1966: Traveling Designs, Traveling Photographs, Traveling Transparencies","2 photographs; insurance report form; correspondence with Koplin; shipping information and receipts; biographical information; checklists; 1 copy of 9/65 Bulletin; clippings; label copy","2 photographs; duplicates: 10/65 Bulletin; internal memos; shipping information and receipts; other catalog; correspondence with Jackson","12/65 Bulletin; 2 photographs; label copy; shipping information and receipts; internal memos; insurance report form; correspondence with Alexick; biographical information","1 copy of 11/65 Bulletin; biographical information; label copy; insurance report form; correspondence with Biehl, checklists","3 photographs; correspondence with Belair; shipping information and receipts; insurance report form; 1 copy of 1/66 Bulletin; internal memos","3 photographs; 2 photographs; biographical information; insurance report form; 1 copy of 2/66 Bulletin; shipping information and receipts; correspondence with Pienkowski","2 photographs; 1 photograph; 3/66 Bulletin; label copy; biographical information; shipping information and receipts; insurance report form","2 photographs; label copy; shipping information and receipts; insurance report form; checklists; correspondence with Aldreth","2 photographs; 2 photographs; insurance report form; shipping information and receipts; correspondence with Driskell; label copy","2 photographs; 2 photographs; checklists; insurance report form; shipping information and receipts; 5/66 Bulletin; correspondence with artist; label copy","2 photographs; 2 photographs; clippings; correspondence with artist; checklists; shipping information and receipts; insurance report form; 9/66 Bulletin; press releases; internal memos; label copy","2 photographs; 3 photographs; 10/66 Bulletin; correspondence with artist; shipping information and receipts; biographical information; clippings","3 photographs; label copy; clippings; correspondence with artist; insurance report form; shipping information and receipts","2 photographs; 1 photograph; correspondence with artist; insurance report form; shipping information and receipts; 12/66 Bulletin; clippings; label copy; letter to members from Leslie Cheek Jr. re: opening","2 photographs; 3 photographs; correspondence with artist; insurance report form; 1/67 Bulletin; shipping information and receipts; biographical information; clippings; label copy","2 photographs; 3 photographs; clippings; 2/67 Bulletin; correspondence with artist; insurance report form; shipping information and receipts; label copy; checklists; other brochure; blank gallery floor plan (photocopy)","Clipping; 3 photographs; insurance report form; shipping information and receipts; correspondence with artist; gallery map","2 photographs; 2 photographs; correspondence with artist; 4/67 Bulletin; insurance report form; checklists; shipping information and receipts; label copy","2 photographs; 1 photograph; correspondence with artist; biographical information; 3/67 Bulletin; clippings; checklists; shipping information and receipts; label copy","1 photograph; correspondence trying to track artist down","3 photographs; 4 photographs; 9/67 Bulletin; clippings; correspondence with artist; 1 copy of invitation; shipping information and receipts; biographical information; label copy","3 photographs; 1 photograph; correspondence with artist; clippings; label copy; 10/67 Bulletin; 1 copy of invitation; shipping information and receipts; price list (hand drawn!)","1 photograph; 3 photographs; 11/67 Bulletin; correspondence with artist; shipping information and receipts; label copy","Comparative statistics for Tut and Greek Gold; correspondence with lenders (especially MFA Boston); correspondence re: insurance; clippings; press releases; staff memos re: procedures","Lots of photographs!; 1 copy of press packet (new!)","Lots of photographs!; shipping information and receipts; correspondence with lenders; correspondence with MFA Boston and Brooklyn (2 other venues0; correspondence with Senator Byrd and other legislators re: Senate Bill S.2273 7/9/65","[essentially Mary Louise Pinckney's (Loans Registrar-Programs Division) file]; schedules; staff memos; shipping information and receipts; correspondence with MFA Boston and Brooklyn; memos re: procedures; checklists","Copy of S.2273 Senate Bill report; label copy; memos re: procedures; clippings; correspondence with lenders; shipping information and receipts; 1 copy of invitation; research, correspondence re: recovery of stolen gold","Correspondence re: catalog (with MFA Boston, Brooklyn, author Herbert Hoffmann, printer); catalog proofs; correspondence with lenders","Catalog proofs; catalog copy","1 drawing; correspondence with MFA Boston \u0026 Brooklyn; correspondence with Greek Embassy; correspondence with Department of State; correspondence with Hoffmann, author; correspondence with publicity; staff memos; correspondence re: research","Introduction; correspondence with Pat Davidson (Brooklyn/lecturer); correspondence with Hoffmann; schedules; press release","One annotated checklist","3 articles re: theft of jewelry; 1 drawing; shipping information and receipts; correspondence with lenders","Correspondence with MFA Boston \u0026 Brooklyn; correspondence re: insurance; correspondence with lenders; 1 copy of MFA Bulletin (November 1965); checklists; copies of policies","Copy of S.2273 Bill; correspondence with legislators; clippings","Checklists; correspondence","Panel copy","Label copy; checklists; clippings; correspondence with Patricia Davidson (her writings); catalog proofs","2 items","Correspondence re: shipping with security company and lenders","Correspondence with Alderman; shipping information and receipts; checklists; insurance report form; label copy; traveling exhibition checklists; press release","1 photograph (Thomas George, painter); correspondence with lender (Betty Parsons); label copy","4 photographs; label copy; correspondence with SITES","4 photographs (duplicates); 1 new photograph; other duplicates: SITES suggested press release, Joseph V. McMullan Islamic carpets catalog; 1 copy of the catalog (annotated in a few places); checklists; correspondence with the de Young, next exhibitor; shipping information and receipts; label copy; clipping; correspondence with SITES; 1 copy of Textile Museum catalog; correspondence with Textile Museum; correspondence with Kevorkian Foundation (other choice for exhibition-denied)","2 press releases; introduction; invitation; correspondence with McMullan; itinerary for visit","10 mounted photographs only if unduplicated; 8 Photographs, 2 installation photographs, 1 photograph of building, 1 photograph of artist; 1 drawing; duplicates: catalog, 1 \"Visions of Man\" invitation; checklists; shipping information and receipts; correspondence with Reynolds; label copy, 1 copy of \"Visions of Man\"","3 photographs; correspondence with Hans Beckmann (lecturer)","5 drawings; 9 photographs; 8 duplicate photographs; 1 copy of invitation; MOMA materials (circulator); correspondence with lenders; shipping information and receipts; label copy; research; correspondence with Anni \u0026 Joseph Albers; checklists; correspondence with MOMA; Gemini lithograph catalog","1 photograph (Jonathan Williams); [rest of photos are from Virginia ADP show, probably duplicates from earlier box]; correspondence with potential lecturers for Albers exhibition","1 photograph (Robert Light-speaker); pricelist; checklists; label copy; invitation list; procedures; correspondence with lecturer","1 drawing; 9 photographs; duplicates: suggested press release; checklist; 5 duplicate photographs; shipping information and receipts; correspondence with SITES; correspondence with lecturer; SITES materials; label copy; checklist","2 drawings; 20 photographs; 6 duplicate photographs (from previous folder); correspondence with SITES; SITES materials; shipping information and receipts; label copy; correspondence with lecture sites; annotated checklists; 1 copy of lecture announcement","Introduction, suggested news release, 1 duplicate photograph of Dr. Regina Soria; correspondence with Soria; clippings; itinerary; biographical information on Soria","Invoices and shipping instructions","Miscellaneous correspondence re: exhibitions","1 piece of correspondence re: exhibition schedule change","1 piece of correspondence re: addition to catalog","Press release, 1 duplicate photograph, introduction; itinerary (lecturer); biographical information; correspondence with Dimitri; label copy; clippings (typed) [1 piece of correspondence has a color drawing on bottom]","1 duplicate photograph; memo re: engagements (8/25/64); 2 press releases; 2 introductions; \"Color by Sultner-Wells\" brochure; correspondence with Sultner-Wells; clippings; 1 copy of Longwood Gardens invitation; procedures; itinerary","2 photographs; itinerary; correspondence with Sultner-Wells; 2 posters of his clippings (montages); 2 dust jacket with his photograph; copies of other press releases","4 transparencies, photographs; label copy; correspondence with next venue (Easton Academy of Arts); shipping information and receipts; correspondence with lender (Roland Gibson); checklists","Correspondence re: possible lecture series in Virginia (Blake is connected to Architectural Forum magazine)","Correspondence re: possible lecture series (Minor connected to the Met)","C.V. for Stern; correspondence with R. Stern about leave for Council series on new building (he's Head of Architectural League of NY); correspondence with other potential speakers; correspondence with Pearsalls [John and Laila] (hosts)","Introduction; correspondence re: Christmas' lecture series; itinerary; other promotional material","Correspondence with other museums that recently expanded to obtain slides for a lecture; long letter from Cheek to Robertson re: decision of Governor's committee (turned down design); list of committee members; form letter to President of affiliates asking them to write to their legislators in support of new building plan","Correspondence with Mielziner re: lecture series; correspondence with other potential lecturers; correspondence with other institutions that recently expanded re: slides","Label copy; checklists; lists of panel photographs","5 photographs of proposed floor plans (Baskervill \u0026 Son)","Slide lists; copy of talk; checklists","Insurance report forms; label copy","Label copy; checklists; insurance report forms; correspondence","Shipping information and receipts; correspondence with lenders; checklists; insurance report forms; request for information forms; correspondence re: damage of a loaned painting by Jan Stussy","1 drawing; news clipping; 1 photograph of installation; label copy; correspondence with C.V. Donovan (juror \u0026 Director of Krannert Art Museum); correspondence with publicity; copy of lecture; checklists; other artists' promotional materials","Shipping information and receipts; correspondence with lenders; information request forms","Introduction; suggested press release; 1 slide: Paul Paul Horiuchi's \"Winter Receding,\" 1964; correspondence with Donovan; itinerary; other artists' promotional material","1 drawing; 1 duplicate photograph; 7 photographs; 1 copy of the \"Jeffersonian,\" 5/13/66 with article on exhibition and pictures of Gwathmey's painting; information request forms; checklists; catalog copy; 1 copy of invitation; correspondence with lenders","Information packet","Original proposal; copies of information packet items (drawings \u0026 proposal); copy of same","\"Exhibition Materials\"; checklists; correspondence with George Stevens Productions","Various packeted materials (promotional)","Correspondence with Hollywood Museum; correspondence with Motion Picture Association; correspondence with Ford Foundation; correspondence with George Stevens Productions; correspondence with Smithsonian Institution; correspondence with Old Dominion Foundation","Lists of panels; film sequences lists","Research notebook (Gaines' handwriting?); 1 copy of catalog \"Scenery for Cinema\" at Baltimore Museum of Art, 1942 (when Leslie Cheek was Director); lists of panels; label copy","Promotional materials from film companies (i.e. Technicolor, Panavision)","8 drawings; movie production sheet with film negatives (to stay at LVA)","Life magazine 3/27/64 offprint with article on movie","Film reel labeled \"Selected Documentary Trims\"","Couldn't pull it out without ripping envelope – looks like scripts or set notes; possibly a drawing","Photographs; Newsweek reprint (1/23/67); checklists; lender lists; internal memos; correspondence with various members/visitors with questions re: exhibition; correspondence with Colonial Williamsburg Foundation (supporter of exhibition)","1 photograph; shipping information and receipts; correspondence with lenders; checklists; correspondence with publicity; internal memos","Correspondence with Toledo Museum of Art re: possible loan (denied)","Correspondence re: catalog; annotated copy of John Summerson's essay","5 photographs of packing/unpacking process; correspondence re: Smith College Museum of Art's loan of \"Portrait of the Reverend John Headley,\" including shipping information and receipts and request for information form","Correspondence re: Washington University's loan of \"Grey Children,\" including shipping information and receipts and correspondence re: damage to fram upon return","Correspondence re; Worcester Art Museum's loan of \"Mrs. Elizabeth James\" and \"William James,\" including shipping information and receipts; and request for information form","Correspondence re: Columbus Gallery of Fine Arts' loan of \"Portrait of Anne Hogarth,\" including shipping information and receipts; and request for information form","1 photograph; correspondence re: Allen Memorial Art Museum [Oberlin] \u0026 loan of \"Theodore Jacobsen,\" including shipping information and receipts and request for information form","9 photographs of packing/unpacking; correspondence re: Albright-Knox's loan of \"The Lady's Last Stake,\" including shipping information and receipts and requests for information form","2 photographs; duplicates: \"Loans to the Wm. Hogarth Exhibition\"; catalogue copy; 1 copy of catalogue; correspondence with publicity; correspondence with visitors/members re: catalogue and exhibition; clippings; 1 copy of invitation; checklists","1 envelope of Lessing Rosenwald Prints (couldn't open without ripping); duplicates: catalog; correspondence re: catalogue requests and comments; catalogue copy; checklists","Suggested press release; correspondence with Hofer (Professor at Harvard) re: lecture; internal memos; itineraries; 1 copy of bulletin","Correspondence with Mellon; catalogue copy; checklists; request for information forms; shipping information and receipts","25 photographs (see list); research; copy; internal memos; panel drawings (copies); HOGARTH PANEL PHOTOGRAPHS - 12789 Self-Portrait, 12786 Shop Card, 13313 Jane Thornhill, 12788 Pool of Bethesda, 13305 Captain Thomas Coram, 12785 Battle of the Pictures, 13304 Analysis of Beauty title page, 13306 Grave at Chiswick, 11812 Canvassing for Votes, 13311 Views Down the Thames, 11814 St. Paul's Cathedral, 12829 Beer Street, 12966 Gin Lane, 11852 Country House, 13079 Saint Martin-in-the Fields, 12970 The Four Times of the Day: Noon, 13078 Leister Square, 11816 Renelagh, 11857 Mr. and Mrs. Paul Mellon, 10890 Lessing Rosenwald, 5272 Masterpieces of American Silver, 13001 Marriage a la Mode, 13677 Philip Hofer, 13299 Sir John Summerson, 13074 George II, 13076 Robert Walpole, 13084 William Pitt, 11811 George III, 11813 Iron Forge by Wright","\"William Hogarth: His Life,\" William Hogarth: His Times,\" William Hogarth: This Exhibition\"; copy; proofs","2 photographs; 1 duplicate photograph; correspondence with Mielziner; shipping information and receipts; clippings; panel proofs; panel copy; research; internal memos; checklists; correspondence with IEF (International Exhibitions Foundation) re: traveling exhibitions","1 photograph; shipping information and receipts; correspondence with Multiples, Inc.; list of purchase considerations; label copy; checklists; panel drawings (copies)","Correspondence with National Gallery of Art DC re: pictures of J. Carter Brown","Invitation; fact sheet; 1 copy of catalog; internal memos; annotated copy of 1965 Salon des Réfusés catalog; correspondence with jurors; schedule of work for exhibition; panel proofs; list of certificate winners","Correspondence with artists; correspondence with purchasers; copies of invoices; release forms for transfer of custody","Checklists; correspondence with artists; internal memos","Catalog; list of certificate winners at Biennial; catalog copy; correspondence with Thalhimer's; internal memos; information for 1965 Salon","19 photographs; invitation; catalogue copy; other similar exhibition catalogs from other institutions; internal memos","Correspondence with artists; checklists","March '67 Bulletin; photographs; correspondence with jurors [Milton Hebald, Jack Youngerman, Jock Truman, Paul Smith]; label copy; biographical information; schedules; internal memos; correspondence with hostesses","\"Presentation of certificates\" blank certificates; artist reply card; checklists; schedule; internal memos; correspondence with artists","April '67 Bulletin, \"use of French Galleries\" memo; label copy; statistics ('67 and earlier); internal memos; correspondence with artists","Checklists; correspondence with artists","Photographs","Photographs","Gaines to artists 6/12/67; correspondence with artists; internal memos; shipping information and receipts; invoices for stored worsk; entry blanks","2 letters from Council to purchasers, Gaines letter, yellow \"Gaines-Brandt System,\" 4 photographs; checklists; internal memos; correspondence with artists; press release, 1965 and 1963 information","3 internal memos","'67 prospectus, 2 form letters (1/16/47); prospectus copy; mailing lists; annotated '65 prospectus; '70 prospectus","Correspondence; panel drawings (copies); for traveling exhibitions; [3 traveling shows: \"Treasures from the Guggenheim\"; \"Treasures from the Whitney Museum\"; \"Contemporary Watercolors.\" Also contained \"Art by Virginia Teachers\"]","1 copy of catalog (Heeramaneck Collection) by MFA Boston (annotated)","Correspondence with Heeramaneck; correspondence with Indian embassy; shipping information and receipts; correspondence with Royal Ontario Museum (who received exhibition after VMFA); correspondence with Detroit Institute of Arts (who had it before VMFA); correspondence with MFA Boston, originator; internal memos; drawings (photocopies)","1 copy of invitation; panel copy; panel proofs; correspondence with MFA Boston; correspondence with Royal Ontario Museum; shipping information and receipts; MFA materials (including checklists); internal memos","4 drawings; correspondence with Veener player for preview; clippings re: Indian music; label copy; clippings re: show","Photographs; some select, bad quality photocopies","Photographs","Panel proofs; lecture for chapters copy; correspondence with previous VMFA designer (Ariel Ballif); checklists","Suggested press release; introduction; correspondence with Gleaser (from MOMA) (lecturer for chapters); itinerary; noted speaker report form","Correspondence with potential lecturers for preview; 1 copy of invitation; Glaeser's biographical information; correspondence with Glaeser","Photographs; (envelope of photos from D.I.A. for Arts of India \u0026 Nepal exhibition); invitation to lecture; 1 copy of invitation to preview; 1 copy of invitation to Glaeser's lecture; shipping information and receipts; MOMA (originator) materials, including checklists; drawings (photocopies)","1 drawing; duplicate: preview invitation; panel copy; drawings (photocopies); correspondence with MOMA; MOMA materials, including checklists; exhibition contract; correspondence with John Hand (lecturer from National Gallery of Art DC); shipping information and receipts","Correspondence with MOMA; shipping information and receipts; internal memos","Membership list; shipping information and receipts; correspondence with dealers; price lists from dealers; panel proofs; checklists; speech copy; Collectors Circle meeting agenda; list of items purchased","Shipping information and receipts; panel proofs (annotated 1966 panels); checklists; correspondence with dealers *lots of '66 show files)","Correspondence re: borrowing Wyeth film; correspondence with Philip Hofer (Harvard) re: lecture; blank invitations for Artmobile exhibition (Wyeth \u0026 Japanese Art); clipping; internal memo re: trip to interview Wyeth for AIV article; blank floor plan","Label copy; drawing (photocopy); internal memos; radio guide copy","3 photographs; 11 duplicate photographs; checklists; internal memos; drawings (photocopies); panel proofs; panel copy; shipping information and receipts; 1 copy of Knoedler catalog \"Unpainted Pictures\" (lender); correspondence with Knoedler; correspondence with Detroit Institute of Arts (had exhibition before VMFA); clipping from TIME (3/17/67)","Panel copy; panel proofs; drawing (photocopy); internal memo: all of this re: 400 Years of Prints","1 photograph; shipping information and receipts; drawings (photocopies); panel copy; panel proofs; correspondence with lender (NGA \u0026 AIC); correspondence with Mr. \u0026 Mrs. Leigh Block; checklists; label copy","1 copy of \"Persian \u0026 Indian Miniatures from the Collection of Edwin Binney, 3rd\" from Portland; 1 copy of \"Islamic Art from the Collection of Edwin Binney, 3rd,\" from SITES; correspondence with Portland [VMFA denied exhibition]","1 internal memo re: replacement of \"Jewels\" with \"Resident Craftsmen\"","Jones article reprint; slides, 4 photographs, 5 duplicate photographs; correspondence with IEF (circulator); correspondence with Nelson-Atkins *who received exhibition after VMFA); 1 copy of lecture invitation; 1 copy of preview invitation; shipping information and receipts; panel proofs; clippings; correspondence with potential musicians; checklists; internal memos","Internal memos; correspondence with AFA (circulator); panel copy; checklists; panel proofs; drawing (photocopy)","5 duplicate photographs; 1 photograph; correspondence with MOMA (originator); exhibition contract; MOMA materials, including checklists; shipping information and receipts; MOMA circulating exhibitions catalog 1967-68; drawing (photocopy); panel proofs","Lecture invitation; clipping; internal memo; biographical information; correspondence with Smith (Director of Museum of Contemporary Crafts); correspondence re: juror (chairman) for 1967 Virginia Artists too","1 photograph; 2 new photographs; duplicate of introduction; correspondence with Slivka re: lecture at chapters/editor in chief of Craft Horizons; itinerary; biographical information","Photographs; correspondence with artist; shipping information and receipts; checklists; Bulletin photocopy","Photographs; correspondence with artist; label copy; shipping information and receipts; 1/68 Bulletin; biographical information","Photographs; shipping information and receipts; correspondence with artist; 2/68 Bulletin; label copy","Photographs; correspondence with artist; shipping information and receipts; label copy; 3/68 Bulletin","3/68 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts; internal memos; biographical information","Photographs; biographical information; shipping information and receipts; internal memos; label copy; 4/68 Bulletin; checklists; correspondence with artist","Photographs; checklists; shipping information and receipts; label copy; biographical information; correspondence with artist","9/68 Bulletin, 4 photographs; biographical information; label copy; price list (hand drawn!); shipping information and receipts; correspondence with artist; internal memos","Photographs; 10/68 Bulletin; label copy; biographical information; checklists; shipping information and receipts; correspondence with artist","Photographs; shipping information and receipts; label copy; 11/68 Bulletin; checklists; correspondence with publicity","Photographs; correspondence with artist; label copy; 12/68 Bulletin; shipping information and receipts; internal memos; correspondence re: damage to sculpture","Photographs; internal memos; label copy; shipping information and receipts; correspondence with artist; biographical information","Photographs; correspondence with artist; label copy; shipping information and receipts; 3/69 Bulletin; checklists","2/69 Bulletin; photographs; correspondence with artist; correspondence re: damage; label copy; internal memos; checklists; shipping information and receipts","44 photographs; correspondence with lecturer; shipping information and receipts; materials from Brooklyn Museum of Art (organizer); drawings (photocopies); panel lists; 1 copy of lecture invitation; 1 copy of preview invitation; correspondence with Brooklyn; checklists","Preview invitation; 1 copy of catalog; clippings; panel copy; correspondence with Brooklyn; shipping information and receipts; Brooklyn materials; panel lists; checklists; internal memos; correspondence with visitors","1 photograph; correspondence with McCoubrey (Chair of Art Department at University of Pennsylvania); his c.v.","1 photograph; correspondence with Oenslager (lecturer)","Cybis porcelain brochure; shipping information and receipts; panel proofs; exhibitors information \"lent\"; clippings; correspondence with Ruder \u0026 Finn Inc. (co-organizers); checklists; drawings (photocopies); correspondence with Cybis porcelain (co-organizer)","2 photographs; catalog; invitation; correspondence with Robert B. Widder (juror); correspondence with entrants; internal memos; slide talk lists; correspondence with juror (Morris Ketchum, Jr.)","Photographs","Invitation, catalog, '64 Architects, Designers \u0026 Photographers, '66 ADP, 3 photographs; catalog proof; checklists; catalog copy","\"Southern Exposure\" newsletter (2/68); clippings; correspondence with artists; label copy; internal memos; schedule","Checklists","\"Comparison…for 1966-68\"; internal memo","Correspondence with artists (4 winning architects mainly); list of winners","Biographical information on Ketchum and Eames, 2 photographs; 1 photograph; correspondence with jurors [Morris Ketchum, Robert Widder, Charles Eames]; internal memos; lecture copy; biographical information","Checklist","Gaines to artist (2/26/68), signed certificates; artist reply cards; correspondence with speaker; checklist","3 prospectuses; prospectus copy; schedule; internal memos","Schedule, 1/11/68 memo, 1/24/68 memo; '66 information; internal memos","Invitation; 2 photographs of 1790s Russian silver cup (\"Charka\"); shipping information and receipts; checklists; internal memos; correspondence with Hollins; panel proofs; drawings (photocopies); correspondence from alumnae; research; correspondence with silver expert; correspondence from Helen Scott Reed (our consultant)","Shipping information and receipts; panel copy \u0026 proofs; drawings (photocopies); checklists with prices; biographical information (Anna Smith- weaver)","3 photographs; AFA materials (circulator); shipping information and receipts; correspondence with Morgan State College (had exhibit before VMFA); correspondence with AFA; reprint of Rohm \u0026 Haas Reporter on \"New AA Forms in Plexiglass\" (Mar/Apr 1966); correspondence with lender, Howard Wise Gallery; 1 copy of May '68 Bulletin; clippings; drawings (photocopies); biographical information on artists; 1 copy of a Howard Wise Gallery catalog for Otto Piene (VMFA's lecturer); 1 copy of catalog; 1 copy of lecture invitation; 1 copy of preview invitation. To take place in Loan Gallery","Biographical information on Kepes; 1 photograph; correspondence with Gyorgy Kepes (organizer of Light show \u0026 original lecturer); correspondence with Piene (M.I.T.), Kepes' replacement; Piene's biographical information; 1 copy of Arts Canada (April 1968) with one of Piene's articles","Catalog; 3 photographs; correspondence with Photographs in the Fine Arts (a company); drawings (photocopies); clippings; panel proofs; checklists; packet of available exhibitions from George Eastman House; 1 copy of PSA Journal (August 1967) [Leslie Cheek was a judge]","5 photographs; 1 catalog; exhibition contract; correspondence with MOMA (circulator); shipping information and receipts; checklists; panel proofs; MOMA materials","Lecture invitation, checklist; 4 photographs; duplicates: \"A Look at Carter Collection,\" \"Vender Gives Rodin to Museum\"; clippings; correspondence with LACMA (circulator); shipping information and receipts; internal memos; exhibition contract; 1 copy of preview invitation; correspondence with Gerald Carter (collector)","1 photograph, biographical information; correspondence with Adams (Director of Cincinnati Art Museum \u0026 VMFA lecturer); 1 copy of lecture invitation; internal memos; correspondence with Reynolds (his hosts)","\"Selections from Virginia Architecture\"; panel proofs; drawing (photocopy); internal memos","1 drawing; MOMA exhibition packet, MOMA press release (6/20/67); MOMA materials (circulator); drawings (photocopies); correspondence with MOMA; shipping information and receipts; clippings; internal memos","Photographs","1 photograph; biographical information; lecture invitation; correspondence with Szarkowski (MOMA Director of Photography \u0026 VMFA lecturer); itinerary; correspondence with Bryans (his hosts)","Shipping information and receipts; panel proofs; internal memos; drawing (photocopy);","7 drawings (on graph paper-drawn by Brown herself); label copy; shipping information and receipts; checklists; 2 more prints of transparencies from envelope; correspondence with Brown; biographical information; panel copy; panel lists; drawings (photocopies)","Shipping information and receipts; request for special/specific information forms; white envelope with 5 transparencies; 2 prints of 2 of the transparences for Collector of the Year exhibition","Special/specific request for information forms","Biographical information; correspondence with Griffith re: lectures (Curator of Films, MOMA); lecturing for \"George Stevens Makes a Film\"","Shipping information and receipts; biographical information; photocopies of 2 catalogs","1 copy of Council 1967-68 membership book; internal memos; various reports (budgetary \u0026 non); correspondence, 2 slides for lecture on Council budget 66-67 season","Lecture invitation, 1 photograph; Correspondence with Dee (curator of drawings \u0026 prints at Cooper-Hewitt) re: lecture; 1 copy of January 1969 Bulletin; correspondence with hosts; biographical information","Packing list, photographs; 1 copy of catalog (cut up) of View of Florence \u0026 Tuscany by Giuseppe Zocchi, loaned by Pierpont Morgan Library","Photographs; shipping information and receipts; correspondence with IEF (circulator); correspondence with Dee re: lecture; IEF materials; drawings (photocopies); label copy; internal memos; 1 copy of America-Italy Newsletter (spring 1968); 1 copy of Pierpont invitation; 1 copy of preview invitation; correspondence re: catalogs; correspondence re: opening","Correspondence with Senator Scott from 1982 from Richard Woodward; checklists; clippings; internal memos; correspondence with Scott; shipping information and receipts; drawings (photocopies); panel proofs","Invitation; checklists; internal memos; correspondence re; filmstrip for Orientation Theatre; drawings (photocopies)","C.v., invitation, 1 photograph; correspondence with Begley (professor at School of Art, University of Iowa); internal memos; correspondence with hosts","3 photographs; 3 photographs (small one, Dr. \u0026 Mrs. George B. Green); panel copy; panel proofs; label copy; drawings (photocopies); correspondence with lender (George Green); shipping information and receipts; internal memos; correspondence with Colonial Williamsburg; research; checklists","Photographs","8 photographs; 5 new photographs; shipping information and receipts; internal memos; checklists with values; correspondence with Motherwell (juror) and correspondence with his gallery representation (Marlborough); correspondence with Frank Gallo (juror); and his representation (Gilman Gallery and Graham Gallery); request for information forms; drawings (photocopies); label copy","Checklists; list of lenders; internal memos; correspondence with lenders (including MFA Boston and AIC); shipping information and receipts","1 photograph; lecture invitation; preview invitation; correspondence with Wardell (Curator, Department of Primitive Art at AIC) re: lecture; correspondence with hosts; 1 copy of April 1969 Bulletin","Photographs","Photographs","1 drawing; other press releases; shipping information and receipts; checklists; internal memos; correspondence with MFA Boston (organizer); correspondence with AIC (lender); clippings; panel proofs; 1 copy of preview invitation; list of lenders","8 photographs; correspondence with MFA Boston; exhibition contract; internal memos; 1 copy each of The World of Peru in the United States, Three Centuries of Peruvian Silver, Master Craftsmen of Peru; Folk Art of Peru, 2,500 Years of Peruvian Art, Folk Art of Peru (longer version), Contemporary Peruvian Paintings and Sculptures","1 photograph; list of members; special request for information form; correspondence re: broken object (belonged to Stewart Bryan)","Catalog, 3 duplicate photographs, 2 new photos; internal memos; shipping information and receipts; checklists; label proofs; exhibition contract (MOMA is circulator); correspondence with MOMA; clippings; MOMA materials (including press release)","Press release (4/2/69); Kandinsky article by Johnson; wall label, Photographs; correspondence with MOMA (organizer); MOMA materials; exhibition contract; shipping information and receipts; checklists; drawings (photocopies); panel proofs","2 photographs; duplicates: invitation, 1 duplicate photograph; correspondence with potential lecturers; correspondence with Beckmann (visiting Bauhaus artist); clipping","Shipping information and receipts; panel proofs; panel copy; drawings (photocopies); special request for information forms; label proofs; label copy; checklists; correspondence with UVirginia (lender and co-organizer); correspondence from State Library (co-organizer)","4 photographs; checklists; shipping information and receipts; correspondence with O'Neal; photocopies of drawings; list of lenders; correspondence with UVirginia; correspondence with State Library; research; internal memos; correspondence with lenders","Invitation; 2 photographs, 1 transparency; catalog copy; internal memos; checklists; correspondence with lenders; correspondence with William O'Neal (guest curator)","1 photograph; introduction; correspondence re: lecture; invitation","Checklists; correspondence with lenders; correspondence with O'Neal","Checklists from dealers with prices/values; shipping information and receipts; correspondence with dealers; checklists; internal memos","Invitation, \"Suggested Remarks for Mr. Arthur Brinkley,\" 5/12/69; 1 copy of catalog; introduction; correspondence with Alloway re: lecture","Correspondence with various speakers; internal memos; schedules","Internal memos; list and schedules (entertainment, exhibitions, events, theatre, etc.)","4 invitations; 3 other invitations (Once Invisible, Alloway's lecture, Gold of Ancient America)","Internal memos; mailing lists","Green pickup cards, Gaines to Artist (7/3/69); shipping information and receipts; correspondence with artists; entry blanks; internal memos; checklists","Gaines to Purchaser invitation, purchasers; preview tearsheet (yellow), memo 4/29/69 (blue), 1969 fact sheets; checklists","Internal memos; correspondence with artists; invoices re: sales; checklists","Photographs","Memo 11/17/69, memo 11/26/69; correspondence with artists","'69 invitation, '69 salon catalogue; 1 copy of '67 invitation and catalogue; catalogue copy; 1 copy of '69 catalogue; catalogue proof","'69 fact sheet; statistics","'67 and '69 Salon catalogues; checklist; internal memos; form letter to artists from Ellyson","3 photographs; schedule; internal memos; correspondence with jurors; biographical information; correspondence with hosts; lecture invitation; correspondence with potential jurors [Bontecou agreed but then had to cancel]","Photographs; label copy; 1 copy of ADP '68 catalog; 1/70 Bulletin; biographical information on Paul Rand; correspondence with Rand; internal memos","2 slides, 18 photographs; 5 duplicate photographs; label copy","\"Receiving \u0026 Handling of Material\" memo 1/28/70, 1 photograph [Kenneth Winebrenner \"Mirror\"]; 1 copy of 1970 prospectus; entry blanks; internal memos; correspondence with artists; biographical information","1 photograph [Paul Smith looking at Castle's work from an earlier juried exhibition?]; 2/70 Bulletin; correspondence with juror [Wendell Castle]","Photographs; 1 copy of 1970 catalog (annotated); correspondence re: image of Winebrenner's mirror","1 copy of 1970 catalog (annotated); internal memos; correspondence with artists","Form letter; shipping information and receipts; correspondence with artist; checklists","1 form letter; shipping information and receipts; correspondence with artists; checklists; internal memos","Slides; duplicates; signed certificates; correspondence with winners; checklists; presentation order","Label copy; clippings; catalogue copy; checklists; internal memos; lease agreement for warehouse; drawing (photocopy); jury tokens; correspondence with artists","Prospectus, form letter from C. Ellyson; correspondence with chapters; annotated '67 prospectus; prospectus copy schedule","Memo 1/23/69, memo 1/25/67; internal memos; correspondence with 7th \u0026 Franklin; schedule","Catalog ('70 Designers); catalogue proofs; entry blanks; 1 copy of '68 ADP catalogue; catalogue copy; checklists","Annotated '70 prospectus; correspondence with juror; prospectus copy; internal memos; schedule","Entry blanks; 1 copy of '70 Craftsmen catalogue; 1 copy of '67 Artists catalogue; checklists; catalogue copy; preview invitation; label copy","Prospectus copy; schedule","Internal memos; checklists","Checklists; internal memos","Memo 9/3/69, memo 6/30/69; checklists; internal memos; fact sheets; correspondence with artists; label copy; excerpts from juror speech","Catalogue copy; checklists; 1 piece of correspondence re: catalogue","Signed certificates, reply cards, Gaines form letter; reply cards from winners; checklists; correspondence with artists","Press release 6/27/69, biographical information, 1 photograph; correspondence with potential jurors; internal memos; correspondence with juror (Peter Bunnell)","Photographs; label copy","Photographs; correspondence with artist; 3/69 Bulletin; label copy; shipping information and receipts; biographical information","4/69 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts","5/69 Bulletin; photographs; correspondence with artist; biographical information; label copy; shipping information and receipts","9/69 Bulletin, invitation; photographs; checklists; correspondence with artist; label copy; insurance report form; internal memos; biographical information","Invitation; 10/69 Bulletin, photographs; correspondence with artist; checklists; label copy","Photographs; correspondence with artist; biographical information; label copy","Photographs; correspondence with artist; label copy; biographical information; shipping information and receipts; internal memos","2/70 Bulletin; photographs; label copy; checklists; 5/69 Bulletin; invitations; correspondence with artist; internal memos re: missing print","3/70 Bulletin, photographs; correspondence with artist; internal memos; price list (hand drawn!); press release; biographical information; label copy","Invitation; 2 photographs; 3/70 Bulletin; correspondence with artist; label copy; checklists","Photographs; correspondence with artist; checklists; 4/70 Bulletin; label copy; biographical information","5/70 Bulletin, invitation, photographs; checklists; label copy; correspondence with artist; biographical information","Invitation, \"suggested stand\" drawing; 1 photograph; label copy; correspondence with artist; clippings; biographical information; checklists; 9/70 Bulletin","10/70 Bulletin; 2 photographs; label copy; clipping; internal memos; checklists; correspondence with artist; invitation","Invitation; photographs; label copy; internal memos; shipping information and receipts; correspondence re: letter of recommendation for job","Invitation, 5 photographs; 5 new photographs; 5 slides; correspondence with artist; label copy; clipping","Correspondence with potential jurors; internal memos","1 photograph of Rand, prospectus; correspondence with Rand (juror); catalog of Rand's work; research","'69 prospectus, letter Ellyson to art department 6/23/69, memo to chapters 6/23/69; copy of '68 ADP prospectus; prospectus proof; prospectus copy; internal memos; schedule","Checklists; internal memos","Checklists; fact sheets","Internal memos; checklists","Memo 7/7/70; internal memos; entry blanks; correspondence with architects; schedule; project descriptions; drawing (photocopy); lecture invitation copy; shipping information and receipts","Reply cards; internal memos; correspondence with architects","Catalogue; correspondence with architects; catalogue copy","One signed certificate; correspondence with winners","4 photographs; correspondence with juror (Romaldo Giurgola); internal memos; clipping; biographical information","Photographs; clippings","Prospectus, announcement; prospectus proof; prospectus copy; '68 annotated ADP prospectus; clipping","Entry blanks; fact sheets; internal memos; checklists","Internal memo; checklists","Correspondence with SITES; SITES materials; invitations; exhibition information; Bulletins; correspondence with other Smithsonian Institution staff","SITES catalogues, 1967-1970","Checklists; insurance report forms; correspondence with lenders (dealers); membership list","Internal memos; correspondence with lenders; checklists; shipping information and receipts; label proofs; research; budget planning; correspondence with consultants","Preview invitation; correspondence with and between consultants (Helen Scott Reed and Kathryn Buhler); catalog copy","Invitation (preview); invitation (lecture); exhibition prospectus; catalog proofs","Photographs; internal memos; clippings; catalog notes; correspondence with lenders; checklists; invitation list","Correspondence with lenders; shipping information and receipts; correspondence with various organizations","1 copy of catalog; special information form","Correspondence with Rouse (Jamestown Foundation) re: lecture; copy of lecture text","1 photograph; correspondence with Buhler (consultant) re: lecture; copy of lecture text","4 photographs; suggested press release; checklist; correspondence with IEF; label proofs; exhibition contract; IEF materials; shipping information and receipts; internal memos","7 photographs; 2 contact sheets and 1 new photo; duplicate: invitation; crawing (photocopy); internal memos; label proofs","9 photographs, 4 new photographs including 1 contact sheet; duplicates: lecture invitation; label copy; drawings (photocopies); shipping information and receipts; MOMA materials; checklists; correspondence with MOMA (circulator); exhibition contract; research; internal memos; 1 copy of preview invitation","Lecture invitation; correspondence with Fern re; lecture (Library of Congress Prints \u0026   Photos Division); internal memos","1 photograph (contact sheet); checklists; varied correspondence","Prospectus with entry cards; 2 photographs; 1 duplicate photograph; correspondence with Castle (juror, Penland School of Crafts)","1 photograph; label copy; correspondence re: item breakage; label proofs","Preview invitation; chipping information; correspondence with lenders; internal memos; 1 copy of catalogue; clippings","Correspondence with lenders; request for information forms; 1 copy of Art Gallery Magazine (12/69); 1 copy of TIME (6/1/70), reason unknown, no more receipts kept in these files","2 contact sheets; correspondence with Peter Selz (UC Berkeley, juror); correspondence with lenders; internal memos (including correspondence re: installation of Robert Irwin's \"Disc\"); correspondence with artists re: their Vietnam War protest","Internal memos; catalogue copy; label copy; research; 1 copy of catalogue (damaged)","1 photograph (1966 show); photographs of works not in show (Krushenick, Warhol, Ruscha); copies of '62 and '66 show information; correspondence with lenders; shipping information; checklists","Label copy; checklists; panel copy; mailing and invitation lists; lender lists","Photographs (VMFA copies)","Photographs (originals)","Lecture invitation; 1 duplicate photograph; correspondence with Selz (juror) re: exhibition and lecture; biographical information; invitation copy","Correspondence with IEF; exhibition contract; internal memos; correspondence with Paul Tishman (collector whose works comprise show); correspondence with High Museum (earlier venue); IEF materials","Photographs; internal memos; correspondence with High and with UT Austin (earlier venues); correspondence with IEF; shipping information","Checklists; IEF materials; research; panel copy","Photographs","Photographs","Photographs","5 photographs; 3 duplicate photographs","7 photographs; 8 duplicate photographs","11 photographs; 3 duplicate photographs","5 photographs; 9 duplicate photographs","9 photographs; 8 duplicate photographs","15 photographs; 4 duplicate photographs","12 photographs; 2 duplicate photographs","1 duplicate photographs","7 photographs; 4 duplicate photographs","2 drawings; duplicates: loan exhibition announcement; invitation; 40 slides; 1 copy of High's brochure; internal memos; NGA brochures; IEF materials; correspondence re: possible speakers; correspondence with Tishman; copy of 9/70 Bulletin; slide list [see end of box]","5 photographs; checklist; internal memos re: this traveling exhibition SP-19 [loans from 4 major NY galleries, distributed by State Services Division]; correspondence with dealers/lenders; 1 copy of 10/70 Bulletin","Catalog (Edgeworth \u0026 VMFA); 1 photograph; audio (reel) tape \"J.[oel] Aldred – tapestries – 71/2 ips\" [Canadian broadcaster]; 1 copy of invitation; catalogue: Hommage à Jean Lurçat, Rothmans, ca. 1966; another Rothmans' catalogue ca. 1964","1 copy of catalog; 1 copy of black tie reception invitation","Internal memos; correspondence with Rothmans of Pall Mall Canada; correspondence with House of Edgeworth (co-sponsors); planning re: previous receptions, etc.","6 photographs","Black tie reception invitation; other invitations (non-VMFA)","Checklist (contemporary French tapestries); checklists (various, including hommage à Jean Lurçat); invitation lists; staff working lists","Notes on the Rothmans Collection; Rothmans press release; Contemporary French Tapestry; research; clippings; copies of other's letters to/from Lurçat [speech by Madame Denise Majorel, 2 clippings]; Lurçat letters (3/29/48 \u0026 12/24/47)","3 photographs; 9 duplicate photographs","Photographs","Photographs [overlap between these 2 folders]","8 duplicate photographs","8 photographs; 9 duplicate photographs","1 catalog for July/August program with catalog card application [1969]","Lists of speakers; internal memos; biographical information; correspondence with speakers; report from Museum Entertainment Committee","VM 1969-1970 events; lists of events; calendars; internal memos; schedules including exhibition, theatre, mailings, events, etc.; 1 copy of Theatre schedule card","Internal memos","Catalog; 4 photographs; 23 new photographs; exhibition contract (Mat is circulator); research; correspondence with Met; internal memos; shipping information and receipts","Mailing, 16 duplicate photographs; 7 new photos; correspondence with Baltimore Museum of Art (circulator); checklists; BMA materials; press release; internal memos; research; 1 copy of catalog (annotated)","4 new photographs; 7 duplicate photographs","1 new photograph; 4 duplicate photographs; correspondence with Norton Simon; clippings; checklists; internal memos; copy of Henry Moore annotated transcript from '63; label and panel copy; information sheets on paintings; 1 copy of invitation; shipping information and receipts","2 photographs; correspondence with collectors; checklists; drawings (photocopies); research, photocopy of Vogue article (4/15/60) on Colin","Correspondence with lenders; shipping information and receipts","Correspondence with lenders; internal memos","Preview invitation; correspondence with lenders; internal memos","Correspondence with potential lenders","Reminder card; invitation; checklists; research; lender lists; label copy; request for information forms; clippings; shipping information and receipts; mailing lists","33 new photographs","3 new photographs; 13 duplicate photos","5 new photographs; 10 duplicate photographs","5 new photographs; 10 duplicate photographs","2 new photographs; 10 duplicate photographs","Correspondence with lenders who gave no initial response","Correspondence with lenders re: return of works; internal memos; mailing lists; form letters","Copies of AIV articles from which loan list was gathered, annotated (probably for label/panel/catalog use)","Checklist; suggested press release, invitation, 4 duplicate photographs; 14 new photographs; 2 AFA folders of materials; internal memos; 1 copy of catalog","Shipping information; correspondence with AFA; correspondence with Smith College Museum of Art Director","Wall label; clippings; correspondence with MOMA (circulator); MOMA materials (including press release and checklist); 1 copy of MOMA members' newsletter (Spring 1970); correspondence with Peter Bunnell (photograph curator at MOMA \u0026 organizer); drawings; internal memos; exhibition contract","Invitation; 1 copy of September 1971 Bulletin; internal memos; mailing list","Prospectus; correspondence with artists; internal memos; checklists; schedules; 1 copy of October 1971 Bulletin; 1 annotated copy of Virginia Photographers '69 catalog; 1 copy of '71 catalog","Internal memos; correspondence with lenders re: potential loans; correspondence with lenders; correspondence re: extension of exhibition; correspondence with Robert Koch (speaker); correspondence with publicity","Invitation; poster; 1 duplicate photograph; 4 new photographs, 7 slides; notes; research; information request forms; 1 copy of November 1971 Bulletin; panel copy; clippings; 1 copy of December 1971 Bulletin","1 copy of November 1971 Bulletin; 1 copy of the January 1972 Antique Monthly","1 copy of the January 1972 Antique Monthly","Catalog copy","Catalog copy","Blank copy of information form","6 drawings (photocopies) of lighting schemes","3 photographs (items from Lewis Collection from some catalog); checklists; loan lists; mailing lists; internal memos; panel/catalog copy","Blank request for information forms","Checklist for catalog","Checklist for catalog","Checklist for catalog","Transparencies, 91 photographs","Empty folder","Label copy; internal memos; scripts; notes","Special object information forms","Special object information forms","Invitation; special object information forms","Correspondence with AFA; 1 copy of 1969-70 AFA Catalog","Correspondence with various institutions (museums, universities, organizations); internal memos; promotional materials","Correspondence with IEF; exhibition information sheets","1 press release from Howard University","Correspondence with various institutions (museums, universities, organizations); promotional materials","2 invitations, 2 catalogs (1969 \u0026 1971 for both shows); congratulations letter; pink salon des refuses card; prospectus; 1 contact sheet; schedule; internal memos; correspondence with juror (Thomas Hess); list of buyers; committee lists; correspondence with 7th \u0026 Franklin building owners (where judging was done); 1 drawing (photocopy)","16 photographs; duplicates: 6 photographs, prospectus; correspondence with Thalhimer's; internal memos; fact sheets; correspondence with artists; clippings; label copy; checklists; 1 copy of catalogue; 1 copy of May 1971 Bulletin; copies of certificate winners' entry blanks","Photographs; 1 copy of catalog; 1 copy of prospectus; lease agreement for 7th \u0026 Franklin Building","Photographs","Photographs","Correspondence with potential speakers","Memo 3/16/71, 5/71 Bulletin; fact sheets; internal memos; correspondence with artists; correspondence with 7th \u0026 Franklin; schedule; clipping; checklists","Internal memos; checklists","Catalogue; internal memos; catalog copy; correspondence with artist","Signed certificates; entry blanks; 1 copy of catalogue; correspondence with winners; checklists; internal memos","2 photographs; correspondence with artists; internal memos; schedules; correspondence with juror","Slides; photographs; checklists","Release forms; invoices; preview invitation list; fact sheets; checklists; internal memos; '71 invitation; correspondence with artists","Annotated catalogs; correspondence with purchasers; correspondence with artists; purchase information cards","Memo 9/8/71; correspondence with artists; label copy; internal memos","1 copy of '71 prospectus; 1 copy of '60 catalogue; correspondence with juror (Harry Callahan); fact sheets; research/biographical information","Photographs; '69 and '71 prospectuses","Prospectus copy; correspondence with artist","Fact sheets; internal memos; checklists; entry blanks","Internal memos; correspondence with artists; checklists","\"Guidelines for Preparing Panels,\" memo 3/19/71; dinner invitation copy; internal memos; project descriptions; correspondence with designers; schedule; catalog copy; AIID Virginia Chapter Directory 70-71; correspondence with Virginia AID; entry blanks; 1 copy of dinner invitation with reply card","Correspondence with winners","1 photograph; slides; correspondence with juror (Sarah Tomerlin Lee-former Editor of House Beautiful); schedule; internal memos","2 new photographs; 9 duplicate photographs","Signed certificates; entry blanks; label copy; biographical information; correspondence with juror (Henry Wolf); correspondence with potential jurors; internal memos; reception invitation list; checklists; correspondence with artists; fact sheets","Catalogue ('72); catalogue copy","14 new photographs; 2 duplicate photographs; catalogue","Prospectus; prospectus copy; annotated '68 prospectus copy","Form letter from Ellyson, prospectus; annotated '69 prospectus; correspondence with artists: re: prospectus, prospectus copy","Catalogue; fact sheets; shipping information and receipts","Reply cards; correspondence with artists; internal memos; checklists","Letter 4/8/71; fact sheets for printmakers","Catalogue; catalogue copy; checklists","Signed certificates; correspondence with winners; checklists","1 copy of '71 catalogue; checklists; catalogue copy; internal memos","Prospectus; prospectus copy; correspondence with designers","Copy of Art Directors Club prospectus","Internal memos; correspondence with artists; 1 copy of catalogue; reply cards","Entry cards; shipping information and receipts; internal memos; fact sheets; checklists; correspondence with artists; 1 signed certificate; label copy","Photographs; internal memo","Catalogue; catalogue copy; catalogue proofs; label copy","Signed certificate; correspondence with winners","5 new photographs; 8 duplicate photographs","Annotated '67 prospectus; prospectus copy; blank mailing labels","Label copy; correspondence with artist; clipping; 12/70 Bulletin; checklists","Invitation; photographs; label copy; internal memos; correspondence with artist; invitation list; biographical information 1/71 Bulletin; Robinson House exhibition checklist","Invitation; photographs; checklists; internal memos; label copy; biographical information; correspondence with artist; \"Art Now: New York,\" Vol. 2, no. 10; installation sketches by Jackson; 2/71 Bulletin; Robinson House checklist","3/71 Bulletin; 2 photographs; 7 slides; Robinson House exhibition checklist; internal memos; correspondence with artist; label copy; biographical information","3/71 Bulletin, 1 photograph; clippings; correspondence with artist; internal memos; label copy; Robinson House exhibition checklist; invitation list","3 photographs; internal memos; correspondence with artist; label copy; biographical information; Robinson House exhibition checklist; 4/71 Bulletin; invitation list","1 slide, invitation; 4 photographs; internal memos and correspondence with artist re: damaged works; biographical information; label copy; correspondence with artist; clippings; checklist; 5/73 Bulletin; shipping information and receipts","Invitation, 9/71 Bulletin, 2 duplicate slides; 2 photographs; 3 slides; label copy; correspondence with artist; invitation list","10/71 Bulletin, invitation; 4 photographs; biographical information; correspondence with artist; label copy; checklists","Photographs; 3 slides; invitation list; 1 copy of invitation; correspondence with artist; internal memos; biographical information; checklists; label copy; 11/71 Bulletin","2 photographs; 3 slides; label copy; price list (hand drawn!); correspondence with artist; biographical information; 12/71 Bulletin","2 photographs; 3 slides; invitation; label copy; biographical information; correspondence with artist; Robinson House exhibition; checklist; 12/71 Bulletin","Invitation, 1 slide; 1 new slide; 1/72 Bulletin; label copy; biographical information; checklists; internal memos; correspondence with artists","1 photograph; \"Masterpieces of Early American Furniture, Antiques (11/70), invitation, \"The U.S. Department of State Americana Fund…\"; correspondence with possible collectors; research, correspondence with Clement E. Conger, Collector of the Year 1972 (Chairman of Special Fine Arts Committee for acquisition of furnishings for the Department of State); internal memos; clippings; biographical information; press releases; clippings; checklists layout (typed)","Photographs; 1 drawing; drawing (typed!); clippings; label copy","Photographs","6 photographs; duplicates: 8 photographs, invitation; drawings (photocopies); correspondence with Mourot; research; internal memos; checklists; clippings; label copy","Prospectus; internal memos; correspondence with artists; reception guest list","Invitation, poster, MOMA information sheet, \"Modern Museum Offers Works…\"; 13 photographs; memos; correspondence with MOMA (circulator); shipping information and receipts; checklists, 1 poster","Internal memos; correspondence with lenders; research; clippings; catalog copy; 1 copy of May 1972 Bulletin; clippings; shipping information and receipts","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Correspondence with Muller; list of tentative loans","9 photographs; 1 duplicate photograph","1 new photograph; 1 duplicate photograph; correspondence with the AIC; request for information form","2 duplicate photographs; correspondence with Princeton; request for information form","1 duplicate photograph; correspondence with Atkins; request for information form","1 duplicate photograph; correspondence with Fogg; request for information form","1 duplicate photograph; correspondence with Meadows Museum; request for information form","2 photographs; 6 duplicate photographs; correspondence with Met; request for information form","4 duplicate photographs; correspondence with MFA Boston; request for information form; internal memos; insurance certificate","6 duplicate photographs; correspondence with NGA; request for information form","2 duplicate photographs; correspondence with RISD; request for information form","3 duplicate photographs; correspondence with Thaw; request for information form. invitation; photographs","1 photograph; correspondence with Worcester; shipping information and receipts; request for information form; correspondence re: insurance","1 photograph; correspondence re; photograph orders and framing for our pieces; request for information forms","16 new photographs; 4 duplicate photographs","18 new photographs; 6 duplicate photographs","Request for information form; piece of box from printer","Checklists; lists of loans; shipping lists; mailing lists","One piece of correspondence","5 new photographs; 1 duplicate photograph","8 new photographs","Correspondence with lenders who denied loan request","Checklist, wall label, press release, 7 photographs; 2 contact sheet strips; materials from MOMA (circulator); correspondence with MOMA; internal memos; label copy; drawings (photocopies); 1 [misfiled] mock-up of Goya Catalogue cover","Checklist, 2 photographs; 4 new photographs, 2 invitations, members' preview postcard and special reception in envelope; \"Gund Collection of Western Art,\" 1970; internal memos; correspondence with Gund; correspondence with lenders; clippings; \"American Western Art: a Personal Narrative.\"","Photographs","Invitation; correspondence with Gund Museum; internal memos; research; checklists; blank request for information forms; correspondence with lenders; lists of movies; Gund Collection materials","4 photographs with labels, 5th=#15494, Carl Kauba, b. 1865, \"Indian\", Gilt Bronze, Collection Bobby Chandler; loan request; information sheets with small photos stapled to them (left in folder); correspondence with lenders; checklists; research","1 catalog; 1 contact sheet strip; internal memos; label copy; 1 copy of invitation; correspondence with AIA, Richmond Chapter","Invitation, 2 layout designs by Lipton, 6 photos; 27 new photos; correspondence with MIT (circulator); internal memos; correspondence with Marlborough Gallery (organizer); panel drawing (photocopy); checklists; correspondence with Lipton; label copy; research","2 invitations, \"An Exhibition of Sculpture and Drawings by Gaston Lachaise,\" 2 photographs; 9 new photos; correspondence with Lachaise Foundation and [Felix] Landau Galleries (organizer); internal memos; checklists with prices; shipping information and receipts; drawing (photocopy); clippings","1 photograph; correspondence with MOMA re: possible exhibitions, including Otto Frei exhibition [unsure if declined or not]","Checklist; 1 photograph; internal memos; clippings; list of items sold or rented","1 piece of correspondence re: lecture offer declined","Correspondence with Bernard Danenberg Galleries re: possible showing","Correspondence with AFA","Correspondence with Advertising Trade Publications, Inc.","Correspondence with the IEF","Correspondence with Maritime Museum in Newport News and Philadelphia","\"Project background \u0026 history,\" \"Bonniers introduces 9 incredible toys,\" 8 photos; 1 drawing; internal memos; correspondence with Bonnier International Design (organizer); correspondence with Ruder \u0026 Finn (circulators); Bonnier materials (including tear sheets); 1 copy of New York (9/11/72)","Proposals and materials from: George Eastman House, National Association of Women Artists, Rice University, California Arts Commission, Haus Rucker Company; MFA Houston, St. Paul Art Center, Fran Grace, Walter Art Center","Proposals and materials from: Japan Cultural Society, MOMA, Museum of the Confederacy, J.B. Speed, Library of Congress, Appalachian Corridor, SITES, Renwick Gallery, Asian Theatre Artists, NGA, Sculpture Center, International Museum of Photography, Oakland","1 photograph; correspondence with Smith (juror, Museum of Contemporary Crafts); biographical information","Catalogs, prospectus, 1 photograph; correspondence with Wolf (juror; Trahey Wolf Advertising, Inc.); biographical information","Correspondence with AFA; 1971-1972 catalog","Correspondence with institutions; artists; galleries and others (including materials)","Invitation, 2 slides; invitation list; correspondence with artist; clippings; label copy; 2/72 Bulletin","Invitation; 4 slides; 5 photographs; biographical information; label copy; correspondence with artist; 3/72 Bulletin; checklists","Invitation, 4/72 Bulletin; 1 slide; correspondence with artist; internal memos; label copy; checklists; biographical information","4/73 Bulletin, 1 slide, invitation; 1 negative; 1 photograph; 12/69 Bulletin; label copy; shipping information and receipts; biographical information; checklists correspondence with artist","5/72 Bulletin, invitation; 1 photograph; 4 slides; correspondence with artist; label copy; checklists; biographical information","Invitation, 1 photograph; 4 slides; label copy; 9/72 Bulletin; correspondence with artist; checklist; shipping information and receipts","Invitation, 4 photographs; 1 slide; shipping information and receipts; checklists; biographical information; 10/72 Bulletin; label copy; correspondence with artist","Invitation; 1 photograph; 4 slides; checklists; shipping information and receipts; correspondence with artist; label copy; biographical information","Label copy; correspondence with artist; 11/72 Bulletin; checklists; shipping information and receipts","\"1972-73 Robinson House One-Man Exhibitions\" List; internal memos; schedules","1 photograph; 4 slides; label copy; 1/73 Bulletin; correspondence with artist; internal memos; checklists; shipping information and receipts","1 slide, invitation, 2 photographs; 1 new photograph; label copy; 1/73 Bulletin; correspondence with artist; shipping information and receipts","Invitation, 2/73 Bulletin; 2 photographs; checklists; biographical information; internal memos; correspondence with artist; transportation request form; label copy","Invitation, 3 photographs; 3 new photographs; 3 slides; biographical information; shipping information and receipts; checklists; correspondence with artist; transparencies request form; internal memos; label copy; 3/73 Bulletin","'72 Honor Awards Program, Virginia AIA Chapter; concealed ID form; catalogue; internal memos; prospectus copy; Virginia Chapter AIA materials; 1 copy of prospectus; catalogue copy","Correspondence with juror (Hugh Jacobsen)","2 photographs (Paul Smith); entry blanks; correspondence with artists; reception guest list; drawing (photocopy); internal memos; 1 copy of catalogue; correspondence with juror (Paul Smith)","Internal memos; checklists; fact sheets; shipping information and receipts; entry blanks","Purchase cards; annotated catalogues ('73); invoices; checklists; correspondence with purchasers; correspondence with artists; shipping information and receipts; release forms","Slides; 7 new photographs; 3 duplicate photographs","Letter (9/12/73); entry blanks; reception invitation list; shipping information and receipts; correspondence with artists; internal memos; correspondence with winners","1 copy of catalogue; catalogue copy; internal memos; checklists","Schedule; prospectus copy","Correspondence with artists; internal memos; fact sheets; checklists","Checklists; correspondence with artists","2 invitations, 8 duplicate photographs; 9 new photos; internal memos; checklists with values; correspondence with Blumkas (Mr. and Mrs. Leopold); research; correspondence re: complete loss of Gothic velvet tapestry due to water damage","7 photographs; correspondence with MOMA (circulator); checklists; internal memos; MOMA materials (including wall label, press release)","3 photographs; internal memos; panel layout notes; Accession Committee meeting minutes copies (to look at new accessions)","Invitation; photographs; label copy; drawing (photocopy)","Photographs; duplicates; 2 invitations; invitation copy; internal memos; correspondence with Whitney (circulator); Whitney materials; label copy; 1 copy of \"Edward Hopper: Selections from the Hopper Bequest,\" published by Whitney; 1 copy of 3/73 Bulletin","5 photographs; label copy; correspondence with lenders; request for information form; internal memos; correspondence re: Bernard Martin \"copying\" Alfred Newman's photograph of Hopper re: possible copyright infringement","Catalog; 2 photographs; 1 copy of prospectus; internal memos; label copy; list of designers; correspondence with AIID","Invitation, 10 photographs; internal memos; label copy; invitation copy; mailing lists","Catalog, invitation, 1 photograph; 2 slides, 1 new photograph; internal memos; correspondence with artists; label copy; 1 copy of prospectus; checklists; clippings","5/73 bulletin; shipping information and receipts; correspondence with artists; internal memos; correspondence with Thalhimer's re: display; label copy; checklists; fact sheets","1 copy of catalogue; catalogue copy; checklists; internal m emos; prospectus copy","Signed certificates; correspondence with winners","Correspondence with juror (William Seitz); biographical information","28 photographs","Memo (2/28/73); printmakers card; letter (3/22/73); internal memos","Reply cards; correspondence with artists; internal memos; checklists","1 photograph; duplicates, certificates; juror biographical information (William Pahlmann); correspondence with juror; internal memos; fact sheets; checklists; correspondence with artists; entry blanks","Prospectus (1 copy); AID Virginia Chapter '70-'71 directory; prospectus copy; catalogue (1 copy); checklists; correspondence with NSID","Photographs","3 photographs; 1 duplicate photograph; label copy; entry blank; correspondence with Solomon; biographical information; shipping information and receipts; 11/73 Bulletin","Invitation, 2 duplicate photographs, 10/73 Bulletin; 1 new photograph; label copy; correspondence with Beer; biographical information; checklists","2 photographs; internal memos; correspondence with juror (Nathan Lyons); biographical information","Photographs","Entry blank; correspondence with Dougherty","1 photograph; 1 new photograph; 9/73 Bulletin; correspondence with Davenport; entry blank; biographical information; clipping","Invitation, 2 photographs; 7 new photographs; correspondence with Lewises; drawing (photocopy); internal memos, 1 copy of May '72 W\u0026L Alumni Bulletin","7 photographs; press release; internal memos; materials from Museum of Primitive Art (organizer); clippings; catalog copy","Invitation; catalog; internal memos; correspondence with prospective jurors; 1 photocopy of prospectus; mailing list; article by Nathan Lyon (juror); clipping; NEA grant materials","Press release, 3 photographs, checklist; correspondence with IEF (circulator); IEF materials; internal memos","Research; checklists; catalog copy; mailing lists for catalogs [all materials Blaine-related]","3 clippings, 3 invitations; 7 photographs; internal memos; correspondence with Blaine; mailing lists; catalog copy (Blaine)","Nell Blaine at the Poindexter Gallery, 1972, catalogue folder; 2 new photographs; research; other catalogs; mailing lists; request for information forms; checklists; price lists; internal memos; correspondence with Boston University (Beal co-organizer); correspondence with Poindexter Gallery (Blaine co-organizer); correspondence with Lawrence Campbell (essay writer; Art Students' league); correspondence with lenders; correspondence with artists; catalog copy (Beal)","Photographs; 1 copy of Blaine catalog; list of Beal color transparencies returned","Correspondence with artist and purchasers re: sale of paintings (including copies of checks, etc.); checklists; price lists [all material related to Blaine]","1 drawing by Blaine; correspondence with Boston University, Poindexter Gallery, Blaine, Campbell, lenders; internal memos; 1 copy of Blaine catalog; clippings; loan agreement forms; other catalog (Beal); research; label copy; checklists","Correspondence with AFA; 1972-73 catalog; 1973-74 listing in new 8 ½ X 11 format (unbound)","2 copies of 67-68 catalog; correspondence with AFA; 2 copies of 68-69 catalog; clippings","Correspondence re: possible prison art show","Correspondence with Ruder and Finn","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Material re; possible exhibition of Cecil Beaton as well as Samuel Kirk \u0026 Son","Material re: possible exhibition of Cecil Beaton, as well as for Sir Jacob Epstein, and others","Correspondence re: Objects: USA (collection of S.C. Johnson \u0026 Son, organized by Lee Nordness Gallery); correspondence with various other institutions; various catalogs from late 1960s","Correspondence with various institutions; various catalogs from 1973","Correspondence with various institutions; various catalogs from late 1960s; early 1970s]","Correspondence; internal memos","1 copy of 66-67 catalog; 2 copies of 68-69 catalog; correspondence with MOMA; MOMA materials; clippings; internal memos","1 clipping on Peggy Guggenheim","Correspondence with Multiples, Inc. gallery; internal memo","Eastman House materials","Correspondence with SITES; 1972 catalogs; SITES materials; various SI bulletins; 1 catalog (French playbills)","Correspondence with IEF; IEF materials","Correspondence with IEF; IEF materials","Correspondence with MOMA; MOMA materials, 1 copy of catalog","1 piece of correspondence with Hirschl \u0026 Adler","Internal memos; correspondence with \"Curators of Art for Corporate Collections\" [actually called Danese Design]","Correspondence with IEF; IEF materials","Correspondence with Art professor at Mary Baldwin","Correspondence with Asia House Gallery; checklist; internal memo [not shown]","Correspondence with Whitney and Aldrich Museum of Contemporary Art","Correspondence with Museum of Fine Arts, St. Petersburg; internal memos","Internal memos; correspondence with Multiples, Inc.","Letter from Claiborne to members (10/24/73); 1 copy of invitation; label copy","Internal memos; checklists","Catalog, invitation, 6 photographs; 1 new photograph; 1 copy of Virginia Designers 1970 catalog; internal memos; mailing list; catalog copy; correspondence with Federal Council on the Arts \u0026 Humanities (speaker, Lani Lattin); schecklists","Members special film program card, 2 photographs; 1 new photograph; 1 copy of Wildenstein catalog; research; correspondence with Bakwin; correspondence with members; internal memos; 1 copy of invitation; 1 copy of catalog","Invitation, reply card; 1 photograph; 1 copy of Craftsmen's Biennial 2 (VCU) prospectus; 1 copy of Virginia Craftsmen 1970 catalog; 1 copy of 74 catalog; 1 copy of 74 prospectus; internal memos; mailing list; research","Invitation, 11 photographs; 4 new photographs; 1 copy of catalog \"Walter Gropius: Buildings, Plans, Projects, 1906-1969\"; correspondence; 1 copy of \"Portrait of an idea: Rosenthal Studio-Line\"; correspondence with IEF; IEF materials; exhibition contract; 1 drawing (photocopy); internal memos","VMFA exhibition SP-28; internal memos; checklist; label copy","Clippings; 1 copy of Commonwealth: the Magazine of Virginia (5/74)","2 preview invitations, lecture card, brochure; photographs; label copy","3 photographs; 1 new photograph","Announcement; 3 transparencies; 4 drawings of \"Project: Folk Art\"; correspondence with Whitney (circulator; organizer); internal memos; correspondence with Ruder and Finn; label copy; correspondence with Philip Morris (sponsor); research; invitation copy; brochure copy; Whitney materials; preview mailing list; 1 copy of 4/74 Bulletin; correspondence re: posters and billboard; clipping","Invitation, \"Project: Folk Art\"; 1 photograph; internal memos; correspondence with Ruder \u0026 Finn; correspondence with Whitney; checklists, correspondence with Philip Morris; brochure copy; clipping; correspondence with publicity; correspondence with other institutions","Catalog copy","3 photographs; 2 new photographs; TV speech copy; correspondence with De Young (other venue); correspondence with Central Virginia Educational Television; verbal storyboards","Internal memos; mailing/invitation lists","1 photograph; correspondence with Whitney; correspondence with other institutions; Whitney brochures; clippings; layout drawings (photocopies); label copy","7 photographs; duplicates: transcript, announcement card; 4 dictabelts (interview with Bill Gaines); checklists; correspondence with Chermayeff; internal memos; correspondence with Philip Morris (owners of tapestries); mailing list; 1 copy of invitation; press release; drawing (photocopy)","3 photographs; correspondence with Nancy Hoffman Gallery (organizer); correspondence with lenders; checklists; request for information form; gallery materials","Catalog; photographs; catalog copy; internal memos; checklists; correspondence with lenders; blank information request form; clipping","Photographs, 2 transparencies, 1 slide; 1 copy of invitation; internal memos; clippings; exhibition design drawings (photocopy)","33 photographs; 7 transparencies; duplicates: 15 photographs","4 photographs; 1 transparency, slides; correspondence with potential lenders; correspondence with Diebenkorn; internal memos; request for information forms; checklists","4 photographs; 3 new photos, 1 transparency; correspondence with potential lenders; correspondence with lenders; correspondence with Estes (the photos he provided were for his passport!); request for information forms; checklists; research","6 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklists; correspondence with Francis","5 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklist; correspondence with Frankenthaler; internal memo","2 photographs; correspondence with lenders; correspondence re: damage; request for information forms; internal memos; correspondence with Hans Nemuth re: portrait of Indiana (photograph)","5 photographs; checklists; correspondence with potential lenders; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklist","5 photographs; 1 new photograph, 2 transparencies; correspondence with potential lenders; correspondence with Motherwell; checklists; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 new photograph; correspondence with potential lenders; request for information forms; internal memos; checklists","5 photographs; 1 new photograph; 1 transparency; correspondence with Thiebaud; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 transparency; internal memos; correspondence with potential lenders; request for information forms; checklists","Catalog; internal memos; correspondence with Virginia AIA Awards Committee","Entry blanks; correspondence with designers; label copy; internal memos; checklists; fact sheets","1 copy of '74 catalog; catalog copy","Signed certificates; correspondence with juror (Ivan Chermayeff); clipping","Photographs","Prospectus; checklists; art directors' club materials; prospectus copy; schedule","4 photographs; correspondence with Hagan; shipping information and receipts; entry blank; label copy; 5/74 Bulletin; biographical information","Invitation; 2 photographs; 2 new photographs; 4/74 Bulletin; shipping information and receipts; biographical information; correspondence with Abbott; label copy","Invitation; 1 photograph; 1 new photograph; label copy; transportation requests; entry blanks; biographical information; correspondence with Barry; shipping information and receipts; 2/74 Bulletin","5 photographs; 1 duplicate photograph; invitations; 1/74 Bulletin; shipping information and receipts; checklists; label copy; internal memos; correspondence with Fridley","Invitation; 4 photographs; NEA booklet; 10/74 Bulletin; correspondence with NEA for Sandborn; brochure (1 copy); brochure copy; internal memos; biographical information; correspondence with Sandborn; entry blank; shipping information and receipts","2 photographs, invitations; 6 photographs; 9/74 Bulletin; correspondence with Ames; biographical information; shipping information and receipts; checklists; label copy; internal memos; entry blank","Catalog; photographs; internal memos; correspondence with artists; label copy; checklists; correspondence with Michael Graves (lecturer); correspondence with juror (Bill Newman); invitation copy; invitation list; prospectus copy; biographical information; 12/74 Bulletin","3 photographs: 1 duplicate photograph, invitations; 11/74 Bulletin; brochure; shipping information and receipts; checklists; biographical information; correspondence with Scalin; entry blank; label copy","22 photographs; 9 new photographs; internal memos; checklists","Research; checklists; internal memos; clippings; correspondence re: poster; drawings (photocopies); panel copy","Photographs","Label copy; research; checklists; correspondence with lenders; internal memos; correspondence with Comprehensive Exhibition Services (circulator); correspondence with potential lenders; blank request for information forms","8 photographs; 6 new photographs; request for information forms; internal memos; correspondence with lenders","SITES and National Art Collection Materials; internal memos; correspondence re: materials for Children's Day","1 photograph; 2 new photographs; correspondence with Delaware Art Museum (lender); 1 copy of 4/74 Bulletin; checklists; internal memos","Correspondence with IEF; IEF materials","Correspondence with potential speakers they declined","Photographs; research; biographical information; clippings, drawing (photocopy); 1 copy of 5/74 Bulletin; internal memos; correspondence with VCU (Professor Lester Van Winkle is co-organizer); correspondence with lenders; invitation list; 1 copy of invitation; checklists; correspondence from visitors","4/74 Bulletin, \"photographic resume,\" 1 photograph; 5 new photographs; correspondence with artist; biographical information","Correspondence with and materials from various institutions, galleries, and organizations; internal memos; clippings; catalog","1 photograph (William B. O'Neal, UVirginia); correspondence with potential speakers; promotional materials; internal memos","1 piece of correspondence re: questionnaire (5/2/74)","Correspondence with MOMA re: possible traveling shows","Correspondence with and materials from various institutions, organizations, and individuals re: declined exhibitions; internal memos; catalogs","Correspondence with Modern Master Tapestries, Inc. (organizing circulator) and Charles E. Slatkin, Inc. Galleries (organizing circulator); promotional materials","Signed certificates, catalog; 1 photograph; internal memo; correspondence with artists; fact sheets; invoices; checklists; clippings; shipping information and receipts","Photographs","Prospectus; prospectus copy; annotated '72 prospectus","NOVirginia invitation, jurors' statement, Lynchburg prospectus, signed certificates (NOVirginia); 10 photographs; checklists; prospectus copy; invitation copy; NOVirginia prospectus; correspondence with artists; catalog copy; Lynchburg catalog; correspondence with directors of affiliates; Lynchburg signed certificate","10 photographs; duplicates: Roanoke catalog, Roanoke invitation; correspondence with artists; Peninsula prospectus copy; Peninsula catalog copy; internal memos; Peninsula prospectus; Peninsula signed certificate; checklists; Roanoke catalog copy; clippings; correspondence with juror (Lawrence Alloway)","'75 prospectus; shipping information and receipts; annotated '73 prospectus; prospectus copy","Photographs; signed certificates, invitation; checklists; '75 catalog; correspondence with NEA re: grant; internal memos; correspondence with juror (Aaron Siskind); fact sheets; prospectus copy","Virginia Commission of the Arts and Humanities grant application","Catalog; catalog copy","1 signed certificate; correspondence with winners","Photographs; 1 copy of '75 catalog","Prospectus copy; internal memos; correspondence re: prospectus","Catalog; purchase cards; invoices; correspondence with artists; internal memos","Reply cards; checklists; correspondence with artists","Invitation, 1 photograph; shipping information and receipts; correspondence with potential jurors; correspondence with juror (Robert Buck); biographical information; schedule; internal memos; checklists; 5/75 Bulletin","Signed certificates; fact sheets; correspondence with juror (Elke Solomon); biographical information; internal memos; checklists; correspondence with artists","Photographs; prospectus; prospectus copy; 1 copy of catalogue; catalogue copy","Letter 2/9/75, purchase card; correspondence with artists; internal memos; invoices","Checklists; correspondence with artists","Invitation, 5 photographs; 1 new photograph; internal memos; invitation copy; correspondence with Mrs. Lammot DuPont Copeland [collector of the year]","1 copy of 2/75 Bulletin; internal memos; checklists (Artmobile exhibition); label copy","1 photograph; 1 copy of catalog; 1 copy of prospectus; internal memos; checklists","Photographs; checklists; label copy; catalog copy; research; invitation copy; correspondence with NC Museum of Art; internal memos; mailing list; 1 copy of invitation","2 photographs; \"1940, Remember?\" clipping; correspondence with Library of Congress Prints \u0026 Photographs Division; internal memos; research; checklists","Catalog, \"Observations on …,\" \"Collecting,\" 2 photographs; 2 new photographs; correspondence with O'Neal; checklists; internal memos; catalog copy; biographical information","4 new photographs; catalog","Catalog, 4 photographs; 4 new photographs; checklists; correspondence with Lewises; internal memos","Catalog, invitation, 6 photographs; 2 new photographs; 1 copy of prospectus; internal memos; invitation copy; correspondence with Robert Buck (juror, Director of Albright Knox)","1 internal memo","1 catalog, 5 photographs; 1 new photograph; internal memos; checklists","Invitation, 6 photographs; 6 new photographs; correspondence with University Art Gallery (Rutgers, organizer); internal memos; invitation copy; correspondence with VM Youth Guild; clipping; correspondence from visitors; 1 copy of catalog; list of books for sale at VMFA Shop","\"Art as Adornment\"; 10 photographs; internal memos; checklists; label copy; catalog copy","3 new photographs; 3 duplicate photographs; correspondence with Art Museum of South Texas (borrower)","Correspondence with Josef Albers Foundation; correspondence; internal memos","Invitation, catalog; internal memos; correspondence re: successful NEA grant; grant   materials; statistics","1 photograph; internal memos; checklists; correspondence with Light Gallery (lender); correspondence with Siskind","Press release; photographs; correspondence with AFA (circulator); correspondence with Museum of Primitive Art (lender); drawing (photocopy); in use list; internal memos; correspondence with African Arts magazine; clipping","Poster, catalog, 1 photograph; 4 new photographs; correspondence with AFA; checklists; internal memos; exhibition contract; invitation copy; correspondence with African Arts; correspondence with Museum of Primitive Arts; correspondence with local TV station","\"Masterpieces of Pre-Columbian Art,\" 5 photographs; 1 new photograph; internal memos; label opy; Artmobile slide lecture copy","Correspondence with Museum of the American Indian (organizer); internal memos; clipping","Correspondence with Met (organizer); internal memos","Correspondence with Hyatt re: possible accommodations; correspondence with AAM; internal memos","3 photographs; 3 new photographs; correspondence with lenders; request for information forms; checklists; shipping information and receipts; 1 copy of invitation","3 photographs; 3 new photographs; 1 copy of brochure (\"Landscape in Photography\");   internal memos; checklists","12 photographs; brochure copy; internal memos; checklists; panel copy; press releases","Correspondence with artist; 1 copy of invitation; clipping; internal memos; press release","3 photographs; 12 new photographs; correspondence with MOMA (organizer); checklist; exhibition contract; internal memos; clipping; MOMA materials","Unsigned certificate; 2 photographs; duplicates: letter 8/1/75, 2 blank information forms","Photographs","2/75 Bulletin, invitation, 1 photograph; 2 new photographs; internal memos; correspondence with artist; shipping information and receipts; biographical information; label copy","Invitation; 2 photographs; 4 duplicate photographs, 11/14/74 memo; internal memos; label coy; blank floor plan; 1/75 Bulletin; correspondence with artists; clippings; invoices [lots of correspondence re: student show]","21 photographs; information forms; biographical information; correspondence with artists; internal memos; label copy","2 photographs; duplicates: Roanoke prospectus, Peninsula prospectus, Roanoke catalogue; clippings; correspondence with artists; prospectus copy; juror biographical information; internal memos; correspondence with jurors; NOVirginia prospectus; annotated Roanoke prospectus; checklists; signed certificates; invitation; blank certificates","Photographs; drawings (photocopies); panel copy; research; catalog copy","Checklists by object type (transferred contents of a binder)","Photographs","3 photographs; internal memos; correspondence re: events such as demos and clinics; research; correspondence with visitors; invitation copy; correspondence re: catalog; correspondence with lenders; checklists","Label copy; checklists; research","Photographs; correspondence with lenders; internal memos; correspondence with Virginia Commission of the Arts \u0026 Humanities re: special funding; checklists; research","Catalog copy; research; checklists; labels","Photographs; checklists; other lists","15 photographs; shipping information and receipts; catalog proof; checklists; catalog copy; research; lists by type","10 photographs; 2 new photographs; correspondence with Toledo Museum of Art (organizer); checklists; insurance certificate; clipping, correspondence with Steuben; 1 copy of \"Steuben: 70 Years of American Glassmaking\"; internal memos; correspondence with publicity","\"Forms in Metal\" catalogue; 1 photograph; correspondence with Museum of Contemporary Crafts (organizer); exhibition contract; Museum of Contemporary Crafts materials; internal memos; drawing (photocopy)","3 photographs, invitation, reply card; 1 copy of catalog; correspondence with Lawrence Alloway (juror); invitation copy; internal memos; correspondence with members of arts organizations coming to ceremony; guest lists","Exhibition contract; correspondence with MOMA (organizer); MOMA materials; checklist; internal memos","Checklists; correspondence with University of New Mexico (organizer); research; exhibition contract; internal memos; correspondence with Western Association of Art Museums (organizer); biographical information; drawing (photocopy)","2 photographs; correspondence with Dean Brown Foundation (curator is Carol Brown, widow) and Akron Art Institute (organizer); internal memos; biographical information; AAI materials","Correspondence with Bowdoin (organizer) [cancelled]; Bowdoin materials","3 photographs; correspondence with Israel Museum; clippings","2 photographs; correspondence with Museum of the American Indian; correspondence with Phillip Morris (connection to Museum of AI)","Catalog, prospectus; statistics; letter to members of \"Richmond Communicating Artists\"","Photographs; internal memos; VMFA materials; label copy","One press release [written by Bob Keefe] re: Reeves collection","Internal memos","Correspondence with Terry Dintenfass (organizer); internal memos","19 photographs; correspondence with Gallery Association of New York State (organizer); internal memos; checklist; correspondence with Architectural League of NY (organizer); budget materials (for fundraising); GANYS materials","Photographs; 2 slides","1 drawing; 1 photograph; duplicates: museum tear sheet; general museum and various exhibitions' label copy; catalogue or essay copy for \"The 18th Century Drama\"","Biographical information","Attendance statistics","Label copy","Fact sheet","List of music for Danish Silver exhibition","Lists of alumni in Richmond","2 drawings; Leslie Cheek Jr.'s notes","2 drawings","3 drawings","3 drawings","2 checklists of members","1 drawing; list of photographs for panels","1 drawing","\"Remarks\" 5/25/77","Internal memos; article copy; checklist; correspondence re: permission to publish images","1 transparency; catalog copy; internal memos; correspondence with lenders; research; correspondence re: transparencies; correspondence with Mariner's Museum","Internal memos; correspondence with lenders; correspondence re: transparencies; catalogue copy","Blank information forms","Catalog copy","1 photograph [Vose Galleries]; correspondence with lenders who denied loans","Catalog proofs","Correspondence with Suffolk Art League","Correspondence with Mint Museum; Mint materials","1 copy of \"The Virginia Peninsula Today,\" 11/76; speech copy","Checklists; correspondence with Met re: possible loan","Invitation lists","2 duplicate photographs; 2 new photographs; request for information forms; correspondence with potential lenders","Checklists; internal memos re: postcards for sale (correspondence with other museums' shops)","Press release (8/26/74); correspondence with Mariners Museum; internal memos; clippings; fact sheet","3 photographs","Photographs","Photographs","Request for information forms (folder 2)","Request for information forms","Internal memo; correspondence with Vose re: catalogue; Artmobile label/brochure copy","Budget information; internal memos","Artmobile label copy; Artmobile layout drawing (photocopy)","Research","Slide lists","Internal memos; Artmobile brochure; checklists; Artmobile teachers' kit; clipping","Photographs","Correspondence with potential lenders; internal memos","Correspondence","Correspondence with lenders; correspondence with Mariners Museum; checklists","Checklists","Checklists; correspondence with Mariners Museum","1 slide; 1 photograph (A. Cary Smith, portrait of the Yacht Agnes); correspondence with lenders; research; internal memos; schedule; correspondence with mariners Museum; clippings; other materials","Internal memos; invitation lists; correspondence with attendees/invitees; clipping","Correspondence and internal memos re: budget","Lists; schedule; correspondence with Mariners Museum; correspondence with film companies; internal memos","Budget information; internal memos; correspondence with Mariners Museum; correspondence with NEA; clipping; grant application","6 photographs; correspondence with NNS; 1 copy of \"3 Generations of Shipbuilding\"; NNS materials; \"Men, Ships and the Sea\"; Bring Her Home\"; label copy for publicity photographs0; \"Always Good Ships\"","Label copy","14 duplicate photographs; 2 new photographs; 1 drawing; internal memo","Invitation; invitation list; correspondence with Mariners Museum; internal memos","1 photograph; internal memos; correspondence re: cancellation of Virginia Architecture 1976 (Reality and Revival is the replacement); label copy; drawings of panels (photocopies); '76 AIA honor program","Internal memos (2)","Signed certificate; correspondence with juror (Alan Shestack); correspondence with artists; checklists; internal memos; one entry","Prospectus; photographs; 1 copy of catalog (annotated); biographical information on juror (Alan Shestack, Director of Yale University Art Gallery); checklists; catalogue copy; prospectus copy; un-annotated copy of catalog","2 photographs; internal memos; correspondence with artist","1 photograph; 1 invitation; checklists; internal memos","1977 invitation; internal memos; '77 catalogue; correspondence with NEA re: grant; '77 prospectus; correspondence with juror (Lloyd Herman)","25 slides, 9 photographs; 1 duplicate photograph; clippings; correspondence with Santa Barbara Museum of Art (organizer); internal memos; correspondence with SITES (circulator); 1 copy of catalog; labels; schedule; checklists; Santa Barbara materials, including press release and prospectus; exhibition contract","Photographs; invitation list; announcement; correspondence with artist; announcement copy; price list; entry blank, invitation (signed \u0026 22/58)","Photographs; invitation list; price list; entry blank; announcement; announcement copy; biographical information; internal memos; correspondence with artist","3 photographs; invitation list; entry blank; invitation; internal memos; clipping; biographical information; correspondence with artist","1 photograph; invitation; announcement proof; correspondence with purchasers; biographical information; checklists; invitation list; correspondence with artist","3 photographs; announcement; announcement copy; invitation; internal memos; entry card; correspondence with artist; biographical information; invitation list","3 photographs; announcement; checklists; entry blank; invitation list; correspondence with artist; invitation; biographical information","2 photographs; checklists; correspondence with artist; artists' sale terms and conditions; announcement; invitation list; biographical information; invitation; internal memos","Announcement; invitation; correspondence with artist; announcement copy; biographical information; invitation list; internal memos","Announcement, invitation; announcement copy; biographical information; entry blank; Guggenheim fellowship application; clippings; correspondence with artist; invitation list","Invitation; schedule; 1 copy of prospectus; correspondence with Thalhimer's; internal memos; statistics; correspondence with artists","Prospectus copy; label copy; jurors' statement copy; 2 copies of catalog (1 annotated; 1 not); catalogue copy; correspondence with visitor re: complaint about nude woman in painting","5 photographs; 8 duplicate photographs","Signed certificates; 1 photograph; invitation; internal memos; correspondence with artists; correspondence with juror (Suzanne Delehanty); checklists; statistics","Checklists; correspondence with Thalhimer's; correspondence with artists","Checklists; correspondence with artists","Form letter to Virginia artists from Director Peter Mooz; correspondence with purchasers; correspondence with artists; internal memos; invitation list; reply cards","Internal memos","Invoices; budget information; incident report; correspondence with artist","Invitation; clippings; poster; materials from other exhibitions","Clippings; materials from other exhibitions","Postcard; checklists; label proof; lecture; invitation copy; installation drawing [checklists from Edwin A. Ulrich Museum of Art, Wichita State University)","7 photos; 5 new photos","Correspondence with Wichita State; correspondence with Lewises; correspondence with artist; correspondence with Whitney (other venue)","Invitation, reply card, brochure; 5 photographs; 1 copy of catalogue: \"The Proctor \u0026 Gamble Company Antique English Coffee Pots: The Folger's Coffee Collection\"; correspondence; internal memos; correspondence with the Rowland Company (organized the show); correspondence with Proctor \u0026 Gamble; invitation copy","3 photographs; correspondence with lenders; clippings; internal memos; correspondence with Lewises (lenders of typewriter eraser)","Invitation, 5 photographs; 33 new photographs; clippings; internal memos; correspondence with Kreegers; checklist; drawings (photocopies); invitation list; research; label copy; invitation copy","Internal memos; specs. For A.V. presentation; presentation copy","Invitation; invitation copy","2 slides; photographs; internal memos","Photographs","Budget information; internal memos; invoices; research on Owen Cheatham Foundation","Correspondence with public; correspondence re: copyright; internal memos; publicity schedule","Internal memos; label copy; checklists; drawings (photocopies)","Label copy; internal memos; catalogue proofs; correspondence re: copyright; invitation; checklists","Internal memos re: duties \u0026 plans","Clippings; internal memo","Checklist; research of the objets d'art; Owen Cheatham catalog (1 annotated; 1 not)","40 slide set from MOMA","Clippings","1 copy of VMFA operating budget, 1976-77","2 slide lists (102 slides \u0026 40 slides); checklists; MOMA brochure re: slide set","Correspondence with speakers and hostesses","Installation instructions; internal memos; checklists; drawings (photocopies); correspondence with MOMA; MOMA materials","Correspondence with MOMA; internal memo","Checklists; correspondence with MOMA; MOMA materials","Internal memo re: related books in VMFA Shop; exhibition bibiliography","Photographs","Richmond Sinfonia program; letter from MOMA (6/20/75); exhibition contract; internal memos; correspondence with MOMA; budget information; MOMA invitation; American Art Since 1945 (1 copy of catalogue, loose)","Invitation (3 pieces); invitation list; internal memos; correspondence with MOMA; invitation copy","1 photograph; correspondence with Lewises; clipping; internal memos","Checklists (MOMA materials)","Internal memo","Internal memos and information re: Brandts' trip to Greenville to see show","MOMA materials for labels","Correspondence with MOMA re: posters","Photographs; clipping; correspondence with Mark Davis (curator at the Century Association); internal memos; checklists; label copy","Brochure (summer exhibition announcement), 1 photo; 19 slides; 3 photos; correspondence with SITES (circulator); checklists; internal memos; exhibition contract","Summer exhibition announcement; 8 slides; 9 photos; correspondence with SITES (circulator); exhibition contract; checklists; internal memos; SITES materials including SITES press release; clippings; label","2 photos; checklists; internal memo","2 photos; 5 slides; internal memos; correspondence with artist; clippings; correspondence with Bowdoin (circulator); Bowdoin materials; checklists; budget information; biographical information; research","Correspondence with various institutions; correspondence with visitors; internal memos; correspondence with publicity; materials from other exhibitions; invitation; invitation copy; installation drawing; checklist","Clippings; internal memo","Correspondence with AFA re: circulation, catalogue proof inserted in file","Internal memos; correspondence with printer re: mistake; correspondence with AFA; catalog copy; checklists; correspondence with Wiltshire","Photographs","Checklist","Slides","Invitation; catalog copy; checklist","Drawings (photocopies); internal memos; budget information; checklist","Invitation; invitation lists; internal memos; correspondence with AFA","Label copy","Label copy; correspondence with Weisgall; biographical information; checklists; research","Frames checklist; correspondence with Weisgall; March'78 Bulletin","Correspondence with Weisgall; internal memos; clipping; catalog; catalog copy; budget information","Photographs","Invitation, Richmond News Leader clipping (1/30/78); internal memos; correspondence with musicians; program copy; all re: musical program, musical scores; one copy of \"The Collecting Muse: The Nathalie \u0026 Hugo Weisgall Collection\"","Poster","Clippings","Budget information; internal memos; correspondence with Fred Hughes of Andy Warhol Enterprises; correspondence with sponsors; correspondence with Coe Kerr Gallery; correspondence with artist; correspondence with Weisman; checklists [no signatures]","Postcard (2), 7 photos; 2 new photos; clippings","1 photo; internal memos; catalog proofs; clippings; correspondence with VCU re: silk screening project; budget information; catalog copy","Correspondence with potential lenders","Photographs; slides","Correspondence with MFA Boston (lender)","Correspondence with Chrysler (lender)","\"NEW\" loan agreement form","Correspondence with Ackland (lender)","Correspondence with AIC (lender)","Correspondence with BMA (lender)","Correspondence with Phillips (lender)","Correspondence with Clark (lender)","Correspondence with Mellon (lender)","Correspondence with Met (lender)","Correspondence with NCMA (lender)","Correspondence with lender","Correspondence with various institutions; checklists; internal memos; clippings","2 invitations (6 parts total); internal memos; invitation list","Budget information; internal memos; Virginia Commission for the Arts \u0026 Humanities grant information","IPR's; internal memos (form about 1 year old for IPR)","Drawings (photocopies); checklists; internal memos","Clipping; internal memos; press release copy","Checklist (4 part)","Label proofs; label copy; 1 copy of checklist","Label proofs; **clippings inserted in folder at end**","Invitation; prospectus; internal memos; program schedule; correspondence with hostesses; schedule; correspondence with juror (Thomas Barrow, Associate Professor of Photography, U of New Mexico)","Invitation; internal memos; drawings (photocopies); correspondence with Ms. Conover Hunt-Jones (consultant); checklists; correspondence with sponsors; budget information","Internal memos","Label copy","Photocopy from a catalog for scientific instruments","LACMA press release, \"Major Silver and Mosaic Collections…\"; label copy; research; LACMA materials (circulator)","Biographical information on John Gilmore Ford","Checklist proof; checklist copy","Internal memos; IPR's; budget information","1 duplicate photo","Exhibition contract; correspondence with LACMA; internal memos","Correspondence with Gilberts; internal memos; correspondence with LACMA","Internal memos; drawings (photocopies); 1 copy of LACMA paper; correspondence with LACMA","Invitation (2 – both in 2 parts); internal memos","Correspondence with public (all wanted to know dates of show after reading Smithsonian!)","Envelope containing checklist from Ford with insurance values; 1 copy of invitation; 1 copy with catalog","Budget information; IPR's","Label copy; research","8 new photos; 2 duplicate photos; drawings (photocopies); checklists; internal memos","Clippings; label copy; invitation copy; 1 copy of Weisgall invitation","Empty folder","14 new photos","Correspondence with hostesses; correspondence with Collectors Circle members; mailing list; correspondence with Ford","2 photos; duplicates: invitation, November '78 Bulletin; 1 copy of Collectors Circle program","Internal memos","Invitation, Guggenheim press release; correspondence with lenders; correspondence with Guggenheim (circulator); drawings (photocopies); checklists; clippings; internal memos","Checklists; label copy","Budget information; slide script copy","Internal memos; correspondence with Guggenheim; schedule for Contemporary Art One-Day Symposium (2/14/79)","Label copy; loan agreements; correspondence with lender; internal memos","Checklists; script copy; catalogue copy; clippings; correspondence with visitor; copy of Guggenheim brochure; research; label copy","5 duplicate photos; 9 new photos","Exhibition summary, form letter, information questionnaire; checklists; drawings (photocopies); internal memos; correspondence with galleries re: biographical information for artists; clipping","13 slides; open house poster; catalogue; label copy","Checklists; catalog copy","Drawing (photocopy); checklists","Remarks by Woodward at press conference; clippings; remarks by Mooz at press conference","IPR's; budget information; calendar","Internal memos; meeting minutes, panel drawing (photocopy)","1 piece of correspondence with Columbus Museum of Art re: show","Empty folder","Checklists; annotated gallery guide","Agenda; family tree; IEF materials; correspondence with IEF; notes; internal memos","Correspondence with IEF; correspondence with visitors; internal memos; correspondence with corporate sponsors; schedule; correspondence with other museum locations; exhibition contract","Internal memos; invitation copy; schedules; meeting minutes; checklists","14 photos; correspondence with IEF","1 copy of bumper sticker; place card; brochure; announcement; internal memos; meeting minutes; correspondence with IEF; clipping","Invoices; IPR's; internal memos; budget information","Checklists; internal memos","Note","Invoices; internal memos; budget information","Internal memos; drawings (photocopies); correspondence with Lewises re: closing Art Nouveau facility","List of films \u0026 lecturers from IEF","Correspondence with IEF re: Duke's address; internal memo","Internal memos","Internal memos; lists of tour groups","Biography, general information, itinerary, \"Short History of Chatsworth\"; IEF materials (including press release)","Timetable; meeting minutes; proposed schedule","Agendas; notes; checklists; internal memos","IPR's; internal memos; invoices","\"A.V. Program\" script; correspondence re: school A/V program; internal memos; budget information","Budget information; internal memos; correspondence with IEF","Calendars; internal memos","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF; 1 copy of the \"Chatsworth Herald\"; guide for children published by VMFA","Schedule; internal memos; correspondence with IEF","Internal memos; meeting minutes","Photos; NEA reports","Correspondence with IEF; correspondence with other museums (including invitation","Internal memos; budget information","Exhibition contract; correspondence with IEF; correspondence with corporate sponsor","Internal memos; correspondence with patrons","Internal memos","Internal memos; correspondence with ESU branches; correspondence with IEF","Internal memos; correspondence with IEF","Huge final report; internal memos; budget information; back-up report information","Internal memos; correspondence with invitees; meeting minutes; correspondence with IEF","Correspondence with IEF; internal memos; correspondence with other museums","Clippings; internal memos; correspondence with publicity; TV spot script; budget information; correspondence with IEF","Weekly reports; internal memos","Price lists; internal memos; invoices; correspondence with other museums","Internal memos; drawing (photocopy)","Envelope that couldn't open without ripping","Slide lists; budget information; correspondence with other museums; correspondence with printers; internal memos; correspondence with IEF; correspondence with Duke; reports","Final report on sales; internal memos; teacher form letters \u0026 materials; group bus forms; \"docent study materials\" from Toledo Museum of Art","Internal memos","Prospectus; internal memos; statistics; correspondence with hosts; correspondence re: juror (Lasansky)","Invitation; internal memos; label copy","Internal memos; meeting minutes; annotated gallery map","Correspondence with artists whose work purchased by Museum; internal memos; '79 prospectus; '79 invitation; correspondence with D'Arcangelo (juror)","Invitations; invitation list; internal memos; invitation copy","Schedule draft","Checklists; label copy","Correspondence with visitors and inquiries about show","Clippings; internal memos; list of press kits sent","Invitation lists; correspondence with Lewises for names","List of music; sheet music","Research; 1 piece of correspondence with Yvonne Brunhammer","Program, invitation; correspondence with attendees; clipping; correspondence with speakers; internal memos; participant list; invitation lists; 1 copy of program for 1977 \"Great Collectors of American Decorative Arts\" weekend","Internal memos; correspondence with printers; printers' materials","Budget information; correspondence with lenders; checklists; research","5X7 cards per object","Photographs; photocopies of images","Checklists; clipping; label copy; research","Internal memos; correspondence with film organizations \u0026 vendors; IPR's; information and catalogs for projectors","2 invoices from shipping company","Correspondence with Gras re: insurance for French loans","Correspondence re: shipping of works","Correspondence with other museums re: possible travel","Photocopies of photographs","Photographs; internal memos; checklists; drawings (photocopies)","Invoices; catalogue copy; correspondence with Martin Battersby (essayist)","Label copy","Research","Correspondence with Brunhammer (conservateur @ Musée des Arts Décoratifs, Paris) re: French loans; checklists","Correspondence with d\"Iberville @ Museum of Decorative Arts, Montreal re: possible venue for show (denied)","Correspondence with Harris (guest curator); research; internal memos; Harris; c.v.; schedules","Photos; 1 new photo; correspondence with AIC (lender); loan agreement","Photo; correspondence with BMA; loan agreement","Correspondence with BHP","Photo; correspondence with BF; loan agreement","Correspondence with MFA, Boston","Photos; 1 transparency; correspondence with BAD; loan agreements; checklist","1 duplicate photo; correspondence with Brooklyn; internal memos; loan agreement; research","Photos; correspondence with Merklen; loan agreements; research","Photos; correspondence with Chrysler; loan agreements","Photos; correspondence with CMA; loan agreements; label","Photo; correspondence with CMG; loan agreement","Photos; correspondence with Fine Arts Museum; loan agreements","Correspondence with Haskell; loan agreement","Correspondence with LC; loan agreements","1 photo; correspondence with Lieberman; loan agreement","Photo; correspondence with Darien House, Inc.","Photos; correspondence with Macklowe; loan agreements","Photo; correspondence with McNay; loan agreement","Photos; correspondence with Maryhill; loan agreements","Photo; correspondence with Gallion","Photo; correspondence with Musée; loan agreement","Correspondence with MOMA; loan agreements","Correspondence with NARA","One negative (8 X 10); correspondence with NYPL; loan agreement","Photos; loan agreement; correspondence with Pollard","Photo; correspondence with Pratt; loan agreement","Correspondence with Reed; research","Transparency; 9 duplicate photos; correspondence with Schimmel; loan agreement","Photo; correspondence with Silverman; correspondence with Sotheby's; loan agreement","Correspondence with Sommer; research; loan agreement","Correspondence with U of CA","Empty folder","Correspondence with Vitry; loan agreement","Photos; correspondence with Wittamer de Camps; loan agreements","One photo","Two duplicate photos","Correspondence with University","Correspondence with SDSU","Correspondence with NGA","Correspondence with Musée","Correspondence with Met","Correspondence with DIA","Correspondence with Delaunay","Correspondence with Albertina","Correspondence with Gallery","1 poster; internal memos; label copy; 1 copy of brochure","Internal memos; donor lists; list of lenders; correspondence with invitees; 1 copy of invitation; correspondence re: and with Collectors' Circle","Budget information, IPR's","List of invitees; correspondence from invitees","Label copy; internal memos","1 copy of member mailing with brochure; donor lists; brochure copy","Notes","Internal memos; budget information; checklists","Internal memos; drawings (photocopies); checklists","Label copy; 1 copy of brochure; 1 copy of \"The Tidewater Guide\" (5/80)","23 photos; 1 duplicate photo; 1 copy of brochure","19 photos; internal memos; mailing lists; clippings; correspondence re: catalogue; label; correspondence with lending brochure copy; correspondence with public; drawing (photocopy); schedule; checklists; correspondence re: speaker; correspondence re: shirts","Photos; 5 duplicate photos; case design drawing","Brochure; 4/80 Bulletin; clippings; 1 copy of invitation; 5/80 Bulletin; 1 copy of mailing","Correspondence","1 piece of correspondence with Linda Connor (juror); 1 copy of catalog","28 photos [photos don't seem to be of Designers show]","Label copy; checklists; internal memos; drawings (photocopies); correspondence with publicity","Shipping information \u0026 receipts; label copy; internal memos; clippings; traveling checklists","SITE materials; label copy","Invitation; internal memos; invitation copy; checklists","1 poster; clipping","Photos; clippings; folder with photos; clippings; press releases","Internal memos; correspondence with publicity; correspondence with SITE; correspondence with hosts; correspondence with James Wines (co-founder of SITES, speaker); correspondence with BEST; list of invitees; budget information; schedules","Internal memos; schedules; correspondence with publicity; correspondence with BEST","Internal memos; invoices; correspondence with BEST; Purchase order; budget information, IPR's","Three photos; label copy; internal memos; correspondence with SITE; drawing (photocopy); schedules","Invitation; internal memos; correspondence with Milwaukee Art Center (circulator); invitation list; poster","Invoices; IPR's; budget information; correspondence with Milwaukee; internal memos","Internal memos; correspondence with Milwaukee; correspondence with Philip Morris; symposium program copy","24 photos; invitation; internal memos; Milwaukee materials; drawings (photocopies); checklists; correspondence with Milwaukee","10 photos; press release; 1 copy of catalogue; 1 poster; label copy; research; Milwaukee materials; 1 copy of 1/80 Bulletin; meeting minutes","Poster; label copy; catalog copy; clippings; research; 1 copy of Spring '77 AIV; 1 copy of 11/79 Bulletin","Invoices; internal memos; budget information; correspondence with MFA Houston (circulator); exhibition contract","Correspondence with MOMA; internal memos; correspondence with MFA Houston; copy of birth certificate (!)","4 new photos; internal memos; checklists; label copy; drawings (photocopies); schedules","Internal memos; correspondence with Bruce (Patrick Henry Bruce's son, who came to see show for 4 days, only venue he visited, lived in CA) \u0026 wife; correspondence with MFA Houston; invitation list","Shipping information and receipts; 1 copy of catalogue; correspondence re: catalogue requests; VFH grant application, internal memos","Photos; clippings; VFH materials; VFH grant application; correspondence with Mrs. John Dos Passos","Clippings; internal memos","Catalogue; label copy","Research; checklists; correspondence with Mary Ellen Stumpf (consultant); label copy","Correspondence with VFH; VFH materials; grant application; narrative; grant report; internal memos","IPR's; budget information","Correspondence with institutions lending images; internal memos; other museum catalogues; correspondence with Dos Passos; correspondence with Stumpf (consultant, VCU faculty member); correspondence with visitors","Annotated catalog; shipping information \u0026 receipts; checklists; correspondence with Dos Passos","10 photographs; research; list of invitees; clippings; internal memos; biographical information; correspondence with May Cossitt; subpoena for Pinkney for trial (!)","Correspondence with Ruder Finn (circulator); invitation copy; internal memos","IPR's; internal memos; invitation list","16 photos; internal memos; IPR's drawings (photocopies)","Invitation; internal memos; correspondence with AMEX; invitation copy; invitation list; 1 copy of brochure","\"Henri-Cartier-Bresson: Glimpses\"; clippings; research","Label copy; checklists","Invitation","Internal memos; catalog copy; research; label copy","Correspondence with Yale (organizer); correspondence with AFA (circulator); AFA materials (including checklist); research; 1 copy of brochure","Materials from other institutions","Correspondence with AFA; internal memos; exhibition contract; AFA materials","Internal memos; schedules; invitation copy; checklist","Drawing (photocopy); internal memos; correspondence with AFA; AFA checklist","Correspondence with Yale University Art Gallery","IPR's; PO's; invoices; [1 copy of poster inserted here]","Correspondence with AFA; internal memos; clipping","Invitation, postcard; 1 copy of other preview invitation; invitation lists; information sheet on one-day symposium","1 poster; correspondence with AFA (circulator); research; NEA application","Label copy; AFA checklists","Specs. For \"New Gallery Entrance\" (8/29/79) [remodeled a gallery \u0026 named it the Mottahedeh Gallery] by Hardwicke \u0026 Associates; IPR's; internal memos; label copy; invoices, P.O.'s; correspondence with Mottahedeh; budget information","Postcard, special events postcard, 8 photos; 4 new photos; NEA Grant narrative; internal memos; correspondence with AFA; correspondence with NY State Museum re: found Maria \u0026 Julian Martinez pottery; rubbing of their signature; label copy; invitation lists; IPR's; AFA checklist; budget information; exhibition contract; postcard proofs; drawing (photocopy); NEA Grant application","Two slides; invitations; internal memos; correspondence with Mint (organizer); installation drawings; checklist; correspondence re: opening","Clippings; catalog copy; Mint materials; invitation","Two duplicate photos; 3 new photos","Checklists; research","7 photos","Internal memos; checklists; correspondence with lenders; loan agreements","Invitation; internal memos; correspondence with lenders; loan agreements; correspondence re: opening; invitation list; invoices; installation drawing; exhibition contract","Invitation; correspondence; clippings; label proofs; correspondence with lenders; correspondence with media; correspondence with visitors; internal memos; loan agreements; checklists; research","6 photos; 7 duplicate photos","Internal memos; schedule; label copy; research","Internal memos; IPR's; budget information; invoices","One slide; 13 photos; 3 duplicate photos; correspondence with one lender","Checklist; label copy; internal memos; lecture copy; research; checklist copy","Invitation; research; internal memos; correspondence with lenders; loan agreements; correspondence with media","IPR's; invoices; internal memos","Checklists; research; list of lenders","Internal memos; checklist copy; label copy; research","Correspondence with lenders; correspondence with visitors; internal memos","Installation drawing; internal memos; checklists; label copy","Internal memos; budget information; invoices; shipping information","Invitation copy; internal memos; correspondence with lender; notes; 1 copy of invitation; 1 copy of Collectors' Circle program","IPR's; invoices; correspondence with printer; research; internal memos","Schedule; correspondence re: carpet","Label copy; checklists","Ibsen \u0026 Munch brochure, press release, poster; 4 slides; photographs; clippings; internal memos; 1 copy of checklist","Internal memos; correspondence correspondence with artists; incident report re: warehouse alarm","Internal memos; correspondence; research/notes on show idea [fascinating committee work/proposals on how to revise Virginia artists shows] [mainly Woodward, Burke, Farago]","Proposals; form letters; notes","Advanced purchase program proposal; form letters; notes; invitation","Notes (Pinkney Near); research","Catalog copy; photocopies of photos","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Mailing lists; correspondence","Internal memos; invitation list","Invitation, 5 photos, slides; correspondence with visitors; internal memos; checklists; correspondence; clippings; drawing (installation); correspondence with lender; invitation list; IPR's; budget information; notes; research","Clippings","Invoices; research; correspondence with lenders; 1 copy of catalogue","Correspondence with lenders; research","1 invoice; research","Research","10 photos; correspondence with lenders; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Slides; 1 reel to reel audiotape","Correspondence with HHK; internal memos; correspondence with other institutions","Invoices; IPR's; internal memos","Correspondence with Attorney General; exhibition contract; facilities report","Two photos (not in exhibit); museum mailings; clippings; label copy; internal memos","Mailing, 1 photo; 12 new photos; internal memos; proposals, HHK materials; mailing copy; schedules; notes","Photos; checklists; internal memos; catalog copy; label copy","Slides; label proofs","Correspondence with Portland Art Association of Portland Art Museum (organizer); internal memos; exhibition contract","Four photos; shipping info \u0026 receipts; internal memos; correspondence with other institutions [mainly Allentown Art Museum]; invoices; notes; IPR's; research","Internal memos; purchase orders; correspondence with other institutions; research","\"Why We Commemorate\" by Armenian National Committee, invitation; 1 transparency; one copy of brochure; schedules; label copy; internal memos; clippings; Portland Art Museum materials; invoices; IPR's; correspondence with Turkish ambassador; Allentown materials; notes; checklists; correspondence with Binney","Invitation list; 1 copy of invitation","10 slides; 'Scribbler' Twombly clipping, mailing card; 3 photos; label copy; checklists; clippings; DIA Art Foundation materials (organizer); invoices; catalog copy","Internal memos; correspondence with Newport Harbor Art Museum (organizer); correspondence with speaker; correspondence with visitors; drawings (installation); exhibition contract; correspondence re: rescheduling","Slides; 6 photos; 12 duplicate photos; duplicates: mailing card, 2 clippings","Slides","Checklists; label copy; catalog copy","Notes; internal memos; drawing (installation); checklists; correspondence with Delaware Art Museum (Collection home)","Label copy; catalog copy; research","Mailing brochure, catalog; slides; 3 transparencies; 19 photographs; 1 negative; 6 duplicate photos; internal memos; press release; label proofs; clippings; Delaware materials","One photo; research; notes","Invoices; IPR's; check requests; internal memos; correspondence with vendors","Internal memos; clippings; correspondence with Delaware Art Museum; correspondence with lender; correspondence with visitors; correspondence with other institutions","Clippings; bulletin; internal memos; correspondence re: publications; catalog copy; label proofs; mailing brochure copy","6 photos (duplicate in Folder 20); 1 internal memo","Notes; research","Notes; checklists; loan agreements","Checklists","Correspondence; notes","Correspondence with Office of Attorney General; exhibition contract drafts; internal memos","Exhibition contract; internal memos; correspondence with DIA","Exhibition contract; budget information; correspondence with Philbrook; internal memos; loose material \u0026 notes re: 18th century prints of antiquity/archaeology","Photos; correspondence; internal memos; budget information; notes; schedule","Internal memos; IPR's","Internal memos; IPR's; \"Publicity Outline\" report","Schedules","\"A Loan Exhibition on Display at the Virginia Museum\"; internal memos","1 piece of correspondence with Fine Arts Museums of San Francisco","Correspondence; budget information; internal memos","Internal memos; budget info [info re: Council Anniversary Fund]; notes","Symposium brochure, 2 transparencies; 2 new transparencies","Correspondence with lender (Frank Raysor); internal memos","Notes; research","Correspondence with lender (NGA); checklists","Correspondence with lender (MFA Boston); checklists","6 photos; label copy; checklists; brochure copy; loan agreements; correspondence with lender (Raysor); research","Correspondence with PAFA (organizer) [Pennsylvania Academy of Fine Arts]; clippings; internal memos; invitation; PAFA materials","24 slides; negatives; 4 photos; 4 transparencies; 1 duplicate transparency; clippings; 1 poster","Correspondence with PAFA; invoices; IPR's; internal memos; 2 envelopes of material: 1) 14 photos, 2 duplicate photos; 2) 5 photos","6 photos; 10 duplicate photos; exhibition proposal from PAFA; envelope of PAFA materials","Internal memos; notes; guest list for opening","Invitation; internal memos; guest lists; notes","Internal memos; mailings; correspondence with speakers; script copy; correspondence with PAFA; schedules","One annotated copy of catalog; checklists; notes","Catalog proofs; notes","Correspondence with visitors; correspondence with lenders; correspondence with PAFA; internal memos; exhibition contract","Invitation, catalog; correspondence with PAFA; invoices; internal memos; invitation copy; checklists; label copy","Schedule of payments; consultants; responsibilities","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Corn; c.v.; notes","Correspondence with Wood; c.v.; notes","Correspondence with Davis; obituary and correspondence with wife after his death in 3/81; c.v.; notes; brochure for his book \"Intellectual Life in the Colored South\"","Correspondence with Williams; c.v.; notes","Checklists","One internal memo","One piece of correspondence with Robert Zimmerman (Baltimore Museum of Art); 2 blank travel vouchers with Zimmerman's signature \u0026 55#","Budget information; 2 invoices from Cumberland Art Conservation Center (Nashville)","Correspondence with Atlantic Van Lines; notes","Budget information; clippings \u0026 press materials related to Greek Vases","One internal memo re: promotion budget","One piece of correspondence with prospective intern; one index card with name","Correspondence with one musician; notes; scores; one internal memo re: NEA grant (denied); \"Writing Realistic Grant Budgets\" from Museum News","Interim report for NEH Grant","Correspondence with NEH; copy of grant administrator guidelines","Correspondence with Tormey re: advertising project for Philip Morris","Two blank requests; 1 complete request","Photos; [note: not all included in final exhibition]","Correspondence with various companies re: slide set duplication; invoices","Correspondence with various institutions re: potential bookings","Correspondence with institutions who declined a potential booking; internal memos","Clippings; one internal memo re: TVA","Correspondence with Coggins (Southern painting collector); correspondence with Berry-Hill Galleries re: exhibition of Coffins' collection","Correspondence with Wolfe re: possible lecture","List of proposed programs; [collection of internal memos from David Griffith inserted here]","Correspondence with American Heritage Publishing re: catalog; proofs; one internal memos \u0026 1 piece of correspondence re: Philip Morris","Brochure copy; internal memos; copies of other children's brochures","One phone message","Loan agreement; correspondence with lender (MESDA); artist worksheet","Loan agreement; correspondence with lender (Charleston Museum is lender); artist worksheet","Loan agreement; correspondence with lender (MESDA); notes; artist worksheet","Loan agreement; correspondence with lender (Muscarelle); conservation report; memo re: treatment; artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","Research; conservation report; artist worksheet","Correspondence with Wintherthur; artist worksheet; conservation reports","Loan agreement; correspondence with Club (lender); conservation bill","Correspondence with lender (Maria Tabb); artist worksheet; receipt","Correspondence with lender (NPG); research","Loan agreement; correspondence with VHS; research","Three photos; loan agreement; correspondence with NYPL","Loan agreement; copy of accession card","One photo; loan agreement; research; correspondence with Andrew Christian; condition report; artist worksheet","Correspondence with lender; artist worksheet; research","Correspondence with lender (Colonial Williamsburg)","Correspondence with lender (Pennsylvania Academy of Fine Arts); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","1 duplicate slide; correspondence with lender (Mordecai Square Historical Society); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","One photo; correspondence with lender (St. John's Lutheran Church, Charleston); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","13 slides; correspondence with lender (Hunter Museum of Art); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Two photos; correspondence with Cheekwood re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with Tulane re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","7 photos; correspondence with Ulrich re: damage; loan agreements; condition reports","Four photos; correspondence with Valentine re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with VHS re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Four photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos, 1 slide, 1 duplicate transparency; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","11 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","10 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 slide; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Two photos; condition logs; shipping information \u0026 receipts; loan agreements; correspondence","Invoices from Atlantic Van Lines","List of lenders; correspondence; Request for Travel Authorization forms; shipping information \u0026 receipts","Invoices; correspondence; internal memos","Clippings; correspondence; internal memos; shipping information","Correspondence; checklists; shipping information","Exhibition agreement; request for travel authorizations; correspondence; shipping information; loose pages – budget information 1 copy of catalogue; checklists; forms; correspondence","Checklists; correspondence with Tabb, Brockenbrough \u0026 Ragland","Invoices; purchase orders","Invoices; checklists; budget information","Invoices; checklists; budget information","Internal memo; receipts","Internal memos; checklists; correspondence","Correspondence; budget information; internal memos; invoices; budget reports; checklists","Checklists; correspondence; invitations; internal memos; NEA Grant draft; correspondence re: opening; correspondence with Philip Morris","Internal memos; correspondence; request for travel authorization; invoices; itineraries","45 slides; correspondence with Richmond Conservation Studio (reports) – Cleo Mullins; notes; loose notes: checklists, correspondence; notes","Three of the exhibition agreements","Two photos; artist's work sheet","Correspondence with Briggs re: reproduction","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; 2 slides; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 duplicate photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Selected bibliography copy","SEMC's 2nd annual meeting materials; Charleston materials; correspondence; request for travel funds","Correspondence with other institutions; checklists","Agenda; list of registrants","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Correspondence re: ball and other programming; photocopies of pictures","Correspondence \u0026 research re: possible trips","Notes","Correspondence re: books to sell in shop; loose papers re: guest curators","Schedule of payment; responsibilities","Biographical information; research; correspondence","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Budget information","Exhibition contract; internal memos; correspondence with MOMA","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","16 photos; invitations; correspondence","Internal memos; correspondence; budget information; IPR's; invitation copy; checklists; calendars","Correspondence; internal memos; invitation list; invoices","Clippings; correspondence; internal memos; correspondence with Forbes","Internal memos; correspondence with Forbes; IPR's; budget information; Kip Forbes' biographical information","Internal memos; checks; correspondence re: tapes","Internal memos \u0026 correspondence re: Acoustiguide","Research; Acoustiguide script","One photo; invoices; IPR's; internal memos","IPR's; correspondence with Forbes; checklists","Notes; internal memos; correspondence with Forbes; copy of 1947 Pratt announcement","Two photos","Internal memos","IPR; note","Research; program proposals; press release","Blank travel reimbursement vouchers with SSN's; meeting notes","Correspondence with Forbes mainly (also Council, conservator)","6 photos; 2 duplicate photos; guest book for visitors; correspondence from visitors; 1 copy of TVA \"Gin Game\" program; internal memos; research; clippings; IPR's; invoices; correspondence with Forbes","Weekly reports; Acoustiguide; cost reports; attendance reports","Article copy; loose book dust jacket","Checklist copy; checklist proof; loose bulletins, plus 1 piece of correspondence","Label copy; research","Label copy; label proofs","Correspondence with Forbes; correspondence with Acoustiguide; label copy; research","One photo; correspondence with CINOA; internal memos; correspondence with visitors; label copy; checklists with insurance values; clippings, invitation copy; schedules; installation drawing; budget information; correspondence re: opening; research; invoices","Internal memos","Three photos; publications catalog","Catalog copy","Correspondence with CINOA; foreword copy; checklists; internal memos","Correspondence with CINOA; internal memos","Correspondence with CINOA; clippings; notes; internal memos","Correspondence with CINOA; exhibition contract; notes; photocopies of photos of exhibition at Metropolitan Museum of Art","24 duplicate photos; 10 new photos","Correspondence; internal memos; invoices; notes; checklists [correspondence only with Kimbell]","Correspondence with Hunts; Collectors Circle invitation; clippins; checklists; internal memos","One photo; \"Ancient Art Shows Shifting Images\"; clippings; Kimbell materials, 1 copy of poster; attendance figures","Outline; correspondence with speaker; itineraries; invoices; internal memos","Two photos; copy of a review; correspondence with Kimbell; internal memos; Mayo essay copy; correspondence with Mayo; essay; reviews","Invitation; invitation copy; mailing lists; internal memos","13 slides; condition reports; correspondence with Getty conservator; correspondence with Kimbell; internal memos; research","Attendance figures","Correspondence with Kimbell; internal memos; checklists","2 photos; 19 photos; 3 drawings; checklists; purchase orders; internal memos; panel copy; label copy; correspondence with other institutions; invoices","Five duplicate postcards; correspondence with SITES (organizer); SITES material","Symposium brochure; correspondence with other institutions; correspondence with SITES; internal memos","Correspondence with Calouste Gulbenkian Museum (lender); internal memos; correspondence with IEF (organizer); IEF materials; correspondence with Lewises","Drawings (photocopies); correspondence; internal memos; checklists; label copy","Grant application (NEA); clippings; internal memos; IEF materials (including press release \u0026 fact sheet)","Exhibition contract; correspondence with Gulbenkian \u0026 IEF; internal memos","Label copy; label proofs; checklists","Correspondence between Ernst and Brown regarding being collector of the year (he declined); correspondence from Anne, which includes copies of correspondence between Lothar Griesbach (\"who edited Kirchner's Diary of Davos\") and Ernst regarding paintings the Fischers acquired before collecting Expressionists","Correspondence in the late 1970s between Pinkney and Ernst regarding his collection, including photocopies of pictures of the house taken when PN went to Frankfurt in 1976; correspondence in the mid 1980s between Pinkney and Anne regarding the museum","Typeset copy of Fred Brandt's interview with Mrs. Fischer, 32 pages","Typeset and annotated copy of Fred Brandt's interview with Simon and Fischer, 18 pages","Internal memos and correspondence regarding exhibition, including Anne to Fred, Perrot, and others","Internal memos and correspondence regarding exhibition, including Anne to Fred; correspondence between Simon and you regarding loan forms, checklist accuracy, and one photocopy of a handwritten document detailing the ownership of the collection","Internal memos and correspondence regarding the exhibition catalog","List of 27 questions for Fred's interview with Mrs. Fischer, in various forms; includes some of Fred's notes","Invitation","1 photo","Catalog","9 photos","Budget information; invoices; notes; correspondence \u0026 contracts for M.H. de Young (San Francisco) and Kimbell; notes; correspondence and invoices for author's contract","Budget information; internal memos","Correspondence; invoices; contracts for MOMA design \u0026 labor","Notes; internal memos; check requests","Brochure; internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; contract copy; correspondence with institutions; checklists","Internal memos; notes; installation drawing (copy)","Internal memos; label copy","Internal memos; attendance figures","Correspondence re: insurance","Internal memos; correspondence with Colin Morris; contract","Invoices; check requests; correspondence with institutions; internal memos","Brochure, press packet; Kimbell materials; invoices","Internal memos; correspondence with press; author C.V.'s; correspondence with authors; catalogue copy","Budget information; NEA report; internal memos","Label proofs","Internal memos; budget information; invoices; check requests; reports; catalogue copy (including checklist)","Photographs; correspondence with Trust for Museum Exhibitions (organizer); catalog copy (including checklist); 1 annotated copy of catalog","Checklists; correspondence with Trust for Museum Exhibitions; drawing (copy)","Correspondence with Trust; internal memos; correspondence re: Federal Indemnity Act; J.B. Speed materials","Internal memos; budget information; schedule","Contract; correspondence with Trust","Press release; press packet; label proofs; label copy; old correspondence with Cheek re: possible exhibition of his early Theatre drawings in 1987; internal memos; TVA materials; notes","Label proofs; clipping","Checklists; internal memos; clippings","Correspondence from visitors; internal memo re: opening","Invitation; checklist","Correspondence with IEF (circulator); contract; internal memos","Correspondence with Chester Beatty Library (organizer); correspondence with IEF; internal memos","Research","Empty folder","Five photos; IEF materials; research; installation drawing (copy); checklists; budget information; correspondence with IEF","Three photos; educational packet; SITES materials (circulator) including checklists; actual labels; internal memos; installation drawing (copy); invoices; study guide; 1 copy of brochure; 1 copy of mailing","Contract; correspondence with SITES; correspondence with Attorney General","Loan agreements; correspondence with lenders","Smithsonian mailer; internal memos; notes; clippings; correspondence; budget information; correspondence with SITES","SITES materials","8 photos; internal memos; invoices; correspondence with Craft Museum; brochure, \"Philip Morris and the Arts'; press release; craft materials","Internal memos; checklists; Craft Museum materials","Correspondence with Craft Museum; contract; invoices; internal memos","Internal memos; checklists; notes","Internal memos; correspondence with Mount Holyoke College Art Museum (organizer)","Internal memos; correspondence with Mount Holyoke; internal memos; invoices; correspondence with Attorney General; 1 copy of brochure","Internal memos; correspondence with Mount Holyoke; Mount Holyoke materials","One photo; internal memos; incident report; hygrometer readings; correspondence with lenders; correspondence with Art Gallery of Ontario (organizer); hygrometer information; piece of fabric; press kit; clippings; correspondence with Glasgow Library","Internal memo re: attendance; check copy","Internal memos; notes; correspondence with Glasgow","Contracts; internal memos; correspondence with institutions; correspondence with Attorney General; invoices","Drawings (copies); checklists; Ontario materials","Internal memos; correspondence with Ontario","Ontario materials","Checklists; Ontario materials; correspondence with Glasgow; budget information","1 photo; 1 new photo; invoices; budget information; correspondence; internal memos; 1 copy of Sept/Oct '88 Bulletin; checklists; clippings; drawings","Budget information; invitation; internal memo; label copy","Contract; correspondence with Center for African Art (organizer); correspondence with Attorney General","Catalog copy; catalog proofs; correspondence with Center for African Art","Research; article","Research; article","Research (copy of catalog article)","Label coy; research; correspondence with Center for African Art","Press release; CFAA materials; checklists","Label copy","13 photos; 2 duplicate photos","Clipping; internal memos; contract drafts; invoices; Bulletin copy; exhibition contracts","Correspondence","Correspondence","Correspondence","Two photos; contract drafts; press releases; correspondence with Attorney General","9 slides; 8 photos; drawings; invoices; correspondence with IMA [Indiana Museum of Art] (organizer); exhibition contract; catalog copy; checklists; press releases; internal memos; research; correspondence with Attorney General; 1 catalog/brochure","Checklists; notes; internal memos; correspondence with IMA; IMA materials","Label copy","21 slides; 1 transparency; 29 photos; other institutions' materials; correspondence with Philbrook (organizer); internal memos; Philbrook materials; checklists; label copy; mailing lists; Philbrook press packets; press releases","Contract; correspondence with Philbrook; internal memos","Correspondence with Philbrook; internal memos; budget information","6 photos; duplicates: brochure, invitation; media kit; internal memos; High Museum materials; Studio Museum poster; American Museum Association 1987 catalog; drawings; research","Checklists; label copy","Notes; label copy; label proofs","Internal memos","6 photos; press release (Philbrook); checklists; correspondence with AMA","Internal memos; correspondence with other institutions","Exhibition contract; correspondence with AFA \u0026 AMA","1 clipping; budget information","Internal memos; contract; correspondence; checklists","Contract; correspondence with Denver Art Museum (organizer); correspondence with Attorney General","Postcard mailing; 3 photos; internal memos; exhibition contract; drawings; 1 copy of 1990 Un/Common Ground prospectus","Contract; correspondence with Southeastern Center for Contemporary Art; AVirginia brochure","Internal memos; checklists; correspondence with SCCA; label copy; clippings; SCCA materials","1 copy of catalog; internal memos; checklists [George Cruger show]","Correspondence with Names Project; internal memos; media materials","One photo; internal memos; correspondence with Menil Collection; press releases; label copy; drawings; invoices; exhibition contract; checklists","Correspondence with Menil; label copy; internal memos; drawings; checklists, research","2 photos; checklists; label copy; internal memos; correspondence with Virginia Dept. of Education; artwork permission forms","Internal memos; invoices; correspondence with Philadelphia Museum of Art (lender)","7 photos; internal memos; invoices; label copy; press releases; budget information correspondence with Carter Collections' curator; correspondence with speaker","Internal memos; correspondence with Carter Collection; security system specs and drawings","Correspondence with MOCA Chicago (lender); label copy; internal memos; research","Internal memos; correspondence with BEST; checklists","Correspondence with AFA; drawings; AFA materials checklists; invoices; clipping","Mailing lists","Clippings; correspondence; research","Correspondence; correspondence with AFA; AFA materials","Label copy","Correspondence with AFA; research re: African dance","Correspondence; checklists; invoice","Internal memos; correspondence with AFA; correspondence with videographer and contract","Internal memos; research; events listing","Internal memos; correspondence with AFA","Internal memos; contract; budget information; invoices; correspondence with AFA","Notes; internal memos","Checklists; correspondence with AFA","Checklists; label copy","Checklists; correspondence with AFA","Checklists","Checklists","Empty folder","Clippings","Clipping","Label copy","Brochure; correspondence; budget information; drawings; mailing list","Internal memos; correspondence with LACMA (organizer); brochure copy","Correspondence with LACMS; contract; correspondence with Attorney General; research; budget information; correspondence with David Foundation","Two photos; internal memos; press release; checklist; correspondence with LACMA; correspondence with David Foundation","MIT mailer; internal memos; clipping; budget information","Contract; correspondence with MIT list Visual Arts Center (organizer); correspondence with Attorney General; internal memos","MIT materials (including checklist); correspondence with MIT; internal memos","Correspondence with MIT; internal memos","Two photos; 4 slides; internal memos; budget information; notes; checklist; drawings","Internal memos; checklists; correspondence with Laguna Art Museum (organizer); Laguna materials (including press release, clippings)","Correspondence with Laguna; contract; internal memos; correspondence with Attorney General","Checklist; correspondence with AIA; internal memos; correspondence with architects","Correspondence with Baskervill \u0026 Son; internal memos; checklists; label copy","Internal memos; correspondence with St. Catherine's (lender); checklists","Internal memos; budget information; label copy; catalog copy; invitation copy; clippings; biographical information; checklists","Internal memos; checklists; label copy; correspondence with Council; 1 copy of catalog","Label copy; checklists; internal memos","Checklists; notes; catalog proofs","Internal memos; budget information","Internal memos; checklists; label proofs; drawings; invitations","Internal memos; schedules; clippings; prospectus; press release; checklist proofs; drawings","Internal memos; budget information; correspondence with lenders","Internal memos","Press release; internal memos; invoices; mailer; contract; budget information","Panel \u0026 label copy \u0026 proofs; drawings","Internal memos; invoices; checklists; correspondence with lenders; budget information; clippings","Internal memos; press release; DIA materials (organizer); budget information; drawings; contract","Internal memos; correspondence with DIA; invoices; correspondence with Attorney General; checklists","Internal memos; correspondence with DIA; checklists","Exhibition contract; correspondence with DIA","Three photos; duplicates: clipping; clippings; internal memos; checklist; exhibition contract; invoices; correspondence with LACMA (organizer); 1 copy of Councillor (Spring '90)","Budget information; correspondence with LACMA","Clippings; internal memos","Internal memos","Mailing list for gala","Correspondence with LACMA; checklist","Mailers; internal memos; correspondence with LACMA; correspondence with lenders; LACMA materials; internal memos","Checklists","Checklists","Internal memos; drawings; schedules; correspondence with LACMA","Panel and label proofs","Label copy","Invoices; internal memos; layouts; meeting reports","Correspondence with Albemarle Farms; internal memos; clippings; invoices; press release; correspondence with Kluges; correspondence with conservator; drawings","Internal memos; clippings; correspondence with Philbrook; shipping information; budget information; drawings","Internal memos; drawings","Internal memos; checklists; correspondence with Virginia Department of Education","Guest book; notes; press release; drawings; invitation; clippings; internal memos; hygrometer readings; contract; correspondence with National Trust for Exhibitions (organizer)","Correspondence with Trust for Museum Exhibitions; internal memos; mailing list","Internal memos; drawings; sales records; script copy; correspondence","Usage statistics; tour schedules; internal memos; correspondence","Invitation; correspondence with Trust for Museum Exhibitions; 1 copy of CMA brochure; Acoustiguide materials (contract, usage statistics, correspondence); budget information; notes; internal memos; hygrometer readings; clippings; tour statistics","Publications' materials (including schedules \u0026 drafts \u0026 copy); internal memos; 1 copy of honor roll card","Correspondence with Trust for Museum Exhibitions; correspondence with lenders; internal memo","Internal memos; correspondence with Trust; drawings; checklists","Contracts; correspondence with Trust; internal memos","Internal memos; correspondence with Trust; scripts; narrator biographical information; tour lists","27 slides; press release; drawings; invoices; label proofs; correspondence with Walter Art Center (organizer); Walker materials; internal memos; brochure","Internal memos; correspondence with Walker; Walker materials","Exhibition contract; internal memos; correspondence with Walker; checklists; invoices","Slides; internal memos; label copy; invitation copy; Art Services International materials; correspondence with Terra (another venue); correspondence with ASI; notes; budget information; correspondence with Maier; checklists; research; contract; 1 copy of invitation","Internal memos; budget information","2 photos; label copy; correspondence with Royal Collection; hygrometer readings; attendance figures; clippings; drawings; budget information; contract; correspondence","Internal memos; correspondence; correspondence with Embassy; 1 copy of invitation; correspondence with Kimbell (another venue); correspondence with Royal Collection","Invoices; internal memos; correspondence","Empty folder","Photographs; internal memos; invoices; correspondence with Royal Collection; hygrometer readings; checklists","Correspondence with Royal Collection; checklists; internal memos; label proofs","Xeroxes of photos","Correspondence with Royal Collection; label copy","Contracts; internal memos; correspondence with Kimbell; correspondence with Royal Collection","Invoices; internal memos; correspondence; correspondence with Royal Collection; checklists","Internal memos; label copy","Panel and label proofs; checklists; internal memos","Internal memos; George Eastman House materials (organizer); correspondence with GEH; invoices; exhibition contract","30 slides; 6 duplicate slides; invitations; exhibition contract; internal memos; correspondence with Dallas (organizer); checklists; Dallas materials","Internal memos; drawings","Drawings; internal memos; correspondence with Dallas; checklists; label copy","Internal memos; correspondence with Dallas; checklists; publications copy","Brochure; internal memos; press releases; invitations; clippings; publications copy","Internal memos; checklists; other institutions' materials","High Museum press kit; brochure; docent training packet; 5 ¼\" floppy with labels","Internal memos; label copy; correspondence with institutions","Panel \u0026 label proofs \u0026 copy","Internal memos; panel \u0026 label proofs; press release; correspondence with Virginia Department of Education; checklists","Internal memos; layout","One slide; duplicates: brochure, checklists, 2 summaries; St. Petersburg Museum of Fine Arts press kit; press release; internal memos; exhibition contract; correspondence with St. Petersburg; correspondence with Attorney General","Budget information; drawings; internal memos; correspondence with St. Petersburg; research; label proofs \u0026 copy","Correspondence with St. Petersburg; invitation; internal memos; correspondence with Belmont","Internal memos; brochure; invitation; St. Petersburg materials; research","Label \u0026 panel proofs \u0026 copy; correspondence; invoice","Internal memos; checklists; label \u0026 panel proofs \u0026 copy","Internal memos; correspondence with sponsor; label \u0026 panel proofs; other catalogs; research","One photo; catalog; NSAL materials; research, correspondence with NSAL; internal memos; checklists; loan agreements; 1 copy of \"The Luxury of Tears\" – winning stories from NSAL competition; publications copy","Panel, label \u0026 catalog proofs \u0026 copy","Four photos; invoices; internal memos; correspondence with Rijksdienst; loan agreement","Three photos; internal memos; correspondence with Rijksdienst; label proofs","Correspondence with UVirginia re: possible showing; drawing","Checklists; drawing; catalog copy","Internal memos; Bayly label proofs; drawings; correspondence with Bayly; checklists","Clippings; internal memos; notes; invoices; panel copy; checklists; research","Invitation; internal memos; invoices; budget information; contract; layouts; correspondence with other institutions; exhibition proposal","1989 catalogue; checklists; label proofs; drawings; correspondence with Council","Brochure; guidelines; internal memos; drawing; invitation","Checklist","Checklists; internal memos","Correspondence with Council; drawings","Checklists; internal memos; correspondence with Council","Six photos; internal memos; layouts; checklists; brochure","Brochure; 40 slides, photographs; internal memos; drawings; correspondence with Trust for Museum Exhibitions (circulator); checklists; Trust for Museum Exhibitions materials; Trust press kit; panel \u0026 label proofs; exhibition contract","Internal memos; correspondence with Trust; invoices","Invoices; internal memos; correspondence with Trust; clippings; checklists","Exhibition contract; invoices; internal memos","This series is comprised of information regarding general exhibition management. Information may include correspondence, exhibition schedules and programming, long term planning, potential partnerships with other organizations, exhibition committees, couriers, grant applications, protection of artwork, collectors, and reports. Files on potential exhibitions conceived by the museum but never presented are also included.","This series is comprised of information on gallery renovations, installations, reinstallations, fire suppression studies and hazard analyses, storage policies, and other related buildings and grounds files.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections","English \n.    "],"unitid_tesim":["RG-23","/repositories/2/resources/355"],"normalized_title_ssm":["Records of the Exhibitions Department (RG-23)"],"collection_title_tesim":["Records of the Exhibitions Department (RG-23)"],"collection_ssim":["Records of the Exhibitions Department (RG-23)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Virginia Museum of Fine Arts"],"creator_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts"],"creators_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["193.0 Linear Feet 265 boxes"],"extent_tesim":["193.0 Linear Feet 265 boxes"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. \u003c/p\u003e\n","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.\u003c/p\u003e\n","\u003cp\u003eSeries 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","Series 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 4 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series. The collection is minimally processed, so folder arrangement, titles, or dates are subject to change if additional processing occurs.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1936-2012, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eExhibitions Management, 1936-2015, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eCollections Management, 1977-2004, undated [RESTRICTED]\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eGalleries, 1977-2004, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 4 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series. The collection is minimally processed, so folder arrangement, titles, or dates are subject to change if additional processing occurs.","Series 1 Exhibition Files, 1936-2012, undated Series 2 Exhibitions Management, 1936-2015, undated Series 3 Collections Management, 1977-2004, undated [RESTRICTED] Series 4 Galleries, 1977-2004, undated"],"bibliography_html_tesm":["\u003cbibref\u003eMany of the museum's exhibitions have published catalogs, which can be found in the Library's catalog \u003ca href=\"http://www.pandora.vmfa.museum/\"\u003ePandora\u003c/a\u003e or in the Archives \u003ca href=\"https://archives.vmfa.museum/repositories/2/resources/57\"\u003eCatalog Collection (PB-01)\u003c/a\u003e. \u003c/bibref\u003e","\u003cbibref\u003eFor each exhibition held at the museum, the Archives has a vertical file which may include announcements, clippings, press releases, brochures, reviews, invitations, small exhibition catalogs, and other ephemeral material. \u003c/bibref\u003e","\u003cbibref\u003e Some early exhibition records are found in the Archives \u003ca href=\"https://archives.vmfa.museum/repositories/2/resources/44\"\u003eDirector's Correspondence (RG-01)\u003c/a\u003e and curators often created their own exhibition records which are found in the Archives \u003ca href=\"https://archives.vmfa.museum/repositories/2/resources/24\"\u003eCuratorial Collection (RG-03)\u003c/a\u003e.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library and Archives"],"bibliography_tesim":["Many of the museum's exhibitions have published catalogs, which can be found in the Library's catalog  Pandora  or in the Archives  Catalog Collection (PB-01) . ","For each exhibition held at the museum, the Archives has a vertical file which may include announcements, clippings, press releases, brochures, reviews, invitations, small exhibition catalogs, and other ephemeral material. "," Some early exhibition records are found in the Archives  Director's Correspondence (RG-01)  and curators often created their own exhibition records which are found in the Archives  Curatorial Collection (RG-03) ."],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Exhibitions Department through periodic deposits.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Exhibitions Department through periodic deposits."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Exhibitions Department (RG-23). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of the Exhibitions Department (RG-23). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally processed from June through August 2011, and then reprocessed in 2016. During processing, non-permanent materials such as copies of meeting minutes, routine correspondence, copies of invoices, departmental budgetary information, and declined exhibition proposals were destroyed according to VMFA's Records Retention and Disposition Schedule. Periodicals, books, and exhibition catalogs were transferred to the Library's collection. All files before 1980 were rehoused in new archivally sound folders. Original folder titles were generally retained, when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally processed from June through August 2011, and then reprocessed in 2016. During processing, non-permanent materials such as copies of meeting minutes, routine correspondence, copies of invoices, departmental budgetary information, and declined exhibition proposals were destroyed according to VMFA's Records Retention and Disposition Schedule. Periodicals, books, and exhibition catalogs were transferred to the Library's collection. All files before 1980 were rehoused in new archivally sound folders. Original folder titles were generally retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1936-2015, with the bulk of the material dating from 1979-2004. The collection is comprised of correspondence, exhibition schedules, budgets, grant applications, photographs, object lists, notes, collection statements, planning documents, project files, policies, loan arrangements and decisions, and other materials.\u003c/p\u003e","\u003cp\u003eThis series is comprised of information regarding exhibitions that were held at the VMFA. Files may include correspondence, schedules, contracts, photographs and slides, installation drawings and procedures, label and catalog text, budgets and invoices, insurance, venue information, and publicity.\u003c/p\u003e","\u003cp\u003eEntry card with tear-off for back of work; catalog; announcement\u003c/p\u003e","\u003cp\u003eCopies of checklists, shipping lists and prices (for sale); exhibition circulated by Art Institute of Chicago\u003c/p\u003e","\u003cp\u003eCatalog; packing list with values, 2 different ones\u003c/p\u003e","\u003cp\u003eProspectus of season, 1937-1937; large typed, spring bound copy of annotated text for inaugural exhibition catalog containing: catalog of paintings in the Museum, budget materials for exhibition, timeline of early Museum, all types of exhibition materials, gallery layout and drawings\u003c/p\u003e","\u003cp\u003eInvitation; copy of Strause Collection catalog; 1936-37 prospectus of program; 1958 letter between Muriel Christison \u0026amp; Oscar Lang of Minneapolis re: Strause exhibition\u003c/p\u003e","\u003cp\u003eEntry blank; prospectus/rules; catalog/ invitation/mailing label; submission tag; generic letter for Virginia photo clubs or possibly for shops to request submissions\u003c/p\u003e","\u003cp\u003eInvitation; catalog; inventories from the exhibition; catalog copy; copy of foreword (typed); letter from Margaret May Dashiell who loaned items; lots of correspondence from all over the country; lists of sponsors\u003c/p\u003e","\u003cp\u003eExtensive correspondence regarding memorial committee and its purchase of a memorial; his works; and fundraising efforts; Colt was treasurer. The Committee also paid off all of the debts for Walker's illness, donations coming from across the country. Thank you letters in alpha order, hundreds of them, plus originals from donators; a few have copies of bookplates attached; original loan requests and replies; original Christmas card with Walker print of a home in Connecticut (1931) and a memorial card that he created in 1936\u003c/p\u003e","\u003cp\u003eInvitation; catalog; list of paintings from Burch and Schulze with dimensions\u003c/p\u003e","\u003cp\u003eInvitation; list of pieces to be shipped from Shearwater Pottery, with coding to indicate glazes\u003c/p\u003e","\u003cp\u003eCopies of inventories, plus amendment, text; mainly correspondence regarding loans including shipping receipts\u003c/p\u003e","\u003cp\u003eCatalog, entry card, invitation, announcement; 1 copy of 5th catalogue (1936); Colt's notes\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; catalog copy; checklists (some with prices)\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates: announcement, patron card (sent with invitation); correspondence with artist; shipping information and receipts; budget information; catalog proofs; schedules; invitation list; 1 copy of catalogue; list of sales\u003c/p\u003e","\u003cp\u003eInvitation; copies of inventories with insurance values; single copy of catalog\u003c/p\u003e","\u003cp\u003eNewspaper clippings; genealogical charts; typed copy of article, \"Colonel William Byrd of Westover,\" by Lucy Parke Byrd\u003c/p\u003e","\u003cp\u003eLetters of solicitation (ex.: one to O'Keeffe); shipping/return correspondence; correspondence with jurors (including Hopper) including discussion of invited artists list; rough draft of jury selection rules; correspondence with galleries (mainly in New York City) for artists to enter competition\u003c/p\u003e","\u003cp\u003eInvitation; card of admission; information request postcard; thank you card; entry card (regular-red); entry card (invited-orange); receipt card; announcement; rejection notification; list of 125 paintings invited and accepted; prospectus; jury memorandum; list of invited artists divided by gallery; list of deliveries for return of paintings\u003c/p\u003e","\u003cp\u003eHundreds of rejection forms with return shipment affirmation signed below (includes artist name and title of work)\u003c/p\u003e","\u003cp\u003eInvitation; World's Fair circular of information; list of paintings to be included; World's Fair circular of information (8 pages); Adele Clark and Leslie Cheek on panel for southern states; reports to Colt on state committees\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eCatalog; letter from Anne Moncure to Colt explaining pictures; typed copy of \"History of Ambler Family\" by J.J. Ambler, 1826; list of portraits; typed copy of catalog text; 4 photographs of portraits - Katherine, William, and St. George Moncure, grandchildren of Colonel John Ambler; Mary Cary, wife of Edward Ambler; Colonel John Ambler; wife of Dr. Peterfield Trent and his two daughters\u003c/p\u003e","\u003cp\u003eOne copy of catalog; list of paintings; 1 letter\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors\u003c/p\u003e","\u003cp\u003eCorrespondence with Committee of Virginia Artist Commission; correspondence with artists submitting models; rejection letter; shipping correspondence; invoices; correspondence with U.S. Department of the Interior, NPS, Fredericksburg; correspondence with Virginia Conservation Commission; Correspondence with Douglas Southall Freeman, Editor of the Richmond News Leader; correspondence with National Sculpture Society, Commission for the Arts, and Senator John Warwick Rust; loan of a portrait of Stonewall Jackson from Adler in NYC; correspondence with Leslie Cheek, the Sons of Confederate Veterans; news release; planning and invitations for the preview; correspondence with the United Daughters of the Confederacy and with Joseph Pollia, the winner\u003c/p\u003e","\u003cp\u003eEntry card; invitation to meet the jurors; invitation to preview of models; announcement; map of site; news release; list of members of Sculptors Guild; Pollia's curriculum vitae\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation, catalog; text of catalog with drawings of mock-up and list of drawings\u003c/p\u003e","\u003cp\u003eAnnotated catalogs of early shows, correspondence with Mrs. Holden, shipping information\u003c/p\u003e","\u003cp\u003eCatalog, invitation; typed biography in first person, list of paintings, curriculum vitae\u003c/p\u003e","\u003cp\u003eCorrespondence with Pan American Union in D.C.; Comisión Nacional de Bellas Artes; shipping information; correspondence with Governor; Department of State; national press (Time, New York Times, Town \u0026amp; Country, Antiques Magazine, Washington Post, United Press); copies of speech materials for guests at preview; letter from Emilio Pettoruti\u003c/p\u003e","\u003cp\u003eAnnouncement; banner; one catalog; solo copies of invitations to preview and meet the Ambassadors at the Commonwealth Club\u003c/p\u003e","\u003cp\u003eInventories with sizes, values and damages noted; customs forms; shipping information; annotated catalog\u003c/p\u003e","\u003cp\u003eCorrespondence, speech copy\u003c/p\u003e","\u003cp\u003eCorrespondence with L.B. Houff at the American Federation of Arts; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence with Klapperach; Argentine government participation; New York World's Fair 1939; speech copy; foreword copy; shipping information\u003c/p\u003e","\u003cp\u003eShipping receipts, packing lists; lists of addresses of sponsors, lenders, press, museums, invitation lists\u003c/p\u003e","\u003cp\u003eCorrespondence with Marval, Commissioner General of Argentine government; participation; shipping information; planning information; customs and sales information\u003c/p\u003e","\u003cp\u003eInvitation list; art critics list; memos; schedule of radio program and typed text; Commonwealth Club menu; speech texts\u003c/p\u003e","\u003cp\u003eInventories of paintings that would go from New York to San Francisco to Riverside Museum; correspondence with Museum about shipping; shipping receipts\u003c/p\u003e","\u003cp\u003eFreight bills; shipping receipts, correspondence with Treasury Department; customs forms, inventories with values\u003c/p\u003e","\u003cp\u003eCorrespondence with Alexander Weddell and J. A. de Marval\u003c/p\u003e","\u003cp\u003eOriginal mounted drawing by Leslie Cheek, Jr. for exhibition panels\u003c/p\u003e","\u003cp\u003eComments of the jury; award speech; copy of thank you letters; requests for catalogs, purchase information; publicity information; invitation lists; inventories; correspondence with artists; correspondence with jurors\u003c/p\u003e","\u003cp\u003eRejection letter; prospectus; \"an invitation,\"; invitation; receipt card; entry card (invited-yellow); entry card (regular-red); acceptance card; news releases; prospectus; catalog copy; comments of the committee; memos\u003c/p\u003e","\u003cp\u003eBound, typed list by gallery; inventories; correspondence with galleries and artists\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Mrs. De Marclay\u003c/p\u003e","\u003cp\u003eCorrespondence; checklist; shipping information\u003c/p\u003e","\u003cp\u003eOne copy of catalog; gallery layout; mailer text; catalog listing; biographical text; artist's statement\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with Adele Williams; inventories; biographical information; catalog text\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with Willingham; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; correspondence with Binford and lenders; shipping information; inventories with values; shipping information; gallery correspondence; catalog text\u003c/p\u003e","\u003cp\u003eInvitation; catalog; inventories, text copy, values, text of radio announcements/interviews; loan correspondence; galley proofs of label copy by Edward Davis\u003c/p\u003e","\u003cp\u003eInventory lists including insurance values; list of items by lenders; hundreds of shipping receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with galleries, dealers, and collectors/lenders; catalog proof\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy, curriculum vitae; copy of Colt's introduction\u003c/p\u003e","\u003cp\u003eCatalog; invitation; catalog copy; biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with Chrysler, Fox (curator), publicity people. Walter P. Sr. died in August of 1940, shipping and insurance information; inventories with values; opening plans; list of news and magazine articles (extensive)\u003c/p\u003e","\u003cp\u003eCocktail invitation; preview invitation; supper invitation; annotated proofs\u003c/p\u003e","\u003cp\u003eInventories; values annotated with van assignments (from NYC to Richmond \u0026amp; Richmond to Philadelphia); shipping and storage receipts and contracts; letter from Parke-Bernet in 1945 asking for prints as they were selling part of collection\u003c/p\u003e","\u003cp\u003eCorrespondence with Fiske Kimball, Director of Philadelphia Museum of Art re: shipping, insurance, inventories, division of cost\u003c/p\u003e","\u003cp\u003eInventories; radio program transcript; party list; invitations list; hostess list; timelines, schedules, memos, Leger came!\u003c/p\u003e","\u003cp\u003ePlan \u0026amp; prospectus re: showing his collection in South America; correspondence with Fox and Chrysler. Executive Committee turned it down\u003c/p\u003e","\u003cp\u003eOne copy of invitation and one copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy and proof; inventory with values; correspondence with Concetta; shipping information; correspondence regarding publicity; correspondence re: broken statue and payment\u003c/p\u003e","\u003cp\u003eCatalog copy; one invitation; one copy of catalog; biographical data\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with jurors; letters to publicity; correspondence with galleries; shipping information; list of awards; clippings; rejection postcard; one entry card; one catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Federal Works Agency; with institutions before (with Lyman Allyn Museum, New London, CT) and after (with Institute of Modern Art, Boston) traveling exhibition; invitation list; correspondence with Richmond Housing Authority, decision later in favor of Housing Authority in Norfolk instead of Boston\u003c/p\u003e","\u003cp\u003eCorrespondence with Riverside Museum, lenders; 1 invitation\u003c/p\u003e","\u003cp\u003eCorrespondence with Cincinnati Museum of Art, lender; installation; instructors; shipping information; news releases; invitations to college all over the state for preview; inventories; one invitation\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; biographical information; correspondence with Hattorf\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with artist; catalog copy; 1 catalog\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with artist; biographical information; catalog copy; letters to publicity\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; biographical information; correspondence with artist and gallery\u003c/p\u003e","\u003cp\u003eList/receipts of items taken by Henry P. Strause from VMFA; annotated lists of items deposited at VMFA from H.P.S. for loan exhibition; numerous warehouse receipts\u003c/p\u003e","\u003cp\u003ePennsylvania Society catalog (1933); inventories by artist with values; correspondence; research\u003c/p\u003e","\u003cp\u003eInvitation; research correspondence to locate miniatures (potential lenders); catalog copy\u003c/p\u003e","\u003cp\u003eReceipts; inventories; index cards with owner's name \u0026amp; address (some with date stamp)\u003c/p\u003e","\u003cp\u003eAll receipts (large quantity), some with 2 copies, some with correspondence, some with shipping receipt from mail\u003c/p\u003e","\u003cp\u003eCatalog copy; invitation list; correspondence with state planning board, 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. Myers, widow of the artist and Landgren, dealer for Newman; clippings, inventories with values; correspondence with Whitney, where Myers exhibition originated; correspondence with potential lenders for Newman; shipping information; insurance information; catalog copy; Invitation; annotated catalogs; Whitney catalogs; Knoedler catalog; loan/shipping receipts; invitation list; inventories with values; correspondence with publicity; catalog copy; inventories by institution\u003c/p\u003e","\u003cp\u003eInvitation; proof of catalog; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with artists, both accepted and rejected; shipping information; correspondence regarding damage, (notation at bottom of letters in unusual style, coding maybe)\u003c/p\u003e","\u003cp\u003eBound pages from gallery trip to NYC and consequent invited artists list; correspondence with galleries; letters to invited artists; shipping information \u0026amp; receipts; correspondence with jury, (Charles Burchfield declined but raved about it; George Grosz declined with a beautiful signature.)\u003c/p\u003e","\u003cp\u003eAll regret letters, signed by artist/agent/owner, and returned to VMFA (hundreds of them); some with handwritten notes, (H.P. Sargeant very upset.)\u003c/p\u003e","\u003cp\u003eInvitation; entry card (invited-yellow); entry card (regular-white); \"Good and Bad News Night\" (yellow trifold); prospectus; acceptance card; rejection card; memo for the evening; news release (3/3/42); annotated catalog with prices; correspondence with hosts; speech copy; news releases; list of artists by state; inventories; jury comments; values on inventories\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; biographical information; catalog copy; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; catalog copy; correspondence at sales; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eInvitation; first exhibition to include correspondence from Mrs. Pollard; inventories, correspondence; invitations; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence with Museum of Modern Art that was circulating exhibition; shipping information; contract; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eCorrespondence; invitation; Lenox catalog; a few Mint Museum catalogs; correspondence with artist; inventories; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence; guest lists; inventories with values; Commonwealth Club menu; catalog copy; shipping information; black and white photo of \"Boys\"\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; letters from Theresa Pollak; inventories with prices; shipping information; biographical information; reimbursement request; copy of bulletin\u003c/p\u003e","\u003cp\u003eCatalog; inventories with artist biographies (ie: partially or congenitally blind, age); correspondence with originator (Lowenstein); traveling loan contract; critics' statements\u003c/p\u003e","\u003cp\u003eSan Francisco Art Association bulletins; correspondence with artist; inventories; invitation; catalog; shipping information; catalog copy; various Artists' Guild of Washington materials (he was President)\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; inventories with values and receipts\u003c/p\u003e","\u003cp\u003eInvitation; clipping on his death; correspondence\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; catalog proof; various other catalogs \u0026amp; announcements; correspondence with vendors; shipping information\u003c/p\u003e","\u003cp\u003eClipping; correspondence with lenders; shipping information\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; inventories with values; biographical information; catalog copy; 1 copy of catalog and invitation.\u003c/p\u003e","\u003cp\u003eRadio broadcast transcript; catalogs of other show; clippings (both from Cincinnati Museum); MFA Boston materials; catalog copy; invitation lists; correspondence; MFA Boston catalog; VMFA catalog and proof; shipping information from Boston; inventories\u003c/p\u003e","\u003cp\u003eCorrespondence; shipping information; annotated catalog; radio transcript; insurance information\u003c/p\u003e","\u003cp\u003eAnnouncement (trifold); 1 catalog; correspondence; catalog proof; inventories with prices; catalog copy; jury correspondence; correspondence with publicity; shipping information; 1 invitation\u003c/p\u003e","\u003cp\u003eInvitation; catalog proof; 1 letter\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; correspondence with artist; inventory with prices; 1 catalog\u003c/p\u003e","\u003cp\u003eCatalog; invitation; correspondence; research; shipping information; catalog proof; catalog copy\u003c/p\u003e","\u003cp\u003eArticle; correspondence with American Federation of Arts; inventory with values; other catalogs; loan agreement; shipping information; research; installation drawing; clipping; transcript of lecture on Chinese painting\u003c/p\u003e","\u003cp\u003eAnnouncement; photographs of winners; correspondence; ArtNews issue (October 1-4) 1943; inventories with prices\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; clipping; correspondence; research; RISD \"Museum Notes,\" 1943; shipping information\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; correspondence; inventory with price list\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with other museums; itinerary copy; research; catalog copy; inventories with prices; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence (mainly with Metropolitan Museum of Art)\u003c/p\u003e","\u003cp\u003eCorrespondence (mainly with Metropolitan Museum of Art)\u003c/p\u003e","\u003cp\u003eInventories; correspondence; shipping information\u003c/p\u003e","\u003cp\u003eInvitation; news release; correspondence; correspondence with publicity and with lender (UVirginia)\u003c/p\u003e","\u003cp\u003eInvitation; catalog proof; other catalogs; correspondence; correspondence with lecturer; correspondence at preview; correspondence with publicity; loan correspondence \u0026amp; requests; shipping information; research on pieces; catalog copy; inventories; catalog; loan forms; annotated catalog; shipping receipts\u003c/p\u003e","\u003cp\u003eCatalog; invitation; invitation list; correspondence; catalog copy; inventories with values; shipping information; insurance information\u003c/p\u003e","\u003cp\u003eCatalog correspondence; clippings; catalog copy; speech copy; inventories with publication date; correspondence with lenders and publicity; shipping receipts later too (1956)\u003c/p\u003e","\u003cp\u003eProspectus; annotated catalog; catalog copy; shipping list; inventories with prices\u003c/p\u003e","\u003cp\u003eCatalog; news releases; fact checking cards; bound copy of lists by dealer; clippings, voting information; invitation; catalog proof; timeline; prospectus copy; correspondence; artists' c.v.'s; dealer catalogues and correspondence; inventories with values; transcripts of publicity; speech notes; catalog copy; lists of accepted and invited artists (Virginia separate); shipping information and receipts; correspondence with publicity; correspondence with jury; prospectus\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; biographical information; catalog copy; inventories with prices\u003c/p\u003e","\u003cp\u003eCatalog; announcement\u003c/p\u003e","\u003cp\u003eAnnouncement; catalog; invitation; catalog copy; lecturer c.v.; lists of institutions; list of works by institution; label copy; annotated catalog; inventories with prices; correspondence with institutions; correspondence with jury; shipping information\u003c/p\u003e","\u003cp\u003eAnnotated catalog; correspondence with artist; inventory; research; gallery layout diagram; price list; 1 catalog\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Netherlands Information Bureau; other catalogs; checklists; shipping information \u0026amp; receipts (from before \u0026amp; after museums; correspondence with ambassador who spoke; lecture text; 1 copy of handwritten invitation to dinner with Governor Darden\u003c/p\u003e","\u003cp\u003eCatalog; 1 invitation; correspondence with artist; inventories; catalog copy; price information\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; correspondence; copies of \"Information Bulletin: Embassy of the Union of Soviet Socialist Republics\"; loan requests (including A La Vieille Russie); traveling exhibition contracts; shipping information and receipts (with before and after museums); inventories; other catalogs; price information; loan forms; annotated catalogs; original copy of \"The Schaffer Collection of Authentic Imperial Russian Art Treasures\"; correspondence with Ray Schaffer and others at ALVR regarding exhibition arrangements (no mention of Pratt) and damage to Faberge topaz vase\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with National Gallery (lender); insurance values and contracts; shipping information and receipts; gallery layout; catalog copy; research; loan requests\u003c/p\u003e","\u003cp\u003eCorrespondence from Davis, the VMFA Curator, with lenders to the exhibition with last names beginning with A-H; proof of article by Davis in Commonwealth Magazine; copy of text of article\u003c/p\u003e","\u003cp\u003eCorrespondence from Curator Davis and sometimes the Director with lenders to the exhibition with last names beginning with I-Z; copy of information releases re: survey\u003c/p\u003e","\u003cp\u003eCorrespondence with National Gallery Director (they had an exhibition at the same time); correspondence with Weddell (exhibition did not take place); copies of letters sent to the executive committee to explain decision\u003c/p\u003e","\u003cp\u003eCopies of plan; correspondence with Weddell re: all the research that went into the aborted exhibition; correspondence with Mexican museums; Mrs. Whitman's reports on artists and museums' holdings\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders \u0026amp; galleries; inventories with prices; shipping information and receipts (loans before and after)\u003c/p\u003e","\u003cp\u003eCopies of labels on prints from National Gallery; inventory and instructions; shipping information (both before and after)\u003c/p\u003e","\u003cp\u003eCivilian Open Air Art Sale announcement; copy of \"War Art: A Catalogue of Paintings Done on the War Fronts by American Artists for Life,\" including Barse Miller and Paul Sample; catalog copy; inventories; copy of \"Traveling Exhibitions,\" catalog by the AFA's National Exhibition Service; correspondence; 5 photographs of items in exhibit; copy of catalog, \"Art Exhibition by Men of the Armed Forces\"; shipping information and receipts; exhibition agreement; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCopies of shipment return forms for paintings not chosen for 4th Biennial of Contemporary Art, many with comments, signed by artist/agent; inventory of paintings in the show\u003c/p\u003e","\u003cp\u003e3rd Biennial prospectus (printed); 4th Biennial prospectus (typed); announcement of College Art in Virginia; prospectus copy (4th Biennial, Virginia Artists and Library bookplate); copy of Corcoran's prospectus (annotated); old 3rd Biennial prospectus (annotated); letter from Thomas Colt\u003c/p\u003e","\u003cp\u003eShipping information and receipts to lenders; correspondence with Worcester Art Museum and other museums; insurance values; correspondence with lenders attached\u003c/p\u003e","\u003cp\u003ePress release copy; inventories by institution; correspondence with lenders; insurance values; shipping information and receipts; loan requests; book purchase requests\u003c/p\u003e","\u003cp\u003eInvitation, catalog; catalog copy; correspondence; more shipping information and receipts; correspondence re: damages; annotated catalog\u003c/p\u003e","\u003cp\u003eLoan forms and receipts\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with artists; catalog copy; inventories; annotated catalog; prices; shipping information and receipts; sales information\u003c/p\u003e","\u003cp\u003eCorrespondence with rug dealer; research; catalog copy; shipping information and receipts; annotated catalog; gallery layout; copies of things donor (H. Michaelyan) wrote; inventories with prices\u003c/p\u003e","\u003cp\u003eAnnouncement/prospectus; typed press release; correspondence with artists; correspondence with jurors; invitation lists; correspondence to get more armed services men; list of entrants; catalog copy; one copy of entry card; one copy of catalog\u003c/p\u003e","\u003cp\u003eCatalog; catalog copy; gallery layout; inventories; catalog proof; correspondence with jury\u003c/p\u003e","\u003cp\u003eInvitation; exhibition contract; correspondence; gallery layout; invitation list; another list for even with Spanish speaking Luncheon Club; list of architects; press release copy; installation list from MOMA\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with possible lenders; lists of possible loans; ended up taking British-American Goodwill Exhibition; shipping information and receipts; inventories; budget figures\u003c/p\u003e","\u003cp\u003eCatalog; one invitation; correspondence with author; list of invitations; 1 photograph of \"Red Still Life\"\u003c/p\u003e","\u003cp\u003eCorrespondence between curator and potential lenders; correspondence with institutions and churches\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; correspondence re: damages; catalog copy; one catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; correspondence re: damages (including 2 photographs)\u003c/p\u003e","\u003cp\u003eCorrespondence re: genre painting; exhibition; some from lenders, some not; some including photographs\u003c/p\u003e","\u003cp\u003eInvitation list; correspondence with invitees to the 19th century genre preview; folder of handwritten notes re: genre; handwritten research; typed research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (DIA); inventories with values; shipping information and receipts; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence with possible lenders (including 1 photograph from lender); research\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; correspondence with artist (Colt is back!); inventories; sales information\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eStenographers pad with notes from NY Gallery/dealers' visits; preliminary lists; final lists; correspondence with galleries; correspondence with invited artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eContracts with Budworth on shipping; correspondence with jurors; correspondence with Budworth; inventories with values and locations\u003c/p\u003e","\u003cp\u003eEntry card: yellow (invited), regular (orange), good and bad news night (yellow-trifold), inclusion card; typed summary information; typed list of artists; teacher invitation (yellow); annotated catalog with prices; inventories by state; full catalog copy; list of Virginia artists; form letter to art teachers\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers; clippings; other catalogs; correspondence with jury; award list; award letters to dealers and press\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; list of recipients of entry cards and prospectus for distribution (art organizations, museums, dealers, etc.) and letters to them; letters to press; entry card copy; thank yous for sending out cards (n.b.: all lists of artists sent to/from dealers, museums, etc., were removed)\u003c/p\u003e","\u003cp\u003eLetters confirming receipt of paintings returned, both those selected and those not; many with comments, less shipping complaints!\u003c/p\u003e","\u003cp\u003eHundreds of requests for entry cards\u003c/p\u003e","\u003cp\u003eHundreds more requests for entry cards\u003c/p\u003e","\u003cp\u003eInvitation; catalog; invitation copy; catalog copy\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; invitation copy; correspondence with Virginia World War 2 History Commission; inventory with prices; invitation list; catalog copy; letters to press; annotated catalog; correspondence with lenders\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with lender, Philadelphia Museum of Art; inventory; copy of the Richmond Times-Dispatch article; correspondence with potential lenders; copy of the Philadelphia Museum bulletin and Atwater Kent Museum bulletin\u003c/p\u003e","\u003cp\u003eCatalog; invitation; correspondence with artist; correspondence with lenders; shipping information and receipts; inventories with values; invitation list; catalog copy, correspondence with wife Rosalie re: her photographs\u003c/p\u003e","\u003cp\u003eShipping receipts; catalog copy, correspondence with lenders; list of invitees; invitation\u003c/p\u003e","\u003cp\u003eRecent Additions to the Upjohn Collection, catalog of collection; correspondence with dealer (Midtown Galleries); shipping information and receipts (both before and after); invitation\u003c/p\u003e","\u003cp\u003eCatalog; invitation; catalog copy; catalog proof; correspondence with potential lenders; text of broadcast calling for paintings; shipping information and receipts; research (Davis)\u003c/p\u003e","\u003cp\u003eInventories with values; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; shipping information and receipts; inventories\u003c/p\u003e","\u003cp\u003eResearch; correspondence with furniture manufacturers; invitation copy; inventories; correspondence with Metropolitan Museum of Art and MOMA (main lenders); correspondence with Leslie Cheek, Jr. at Architectural Forum!; shipping information and receipts; catalog copy; letters to press (photograph of chair from Dubar, but not included in exhibition)\u003c/p\u003e","\u003cp\u003e\"Notice to Virginia Artists\"; requests for entry blank; correspondence re: late entries; returned fees, etc.\u003c/p\u003e","\u003cp\u003eAcknowledgement letters; press release; SSAL Bulletin (Summer 1947) (more of these later); inventories by state (jury picks); correspondence with artists, jurors and SSAL; breakdown of entry cards by place; lists of artists eligible for submission; entry cards of pieces bought or withdrawn; biographical notes on winners\u003c/p\u003e","\u003cp\u003e24th Annual Convention program; catalog Virginia Art 1947; Southern Art 1947; invitation; entry card; SSAL membership blank; received card; rejection card; convention program copy; Southern art catalog copy; Virginia art catalog copy; catalog of 26th SSAL exhibition at the High; correspondence with SSAL; correspondence with jurors; list of works accepted (Virginia artists); old convention program; more SSAL bulletins; correspondence with artists re: 8 paintings that were vandalized; correspondence re: prizes; correspondence re: sales\u003c/p\u003e","\u003cp\u003eInvitation; catalog proof; announcement from Camera Club; correspondence with artists; invitation copy; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; loan agreements; memo to staff re: handling of paintings; shipping information and receipts; inventories with insurance value\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders by lender; inventories\u003c/p\u003e","\u003cp\u003eCatalog; museum attendance card (9/3/47); correspondence with press; research; correspondence with lenders; shipping information and receipts; Budworth contracts; catalog copy; press releases; inventories; clippings\u003c/p\u003e","\u003cp\u003eInvitation, American Commission brochure; shipping information and receipts; correspondence with lenders, AFA; loan forms; catalog copy; inventories with values\u003c/p\u003e","\u003cp\u003eShipping information and receipts; catalog of exhibition; inventories; catalog copy; research; correspondence with AFA and AFRIM; label copy\u003c/p\u003e","\u003cp\u003eInvitation; invitation copy\u003c/p\u003e","\u003cp\u003eCorrespondence re: shipping and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Louvre and other institutions re: original Louvre collection not being available; 5 museums trying to do alternate French exhibition from dealers/galleries and some from Louvre; unknown outcome; ArtNews was involved too; trying to use a story in lieu of a catalog\u003c/p\u003e","\u003cp\u003eCatalog; correspondence; clippings; sale information; text of lecture\u003c/p\u003e","\u003cp\u003eInvitation copy; catalog copy; correspondence with artists; inventories; invitation to lecture; 1 catalog; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; copy of Time (1/26/48), article on pages 47-48\u003c/p\u003e","\u003cp\u003eMiscellaneous exhibition-related correspondence re: one mis-shipment to VMFA, most re: exhibition offers and programming\u003c/p\u003e","\u003cp\u003eIndex cards with lenders and item; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders (denials)\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with press; correspondence with Mrs. Catesby; invitation copy; correspondence with Lurçat; typed article on Jones; preview invitation lists and replies; catalog requests; radio press release copy; typescript copy of \"A Letter to A Friend on Modern Art,\" by T. Catesby Jones; typescript copies of all of his writings, incorporated into catalog; catalog copy\u003c/p\u003e","\u003cp\u003eProspectus; shipping information and receipts; correspondence with press; checklist with insurance values; loan requests for paintings in exhibition; list of artists to whom they sent biographical questionnaires\u003c/p\u003e","\u003cp\u003eProspectus; correspondence with medal winners; correspondence re: sales; list of artists by state; submission statistics by state; statistics tally sheets (one per state); correspondence with press\u003c/p\u003e","\u003cp\u003eCopy of La Revue Moderne magazine (July 1947) from artist Wilma Prezzi who was featured in magazine but declined to submit; correspondence with artists, answering questions; comments from artists re: submission vs. invitation, etc.; shipping information and receipts; correspondence with galleries; requests for entry cards; correspondence re: Pepsi Cola Southern Regional Competition in Richmond (artists could specify that if work was not accepted, it could go to Pepsi exhibition)\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence with dealers; valuation information; shipping information and receipts; lists of invited artists (by name, by agent/organization, some with annotated values)\u003c/p\u003e","\u003cp\u003e\"Arrangements for the Jury\"; shipping information and receipts; correspondence re: jurors; correspondence with jury\u003c/p\u003e","\u003cp\u003eInvitation; rejection card; entry card (pink); entry card – invited \u0026amp; acceptance card (yellow); annotated invitation (5th Biennial); prospectus copy; annotated entry cards and prospectus (5th Biennial); invitation copy; catalog copy\u003c/p\u003e","\u003cp\u003eRejection letter; prospectus\u003c/p\u003e","\u003cp\u003eSigned rejection letter; receipts, some with comments - catalog request, why receipts request, or badly packed\u003c/p\u003e","\u003cp\u003eRequests for entry cards (mainly from artists), a few with replies\u003c/p\u003e","\u003cp\u003eRequests for entry cards (mainly from artists), a few with replies\u003c/p\u003e","\u003cp\u003e2 photographs (lamp and manuscript); list of objects lent by The Jewish Museum in NY; correspondence with The Jewish Museum; lists with values; clipping; catalog copy\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with potential lenders and potential advisors; invitation letter; correspondence with The Jewish Museum; shipping information and receipts; clippings [no catalog made]\u003c/p\u003e","\u003cp\u003e\"The Common Glory\" Poster Project; correspondence with Virginia Conservation Commission; exhibition information (typed); entry lists by high school; tea information; shipping information and receipts [all from Mrs. Muriel Christison]\u003c/p\u003e","\u003cp\u003eOriginal pencil drawing plus blueprint copy of drawing by Leslie Cheek, Jr., for outside signpost for exhibition\u003c/p\u003e","\u003cp\u003eCatalog; shipping information and receipts (loan from Philadelphia Museum of Art); correspondence with Philadelphia; list of Richmond artists to be added to exhibition; label copy for Richmond artists; correspondence with selected artists in exhibition; checklists from Philadelphia\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; research correspondence; lists of photographs with values\u003c/p\u003e","\u003cp\u003eOriginal drawings and one blueprint copy of exhibition signage, exhibition labels, and gallery layout\u003c/p\u003e","\u003cp\u003eChecklist (one portion circulated by MOMA); shipping information and receipts; correspondence with MOMA; membership lists cf: Virginia Chapter of AIA, Home Builders Association of Richmond, Richmond Real Estate Exchange; exhibition contract; 1 invitation; preview invitation letter; correspondence with Architectural Forum (they circulated the other portion); correspondence re: film rentals\u003c/p\u003e","\u003cp\u003eCorrespondence with dealer (Knoedler); shipping information \u0026amp; receipts\u003c/p\u003e","\u003cp\u003eInvitation; correspondence; checklist with values; shipping information and receipts; exhibition construction notes; correspondence with dealers; press release copy (typed); correspondence with artists; invitation list; correspondence with lenders\u003c/p\u003e","\u003cp\u003eOriginal blueprint copy of signage\u003c/p\u003e","\u003cp\u003eCatalog; shipping information and receipts; checklists; correspondence with Colonel Anderson; correspondence with lenders; correspondence with artist\u003c/p\u003e","\u003cp\u003eDraft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA)\u003c/p\u003e","\u003cp\u003eDraft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA); catalogs; photographs; clippings\u003c/p\u003e","\u003cp\u003eShipping information and receipts; checklist; correspondence with artist\u003c/p\u003e","\u003cp\u003eLecture invitation; correspondence with lecturers; information regarding exhibit from American Craftsmen Educational Council; correspondence re: sales; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with the Coin Club re: exhibition; later declined due to Colt's resignation\u003c/p\u003e","\u003cp\u003eCorrespondence with American Craftsmen Educational Council (lender); correspondence with lecturers; shipping information and receipts; exhibition information; ACEI brochure; clipping\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with vendors; checklist with values; invitation copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e4 original drawings of lectern, information panels/stands; gallery layout, etc.\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with Canadian Embassy; correspondence with National Gallery of Canada (co-sponsor); shipping information and receipts; lecture copy; correspondence with lecturer; research; catalog copy; exhibition plan/schedule (to do); 1 copy of invitation; gallery layout\u003c/p\u003e","\u003cp\u003eCorrespondence with National Gallery of Canada; correspondence with press; correspondence with state forester (lent pine trees); research; clipping; photograph and biography of curator\u003c/p\u003e","\u003cp\u003eOriginal drawing of exhibition sign\u003c/p\u003e","\u003cp\u003eCorrespondence with Virginia State Board of Education; correspondence with Southeastern Arts Association; shipping information and receipts; correspondence with education institutions (Mrs. Christison)\u003c/p\u003e","\u003cp\u003eForm letter to Antiquarian Society members; preview invitation list; Antiquarian Society history (co-sponsor)\u003c/p\u003e","\u003cp\u003eOriginal drawing of Museum information panel and traveling show panel\u003c/p\u003e","\u003cp\u003eInvitation copy; correspondence with MOMA re: traveling exhibition; shipping information and receipts; billing information\u003c/p\u003e","\u003cp\u003e1 drawing of Calder signs\u003c/p\u003e","\u003cp\u003ePreview invitation, correspondence with artist; correspondence with lenders; invitation copy; correspondence with Philip Godwin and Mrs. T. Catesby Jones; research; correspondence with Archipenko; clippings (response to Richmond Times-Dispatch article mocking exhibition); Calder's handwritten invitation list [no catalog made]\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders (galleries, dealers, museums, etc.); checklists; shipping information and receipts; correspondence with artists; checklists with values; press release copy\u003c/p\u003e","\u003cp\u003eChecklists; exhibition information (typed); receipts\u003c/p\u003e","\u003cp\u003ePhotograph of books and Hurds; children's books catalog (retail); correspondence with publishers; research; clipping; correspondence with lenders; label copy; shipping information and receipts; checklists by publisher, by lender, by artist\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; checklist with values; correspondence with artist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; correspondence with publicity; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; correspondence with publicity; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003eOutline of children's programs from summer workshops; research on group behavior; clipping; Richmond Film Society Program; photograph of Times Square in New York; Department of Education Annual Report copy; lots of random exhibition information copies; clippings; correspondence with educational services\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts; exhibition information (typed); correspondence with artists\u003c/p\u003e","\u003cp\u003e1 drawing, layout for panel\u003c/p\u003e","\u003cp\u003e1 layout and 1 piece of correspondence\u003c/p\u003e","\u003cp\u003e1 drawing – summer sign, 1949\u003c/p\u003e","\u003cp\u003eExhibition offerings from galleries, institutions, etc.; AFA brochures\u003c/p\u003e","\u003cp\u003eExhibition schedule; invitation lists; correspondence; clippings\u003c/p\u003e","\u003cp\u003e1949-1950 season schedule; schedules; correspondence re: possible exhibitions\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; dinner invitation list and preparation; shipping information and receipts; budget/billing information; checklist with values; research\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalog; cut-out reply from VMFA Bulletin\u003c/p\u003e","\u003cp\u003ePostcard announcement; correspondence re: catalog requests\u003c/p\u003e","\u003cp\u003eCorrespondence organized by lender with lenders; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence re: insurance; checklists by subject/person; research; shipping information and receipts; correspondence with lenders; checklists with values\u003c/p\u003e","\u003cp\u003eCorrespondence and paintings list, just as title says\u003c/p\u003e","\u003cp\u003eCorrespondence re: permission to reproduce images for catalog [originally not intended to publish catalog; did so after exhibition]\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence re: cost of prints ordered and made for show\u003c/p\u003e","\u003cp\u003eAnnouncement; Baltimore catalog; preview invitation; 3 photographs; copies of her other catalogs (Mrs. James Ward Thorne); correspondence with Women's League Club; correspondence with lender (circulating museum AIC); budget information; checklists; shipping information and receipts; exhibition contract; correspondence with publicity; copies of various magazines (Virginia Bulletin, Virginia Women's Magazine); correspondence with PTA's\u003c/p\u003e","\u003cp\u003eBlueprints: room installation (3 copies) and original drawing; drawing of signs; drawing of entrance details\u003c/p\u003e","\u003cp\u003eChecklist; 8 photographs; correspondence with publicity; budget information; admission price policy; lecture and tour schedule; correspondence re: catalog including billing information\u003c/p\u003e","\u003cp\u003eChecklist\u003c/p\u003e","\u003cp\u003eCorrespondence with Library of Congress re: loan of lithograph; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Block, including copies of publicity; checklists with values; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Block and others\u003c/p\u003e","\u003cp\u003e3 drawings of exhibition signage\u003c/p\u003e","\u003cp\u003eDrawing and blueprint copy of information kiosk; 1 photograph; 3 other layouts of the exhibition, including 2 didactic panel layouts by Cheek (\"Russia Before the Revolution\" and \"Imperial Jewelry of Russia\")\u003c/p\u003e","\u003cp\u003eCorrespondence on opening of show; proposed schedule; checklists by lenders; shipping information and receipts; checklists by artists; correspondence with artists; checklists with values\u003c/p\u003e","\u003cp\u003eChecklists; shipping information and receipts; correspondence re: catalog; correspondence with publicity; research; statistics from 6th Biennial; correspondence with artists; catalog mailing list; catalog copy; loan information forms\u003c/p\u003e","\u003cp\u003e2 excerpts from publicity (typed); correspondence with catalog essay authors; correspondence with publicity; clippings; checklists; catalog copy; requests from artists; chipping information and receipts; correspondence of James Johnson Sweeney (sole juror invited); checklist for traveling exhibition; hand-written copy of register of the paintings received\u003c/p\u003e","\u003cp\u003e1 drawing of layout and signage; 2 small lettering drawings; 1 small catalog sign drawing\u003c/p\u003e","\u003cp\u003eShipping information and receipts including correspondence with artists, bills and information for crating requests; correspondence re: Richmond regional jury process for national metropolitan competition\u003c/p\u003e","\u003cp\u003ePress release; correspondence with Sweeney; correspondence with publicity; shipping information and receipts; checklists, sales information\u003c/p\u003e","\u003cp\u003eSweeney's own correspondence with artists and dealers and galleries re: exhibition, including Naum Gabo and Morris Louis\u003c/p\u003e","\u003cp\u003eCorrespondence with SF MOMA; checklist from AFA; copies of publicity; shipping information and receipts; correspondence with publicity; correspondence with AFA; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eDrawing and blueprint copy of layout\u003c/p\u003e","\u003cp\u003eCatalog copy; correspondence with lenders; shipping information and receipts (or label)\u003c/p\u003e","\u003cp\u003e1 photograph; catalog (or label) copy; correspondence with Knoedler (lender); shipping information and receipts; 1 photograph of X-ray\u003c/p\u003e","\u003cp\u003eInvitation lists; correspondence; radio spot information; correspondence with lenders; checklists; shipping information and receipts; press release copy; catalog copy; loan item information blank\u003c/p\u003e","\u003cp\u003eOne note on a rug cleaning\u003c/p\u003e","\u003cp\u003eChecklists with values, by lender and by artist; label research; correspondence with lenders; installation notes; shipping information and receipts; press release copy; correspondence with other institutions including the Met where the exhibition went next\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA (distributor of exhibition); shipping information and receipts; checklist; information on the photographer (non-VMFA publicity); correspondence with photographer\u003c/p\u003e","\u003cp\u003ePhotograph of Reino Aarnio soap dish for Fiat Metal, photograph of new RCA portable radio; correspondence with lenders [sold it as a big 2-3 year traveling exhibition]; shipping information and receipts; clippings (for ideas); correspondence with manufacturers from all around the USA; lots of catalogs; installation sketches; catalog copy; lists of checklists from a similar MOMA exhibition; 1 copy of preview invitation; checklists; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Block (Post cartoonist) and Comstock (Connoisseur and Antiques magazine editor); lectures; biographical information; correspondence with publicity\u003c/p\u003e","\u003cp\u003eOriginal drawing plus 2 blueprint copies of design for silver display case\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders from 1940 show due to requests by an author, prompted by current Valentine show; clipping re: Valentine show; copy of 1940 catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Rogers and her agent; confusion about scheduling dates; article in Vogue about Rogers [ended up cancelling show due to high costs of insurance and shipping]\u003c/p\u003e","\u003cp\u003eShipping information and receipts and labels for loan of some Pratt jewels by Mrs. Joseph Davies of Washington D.C. to the 1950 Easter eggs exhibition\u003c/p\u003e","\u003cp\u003eCatalog [loan exhibition organized by the English speaking Union]; copy of catalog; microfilm copy of NYT clipping; correspondence with ESU; copies of ESU Bulletin; checklists; press release copy; correspondence with other institutions who are borrowing; catalog/label copy; shipping information and receipts installation instructions; annotated catalog; big ESU publicity kit; correspondence to/from J. L. Blair Buck in State Board of Education, main contact and President of the ESU, Virginia Branch; original NYT clipping; correspondence to/from Brigadier J.W.F. Treadwell, VP of ESU [called it \"Operation Canvass\" to garner interest in ESU in Virginia]; billing/payment information; correspondence with British Embassy\u003c/p\u003e","\u003cp\u003eCorrespondence with Knoedler and Newhouse [photograph of painting offered but not chosen]; copy of invitation; picked Provost's painting from Knoedler – in another folder]; correspondence re: cedar trees in galleries\u003c/p\u003e","\u003cp\u003eCirculated by MOMA; correspondence with them; packing instructions; loan agreements; loan contracts; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eGroup form letter; correspondence with Wedgwood \u0026amp; Sons; publicity information; research; checklists; correspondence with other institutions; shipping information and receipts; 1 copy of invitation; list of Wedgwood dealers in Virginia [to invite]; correspondence with Annie Reese, Director of Promotions and Hensleigh Wedgwood, President, who lectured at preview\u003c/p\u003e","\u003cp\u003eCorrespondence with various clubs; dinner party plans and invitee lists; more correspondence with Wedgwood; copy of Museum bulletin; biographical information on Hensleigh; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; biographical information; Museum Bulletin copy; installation instructions; label information forms; correspondence with Newhouse; checklists with values\u003c/p\u003e","\u003cp\u003eDrawing of label boards; drawing of signage\u003c/p\u003e","\u003cp\u003eChose 4 exhibitions from PAU to circulate; correspondence with PAW; exhibition information; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eAnnouncement; correspondence with printers; correspondence re: sales [1st year Museum has added Architecture]; copy for all printed materials; correspondence with prizewinning artists (including Stuart Davis); correspondence re: azaleas; biographical information on jury chairman, Hermann Williams, Director of Corcoran; correspondence with publicity; clippings; copy of catalog from 1949\u003c/p\u003e","\u003cp\u003eProspectus; requests for blanks; letter copy re: Virginia art interest and education and businesses; correspondence with artists; correspondence with art departments; correspondence re: sales; jury comments; biographical juror information; breakdown/tally by city; correspondence with jurors\u003c/p\u003e","\u003cp\u003eCatalog copy; checklists with prices; correspondence with artists re: blanks; shipping information and receipts; correspondence re: sales and purchases; 1 copy of catalog\u003c/p\u003e","\u003cp\u003e4 original drawings; introductory panels, signage; layout sketches; traveling show panels\u003c/p\u003e","\u003cp\u003e4 drawings of lighting layouts in gallery; 1 drawing of movie projector stand; 1 drawing of panels; 1 drawing of overall layout\u003c/p\u003e","\u003cp\u003e9 photographs of Metropolitan Museum of Art objects; copy of invitation; label copy for projector room showing film on armor; other label copy; correspondence with lenders; shipping information and receipts; correspondence with Met (major lender); correspondence with lecturer (Gracey), curator of Met arms \u0026amp; armor\u003c/p\u003e","\u003cp\u003eCorrespondence with artist and his wife; biographical information; copy of catalog from Hollins; clippings\u003c/p\u003e","\u003cp\u003e1 photo of Stuart Davis; biographical information; catalog copy; shipping information and receipts; checklists with values; loan agreements; correspondence with jurors; correspondence with lender; correspondence with potential jurors (Andrew Wyeth)\u003c/p\u003e","\u003cp\u003e2 drawings: sign and panel layout\u003c/p\u003e","\u003cp\u003ePhotograph of Tsar Nicholas II and family; 2 page exhibition design write-up (color, lighting, cases); catalog copy\u003c/p\u003e","\u003cp\u003eMemo re: Arthritis Foundation; article on Dufy; reprint of 3/51 article on Dufy; paintings information sheets; shipping information and receipts; catalog of ICA in Boston; correspondence with lenders; correspondence with Arthritis Foundation; checklists with values; correspondence with publicity; correspondence with Dufy's gallery agent\u003c/p\u003e","\u003cp\u003e4 drawings of signs and layouts\u003c/p\u003e","\u003cp\u003e11 photographs of layout with and without people; close-ups of panels; correspondence with lecturer; correspondence with American Institute for Graphic Arts (organizer); publicity materials from AIGA; shipping information and receipts; catalog\u003c/p\u003e","\u003cp\u003eDinner guest list; correspondence with Chrysler; Chrysler catalog copy; correspondence with NYT\u003c/p\u003e","\u003cp\u003ePhotograph of Chrysler; copy of Art Digest (October 15, 1951) with photograph of gallery setup; catalog copy (paintings); correspondence with publicity; shipping information and receipts; catalogs of exhibition at University of Miami Art Gallery (correspondence with University of Miami Gallery also); checklist\u003c/p\u003e","\u003cp\u003eChecklists and hanging order; correspondence with publicity; rough layout; catalog copy; correspondence with artist; checklist with values; correspondence with AFA (organizer); AFA 1953 catalog; wonderful letters that are art!\u003c/p\u003e","\u003cp\u003ePreview invitation; correspondence with artist and wife; checklists\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with Director of Syracuse Museum of Fine Arts (Anna Wetherill Olmsted, speaker); biographical information on her, checklist\u003c/p\u003e","\u003cp\u003e1 drawing: installation layout\u003c/p\u003e","\u003cp\u003e14 photographs of items; \"prize awards\" press release; correspondence with Syracuse Museum of Fine Arts; publicity information from SMFA; catalogs; catalog copy; shipping information and receipts; annotated catalogs (one size, one price)\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions and individuals re: potential exhibitions, some with catalogs and clippings; list of proposed exhibition season\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Ouriel) and gallery (Knoedler); shipping information and receipts\u003c/p\u003e","\u003cp\u003eVarious mailing lists (Bulletin, publications), some by type, some alpha; letters to other institutions offering mailings (all Miss Frances Boushall)\u003c/p\u003e","\u003cp\u003e1 drawing of small museum truck\u003c/p\u003e","\u003cp\u003eLayout panels for 1st Museum brochure/guide\u003c/p\u003e","\u003cp\u003e1 drawing and 1 copy of Information \u0026amp; Publication Desk of Museum\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders of fabrics; shipping information and receipts; some original tags; label copy; some catalogs\u003c/p\u003e","\u003cp\u003eCorrespondence re: invitation mailing (one with return address of VMFA, one with Kiwanis Club); correspondence with lenders in Los Angeles\u003c/p\u003e","\u003cp\u003eInvitation to screening; preview invitation list to film screening\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; checklists; Mona Lisa research; shipping information and receipts; correspondence with lenders; 1 copy of catalog; correspondence with organizer; invitation copy; installation information; correspondence with Kiwanis Club\u003c/p\u003e","\u003cp\u003e6 blueprints for models by Panold Masters; 1 drawing of signs; 1 drawing of layout; 4 drawings of lighting; 3 drawings of niches\u003c/p\u003e","\u003cp\u003e1 drawing of layouts, panels\u003c/p\u003e","\u003cp\u003eCatalog copy; clippings; annotated copy of catalog of retablos from Barton Collection; shipping information and receipts; checklists; annotated copies of catalog of textiles from Barton Collection; correspondence re: damage to retablos; correspondence with institutions; correspondence with lenders\u003c/p\u003e","\u003cp\u003e1 drawing of signs; 4 drawings of lighting; 1 drawing of details of interior; 3 drawings of layout; 1 drawing of interior\u003c/p\u003e","\u003cp\u003e1 photograph of clock; few compliments; some receipts for library exchange\u003c/p\u003e","\u003cp\u003eCorrespondence; damage reports; receipts; memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Helen Comstock (editor of Magazine Antiques and guest curator); correspondence with potential lenders (individuals and institutions)\u003c/p\u003e","\u003cp\u003eCorrespondence with WSG; clippings; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence with WSG; catalog copy; press release copy; press releases; shipping information and receipts; biographical information; checklist with prices\u003c/p\u003e","\u003cp\u003e2 photographs of paintings; traveling checklist; correspondence with artist; clippings; press release; catalog copy; catalogs of shows in New York and Toronto; shipping information and receipts; label copy; checklist with values; correspondence with lenders; correspondence with AFA (originator)\u003c/p\u003e","\u003cp\u003eInvitation to preview; correspondence with designer and speaker, John Van Koert; correspondence with Walker Art Center (organizer); copy of Walker invitation\u003c/p\u003e","\u003cp\u003ePress release; publicity copies from Towle Silversmiths; press releases; copy of catalog from Walker\u003c/p\u003e","\u003cp\u003e5 photographs (duplicates); invitation to preview; press release copy; correspondence with Fogg; copy of catalog from Detroit; label copy, checklists; shipping information and receipts; correspondence re: theft of Degas drawing\u003c/p\u003e","\u003cp\u003eInvitation to preview; invitation to lecture; clippings; correspondence with artisans re: exhibition decoration; correspondence with other lenders; shipping information and receipts; checklists; correspondence with dressmaker/speaker (Pauline Trigère); correspondence with Metropolitan Museum's Costume Institute\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; research (list of American and English novels); shipping information and receipts; correspondence with publisher; correspondence with publicity; correspondence with Met's Costume Institute; checklists with values\u003c/p\u003e","\u003cp\u003e6 photographs (5 paintings and Maxson Holloway, Chicago Historical Society curator); shipping information and receipts; checklists; correspondence with Chicago Historical Society (organizer); annotated catalog from CHS; correspondence with other institutions; bulletin copy; press release\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with CHS; correspondence with other lender (Broadnax)\u003c/p\u003e","\u003cp\u003ePhotograph of picture; press release; correspondence with Red Cross; clippings; invitation copy; Red Cross promotional material; press release copy\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with AFA (organizer); shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with members of Club; correspondence with AFA\u003c/p\u003e","\u003cp\u003eDrawing of layout; 2 photographs of paintings not in exhibit; research; label copy; correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with Lady Astor; checklist of gift\u003c/p\u003e","\u003cp\u003eCatalog copy; correspondence re: opening and Governor's dinner; invitation proofs; correspondence with publicity; text of Colonel Anderson's speech\u003c/p\u003e","\u003cp\u003eCorrespondence re: opening (mainly regrets)\u003c/p\u003e","\u003cp\u003eCorrespondence with the artist\u003c/p\u003e","\u003cp\u003e1 drawing of sign\u003c/p\u003e","\u003cp\u003eCorrespondence with Institute of Contemporary Art in Boston, organizer; lecturer is Director, James Sachs Plaut; promotional materials\u003c/p\u003e","\u003cp\u003eCorrespondence with ICA in Boston; shipping information and receipts; catalog\u003c/p\u003e","\u003cp\u003eInvitation; photograph of painting (1952); label copy; installation instructions; shipping information and receipts; correspondence with lenders\u003c/p\u003e","\u003cp\u003e1 clipping\u003c/p\u003e","\u003cp\u003eClipping; press release copy re: move of cigar store figures from Jefferson to VMFA\u003c/p\u003e","\u003cp\u003eLots of correspondence from different institutions; publicity; list of contacts with great comments\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA\u003c/p\u003e","\u003cp\u003eCorrespondence with woman at new museum about restoring a painting\u003c/p\u003e","\u003cp\u003e1 photograph of Leonardo's bridge; Boushall's correspondence file with publicity and others interested in our publications and exhibitions\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA\u003c/p\u003e","\u003cp\u003eQuiz sheet\u003c/p\u003e","\u003cp\u003e7 photographs of opening, gallery and piece; 1 copy of catalog\u003c/p\u003e","\u003cp\u003e2 drawings and 1 copy of gallery layout and entry desk\u003c/p\u003e","\u003cp\u003eChecklist; invitation, shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 drawing of book and theme table layout\u003c/p\u003e","\u003cp\u003e6 photographs of Goya pieces; 1 photograph of someone (with mandala); catalog copy\u003c/p\u003e","\u003cp\u003e2 invitations (1 with checklist; 1 for loan exhibition); label copy; checklists; correspondence; correspondence with lenders; catalog requests; catalog proof; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence; label copy; cover of U.S. News \u0026amp; World Report (2/13/53) (looks like De Stijl); shipping information and receipts; correspondence with MOMA (organizer); checklists\u003c/p\u003e","\u003cp\u003ePress release copy; correspondence with Netherlands Embassy; lecture copy (introductions); lecturer biographical information [Carroll L. V. Meeks, Assoc. Professor of Architecture and Art History at Yale]; correspondence with MOMA\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors; correspondence with potential jurors; lists of loan requests; correspondence with lenders; correspondence with publicity; shipping information and receipts; checklists; installation memos; checklists with values\u003c/p\u003e","\u003cp\u003e\"The Significance of African Art,\" 8 photographs of items; publication reprint of \"Warega Ivories\" by Ladislas Segy; label copy; publications from Segy Gallery on African Art; correspondence with Segy Gallery (organizer); biographical data on speaker [James Johnson Sweeney, Director of the Guggenheim in NYC]; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with speaker; label copy; press release copy; publications from Segy Gallery\u003c/p\u003e","\u003cp\u003e1 photograph of street scene, but it has been drawn on\u003c/p\u003e","\u003cp\u003eCopy of 1949 catalog; 1 copy of catalog; label copy; checklists by city; catalog copy; letter from Theresa Pollak regarding the way the show is chosen and hung; correspondence with artists; annotated older biennial materials; list of purchase recommendations; schedule for jurors visit; catalogs from other institutions (state shows); shipping information and receipts; traveling evaluation checklists\u003c/p\u003e","\u003cp\u003eCopy of 1953 prospectus; correspondence with artists (Pollard's correspondence file); list of entry cards received\u003c/p\u003e","\u003cp\u003eCorrespondence with artists re: missing checks, incomplete blanks or other issues (Gaines' file)\u003c/p\u003e","\u003cp\u003eInformation from MOMA (organizer); correspondence with MOMA; checklists; shipping information and receipts; installation memo; 1 copy of invitation to opening\u003c/p\u003e","\u003cp\u003e2 drawings\u003c/p\u003e","\u003cp\u003eList of loans (Baltimore Museum of Art); correspondence with BMA; correspondence with speaker [Mrs. Adelyn D. Breeskin, Director of the BMA]; installation memo; checklists; label copy; shipping information and receipts. Show had 16 year age limit!\u003c/p\u003e","\u003cp\u003eEntry/prospectus; correspondence with American Craftsmen's Educational Council; list of regional entries; correspondence with artists; completed entries; shipping information and receipts\u003c/p\u003e","\u003cp\u003eFebruary 1953 issue of \"The Richmond Home Builder\"\u003c/p\u003e","\u003cp\u003eMayor's reception schedule; lecture copy; copy of Directory of Virginia Governmental Officials (November 1950); invitation lists and planning\u003c/p\u003e","\u003cp\u003e1 copy of invitation; lecture copy; correspondence with potential consultants\u003c/p\u003e","\u003cp\u003eCorrespondence with Thalhimer's; press release copy; lecture copy; slide list; clippings; speaker biography\u003c/p\u003e","\u003cp\u003eCorrespondence re: parking problems and conferring police authority to the Museum's guards\u003c/p\u003e","\u003cp\u003e\"The New Art Wind Quintet\" press release; Harp Trio photograph and program; correspondence re: New Art Wind Quintet; contract copy; Harp Trio press release copy; Philippe Entremart photo; press release copy and program; correspondence with National Music league; programs; clippings\u003c/p\u003e","\u003cp\u003e1 photograph of Victor Guye; actually a Goya exhibition file – correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eInvitation; photograph of Queen Anne teapot; \"Art in Fashion\" invitation; label copy; catalog copy; correspondence with Lipton (lender) and Lipton's dealer; correspondence with speaker\u003c/p\u003e","\u003cp\u003eCorrespondence with potential participants; interim reports; correspondence with institutions in Scandinavia; exhibition proposal (typed); correspondence with embassies, consulates, etc.; shipping information and receipts; label copy; correspondence with speaker [John Van Koert]; checklists; correspondence with publicity; correspondence with AFA (organizer); 1 copy of brief prospectus; list of itinerary\u003c/p\u003e","\u003cp\u003eFolder is incorrectly labeled \"1967\" at Library of Virginia. 1 drawing (1953-54); ALL FROM THE 1950'S: panel copy; shipping information and receipts; clippings; Sidney Janis catalogue; 1 copy of Bulletin (11/53); 1 copy of invitation, plus 1 internal memo re: new iteration as traveling show, checklist\u003c/p\u003e","\u003cp\u003e1953 Virginia Artists prospectus; correspondence with artists; correspondence with publicity; label copy; correspondence with Des Moines Art Center (co-sponsor); shipping information and receipts; correspondence with lenders; correspondence re: purchases; biographical information on Dwight Kirsch (curator of show and Director of DMAC)\u003c/p\u003e","\u003cp\u003eMailing 12/1/55, \"To Virginia Painters\"; budget information; correspondence with artists; correspondence with Dwight Kirsch; annotated catalog; catalog requests; catalog disbursement list; shipping information and receipts; copy of Kansas State College Biennial Catalog (including quote from Kirsch)\u003c/p\u003e","\u003cp\u003e1 photograph of artist and painting (John Koos with wife and Peter Khan, head of Hampton Institute Art Department); correspondence with juror; press release; correspondence with publicity; correspondence with artists (Newell's correspondence file); biographical information on Kirsch; clippings\u003c/p\u003e","\u003cp\u003e1 copy each of 1950 and 1954 catalogs\u003c/p\u003e","\u003cp\u003eCatalog copy; catalog proof; suggested arrangement; label copy, checklists\u003c/p\u003e","\u003cp\u003e1 photograph of Armand Hammer; 1 photograph of room in his house; 1 photograph of Breughel painting; 1 photograph of [Erwin] Panofsky [from Institute for Advanced Study at Princeton], lecturer; 2 press releases; correspondence with Hammer; general collection information\u003c/p\u003e","\u003cp\u003e1 drawing of main panel layout\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders and dealers, artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts\u003c/p\u003e","\u003cp\u003eRegistration forms for each painting; checklists by gallery and by artist\u003c/p\u003e","\u003cp\u003eEntry cards (completed); other institutional catalogs; prospectus copy; annotated catalogs; catalog copy; 1 copy of catalog; label copy correspondence with artists; correspondence re: publicity; shipping information and receipts; correspondence with jurors\u003c/p\u003e","\u003cp\u003eProspectus; mailing lists; budget tracking; correspondence with jurors\u003c/p\u003e","\u003cp\u003e6 photographs of designs; shipping information and receipts; label copy; correspondence with AFA (organizer); checklists; correspondence with Cooper Union (lender)\u003c/p\u003e","\u003cp\u003e2 drawings of panel layouts; notes re: pre-Columbian panel layout\u003c/p\u003e","\u003cp\u003e1 drawing of panel layout; label copy\u003c/p\u003e","\u003cp\u003e1 drawing of 20th century gallery layout with section for Virginia rotating artists; correspondence with artists; correspondence re: purchases; shipping information and receipts; biographical information; correspondence with lenders; memos re: installation; checklists\u003c/p\u003e","\u003cp\u003eChecklists by lender and by artist; correspondence with lenders; label copy; shipping information and receipts; copy of catalog from University of Louisville with similar exhibition\u003c/p\u003e","\u003cp\u003e1 drawing of panels; notes re: panels for exhibition\u003c/p\u003e","\u003cp\u003eLetter to AFA re: exhibitions; exhibition proposal for Design for Theatre\u003c/p\u003e","\u003cp\u003eCorrespondence with various people and institutions re: possible exhibitions; program schedule for 1953-54; scattered exhibition-related materials as well; correspondence re: various programs, performances and dinners; correspondence with publicity; copies of Members Bulletin for March, April \u0026amp; May, 1954\u003c/p\u003e","\u003cp\u003e1 photograph of Furniture of the Old South; mainly lists, both general and for particular shows\u003c/p\u003e","\u003cp\u003eCorrespondence re: an article proposed by Gulf on the Artmobile, including a photographic assignment, to run in their company magazine Orange Disc; correspondence re: subsequent mailing of issue\u003c/p\u003e","\u003cp\u003eLetter to Presidents of Garden Clubs, 10/11/54; correspondence re: securing funding for Waddy fountain planting each season; mailing lists\u003c/p\u003e","\u003cp\u003eCorrespondence re: arrangement to use galleries for their meetings\u003c/p\u003e","\u003cp\u003eMembership List\u003c/p\u003e","\u003cp\u003eCopy of The Orange Disc Magazine (March-April 1954); list of Artmobile pictures used\u003c/p\u003e","\u003cp\u003eDrawing of new membership brochure [Not taken, too hard to reproduce]; annotated membership forms; new form copy; copies of MOMA \u0026amp; Walker membership forms; membership campaign materials: proposal, committee schedule, plan for calls, etc., minutes of meetings, campaign reports, membership report (statistics)\u003c/p\u003e","\u003cp\u003eCorrespondence re: special loan exhibition from permanent collection; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence re: meeting; biographical information on speakers; schedule/agenda; transcribed notes from Question \u0026amp; Answer session\u003c/p\u003e","\u003cp\u003e2 photographs of mural; correspondence with Rochester Institute of Technology, where she was a student (she was a VMFA Fellowship winner); correspondence with artist\u003c/p\u003e","\u003cp\u003e\"Endorsement of the forthcoming Artmobile\" 3/10/53; \"An Exhibition of Sculpture from Africa,\" 3/22/53; \"The Hammer Collection…\" [n.d.]; \"The VMFA has purchased 3 paintings…\" 3/24/54 (short one); copies of press releases from March/April 1952/1954\u003c/p\u003e","\u003cp\u003e13 drawings of pedestals in various galleries; notes\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for American 19th Century\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Early Near Eastern\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Late Italian and Spanish\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Roman\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Oriental\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for German\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for French 17th-18th centuries\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Italian, 14th \u0026amp; 15th centuries\u003c/p\u003e","\u003cp\u003eJust list of photographs for English 16th-17th centuries\u003c/p\u003e","\u003cp\u003e1 drawing (English 18th-19th centuries; 3 photograph lists (medieval, American 18th century, English 18th-19th centuries\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for American 20th century\u003c/p\u003e","\u003cp\u003eList of photographs for Virginia Today\u003c/p\u003e","\u003cp\u003e1 drawing (Egyptian); list of photographs for Egyptian, notes\u003c/p\u003e","\u003cp\u003e2 drawings of text panels; notes; list of photographs for North Sculpture Hall\u003c/p\u003e","\u003cp\u003ePhotograph of Blanche Tarjus; correspondence; biographical information; program copy; programs; clippings; publicity materials from National Music League; artist fee schedule; correspondence with artists; invitation copy\u003c/p\u003e","\u003cp\u003ePhotograph of damaged jade, 2 annotated photographs (all Minneapolis); shipping information and receipts; label outlines; checklists by lender and by type; correspondence with lenders; clippings, research notes; label copy; correspondence with other potential lenders\u003c/p\u003e","\u003cp\u003e3 panel layout drawings; 4 other layout drawings; label copy; label outlines; section color suggestions and samples; list of cases needed\u003c/p\u003e","\u003cp\u003e1 photograph of children with eggs; tear sheets from Interiors magazine; copy of 1947 Pratt catalog; suggested publicity schedule; outline of work to be done; label copy; correspondence; press releases; research; clippings; correspondence with publicity\u003c/p\u003e","\u003cp\u003e1 drawing; 6 photographs; blue AFA Catalog list; correspondence with AFA (organizer); label copy; checklists; shipping information and receipts; fabric and paper samples; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; biographical information; shipping information and receipts; label copy; checklists\u003c/p\u003e","\u003cp\u003e1 drawing, 1 photograph of Karolik; catalog copy; checklist; shipping information and receipts; label copy; dimension list; correspondence with Smithsonian (organizer); correspondence with collector (Maxim Karolik); 1 copy of invitation; copy of bulletin; copy of MFA Boston Bulletin on collection (10/51)\u003c/p\u003e","\u003cp\u003eWilliam Kienbusch and William Zorach [2 of 3 judges] catalogs; list of purchase considerations; correspondence with artists; correspondence with galleries; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003e1 drawing; clippings; bulletin photograph copy; correspondence with Addison (1 letter) [Addison Gallery of American Art, Chairman of Jury was Bartlett H. Hayes, Jr., Director of Addison]\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; biographical information; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 drawing; label list\u003c/p\u003e","\u003cp\u003e1 photograph of Charles Baker; 1 drawing; shipping information and receipts; correspondence with artists; checklists; biographical information; Davis' Fellowship application; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; mailing lists of artists; requests for blanks\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; requests for blanks; correspondence re: incomplete forms or missing checks; handwritten list of entries received\u003c/p\u003e","\u003cp\u003e4 layout drawings\u003c/p\u003e","\u003cp\u003eList of winners; copy of blank certificate; copy of green prospectus; checklists; shipping information and receipts; entry copy; catalog copy; label copy; other institutions' catalogs/prospectuses; correspondence with jurors; staff members; list of artists\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; entry blank requests; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; biographical information; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eTyped remarks by preview speaker [Honorable Shigenobu Shima, Minister of Japan]; list of credits for exhibition\u003c/p\u003e","\u003cp\u003eDrawings of invitation copy; 1 photograph; checklists (organized by MOMA); correspondence; label copy; 1 copy of invitation; shipping information and receipts; correspondence with Minister of Japan (preview speaker); press release copy; correspondence with MOMA; correspondence with MIYA company (lent accessories); correspondence with Japan Society\u003c/p\u003e","\u003cp\u003e1 drawing of panel layout; correspondence with artists; shipping information and receipts; checklist\u003c/p\u003e","\u003cp\u003eCorrespondence with Corcoran (lender); label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs of ICA installation; checklists from ICA in Boston; fabric samples; correspondence with manufacturer (i.e.; lender); includes some publicity materials and catalogs; shipping information and receipts; list of items sold to staff members; ICA catalog/brochure copy; correspondence with ICA; ICA press releases; label copy; ICA catalogs (1954 \u0026amp; 1955)\u003c/p\u003e","\u003cp\u003eChecklist; miscellaneous correspondence; ICA news releases; fabric samples; checklists\u003c/p\u003e","\u003cp\u003eShipping receipts for Designs for Christmas show\u003c/p\u003e","\u003cp\u003eList of items available for purchase; correspondence with manufacturers re: sale\u003c/p\u003e","\u003cp\u003e3 photographs; publicity materials from Virginia Chapter of AIA; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eCopies of suggested schedule\u003c/p\u003e","\u003cp\u003eFew pieces of miscellaneous correspondence related to other exhibitions\u003c/p\u003e","\u003cp\u003e2 photographs of Suzanne Bloch; correspondence with various music organizations; publicity materials (mainly programs); clippings; Suzanne Bloch press release copy and biographical information\u003c/p\u003e","\u003cp\u003eCatalogs and samples of wall and paper materials\u003c/p\u003e","\u003cp\u003eLetter solicitation (7/1/55); correspondence with studios; research; exhibition proposals (Samuel Goldwyn or Cecil B. DeMille); mailing list\u003c/p\u003e","\u003cp\u003eCorrespondence; correspondence with manufacturers (including catalogs)\u003c/p\u003e","\u003cp\u003eCopy of the Annual Report; typed and written drafts for \"Information Services and Public Relations\" report\u003c/p\u003e","\u003cp\u003ePress release; correspondence with publicity; clippings; mailing lists; grand opening schedules; new members' room information\u003c/p\u003e","\u003cp\u003eCopy of letter to press (11/29/55); memo re: use of mats sent to newspapers from Rex Allyn to Cheek; 5 actual mats by Virginia Stereotype Service\u003c/p\u003e","\u003cp\u003e1 photograph of camera; correspondence with Colonial Williamsburg (author of book on Cook); label copy; camera catalogs; checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of invitation; research articles\u003c/p\u003e","\u003cp\u003eJohn Koenig was Guest Promotion Director; correspondence with publicity; news releases; mailing lists; clippings; copy of catalog\u003c/p\u003e","\u003cp\u003eBulletin copy; Bulletin proofs; correspondence with speakers\u003c/p\u003e","\u003cp\u003e2 copies of newsletter (2/55 and 12/54); 1 piece of AFA membership publicity\u003c/p\u003e","\u003cp\u003eCopies of 51st and 53rd programs; copy of letter to publisher of 55th (VMFA was in it)\u003c/p\u003e","\u003cp\u003eRex Allyn's correspondence file; correspondence with publicity; correspondence with other institutions; clippings\u003c/p\u003e","\u003cp\u003e4 drawings; 10 photographs; copy of catalog of traveling show in São Paulo, copy of checklist and hanging order sheet; label copy; correspondence with artists; publicity; biographical information; shipping information and receipts; correspondence with publisher; press release, checklists (for traveling too); circulated by AFA\u003c/p\u003e","\u003cp\u003eCopy of invitation to costume ball with note about asking about museum as location\u003c/p\u003e","\u003cp\u003eAFA Newsletter, 12/55\u003c/p\u003e","\u003cp\u003ePublicity; correspondence with Junior League about volunteers; copies of articles in The Leaguer; press releases\u003c/p\u003e","\u003cp\u003ePublicity; copy; catalog photographs; correspondence with speakers; cards with state exhibitions on them; clippings\u003c/p\u003e","\u003cp\u003ePublicity; copy of Bulletin; press releases\u003c/p\u003e","\u003cp\u003eCopy of Carl Sandberg's prologue; invitation; correspondence with MOMA (circulator); copies of drawings of installation from MOMA; copy of catalog; contract; press releases; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eArticle copies (by Marguerite Tabb)\u003c/p\u003e","\u003cp\u003eCorrespondence with Jaycees\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence with Society; copies of minutes\u003c/p\u003e","\u003cp\u003ePublicity from American National Theatre and Academy\u003c/p\u003e","\u003cp\u003eCorrespondence with WRVirginia \u0026amp; WLEE; list of personnel\u003c/p\u003e","\u003cp\u003ePublicity; Artmobile schedule\u003c/p\u003e","\u003cp\u003eCorrespondence with Society; publicity; schedule and financial statement of Society\u003c/p\u003e","\u003cp\u003ePress releases (4/14/55; 4/12/55); schedule and procedure for ceremony of awards (4/29/55); press release (4/25/55); other press releases\u003c/p\u003e","\u003cp\u003eCopy of minutes from meeting\u003c/p\u003e","\u003cp\u003eCorrespondence with printers; budget information; samples of items; purchase orders\u003c/p\u003e","\u003cp\u003eMiscellaneous correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence; summary and minutes from conference\u003c/p\u003e","\u003cp\u003eCorrespondence with Whitney Museum; correspondence with other museum directors (Leslie Cheek a sort of consultant)\u003c/p\u003e","\u003cp\u003eCopy of letter from Rhoads to Board; correspondence with Rhoads\u003c/p\u003e","\u003cp\u003eCorrespondence re: Georg Jensen exhibition; checklists (from SITES)\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; biographical information; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Catherwood Foundation; label copy; exhibition proposal\u003c/p\u003e","\u003cp\u003ePress release; shipping information and receipts; correspondence with Catherwood; Catherwood publicity; checklists; label copy\u003c/p\u003e","\u003cp\u003e1 drawing of layout; label copy; checklists; list of loans requested; shipping information and receipts; correspondence; correspondence with publicity; correspondence with lenders; 2 annotated copies of printed checklists; copy of Bulletin\u003c/p\u003e","\u003cp\u003e1 copy of printed checklist; correspondence with lenders; request for information cards; 1 annotated copy of printed checklist\u003c/p\u003e","\u003cp\u003e\"Caption for Watteau Mat\" and press release (1/11/52); press releases; list of loans; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders for Fetes Galantes\u003c/p\u003e","\u003cp\u003ePhotography purchase requests; invoices\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts; request for information forms; label copy\u003c/p\u003e","\u003cp\u003e1 copy of catalog; 1 copy of Ford Times on which the show was based; checklists; correspondence; catalog copy; correspondence with Ford; copy of story for Commonwealth\u003c/p\u003e","\u003cp\u003e2 photographs of Helen Wearstler Foht; 1 duplicate photograph of her; checklists; correspondence with artists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with artist and his dealer (Hammer Galleries); copy of the exhibition catalog; label copy; 1 book jacket of his (High World); insurance information; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs; checklists; shipping information \u0026amp; receipts; correspondence with artists; label copy\u003c/p\u003e","\u003cp\u003e1 photograph; 1 duplicate photograph (Aubrey Bodine or O.F. Romig) [these 2 were judges, A. Aubrey Bodine of Baltimore and Orlando F. Romig of Pittsburgh]; correspondence with artists\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence; press release\u003c/p\u003e","\u003cp\u003e1 photograph of unknown; 1 photograph of Carl Roseberg; shipping information and receipts; sales information; checklists; correspondence with artists; label copy\u003c/p\u003e","\u003cp\u003e3 photographs; checklists; biographical information; correspondence with artists; label copy\u003c/p\u003e","\u003cp\u003eInvitation; list of possible artists publicity/catalogs from other shows; invitation copy; mailing list; checklists; correspondence with Sculpture Center; shipping information and receipts; correspondence with artists; correspondence with lenders; label copy\u003c/p\u003e","\u003cp\u003e4 drawings of label panels; sheet for each with list of photographs for panels\u003c/p\u003e","\u003cp\u003e2 photographs; shipping information and receipts; correspondence with artists; checklists; sale information; biographical information; label copy\u003c/p\u003e","\u003cp\u003eInvitation; 1 photograph of show at Corcoran; 1 drawing; also 1 drawing of Chinese gallery, press release 3/4/55; correspondence with SITES (organizer); shipping information and receipts; checklists; correspondence re: damage to a chair; label copy; correspondence with publicity; 1 copy of catalog; 1 copy of Danish Foreign Office Journal\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; shipping information and receipts; checklists; George Poiret print collection exhibition catalog (rents them)\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence; clippings\u003c/p\u003e","\u003cp\u003eCopy for theatre publications\u003c/p\u003e","\u003cp\u003eProgram for 57-58 season; copy for earlier brochure\u003c/p\u003e","\u003cp\u003eOne letter re: season's policies\u003c/p\u003e","\u003cp\u003e2 pieces of correspondence\u003c/p\u003e","\u003cp\u003e\"A Proposal,\" (letter 7/14/56); Dance Society meeting minutes; correspondence; budget information; mailing list\u003c/p\u003e","\u003cp\u003eProgram April 20, February 24, January 6, October 21, September 16; correspondence (1 letter); 1 copy of a mailing\u003c/p\u003e","\u003cp\u003eCheckbook; correspondence re: taxes\u003c/p\u003e","\u003cp\u003e1 photograph (Richard Steinway); duplicate photograph (John Langstaff); 1 photograph of John Langstaff with Berkshire Quartet; 1 duplicate photograph and 1 regular photograph of Albeneri Trio; 1 season program\u003c/p\u003e","\u003cp\u003e1 photograph of John Langstaff; 1 duplicate photograph of Robert Conant; 2 photographs of Amadeus Quartet; 1 photograph of Alfred Deller; 1 duplicate photograph of Alfred Deller Trio; 1 photograph of Emily Frankel and Mark Ryder; correspondence; proposed relations between the 2 organizations; meeting minutes; letter drafts; program copy; publicity materials\u003c/p\u003e","\u003cp\u003eWishes to thank card; Davenport Carrington letter; response card; meeting minutes; program schedule; clippings; correspondence; budget information; form letter with mailing lists; promotion planning\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence\u003c/p\u003e","\u003cp\u003e1 copy of schedule of programs and events\u003c/p\u003e","\u003cp\u003eCorrespondence from Velz (he was on Executive Committee for 1956-1957) to various people re: events; \"The Public Relations and Information Program of the Virginia Museum of Fine Arts\" paper\u003c/p\u003e","\u003cp\u003e1 clipping (RTD 2/15/56-they got charter)\u003c/p\u003e","\u003cp\u003eRAUC Summary Report 1949-1956; correspondence of RAUC; evening courses for adults announcement\u003c/p\u003e","\u003cp\u003eCorrespondence re: lecture on architecture of Japan\u003c/p\u003e","\u003cp\u003eCorrespondence re: fundraising drive; interoffice memos\u003c/p\u003e","\u003cp\u003eHundreds of photographic department purchase requests\u003c/p\u003e","\u003cp\u003e1 copy of magazine, October 1956 issue with VMFA feature\u003c/p\u003e","\u003cp\u003e8 drawings of alcoves; layouts; permanent installations; lists of photographs for alcoves; memos re: installation needs; photograph orders; lists of titles for information panels; correspondence re: information panel production; panel copy; budget information; information re: hanging heights in galleries; sample label paper\u003c/p\u003e","\u003cp\u003e\"Art Reference Resources in Virginia\" questionnaire (all about art libraries); 1 piece of correspondence about putting brochures on ferries\u003c/p\u003e","\u003cp\u003e3 photographs from Brazilian show; newspaper and magazine clippings; catalogue and clippings for 1951 Brazilian show (Children's Book Illustrations); information and press releases and correspondence for 1953 fellowships; 1950-51 fellowship information; blank application; information on Jenny-Lynn Franklin's mural; press releases for 1956-1957 fellowships\u003c/p\u003e","\u003cp\u003eTraveling checklist and hanging order; label copy; correspondence with artist; shipping information and receipts; correspondence re: traveling exhibition; checklists; correspondence with AFA; clippings; blank loan contract; correspondence with borrower; itinerary; AFA publicity materials for show\u003c/p\u003e","\u003cp\u003eMaterial from MOMA on their 25th anniversary\u003c/p\u003e","\u003cp\u003e2 drawings of panel layouts; list of photographs used; memos; label copy; photograph order\u003c/p\u003e","\u003cp\u003eMailing list; copy of Bulletin; cards sent to institution for their exhibition listing in Bulletin (called \"Elsewhere in Virginia\")\u003c/p\u003e","\u003cp\u003ePhotograph of Merrill Moore; 1 photograph of Governor Stanley; biographical information on speakers; correspondence with speakers; publicity material for Merrill Moore's new book\u003c/p\u003e","\u003cp\u003eMailing (open house invitation); letter from Rhoads to members; renewal card, 1 photograph by Yardley; membership letter draft; correspondence between committee members; brochure proofs; previous membership requests; privilege information; budget information; brochure copy; paper samples\u003c/p\u003e","\u003cp\u003eBrochure copy\u003c/p\u003e","\u003cp\u003eFashion Festival facts; Council letter (3/21/56); program; invitation copy; correspondence with Miller \u0026amp; Rhoads; correspondence re: Council; correspondence with Harper's Bazaar; correspondence with publicity; mailing lists; schedules; meeting minutes; annotated scripts \u0026amp; schedules; fabric samples; program copy\u003c/p\u003e","\u003cp\u003eComplete reply cards; correspondence re: Council children's events; publicity materials for puppet theatre; blank reply cards\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; checklists with sale prices; shipping information and receipts; biographical information; label copy; photograph purchase requests\u003c/p\u003e","\u003cp\u003e1 photograph of \"Black Beast,\" 1 photograph of \"Croquet Player\"; correspondence with AFA (who turned down show) and ICA Boston; correspondence with publicity; shipping information and receipts (now called \"Collection Memos Receipt\"); correspondence with lenders; insurance information\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity; correspondence with artists; correspondence re: preview, installation information and schedules; correspondence with lenders; shipping information and receipts; label copy; correspondence with AFA re: withdrawal; list of lenders; photograph orders\u003c/p\u003e","\u003cp\u003e1 drawing, 27 photographs; 1 duplicate photograph (Henry Robinson Luce); label copy; correspondence; shipping information and receipts; [unlabeled: (lady) Elsie de Wolfe; Henry Dreyfuss (architect)]\u003c/p\u003e","\u003cp\u003e3 photographs of jurors; 1 photograph of sculpture; 1 photograph of tempera painting; correspondence with jury; checklists; shipping information and receipts; clippings; dinner lists and plans; correspondence with lenders; label copy; Ben Shahn catalog; biographical information; insurance information\u003c/p\u003e","\u003cp\u003e1963 Virginia Artists blank; shipping information and receipts; correspondence with artists; label copy; biographical information\u003c/p\u003e","\u003cp\u003e2 drawings (1 by her, 1 by Leslie Cheek); checklist with values; correspondence with artist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eEntry cards; shipping information and receipts; sale information; correspondence with artist; insurance information; Council Preview Party gifts information (new); check stubs; list of entrants; preview mailing list for businesses\u003c/p\u003e","\u003cp\u003eVirginia Artists jury memo (1/25/57); blank certificates (signed); traveling exhibition checklist; 1957 prospectus; label copy; copy of 1936 catalog; speech copy; Bulletin copy; annotated 1955 blank; prospectus list; entry requests; catalogs and brochures from other exhibitions; prospectus copy; catalog copy; schedule; correspondence with publicity; shipping information and receipts; correspondence with jury; clippings; certificate recommendation list; jury report; correspondence with artists; biographical information on certificate winners\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with artists; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eDrawing of layout\u003c/p\u003e","\u003cp\u003e3 photographs of installation (location unknown, not VMFA); correspondence with American Institute for Graphic Arts (organizer); shipping information and receipts\u003c/p\u003e","\u003cp\u003e\"A Brief Description of the 'New World Achievement' Exhibit,\" invitation and drawing; label copy; checklists; schedules; Jamestown materials for 1957 festival; list of lenders; for letter draft; credits; musical selections; annotated invitation; correspondence with Jamestown Committee members; copy of Commission report; shipping information and receipts; invitation copy\u003c/p\u003e","\u003cp\u003eIllustration lists for panels; label copy\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; research and information panel copy\u003c/p\u003e","\u003cp\u003e1 photograph of a plate; correspondence with lenders; shipping information and receipts; information request forms; label samples\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with lenders; shipping information and receipts; information request forms\u003c/p\u003e","\u003cp\u003eInformation on VMFA and Jamestown Festival\u003c/p\u003e","\u003cp\u003eCorrespondence with ESU re: speaker and other events; correspondence with embassy; clippings; invitations; speaker publicity\u003c/p\u003e","\u003cp\u003eChecklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of VMFA Summer Calendar\u003c/p\u003e","\u003cp\u003e1 drawing; photograph; checklist; catalog; publicity materials from AFA (organizer); measurement lists; correspondence with AFA; correspondence with Near East College Association (co-organizer); shipping information and receipts; label copy; checklists with values\u003c/p\u003e","\u003cp\u003e2 photographs; \"Emblem of the 1957 R.S. Reynolds Memorial Award\"; 20th century works of art catalogue from the University of Illinois-Urbana; label copy; AFA publicity materials; Reynolds Memorial Award publicity materials; correspondence with AFA; correspondence with Reynolds; correspondence with artist\u003c/p\u003e","\u003cp\u003e1 drawing, 7 photographs, press release; checklists; label copy; shipping information and receipts; MOMA publicity materials; correspondence with MOMA; label copy; condition report\u003c/p\u003e","\u003cp\u003e1 application; 2 memos\u003c/p\u003e","\u003cp\u003eCouncil member letter (2/1/57); \"The Big Frame-Up,\" script and cast list; volunteer lists by reject type; Council proposal for buying Virginia Art; preview invitations; clippings; correspondence with and between Council members; invitation copy; prize list\u003c/p\u003e","\u003cp\u003e1 photograph (Joseph Gilliard); correspondence with artists; invitation correspondence; checklists; biographical information; shipping information and receipts; photograph orders; label copy\u003c/p\u003e","\u003cp\u003eInvitation, traveling exhibition checklist; label copy; shipping information and receipts; checklists; correspondence with publicity; correspondence with artists; biographical information; correspondence with AFA; catalog of other comic show in NYC; press release copy; AFA Catalog 1957-58; photograph orders\u003c/p\u003e","\u003cp\u003e1 photograph of speaker (Rorimer); correspondence with speakers (library lecture series); list of speaker possibilities\u003c/p\u003e","\u003cp\u003eChecklists; shipping information and receipts (re: return of traveling show)\u003c/p\u003e","\u003cp\u003eInvitation to children's play; correspondence re: children's events, including play\u003c/p\u003e","\u003cp\u003eMembership letters; blank application; list of dropped group members with form letter; memo re: procedure\u003c/p\u003e","\u003cp\u003eIntroduction letter (9/28/56); letter (1/15/57); menu; correspondence and planning re: Council luncheon and other meetings; list of Council programs for year; correspondence; shipping information and receipts for lecture supplies; clippings\u003c/p\u003e","\u003cp\u003e4 photographs (Iris Nordquist?); label copy; correspondence with artists; shipping information and receipts; biographical information; checklists\u003c/p\u003e","\u003cp\u003eAn example file: instructions regarding how to do the shows, rules, etc. plus samples of forms and documents\u003c/p\u003e","\u003cp\u003eMemos and notes re: quality of transparencies used for postcards\u003c/p\u003e","\u003cp\u003eCorrespondence re: adult photography class taught by Burris (Gordon G.), staff photographer; correspondence with manufacturers re: enlargers; equipment brochures\u003c/p\u003e","\u003cp\u003eCorrespondence and agreements re: film society showings for year\u003c/p\u003e","\u003cp\u003e5 Remington Rand catalogs; Library and filing supplies; correspondence with other librarians (arts); correspondence with possible applicants; results of art resources surveys; list of equipment desired; list of periodicals [bunch of \"Habiliments\" material]\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; correspondence; correspondence with artists; sales information; repairs, shipping information and receipts\u003c/p\u003e","\u003cp\u003eForm letter from Rhoads to members\u003c/p\u003e","\u003cp\u003eCorrespondence and memos from McClellan \u0026amp; Velz (PR and publicity-related) [Richard Velz, Division Head, Administrative Division; E.T. McClellan, Public Information Head]\u003c/p\u003e","\u003cp\u003e1 photograph (Thomas Kenneth Rowe); 4 photographs of paintings; correspondence with artists; checklists; shipping information and receipts; biographical information; clipping\u003c/p\u003e","\u003cp\u003eLabel copy; shipping information and receipts; correspondence with artists; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; label copy; shipping information and receipts (no catalog published for this one)\u003c/p\u003e","\u003cp\u003ePreview invitation; 2 photographs; layout drawing; label copy; correspondence with ICA Boston (organizer) \u0026amp; Detroit Institute of Arts; correspondence with Winston; checklists; shipping info and receipts; catalog of collection at University of Michigan\u003c/p\u003e","\u003cp\u003e7 photographs; label copy; shipping information and receipts; correspondence with artists; checklists; clippings; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph; label copy; AFA publicity materials; correspondence with lenders; shipping information \u0026amp; receipts; credits; correspondence with designer (Oenslager); clippings; biographical information; 1 copy of catalog; AFA brochure (1957-1958)\u003c/p\u003e","\u003cp\u003e2 photographs; AFA materials; correspondence with AFA; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003ePanel layout drawing; 1 photograph; checklist; list of lenders; label copy; checklists; Carnegie press releases (organizer); correspondence with ICA Boston (circulator); correspondence with Carnegie; correspondence with lecturers; shipping information and receipts; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Smithsonian; Smithsonian press release; checklist; shipping information and receipts; label copy; 1 copy of catalog\u003c/p\u003e","\u003cp\u003e6 photographs (Barbee); 6 photographs (Lou Ponder-Rogers); checklists; correspondence with artists; shipping information and receipts; biographical information; various catalogs; label copy\u003c/p\u003e","\u003cp\u003e6 photographs (Thomas Gorman); 6 photographs (Marilyn Downes-Bennett); shipping information and receipts; correspondence with artists; checklists; label copy\u003c/p\u003e","\u003cp\u003e1 drawing; duplicate: invitation letter; \"Art Lending Service\"; press release; mailing list; Bulletin copy; invitation copy; copy of 1947 catalog; correspondence with artists; list of eligible artists; list of previous rotating exhibitions\u003c/p\u003e","\u003cp\u003e1 layout drawing; 2 photographs; checklists; label copy; correspondence with Warburg; shipping information and receipts; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eCopy of invitation; miscellaneous memos\u003c/p\u003e","\u003cp\u003e1 American classics drawing; 1 duplicate Skidmore, Owings, Merrill layout drawing; 1 copy of a gallery catalogue from New York; checklists; list of preview guests; shipping information and receipts; promotion plan; correspondence with publicity; promotion plans; press release\u003c/p\u003e","\u003cp\u003e\"SOM Projects,\" clipped prose and labels; label copy; copy of MOMA Bulletin on SOM (Fall 1950), XVIII, 1\u003c/p\u003e","\u003cp\u003eFolder with label on front \"William Rhodes\" scheduling events surrounding opening of new Reynolds Metals Building; correspondence with publicity; correspondence with SOM; correspondence with Reynolds; shipping information and receipts; preview plans\u003c/p\u003e","\u003cp\u003e1 photograph (Colorado Springs Air Force Academy); 1 photograph (Frederick D. Nichols, professor at School of Architecture, UVirginia); label copy; correspondence with publicity; Reynolds Metals opening schedule; annotated press releases; clippings, correspondence with potential speakers; Bulletin; shipping receipts\u003c/p\u003e","\u003cp\u003e5 photographs and 1 slide; correspondence with Reynolds; correspondence with publicity; correspondence with William O'Neal, lots of miscellaneous correspondence\u003c/p\u003e","\u003cp\u003eAround 10 magazine clippings\u003c/p\u003e","\u003cp\u003e1 photograph; clippings; press release; \"1962 American Painting\" catalog; \"The Story of Steuben Glass\" book\u003c/p\u003e","\u003cp\u003e1 photograph (duplicate); 1 drawing of pedestal; label copy; correspondence with Steuben glass; shipping information and receipts\u003c/p\u003e","\u003cp\u003e9 photographs; 1 drawing; 1 duplicate photograph (Dorothy Miner); label copy; correspondence with Andrew Wyeth; correspondence with lenders; correspondence with local librarians; correspondence with speaker (Dorothy Miner); 1 copy of invitation; 3 annotated copies of catalog of paintings at Knoedler; shipping information and receipts; biographical information\u003c/p\u003e","\u003cp\u003eDocumentation; correspondence and schedules for school group tours, all ages and subjects; some docent information\u003c/p\u003e","\u003cp\u003e1 copy of November 1958 – 44:11\u003c/p\u003e","\u003cp\u003e1 folder of press releases, VMFA Bulletin, 2 photographs, called \"News About our New General Office Building.\"\u003c/p\u003e","\u003cp\u003e1 folder with label \"Mrs. M.B. Christison\" with opening schedule information\u003c/p\u003e","\u003cp\u003e1 photograph (Edwin Burr Pettit – Brandeis lectures); information re: Council lecture-luncheon 1957; handouts; reservation cards; correspondence, Lecture Series schedule; correspondence with potential lecturers; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence re: mailing list and press releases\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity; publishers and personalities; printer\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with publicity; correspondence with dealers; press releases, Poussin material; mailing list\u003c/p\u003e","\u003cp\u003eCorrespondence with Professor of Applied Social Research at Columbia re: public relations\u003c/p\u003e","\u003cp\u003e1 drawing; shipping information and receipts; correspondence; label copy; correspondence with lenders; UVirginia catalog\u003c/p\u003e","\u003cp\u003e3 drawings; 9 photographs; 1 duplicate photograph; label copy; exhibition catalog from L'Art Ancien, S.A. Zurich; correspondence with Brooklyn; shipping information and receipts; invitation copy; 1 copy of invitation; clippings; AFA materials and correspondence\u003c/p\u003e","\u003cp\u003e\"Virginia Artists Jurying: Requested Arrangements \u0026amp; Operations\"; 17 photographs (1 of Perrin - labeled, 1 of Bertoia - hat, 1 of Lee – other; correspondence with potential jurors; correspondence with jurors; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 photograph; invitation (3 copies scattered); 1 drawing; checklists; biographical information; label copy; correspondence with Aldrich; catalog correspondence; correspondence with publicity; catalog copy; shipping information and receipts; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with printer re: catalog; \"thank yous\" for exchange or gift of catalog\u003c/p\u003e","\u003cp\u003e\"Complete Catalog\" copy; correspondence with artists; information requests; shipping information and receipts; 1 certificate (signed by Sherman Lee); clippings; correspondence with jurors; schedules; lists of entries by place; entries (completed); certificate recommendations; prospectus copy; clippings; checklists; other institutions' prospectuses; other catalogs; correspondence with publicity\u003c/p\u003e","\u003cp\u003e1 drawing; catalog copy; 1 copy of prospectus; label copy; prospectus proof\u003c/p\u003e","\u003cp\u003eCorrespondence with winners; list of certificates; list of recommendations\u003c/p\u003e","\u003cp\u003e15 photographs; 1 drawing; correspondence with Metropolitan Museum of Art (speaker); label copy; correspondence with Minneapolis Institute of Art (lender); checklist; shipping information and receipts\u003c/p\u003e","\u003cp\u003e5 photographs; correspondence with potential lenders; correspondence with APVirginia; correspondence with Virginia State Bar; checklists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with the Olsen Foundation (lender); 1 copy of catalog; shipping information and receipts; checklist\u003c/p\u003e","\u003cp\u003e12 photographs (whoever had show October 7- November 4, 1956); catalogue; research; checklists; correspondence with Olsen Foundation\u003c/p\u003e","\u003cp\u003eSuggestion for gala fundraiser\u003c/p\u003e","\u003cp\u003eCorrespondence with VHS\u003c/p\u003e","\u003cp\u003eCorrespondence with artists re: eligibility; old Virginia artists catalogues (1953 \u0026amp; 1955); prospectus and rules\u003c/p\u003e","\u003cp\u003e1959 catalogue; lists of eligible artists; label copy\u003c/p\u003e","\u003cp\u003e3 negatives, 5 photographs; correspondence with lenders (NYPL, Wadsworth, Met); checklists; chipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Virginia State Bar Association\u003c/p\u003e","\u003cp\u003e7 small photographs (Broaddus); 5 photographs (Russi); 5 photographs – prints – (Turner); correspondence re: sales; biographical information; correspondence with artists\u003c/p\u003e","\u003cp\u003e1 photograph (Davenport); 9 photographs (Davenport); 1 photograph (Jones); 4 photographs (Jones); checklists; label copy; correspondence with artists; biographical information; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; request for information forms\u003c/p\u003e","\u003cp\u003eReceipts\u003c/p\u003e","\u003cp\u003e7 photographs (I. Moore?); 7 photographs (Lois Jacobsen); 7 photographs (Bill Gaines); 1 photograph (Jacobsen); correspondence with artists; shipping information and receipts; invitation copy; correspondence re: sales\u003c/p\u003e","\u003cp\u003e4 photographs; 1 drawing (duplicate); duplicate: catalog list (blue); correspondence with AFA; AFA materials; clippings; biographical information on lecturer; checklist; correspondence with publicity; preview dinner plans; shipping information and receipts; 1 copy of catalogue\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; publication exchange cards; checklists; committee member list; correspondence re: catalog\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph (Basil Taylor); 1 duplicate photograph of unknown; 1 duplicate photograph (Alice Higgins); 1 drawing; clippings; biographical information on Sports Illustrated photographers; press releases; checklists; mailing lists; budget\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003eClippings; publication exchange cards; correspondence with publicity; 1 copy each of 2 invitations; dinner seating arrangement\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders\u003c/p\u003e","\u003cp\u003eDinner reservation list; dinner invitation (March 1960); list of patrons; budget information; invitation copy; shipping information and receipts; financial reports; correspondence with publicity; travel plans, correspondence with Basil Taylor; 1 copy each of 2 invitations; correspondence with Mellon\u003c/p\u003e","\u003cp\u003eResearch; checklists; correspondence with possible lenders; correspondence with Corcoran (organizer of Sports Illustrated exhibition); other exhibition catalogs; correspondence with Mellon; clippings; committee correspondence; label copy; correspondence with publicity; correspondence with ambassadors; invoices; issue of \"Sport \u0026amp; the Horse: The Chronicle,\" (4/1/60)\u003c/p\u003e","\u003cp\u003e1 drawing of dinner arrangement; correspondence with lenders; correspondence with committee members (including Mellon); shipping information and receipts; correspondence re: catalog; travel plans; invitation copy; correspondence with lecturer; correspondence with ambassadors\u003c/p\u003e","\u003cp\u003e3 photographs of packing Manet's \"Races at Longchamp, Paris\"; correspondence with lenders; shipping information and receipts; correspondence with Mellon; correspondence with publicity; correspondence re: damage to Manet\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with Blunt (Courtauld) and with royal collection\u003c/p\u003e","\u003cp\u003eCatalog copy; 1 letter from the Palais du Louvre\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; correspondence with committee members; list of patrons; requests to join committee\u003c/p\u003e","\u003cp\u003eCorrespondence with Constable, consultant to exhibition (former curator, MFA Boston); Courtauld Director; Art History Professor, University of London)\u003c/p\u003e","\u003cp\u003eCorrespondence with Bourlet \u0026amp; Sons\u003c/p\u003e","\u003cp\u003eCorrespondence with Duveen \u0026amp; Walker (insurance brokers); copy of policy\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; various lists\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders; preliminary loan list\u003c/p\u003e","\u003cp\u003e1 photograph of Sir Robert Walpole by Wootton; shipping information and receipts; correspondence with lenders; correspondence with Paul Mellon; handwritten list of lenders\u003c/p\u003e","\u003cp\u003eChecklists; item cards\u003c/p\u003e","\u003cp\u003eBudget tracking (including dinners); list of contributors; correspondence with Department of Accounts; receipts with correspondence; gala invitation copy; correspondence with publicity; correspondence with Mellon; 1 invitation; gala planning; menu copy; various ad rate cards (including Sports Illustrated); \"The Sports Illustrated Guide to Regional Marketing,\" with Sports Illustrated issue 4/18/60\u003c/p\u003e","\u003cp\u003e1 duplicate photograph of \"Brown Horse \u0026amp; Spaniel\" by Stubbs; correspondence re: repair (blister) of Stubbs' painting lent by Katherine Gilbey of England\u003c/p\u003e","\u003cp\u003e2 photographs (of Stubbs' Hambletonian, Rubbing Down receipt); correspondence with lender (Estate of the Dowager Marchioness of Londonderry); shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence of the British Council\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalogue\u003c/p\u003e","\u003cp\u003eRequests for catalogue\u003c/p\u003e","\u003cp\u003eChecklists by lenders, artists, type\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders\u003c/p\u003e","\u003cp\u003eMiscellaneous correspondence re: Sport \u0026amp; the Horse\u003c/p\u003e","\u003cp\u003eCorrespondence with Murray, librarian at the Witt Library, Courtauld\u003c/p\u003e","\u003cp\u003eCatalogue copy; label copy\u003c/p\u003e","\u003cp\u003eOver 100 plus photographs!\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; suggested publicity plan; clippings, correspondence especially Basil Taylor [Librarian, Royal College of Art, London] and W.G. Constable; checklists (essentially Muriel Christison's file)\u003c/p\u003e","\u003cp\u003eShipping information and receipts\u003c/p\u003e","\u003cp\u003eCompleted request for information forms; packet of information on paintings from Wildenstein\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers; checklists; correspondence\u003c/p\u003e","\u003cp\u003e3 photographs of Monet's painting packed; 1 photograph of James Ward \u0026amp; Skewbald Stallion; correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003e1 duplicate photograph (Gilpin's Gulliver \u0026amp; Houyhnhnms); correspondence with Basil Taylor (Librarian, Royal College of Art); essentially Muriel Christison's correspondence file; biographical information; catalog copy; label copy; checklists\u003c/p\u003e","\u003cp\u003e6 Prentiss Taylor photographs, 1 photograph of Taylor, 1 photograph of Lazaron exhibition; correspondence with artists; sale information; other catalogs; biographical information; clippings; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eProspectus copy; misfiled correspondence\u003c/p\u003e","\u003cp\u003eProspectus copy\u003c/p\u003e","\u003cp\u003e1 photograph of installation; 6 slides (unlabeled); 1 copy of prospectus; correspondence re: jurors and jurying; list of certificate winners; correspondence with winners; dinner replies; other catalogs; correspondence with artists; correspondence with jurors\u003c/p\u003e","\u003cp\u003e1 drawing; 1 copy of 20th Photographic Salon prospectus (blue); 2 posters from Virginia Art Directors Club 57th Annual Exhibition; Mariners Museum catalogs, etc. (lots of prospectuses and catalogs for similar exhibitions; entry requests; correspondence with jurors; jurying information\u003c/p\u003e","\u003cp\u003eChecklists; notes; 1 copy of 20th Virginia Photographic Salon invitation and catalog; press release\u003c/p\u003e","\u003cp\u003eADP prospectus; requests for entry; mailing lists; correspondence with Camera Club \u0026amp; Photographic Society of America; annotated copies of 20th Virginia Salon catalog; 1 copy of PSA Journal 1960 – membership list\u003c/p\u003e","\u003cp\u003eSale information; checklists; correspondence with artists; insurance information; biographical information; shipping information and receipts\u003c/p\u003e","\u003cp\u003e3 duplicate photographs of artists, 1 photograph of panel; biographical information; correspondence with artists; checklists; shipping information and receipts; correspondence with publicity\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; checklists; shipping information and receipts; sales information; biographical information\u003c/p\u003e","\u003cp\u003e\"Art Lending Service,\" generic invitation; correspondence with artists\u003c/p\u003e","\u003cp\u003e\"Notice to Virginia Photographers,\" 1 drawing, 1 photograph of juror [Hoyt L.] Roush; prospectus copy; entry requests; checklists; annotated prospectus; information re: jurying; correspondence with jurors; correspondence with Camera Club; catalog copy; copies of 18th \u0026amp; 19th photographic salon catalogs; lists of winners; shipping information and receipts; biographical information\u003c/p\u003e","\u003cp\u003e20th Photographic Salon prospectus; other catalog; entry requests; prospectus copy; ADP prospectus copy; clippings; news release; 1 drawing of ADP layout (already have it)\u003c/p\u003e","\u003cp\u003e1 drawing; 1 copy of catalog; correspondence with MOMA (organizer); MOMA materials; shipping information and receipts; label copy; checklists; contract\u003c/p\u003e","\u003cp\u003eTwo 12/1/59 press releases; 3 photographs from 1/2/60; press release; clippings; correspondence with publicity; list of attendees; correspondence with UNESCO\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors; shipping information and receipts; correspondence with lenders; completed request for information forms\u003c/p\u003e","\u003cp\u003e2 negatives of Joseph A. White (shipper) and Perry Rathbone (Director, MFA Boston); checklists; correspondence with publicity; correspondence with lenders; biographical information; list of events; 2 prints of negatives\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders\u003c/p\u003e","\u003cp\u003eInvitation copy; catalog copy; annotated Sport and the Horse invitations, programs and menus; copy of \"Brief History of Virginia Museum,\" lecture copy\u003c/p\u003e","\u003cp\u003eCorrespondence with CW's President; biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with Gibbs (President of Gibbs \u0026amp; Cox, Architects); biographical information\u003c/p\u003e","\u003cp\u003eBiographical information (of Lehman Brothers, investment banking); correspondence with Lehman\u003c/p\u003e","\u003cp\u003eCorrespondence with Marshall Fredericks (accepted Carl Milles award); biographical information; correspondence with Mrs. Milles\u003c/p\u003e","\u003cp\u003eAnnual reports (1956-58, 51-55, 41-50); biographical information on Ernest Brooks (President of Foundation) and correspondence with Brooks; miscellaneous correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence with Saarinen; biographical information (correspondence re: Arts in Virginia article)\u003c/p\u003e","\u003cp\u003eNotes; correspondence with contributors; correspondence with vendors\u003c/p\u003e","\u003cp\u003e25 photographs; 1 duplicate photograph; correspondence with lenders and directors of lending institutions; biographical information\u003c/p\u003e","\u003cp\u003e1 copy of preview invitation; list of invitees; drafts of publicity correspondence; correspondence with governor; memos\u003c/p\u003e","\u003cp\u003eVarious checklists\u003c/p\u003e","\u003cp\u003eMore checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders (in alpha order of lenders)\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders (compiled by lender)\u003c/p\u003e","\u003cp\u003e1 letter to Director of Toledo Museum of Art\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity (compiled by institution)\u003c/p\u003e","\u003cp\u003e33 duplicate photographs; 9 new photographs; shipping information and receipts; requests for information forms\u003c/p\u003e","\u003cp\u003e24 duplicate photographs; 4 new photographs; shipping information and receipts; requests for information forms [n.b.: some overlap between folders 8 and 9]\u003c/p\u003e","\u003cp\u003eShipping information and receipts with new form: \"Collection Memo \u0026amp; Receipt.\"\u003c/p\u003e","\u003cp\u003e1 drawing; 3 maps of table arrangements with names; 1 letter of thanks to Miller \u0026amp; Rhoads\u003c/p\u003e","\u003cp\u003e\"Virginia Artists Jurying\"; 1 photograph; completed entry blanks; prospectus copy; correspondence with artists; correspondence re: sales; shipping information and receipts; list of certificate winners; labels; budget information; correspondence with jurors; prospectus proofs; correspondence re: damages; list of invitees for collectors reception\u003c/p\u003e","\u003cp\u003eSmall bit of correspondence; prospectus copy\u003c/p\u003e","\u003cp\u003e5 photographs; correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003ePress release form; SITES checklist; SITES press release, 3 photographs; collection of memos and receipts; press release copy; correspondence with venders; staff memos; checklists; clippings; shipping information and receipts; request for information forms; SITES contract\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence re: sales; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence re: sales; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence re: sales; shipping information and receipts; biographical information; overall rotating schedule; insurance form (new that year)\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with artists; shipping information and receipts; checklists, insurance form\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; shipping information and receipts; other catalog; checklists; insurance forms\u003c/p\u003e","\u003cp\u003e1 drawing; correspondence with publishers and booksellers; correspondence with American Institute of Graphic Arts (circulator); shipping information and receipts; label copy; insurance form\u003c/p\u003e","\u003cp\u003e5 photographs; label copy; research, correspondence with AFA (circulator); AFA materials; checklists; exhibition contract; press releases; shipping information and receipts; 1 copy of invitation\u003c/p\u003e","\u003cp\u003e1 photograph; 1 drawing; 1 copy of invitation; correspondence with artist (Ruth Perkins Safford); label copy; price list; invitation copy; traveling exhibition checklist\u003c/p\u003e","\u003cp\u003e9 photographs; 1 duplicate photograph; correspondence with MOMA (organizer and circulator); label copy; shipping information and receipts; 1 copy of invitation; MOMA materials; checklists\u003c/p\u003e","\u003cp\u003e3 photographs; shipping information and receipts; correspondence with artists; lists of all eligible artists\u003c/p\u003e","\u003cp\u003eLabel copy; correspondence with artists; correspondence with lenders; insurance form, checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 drawing; duplicate: preview invitation; AFA materials (circulator); panel copy; 1 copy of Bulletin (November 1961); checklists; label copy; exhibition contract; correspondence with AFA; shipping information and receipts; AFA informational card (1 copy); correspondence re: sales\u003c/p\u003e","\u003cp\u003eList of private purchasers; correspondence with artists; check receipts; shipping information and receipts; signed release forms (when items were released from museum custody); checklists; \"Report of the Council Committee for the Virginia Artists' Exhibition, 1961\"; list of business purchasers\u003c/p\u003e","\u003cp\u003e\"Art Lending Service,\" \"Release Form,\" 1 drawing, \"Artist Form,\" another \"Art Lending Service\"; correspondence; schedule; procedures\u003c/p\u003e","\u003cp\u003e\"Virginia Artists Jurying,\" \"Collectors' Reception\" (2/24/59), \"Tax Consequencies of Gifts of Picture,\" \"List of Firms\"; correspondence; invitation copy; memos; catalog and prospectus copy for 1961 show; label copy; procedures re: sales; check receipts\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with artist; recommendation from Cheek; biographical information\u003c/p\u003e","\u003cp\u003e1 bound copy of \"Cross-Examination of an Art Collection\" by Fred L. Palmer; correspondence with Palmer; checklists; shipping information and receipts; list of valuations; biographical information; collection memo and receipt; insurance report form\u003c/p\u003e","\u003cp\u003e3 pieces of correspondence re: possible Eisenstaedt exhibition\u003c/p\u003e","\u003cp\u003e2 photographs (duplicates); research; checklists; insurance report forms; shipping information and receipts; collection memo and receipts; label copy\u003c/p\u003e","\u003cp\u003ePanel copy; label copy\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; correspondence with artists; insurance report forms; Virginia Artist application; checklists\u003c/p\u003e","\u003cp\u003eInvitation; label copy; clippings; correspondence with Railey (Mrs. Howard); research; auction catalogue: Hotel Drouot, 20 November 1861; shipping information and receipts; checklists; insurance report form\u003c/p\u003e","\u003cp\u003e5 photographs, 1 drawing; correspondence with Director, H. Bryan Caldwell; checklists; collection memo and receipts; insurance report forms; research; press release; copies of Norfolk Museum Bulletins; Norfolk materials; 1 copy of \"Hugh Gordon Miller Collection of Paintings\"; correspondence with other Norfolk staff; 1 copy of \"The Great Mace of Norfolk\"; shipping information and receipts\u003c/p\u003e","\u003cp\u003eFact sheet; catalog copy; list of winners; copy of speech at preview\u003c/p\u003e","\u003cp\u003eProspectus copy; signed endorsement of prospectus by AIA, Virginia Chapter; prospectus proof\u003c/p\u003e","\u003cp\u003eSigned certificates of distinction; prospectus copy; correspondence with jurors; biographical information; jury instructions; fact sheet\u003c/p\u003e","\u003cp\u003eJury instructions; fact sheer; list of winners\u003c/p\u003e","\u003cp\u003eLabel copy; insurance report form; memos; shipping information and receipts; correspondence with artists; biographical information\u003c/p\u003e","\u003cp\u003e2 photographs, 1 drawing; label copy; correspondence with lender; correspondence with Basil Taylor; correspondence re: insurance; shipping information and receipts; police stand information\u003c/p\u003e","\u003cp\u003e1 drawing; label copy; police stand information; correspondence with artists; correspondence with Hayes (Director of Addison); biographical information\u003c/p\u003e","\u003cp\u003e1 copy of catalog; 1 copy of \"Artist-Craftsmen of Western Europe\" Catalog; unsigned invitation forms from Hayes; copies of telegraph information requests; label copy; correspondence with artists; correspondence with lenders\u003c/p\u003e","\u003cp\u003e7 photographs; 1 copy of catalog; catalog copy; correspondence re: possible purchase of Nell Blaine painting\u003c/p\u003e","\u003cp\u003e2 photographs, invitation; correspondence re: damage; shipping information and receipts; correspondence re: insurance [other correspondence: with artists; re: catalog; with publicity; with Hayes; re: lecture; with lenders; press releases; copy of Time magazine 1/19/62 re: Yu-Ho]; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; signed invitation forms; a few other catalogs\u003c/p\u003e","\u003cp\u003e22 new photographs; 8 duplicate photographs; some correspondence re: photographs\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; checklists; insurance report form\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with contributors to AIV and Miss Christine Alexander, former curator at the Met \u0026amp; now advisor on Greek art to VMFA; staff memos; label copy; checklists; correspondence re: photographic panels for exhibition\u003c/p\u003e","\u003cp\u003eResearch (including sketches by Christine Alexander); notes; label copy\u003c/p\u003e","\u003cp\u003ePress release; checklist; label copy\u003c/p\u003e","\u003cp\u003e41 photographs; 12 duplicate photographs; label copy; correspondence with publicity; memos\u003c/p\u003e","\u003cp\u003e1 drawing; label copy; checklists; shipping information and receipts; correspondence with Karolik; research; collection memo and receipt; insurance report form\u003c/p\u003e","\u003cp\u003e12 photographs; correspondence with publicity; correspondence with potential lenders; correspondence with lenders; Jamestown Festival materials; correspondence with Jamestown; label copy\u003c/p\u003e","\u003cp\u003e8 photographs; correspondence with artists; insurance report forms; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003e1 photograph; 1 duplicate photograph; 1 duplicate information sheet [\"Collectors Circle,\" 4/30/62]; shipping information and receipts; information request form; correspondence with collectors; label copy; schedule of \"expert\" lecture; insurance report form; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eLabel copy; memos; correspondence with potential lenders; correspondence with SITES; correspondence with various Civil War Centennial Commissions; loan contracts (SITES); checklists; SITES materials; press releases; shipping information and receipts\u003c/p\u003e","\u003cp\u003e12 photographs, 1 sealed envelope with possible photographic material ;checklists; label copy; correspondence with artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e14 photographs; correspondence with artist; biographical information; memos; shipping information and receipts; insurance report form; clippings; label copy\u003c/p\u003e","\u003cp\u003e5 photographs, 10 slides (Bristow); correspondence with artist; correspondence re: sale; press release, biographical information; memos; label copy; checklists; insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; 1 annotated copy of \"Stravinsky and the Dance,\" NYPL, 1962\u003c/p\u003e","\u003cp\u003e7 photographs; 2 duplicate photographs; staff memos; correspondence re: preview; correspondence with lenders; correspondence with AFA (circulator); checklists; correspondence with publicity\u003c/p\u003e","\u003cp\u003eSample of stuffed envelope to be weighed for postage\u003c/p\u003e","\u003cp\u003e7 photographs; duplicates: checklist, suggested press release; correspondence with SITES; SITES materials; exhibition contract; staff memos; 1 copy of SITES catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Thorne (potential Virginia Artist)\u003c/p\u003e","\u003cp\u003eStaff memos; correspondence with potential and real lenders; checklists; collection memo and receipts; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 copy of Saturday Review 6/18/62\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; various checklists; completed applications; blank applications (1 annotated; 1 not)\u003c/p\u003e","\u003cp\u003eApplication packet; completed applications\u003c/p\u003e","\u003cp\u003eCorrespondence with Goodrich (Director of Whitney); lecture schedule (for all lecturers for chapters and affiliates)\u003c/p\u003e","\u003cp\u003eCorrespondence with Rich (Director at Worcester); proposed schedule for Rich\u003c/p\u003e","\u003cp\u003eCorrespondence with Walker (Director, National Gallery of Art, DC); proposed schedule for Walker\u003c/p\u003e","\u003cp\u003e2 photographs [Robert Lippold, Perry Rathbone]; duplicates: loan/own letter (8/10/62); Dear Virginia Artist (1/16/63); correspondence with artists; 2 label panels; checklist of eligible artists; prospectus copy; list of awards\u003c/p\u003e","\u003cp\u003e1 press release\u003c/p\u003e","\u003cp\u003e\"Curator's Choice: Collectors' Opportunity\" (orange); \"$50 Hens\" (blue); \"Procedure for Party\"; label copy; staff memos; text of speech; \"rules of etiquette\"; purchase request cards\u003c/p\u003e","\u003cp\u003e'62 ADP catalog; old prospectuses; catalog copy; staff memo\u003c/p\u003e","\u003cp\u003e1 drawing; 1 invitation; correspondence with artists; checklists (actually price lists); insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003ePress release (9/8), 16 duplicate photographs, 7 new photographs, 1 contact sheet; 1 copy of Arts in Virginia (Spring 1962); correspondence with RMWC; checklists; correspondence with publicity\u003c/p\u003e","\u003cp\u003eSuggested press release; checklist (circulated by MOMA); shipping information and receipts; MOMA materials; label copy; correspondence with MOMA\u003c/p\u003e","\u003cp\u003e10 photographs; 1 copy of \"Finlandia\" catalog; correspondence with SITES. Correspondence with John Rorimer (Director of the Met); correspondence with AFA; correspondence with Finnish Society of Crafts \u0026amp; Designs [didn't take place!]\u003c/p\u003e","\u003cp\u003eCorrespondence with Rosenwald; correspondence with Walker \u0026amp; Brown at NGA; work schedule; correspondence with lenders; shipping information and receipts; staff memos; list of invitees to preview dinner; collection memo and receipt; 1 copy of invitation; foreword copy\u003c/p\u003e","\u003cp\u003eCatalog copy; catalog proofs; miscellaneous correspondence; foreword copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Philadelphia Museum; shipping information and receipts; insurance report form; correspondence with Rosenwald\u003c/p\u003e","\u003cp\u003e3 photographs; shipping information and receipts; correspondence with SITES; checklists; press release; SITES materials; contract; label copy\u003c/p\u003e","\u003cp\u003eAnnotated copies of old prospectuses and catalogs; catalog copy\u003c/p\u003e","\u003cp\u003eMailing lists; list of hometowns; correspondence with artists; statistics; correspondence re: sales\u003c/p\u003e","\u003cp\u003e1963 catalog; prospectus copy; catalog copy; catalog proof\u003c/p\u003e","\u003cp\u003eCertificate (1 signed; few unsigned), invoices (purchasers and file copies); checklists; presentation schedule; correspondence with artists\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; staff memo with form letters; Council letter (5/5/65)\u003c/p\u003e","\u003cp\u003eMemos re: visit of Carl Weinhardt, juror; various staff memos; various form letters\u003c/p\u003e","\u003cp\u003eLetter to purchaser from 20th exhibition, receiving and handling of prospectus and works (2/19/65); jurying procedures (3/18/65); dear Virginia Artist Printmaker; various staff memos; council committee report; Council form letters; correspondence with artists; various form letters; 1 copy of 1963 prospectus\u003c/p\u003e","\u003cp\u003e1 slide; lists of works purchased; label copy; insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003e3 drawings; duplicates: invitation; 1 copy of Bulletin (September 1965); collection memo and receipts; 1 copy of catalog; correspondence with lenders; correspondence with Moore; checklists\u003c/p\u003e","\u003cp\u003e\"Suggested Introduction,\" 2 photographs; schedule of trip; correspondence with Arnson; miscellaneous correspondence; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates: 1 clipping (Time 9/3/65); label copy; clippings; other invitations; Dictaphone belts with Henry Moore!; other catalogs; other press releases; transcription of interview\u003c/p\u003e","\u003cp\u003e34 new photographs; 6 duplicate photographs\u003c/p\u003e","\u003cp\u003eShipping information and receipts; request for information forms; checklists; correspondence; insurance report forms; 1 copy of catalog (annotated)\u003c/p\u003e","\u003cp\u003e1 annotated copy of \"William Blake: Poet, Printer, Prophet,\" by SITES\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates: \"Suggested press release,\" \"checklist, handling instructions\"; correspondence with SITES; SITES material; correspondence with Mellon (re: loans)\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with lenders and The Blake Trust; clippings\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Mellon; checklists; collection memo and receipts; shipping information and receipts; insurance report form\u003c/p\u003e","\u003cp\u003e7 photographs\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Rosenwald; correspondence with lenders; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e23 photographs; 2 duplicate photographs; correspondence with artists; photograph reproduction requests\u003c/p\u003e","\u003cp\u003eFact sheet for Virginia Artists 1963; correspondence with artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; lists of works purchased\u003c/p\u003e","\u003cp\u003eStaff memos and notes re: improvement suggestions\u003c/p\u003e","\u003cp\u003eCorrespondence with Oenslager re: possible lecture\u003c/p\u003e","\u003cp\u003eCorrespondence with museums for slides of their expansions for a lecture\u003c/p\u003e","\u003cp\u003e\"Fact Sheet – Virginia Artists Preview Committee-1965\"; copies of Bulletins (2/63 \u0026amp; 3/65); various fact sheets from previous Virginia shows; checklists; correspondence; staff memos; shipping information and receipts; correspondence with artists\u003c/p\u003e","\u003cp\u003e1 photograph: declined exhibition, \"Good Design in Toys,\" sponsored by Creative Playthings of Princeton and L.A.; correspondence re: denied exhibition proposals; some correspondence with jurors\u003c/p\u003e","\u003cp\u003eCatalog proofs; billing information; meeting minutes (Education in the Arts Committee); rough fact sheets; schedules; correspondence with artists; checklists; catalogue copy; label copy; annotated copy of ADP '64\u003c/p\u003e","\u003cp\u003eMemo re: AIA Dinner, 3/2/66; correspondence with artists; correspondence with associations; correspondence with Virginia AIA; clippings; budget information\u003c/p\u003e","\u003cp\u003eDuplicates: form letter from Bill Gaines (2/4/66); certificate of distinction (unsigned); reply card\u003c/p\u003e","\u003cp\u003e3 photographs (Arthur d'Arazien); duplicates: d'Arazien's biography; 1 photograph of Edgar Kaufmann (newsprint); correspondence with jurors; biographical information; clippings; press release\u003c/p\u003e","\u003cp\u003eEliot Elisofon's biography; 1 duplicate photograph (Elisofon); correspondence with jurors; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph (Louis Kahn); correspondence with juror (Kahn); schedules\u003c/p\u003e","\u003cp\u003e\"ADP Jury Schedule\"; 5 photographs; photocopy of contact sheet; comment notes; list of potential jurors; schedules; correspondence re: dinner and hosting\u003c/p\u003e","\u003cp\u003e\"Receiving and Handling of Material\" (11/29/65, \"Procedures for Jurying\" (1/19/66); staff memos; text of Walter Robertson's speech to dinner; notes re: jury report\u003c/p\u003e","\u003cp\u003eADP '62, ADP '64 catalogs; prospectus proofs; 1 copy of ADP '60 \u0026amp; '66 catalog; 1 copy of ADP '62, '64, '66 prospectuses\u003c/p\u003e","\u003cp\u003eADP slide commentary, 1966; checklists of selected entries; correspondence with artists; comments; fact sheet estimates\u003c/p\u003e","\u003cp\u003eVirginia ADP 1966: Traveling Designs, Traveling Photographs, Traveling Transparencies\u003c/p\u003e","\u003cp\u003e2 photographs; insurance report form; correspondence with Koplin; shipping information and receipts; biographical information; checklists; 1 copy of 9/65 Bulletin; clippings; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; duplicates: 10/65 Bulletin; internal memos; shipping information and receipts; other catalog; correspondence with Jackson\u003c/p\u003e","\u003cp\u003e12/65 Bulletin; 2 photographs; label copy; shipping information and receipts; internal memos; insurance report form; correspondence with Alexick; biographical information\u003c/p\u003e","\u003cp\u003e1 copy of 11/65 Bulletin; biographical information; label copy; insurance report form; correspondence with Biehl, checklists\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Belair; shipping information and receipts; insurance report form; 1 copy of 1/66 Bulletin; internal memos\u003c/p\u003e","\u003cp\u003e3 photographs; 2 photographs; biographical information; insurance report form; 1 copy of 2/66 Bulletin; shipping information and receipts; correspondence with Pienkowski\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph; 3/66 Bulletin; label copy; biographical information; shipping information and receipts; insurance report form\u003c/p\u003e","\u003cp\u003e2 photographs; label copy; shipping information and receipts; insurance report form; checklists; correspondence with Aldreth\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; insurance report form; shipping information and receipts; correspondence with Driskell; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; checklists; insurance report form; shipping information and receipts; 5/66 Bulletin; correspondence with artist; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; clippings; correspondence with artist; checklists; shipping information and receipts; insurance report form; 9/66 Bulletin; press releases; internal memos; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 3 photographs; 10/66 Bulletin; correspondence with artist; shipping information and receipts; biographical information; clippings\u003c/p\u003e","\u003cp\u003e3 photographs; label copy; clippings; correspondence with artist; insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph; correspondence with artist; insurance report form; shipping information and receipts; 12/66 Bulletin; clippings; label copy; letter to members from Leslie Cheek Jr. re: opening\u003c/p\u003e","\u003cp\u003e2 photographs; 3 photographs; correspondence with artist; insurance report form; 1/67 Bulletin; shipping information and receipts; biographical information; clippings; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 3 photographs; clippings; 2/67 Bulletin; correspondence with artist; insurance report form; shipping information and receipts; label copy; checklists; other brochure; blank gallery floor plan (photocopy)\u003c/p\u003e","\u003cp\u003eClipping; 3 photographs; insurance report form; shipping information and receipts; correspondence with artist; gallery map\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; correspondence with artist; 4/67 Bulletin; insurance report form; checklists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph; correspondence with artist; biographical information; 3/67 Bulletin; clippings; checklists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence trying to track artist down\u003c/p\u003e","\u003cp\u003e3 photographs; 4 photographs; 9/67 Bulletin; clippings; correspondence with artist; 1 copy of invitation; shipping information and receipts; biographical information; label copy\u003c/p\u003e","\u003cp\u003e3 photographs; 1 photograph; correspondence with artist; clippings; label copy; 10/67 Bulletin; 1 copy of invitation; shipping information and receipts; price list (hand drawn!)\u003c/p\u003e","\u003cp\u003e1 photograph; 3 photographs; 11/67 Bulletin; correspondence with artist; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eComparative statistics for Tut and Greek Gold; correspondence with lenders (especially MFA Boston); correspondence re: insurance; clippings; press releases; staff memos re: procedures\u003c/p\u003e","\u003cp\u003eLots of photographs!; 1 copy of press packet (new!)\u003c/p\u003e","\u003cp\u003eLots of photographs!; shipping information and receipts; correspondence with lenders; correspondence with MFA Boston and Brooklyn (2 other venues0; correspondence with Senator Byrd and other legislators re: Senate Bill S.2273 7/9/65\u003c/p\u003e","\u003cp\u003e[essentially Mary Louise Pinckney's (Loans Registrar-Programs Division) file]; schedules; staff memos; shipping information and receipts; correspondence with MFA Boston and Brooklyn; memos re: procedures; checklists\u003c/p\u003e","\u003cp\u003eCopy of S.2273 Senate Bill report; label copy; memos re: procedures; clippings; correspondence with lenders; shipping information and receipts; 1 copy of invitation; research, correspondence re: recovery of stolen gold\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalog (with MFA Boston, Brooklyn, author Herbert Hoffmann, printer); catalog proofs; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCatalog proofs; catalog copy\u003c/p\u003e","\u003cp\u003e1 drawing; correspondence with MFA Boston \u0026amp; Brooklyn; correspondence with Greek Embassy; correspondence with Department of State; correspondence with Hoffmann, author; correspondence with publicity; staff memos; correspondence re: research\u003c/p\u003e","\u003cp\u003eIntroduction; correspondence with Pat Davidson (Brooklyn/lecturer); correspondence with Hoffmann; schedules; press release\u003c/p\u003e","\u003cp\u003eOne annotated checklist\u003c/p\u003e","\u003cp\u003e3 articles re: theft of jewelry; 1 drawing; shipping information and receipts; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with MFA Boston \u0026amp; Brooklyn; correspondence re: insurance; correspondence with lenders; 1 copy of MFA Bulletin (November 1965); checklists; copies of policies\u003c/p\u003e","\u003cp\u003eCopy of S.2273 Bill; correspondence with legislators; clippings\u003c/p\u003e","\u003cp\u003eChecklists; correspondence\u003c/p\u003e","\u003cp\u003ePanel copy\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; clippings; correspondence with Patricia Davidson (her writings); catalog proofs\u003c/p\u003e","\u003cp\u003e2 items\u003c/p\u003e","\u003cp\u003eCorrespondence re: shipping with security company and lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with Alderman; shipping information and receipts; checklists; insurance report form; label copy; traveling exhibition checklists; press release\u003c/p\u003e","\u003cp\u003e1 photograph (Thomas George, painter); correspondence with lender (Betty Parsons); label copy\u003c/p\u003e","\u003cp\u003e4 photographs; label copy; correspondence with SITES\u003c/p\u003e","\u003cp\u003e4 photographs (duplicates); 1 new photograph; other duplicates: SITES suggested press release, Joseph V. McMullan Islamic carpets catalog; 1 copy of the catalog (annotated in a few places); checklists; correspondence with the de Young, next exhibitor; shipping information and receipts; label copy; clipping; correspondence with SITES; 1 copy of Textile Museum catalog; correspondence with Textile Museum; correspondence with Kevorkian Foundation (other choice for exhibition-denied)\u003c/p\u003e","\u003cp\u003e2 press releases; introduction; invitation; correspondence with McMullan; itinerary for visit\u003c/p\u003e","\u003cp\u003e10 mounted photographs only if unduplicated; 8 Photographs, 2 installation photographs, 1 photograph of building, 1 photograph of artist; 1 drawing; duplicates: catalog, 1 \"Visions of Man\" invitation; checklists; shipping information and receipts; correspondence with Reynolds; label copy, 1 copy of \"Visions of Man\"\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Hans Beckmann (lecturer)\u003c/p\u003e","\u003cp\u003e5 drawings; 9 photographs; 8 duplicate photographs; 1 copy of invitation; MOMA materials (circulator); correspondence with lenders; shipping information and receipts; label copy; research; correspondence with Anni \u0026amp; Joseph Albers; checklists; correspondence with MOMA; Gemini lithograph catalog\u003c/p\u003e","\u003cp\u003e1 photograph (Jonathan Williams); [rest of photos are from Virginia ADP show, probably duplicates from earlier box]; correspondence with potential lecturers for Albers exhibition\u003c/p\u003e","\u003cp\u003e1 photograph (Robert Light-speaker); pricelist; checklists; label copy; invitation list; procedures; correspondence with lecturer\u003c/p\u003e","\u003cp\u003e1 drawing; 9 photographs; duplicates: suggested press release; checklist; 5 duplicate photographs; shipping information and receipts; correspondence with SITES; correspondence with lecturer; SITES materials; label copy; checklist\u003c/p\u003e","\u003cp\u003e2 drawings; 20 photographs; 6 duplicate photographs (from previous folder); correspondence with SITES; SITES materials; shipping information and receipts; label copy; correspondence with lecture sites; annotated checklists; 1 copy of lecture announcement\u003c/p\u003e","\u003cp\u003eIntroduction, suggested news release, 1 duplicate photograph of Dr. Regina Soria; correspondence with Soria; clippings; itinerary; biographical information on Soria\u003c/p\u003e","\u003cp\u003eInvoices and shipping instructions\u003c/p\u003e","\u003cp\u003eMiscellaneous correspondence re: exhibitions\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: exhibition schedule change\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: addition to catalog\u003c/p\u003e","\u003cp\u003ePress release, 1 duplicate photograph, introduction; itinerary (lecturer); biographical information; correspondence with Dimitri; label copy; clippings (typed) [1 piece of correspondence has a color drawing on bottom]\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; memo re: engagements (8/25/64); 2 press releases; 2 introductions; \"Color by Sultner-Wells\" brochure; correspondence with Sultner-Wells; clippings; 1 copy of Longwood Gardens invitation; procedures; itinerary\u003c/p\u003e","\u003cp\u003e2 photographs; itinerary; correspondence with Sultner-Wells; 2 posters of his clippings (montages); 2 dust jacket with his photograph; copies of other press releases\u003c/p\u003e","\u003cp\u003e4 transparencies, photographs; label copy; correspondence with next venue (Easton Academy of Arts); shipping information and receipts; correspondence with lender (Roland Gibson); checklists\u003c/p\u003e","\u003cp\u003eCorrespondence re: possible lecture series in Virginia (Blake is connected to Architectural Forum magazine)\u003c/p\u003e","\u003cp\u003eCorrespondence re: possible lecture series (Minor connected to the Met)\u003c/p\u003e","\u003cp\u003eC.V. for Stern; correspondence with R. Stern about leave for Council series on new building (he's Head of Architectural League of NY); correspondence with other potential speakers; correspondence with Pearsalls [John and Laila] (hosts)\u003c/p\u003e","\u003cp\u003eIntroduction; correspondence re: Christmas' lecture series; itinerary; other promotional material\u003c/p\u003e","\u003cp\u003eCorrespondence with other museums that recently expanded to obtain slides for a lecture; long letter from Cheek to Robertson re: decision of Governor's committee (turned down design); list of committee members; form letter to President of affiliates asking them to write to their legislators in support of new building plan\u003c/p\u003e","\u003cp\u003eCorrespondence with Mielziner re: lecture series; correspondence with other potential lecturers; correspondence with other institutions that recently expanded re: slides\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; lists of panel photographs\u003c/p\u003e","\u003cp\u003e5 photographs of proposed floor plans (Baskervill \u0026amp; Son)\u003c/p\u003e","\u003cp\u003eSlide lists; copy of talk; checklists\u003c/p\u003e","\u003cp\u003eInsurance report forms; label copy\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; insurance report forms; correspondence\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; checklists; insurance report forms; request for information forms; correspondence re: damage of a loaned painting by Jan Stussy\u003c/p\u003e","\u003cp\u003e1 drawing; news clipping; 1 photograph of installation; label copy; correspondence with C.V. Donovan (juror \u0026amp; Director of Krannert Art Museum); correspondence with publicity; copy of lecture; checklists; other artists' promotional materials\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; information request forms\u003c/p\u003e","\u003cp\u003eIntroduction; suggested press release; 1 slide: Paul Paul Horiuchi's \"Winter Receding,\" 1964; correspondence with Donovan; itinerary; other artists' promotional material\u003c/p\u003e","\u003cp\u003e1 drawing; 1 duplicate photograph; 7 photographs; 1 copy of the \"Jeffersonian,\" 5/13/66 with article on exhibition and pictures of Gwathmey's painting; information request forms; checklists; catalog copy; 1 copy of invitation; correspondence with lenders\u003c/p\u003e","\u003cp\u003eInformation packet\u003c/p\u003e","\u003cp\u003eOriginal proposal; copies of information packet items (drawings \u0026amp; proposal); copy of same\u003c/p\u003e","\u003cp\u003e\"Exhibition Materials\"; checklists; correspondence with George Stevens Productions\u003c/p\u003e","\u003cp\u003eVarious packeted materials (promotional)\u003c/p\u003e","\u003cp\u003eCorrespondence with Hollywood Museum; correspondence with Motion Picture Association; correspondence with Ford Foundation; correspondence with George Stevens Productions; correspondence with Smithsonian Institution; correspondence with Old Dominion Foundation\u003c/p\u003e","\u003cp\u003eLists of panels; film sequences lists\u003c/p\u003e","\u003cp\u003eResearch notebook (Gaines' handwriting?); 1 copy of catalog \"Scenery for Cinema\" at Baltimore Museum of Art, 1942 (when Leslie Cheek was Director); lists of panels; label copy\u003c/p\u003e","\u003cp\u003ePromotional materials from film companies (i.e. Technicolor, Panavision)\u003c/p\u003e","\u003cp\u003e8 drawings; movie production sheet with film negatives (to stay at LVA)\u003c/p\u003e","\u003cp\u003eLife magazine 3/27/64 offprint with article on movie\u003c/p\u003e","\u003cp\u003eFilm reel labeled \"Selected Documentary Trims\"\u003c/p\u003e","\u003cp\u003eCouldn't pull it out without ripping envelope – looks like scripts or set notes; possibly a drawing\u003c/p\u003e","\u003cp\u003ePhotographs; Newsweek reprint (1/23/67); checklists; lender lists; internal memos; correspondence with various members/visitors with questions re: exhibition; correspondence with Colonial Williamsburg Foundation (supporter of exhibition)\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; correspondence with lenders; checklists; correspondence with publicity; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Toledo Museum of Art re: possible loan (denied)\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalog; annotated copy of John Summerson's essay\u003c/p\u003e","\u003cp\u003e5 photographs of packing/unpacking process; correspondence re: Smith College Museum of Art's loan of \"Portrait of the Reverend John Headley,\" including shipping information and receipts and request for information form\u003c/p\u003e","\u003cp\u003eCorrespondence re: Washington University's loan of \"Grey Children,\" including shipping information and receipts and correspondence re: damage to fram upon return\u003c/p\u003e","\u003cp\u003eCorrespondence re; Worcester Art Museum's loan of \"Mrs. Elizabeth James\" and \"William James,\" including shipping information and receipts; and request for information form\u003c/p\u003e","\u003cp\u003eCorrespondence re: Columbus Gallery of Fine Arts' loan of \"Portrait of Anne Hogarth,\" including shipping information and receipts; and request for information form\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence re: Allen Memorial Art Museum [Oberlin] \u0026amp; loan of \"Theodore Jacobsen,\" including shipping information and receipts and request for information form\u003c/p\u003e","\u003cp\u003e9 photographs of packing/unpacking; correspondence re: Albright-Knox's loan of \"The Lady's Last Stake,\" including shipping information and receipts and requests for information form\u003c/p\u003e","\u003cp\u003e2 photographs; duplicates: \"Loans to the Wm. Hogarth Exhibition\"; catalogue copy; 1 copy of catalogue; correspondence with publicity; correspondence with visitors/members re: catalogue and exhibition; clippings; 1 copy of invitation; checklists\u003c/p\u003e","\u003cp\u003e1 envelope of Lessing Rosenwald Prints (couldn't open without ripping); duplicates: catalog; correspondence re: catalogue requests and comments; catalogue copy; checklists\u003c/p\u003e","\u003cp\u003eSuggested press release; correspondence with Hofer (Professor at Harvard) re: lecture; internal memos; itineraries; 1 copy of bulletin\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; catalogue copy; checklists; request for information forms; shipping information and receipts\u003c/p\u003e","\u003cp\u003e25 photographs (see list); research; copy; internal memos; panel drawings (copies); HOGARTH PANEL PHOTOGRAPHS - 12789 Self-Portrait, 12786 Shop Card, 13313 Jane Thornhill, 12788 Pool of Bethesda, 13305 Captain Thomas Coram, 12785 Battle of the Pictures, 13304 Analysis of Beauty title page, 13306 Grave at Chiswick, 11812 Canvassing for Votes, 13311 Views Down the Thames, 11814 St. Paul's Cathedral, 12829 Beer Street, 12966 Gin Lane, 11852 Country House, 13079 Saint Martin-in-the Fields, 12970 The Four Times of the Day: Noon, 13078 Leister Square, 11816 Renelagh, 11857 Mr. and Mrs. Paul Mellon, 10890 Lessing Rosenwald, 5272 Masterpieces of American Silver, 13001 Marriage a la Mode, 13677 Philip Hofer, 13299 Sir John Summerson, 13074 George II, 13076 Robert Walpole, 13084 William Pitt, 11811 George III, 11813 Iron Forge by Wright\u003c/p\u003e","\u003cp\u003e\"William Hogarth: His Life,\" William Hogarth: His Times,\" William Hogarth: This Exhibition\"; copy; proofs\u003c/p\u003e","\u003cp\u003e2 photographs; 1 duplicate photograph; correspondence with Mielziner; shipping information and receipts; clippings; panel proofs; panel copy; research; internal memos; checklists; correspondence with IEF (International Exhibitions Foundation) re: traveling exhibitions\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; correspondence with Multiples, Inc.; list of purchase considerations; label copy; checklists; panel drawings (copies)\u003c/p\u003e","\u003cp\u003eCorrespondence with National Gallery of Art DC re: pictures of J. Carter Brown\u003c/p\u003e","\u003cp\u003eInvitation; fact sheet; 1 copy of catalog; internal memos; annotated copy of 1965 Salon des Réfusés catalog; correspondence with jurors; schedule of work for exhibition; panel proofs; list of certificate winners\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence with purchasers; copies of invoices; release forms for transfer of custody\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists; internal memos\u003c/p\u003e","\u003cp\u003eCatalog; list of certificate winners at Biennial; catalog copy; correspondence with Thalhimer's; internal memos; information for 1965 Salon\u003c/p\u003e","\u003cp\u003e19 photographs; invitation; catalogue copy; other similar exhibition catalogs from other institutions; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; checklists\u003c/p\u003e","\u003cp\u003eMarch '67 Bulletin; photographs; correspondence with jurors [Milton Hebald, Jack Youngerman, Jock Truman, Paul Smith]; label copy; biographical information; schedules; internal memos; correspondence with hostesses\u003c/p\u003e","\u003cp\u003e\"Presentation of certificates\" blank certificates; artist reply card; checklists; schedule; internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003eApril '67 Bulletin, \"use of French Galleries\" memo; label copy; statistics ('67 and earlier); internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eGaines to artists 6/12/67; correspondence with artists; internal memos; shipping information and receipts; invoices for stored worsk; entry blanks\u003c/p\u003e","\u003cp\u003e2 letters from Council to purchasers, Gaines letter, yellow \"Gaines-Brandt System,\" 4 photographs; checklists; internal memos; correspondence with artists; press release, 1965 and 1963 information\u003c/p\u003e","\u003cp\u003e3 internal memos\u003c/p\u003e","\u003cp\u003e'67 prospectus, 2 form letters (1/16/47); prospectus copy; mailing lists; annotated '65 prospectus; '70 prospectus\u003c/p\u003e","\u003cp\u003eCorrespondence; panel drawings (copies); for traveling exhibitions; [3 traveling shows: \"Treasures from the Guggenheim\"; \"Treasures from the Whitney Museum\"; \"Contemporary Watercolors.\" Also contained \"Art by Virginia Teachers\"]\u003c/p\u003e","\u003cp\u003e1 copy of catalog (Heeramaneck Collection) by MFA Boston (annotated)\u003c/p\u003e","\u003cp\u003eCorrespondence with Heeramaneck; correspondence with Indian embassy; shipping information and receipts; correspondence with Royal Ontario Museum (who received exhibition after VMFA); correspondence with Detroit Institute of Arts (who had it before VMFA); correspondence with MFA Boston, originator; internal memos; drawings (photocopies)\u003c/p\u003e","\u003cp\u003e1 copy of invitation; panel copy; panel proofs; correspondence with MFA Boston; correspondence with Royal Ontario Museum; shipping information and receipts; MFA materials (including checklists); internal memos\u003c/p\u003e","\u003cp\u003e4 drawings; correspondence with Veener player for preview; clippings re: Indian music; label copy; clippings re: show\u003c/p\u003e","\u003cp\u003ePhotographs; some select, bad quality photocopies\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePanel proofs; lecture for chapters copy; correspondence with previous VMFA designer (Ariel Ballif); checklists\u003c/p\u003e","\u003cp\u003eSuggested press release; introduction; correspondence with Gleaser (from MOMA) (lecturer for chapters); itinerary; noted speaker report form\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lecturers for preview; 1 copy of invitation; Glaeser's biographical information; correspondence with Glaeser\u003c/p\u003e","\u003cp\u003ePhotographs; (envelope of photos from D.I.A. for Arts of India \u0026amp; Nepal exhibition); invitation to lecture; 1 copy of invitation to preview; 1 copy of invitation to Glaeser's lecture; shipping information and receipts; MOMA (originator) materials, including checklists; drawings (photocopies)\u003c/p\u003e","\u003cp\u003e1 drawing; duplicate: preview invitation; panel copy; drawings (photocopies); correspondence with MOMA; MOMA materials, including checklists; exhibition contract; correspondence with John Hand (lecturer from National Gallery of Art DC); shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; shipping information and receipts; internal memos\u003c/p\u003e","\u003cp\u003eMembership list; shipping information and receipts; correspondence with dealers; price lists from dealers; panel proofs; checklists; speech copy; Collectors Circle meeting agenda; list of items purchased\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel proofs (annotated 1966 panels); checklists; correspondence with dealers *lots of '66 show files)\u003c/p\u003e","\u003cp\u003eCorrespondence re: borrowing Wyeth film; correspondence with Philip Hofer (Harvard) re: lecture; blank invitations for Artmobile exhibition (Wyeth \u0026amp; Japanese Art); clipping; internal memo re: trip to interview Wyeth for AIV article; blank floor plan\u003c/p\u003e","\u003cp\u003eLabel copy; drawing (photocopy); internal memos; radio guide copy\u003c/p\u003e","\u003cp\u003e3 photographs; 11 duplicate photographs; checklists; internal memos; drawings (photocopies); panel proofs; panel copy; shipping information and receipts; 1 copy of Knoedler catalog \"Unpainted Pictures\" (lender); correspondence with Knoedler; correspondence with Detroit Institute of Arts (had exhibition before VMFA); clipping from TIME (3/17/67)\u003c/p\u003e","\u003cp\u003ePanel copy; panel proofs; drawing (photocopy); internal memo: all of this re: 400 Years of Prints\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; drawings (photocopies); panel copy; panel proofs; correspondence with lender (NGA \u0026amp; AIC); correspondence with Mr. \u0026amp; Mrs. Leigh Block; checklists; label copy\u003c/p\u003e","\u003cp\u003e1 copy of \"Persian \u0026amp; Indian Miniatures from the Collection of Edwin Binney, 3rd\" from Portland; 1 copy of \"Islamic Art from the Collection of Edwin Binney, 3rd,\" from SITES; correspondence with Portland [VMFA denied exhibition]\u003c/p\u003e","\u003cp\u003e1 internal memo re: replacement of \"Jewels\" with \"Resident Craftsmen\"\u003c/p\u003e","\u003cp\u003eJones article reprint; slides, 4 photographs, 5 duplicate photographs; correspondence with IEF (circulator); correspondence with Nelson-Atkins *who received exhibition after VMFA); 1 copy of lecture invitation; 1 copy of preview invitation; shipping information and receipts; panel proofs; clippings; correspondence with potential musicians; checklists; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with AFA (circulator); panel copy; checklists; panel proofs; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e5 duplicate photographs; 1 photograph; correspondence with MOMA (originator); exhibition contract; MOMA materials, including checklists; shipping information and receipts; MOMA circulating exhibitions catalog 1967-68; drawing (photocopy); panel proofs\u003c/p\u003e","\u003cp\u003eLecture invitation; clipping; internal memo; biographical information; correspondence with Smith (Director of Museum of Contemporary Crafts); correspondence re: juror (chairman) for 1967 Virginia Artists too\u003c/p\u003e","\u003cp\u003e1 photograph; 2 new photographs; duplicate of introduction; correspondence with Slivka re: lecture at chapters/editor in chief of Craft Horizons; itinerary; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; shipping information and receipts; checklists; Bulletin photocopy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; shipping information and receipts; 1/68 Bulletin; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; shipping information and receipts; correspondence with artist; 2/68 Bulletin; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; shipping information and receipts; label copy; 3/68 Bulletin\u003c/p\u003e","\u003cp\u003e3/68 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts; internal memos; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; biographical information; shipping information and receipts; internal memos; label copy; 4/68 Bulletin; checklists; correspondence with artist\u003c/p\u003e","\u003cp\u003ePhotographs; checklists; shipping information and receipts; label copy; biographical information; correspondence with artist\u003c/p\u003e","\u003cp\u003e9/68 Bulletin, 4 photographs; biographical information; label copy; price list (hand drawn!); shipping information and receipts; correspondence with artist; internal memos\u003c/p\u003e","\u003cp\u003ePhotographs; 10/68 Bulletin; label copy; biographical information; checklists; shipping information and receipts; correspondence with artist\u003c/p\u003e","\u003cp\u003ePhotographs; shipping information and receipts; label copy; 11/68 Bulletin; checklists; correspondence with publicity\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; 12/68 Bulletin; shipping information and receipts; internal memos; correspondence re: damage to sculpture\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; label copy; shipping information and receipts; correspondence with artist; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; shipping information and receipts; 3/69 Bulletin; checklists\u003c/p\u003e","\u003cp\u003e2/69 Bulletin; photographs; correspondence with artist; correspondence re: damage; label copy; internal memos; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e44 photographs; correspondence with lecturer; shipping information and receipts; materials from Brooklyn Museum of Art (organizer); drawings (photocopies); panel lists; 1 copy of lecture invitation; 1 copy of preview invitation; correspondence with Brooklyn; checklists\u003c/p\u003e","\u003cp\u003ePreview invitation; 1 copy of catalog; clippings; panel copy; correspondence with Brooklyn; shipping information and receipts; Brooklyn materials; panel lists; checklists; internal memos; correspondence with visitors\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with McCoubrey (Chair of Art Department at University of Pennsylvania); his c.v.\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Oenslager (lecturer)\u003c/p\u003e","\u003cp\u003eCybis porcelain brochure; shipping information and receipts; panel proofs; exhibitors information \"lent\"; clippings; correspondence with Ruder \u0026amp; Finn Inc. (co-organizers); checklists; drawings (photocopies); correspondence with Cybis porcelain (co-organizer)\u003c/p\u003e","\u003cp\u003e2 photographs; catalog; invitation; correspondence with Robert B. Widder (juror); correspondence with entrants; internal memos; slide talk lists; correspondence with juror (Morris Ketchum, Jr.)\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eInvitation, catalog, '64 Architects, Designers \u0026amp; Photographers, '66 ADP, 3 photographs; catalog proof; checklists; catalog copy\u003c/p\u003e","\u003cp\u003e\"Southern Exposure\" newsletter (2/68); clippings; correspondence with artists; label copy; internal memos; schedule\u003c/p\u003e","\u003cp\u003eChecklists\u003c/p\u003e","\u003cp\u003e\"Comparison…for 1966-68\"; internal memo\u003c/p\u003e","\u003cp\u003eCorrespondence with artists (4 winning architects mainly); list of winners\u003c/p\u003e","\u003cp\u003eBiographical information on Ketchum and Eames, 2 photographs; 1 photograph; correspondence with jurors [Morris Ketchum, Robert Widder, Charles Eames]; internal memos; lecture copy; biographical information\u003c/p\u003e","\u003cp\u003eChecklist\u003c/p\u003e","\u003cp\u003eGaines to artist (2/26/68), signed certificates; artist reply cards; correspondence with speaker; checklist\u003c/p\u003e","\u003cp\u003e3 prospectuses; prospectus copy; schedule; internal memos\u003c/p\u003e","\u003cp\u003eSchedule, 1/11/68 memo, 1/24/68 memo; '66 information; internal memos\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs of 1790s Russian silver cup (\"Charka\"); shipping information and receipts; checklists; internal memos; correspondence with Hollins; panel proofs; drawings (photocopies); correspondence from alumnae; research; correspondence with silver expert; correspondence from Helen Scott Reed (our consultant)\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel copy \u0026amp; proofs; drawings (photocopies); checklists with prices; biographical information (Anna Smith- weaver)\u003c/p\u003e","\u003cp\u003e3 photographs; AFA materials (circulator); shipping information and receipts; correspondence with Morgan State College (had exhibit before VMFA); correspondence with AFA; reprint of Rohm \u0026amp; Haas Reporter on \"New AA Forms in Plexiglass\" (Mar/Apr 1966); correspondence with lender, Howard Wise Gallery; 1 copy of May '68 Bulletin; clippings; drawings (photocopies); biographical information on artists; 1 copy of a Howard Wise Gallery catalog for Otto Piene (VMFA's lecturer); 1 copy of catalog; 1 copy of lecture invitation; 1 copy of preview invitation. To take place in Loan Gallery\u003c/p\u003e","\u003cp\u003eBiographical information on Kepes; 1 photograph; correspondence with Gyorgy Kepes (organizer of Light show \u0026amp; original lecturer); correspondence with Piene (M.I.T.), Kepes' replacement; Piene's biographical information; 1 copy of Arts Canada (April 1968) with one of Piene's articles\u003c/p\u003e","\u003cp\u003eCatalog; 3 photographs; correspondence with Photographs in the Fine Arts (a company); drawings (photocopies); clippings; panel proofs; checklists; packet of available exhibitions from George Eastman House; 1 copy of PSA Journal (August 1967) [Leslie Cheek was a judge]\u003c/p\u003e","\u003cp\u003e5 photographs; 1 catalog; exhibition contract; correspondence with MOMA (circulator); shipping information and receipts; checklists; panel proofs; MOMA materials\u003c/p\u003e","\u003cp\u003eLecture invitation, checklist; 4 photographs; duplicates: \"A Look at Carter Collection,\" \"Vender Gives Rodin to Museum\"; clippings; correspondence with LACMA (circulator); shipping information and receipts; internal memos; exhibition contract; 1 copy of preview invitation; correspondence with Gerald Carter (collector)\u003c/p\u003e","\u003cp\u003e1 photograph, biographical information; correspondence with Adams (Director of Cincinnati Art Museum \u0026amp; VMFA lecturer); 1 copy of lecture invitation; internal memos; correspondence with Reynolds (his hosts)\u003c/p\u003e","\u003cp\u003e\"Selections from Virginia Architecture\"; panel proofs; drawing (photocopy); internal memos\u003c/p\u003e","\u003cp\u003e1 drawing; MOMA exhibition packet, MOMA press release (6/20/67); MOMA materials (circulator); drawings (photocopies); correspondence with MOMA; shipping information and receipts; clippings; internal memos\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e1 photograph; biographical information; lecture invitation; correspondence with Szarkowski (MOMA Director of Photography \u0026amp; VMFA lecturer); itinerary; correspondence with Bryans (his hosts)\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel proofs; internal memos; drawing (photocopy);\u003c/p\u003e","\u003cp\u003e7 drawings (on graph paper-drawn by Brown herself); label copy; shipping information and receipts; checklists; 2 more prints of transparencies from envelope; correspondence with Brown; biographical information; panel copy; panel lists; drawings (photocopies)\u003c/p\u003e","\u003cp\u003eShipping information and receipts; request for special/specific information forms; white envelope with 5 transparencies; 2 prints of 2 of the transparences for Collector of the Year exhibition\u003c/p\u003e","\u003cp\u003eSpecial/specific request for information forms\u003c/p\u003e","\u003cp\u003eBiographical information; correspondence with Griffith re: lectures (Curator of Films, MOMA); lecturing for \"George Stevens Makes a Film\"\u003c/p\u003e","\u003cp\u003eShipping information and receipts; biographical information; photocopies of 2 catalogs\u003c/p\u003e","\u003cp\u003e1 copy of Council 1967-68 membership book; internal memos; various reports (budgetary \u0026amp; non); correspondence, 2 slides for lecture on Council budget 66-67 season\u003c/p\u003e","\u003cp\u003eLecture invitation, 1 photograph; Correspondence with Dee (curator of drawings \u0026amp; prints at Cooper-Hewitt) re: lecture; 1 copy of January 1969 Bulletin; correspondence with hosts; biographical information\u003c/p\u003e","\u003cp\u003ePacking list, photographs; 1 copy of catalog (cut up) of View of Florence \u0026amp; Tuscany by Giuseppe Zocchi, loaned by Pierpont Morgan Library\u003c/p\u003e","\u003cp\u003ePhotographs; shipping information and receipts; correspondence with IEF (circulator); correspondence with Dee re: lecture; IEF materials; drawings (photocopies); label copy; internal memos; 1 copy of America-Italy Newsletter (spring 1968); 1 copy of Pierpont invitation; 1 copy of preview invitation; correspondence re: catalogs; correspondence re: opening\u003c/p\u003e","\u003cp\u003eCorrespondence with Senator Scott from 1982 from Richard Woodward; checklists; clippings; internal memos; correspondence with Scott; shipping information and receipts; drawings (photocopies); panel proofs\u003c/p\u003e","\u003cp\u003eInvitation; checklists; internal memos; correspondence re; filmstrip for Orientation Theatre; drawings (photocopies)\u003c/p\u003e","\u003cp\u003eC.v., invitation, 1 photograph; correspondence with Begley (professor at School of Art, University of Iowa); internal memos; correspondence with hosts\u003c/p\u003e","\u003cp\u003e3 photographs; 3 photographs (small one, Dr. \u0026amp; Mrs. George B. Green); panel copy; panel proofs; label copy; drawings (photocopies); correspondence with lender (George Green); shipping information and receipts; internal memos; correspondence with Colonial Williamsburg; research; checklists\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e8 photographs; 5 new photographs; shipping information and receipts; internal memos; checklists with values; correspondence with Motherwell (juror) and correspondence with his gallery representation (Marlborough); correspondence with Frank Gallo (juror); and his representation (Gilman Gallery and Graham Gallery); request for information forms; drawings (photocopies); label copy\u003c/p\u003e","\u003cp\u003eChecklists; list of lenders; internal memos; correspondence with lenders (including MFA Boston and AIC); shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 photograph; lecture invitation; preview invitation; correspondence with Wardell (Curator, Department of Primitive Art at AIC) re: lecture; correspondence with hosts; 1 copy of April 1969 Bulletin\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e1 drawing; other press releases; shipping information and receipts; checklists; internal memos; correspondence with MFA Boston (organizer); correspondence with AIC (lender); clippings; panel proofs; 1 copy of preview invitation; list of lenders\u003c/p\u003e","\u003cp\u003e8 photographs; correspondence with MFA Boston; exhibition contract; internal memos; 1 copy each of The World of Peru in the United States, Three Centuries of Peruvian Silver, Master Craftsmen of Peru; Folk Art of Peru, 2,500 Years of Peruvian Art, Folk Art of Peru (longer version), Contemporary Peruvian Paintings and Sculptures\u003c/p\u003e","\u003cp\u003e1 photograph; list of members; special request for information form; correspondence re: broken object (belonged to Stewart Bryan)\u003c/p\u003e","\u003cp\u003eCatalog, 3 duplicate photographs, 2 new photos; internal memos; shipping information and receipts; checklists; label proofs; exhibition contract (MOMA is circulator); correspondence with MOMA; clippings; MOMA materials (including press release)\u003c/p\u003e","\u003cp\u003ePress release (4/2/69); Kandinsky article by Johnson; wall label, Photographs; correspondence with MOMA (organizer); MOMA materials; exhibition contract; shipping information and receipts; checklists; drawings (photocopies); panel proofs\u003c/p\u003e","\u003cp\u003e2 photographs; duplicates: invitation, 1 duplicate photograph; correspondence with potential lecturers; correspondence with Beckmann (visiting Bauhaus artist); clipping\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel proofs; panel copy; drawings (photocopies); special request for information forms; label proofs; label copy; checklists; correspondence with UVirginia (lender and co-organizer); correspondence from State Library (co-organizer)\u003c/p\u003e","\u003cp\u003e4 photographs; checklists; shipping information and receipts; correspondence with O'Neal; photocopies of drawings; list of lenders; correspondence with UVirginia; correspondence with State Library; research; internal memos; correspondence with lenders\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs, 1 transparency; catalog copy; internal memos; checklists; correspondence with lenders; correspondence with William O'Neal (guest curator)\u003c/p\u003e","\u003cp\u003e1 photograph; introduction; correspondence re: lecture; invitation\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with lenders; correspondence with O'Neal\u003c/p\u003e","\u003cp\u003eChecklists from dealers with prices/values; shipping information and receipts; correspondence with dealers; checklists; internal memos\u003c/p\u003e","\u003cp\u003eInvitation, \"Suggested Remarks for Mr. Arthur Brinkley,\" 5/12/69; 1 copy of catalog; introduction; correspondence with Alloway re: lecture\u003c/p\u003e","\u003cp\u003eCorrespondence with various speakers; internal memos; schedules\u003c/p\u003e","\u003cp\u003eInternal memos; list and schedules (entertainment, exhibitions, events, theatre, etc.)\u003c/p\u003e","\u003cp\u003e4 invitations; 3 other invitations (Once Invisible, Alloway's lecture, Gold of Ancient America)\u003c/p\u003e","\u003cp\u003eInternal memos; mailing lists\u003c/p\u003e","\u003cp\u003eGreen pickup cards, Gaines to Artist (7/3/69); shipping information and receipts; correspondence with artists; entry blanks; internal memos; checklists\u003c/p\u003e","\u003cp\u003eGaines to Purchaser invitation, purchasers; preview tearsheet (yellow), memo 4/29/69 (blue), 1969 fact sheets; checklists\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with artists; invoices re: sales; checklists\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eMemo 11/17/69, memo 11/26/69; correspondence with artists\u003c/p\u003e","\u003cp\u003e'69 invitation, '69 salon catalogue; 1 copy of '67 invitation and catalogue; catalogue copy; 1 copy of '69 catalogue; catalogue proof\u003c/p\u003e","\u003cp\u003e'69 fact sheet; statistics\u003c/p\u003e","\u003cp\u003e'67 and '69 Salon catalogues; checklist; internal memos; form letter to artists from Ellyson\u003c/p\u003e","\u003cp\u003e3 photographs; schedule; internal memos; correspondence with jurors; biographical information; correspondence with hosts; lecture invitation; correspondence with potential jurors [Bontecou agreed but then had to cancel]\u003c/p\u003e","\u003cp\u003ePhotographs; label copy; 1 copy of ADP '68 catalog; 1/70 Bulletin; biographical information on Paul Rand; correspondence with Rand; internal memos\u003c/p\u003e","\u003cp\u003e2 slides, 18 photographs; 5 duplicate photographs; label copy\u003c/p\u003e","\u003cp\u003e\"Receiving \u0026amp; Handling of Material\" memo 1/28/70, 1 photograph [Kenneth Winebrenner \"Mirror\"]; 1 copy of 1970 prospectus; entry blanks; internal memos; correspondence with artists; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph [Paul Smith looking at Castle's work from an earlier juried exhibition?]; 2/70 Bulletin; correspondence with juror [Wendell Castle]\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of 1970 catalog (annotated); correspondence re: image of Winebrenner's mirror\u003c/p\u003e","\u003cp\u003e1 copy of 1970 catalog (annotated); internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003eForm letter; shipping information and receipts; correspondence with artist; checklists\u003c/p\u003e","\u003cp\u003e1 form letter; shipping information and receipts; correspondence with artists; checklists; internal memos\u003c/p\u003e","\u003cp\u003eSlides; duplicates; signed certificates; correspondence with winners; checklists; presentation order\u003c/p\u003e","\u003cp\u003eLabel copy; clippings; catalogue copy; checklists; internal memos; lease agreement for warehouse; drawing (photocopy); jury tokens; correspondence with artists\u003c/p\u003e","\u003cp\u003eProspectus, form letter from C. Ellyson; correspondence with chapters; annotated '67 prospectus; prospectus copy schedule\u003c/p\u003e","\u003cp\u003eMemo 1/23/69, memo 1/25/67; internal memos; correspondence with 7th \u0026amp; Franklin; schedule\u003c/p\u003e","\u003cp\u003eCatalog ('70 Designers); catalogue proofs; entry blanks; 1 copy of '68 ADP catalogue; catalogue copy; checklists\u003c/p\u003e","\u003cp\u003eAnnotated '70 prospectus; correspondence with juror; prospectus copy; internal memos; schedule\u003c/p\u003e","\u003cp\u003eEntry blanks; 1 copy of '70 Craftsmen catalogue; 1 copy of '67 Artists catalogue; checklists; catalogue copy; preview invitation; label copy\u003c/p\u003e","\u003cp\u003eProspectus copy; schedule\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eChecklists; internal memos\u003c/p\u003e","\u003cp\u003eMemo 9/3/69, memo 6/30/69; checklists; internal memos; fact sheets; correspondence with artists; label copy; excerpts from juror speech\u003c/p\u003e","\u003cp\u003eCatalogue copy; checklists; 1 piece of correspondence re: catalogue\u003c/p\u003e","\u003cp\u003eSigned certificates, reply cards, Gaines form letter; reply cards from winners; checklists; correspondence with artists\u003c/p\u003e","\u003cp\u003ePress release 6/27/69, biographical information, 1 photograph; correspondence with potential jurors; internal memos; correspondence with juror (Peter Bunnell)\u003c/p\u003e","\u003cp\u003ePhotographs; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; 3/69 Bulletin; label copy; shipping information and receipts; biographical information\u003c/p\u003e","\u003cp\u003e4/69 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e5/69 Bulletin; photographs; correspondence with artist; biographical information; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e9/69 Bulletin, invitation; photographs; checklists; correspondence with artist; label copy; insurance report form; internal memos; biographical information\u003c/p\u003e","\u003cp\u003eInvitation; 10/69 Bulletin, photographs; correspondence with artist; checklists; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; biographical information; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; biographical information; shipping information and receipts; internal memos\u003c/p\u003e","\u003cp\u003e2/70 Bulletin; photographs; label copy; checklists; 5/69 Bulletin; invitations; correspondence with artist; internal memos re: missing print\u003c/p\u003e","\u003cp\u003e3/70 Bulletin, photographs; correspondence with artist; internal memos; price list (hand drawn!); press release; biographical information; label copy\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs; 3/70 Bulletin; correspondence with artist; label copy; checklists\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; checklists; 4/70 Bulletin; label copy; biographical information\u003c/p\u003e","\u003cp\u003e5/70 Bulletin, invitation, photographs; checklists; label copy; correspondence with artist; biographical information\u003c/p\u003e","\u003cp\u003eInvitation, \"suggested stand\" drawing; 1 photograph; label copy; correspondence with artist; clippings; biographical information; checklists; 9/70 Bulletin\u003c/p\u003e","\u003cp\u003e10/70 Bulletin; 2 photographs; label copy; clipping; internal memos; checklists; correspondence with artist; invitation\u003c/p\u003e","\u003cp\u003eInvitation; photographs; label copy; internal memos; shipping information and receipts; correspondence re: letter of recommendation for job\u003c/p\u003e","\u003cp\u003eInvitation, 5 photographs; 5 new photographs; 5 slides; correspondence with artist; label copy; clipping\u003c/p\u003e","\u003cp\u003eCorrespondence with potential jurors; internal memos\u003c/p\u003e","\u003cp\u003e1 photograph of Rand, prospectus; correspondence with Rand (juror); catalog of Rand's work; research\u003c/p\u003e","\u003cp\u003e'69 prospectus, letter Ellyson to art department 6/23/69, memo to chapters 6/23/69; copy of '68 ADP prospectus; prospectus proof; prospectus copy; internal memos; schedule\u003c/p\u003e","\u003cp\u003eChecklists; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; fact sheets\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eMemo 7/7/70; internal memos; entry blanks; correspondence with architects; schedule; project descriptions; drawing (photocopy); lecture invitation copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003eReply cards; internal memos; correspondence with architects\u003c/p\u003e","\u003cp\u003eCatalogue; correspondence with architects; catalogue copy\u003c/p\u003e","\u003cp\u003eOne signed certificate; correspondence with winners\u003c/p\u003e","\u003cp\u003e4 photographs; correspondence with juror (Romaldo Giurgola); internal memos; clipping; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; clippings\u003c/p\u003e","\u003cp\u003eProspectus, announcement; prospectus proof; prospectus copy; '68 annotated ADP prospectus; clipping\u003c/p\u003e","\u003cp\u003eEntry blanks; fact sheets; internal memos; checklists\u003c/p\u003e","\u003cp\u003eInternal memo; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with SITES; SITES materials; invitations; exhibition information; Bulletins; correspondence with other Smithsonian Institution staff\u003c/p\u003e","\u003cp\u003eSITES catalogues, 1967-1970\u003c/p\u003e","\u003cp\u003eChecklists; insurance report forms; correspondence with lenders (dealers); membership list\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders; checklists; shipping information and receipts; label proofs; research; budget planning; correspondence with consultants\u003c/p\u003e","\u003cp\u003ePreview invitation; correspondence with and between consultants (Helen Scott Reed and Kathryn Buhler); catalog copy\u003c/p\u003e","\u003cp\u003eInvitation (preview); invitation (lecture); exhibition prospectus; catalog proofs\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; clippings; catalog notes; correspondence with lenders; checklists; invitation list\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts; correspondence with various organizations\u003c/p\u003e","\u003cp\u003e1 copy of catalog; special information form\u003c/p\u003e","\u003cp\u003eCorrespondence with Rouse (Jamestown Foundation) re: lecture; copy of lecture text\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Buhler (consultant) re: lecture; copy of lecture text\u003c/p\u003e","\u003cp\u003e4 photographs; suggested press release; checklist; correspondence with IEF; label proofs; exhibition contract; IEF materials; shipping information and receipts; internal memos\u003c/p\u003e","\u003cp\u003e7 photographs; 2 contact sheets and 1 new photo; duplicate: invitation; crawing (photocopy); internal memos; label proofs\u003c/p\u003e","\u003cp\u003e9 photographs, 4 new photographs including 1 contact sheet; duplicates: lecture invitation; label copy; drawings (photocopies); shipping information and receipts; MOMA materials; checklists; correspondence with MOMA (circulator); exhibition contract; research; internal memos; 1 copy of preview invitation\u003c/p\u003e","\u003cp\u003eLecture invitation; correspondence with Fern re; lecture (Library of Congress Prints \u0026amp;   Photos Division); internal memos\u003c/p\u003e","\u003cp\u003e1 photograph (contact sheet); checklists; varied correspondence\u003c/p\u003e","\u003cp\u003eProspectus with entry cards; 2 photographs; 1 duplicate photograph; correspondence with Castle (juror, Penland School of Crafts)\u003c/p\u003e","\u003cp\u003e1 photograph; label copy; correspondence re: item breakage; label proofs\u003c/p\u003e","\u003cp\u003ePreview invitation; chipping information; correspondence with lenders; internal memos; 1 copy of catalogue; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; request for information forms; 1 copy of Art Gallery Magazine (12/69); 1 copy of TIME (6/1/70), reason unknown, no more receipts kept in these files\u003c/p\u003e","\u003cp\u003e2 contact sheets; correspondence with Peter Selz (UC Berkeley, juror); correspondence with lenders; internal memos (including correspondence re: installation of Robert Irwin's \"Disc\"); correspondence with artists re: their Vietnam War protest\u003c/p\u003e","\u003cp\u003eInternal memos; catalogue copy; label copy; research; 1 copy of catalogue (damaged)\u003c/p\u003e","\u003cp\u003e1 photograph (1966 show); photographs of works not in show (Krushenick, Warhol, Ruscha); copies of '62 and '66 show information; correspondence with lenders; shipping information; checklists\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; panel copy; mailing and invitation lists; lender lists\u003c/p\u003e","\u003cp\u003ePhotographs (VMFA copies)\u003c/p\u003e","\u003cp\u003ePhotographs (originals)\u003c/p\u003e","\u003cp\u003eLecture invitation; 1 duplicate photograph; correspondence with Selz (juror) re: exhibition and lecture; biographical information; invitation copy\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; exhibition contract; internal memos; correspondence with Paul Tishman (collector whose works comprise show); correspondence with High Museum (earlier venue); IEF materials\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; correspondence with High and with UT Austin (earlier venues); correspondence with IEF; shipping information\u003c/p\u003e","\u003cp\u003eChecklists; IEF materials; research; panel copy\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e5 photographs; 3 duplicate photographs\u003c/p\u003e","\u003cp\u003e7 photographs; 8 duplicate photographs\u003c/p\u003e","\u003cp\u003e11 photographs; 3 duplicate photographs\u003c/p\u003e","\u003cp\u003e5 photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003e9 photographs; 8 duplicate photographs\u003c/p\u003e","\u003cp\u003e15 photographs; 4 duplicate photographs\u003c/p\u003e","\u003cp\u003e12 photographs; 2 duplicate photographs\u003c/p\u003e","\u003cp\u003e1 duplicate photographs\u003c/p\u003e","\u003cp\u003e7 photographs; 4 duplicate photographs\u003c/p\u003e","\u003cp\u003e2 drawings; duplicates: loan exhibition announcement; invitation; 40 slides; 1 copy of High's brochure; internal memos; NGA brochures; IEF materials; correspondence re: possible speakers; correspondence with Tishman; copy of 9/70 Bulletin; slide list [see end of box]\u003c/p\u003e","\u003cp\u003e5 photographs; checklist; internal memos re: this traveling exhibition SP-19 [loans from 4 major NY galleries, distributed by State Services Division]; correspondence with dealers/lenders; 1 copy of 10/70 Bulletin\u003c/p\u003e","\u003cp\u003eCatalog (Edgeworth \u0026amp; VMFA); 1 photograph; audio (reel) tape \"J.[oel] Aldred – tapestries – 71/2 ips\" [Canadian broadcaster]; 1 copy of invitation; catalogue: Hommage à Jean Lurçat, Rothmans, ca. 1966; another Rothmans' catalogue ca. 1964\u003c/p\u003e","\u003cp\u003e1 copy of catalog; 1 copy of black tie reception invitation\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Rothmans of Pall Mall Canada; correspondence with House of Edgeworth (co-sponsors); planning re: previous receptions, etc.\u003c/p\u003e","\u003cp\u003e6 photographs\u003c/p\u003e","\u003cp\u003eBlack tie reception invitation; other invitations (non-VMFA)\u003c/p\u003e","\u003cp\u003eChecklist (contemporary French tapestries); checklists (various, including hommage à Jean Lurçat); invitation lists; staff working lists\u003c/p\u003e","\u003cp\u003eNotes on the Rothmans Collection; Rothmans press release; Contemporary French Tapestry; research; clippings; copies of other's letters to/from Lurçat [speech by Madame Denise Majorel, 2 clippings]; Lurçat letters (3/29/48 \u0026amp; 12/24/47)\u003c/p\u003e","\u003cp\u003e3 photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs [overlap between these 2 folders]\u003c/p\u003e","\u003cp\u003e8 duplicate photographs\u003c/p\u003e","\u003cp\u003e8 photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003e1 catalog for July/August program with catalog card application [1969]\u003c/p\u003e","\u003cp\u003eLists of speakers; internal memos; biographical information; correspondence with speakers; report from Museum Entertainment Committee\u003c/p\u003e","\u003cp\u003eVM 1969-1970 events; lists of events; calendars; internal memos; schedules including exhibition, theatre, mailings, events, etc.; 1 copy of Theatre schedule card\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eCatalog; 4 photographs; 23 new photographs; exhibition contract (Mat is circulator); research; correspondence with Met; internal memos; shipping information and receipts\u003c/p\u003e","\u003cp\u003eMailing, 16 duplicate photographs; 7 new photos; correspondence with Baltimore Museum of Art (circulator); checklists; BMA materials; press release; internal memos; research; 1 copy of catalog (annotated)\u003c/p\u003e","\u003cp\u003e4 new photographs; 7 duplicate photographs\u003c/p\u003e","\u003cp\u003e1 new photograph; 4 duplicate photographs; correspondence with Norton Simon; clippings; checklists; internal memos; copy of Henry Moore annotated transcript from '63; label and panel copy; information sheets on paintings; 1 copy of invitation; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with collectors; checklists; drawings (photocopies); research, photocopy of Vogue article (4/15/60) on Colin\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; internal memos\u003c/p\u003e","\u003cp\u003ePreview invitation; correspondence with lenders; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders\u003c/p\u003e","\u003cp\u003eReminder card; invitation; checklists; research; lender lists; label copy; request for information forms; clippings; shipping information and receipts; mailing lists\u003c/p\u003e","\u003cp\u003e33 new photographs\u003c/p\u003e","\u003cp\u003e3 new photographs; 13 duplicate photos\u003c/p\u003e","\u003cp\u003e5 new photographs; 10 duplicate photographs\u003c/p\u003e","\u003cp\u003e5 new photographs; 10 duplicate photographs\u003c/p\u003e","\u003cp\u003e2 new photographs; 10 duplicate photographs\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders who gave no initial response\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders re: return of works; internal memos; mailing lists; form letters\u003c/p\u003e","\u003cp\u003eCopies of AIV articles from which loan list was gathered, annotated (probably for label/panel/catalog use)\u003c/p\u003e","\u003cp\u003eChecklist; suggested press release, invitation, 4 duplicate photographs; 14 new photographs; 2 AFA folders of materials; internal memos; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eShipping information; correspondence with AFA; correspondence with Smith College Museum of Art Director\u003c/p\u003e","\u003cp\u003eWall label; clippings; correspondence with MOMA (circulator); MOMA materials (including press release and checklist); 1 copy of MOMA members' newsletter (Spring 1970); correspondence with Peter Bunnell (photograph curator at MOMA \u0026amp; organizer); drawings; internal memos; exhibition contract\u003c/p\u003e","\u003cp\u003eInvitation; 1 copy of September 1971 Bulletin; internal memos; mailing list\u003c/p\u003e","\u003cp\u003eProspectus; correspondence with artists; internal memos; checklists; schedules; 1 copy of October 1971 Bulletin; 1 annotated copy of Virginia Photographers '69 catalog; 1 copy of '71 catalog\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders re: potential loans; correspondence with lenders; correspondence re: extension of exhibition; correspondence with Robert Koch (speaker); correspondence with publicity\u003c/p\u003e","\u003cp\u003eInvitation; poster; 1 duplicate photograph; 4 new photographs, 7 slides; notes; research; information request forms; 1 copy of November 1971 Bulletin; panel copy; clippings; 1 copy of December 1971 Bulletin\u003c/p\u003e","\u003cp\u003e1 copy of November 1971 Bulletin; 1 copy of the January 1972 Antique Monthly\u003c/p\u003e","\u003cp\u003e1 copy of the January 1972 Antique Monthly\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003eBlank copy of information form\u003c/p\u003e","\u003cp\u003e6 drawings (photocopies) of lighting schemes\u003c/p\u003e","\u003cp\u003e3 photographs (items from Lewis Collection from some catalog); checklists; loan lists; mailing lists; internal memos; panel/catalog copy\u003c/p\u003e","\u003cp\u003eBlank request for information forms\u003c/p\u003e","\u003cp\u003eChecklist for catalog\u003c/p\u003e","\u003cp\u003eChecklist for catalog\u003c/p\u003e","\u003cp\u003eChecklist for catalog\u003c/p\u003e","\u003cp\u003eTransparencies, 91 photographs\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eLabel copy; internal memos; scripts; notes\u003c/p\u003e","\u003cp\u003eSpecial object information forms\u003c/p\u003e","\u003cp\u003eSpecial object information forms\u003c/p\u003e","\u003cp\u003eInvitation; special object information forms\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; 1 copy of 1969-70 AFA Catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions (museums, universities, organizations); internal memos; promotional materials\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; exhibition information sheets\u003c/p\u003e","\u003cp\u003e1 press release from Howard University\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions (museums, universities, organizations); promotional materials\u003c/p\u003e","\u003cp\u003e2 invitations, 2 catalogs (1969 \u0026amp; 1971 for both shows); congratulations letter; pink salon des refuses card; prospectus; 1 contact sheet; schedule; internal memos; correspondence with juror (Thomas Hess); list of buyers; committee lists; correspondence with 7th \u0026amp; Franklin building owners (where judging was done); 1 drawing (photocopy)\u003c/p\u003e","\u003cp\u003e16 photographs; duplicates: 6 photographs, prospectus; correspondence with Thalhimer's; internal memos; fact sheets; correspondence with artists; clippings; label copy; checklists; 1 copy of catalogue; 1 copy of May 1971 Bulletin; copies of certificate winners' entry blanks\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of catalog; 1 copy of prospectus; lease agreement for 7th \u0026amp; Franklin Building\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eCorrespondence with potential speakers\u003c/p\u003e","\u003cp\u003eMemo 3/16/71, 5/71 Bulletin; fact sheets; internal memos; correspondence with artists; correspondence with 7th \u0026amp; Franklin; schedule; clipping; checklists\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eCatalogue; internal memos; catalog copy; correspondence with artist\u003c/p\u003e","\u003cp\u003eSigned certificates; entry blanks; 1 copy of catalogue; correspondence with winners; checklists; internal memos\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with artists; internal memos; schedules; correspondence with juror\u003c/p\u003e","\u003cp\u003eSlides; photographs; checklists\u003c/p\u003e","\u003cp\u003eRelease forms; invoices; preview invitation list; fact sheets; checklists; internal memos; '71 invitation; correspondence with artists\u003c/p\u003e","\u003cp\u003eAnnotated catalogs; correspondence with purchasers; correspondence with artists; purchase information cards\u003c/p\u003e","\u003cp\u003eMemo 9/8/71; correspondence with artists; label copy; internal memos\u003c/p\u003e","\u003cp\u003e1 copy of '71 prospectus; 1 copy of '60 catalogue; correspondence with juror (Harry Callahan); fact sheets; research/biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; '69 and '71 prospectuses\u003c/p\u003e","\u003cp\u003eProspectus copy; correspondence with artist\u003c/p\u003e","\u003cp\u003eFact sheets; internal memos; checklists; entry blanks\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with artists; checklists\u003c/p\u003e","\u003cp\u003e\"Guidelines for Preparing Panels,\" memo 3/19/71; dinner invitation copy; internal memos; project descriptions; correspondence with designers; schedule; catalog copy; AIID Virginia Chapter Directory 70-71; correspondence with Virginia AID; entry blanks; 1 copy of dinner invitation with reply card\u003c/p\u003e","\u003cp\u003eCorrespondence with winners\u003c/p\u003e","\u003cp\u003e1 photograph; slides; correspondence with juror (Sarah Tomerlin Lee-former Editor of House Beautiful); schedule; internal memos\u003c/p\u003e","\u003cp\u003e2 new photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003eSigned certificates; entry blanks; label copy; biographical information; correspondence with juror (Henry Wolf); correspondence with potential jurors; internal memos; reception invitation list; checklists; correspondence with artists; fact sheets\u003c/p\u003e","\u003cp\u003eCatalogue ('72); catalogue copy\u003c/p\u003e","\u003cp\u003e14 new photographs; 2 duplicate photographs; catalogue\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; annotated '68 prospectus copy\u003c/p\u003e","\u003cp\u003eForm letter from Ellyson, prospectus; annotated '69 prospectus; correspondence with artists: re: prospectus, prospectus copy\u003c/p\u003e","\u003cp\u003eCatalogue; fact sheets; shipping information and receipts\u003c/p\u003e","\u003cp\u003eReply cards; correspondence with artists; internal memos; checklists\u003c/p\u003e","\u003cp\u003eLetter 4/8/71; fact sheets for printmakers\u003c/p\u003e","\u003cp\u003eCatalogue; catalogue copy; checklists\u003c/p\u003e","\u003cp\u003eSigned certificates; correspondence with winners; checklists\u003c/p\u003e","\u003cp\u003e1 copy of '71 catalogue; checklists; catalogue copy; internal memos\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; correspondence with designers\u003c/p\u003e","\u003cp\u003eCopy of Art Directors Club prospectus\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with artists; 1 copy of catalogue; reply cards\u003c/p\u003e","\u003cp\u003eEntry cards; shipping information and receipts; internal memos; fact sheets; checklists; correspondence with artists; 1 signed certificate; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; internal memo\u003c/p\u003e","\u003cp\u003eCatalogue; catalogue copy; catalogue proofs; label copy\u003c/p\u003e","\u003cp\u003eSigned certificate; correspondence with winners\u003c/p\u003e","\u003cp\u003e5 new photographs; 8 duplicate photographs\u003c/p\u003e","\u003cp\u003eAnnotated '67 prospectus; prospectus copy; blank mailing labels\u003c/p\u003e","\u003cp\u003eLabel copy; correspondence with artist; clipping; 12/70 Bulletin; checklists\u003c/p\u003e","\u003cp\u003eInvitation; photographs; label copy; internal memos; correspondence with artist; invitation list; biographical information 1/71 Bulletin; Robinson House exhibition checklist\u003c/p\u003e","\u003cp\u003eInvitation; photographs; checklists; internal memos; label copy; biographical information; correspondence with artist; \"Art Now: New York,\" Vol. 2, no. 10; installation sketches by Jackson; 2/71 Bulletin; Robinson House checklist\u003c/p\u003e","\u003cp\u003e3/71 Bulletin; 2 photographs; 7 slides; Robinson House exhibition checklist; internal memos; correspondence with artist; label copy; biographical information\u003c/p\u003e","\u003cp\u003e3/71 Bulletin, 1 photograph; clippings; correspondence with artist; internal memos; label copy; Robinson House exhibition checklist; invitation list\u003c/p\u003e","\u003cp\u003e3 photographs; internal memos; correspondence with artist; label copy; biographical information; Robinson House exhibition checklist; 4/71 Bulletin; invitation list\u003c/p\u003e","\u003cp\u003e1 slide, invitation; 4 photographs; internal memos and correspondence with artist re: damaged works; biographical information; label copy; correspondence with artist; clippings; checklist; 5/73 Bulletin; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation, 9/71 Bulletin, 2 duplicate slides; 2 photographs; 3 slides; label copy; correspondence with artist; invitation list\u003c/p\u003e","\u003cp\u003e10/71 Bulletin, invitation; 4 photographs; biographical information; correspondence with artist; label copy; checklists\u003c/p\u003e","\u003cp\u003ePhotographs; 3 slides; invitation list; 1 copy of invitation; correspondence with artist; internal memos; biographical information; checklists; label copy; 11/71 Bulletin\u003c/p\u003e","\u003cp\u003e2 photographs; 3 slides; label copy; price list (hand drawn!); correspondence with artist; biographical information; 12/71 Bulletin\u003c/p\u003e","\u003cp\u003e2 photographs; 3 slides; invitation; label copy; biographical information; correspondence with artist; Robinson House exhibition; checklist; 12/71 Bulletin\u003c/p\u003e","\u003cp\u003eInvitation, 1 slide; 1 new slide; 1/72 Bulletin; label copy; biographical information; checklists; internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003e1 photograph; \"Masterpieces of Early American Furniture, Antiques (11/70), invitation, \"The U.S. Department of State Americana Fund…\"; correspondence with possible collectors; research, correspondence with Clement E. Conger, Collector of the Year 1972 (Chairman of Special Fine Arts Committee for acquisition of furnishings for the Department of State); internal memos; clippings; biographical information; press releases; clippings; checklists layout (typed)\u003c/p\u003e","\u003cp\u003ePhotographs; 1 drawing; drawing (typed!); clippings; label copy\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e6 photographs; duplicates: 8 photographs, invitation; drawings (photocopies); correspondence with Mourot; research; internal memos; checklists; clippings; label copy\u003c/p\u003e","\u003cp\u003eProspectus; internal memos; correspondence with artists; reception guest list\u003c/p\u003e","\u003cp\u003eInvitation, poster, MOMA information sheet, \"Modern Museum Offers Works…\"; 13 photographs; memos; correspondence with MOMA (circulator); shipping information and receipts; checklists, 1 poster\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders; research; clippings; catalog copy; 1 copy of May 1972 Bulletin; clippings; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Muller; list of tentative loans\u003c/p\u003e","\u003cp\u003e9 photographs; 1 duplicate photograph\u003c/p\u003e","\u003cp\u003e1 new photograph; 1 duplicate photograph; correspondence with the AIC; request for information form\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; correspondence with Princeton; request for information form\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; correspondence with Atkins; request for information form\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; correspondence with Fogg; request for information form\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; correspondence with Meadows Museum; request for information form\u003c/p\u003e","\u003cp\u003e2 photographs; 6 duplicate photographs; correspondence with Met; request for information form\u003c/p\u003e","\u003cp\u003e4 duplicate photographs; correspondence with MFA Boston; request for information form; internal memos; insurance certificate\u003c/p\u003e","\u003cp\u003e6 duplicate photographs; correspondence with NGA; request for information form\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; correspondence with RISD; request for information form\u003c/p\u003e","\u003cp\u003e3 duplicate photographs; correspondence with Thaw; request for information form. invitation; photographs\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Worcester; shipping information and receipts; request for information form; correspondence re: insurance\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence re; photograph orders and framing for our pieces; request for information forms\u003c/p\u003e","\u003cp\u003e16 new photographs; 4 duplicate photographs\u003c/p\u003e","\u003cp\u003e18 new photographs; 6 duplicate photographs\u003c/p\u003e","\u003cp\u003eRequest for information form; piece of box from printer\u003c/p\u003e","\u003cp\u003eChecklists; lists of loans; shipping lists; mailing lists\u003c/p\u003e","\u003cp\u003eOne piece of correspondence\u003c/p\u003e","\u003cp\u003e5 new photographs; 1 duplicate photograph\u003c/p\u003e","\u003cp\u003e8 new photographs\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders who denied loan request\u003c/p\u003e","\u003cp\u003eChecklist, wall label, press release, 7 photographs; 2 contact sheet strips; materials from MOMA (circulator); correspondence with MOMA; internal memos; label copy; drawings (photocopies); 1 [misfiled] mock-up of Goya Catalogue cover\u003c/p\u003e","\u003cp\u003eChecklist, 2 photographs; 4 new photographs, 2 invitations, members' preview postcard and special reception in envelope; \"Gund Collection of Western Art,\" 1970; internal memos; correspondence with Gund; correspondence with lenders; clippings; \"American Western Art: a Personal Narrative.\"\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Gund Museum; internal memos; research; checklists; blank request for information forms; correspondence with lenders; lists of movies; Gund Collection materials\u003c/p\u003e","\u003cp\u003e4 photographs with labels, 5th=#15494, Carl Kauba, b. 1865, \"Indian\", Gilt Bronze, Collection Bobby Chandler; loan request; information sheets with small photos stapled to them (left in folder); correspondence with lenders; checklists; research\u003c/p\u003e","\u003cp\u003e1 catalog; 1 contact sheet strip; internal memos; label copy; 1 copy of invitation; correspondence with AIA, Richmond Chapter\u003c/p\u003e","\u003cp\u003eInvitation, 2 layout designs by Lipton, 6 photos; 27 new photos; correspondence with MIT (circulator); internal memos; correspondence with Marlborough Gallery (organizer); panel drawing (photocopy); checklists; correspondence with Lipton; label copy; research\u003c/p\u003e","\u003cp\u003e2 invitations, \"An Exhibition of Sculpture and Drawings by Gaston Lachaise,\" 2 photographs; 9 new photos; correspondence with Lachaise Foundation and [Felix] Landau Galleries (organizer); internal memos; checklists with prices; shipping information and receipts; drawing (photocopy); clippings\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with MOMA re: possible exhibitions, including Otto Frei exhibition [unsure if declined or not]\u003c/p\u003e","\u003cp\u003eChecklist; 1 photograph; internal memos; clippings; list of items sold or rented\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: lecture offer declined\u003c/p\u003e","\u003cp\u003eCorrespondence with Bernard Danenberg Galleries re: possible showing\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA\u003c/p\u003e","\u003cp\u003eCorrespondence with Advertising Trade Publications, Inc.\u003c/p\u003e","\u003cp\u003eCorrespondence with the IEF\u003c/p\u003e","\u003cp\u003eCorrespondence with Maritime Museum in Newport News and Philadelphia\u003c/p\u003e","\u003cp\u003e\"Project background \u0026amp; history,\" \"Bonniers introduces 9 incredible toys,\" 8 photos; 1 drawing; internal memos; correspondence with Bonnier International Design (organizer); correspondence with Ruder \u0026amp; Finn (circulators); Bonnier materials (including tear sheets); 1 copy of New York (9/11/72)\u003c/p\u003e","\u003cp\u003eProposals and materials from: George Eastman House, National Association of Women Artists, Rice University, California Arts Commission, Haus Rucker Company; MFA Houston, St. Paul Art Center, Fran Grace, Walter Art Center\u003c/p\u003e","\u003cp\u003eProposals and materials from: Japan Cultural Society, MOMA, Museum of the Confederacy, J.B. Speed, Library of Congress, Appalachian Corridor, SITES, Renwick Gallery, Asian Theatre Artists, NGA, Sculpture Center, International Museum of Photography, Oakland\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Smith (juror, Museum of Contemporary Crafts); biographical information\u003c/p\u003e","\u003cp\u003eCatalogs, prospectus, 1 photograph; correspondence with Wolf (juror; Trahey Wolf Advertising, Inc.); biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; 1971-1972 catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with institutions; artists; galleries and others (including materials)\u003c/p\u003e","\u003cp\u003eInvitation, 2 slides; invitation list; correspondence with artist; clippings; label copy; 2/72 Bulletin\u003c/p\u003e","\u003cp\u003eInvitation; 4 slides; 5 photographs; biographical information; label copy; correspondence with artist; 3/72 Bulletin; checklists\u003c/p\u003e","\u003cp\u003eInvitation, 4/72 Bulletin; 1 slide; correspondence with artist; internal memos; label copy; checklists; biographical information\u003c/p\u003e","\u003cp\u003e4/73 Bulletin, 1 slide, invitation; 1 negative; 1 photograph; 12/69 Bulletin; label copy; shipping information and receipts; biographical information; checklists correspondence with artist\u003c/p\u003e","\u003cp\u003e5/72 Bulletin, invitation; 1 photograph; 4 slides; correspondence with artist; label copy; checklists; biographical information\u003c/p\u003e","\u003cp\u003eInvitation, 1 photograph; 4 slides; label copy; 9/72 Bulletin; correspondence with artist; checklist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation, 4 photographs; 1 slide; shipping information and receipts; checklists; biographical information; 10/72 Bulletin; label copy; correspondence with artist\u003c/p\u003e","\u003cp\u003eInvitation; 1 photograph; 4 slides; checklists; shipping information and receipts; correspondence with artist; label copy; biographical information\u003c/p\u003e","\u003cp\u003eLabel copy; correspondence with artist; 11/72 Bulletin; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e\"1972-73 Robinson House One-Man Exhibitions\" List; internal memos; schedules\u003c/p\u003e","\u003cp\u003e1 photograph; 4 slides; label copy; 1/73 Bulletin; correspondence with artist; internal memos; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 slide, invitation, 2 photographs; 1 new photograph; label copy; 1/73 Bulletin; correspondence with artist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation, 2/73 Bulletin; 2 photographs; checklists; biographical information; internal memos; correspondence with artist; transportation request form; label copy\u003c/p\u003e","\u003cp\u003eInvitation, 3 photographs; 3 new photographs; 3 slides; biographical information; shipping information and receipts; checklists; correspondence with artist; transparencies request form; internal memos; label copy; 3/73 Bulletin\u003c/p\u003e","\u003cp\u003e'72 Honor Awards Program, Virginia AIA Chapter; concealed ID form; catalogue; internal memos; prospectus copy; Virginia Chapter AIA materials; 1 copy of prospectus; catalogue copy\u003c/p\u003e","\u003cp\u003eCorrespondence with juror (Hugh Jacobsen)\u003c/p\u003e","\u003cp\u003e2 photographs (Paul Smith); entry blanks; correspondence with artists; reception guest list; drawing (photocopy); internal memos; 1 copy of catalogue; correspondence with juror (Paul Smith)\u003c/p\u003e","\u003cp\u003eInternal memos; checklists; fact sheets; shipping information and receipts; entry blanks\u003c/p\u003e","\u003cp\u003ePurchase cards; annotated catalogues ('73); invoices; checklists; correspondence with purchasers; correspondence with artists; shipping information and receipts; release forms\u003c/p\u003e","\u003cp\u003eSlides; 7 new photographs; 3 duplicate photographs\u003c/p\u003e","\u003cp\u003eLetter (9/12/73); entry blanks; reception invitation list; shipping information and receipts; correspondence with artists; internal memos; correspondence with winners\u003c/p\u003e","\u003cp\u003e1 copy of catalogue; catalogue copy; internal memos; checklists\u003c/p\u003e","\u003cp\u003eSchedule; prospectus copy\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; internal memos; fact sheets; checklists\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists\u003c/p\u003e","\u003cp\u003e2 invitations, 8 duplicate photographs; 9 new photos; internal memos; checklists with values; correspondence with Blumkas (Mr. and Mrs. Leopold); research; correspondence re: complete loss of Gothic velvet tapestry due to water damage\u003c/p\u003e","\u003cp\u003e7 photographs; correspondence with MOMA (circulator); checklists; internal memos; MOMA materials (including wall label, press release)\u003c/p\u003e","\u003cp\u003e3 photographs; internal memos; panel layout notes; Accession Committee meeting minutes copies (to look at new accessions)\u003c/p\u003e","\u003cp\u003eInvitation; photographs; label copy; drawing (photocopy)\u003c/p\u003e","\u003cp\u003ePhotographs; duplicates; 2 invitations; invitation copy; internal memos; correspondence with Whitney (circulator); Whitney materials; label copy; 1 copy of \"Edward Hopper: Selections from the Hopper Bequest,\" published by Whitney; 1 copy of 3/73 Bulletin\u003c/p\u003e","\u003cp\u003e5 photographs; label copy; correspondence with lenders; request for information form; internal memos; correspondence re: Bernard Martin \"copying\" Alfred Newman's photograph of Hopper re: possible copyright infringement\u003c/p\u003e","\u003cp\u003eCatalog; 2 photographs; 1 copy of prospectus; internal memos; label copy; list of designers; correspondence with AIID\u003c/p\u003e","\u003cp\u003eInvitation, 10 photographs; internal memos; label copy; invitation copy; mailing lists\u003c/p\u003e","\u003cp\u003eCatalog, invitation, 1 photograph; 2 slides, 1 new photograph; internal memos; correspondence with artists; label copy; 1 copy of prospectus; checklists; clippings\u003c/p\u003e","\u003cp\u003e5/73 bulletin; shipping information and receipts; correspondence with artists; internal memos; correspondence with Thalhimer's re: display; label copy; checklists; fact sheets\u003c/p\u003e","\u003cp\u003e1 copy of catalogue; catalogue copy; checklists; internal m emos; prospectus copy\u003c/p\u003e","\u003cp\u003eSigned certificates; correspondence with winners\u003c/p\u003e","\u003cp\u003eCorrespondence with juror (William Seitz); biographical information\u003c/p\u003e","\u003cp\u003e28 photographs\u003c/p\u003e","\u003cp\u003eMemo (2/28/73); printmakers card; letter (3/22/73); internal memos\u003c/p\u003e","\u003cp\u003eReply cards; correspondence with artists; internal memos; checklists\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates, certificates; juror biographical information (William Pahlmann); correspondence with juror; internal memos; fact sheets; checklists; correspondence with artists; entry blanks\u003c/p\u003e","\u003cp\u003eProspectus (1 copy); AID Virginia Chapter '70-'71 directory; prospectus copy; catalogue (1 copy); checklists; correspondence with NSID\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e3 photographs; 1 duplicate photograph; label copy; entry blank; correspondence with Solomon; biographical information; shipping information and receipts; 11/73 Bulletin\u003c/p\u003e","\u003cp\u003eInvitation, 2 duplicate photographs, 10/73 Bulletin; 1 new photograph; label copy; correspondence with Beer; biographical information; checklists\u003c/p\u003e","\u003cp\u003e2 photographs; internal memos; correspondence with juror (Nathan Lyons); biographical information\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eEntry blank; correspondence with Dougherty\u003c/p\u003e","\u003cp\u003e1 photograph; 1 new photograph; 9/73 Bulletin; correspondence with Davenport; entry blank; biographical information; clipping\u003c/p\u003e","\u003cp\u003eInvitation, 2 photographs; 7 new photographs; correspondence with Lewises; drawing (photocopy); internal memos, 1 copy of May '72 W\u0026amp;L Alumni Bulletin\u003c/p\u003e","\u003cp\u003e7 photographs; press release; internal memos; materials from Museum of Primitive Art (organizer); clippings; catalog copy\u003c/p\u003e","\u003cp\u003eInvitation; catalog; internal memos; correspondence with prospective jurors; 1 photocopy of prospectus; mailing list; article by Nathan Lyon (juror); clipping; NEA grant materials\u003c/p\u003e","\u003cp\u003ePress release, 3 photographs, checklist; correspondence with IEF (circulator); IEF materials; internal memos\u003c/p\u003e","\u003cp\u003eResearch; checklists; catalog copy; mailing lists for catalogs [all materials Blaine-related]\u003c/p\u003e","\u003cp\u003e3 clippings, 3 invitations; 7 photographs; internal memos; correspondence with Blaine; mailing lists; catalog copy (Blaine)\u003c/p\u003e","\u003cp\u003eNell Blaine at the Poindexter Gallery, 1972, catalogue folder; 2 new photographs; research; other catalogs; mailing lists; request for information forms; checklists; price lists; internal memos; correspondence with Boston University (Beal co-organizer); correspondence with Poindexter Gallery (Blaine co-organizer); correspondence with Lawrence Campbell (essay writer; Art Students' league); correspondence with lenders; correspondence with artists; catalog copy (Beal)\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of Blaine catalog; list of Beal color transparencies returned\u003c/p\u003e","\u003cp\u003eCorrespondence with artist and purchasers re: sale of paintings (including copies of checks, etc.); checklists; price lists [all material related to Blaine]\u003c/p\u003e","\u003cp\u003e1 drawing by Blaine; correspondence with Boston University, Poindexter Gallery, Blaine, Campbell, lenders; internal memos; 1 copy of Blaine catalog; clippings; loan agreement forms; other catalog (Beal); research; label copy; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; 1972-73 catalog; 1973-74 listing in new 8 ½ X 11 format (unbound)\u003c/p\u003e","\u003cp\u003e2 copies of 67-68 catalog; correspondence with AFA; 2 copies of 68-69 catalog; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence re: possible prison art show\u003c/p\u003e","\u003cp\u003eCorrespondence with Ruder and Finn\u003c/p\u003e","\u003cp\u003eClippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]\u003c/p\u003e","\u003cp\u003eClippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]\u003c/p\u003e","\u003cp\u003eMaterial re; possible exhibition of Cecil Beaton as well as Samuel Kirk \u0026amp; Son\u003c/p\u003e","\u003cp\u003eMaterial re: possible exhibition of Cecil Beaton, as well as for Sir Jacob Epstein, and others\u003c/p\u003e","\u003cp\u003eCorrespondence re: Objects: USA (collection of S.C. Johnson \u0026amp; Son, organized by Lee Nordness Gallery); correspondence with various other institutions; various catalogs from late 1960s\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; various catalogs from 1973\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; various catalogs from late 1960s; early 1970s]\u003c/p\u003e","\u003cp\u003eCorrespondence; internal memos\u003c/p\u003e","\u003cp\u003e1 copy of 66-67 catalog; 2 copies of 68-69 catalog; correspondence with MOMA; MOMA materials; clippings; internal memos\u003c/p\u003e","\u003cp\u003e1 clipping on Peggy Guggenheim\u003c/p\u003e","\u003cp\u003eCorrespondence with Multiples, Inc. gallery; internal memo\u003c/p\u003e","\u003cp\u003eEastman House materials\u003c/p\u003e","\u003cp\u003eCorrespondence with SITES; 1972 catalogs; SITES materials; various SI bulletins; 1 catalog (French playbills)\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; MOMA materials, 1 copy of catalog\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Hirschl \u0026amp; Adler\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with \"Curators of Art for Corporate Collections\" [actually called Danese Design]\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with Art professor at Mary Baldwin\u003c/p\u003e","\u003cp\u003eCorrespondence with Asia House Gallery; checklist; internal memo [not shown]\u003c/p\u003e","\u003cp\u003eCorrespondence with Whitney and Aldrich Museum of Contemporary Art\u003c/p\u003e","\u003cp\u003eCorrespondence with Museum of Fine Arts, St. Petersburg; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Multiples, Inc.\u003c/p\u003e","\u003cp\u003eLetter from Claiborne to members (10/24/73); 1 copy of invitation; label copy\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eCatalog, invitation, 6 photographs; 1 new photograph; 1 copy of Virginia Designers 1970 catalog; internal memos; mailing list; catalog copy; correspondence with Federal Council on the Arts \u0026amp; Humanities (speaker, Lani Lattin); schecklists\u003c/p\u003e","\u003cp\u003eMembers special film program card, 2 photographs; 1 new photograph; 1 copy of Wildenstein catalog; research; correspondence with Bakwin; correspondence with members; internal memos; 1 copy of invitation; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation, reply card; 1 photograph; 1 copy of Craftsmen's Biennial 2 (VCU) prospectus; 1 copy of Virginia Craftsmen 1970 catalog; 1 copy of 74 catalog; 1 copy of 74 prospectus; internal memos; mailing list; research\u003c/p\u003e","\u003cp\u003eInvitation, 11 photographs; 4 new photographs; 1 copy of catalog \"Walter Gropius: Buildings, Plans, Projects, 1906-1969\"; correspondence; 1 copy of \"Portrait of an idea: Rosenthal Studio-Line\"; correspondence with IEF; IEF materials; exhibition contract; 1 drawing (photocopy); internal memos\u003c/p\u003e","\u003cp\u003eVMFA exhibition SP-28; internal memos; checklist; label copy\u003c/p\u003e","\u003cp\u003eClippings; 1 copy of Commonwealth: the Magazine of Virginia (5/74)\u003c/p\u003e","\u003cp\u003e2 preview invitations, lecture card, brochure; photographs; label copy\u003c/p\u003e","\u003cp\u003e3 photographs; 1 new photograph\u003c/p\u003e","\u003cp\u003eAnnouncement; 3 transparencies; 4 drawings of \"Project: Folk Art\"; correspondence with Whitney (circulator; organizer); internal memos; correspondence with Ruder and Finn; label copy; correspondence with Philip Morris (sponsor); research; invitation copy; brochure copy; Whitney materials; preview mailing list; 1 copy of 4/74 Bulletin; correspondence re: posters and billboard; clipping\u003c/p\u003e","\u003cp\u003eInvitation, \"Project: Folk Art\"; 1 photograph; internal memos; correspondence with Ruder \u0026amp; Finn; correspondence with Whitney; checklists, correspondence with Philip Morris; brochure copy; clipping; correspondence with publicity; correspondence with other institutions\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003e3 photographs; 2 new photographs; TV speech copy; correspondence with De Young (other venue); correspondence with Central Virginia Educational Television; verbal storyboards\u003c/p\u003e","\u003cp\u003eInternal memos; mailing/invitation lists\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Whitney; correspondence with other institutions; Whitney brochures; clippings; layout drawings (photocopies); label copy\u003c/p\u003e","\u003cp\u003e7 photographs; duplicates: transcript, announcement card; 4 dictabelts (interview with Bill Gaines); checklists; correspondence with Chermayeff; internal memos; correspondence with Philip Morris (owners of tapestries); mailing list; 1 copy of invitation; press release; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Nancy Hoffman Gallery (organizer); correspondence with lenders; checklists; request for information form; gallery materials\u003c/p\u003e","\u003cp\u003eCatalog; photographs; catalog copy; internal memos; checklists; correspondence with lenders; blank information request form; clipping\u003c/p\u003e","\u003cp\u003ePhotographs, 2 transparencies, 1 slide; 1 copy of invitation; internal memos; clippings; exhibition design drawings (photocopy)\u003c/p\u003e","\u003cp\u003e33 photographs; 7 transparencies; duplicates: 15 photographs\u003c/p\u003e","\u003cp\u003e4 photographs; 1 transparency, slides; correspondence with potential lenders; correspondence with Diebenkorn; internal memos; request for information forms; checklists\u003c/p\u003e","\u003cp\u003e4 photographs; 3 new photos, 1 transparency; correspondence with potential lenders; correspondence with lenders; correspondence with Estes (the photos he provided were for his passport!); request for information forms; checklists; research\u003c/p\u003e","\u003cp\u003e6 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklists; correspondence with Francis\u003c/p\u003e","\u003cp\u003e5 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklist; correspondence with Frankenthaler; internal memo\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with lenders; correspondence re: damage; request for information forms; internal memos; correspondence with Hans Nemuth re: portrait of Indiana (photograph)\u003c/p\u003e","\u003cp\u003e5 photographs; checklists; correspondence with potential lenders; request for information forms\u003c/p\u003e","\u003cp\u003e6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklist\u003c/p\u003e","\u003cp\u003e5 photographs; 1 new photograph, 2 transparencies; correspondence with potential lenders; correspondence with Motherwell; checklists; request for information forms\u003c/p\u003e","\u003cp\u003e6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklists\u003c/p\u003e","\u003cp\u003e5 photographs; 1 new photograph; correspondence with potential lenders; request for information forms; internal memos; checklists\u003c/p\u003e","\u003cp\u003e5 photographs; 1 new photograph; 1 transparency; correspondence with Thiebaud; correspondence with potential lenders; request for information forms; checklists\u003c/p\u003e","\u003cp\u003e5 photographs; 1 transparency; internal memos; correspondence with potential lenders; request for information forms; checklists\u003c/p\u003e","\u003cp\u003eCatalog; internal memos; correspondence with Virginia AIA Awards Committee\u003c/p\u003e","\u003cp\u003eEntry blanks; correspondence with designers; label copy; internal memos; checklists; fact sheets\u003c/p\u003e","\u003cp\u003e1 copy of '74 catalog; catalog copy\u003c/p\u003e","\u003cp\u003eSigned certificates; correspondence with juror (Ivan Chermayeff); clipping\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eProspectus; checklists; art directors' club materials; prospectus copy; schedule\u003c/p\u003e","\u003cp\u003e4 photographs; correspondence with Hagan; shipping information and receipts; entry blank; label copy; 5/74 Bulletin; biographical information\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs; 2 new photographs; 4/74 Bulletin; shipping information and receipts; biographical information; correspondence with Abbott; label copy\u003c/p\u003e","\u003cp\u003eInvitation; 1 photograph; 1 new photograph; label copy; transportation requests; entry blanks; biographical information; correspondence with Barry; shipping information and receipts; 2/74 Bulletin\u003c/p\u003e","\u003cp\u003e5 photographs; 1 duplicate photograph; invitations; 1/74 Bulletin; shipping information and receipts; checklists; label copy; internal memos; correspondence with Fridley\u003c/p\u003e","\u003cp\u003eInvitation; 4 photographs; NEA booklet; 10/74 Bulletin; correspondence with NEA for Sandborn; brochure (1 copy); brochure copy; internal memos; biographical information; correspondence with Sandborn; entry blank; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs, invitations; 6 photographs; 9/74 Bulletin; correspondence with Ames; biographical information; shipping information and receipts; checklists; label copy; internal memos; entry blank\u003c/p\u003e","\u003cp\u003eCatalog; photographs; internal memos; correspondence with artists; label copy; checklists; correspondence with Michael Graves (lecturer); correspondence with juror (Bill Newman); invitation copy; invitation list; prospectus copy; biographical information; 12/74 Bulletin\u003c/p\u003e","\u003cp\u003e3 photographs: 1 duplicate photograph, invitations; 11/74 Bulletin; brochure; shipping information and receipts; checklists; biographical information; correspondence with Scalin; entry blank; label copy\u003c/p\u003e","\u003cp\u003e22 photographs; 9 new photographs; internal memos; checklists\u003c/p\u003e","\u003cp\u003eResearch; checklists; internal memos; clippings; correspondence re: poster; drawings (photocopies); panel copy\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eLabel copy; research; checklists; correspondence with lenders; internal memos; correspondence with Comprehensive Exhibition Services (circulator); correspondence with potential lenders; blank request for information forms\u003c/p\u003e","\u003cp\u003e8 photographs; 6 new photographs; request for information forms; internal memos; correspondence with lenders\u003c/p\u003e","\u003cp\u003eSITES and National Art Collection Materials; internal memos; correspondence re: materials for Children's Day\u003c/p\u003e","\u003cp\u003e1 photograph; 2 new photographs; correspondence with Delaware Art Museum (lender); 1 copy of 4/74 Bulletin; checklists; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with potential speakers they declined\u003c/p\u003e","\u003cp\u003ePhotographs; research; biographical information; clippings, drawing (photocopy); 1 copy of 5/74 Bulletin; internal memos; correspondence with VCU (Professor Lester Van Winkle is co-organizer); correspondence with lenders; invitation list; 1 copy of invitation; checklists; correspondence from visitors\u003c/p\u003e","\u003cp\u003e4/74 Bulletin, \"photographic resume,\" 1 photograph; 5 new photographs; correspondence with artist; biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with and materials from various institutions, galleries, and organizations; internal memos; clippings; catalog\u003c/p\u003e","\u003cp\u003e1 photograph (William B. O'Neal, UVirginia); correspondence with potential speakers; promotional materials; internal memos\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: questionnaire (5/2/74)\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA re: possible traveling shows\u003c/p\u003e","\u003cp\u003eCorrespondence with and materials from various institutions, organizations, and individuals re: declined exhibitions; internal memos; catalogs\u003c/p\u003e","\u003cp\u003eCorrespondence with Modern Master Tapestries, Inc. (organizing circulator) and Charles E. Slatkin, Inc. Galleries (organizing circulator); promotional materials\u003c/p\u003e","\u003cp\u003eSigned certificates, catalog; 1 photograph; internal memo; correspondence with artists; fact sheets; invoices; checklists; clippings; shipping information and receipts\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; annotated '72 prospectus\u003c/p\u003e","\u003cp\u003eNOVirginia invitation, jurors' statement, Lynchburg prospectus, signed certificates (NOVirginia); 10 photographs; checklists; prospectus copy; invitation copy; NOVirginia prospectus; correspondence with artists; catalog copy; Lynchburg catalog; correspondence with directors of affiliates; Lynchburg signed certificate\u003c/p\u003e","\u003cp\u003e10 photographs; duplicates: Roanoke catalog, Roanoke invitation; correspondence with artists; Peninsula prospectus copy; Peninsula catalog copy; internal memos; Peninsula prospectus; Peninsula signed certificate; checklists; Roanoke catalog copy; clippings; correspondence with juror (Lawrence Alloway)\u003c/p\u003e","\u003cp\u003e'75 prospectus; shipping information and receipts; annotated '73 prospectus; prospectus copy\u003c/p\u003e","\u003cp\u003ePhotographs; signed certificates, invitation; checklists; '75 catalog; correspondence with NEA re: grant; internal memos; correspondence with juror (Aaron Siskind); fact sheets; prospectus copy\u003c/p\u003e","\u003cp\u003eVirginia Commission of the Arts and Humanities grant application\u003c/p\u003e","\u003cp\u003eCatalog; catalog copy\u003c/p\u003e","\u003cp\u003e1 signed certificate; correspondence with winners\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of '75 catalog\u003c/p\u003e","\u003cp\u003eProspectus copy; internal memos; correspondence re: prospectus\u003c/p\u003e","\u003cp\u003eCatalog; purchase cards; invoices; correspondence with artists; internal memos\u003c/p\u003e","\u003cp\u003eReply cards; checklists; correspondence with artists\u003c/p\u003e","\u003cp\u003eInvitation, 1 photograph; shipping information and receipts; correspondence with potential jurors; correspondence with juror (Robert Buck); biographical information; schedule; internal memos; checklists; 5/75 Bulletin\u003c/p\u003e","\u003cp\u003eSigned certificates; fact sheets; correspondence with juror (Elke Solomon); biographical information; internal memos; checklists; correspondence with artists\u003c/p\u003e","\u003cp\u003ePhotographs; prospectus; prospectus copy; 1 copy of catalogue; catalogue copy\u003c/p\u003e","\u003cp\u003eLetter 2/9/75, purchase card; correspondence with artists; internal memos; invoices\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists\u003c/p\u003e","\u003cp\u003eInvitation, 5 photographs; 1 new photograph; internal memos; invitation copy; correspondence with Mrs. Lammot DuPont Copeland [collector of the year]\u003c/p\u003e","\u003cp\u003e1 copy of 2/75 Bulletin; internal memos; checklists (Artmobile exhibition); label copy\u003c/p\u003e","\u003cp\u003e1 photograph; 1 copy of catalog; 1 copy of prospectus; internal memos; checklists\u003c/p\u003e","\u003cp\u003ePhotographs; checklists; label copy; catalog copy; research; invitation copy; correspondence with NC Museum of Art; internal memos; mailing list; 1 copy of invitation\u003c/p\u003e","\u003cp\u003e2 photographs; \"1940, Remember?\" clipping; correspondence with Library of Congress Prints \u0026amp; Photographs Division; internal memos; research; checklists\u003c/p\u003e","\u003cp\u003eCatalog, \"Observations on …,\" \"Collecting,\" 2 photographs; 2 new photographs; correspondence with O'Neal; checklists; internal memos; catalog copy; biographical information\u003c/p\u003e","\u003cp\u003e4 new photographs; catalog\u003c/p\u003e","\u003cp\u003eCatalog, 4 photographs; 4 new photographs; checklists; correspondence with Lewises; internal memos\u003c/p\u003e","\u003cp\u003eCatalog, invitation, 6 photographs; 2 new photographs; 1 copy of prospectus; internal memos; invitation copy; correspondence with Robert Buck (juror, Director of Albright Knox)\u003c/p\u003e","\u003cp\u003e1 internal memo\u003c/p\u003e","\u003cp\u003e1 catalog, 5 photographs; 1 new photograph; internal memos; checklists\u003c/p\u003e","\u003cp\u003eInvitation, 6 photographs; 6 new photographs; correspondence with University Art Gallery (Rutgers, organizer); internal memos; invitation copy; correspondence with VM Youth Guild; clipping; correspondence from visitors; 1 copy of catalog; list of books for sale at VMFA Shop\u003c/p\u003e","\u003cp\u003e\"Art as Adornment\"; 10 photographs; internal memos; checklists; label copy; catalog copy\u003c/p\u003e","\u003cp\u003e3 new photographs; 3 duplicate photographs; correspondence with Art Museum of South Texas (borrower)\u003c/p\u003e","\u003cp\u003eCorrespondence with Josef Albers Foundation; correspondence; internal memos\u003c/p\u003e","\u003cp\u003eInvitation, catalog; internal memos; correspondence re: successful NEA grant; grant   materials; statistics\u003c/p\u003e","\u003cp\u003e1 photograph; internal memos; checklists; correspondence with Light Gallery (lender); correspondence with Siskind\u003c/p\u003e","\u003cp\u003ePress release; photographs; correspondence with AFA (circulator); correspondence with Museum of Primitive Art (lender); drawing (photocopy); in use list; internal memos; correspondence with African Arts magazine; clipping\u003c/p\u003e","\u003cp\u003ePoster, catalog, 1 photograph; 4 new photographs; correspondence with AFA; checklists; internal memos; exhibition contract; invitation copy; correspondence with African Arts; correspondence with Museum of Primitive Arts; correspondence with local TV station\u003c/p\u003e","\u003cp\u003e\"Masterpieces of Pre-Columbian Art,\" 5 photographs; 1 new photograph; internal memos; label opy; Artmobile slide lecture copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Museum of the American Indian (organizer); internal memos; clipping\u003c/p\u003e","\u003cp\u003eCorrespondence with Met (organizer); internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Hyatt re: possible accommodations; correspondence with AAM; internal memos\u003c/p\u003e","\u003cp\u003e3 photographs; 3 new photographs; correspondence with lenders; request for information forms; checklists; shipping information and receipts; 1 copy of invitation\u003c/p\u003e","\u003cp\u003e3 photographs; 3 new photographs; 1 copy of brochure (\"Landscape in Photography\");   internal memos; checklists\u003c/p\u003e","\u003cp\u003e12 photographs; brochure copy; internal memos; checklists; panel copy; press releases\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; 1 copy of invitation; clipping; internal memos; press release\u003c/p\u003e","\u003cp\u003e3 photographs; 12 new photographs; correspondence with MOMA (organizer); checklist; exhibition contract; internal memos; clipping; MOMA materials\u003c/p\u003e","\u003cp\u003eUnsigned certificate; 2 photographs; duplicates: letter 8/1/75, 2 blank information forms\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e2/75 Bulletin, invitation, 1 photograph; 2 new photographs; internal memos; correspondence with artist; shipping information and receipts; biographical information; label copy\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs; 4 duplicate photographs, 11/14/74 memo; internal memos; label coy; blank floor plan; 1/75 Bulletin; correspondence with artists; clippings; invoices [lots of correspondence re: student show]\u003c/p\u003e","\u003cp\u003e21 photographs; information forms; biographical information; correspondence with artists; internal memos; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; duplicates: Roanoke prospectus, Peninsula prospectus, Roanoke catalogue; clippings; correspondence with artists; prospectus copy; juror biographical information; internal memos; correspondence with jurors; NOVirginia prospectus; annotated Roanoke prospectus; checklists; signed certificates; invitation; blank certificates\u003c/p\u003e","\u003cp\u003ePhotographs; drawings (photocopies); panel copy; research; catalog copy\u003c/p\u003e","\u003cp\u003eChecklists by object type (transferred contents of a binder)\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e3 photographs; internal memos; correspondence re: events such as demos and clinics; research; correspondence with visitors; invitation copy; correspondence re: catalog; correspondence with lenders; checklists\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; research\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with lenders; internal memos; correspondence with Virginia Commission of the Arts \u0026amp; Humanities re: special funding; checklists; research\u003c/p\u003e","\u003cp\u003eCatalog copy; research; checklists; labels\u003c/p\u003e","\u003cp\u003ePhotographs; checklists; other lists\u003c/p\u003e","\u003cp\u003e15 photographs; shipping information and receipts; catalog proof; checklists; catalog copy; research; lists by type\u003c/p\u003e","\u003cp\u003e10 photographs; 2 new photographs; correspondence with Toledo Museum of Art (organizer); checklists; insurance certificate; clipping, correspondence with Steuben; 1 copy of \"Steuben: 70 Years of American Glassmaking\"; internal memos; correspondence with publicity\u003c/p\u003e","\u003cp\u003e\"Forms in Metal\" catalogue; 1 photograph; correspondence with Museum of Contemporary Crafts (organizer); exhibition contract; Museum of Contemporary Crafts materials; internal memos; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e3 photographs, invitation, reply card; 1 copy of catalog; correspondence with Lawrence Alloway (juror); invitation copy; internal memos; correspondence with members of arts organizations coming to ceremony; guest lists\u003c/p\u003e","\u003cp\u003eExhibition contract; correspondence with MOMA (organizer); MOMA materials; checklist; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with University of New Mexico (organizer); research; exhibition contract; internal memos; correspondence with Western Association of Art Museums (organizer); biographical information; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with Dean Brown Foundation (curator is Carol Brown, widow) and Akron Art Institute (organizer); internal memos; biographical information; AAI materials\u003c/p\u003e","\u003cp\u003eCorrespondence with Bowdoin (organizer) [cancelled]; Bowdoin materials\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Israel Museum; clippings\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with Museum of the American Indian; correspondence with Phillip Morris (connection to Museum of AI)\u003c/p\u003e","\u003cp\u003eCatalog, prospectus; statistics; letter to members of \"Richmond Communicating Artists\"\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; VMFA materials; label copy\u003c/p\u003e","\u003cp\u003eOne press release [written by Bob Keefe] re: Reeves collection\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Terry Dintenfass (organizer); internal memos\u003c/p\u003e","\u003cp\u003e19 photographs; correspondence with Gallery Association of New York State (organizer); internal memos; checklist; correspondence with Architectural League of NY (organizer); budget materials (for fundraising); GANYS materials\u003c/p\u003e","\u003cp\u003ePhotographs; 2 slides\u003c/p\u003e","\u003cp\u003e1 drawing; 1 photograph; duplicates: museum tear sheet; general museum and various exhibitions' label copy; catalogue or essay copy for \"The 18th Century Drama\"\u003c/p\u003e","\u003cp\u003eBiographical information\u003c/p\u003e","\u003cp\u003eAttendance statistics\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003eFact sheet\u003c/p\u003e","\u003cp\u003eList of music for Danish Silver exhibition\u003c/p\u003e","\u003cp\u003eLists of alumni in Richmond\u003c/p\u003e","\u003cp\u003e2 drawings; Leslie Cheek Jr.'s notes\u003c/p\u003e","\u003cp\u003e2 drawings\u003c/p\u003e","\u003cp\u003e3 drawings\u003c/p\u003e","\u003cp\u003e3 drawings\u003c/p\u003e","\u003cp\u003e2 checklists of members\u003c/p\u003e","\u003cp\u003e1 drawing; list of photographs for panels\u003c/p\u003e","\u003cp\u003e1 drawing\u003c/p\u003e","\u003cp\u003e\"Remarks\" 5/25/77\u003c/p\u003e","\u003cp\u003eInternal memos; article copy; checklist; correspondence re: permission to publish images\u003c/p\u003e","\u003cp\u003e1 transparency; catalog copy; internal memos; correspondence with lenders; research; correspondence re: transparencies; correspondence with Mariner's Museum\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders; correspondence re: transparencies; catalogue copy\u003c/p\u003e","\u003cp\u003eBlank information forms\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003e1 photograph [Vose Galleries]; correspondence with lenders who denied loans\u003c/p\u003e","\u003cp\u003eCatalog proofs\u003c/p\u003e","\u003cp\u003eCorrespondence with Suffolk Art League\u003c/p\u003e","\u003cp\u003eCorrespondence with Mint Museum; Mint materials\u003c/p\u003e","\u003cp\u003e1 copy of \"The Virginia Peninsula Today,\" 11/76; speech copy\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with Met re: possible loan\u003c/p\u003e","\u003cp\u003eInvitation lists\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; 2 new photographs; request for information forms; correspondence with potential lenders\u003c/p\u003e","\u003cp\u003eChecklists; internal memos re: postcards for sale (correspondence with other museums' shops)\u003c/p\u003e","\u003cp\u003ePress release (8/26/74); correspondence with Mariners Museum; internal memos; clippings; fact sheet\u003c/p\u003e","\u003cp\u003e3 photographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eRequest for information forms (folder 2)\u003c/p\u003e","\u003cp\u003eRequest for information forms\u003c/p\u003e","\u003cp\u003eInternal memo; correspondence with Vose re: catalogue; Artmobile label/brochure copy\u003c/p\u003e","\u003cp\u003eBudget information; internal memos\u003c/p\u003e","\u003cp\u003eArtmobile label copy; Artmobile layout drawing (photocopy)\u003c/p\u003e","\u003cp\u003eResearch\u003c/p\u003e","\u003cp\u003eSlide lists\u003c/p\u003e","\u003cp\u003eInternal memos; Artmobile brochure; checklists; Artmobile teachers' kit; clipping\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; correspondence with Mariners Museum; checklists\u003c/p\u003e","\u003cp\u003eChecklists\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with Mariners Museum\u003c/p\u003e","\u003cp\u003e1 slide; 1 photograph (A. Cary Smith, portrait of the Yacht Agnes); correspondence with lenders; research; internal memos; schedule; correspondence with mariners Museum; clippings; other materials\u003c/p\u003e","\u003cp\u003eInternal memos; invitation lists; correspondence with attendees/invitees; clipping\u003c/p\u003e","\u003cp\u003eCorrespondence and internal memos re: budget\u003c/p\u003e","\u003cp\u003eLists; schedule; correspondence with Mariners Museum; correspondence with film companies; internal memos\u003c/p\u003e","\u003cp\u003eBudget information; internal memos; correspondence with Mariners Museum; correspondence with NEA; clipping; grant application\u003c/p\u003e","\u003cp\u003e6 photographs; correspondence with NNS; 1 copy of \"3 Generations of Shipbuilding\"; NNS materials; \"Men, Ships and the Sea\"; Bring Her Home\"; label copy for publicity photographs0; \"Always Good Ships\"\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003e14 duplicate photographs; 2 new photographs; 1 drawing; 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internal memos; '77 catalogue; correspondence with NEA re: grant; '77 prospectus; correspondence with juror (Lloyd Herman)\u003c/p\u003e","\u003cp\u003e25 slides, 9 photographs; 1 duplicate photograph; clippings; correspondence with Santa Barbara Museum of Art (organizer); internal memos; correspondence with SITES (circulator); 1 copy of catalog; labels; schedule; checklists; Santa Barbara materials, including press release and prospectus; exhibition contract\u003c/p\u003e","\u003cp\u003ePhotographs; invitation list; announcement; correspondence with artist; announcement copy; price list; entry blank, invitation (signed \u0026amp; 22/58)\u003c/p\u003e","\u003cp\u003ePhotographs; invitation list; price list; entry blank; announcement; announcement copy; biographical information; internal memos; correspondence with artist\u003c/p\u003e","\u003cp\u003e3 photographs; invitation list; entry blank; invitation; internal memos; clipping; biographical information; correspondence with artist\u003c/p\u003e","\u003cp\u003e1 photograph; invitation; announcement proof; correspondence with purchasers; biographical information; checklists; invitation list; correspondence with artist\u003c/p\u003e","\u003cp\u003e3 photographs; announcement; announcement copy; invitation; internal memos; entry card; correspondence with artist; biographical information; invitation list\u003c/p\u003e","\u003cp\u003e3 photographs; announcement; checklists; entry blank; invitation list; correspondence with artist; invitation; biographical information\u003c/p\u003e","\u003cp\u003e2 photographs; checklists; correspondence with artist; artists' sale terms and conditions; announcement; invitation list; biographical information; invitation; internal memos\u003c/p\u003e","\u003cp\u003eAnnouncement; invitation; correspondence with artist; announcement copy; biographical information; invitation list; internal memos\u003c/p\u003e","\u003cp\u003eAnnouncement, invitation; announcement copy; biographical information; entry blank; Guggenheim fellowship application; clippings; correspondence with artist; invitation list\u003c/p\u003e","\u003cp\u003eInvitation; schedule; 1 copy of prospectus; correspondence with Thalhimer's; internal memos; statistics; correspondence with artists\u003c/p\u003e","\u003cp\u003eProspectus copy; label copy; jurors' statement copy; 2 copies of catalog (1 annotated; 1 not); catalogue copy; correspondence with visitor re: complaint about nude woman in painting\u003c/p\u003e","\u003cp\u003e5 photographs; 8 duplicate photographs\u003c/p\u003e","\u003cp\u003eSigned certificates; 1 photograph; invitation; internal memos; correspondence with artists; correspondence with juror (Suzanne Delehanty); checklists; statistics\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with Thalhimer's; correspondence with artists\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists\u003c/p\u003e","\u003cp\u003eForm letter to Virginia artists from Director Peter Mooz; correspondence with purchasers; correspondence with artists; internal memos; invitation list; reply cards\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eInvoices; budget information; incident report; correspondence with artist\u003c/p\u003e","\u003cp\u003eInvitation; clippings; poster; materials from other exhibitions\u003c/p\u003e","\u003cp\u003eClippings; materials from other exhibitions\u003c/p\u003e","\u003cp\u003ePostcard; checklists; label proof; lecture; invitation copy; installation drawing [checklists from Edwin A. Ulrich Museum of Art, Wichita State University)\u003c/p\u003e","\u003cp\u003e7 photos; 5 new photos\u003c/p\u003e","\u003cp\u003eCorrespondence with Wichita State; correspondence with Lewises; correspondence with artist; correspondence with Whitney (other venue)\u003c/p\u003e","\u003cp\u003eInvitation, reply card, brochure; 5 photographs; 1 copy of catalogue: \"The Proctor \u0026amp; Gamble Company Antique English Coffee Pots: The Folger's Coffee Collection\"; correspondence; internal memos; correspondence with the Rowland Company (organized the show); correspondence with Proctor \u0026amp; Gamble; invitation copy\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with lenders; clippings; internal memos; correspondence with Lewises (lenders of typewriter eraser)\u003c/p\u003e","\u003cp\u003eInvitation, 5 photographs; 33 new photographs; clippings; internal memos; correspondence with Kreegers; checklist; drawings (photocopies); invitation list; research; label copy; invitation copy\u003c/p\u003e","\u003cp\u003eInternal memos; specs. For A.V. presentation; presentation copy\u003c/p\u003e","\u003cp\u003eInvitation; invitation copy\u003c/p\u003e","\u003cp\u003e2 slides; photographs; internal memos\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eBudget information; internal memos; invoices; research on Owen Cheatham Foundation\u003c/p\u003e","\u003cp\u003eCorrespondence with public; correspondence re: copyright; internal memos; publicity schedule\u003c/p\u003e","\u003cp\u003eInternal memos; label copy; checklists; drawings (photocopies)\u003c/p\u003e","\u003cp\u003eLabel copy; internal memos; catalogue proofs; correspondence re: copyright; invitation; checklists\u003c/p\u003e","\u003cp\u003eInternal memos re: duties \u0026amp; plans\u003c/p\u003e","\u003cp\u003eClippings; internal memo\u003c/p\u003e","\u003cp\u003eChecklist; research of the objets d'art; Owen Cheatham catalog (1 annotated; 1 not)\u003c/p\u003e","\u003cp\u003e40 slide set from MOMA\u003c/p\u003e","\u003cp\u003eClippings\u003c/p\u003e","\u003cp\u003e1 copy of VMFA operating budget, 1976-77\u003c/p\u003e","\u003cp\u003e2 slide lists (102 slides \u0026amp; 40 slides); checklists; MOMA brochure re: slide set\u003c/p\u003e","\u003cp\u003eCorrespondence with speakers and hostesses\u003c/p\u003e","\u003cp\u003eInstallation instructions; internal memos; checklists; drawings (photocopies); correspondence with MOMA; MOMA materials\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; internal memo\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with MOMA; MOMA materials\u003c/p\u003e","\u003cp\u003eInternal memo re: related books in VMFA Shop; exhibition bibiliography\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eRichmond Sinfonia program; letter from MOMA (6/20/75); exhibition contract; internal memos; correspondence with MOMA; budget information; MOMA invitation; American Art Since 1945 (1 copy of catalogue, loose)\u003c/p\u003e","\u003cp\u003eInvitation (3 pieces); invitation list; internal memos; correspondence with MOMA; invitation copy\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Lewises; clipping; internal memos\u003c/p\u003e","\u003cp\u003eChecklists (MOMA materials)\u003c/p\u003e","\u003cp\u003eInternal memo\u003c/p\u003e","\u003cp\u003eInternal memos and information re: Brandts' trip to Greenville to see show\u003c/p\u003e","\u003cp\u003eMOMA materials for labels\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA re: posters\u003c/p\u003e","\u003cp\u003ePhotographs; clipping; correspondence with Mark Davis (curator at the Century Association); internal memos; checklists; label copy\u003c/p\u003e","\u003cp\u003eBrochure (summer exhibition announcement), 1 photo; 19 slides; 3 photos; correspondence with SITES (circulator); checklists; internal memos; exhibition contract\u003c/p\u003e","\u003cp\u003eSummer exhibition announcement; 8 slides; 9 photos; correspondence with SITES (circulator); exhibition contract; checklists; internal memos; SITES materials including SITES press release; clippings; label\u003c/p\u003e","\u003cp\u003e2 photos; checklists; internal memo\u003c/p\u003e","\u003cp\u003e2 photos; 5 slides; internal memos; correspondence with artist; clippings; correspondence with Bowdoin (circulator); Bowdoin materials; checklists; budget information; biographical information; research\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; correspondence with visitors; internal memos; correspondence with publicity; materials from other exhibitions; invitation; invitation copy; installation drawing; checklist\u003c/p\u003e","\u003cp\u003eClippings; internal memo\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA re: circulation, catalogue proof inserted in file\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with printer re: mistake; correspondence with AFA; catalog copy; checklists; correspondence with Wiltshire\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eChecklist\u003c/p\u003e","\u003cp\u003eSlides\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; checklist\u003c/p\u003e","\u003cp\u003eDrawings (photocopies); internal memos; 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correspondence with sponsors; correspondence with Coe Kerr Gallery; correspondence with artist; correspondence with Weisman; checklists [no signatures]\u003c/p\u003e","\u003cp\u003ePostcard (2), 7 photos; 2 new photos; clippings\u003c/p\u003e","\u003cp\u003e1 photo; internal memos; catalog proofs; clippings; correspondence with VCU re: silk screening project; budget information; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders\u003c/p\u003e","\u003cp\u003ePhotographs; slides\u003c/p\u003e","\u003cp\u003eCorrespondence with MFA Boston (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Chrysler (lender)\u003c/p\u003e","\u003cp\u003e\"NEW\" loan agreement form\u003c/p\u003e","\u003cp\u003eCorrespondence with Ackland (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with AIC (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with BMA (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Phillips (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Clark (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Met (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with NCMA (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with lender\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; checklists; internal memos; clippings\u003c/p\u003e","\u003cp\u003e2 invitations (6 parts total); internal memos; invitation list\u003c/p\u003e","\u003cp\u003eBudget information; internal memos; Virginia Commission for the Arts \u0026amp; Humanities grant information\u003c/p\u003e","\u003cp\u003eIPR's; internal memos (form about 1 year old for IPR)\u003c/p\u003e","\u003cp\u003eDrawings (photocopies); checklists; internal memos\u003c/p\u003e","\u003cp\u003eClipping; internal memos; press release copy\u003c/p\u003e","\u003cp\u003eChecklist (4 part)\u003c/p\u003e","\u003cp\u003eLabel proofs; label copy; 1 copy of checklist\u003c/p\u003e","\u003cp\u003eLabel proofs; **clippings inserted in folder at end**\u003c/p\u003e","\u003cp\u003eInvitation; prospectus; internal memos; program schedule; correspondence with hostesses; schedule; correspondence with juror (Thomas Barrow, Associate Professor of Photography, U of New Mexico)\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; drawings (photocopies); correspondence with Ms. Conover Hunt-Jones (consultant); checklists; correspondence with sponsors; budget information\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003ePhotocopy from a catalog for scientific instruments\u003c/p\u003e","\u003cp\u003eLACMA press release, \"Major Silver and Mosaic Collections…\"; label copy; research; LACMA materials (circulator)\u003c/p\u003e","\u003cp\u003eBiographical information on John Gilmore Ford\u003c/p\u003e","\u003cp\u003eChecklist proof; checklist copy\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's; budget information\u003c/p\u003e","\u003cp\u003e1 duplicate photo\u003c/p\u003e","\u003cp\u003eExhibition contract; correspondence with LACMA; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Gilberts; internal memos; correspondence with LACMA\u003c/p\u003e","\u003cp\u003eInternal memos; drawings (photocopies); 1 copy of LACMA paper; correspondence with LACMA\u003c/p\u003e","\u003cp\u003eInvitation (2 – both in 2 parts); internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with public (all wanted to know dates of show after reading Smithsonian!)\u003c/p\u003e","\u003cp\u003eEnvelope containing checklist from Ford with insurance values; 1 copy of invitation; 1 copy with catalog\u003c/p\u003e","\u003cp\u003eBudget information; IPR's\u003c/p\u003e","\u003cp\u003eLabel copy; research\u003c/p\u003e","\u003cp\u003e8 new photos; 2 duplicate photos; drawings (photocopies); checklists; internal memos\u003c/p\u003e","\u003cp\u003eClippings; label copy; invitation copy; 1 copy of Weisgall invitation\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003e14 new photos\u003c/p\u003e","\u003cp\u003eCorrespondence with hostesses; correspondence with Collectors Circle members; mailing list; correspondence with Ford\u003c/p\u003e","\u003cp\u003e2 photos; duplicates: invitation, November '78 Bulletin; 1 copy of Collectors Circle program\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eInvitation, Guggenheim press release; correspondence with lenders; correspondence with Guggenheim (circulator); drawings (photocopies); checklists; clippings; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; label copy\u003c/p\u003e","\u003cp\u003eBudget information; slide script copy\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Guggenheim; schedule for Contemporary Art One-Day Symposium (2/14/79)\u003c/p\u003e","\u003cp\u003eLabel copy; loan agreements; correspondence with lender; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; script copy; catalogue copy; clippings; correspondence with visitor; copy of Guggenheim brochure; research; label copy\u003c/p\u003e","\u003cp\u003e5 duplicate photos; 9 new photos\u003c/p\u003e","\u003cp\u003eExhibition summary, form letter, information questionnaire; checklists; drawings (photocopies); internal memos; correspondence with galleries re: biographical information for artists; clipping\u003c/p\u003e","\u003cp\u003e13 slides; open house poster; catalogue; label copy\u003c/p\u003e","\u003cp\u003eChecklists; catalog copy\u003c/p\u003e","\u003cp\u003eDrawing (photocopy); checklists\u003c/p\u003e","\u003cp\u003eRemarks by Woodward at press conference; clippings; remarks by Mooz at press conference\u003c/p\u003e","\u003cp\u003eIPR's; budget information; calendar\u003c/p\u003e","\u003cp\u003eInternal memos; meeting minutes, panel drawing (photocopy)\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Columbus Museum of Art re: show\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eChecklists; annotated gallery guide\u003c/p\u003e","\u003cp\u003eAgenda; family tree; IEF materials; correspondence with IEF; notes; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; correspondence with visitors; internal memos; correspondence with corporate sponsors; schedule; correspondence with other museum locations; exhibition contract\u003c/p\u003e","\u003cp\u003eInternal memos; invitation copy; schedules; meeting minutes; checklists\u003c/p\u003e","\u003cp\u003e14 photos; correspondence with IEF\u003c/p\u003e","\u003cp\u003e1 copy of bumper sticker; place card; brochure; announcement; internal memos; meeting minutes; correspondence with IEF; clipping\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; internal memos; budget information\u003c/p\u003e","\u003cp\u003eChecklists; internal memos\u003c/p\u003e","\u003cp\u003eNote\u003c/p\u003e","\u003cp\u003eInvoices; internal memos; budget information\u003c/p\u003e","\u003cp\u003eInternal memos; drawings (photocopies); correspondence with Lewises re: closing Art Nouveau facility\u003c/p\u003e","\u003cp\u003eList of films \u0026amp; lecturers from IEF\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF re: Duke's address; internal memo\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eInternal memos; lists of tour groups\u003c/p\u003e","\u003cp\u003eBiography, general information, itinerary, \"Short History of Chatsworth\"; IEF materials (including press release)\u003c/p\u003e","\u003cp\u003eTimetable; meeting minutes; proposed schedule\u003c/p\u003e","\u003cp\u003eAgendas; notes; checklists; internal memos\u003c/p\u003e","\u003cp\u003eIPR's; internal memos; invoices\u003c/p\u003e","\u003cp\u003e\"A.V. Program\" script; correspondence re: school A/V program; internal memos; budget information\u003c/p\u003e","\u003cp\u003eBudget information; internal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eCalendars; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF; 1 copy of the \"Chatsworth Herald\"; guide for children published by VMFA\u003c/p\u003e","\u003cp\u003eSchedule; internal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; meeting minutes\u003c/p\u003e","\u003cp\u003ePhotos; NEA reports\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; correspondence with other museums (including invitation\u003c/p\u003e","\u003cp\u003eInternal memos; budget information\u003c/p\u003e","\u003cp\u003eExhibition contract; correspondence with IEF; correspondence with corporate sponsor\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with patrons\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with ESU branches; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eHuge final report; internal memos; budget information; back-up report information\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with invitees; meeting minutes; correspondence with IEF\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; internal memos; correspondence with other museums\u003c/p\u003e","\u003cp\u003eClippings; internal memos; correspondence with publicity; TV spot script; budget information; correspondence with IEF\u003c/p\u003e","\u003cp\u003eWeekly reports; internal memos\u003c/p\u003e","\u003cp\u003ePrice lists; internal memos; invoices; correspondence with other museums\u003c/p\u003e","\u003cp\u003eInternal memos; drawing (photocopy)\u003c/p\u003e","\u003cp\u003eEnvelope that couldn't open without ripping\u003c/p\u003e","\u003cp\u003eSlide lists; budget information; correspondence with other museums; correspondence with printers; internal memos; correspondence with IEF; correspondence with Duke; reports\u003c/p\u003e","\u003cp\u003eFinal report on sales; internal memos; teacher form letters \u0026amp; materials; group bus forms; \"docent study materials\" from Toledo Museum of Art\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eProspectus; internal memos; statistics; correspondence with hosts; correspondence re: juror (Lasansky)\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; label copy\u003c/p\u003e","\u003cp\u003eInternal memos; meeting minutes; annotated gallery map\u003c/p\u003e","\u003cp\u003eCorrespondence with artists whose work purchased by Museum; internal memos; '79 prospectus; '79 invitation; correspondence with D'Arcangelo (juror)\u003c/p\u003e","\u003cp\u003eInvitations; invitation list; internal memos; invitation copy\u003c/p\u003e","\u003cp\u003eSchedule draft\u003c/p\u003e","\u003cp\u003eChecklists; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with visitors and inquiries about show\u003c/p\u003e","\u003cp\u003eClippings; internal memos; list of press kits sent\u003c/p\u003e","\u003cp\u003eInvitation lists; correspondence with Lewises for names\u003c/p\u003e","\u003cp\u003eList of music; sheet music\u003c/p\u003e","\u003cp\u003eResearch; 1 piece of correspondence with Yvonne Brunhammer\u003c/p\u003e","\u003cp\u003eProgram, invitation; correspondence with attendees; clipping; correspondence with speakers; internal memos; participant list; invitation lists; 1 copy of program for 1977 \"Great Collectors of American Decorative Arts\" weekend\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with printers; printers' materials\u003c/p\u003e","\u003cp\u003eBudget information; correspondence with lenders; checklists; research\u003c/p\u003e","\u003cp\u003e5X7 cards per object\u003c/p\u003e","\u003cp\u003ePhotographs; photocopies of images\u003c/p\u003e","\u003cp\u003eChecklists; clipping; label copy; research\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with film organizations \u0026amp; vendors; IPR's; information and catalogs for projectors\u003c/p\u003e","\u003cp\u003e2 invoices from shipping company\u003c/p\u003e","\u003cp\u003eCorrespondence with Gras re: insurance for French loans\u003c/p\u003e","\u003cp\u003eCorrespondence re: shipping of works\u003c/p\u003e","\u003cp\u003eCorrespondence with other museums re: possible travel\u003c/p\u003e","\u003cp\u003ePhotocopies of photographs\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; checklists; drawings (photocopies)\u003c/p\u003e","\u003cp\u003eInvoices; catalogue copy; correspondence with Martin Battersby (essayist)\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003eResearch\u003c/p\u003e","\u003cp\u003eCorrespondence with Brunhammer (conservateur @ Musée des Arts Décoratifs, Paris) re: French loans; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with d\"Iberville @ Museum of Decorative Arts, Montreal re: possible venue for show (denied)\u003c/p\u003e","\u003cp\u003eCorrespondence with Harris (guest curator); research; internal memos; Harris; c.v.; schedules\u003c/p\u003e","\u003cp\u003ePhotos; 1 new photo; correspondence with AIC (lender); loan agreement\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with BMA; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with BHP\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with BF; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with MFA, Boston\u003c/p\u003e","\u003cp\u003ePhotos; 1 transparency; correspondence with BAD; loan agreements; checklist\u003c/p\u003e","\u003cp\u003e1 duplicate photo; correspondence with Brooklyn; internal memos; loan agreement; research\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Merklen; loan agreements; research\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Chrysler; loan agreements\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with CMA; loan agreements; label\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with CMG; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Fine Arts Museum; loan agreements\u003c/p\u003e","\u003cp\u003eCorrespondence with Haskell; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with LC; loan agreements\u003c/p\u003e","\u003cp\u003e1 photo; correspondence with Lieberman; loan agreement\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Darien House, Inc.\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Macklowe; loan agreements\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with McNay; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Maryhill; loan agreements\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Gallion\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Musée; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; loan agreements\u003c/p\u003e","\u003cp\u003eCorrespondence with NARA\u003c/p\u003e","\u003cp\u003eOne negative (8 X 10); correspondence with NYPL; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; loan agreement; correspondence with Pollard\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Pratt; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with Reed; research\u003c/p\u003e","\u003cp\u003eTransparency; 9 duplicate photos; correspondence with Schimmel; loan agreement\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Silverman; correspondence with Sotheby's; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with Sommer; research; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with U of CA\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eCorrespondence with Vitry; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Wittamer de Camps; loan agreements\u003c/p\u003e","\u003cp\u003eOne photo\u003c/p\u003e","\u003cp\u003eTwo duplicate photos\u003c/p\u003e","\u003cp\u003eCorrespondence with University\u003c/p\u003e","\u003cp\u003eCorrespondence with SDSU\u003c/p\u003e","\u003cp\u003eCorrespondence with NGA\u003c/p\u003e","\u003cp\u003eCorrespondence with Musée\u003c/p\u003e","\u003cp\u003eCorrespondence with Met\u003c/p\u003e","\u003cp\u003eCorrespondence with DIA\u003c/p\u003e","\u003cp\u003eCorrespondence with Delaunay\u003c/p\u003e","\u003cp\u003eCorrespondence with Albertina\u003c/p\u003e","\u003cp\u003eCorrespondence with Gallery\u003c/p\u003e","\u003cp\u003e1 poster; internal memos; label copy; 1 copy of brochure\u003c/p\u003e","\u003cp\u003eInternal memos; donor lists; list of lenders; correspondence with invitees; 1 copy of invitation; correspondence re: and with Collectors' Circle\u003c/p\u003e","\u003cp\u003eBudget information, IPR's\u003c/p\u003e","\u003cp\u003eList of invitees; correspondence from invitees\u003c/p\u003e","\u003cp\u003eLabel copy; internal memos\u003c/p\u003e","\u003cp\u003e1 copy of member mailing with brochure; donor lists; brochure copy\u003c/p\u003e","\u003cp\u003eNotes\u003c/p\u003e","\u003cp\u003eInternal memos; budget information; checklists\u003c/p\u003e","\u003cp\u003eInternal memos; drawings (photocopies); checklists\u003c/p\u003e","\u003cp\u003eLabel copy; 1 copy of brochure; 1 copy of \"The Tidewater Guide\" (5/80)\u003c/p\u003e","\u003cp\u003e23 photos; 1 duplicate photo; 1 copy of brochure\u003c/p\u003e","\u003cp\u003e19 photos; internal memos; mailing lists; clippings; correspondence re: catalogue; label; correspondence with lending brochure copy; correspondence with public; drawing (photocopy); schedule; checklists; correspondence re: speaker; correspondence re: shirts\u003c/p\u003e","\u003cp\u003ePhotos; 5 duplicate photos; case design drawing\u003c/p\u003e","\u003cp\u003eBrochure; 4/80 Bulletin; clippings; 1 copy of invitation; 5/80 Bulletin; 1 copy of mailing\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Linda Connor (juror); 1 copy of catalog\u003c/p\u003e","\u003cp\u003e28 photos [photos don't seem to be of Designers show]\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; internal memos; drawings (photocopies); correspondence with publicity\u003c/p\u003e","\u003cp\u003eShipping information \u0026amp; receipts; label copy; internal memos; clippings; traveling checklists\u003c/p\u003e","\u003cp\u003eSITE materials; label copy\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; invitation copy; checklists\u003c/p\u003e","\u003cp\u003e1 poster; clipping\u003c/p\u003e","\u003cp\u003ePhotos; clippings; folder with photos; clippings; press releases\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with publicity; correspondence with SITE; correspondence with hosts; correspondence with James Wines (co-founder of SITES, speaker); correspondence with BEST; list of invitees; budget information; schedules\u003c/p\u003e","\u003cp\u003eInternal memos; schedules; correspondence with publicity; correspondence with BEST\u003c/p\u003e","\u003cp\u003eInternal memos; invoices; correspondence with BEST; Purchase order; budget information, IPR's\u003c/p\u003e","\u003cp\u003eThree photos; label copy; internal memos; correspondence with SITE; drawing (photocopy); schedules\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; correspondence with Milwaukee Art Center (circulator); invitation list; poster\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; budget information; correspondence with Milwaukee; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Milwaukee; correspondence with Philip Morris; symposium program copy\u003c/p\u003e","\u003cp\u003e24 photos; invitation; internal memos; Milwaukee materials; drawings (photocopies); checklists; correspondence with Milwaukee\u003c/p\u003e","\u003cp\u003e10 photos; press release; 1 copy of catalogue; 1 poster; label copy; research; Milwaukee materials; 1 copy of 1/80 Bulletin; meeting minutes\u003c/p\u003e","\u003cp\u003ePoster; label copy; catalog copy; clippings; research; 1 copy of Spring '77 AIV; 1 copy of 11/79 Bulletin\u003c/p\u003e","\u003cp\u003eInvoices; internal memos; budget information; correspondence with MFA Houston (circulator); exhibition contract\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; internal memos; correspondence with MFA Houston; copy of birth certificate (!)\u003c/p\u003e","\u003cp\u003e4 new photos; internal memos; checklists; label copy; drawings (photocopies); schedules\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Bruce (Patrick Henry Bruce's son, who came to see show for 4 days, only venue he visited, lived in CA) \u0026amp; wife; correspondence with MFA Houston; invitation list\u003c/p\u003e","\u003cp\u003eShipping information and receipts; 1 copy of catalogue; correspondence re: catalogue requests; VFH grant application, internal memos\u003c/p\u003e","\u003cp\u003ePhotos; clippings; VFH materials; VFH grant application; correspondence with Mrs. John Dos Passos\u003c/p\u003e","\u003cp\u003eClippings; internal memos\u003c/p\u003e","\u003cp\u003eCatalogue; label copy\u003c/p\u003e","\u003cp\u003eResearch; checklists; correspondence with Mary Ellen Stumpf (consultant); label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with VFH; VFH materials; grant application; narrative; grant report; internal memos\u003c/p\u003e","\u003cp\u003eIPR's; budget information\u003c/p\u003e","\u003cp\u003eCorrespondence with institutions lending images; internal memos; other museum catalogues; correspondence with Dos Passos; correspondence with Stumpf (consultant, VCU faculty member); correspondence with visitors\u003c/p\u003e","\u003cp\u003eAnnotated catalog; shipping information \u0026amp; receipts; checklists; correspondence with Dos Passos\u003c/p\u003e","\u003cp\u003e10 photographs; research; list of invitees; clippings; internal memos; biographical information; correspondence with May Cossitt; subpoena for Pinkney for trial (!)\u003c/p\u003e","\u003cp\u003eCorrespondence with Ruder Finn (circulator); invitation copy; internal memos\u003c/p\u003e","\u003cp\u003eIPR's; internal memos; invitation list\u003c/p\u003e","\u003cp\u003e16 photos; internal memos; IPR's drawings (photocopies)\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; correspondence with AMEX; invitation copy; invitation list; 1 copy of brochure\u003c/p\u003e","\u003cp\u003e\"Henri-Cartier-Bresson: Glimpses\"; clippings; research\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003eInvitation\u003c/p\u003e","\u003cp\u003eInternal memos; catalog copy; research; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Yale (organizer); correspondence with AFA (circulator); AFA materials (including checklist); research; 1 copy of brochure\u003c/p\u003e","\u003cp\u003eMaterials from other institutions\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; internal memos; exhibition contract; AFA materials\u003c/p\u003e","\u003cp\u003eInternal memos; schedules; invitation copy; checklist\u003c/p\u003e","\u003cp\u003eDrawing (photocopy); internal memos; correspondence with AFA; AFA checklist\u003c/p\u003e","\u003cp\u003eCorrespondence with Yale University Art Gallery\u003c/p\u003e","\u003cp\u003eIPR's; PO's; invoices; [1 copy of poster inserted here]\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; internal memos; clipping\u003c/p\u003e","\u003cp\u003eInvitation, postcard; 1 copy of other preview invitation; invitation lists; information sheet on one-day symposium\u003c/p\u003e","\u003cp\u003e1 poster; correspondence with AFA (circulator); research; NEA application\u003c/p\u003e","\u003cp\u003eLabel copy; AFA checklists\u003c/p\u003e","\u003cp\u003eSpecs. For \"New Gallery Entrance\" (8/29/79) [remodeled a gallery \u0026amp; named it the Mottahedeh Gallery] by Hardwicke \u0026amp; Associates; IPR's; internal memos; label copy; invoices, P.O.'s; correspondence with Mottahedeh; budget information\u003c/p\u003e","\u003cp\u003ePostcard, special events postcard, 8 photos; 4 new photos; NEA Grant narrative; internal memos; correspondence with AFA; correspondence with NY State Museum re: found Maria \u0026amp; Julian Martinez pottery; rubbing of their signature; label copy; invitation lists; IPR's; AFA checklist; budget information; exhibition contract; postcard proofs; drawing (photocopy); NEA Grant application\u003c/p\u003e","\u003cp\u003eTwo slides; invitations; internal memos; correspondence with Mint (organizer); installation drawings; checklist; correspondence re: opening\u003c/p\u003e","\u003cp\u003eClippings; catalog copy; Mint materials; invitation\u003c/p\u003e","\u003cp\u003eTwo duplicate photos; 3 new photos\u003c/p\u003e","\u003cp\u003eChecklists; research\u003c/p\u003e","\u003cp\u003e7 photos\u003c/p\u003e","\u003cp\u003eInternal memos; checklists; correspondence with lenders; loan agreements\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; correspondence with lenders; loan agreements; correspondence re: opening; invitation list; invoices; installation drawing; exhibition contract\u003c/p\u003e","\u003cp\u003eInvitation; correspondence; clippings; label proofs; correspondence with lenders; correspondence with media; correspondence with visitors; internal memos; loan agreements; checklists; research\u003c/p\u003e","\u003cp\u003e6 photos; 7 duplicate photos\u003c/p\u003e","\u003cp\u003eInternal memos; schedule; label copy; research\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's; budget information; invoices\u003c/p\u003e","\u003cp\u003eOne slide; 13 photos; 3 duplicate photos; correspondence with one lender\u003c/p\u003e","\u003cp\u003eChecklist; label copy; internal memos; lecture copy; research; checklist copy\u003c/p\u003e","\u003cp\u003eInvitation; research; internal memos; correspondence with lenders; loan agreements; correspondence with media\u003c/p\u003e","\u003cp\u003eIPR's; invoices; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; research; list of lenders\u003c/p\u003e","\u003cp\u003eInternal memos; checklist copy; label copy; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; correspondence with visitors; internal memos\u003c/p\u003e","\u003cp\u003eInstallation drawing; internal memos; checklists; label copy\u003c/p\u003e","\u003cp\u003eInternal memos; budget information; invoices; shipping information\u003c/p\u003e","\u003cp\u003eInvitation copy; internal memos; correspondence with lender; notes; 1 copy of invitation; 1 copy of Collectors' Circle program\u003c/p\u003e","\u003cp\u003eIPR's; invoices; correspondence with printer; research; internal memos\u003c/p\u003e","\u003cp\u003eSchedule; correspondence re: carpet\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003eIbsen \u0026amp; Munch brochure, press release, poster; 4 slides; photographs; clippings; internal memos; 1 copy of checklist\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence correspondence with artists; incident report re: warehouse alarm\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence; research/notes on show idea [fascinating committee work/proposals on how to revise Virginia artists shows] [mainly Woodward, Burke, Farago]\u003c/p\u003e","\u003cp\u003eProposals; form letters; notes\u003c/p\u003e","\u003cp\u003eAdvanced purchase program proposal; form letters; notes; invitation\u003c/p\u003e","\u003cp\u003eNotes (Pinkney Near); research\u003c/p\u003e","\u003cp\u003eCatalog copy; photocopies of photos\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003e1 photo; correspondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003e1 photo; correspondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eMailing lists; correspondence\u003c/p\u003e","\u003cp\u003eInternal memos; invitation list\u003c/p\u003e","\u003cp\u003eInvitation, 5 photos, slides; correspondence with visitors; internal memos; checklists; correspondence; clippings; drawing (installation); correspondence with lender; invitation list; IPR's; budget information; notes; research\u003c/p\u003e","\u003cp\u003eClippings\u003c/p\u003e","\u003cp\u003eInvoices; research; correspondence with lenders; 1 copy of catalogue\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; research\u003c/p\u003e","\u003cp\u003e1 invoice; research\u003c/p\u003e","\u003cp\u003eResearch\u003c/p\u003e","\u003cp\u003e10 photos; correspondence with lenders; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eSlides; 1 reel to reel audiotape\u003c/p\u003e","\u003cp\u003eCorrespondence with HHK; internal memos; correspondence with other institutions\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Attorney General; exhibition contract; facilities report\u003c/p\u003e","\u003cp\u003eTwo photos (not in exhibit); museum mailings; clippings; label copy; internal memos\u003c/p\u003e","\u003cp\u003eMailing, 1 photo; 12 new photos; internal memos; proposals, HHK materials; mailing copy; schedules; notes\u003c/p\u003e","\u003cp\u003ePhotos; checklists; internal memos; catalog copy; label copy\u003c/p\u003e","\u003cp\u003eSlides; label proofs\u003c/p\u003e","\u003cp\u003eCorrespondence with Portland Art Association of Portland Art Museum (organizer); internal memos; exhibition contract\u003c/p\u003e","\u003cp\u003eFour photos; shipping info \u0026amp; receipts; internal memos; correspondence with other institutions [mainly Allentown Art Museum]; invoices; notes; IPR's; research\u003c/p\u003e","\u003cp\u003eInternal memos; purchase orders; correspondence with other institutions; research\u003c/p\u003e","\u003cp\u003e\"Why We Commemorate\" by Armenian National Committee, invitation; 1 transparency; one copy of brochure; schedules; label copy; internal memos; clippings; Portland Art Museum materials; invoices; IPR's; correspondence with Turkish ambassador; Allentown materials; notes; checklists; correspondence with Binney\u003c/p\u003e","\u003cp\u003eInvitation list; 1 copy of invitation\u003c/p\u003e","\u003cp\u003e10 slides; 'Scribbler' Twombly clipping, mailing card; 3 photos; label copy; checklists; clippings; DIA Art Foundation materials (organizer); invoices; catalog copy\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Newport Harbor Art Museum (organizer); correspondence with speaker; correspondence with visitors; drawings (installation); exhibition contract; correspondence re: rescheduling\u003c/p\u003e","\u003cp\u003eSlides; 6 photos; 12 duplicate photos; duplicates: mailing card, 2 clippings\u003c/p\u003e","\u003cp\u003eSlides\u003c/p\u003e","\u003cp\u003eChecklists; label copy; catalog copy\u003c/p\u003e","\u003cp\u003eNotes; internal memos; drawing (installation); checklists; correspondence with Delaware Art Museum (Collection home)\u003c/p\u003e","\u003cp\u003eLabel copy; catalog copy; research\u003c/p\u003e","\u003cp\u003eMailing brochure, catalog; slides; 3 transparencies; 19 photographs; 1 negative; 6 duplicate photos; internal memos; press release; label proofs; clippings; Delaware materials\u003c/p\u003e","\u003cp\u003eOne photo; research; notes\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; check requests; internal memos; correspondence with vendors\u003c/p\u003e","\u003cp\u003eInternal memos; clippings; correspondence with Delaware Art Museum; correspondence with lender; correspondence with visitors; correspondence with other institutions\u003c/p\u003e","\u003cp\u003eClippings; bulletin; internal memos; correspondence re: publications; catalog copy; label proofs; mailing brochure copy\u003c/p\u003e","\u003cp\u003e6 photos (duplicate in Folder 20); 1 internal memo\u003c/p\u003e","\u003cp\u003eNotes; research\u003c/p\u003e","\u003cp\u003eNotes; checklists; loan agreements\u003c/p\u003e","\u003cp\u003eChecklists\u003c/p\u003e","\u003cp\u003eCorrespondence; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Office of Attorney General; exhibition contract drafts; internal memos\u003c/p\u003e","\u003cp\u003eExhibition contract; internal memos; correspondence with DIA\u003c/p\u003e","\u003cp\u003eExhibition contract; budget information; correspondence with Philbrook; internal memos; loose material \u0026amp; notes re: 18th century prints of antiquity/archaeology\u003c/p\u003e","\u003cp\u003ePhotos; correspondence; internal memos; budget information; notes; schedule\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's; \"Publicity Outline\" report\u003c/p\u003e","\u003cp\u003eSchedules\u003c/p\u003e","\u003cp\u003e\"A Loan Exhibition on Display at the Virginia Museum\"; internal memos\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Fine Arts Museums of San Francisco\u003c/p\u003e","\u003cp\u003eCorrespondence; budget information; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; budget info [info re: Council Anniversary Fund]; notes\u003c/p\u003e","\u003cp\u003eSymposium brochure, 2 transparencies; 2 new transparencies\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Frank Raysor); internal memos\u003c/p\u003e","\u003cp\u003eNotes; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (NGA); checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (MFA Boston); checklists\u003c/p\u003e","\u003cp\u003e6 photos; label copy; checklists; brochure copy; loan agreements; correspondence with lender (Raysor); research\u003c/p\u003e","\u003cp\u003eCorrespondence with PAFA (organizer) [Pennsylvania Academy of Fine Arts]; clippings; internal memos; invitation; PAFA materials\u003c/p\u003e","\u003cp\u003e24 slides; negatives; 4 photos; 4 transparencies; 1 duplicate transparency; clippings; 1 poster\u003c/p\u003e","\u003cp\u003eCorrespondence with PAFA; invoices; IPR's; internal memos; 2 envelopes of material: 1) 14 photos, 2 duplicate photos; 2) 5 photos\u003c/p\u003e","\u003cp\u003e6 photos; 10 duplicate photos; exhibition proposal from PAFA; envelope of PAFA materials\u003c/p\u003e","\u003cp\u003eInternal memos; notes; guest list for opening\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; guest lists; notes\u003c/p\u003e","\u003cp\u003eInternal memos; mailings; correspondence with speakers; script copy; correspondence with PAFA; schedules\u003c/p\u003e","\u003cp\u003eOne annotated copy of catalog; checklists; notes\u003c/p\u003e","\u003cp\u003eCatalog proofs; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with visitors; correspondence with lenders; correspondence with PAFA; internal memos; exhibition contract\u003c/p\u003e","\u003cp\u003eInvitation, catalog; correspondence with PAFA; invoices; internal memos; invitation copy; checklists; label copy\u003c/p\u003e","\u003cp\u003eSchedule of payments; consultants; responsibilities\u003c/p\u003e","\u003cp\u003eCorrespondence with Donaldson; c.v.; notes; research; writings; drafts\u003c/p\u003e","\u003cp\u003eCorrespondence with Donaldson; c.v.; notes; research; writings; drafts\u003c/p\u003e","\u003cp\u003eCorrespondence with Corn; c.v.; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Wood; c.v.; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Davis; obituary and correspondence with wife after his death in 3/81; c.v.; notes; brochure for his book \"Intellectual Life in the Colored South\"\u003c/p\u003e","\u003cp\u003eCorrespondence with Williams; c.v.; notes\u003c/p\u003e","\u003cp\u003eChecklists\u003c/p\u003e","\u003cp\u003eOne internal memo\u003c/p\u003e","\u003cp\u003eOne piece of correspondence with Robert Zimmerman (Baltimore Museum of Art); 2 blank travel vouchers with Zimmerman's signature \u0026amp; 55#\u003c/p\u003e","\u003cp\u003eBudget information; 2 invoices from Cumberland Art Conservation Center (Nashville)\u003c/p\u003e","\u003cp\u003eCorrespondence with Atlantic Van Lines; notes\u003c/p\u003e","\u003cp\u003eBudget information; clippings \u0026amp; press materials related to Greek Vases\u003c/p\u003e","\u003cp\u003eOne internal memo re: promotion budget\u003c/p\u003e","\u003cp\u003eOne piece of correspondence with prospective intern; one index card with name\u003c/p\u003e","\u003cp\u003eCorrespondence with one musician; notes; scores; one internal memo re: NEA grant (denied); \"Writing Realistic Grant Budgets\" from Museum News\u003c/p\u003e","\u003cp\u003eInterim report for NEH Grant\u003c/p\u003e","\u003cp\u003eCorrespondence with NEH; copy of grant administrator guidelines\u003c/p\u003e","\u003cp\u003eCorrespondence with Tormey re: advertising project for Philip Morris\u003c/p\u003e","\u003cp\u003eTwo blank requests; 1 complete request\u003c/p\u003e","\u003cp\u003ePhotos; [note: not all included in final exhibition]\u003c/p\u003e","\u003cp\u003eCorrespondence with various companies re: slide set duplication; invoices\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions re: potential bookings\u003c/p\u003e","\u003cp\u003eCorrespondence with institutions who declined a potential booking; internal memos\u003c/p\u003e","\u003cp\u003eClippings; one internal memo re: TVA\u003c/p\u003e","\u003cp\u003eCorrespondence with Coggins (Southern painting collector); correspondence with Berry-Hill Galleries re: exhibition of Coffins' collection\u003c/p\u003e","\u003cp\u003eCorrespondence with Wolfe re: possible lecture\u003c/p\u003e","\u003cp\u003eList of proposed programs; [collection of internal memos from David Griffith inserted here]\u003c/p\u003e","\u003cp\u003eCorrespondence with American Heritage Publishing re: catalog; proofs; one internal memos \u0026amp; 1 piece of correspondence re: Philip Morris\u003c/p\u003e","\u003cp\u003eBrochure copy; internal memos; copies of other children's brochures\u003c/p\u003e","\u003cp\u003eOne phone message\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (MESDA); artist worksheet\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (Charleston Museum is lender); artist worksheet\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (MESDA); notes; artist worksheet\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (Muscarelle); conservation report; memo re: treatment; artist worksheet\u003c/p\u003e","\u003cp\u003eOne photo; loan agreement; correspondence with lender (Brodnax \u0026amp; Associates); artist worksheet\u003c/p\u003e","\u003cp\u003eOne photo; loan agreement; correspondence with lender (Brodnax \u0026amp; Associates); artist worksheet\u003c/p\u003e","\u003cp\u003eResearch; conservation report; artist worksheet\u003c/p\u003e","\u003cp\u003eCorrespondence with Wintherthur; artist worksheet; conservation reports\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with Club (lender); conservation bill\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Maria Tabb); artist worksheet; receipt\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (NPG); research\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with VHS; research\u003c/p\u003e","\u003cp\u003eThree photos; loan agreement; correspondence with NYPL\u003c/p\u003e","\u003cp\u003eLoan agreement; copy of accession card\u003c/p\u003e","\u003cp\u003eOne photo; loan agreement; research; correspondence with Andrew Christian; condition report; artist worksheet\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Colonial Williamsburg)\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Pennsylvania Academy of Fine Arts); artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003e1 duplicate slide; correspondence with lender (Mordecai Square Historical Society); artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eOne photo; correspondence with lender (St. John's Lutheran Church, Charleston); artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003e13 slides; correspondence with lender (Hunter Museum of Art); artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eTwo photos; correspondence with Cheekwood re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center\u003c/p\u003e","\u003cp\u003eOne photo; correspondence with Tulane re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center\u003c/p\u003e","\u003cp\u003e7 photos; correspondence with Ulrich re: damage; loan agreements; condition reports\u003c/p\u003e","\u003cp\u003eFour photos; correspondence with Valentine re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center\u003c/p\u003e","\u003cp\u003eOne photo; correspondence with VHS re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center\u003c/p\u003e","\u003cp\u003eOne photo; shipping information and receipts; condition logsheet; correspondence; loan agreements\u003c/p\u003e","\u003cp\u003eOne photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003eOne photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003eShipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003eFour photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; 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invitations; correspondence\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence; budget information; IPR's; invitation copy; checklists; calendars\u003c/p\u003e","\u003cp\u003eCorrespondence; internal memos; invitation list; invoices\u003c/p\u003e","\u003cp\u003eClippings; correspondence; internal memos; correspondence with Forbes\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Forbes; IPR's; budget information; Kip Forbes' biographical information\u003c/p\u003e","\u003cp\u003eInternal memos; checks; correspondence re: tapes\u003c/p\u003e","\u003cp\u003eInternal memos \u0026amp; correspondence re: Acoustiguide\u003c/p\u003e","\u003cp\u003eResearch; Acoustiguide script\u003c/p\u003e","\u003cp\u003eOne photo; invoices; IPR's; internal memos\u003c/p\u003e","\u003cp\u003eIPR's; correspondence with Forbes; checklists\u003c/p\u003e","\u003cp\u003eNotes; internal memos; correspondence with Forbes; copy of 1947 Pratt announcement\u003c/p\u003e","\u003cp\u003eTwo photos\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eIPR; note\u003c/p\u003e","\u003cp\u003eResearch; program proposals; press release\u003c/p\u003e","\u003cp\u003eBlank travel reimbursement vouchers with SSN's; meeting notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Forbes mainly (also Council, conservator)\u003c/p\u003e","\u003cp\u003e6 photos; 2 duplicate photos; guest book for visitors; correspondence from visitors; 1 copy of TVA \"Gin Game\" program; internal memos; research; clippings; IPR's; invoices; correspondence with Forbes\u003c/p\u003e","\u003cp\u003eWeekly reports; Acoustiguide; cost reports; attendance reports\u003c/p\u003e","\u003cp\u003eArticle copy; loose book dust jacket\u003c/p\u003e","\u003cp\u003eChecklist copy; checklist proof; loose bulletins, plus 1 piece of correspondence\u003c/p\u003e","\u003cp\u003eLabel copy; research\u003c/p\u003e","\u003cp\u003eLabel copy; label proofs\u003c/p\u003e","\u003cp\u003eCorrespondence with Forbes; correspondence with Acoustiguide; label copy; research\u003c/p\u003e","\u003cp\u003eOne photo; correspondence with CINOA; internal memos; correspondence with visitors; label copy; checklists with insurance values; clippings, invitation copy; schedules; installation drawing; budget information; correspondence re: opening; research; invoices\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eThree photos; publications catalog\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence with CINOA; foreword copy; checklists; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with CINOA; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with CINOA; clippings; notes; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with CINOA; exhibition contract; notes; photocopies of photos of exhibition at Metropolitan Museum of Art\u003c/p\u003e","\u003cp\u003e24 duplicate photos; 10 new photos\u003c/p\u003e","\u003cp\u003eCorrespondence; internal memos; invoices; notes; checklists [correspondence only with Kimbell]\u003c/p\u003e","\u003cp\u003eCorrespondence with Hunts; Collectors Circle invitation; clippins; checklists; internal memos\u003c/p\u003e","\u003cp\u003eOne photo; \"Ancient Art Shows Shifting Images\"; clippings; Kimbell materials, 1 copy of poster; attendance figures\u003c/p\u003e","\u003cp\u003eOutline; correspondence with speaker; itineraries; invoices; internal memos\u003c/p\u003e","\u003cp\u003eTwo photos; copy of a review; correspondence with Kimbell; internal memos; Mayo essay copy; correspondence with Mayo; essay; reviews\u003c/p\u003e","\u003cp\u003eInvitation; invitation copy; mailing lists; internal memos\u003c/p\u003e","\u003cp\u003e13 slides; condition reports; correspondence with Getty conservator; correspondence with Kimbell; internal memos; research\u003c/p\u003e","\u003cp\u003eAttendance figures\u003c/p\u003e","\u003cp\u003eCorrespondence with Kimbell; internal memos; checklists\u003c/p\u003e","\u003cp\u003e2 photos; 19 photos; 3 drawings; checklists; purchase orders; internal memos; panel copy; label copy; correspondence with other institutions; 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correspondence in the mid 1980s between Pinkney and Anne regarding the museum\u003c/p\u003e","\u003cp\u003eTypeset copy of Fred Brandt's interview with Mrs. Fischer, 32 pages\u003c/p\u003e","\u003cp\u003eTypeset and annotated copy of Fred Brandt's interview with Simon and Fischer, 18 pages\u003c/p\u003e","\u003cp\u003eInternal memos and correspondence regarding exhibition, including Anne to Fred, Perrot, and others\u003c/p\u003e","\u003cp\u003eInternal memos and correspondence regarding exhibition, including Anne to Fred; correspondence between Simon and you regarding loan forms, checklist accuracy, and one photocopy of a handwritten document detailing the ownership of the collection\u003c/p\u003e","\u003cp\u003eInternal memos and correspondence regarding the exhibition catalog\u003c/p\u003e","\u003cp\u003eList of 27 questions for Fred's interview with Mrs. Fischer, in various forms; includes some of Fred's notes\u003c/p\u003e","\u003cp\u003eInvitation\u003c/p\u003e","\u003cp\u003e1 photo\u003c/p\u003e","\u003cp\u003eCatalog\u003c/p\u003e","\u003cp\u003e9 photos\u003c/p\u003e","\u003cp\u003eBudget information; 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checklists; budget information; correspondence with IEF\u003c/p\u003e","\u003cp\u003eThree photos; educational packet; SITES materials (circulator) including checklists; actual labels; internal memos; installation drawing (copy); invoices; study guide; 1 copy of brochure; 1 copy of mailing\u003c/p\u003e","\u003cp\u003eContract; correspondence with SITES; correspondence with Attorney General\u003c/p\u003e","\u003cp\u003eLoan agreements; correspondence with lenders\u003c/p\u003e","\u003cp\u003eSmithsonian mailer; internal memos; notes; clippings; correspondence; budget information; correspondence with SITES\u003c/p\u003e","\u003cp\u003eSITES materials\u003c/p\u003e","\u003cp\u003e8 photos; internal memos; invoices; correspondence with Craft Museum; brochure, \"Philip Morris and the Arts'; press release; craft materials\u003c/p\u003e","\u003cp\u003eInternal memos; checklists; Craft Museum materials\u003c/p\u003e","\u003cp\u003eCorrespondence with Craft Museum; contract; invoices; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; 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checklists; Ontario materials\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Ontario\u003c/p\u003e","\u003cp\u003eOntario materials\u003c/p\u003e","\u003cp\u003eChecklists; Ontario materials; correspondence with Glasgow; budget information\u003c/p\u003e","\u003cp\u003e1 photo; 1 new photo; invoices; budget information; correspondence; internal memos; 1 copy of Sept/Oct '88 Bulletin; checklists; clippings; drawings\u003c/p\u003e","\u003cp\u003eBudget information; invitation; internal memo; label copy\u003c/p\u003e","\u003cp\u003eContract; correspondence with Center for African Art (organizer); correspondence with Attorney General\u003c/p\u003e","\u003cp\u003eCatalog copy; catalog proofs; correspondence with Center for African Art\u003c/p\u003e","\u003cp\u003eResearch; article\u003c/p\u003e","\u003cp\u003eResearch; article\u003c/p\u003e","\u003cp\u003eResearch (copy of catalog article)\u003c/p\u003e","\u003cp\u003eLabel coy; research; correspondence with Center for African Art\u003c/p\u003e","\u003cp\u003ePress release; 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correspondence with Philbrook (organizer); internal memos; Philbrook materials; checklists; label copy; mailing lists; Philbrook press packets; press releases\u003c/p\u003e","\u003cp\u003eContract; correspondence with Philbrook; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Philbrook; internal memos; budget information\u003c/p\u003e","\u003cp\u003e6 photos; duplicates: brochure, invitation; media kit; internal memos; High Museum materials; Studio Museum poster; American Museum Association 1987 catalog; drawings; research\u003c/p\u003e","\u003cp\u003eChecklists; label copy\u003c/p\u003e","\u003cp\u003eNotes; label copy; label proofs\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003e6 photos; press release (Philbrook); checklists; correspondence with AMA\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with other institutions\u003c/p\u003e","\u003cp\u003eExhibition contract; correspondence with AFA \u0026amp; AMA\u003c/p\u003e","\u003cp\u003e1 clipping; 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Information may include correspondence, exhibition schedules and programming, long term planning, potential partnerships with other organizations, exhibition committees, couriers, grant applications, protection of artwork, collectors, and reports. 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1936-2015, with the bulk of the material dating from 1979-2004. The collection is comprised of correspondence, exhibition schedules, budgets, grant applications, photographs, object lists, notes, collection statements, planning documents, project files, policies, loan arrangements and decisions, and other materials.","This series is comprised of information regarding exhibitions that were held at the VMFA. Files may include correspondence, schedules, contracts, photographs and slides, installation drawings and procedures, label and catalog text, budgets and invoices, insurance, venue information, and publicity.","Entry card with tear-off for back of work; catalog; announcement","Copies of checklists, shipping lists and prices (for sale); exhibition circulated by Art Institute of Chicago","Catalog; packing list with values, 2 different ones","Prospectus of season, 1937-1937; large typed, spring bound copy of annotated text for inaugural exhibition catalog containing: catalog of paintings in the Museum, budget materials for exhibition, timeline of early Museum, all types of exhibition materials, gallery layout and drawings","Invitation; copy of Strause Collection catalog; 1936-37 prospectus of program; 1958 letter between Muriel Christison \u0026 Oscar Lang of Minneapolis re: Strause exhibition","Entry blank; prospectus/rules; catalog/ invitation/mailing label; submission tag; generic letter for Virginia photo clubs or possibly for shops to request submissions","Invitation; catalog; inventories from the exhibition; catalog copy; copy of foreword (typed); letter from Margaret May Dashiell who loaned items; lots of correspondence from all over the country; lists of sponsors","Extensive correspondence regarding memorial committee and its purchase of a memorial; his works; and fundraising efforts; Colt was treasurer. The Committee also paid off all of the debts for Walker's illness, donations coming from across the country. Thank you letters in alpha order, hundreds of them, plus originals from donators; a few have copies of bookplates attached; original loan requests and replies; original Christmas card with Walker print of a home in Connecticut (1931) and a memorial card that he created in 1936","Invitation; catalog; list of paintings from Burch and Schulze with dimensions","Invitation; list of pieces to be shipped from Shearwater Pottery, with coding to indicate glazes","Copies of inventories, plus amendment, text; mainly correspondence regarding loans including shipping receipts","Catalog, entry card, invitation, announcement; 1 copy of 5th catalogue (1936); Colt's notes","Correspondence with artist; catalog copy; checklists (some with prices)","1 photograph; duplicates: announcement, patron card (sent with invitation); correspondence with artist; shipping information and receipts; budget information; catalog proofs; schedules; invitation list; 1 copy of catalogue; list of sales","Invitation; copies of inventories with insurance values; single copy of catalog","Newspaper clippings; genealogical charts; typed copy of article, \"Colonel William Byrd of Westover,\" by Lucy Parke Byrd","Letters of solicitation (ex.: one to O'Keeffe); shipping/return correspondence; correspondence with jurors (including Hopper) including discussion of invited artists list; rough draft of jury selection rules; correspondence with galleries (mainly in New York City) for artists to enter competition","Invitation; card of admission; information request postcard; thank you card; entry card (regular-red); entry card (invited-orange); receipt card; announcement; rejection notification; list of 125 paintings invited and accepted; prospectus; jury memorandum; list of invited artists divided by gallery; list of deliveries for return of paintings","Hundreds of rejection forms with return shipment affirmation signed below (includes artist name and title of work)","Invitation; World's Fair circular of information; list of paintings to be included; World's Fair circular of information (8 pages); Adele Clark and Leslie Cheek on panel for southern states; reports to Colt on state committees","One copy of catalog","One copy of catalog","One copy of catalog","One copy of catalog","Catalog; letter from Anne Moncure to Colt explaining pictures; typed copy of \"History of Ambler Family\" by J.J. Ambler, 1826; list of portraits; typed copy of catalog text; 4 photographs of portraits - Katherine, William, and St. George Moncure, grandchildren of Colonel John Ambler; Mary Cary, wife of Edward Ambler; Colonel John Ambler; wife of Dr. Peterfield Trent and his two daughters","One copy of catalog; list of paintings; 1 letter","One copy of catalog","Correspondence with jurors","Correspondence with Committee of Virginia Artist Commission; correspondence with artists submitting models; rejection letter; shipping correspondence; invoices; correspondence with U.S. Department of the Interior, NPS, Fredericksburg; correspondence with Virginia Conservation Commission; Correspondence with Douglas Southall Freeman, Editor of the Richmond News Leader; correspondence with National Sculpture Society, Commission for the Arts, and Senator John Warwick Rust; loan of a portrait of Stonewall Jackson from Adler in NYC; correspondence with Leslie Cheek, the Sons of Confederate Veterans; news release; planning and invitations for the preview; correspondence with the United Daughters of the Confederacy and with Joseph Pollia, the winner","Entry card; invitation to meet the jurors; invitation to preview of models; announcement; map of site; news release; list of members of Sculptors Guild; Pollia's curriculum vitae","One copy of catalog","Invitation, catalog; text of catalog with drawings of mock-up and list of drawings","Annotated catalogs of early shows, correspondence with Mrs. Holden, shipping information","Catalog, invitation; typed biography in first person, list of paintings, curriculum vitae","Correspondence with Pan American Union in D.C.; Comisión Nacional de Bellas Artes; shipping information; correspondence with Governor; Department of State; national press (Time, New York Times, Town \u0026 Country, Antiques Magazine, Washington Post, United Press); copies of speech materials for guests at preview; letter from Emilio Pettoruti","Announcement; banner; one catalog; solo copies of invitations to preview and meet the Ambassadors at the Commonwealth Club","Inventories with sizes, values and damages noted; customs forms; shipping information; annotated catalog","Correspondence, speech copy","Correspondence with L.B. Houff at the American Federation of Arts; shipping information","Correspondence with Klapperach; Argentine government participation; New York World's Fair 1939; speech copy; foreword copy; shipping information","Shipping receipts, packing lists; lists of addresses of sponsors, lenders, press, museums, invitation lists","Correspondence with Marval, Commissioner General of Argentine government; participation; shipping information; planning information; customs and sales information","Invitation list; art critics list; memos; schedule of radio program and typed text; Commonwealth Club menu; speech texts","Inventories of paintings that would go from New York to San Francisco to Riverside Museum; correspondence with Museum about shipping; shipping receipts","Freight bills; shipping receipts, correspondence with Treasury Department; customs forms, inventories with values","Correspondence with Alexander Weddell and J. A. de Marval","Original mounted drawing by Leslie Cheek, Jr. for exhibition panels","Comments of the jury; award speech; copy of thank you letters; requests for catalogs, purchase information; publicity information; invitation lists; inventories; correspondence with artists; correspondence with jurors","Rejection letter; prospectus; \"an invitation,\"; invitation; receipt card; entry card (invited-yellow); entry card (regular-red); acceptance card; news releases; prospectus; catalog copy; comments of the committee; memos","Bound, typed list by gallery; inventories; correspondence with galleries and artists","Correspondence with jurors","One copy of catalog","Invitation; correspondence with Mrs. De Marclay","Correspondence; checklist; shipping information","One copy of catalog; gallery layout; mailer text; catalog listing; biographical text; artist's statement","Invitation; catalog; correspondence with Adele Williams; inventories; biographical information; catalog text","Invitation; catalog; correspondence with Willingham; shipping information and receipts","Invitation; one copy of catalog; correspondence with Binford and lenders; shipping information; inventories with values; shipping information; gallery correspondence; catalog text","Invitation; catalog; inventories, text copy, values, text of radio announcements/interviews; loan correspondence; galley proofs of label copy by Edward Davis","Inventory lists including insurance values; list of items by lenders; hundreds of shipping receipts","Correspondence with galleries, dealers, and collectors/lenders; catalog proof","Invitation; catalog; catalog copy, curriculum vitae; copy of Colt's introduction","Catalog; invitation; catalog copy; biographical information","Correspondence with Chrysler, Fox (curator), publicity people. Walter P. Sr. died in August of 1940, shipping and insurance information; inventories with values; opening plans; list of news and magazine articles (extensive)","Cocktail invitation; preview invitation; supper invitation; annotated proofs","Inventories; values annotated with van assignments (from NYC to Richmond \u0026 Richmond to Philadelphia); shipping and storage receipts and contracts; letter from Parke-Bernet in 1945 asking for prints as they were selling part of collection","Correspondence with Fiske Kimball, Director of Philadelphia Museum of Art re: shipping, insurance, inventories, division of cost","Inventories; radio program transcript; party list; invitations list; hostess list; timelines, schedules, memos, Leger came!","Plan \u0026 prospectus re: showing his collection in South America; correspondence with Fox and Chrysler. Executive Committee turned it down","One copy of invitation and one copy of catalog","Invitation; catalog copy and proof; inventory with values; correspondence with Concetta; shipping information; correspondence regarding publicity; correspondence re: broken statue and payment","Catalog copy; one invitation; one copy of catalog; biographical data","Invitation; correspondence with jurors; letters to publicity; correspondence with galleries; shipping information; list of awards; clippings; rejection postcard; one entry card; one catalog","Correspondence with Federal Works Agency; with institutions before (with Lyman Allyn Museum, New London, CT) and after (with Institute of Modern Art, Boston) traveling exhibition; invitation list; correspondence with Richmond Housing Authority, decision later in favor of Housing Authority in Norfolk instead of Boston","Correspondence with Riverside Museum, lenders; 1 invitation","Correspondence with Cincinnati Museum of Art, lender; installation; instructors; shipping information; news releases; invitations to college all over the state for preview; inventories; one invitation","Invitation; catalog; catalog copy; biographical information; correspondence with Hattorf","Invitation; correspondence with artist; catalog copy; 1 catalog","Invitation; catalog; correspondence with artist; biographical information; catalog copy; letters to publicity","Invitation; catalog; catalog copy; biographical information; correspondence with artist and gallery","List/receipts of items taken by Henry P. Strause from VMFA; annotated lists of items deposited at VMFA from H.P.S. for loan exhibition; numerous warehouse receipts","Pennsylvania Society catalog (1933); inventories by artist with values; correspondence; research","Invitation; research correspondence to locate miniatures (potential lenders); catalog copy","Receipts; inventories; index cards with owner's name \u0026 address (some with date stamp)","All receipts (large quantity), some with 2 copies, some with correspondence, some with shipping receipt from mail","Catalog copy; invitation list; correspondence with state planning board, 1 copy of catalog","Correspondence with Mrs. Myers, widow of the artist and Landgren, dealer for Newman; clippings, inventories with values; correspondence with Whitney, where Myers exhibition originated; correspondence with potential lenders for Newman; shipping information; insurance information; catalog copy; Invitation; annotated catalogs; Whitney catalogs; Knoedler catalog; loan/shipping receipts; invitation list; inventories with values; correspondence with publicity; catalog copy; inventories by institution","Invitation; proof of catalog; 1 copy of catalog","Correspondence with artists, both accepted and rejected; shipping information; correspondence regarding damage, (notation at bottom of letters in unusual style, coding maybe)","Bound pages from gallery trip to NYC and consequent invited artists list; correspondence with galleries; letters to invited artists; shipping information \u0026 receipts; correspondence with jury, (Charles Burchfield declined but raved about it; George Grosz declined with a beautiful signature.)","All regret letters, signed by artist/agent/owner, and returned to VMFA (hundreds of them); some with handwritten notes, (H.P. Sargeant very upset.)","Invitation; entry card (invited-yellow); entry card (regular-white); \"Good and Bad News Night\" (yellow trifold); prospectus; acceptance card; rejection card; memo for the evening; news release (3/3/42); annotated catalog with prices; correspondence with hosts; speech copy; news releases; list of artists by state; inventories; jury comments; values on inventories","Catalog; correspondence with artist; biographical information; catalog copy; 1 copy of invitation","Catalog; correspondence with artist; catalog copy; correspondence at sales; 1 copy of invitation","Invitation; first exhibition to include correspondence from Mrs. Pollard; inventories, correspondence; invitations; shipping information","Correspondence with Museum of Modern Art that was circulating exhibition; shipping information; contract; 1 copy of invitation","Correspondence; invitation; Lenox catalog; a few Mint Museum catalogs; correspondence with artist; inventories; catalog copy","Correspondence; guest lists; inventories with values; Commonwealth Club menu; catalog copy; shipping information; black and white photo of \"Boys\"","Correspondence with artist; letters from Theresa Pollak; inventories with prices; shipping information; biographical information; reimbursement request; copy of bulletin","Catalog; inventories with artist biographies (ie: partially or congenitally blind, age); correspondence with originator (Lowenstein); traveling loan contract; critics' statements","San Francisco Art Association bulletins; correspondence with artist; inventories; invitation; catalog; shipping information; catalog copy; various Artists' Guild of Washington materials (he was President)","Invitation; one copy of catalog; inventories with values and receipts","Invitation; clipping on his death; correspondence","Invitation; one copy of catalog; catalog proof; various other catalogs \u0026 announcements; correspondence with vendors; shipping information","Clipping; correspondence with lenders; shipping information","Invitation; one copy of catalog; correspondence","Correspondence with artist; inventories with values; biographical information; catalog copy; 1 copy of catalog and invitation.","Radio broadcast transcript; catalogs of other show; clippings (both from Cincinnati Museum); MFA Boston materials; catalog copy; invitation lists; correspondence; MFA Boston catalog; VMFA catalog and proof; shipping information from Boston; inventories","Correspondence; shipping information; annotated catalog; radio transcript; insurance information","Announcement (trifold); 1 catalog; correspondence; catalog proof; inventories with prices; catalog copy; jury correspondence; correspondence with publicity; shipping information; 1 invitation","Invitation; catalog proof; 1 letter","Invitation; catalog copy; correspondence with artist; inventory with prices; 1 catalog","Catalog; invitation; correspondence; research; shipping information; catalog proof; catalog copy","Article; correspondence with American Federation of Arts; inventory with values; other catalogs; loan agreement; shipping information; research; installation drawing; clipping; transcript of lecture on Chinese painting","Announcement; photographs of winners; correspondence; ArtNews issue (October 1-4) 1943; inventories with prices","Invitation; catalog; catalog copy; clipping; correspondence; research; RISD \"Museum Notes,\" 1943; shipping information","Invitation; catalog copy; correspondence; inventory with price list","Invitation; correspondence with other museums; itinerary copy; research; catalog copy; inventories with prices; shipping information","Correspondence (mainly with Metropolitan Museum of Art)","Correspondence (mainly with Metropolitan Museum of Art)","Inventories; correspondence; shipping information","Invitation; news release; correspondence; correspondence with publicity and with lender (UVirginia)","Invitation; catalog proof; other catalogs; correspondence; correspondence with lecturer; correspondence at preview; correspondence with publicity; loan correspondence \u0026 requests; shipping information; research on pieces; catalog copy; inventories; catalog; loan forms; annotated catalog; shipping receipts","Catalog; invitation; invitation list; correspondence; catalog copy; inventories with values; shipping information; insurance information","Catalog correspondence; clippings; catalog copy; speech copy; inventories with publication date; correspondence with lenders and publicity; shipping receipts later too (1956)","Prospectus; annotated catalog; catalog copy; shipping list; inventories with prices","Catalog; news releases; fact checking cards; bound copy of lists by dealer; clippings, voting information; invitation; catalog proof; timeline; prospectus copy; correspondence; artists' c.v.'s; dealer catalogues and correspondence; inventories with values; transcripts of publicity; speech notes; catalog copy; lists of accepted and invited artists (Virginia separate); shipping information and receipts; correspondence with publicity; correspondence with jury; prospectus","Catalog; correspondence with artist; biographical information; catalog copy; inventories with prices","Catalog; announcement","Announcement; catalog; invitation; catalog copy; lecturer c.v.; lists of institutions; list of works by institution; label copy; annotated catalog; inventories with prices; correspondence with institutions; correspondence with jury; shipping information","Annotated catalog; correspondence with artist; inventory; research; gallery layout diagram; price list; 1 catalog","Invitation; correspondence with Netherlands Information Bureau; other catalogs; checklists; shipping information \u0026 receipts (from before \u0026 after museums; correspondence with ambassador who spoke; lecture text; 1 copy of handwritten invitation to dinner with Governor Darden","Catalog; 1 invitation; correspondence with artist; inventories; catalog copy; price information","Invitation; catalog; catalog copy; correspondence; copies of \"Information Bulletin: Embassy of the Union of Soviet Socialist Republics\"; loan requests (including A La Vieille Russie); traveling exhibition contracts; shipping information and receipts (with before and after museums); inventories; other catalogs; price information; loan forms; annotated catalogs; original copy of \"The Schaffer Collection of Authentic Imperial Russian Art Treasures\"; correspondence with Ray Schaffer and others at ALVR regarding exhibition arrangements (no mention of Pratt) and damage to Faberge topaz vase","Catalog; correspondence with National Gallery (lender); insurance values and contracts; shipping information and receipts; gallery layout; catalog copy; research; loan requests","Correspondence from Davis, the VMFA Curator, with lenders to the exhibition with last names beginning with A-H; proof of article by Davis in Commonwealth Magazine; copy of text of article","Correspondence from Curator Davis and sometimes the Director with lenders to the exhibition with last names beginning with I-Z; copy of information releases re: survey","Correspondence with National Gallery Director (they had an exhibition at the same time); correspondence with Weddell (exhibition did not take place); copies of letters sent to the executive committee to explain decision","Copies of plan; correspondence with Weddell re: all the research that went into the aborted exhibition; correspondence with Mexican museums; Mrs. Whitman's reports on artists and museums' holdings","Correspondence with lenders \u0026 galleries; inventories with prices; shipping information and receipts (loans before and after)","Copies of labels on prints from National Gallery; inventory and instructions; shipping information (both before and after)","Civilian Open Air Art Sale announcement; copy of \"War Art: A Catalogue of Paintings Done on the War Fronts by American Artists for Life,\" including Barse Miller and Paul Sample; catalog copy; inventories; copy of \"Traveling Exhibitions,\" catalog by the AFA's National Exhibition Service; correspondence; 5 photographs of items in exhibit; copy of catalog, \"Art Exhibition by Men of the Armed Forces\"; shipping information and receipts; exhibition agreement; 1 copy of catalog","Copies of shipment return forms for paintings not chosen for 4th Biennial of Contemporary Art, many with comments, signed by artist/agent; inventory of paintings in the show","3rd Biennial prospectus (printed); 4th Biennial prospectus (typed); announcement of College Art in Virginia; prospectus copy (4th Biennial, Virginia Artists and Library bookplate); copy of Corcoran's prospectus (annotated); old 3rd Biennial prospectus (annotated); letter from Thomas Colt","Shipping information and receipts to lenders; correspondence with Worcester Art Museum and other museums; insurance values; correspondence with lenders attached","Press release copy; inventories by institution; correspondence with lenders; insurance values; shipping information and receipts; loan requests; book purchase requests","Invitation, catalog; catalog copy; correspondence; more shipping information and receipts; correspondence re: damages; annotated catalog","Loan forms and receipts","Invitation; correspondence with artists; catalog copy; inventories; annotated catalog; prices; shipping information and receipts; sales information","Correspondence with rug dealer; research; catalog copy; shipping information and receipts; annotated catalog; gallery layout; copies of things donor (H. Michaelyan) wrote; inventories with prices","Announcement/prospectus; typed press release; correspondence with artists; correspondence with jurors; invitation lists; correspondence to get more armed services men; list of entrants; catalog copy; one copy of entry card; one copy of catalog","Catalog; catalog copy; gallery layout; inventories; catalog proof; correspondence with jury","Invitation; exhibition contract; correspondence; gallery layout; invitation list; another list for even with Spanish speaking Luncheon Club; list of architects; press release copy; installation list from MOMA","Invitation; catalog; correspondence with possible lenders; lists of possible loans; ended up taking British-American Goodwill Exhibition; shipping information and receipts; inventories; budget figures","Catalog; one invitation; correspondence with author; list of invitations; 1 photograph of \"Red Still Life\"","Correspondence between curator and potential lenders; correspondence with institutions and churches","Correspondence with lender; correspondence re: damages; catalog copy; one catalog","Correspondence with lenders; correspondence re: damages (including 2 photographs)","Correspondence re: genre painting; exhibition; some from lenders, some not; some including photographs","Invitation list; correspondence with invitees to the 19th century genre preview; folder of handwritten notes re: genre; handwritten research; typed research","Correspondence with lender (DIA); inventories with values; shipping information and receipts; catalog copy","Correspondence with possible lenders (including 1 photograph from lender); research","Invitation; catalog; catalog copy; correspondence with artist (Colt is back!); inventories; sales information","Correspondence with artists; shipping information and receipts","Stenographers pad with notes from NY Gallery/dealers' visits; preliminary lists; final lists; correspondence with galleries; correspondence with invited artists; shipping information and receipts","Contracts with Budworth on shipping; correspondence with jurors; correspondence with Budworth; inventories with values and locations","Entry card: yellow (invited), regular (orange), good and bad news night (yellow-trifold), inclusion card; typed summary information; typed list of artists; teacher invitation (yellow); annotated catalog with prices; inventories by state; full catalog copy; list of Virginia artists; form letter to art teachers","Correspondence with dealers; clippings; other catalogs; correspondence with jury; award list; award letters to dealers and press","Prospectus; prospectus copy; list of recipients of entry cards and prospectus for distribution (art organizations, museums, dealers, etc.) and letters to them; letters to press; entry card copy; thank yous for sending out cards (n.b.: all lists of artists sent to/from dealers, museums, etc., were removed)","Letters confirming receipt of paintings returned, both those selected and those not; many with comments, less shipping complaints!","Hundreds of requests for entry cards","Hundreds more requests for entry cards","Invitation; catalog; invitation copy; catalog copy","Catalog; correspondence with artist; invitation copy; correspondence with Virginia World War 2 History Commission; inventory with prices; invitation list; catalog copy; letters to press; annotated catalog; correspondence with lenders","Invitation; correspondence with lender, Philadelphia Museum of Art; inventory; copy of the Richmond Times-Dispatch article; correspondence with potential lenders; copy of the Philadelphia Museum bulletin and Atwater Kent Museum bulletin","Catalog; invitation; correspondence with artist; correspondence with lenders; shipping information and receipts; inventories with values; invitation list; catalog copy, correspondence with wife Rosalie re: her photographs","Shipping receipts; catalog copy, correspondence with lenders; list of invitees; invitation","Recent Additions to the Upjohn Collection, catalog of collection; correspondence with dealer (Midtown Galleries); shipping information and receipts (both before and after); invitation","Catalog; invitation; catalog copy; catalog proof; correspondence with potential lenders; text of broadcast calling for paintings; shipping information and receipts; research (Davis)","Inventories with values; shipping information and receipts","Invitation; shipping information and receipts; inventories","Research; correspondence with furniture manufacturers; invitation copy; inventories; correspondence with Metropolitan Museum of Art and MOMA (main lenders); correspondence with Leslie Cheek, Jr. at Architectural Forum!; shipping information and receipts; catalog copy; letters to press (photograph of chair from Dubar, but not included in exhibition)","\"Notice to Virginia Artists\"; requests for entry blank; correspondence re: late entries; returned fees, etc.","Acknowledgement letters; press release; SSAL Bulletin (Summer 1947) (more of these later); inventories by state (jury picks); correspondence with artists, jurors and SSAL; breakdown of entry cards by place; lists of artists eligible for submission; entry cards of pieces bought or withdrawn; biographical notes on winners","24th Annual Convention program; catalog Virginia Art 1947; Southern Art 1947; invitation; entry card; SSAL membership blank; received card; rejection card; convention program copy; Southern art catalog copy; Virginia art catalog copy; catalog of 26th SSAL exhibition at the High; correspondence with SSAL; correspondence with jurors; list of works accepted (Virginia artists); old convention program; more SSAL bulletins; correspondence with artists re: 8 paintings that were vandalized; correspondence re: prizes; correspondence re: sales","Invitation; catalog proof; announcement from Camera Club; correspondence with artists; invitation copy; catalog copy","Correspondence with lenders; loan agreements; memo to staff re: handling of paintings; shipping information and receipts; inventories with insurance value","Correspondence with lenders by lender; inventories","Catalog; museum attendance card (9/3/47); correspondence with press; research; correspondence with lenders; shipping information and receipts; Budworth contracts; catalog copy; press releases; inventories; clippings","Invitation, American Commission brochure; shipping information and receipts; correspondence with lenders, AFA; loan forms; catalog copy; inventories with values","Shipping information and receipts; catalog of exhibition; inventories; catalog copy; research; correspondence with AFA and AFRIM; label copy","Invitation; invitation copy","Correspondence re: shipping and receipts","Correspondence with Louvre and other institutions re: original Louvre collection not being available; 5 museums trying to do alternate French exhibition from dealers/galleries and some from Louvre; unknown outcome; ArtNews was involved too; trying to use a story in lieu of a catalog","Catalog; correspondence; clippings; sale information; text of lecture","Invitation copy; catalog copy; correspondence with artists; inventories; invitation to lecture; 1 catalog; shipping information and receipts","Shipping information and receipts; correspondence with lenders; copy of Time (1/26/48), article on pages 47-48","Miscellaneous exhibition-related correspondence re: one mis-shipment to VMFA, most re: exhibition offers and programming","Index cards with lenders and item; correspondence with lenders","Correspondence with potential lenders (denials)","Catalog; correspondence with press; correspondence with Mrs. Catesby; invitation copy; correspondence with Lurçat; typed article on Jones; preview invitation lists and replies; catalog requests; radio press release copy; typescript copy of \"A Letter to A Friend on Modern Art,\" by T. Catesby Jones; typescript copies of all of his writings, incorporated into catalog; catalog copy","Prospectus; shipping information and receipts; correspondence with press; checklist with insurance values; loan requests for paintings in exhibition; list of artists to whom they sent biographical questionnaires","Prospectus; correspondence with medal winners; correspondence re: sales; list of artists by state; submission statistics by state; statistics tally sheets (one per state); correspondence with press","Copy of La Revue Moderne magazine (July 1947) from artist Wilma Prezzi who was featured in magazine but declined to submit; correspondence with artists, answering questions; comments from artists re: submission vs. invitation, etc.; shipping information and receipts; correspondence with galleries; requests for entry cards; correspondence re: Pepsi Cola Southern Regional Competition in Richmond (artists could specify that if work was not accepted, it could go to Pepsi exhibition)","Correspondence with artists; correspondence with dealers; valuation information; shipping information and receipts; lists of invited artists (by name, by agent/organization, some with annotated values)","\"Arrangements for the Jury\"; shipping information and receipts; correspondence re: jurors; correspondence with jury","Invitation; rejection card; entry card (pink); entry card – invited \u0026 acceptance card (yellow); annotated invitation (5th Biennial); prospectus copy; annotated entry cards and prospectus (5th Biennial); invitation copy; catalog copy","Rejection letter; prospectus","Signed rejection letter; receipts, some with comments - catalog request, why receipts request, or badly packed","Requests for entry cards (mainly from artists), a few with replies","Requests for entry cards (mainly from artists), a few with replies","2 photographs (lamp and manuscript); list of objects lent by The Jewish Museum in NY; correspondence with The Jewish Museum; lists with values; clipping; catalog copy","Invitation; correspondence with potential lenders and potential advisors; invitation letter; correspondence with The Jewish Museum; shipping information and receipts; clippings [no catalog made]","\"The Common Glory\" Poster Project; correspondence with Virginia Conservation Commission; exhibition information (typed); entry lists by high school; tea information; shipping information and receipts [all from Mrs. Muriel Christison]","Original pencil drawing plus blueprint copy of drawing by Leslie Cheek, Jr., for outside signpost for exhibition","Catalog; shipping information and receipts (loan from Philadelphia Museum of Art); correspondence with Philadelphia; list of Richmond artists to be added to exhibition; label copy for Richmond artists; correspondence with selected artists in exhibition; checklists from Philadelphia","Correspondence with lenders; research correspondence; lists of photographs with values","Original drawings and one blueprint copy of exhibition signage, exhibition labels, and gallery layout","Checklist (one portion circulated by MOMA); shipping information and receipts; correspondence with MOMA; membership lists cf: Virginia Chapter of AIA, Home Builders Association of Richmond, Richmond Real Estate Exchange; exhibition contract; 1 invitation; preview invitation letter; correspondence with Architectural Forum (they circulated the other portion); correspondence re: film rentals","Correspondence with dealer (Knoedler); shipping information \u0026 receipts","Invitation; correspondence; checklist with values; shipping information and receipts; exhibition construction notes; correspondence with dealers; press release copy (typed); correspondence with artists; invitation list; correspondence with lenders","Original blueprint copy of signage","Catalog; shipping information and receipts; checklists; correspondence with Colonel Anderson; correspondence with lenders; correspondence with artist","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA)","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA); catalogs; photographs; clippings","Shipping information and receipts; checklist; correspondence with artist","Lecture invitation; correspondence with lecturers; information regarding exhibit from American Craftsmen Educational Council; correspondence re: sales; shipping information and receipts","Correspondence with the Coin Club re: exhibition; later declined due to Colt's resignation","Correspondence with American Craftsmen Educational Council (lender); correspondence with lecturers; shipping information and receipts; exhibition information; ACEI brochure; clipping","Invitation; correspondence with vendors; checklist with values; invitation copy; shipping information and receipts","4 original drawings of lectern, information panels/stands; gallery layout, etc.","Catalog; correspondence with Canadian Embassy; correspondence with National Gallery of Canada (co-sponsor); shipping information and receipts; lecture copy; correspondence with lecturer; research; catalog copy; exhibition plan/schedule (to do); 1 copy of invitation; gallery layout","Correspondence with National Gallery of Canada; correspondence with press; correspondence with state forester (lent pine trees); research; clipping; photograph and biography of curator","Original drawing of exhibition sign","Correspondence with Virginia State Board of Education; correspondence with Southeastern Arts Association; shipping information and receipts; correspondence with education institutions (Mrs. Christison)","Form letter to Antiquarian Society members; preview invitation list; Antiquarian Society history (co-sponsor)","Original drawing of Museum information panel and traveling show panel","Invitation copy; correspondence with MOMA re: traveling exhibition; shipping information and receipts; billing information","1 drawing of Calder signs","Preview invitation, correspondence with artist; correspondence with lenders; invitation copy; correspondence with Philip Godwin and Mrs. T. Catesby Jones; research; correspondence with Archipenko; clippings (response to Richmond Times-Dispatch article mocking exhibition); Calder's handwritten invitation list [no catalog made]","Correspondence with lenders (galleries, dealers, museums, etc.); checklists; shipping information and receipts; correspondence with artists; checklists with values; press release copy","Checklists; exhibition information (typed); receipts","Photograph of books and Hurds; children's books catalog (retail); correspondence with publishers; research; clipping; correspondence with lenders; label copy; shipping information and receipts; checklists by publisher, by lender, by artist","Correspondence with lender; checklist with values; correspondence with artist; shipping information and receipts","Correspondence with lender; correspondence with publicity; research","Correspondence with lender; correspondence with publicity; label copy; shipping information and receipts","Outline of children's programs from summer workshops; research on group behavior; clipping; Richmond Film Society Program; photograph of Times Square in New York; Department of Education Annual Report copy; lots of random exhibition information copies; clippings; correspondence with educational services","Correspondence with lenders; shipping information and receipts; exhibition information (typed); correspondence with artists","1 drawing, layout for panel","1 layout and 1 piece of correspondence","1 drawing – summer sign, 1949","Exhibition offerings from galleries, institutions, etc.; AFA brochures","Exhibition schedule; invitation lists; correspondence; clippings","1949-1950 season schedule; schedules; correspondence re: possible exhibitions","Correspondence with lenders; dinner invitation list and preparation; shipping information and receipts; budget/billing information; checklist with values; research","Correspondence re: catalog; cut-out reply from VMFA Bulletin","Postcard announcement; correspondence re: catalog requests","Correspondence organized by lender with lenders; shipping information and receipts","Correspondence re: insurance; checklists by subject/person; research; shipping information and receipts; correspondence with lenders; checklists with values","Correspondence and paintings list, just as title says","Correspondence re: permission to reproduce images for catalog [originally not intended to publish catalog; did so after exhibition]","Catalog copy","Correspondence re: cost of prints ordered and made for show","Announcement; Baltimore catalog; preview invitation; 3 photographs; copies of her other catalogs (Mrs. James Ward Thorne); correspondence with Women's League Club; correspondence with lender (circulating museum AIC); budget information; checklists; shipping information and receipts; exhibition contract; correspondence with publicity; copies of various magazines (Virginia Bulletin, Virginia Women's Magazine); correspondence with PTA's","Blueprints: room installation (3 copies) and original drawing; drawing of signs; drawing of entrance details","Checklist; 8 photographs; correspondence with publicity; budget information; admission price policy; lecture and tour schedule; correspondence re: catalog including billing information","Checklist","Correspondence with Library of Congress re: loan of lithograph; shipping information and receipts","Correspondence with Block, including copies of publicity; checklists with values; shipping information and receipts","Correspondence with Block and others","3 drawings of exhibition signage","Drawing and blueprint copy of information kiosk; 1 photograph; 3 other layouts of the exhibition, including 2 didactic panel layouts by Cheek (\"Russia Before the Revolution\" and \"Imperial Jewelry of Russia\")","Correspondence on opening of show; proposed schedule; checklists by lenders; shipping information and receipts; checklists by artists; correspondence with artists; checklists with values","Checklists; shipping information and receipts; correspondence re: catalog; correspondence with publicity; research; statistics from 6th Biennial; correspondence with artists; catalog mailing list; catalog copy; loan information forms","2 excerpts from publicity (typed); correspondence with catalog essay authors; correspondence with publicity; clippings; checklists; catalog copy; requests from artists; chipping information and receipts; correspondence of James Johnson Sweeney (sole juror invited); checklist for traveling exhibition; hand-written copy of register of the paintings received","1 drawing of layout and signage; 2 small lettering drawings; 1 small catalog sign drawing","Shipping information and receipts including correspondence with artists, bills and information for crating requests; correspondence re: Richmond regional jury process for national metropolitan competition","Press release; correspondence with Sweeney; correspondence with publicity; shipping information and receipts; checklists, sales information","Sweeney's own correspondence with artists and dealers and galleries re: exhibition, including Naum Gabo and Morris Louis","Correspondence with SF MOMA; checklist from AFA; copies of publicity; shipping information and receipts; correspondence with publicity; correspondence with AFA; 1 copy of catalog","Drawing and blueprint copy of layout","Catalog copy; correspondence with lenders; shipping information and receipts (or label)","1 photograph; catalog (or label) copy; correspondence with Knoedler (lender); shipping information and receipts; 1 photograph of X-ray","Invitation lists; correspondence; radio spot information; correspondence with lenders; checklists; shipping information and receipts; press release copy; catalog copy; loan item information blank","One note on a rug cleaning","Checklists with values, by lender and by artist; label research; correspondence with lenders; installation notes; shipping information and receipts; press release copy; correspondence with other institutions including the Met where the exhibition went next","Correspondence with AFA (distributor of exhibition); shipping information and receipts; checklist; information on the photographer (non-VMFA publicity); correspondence with photographer","Photograph of Reino Aarnio soap dish for Fiat Metal, photograph of new RCA portable radio; correspondence with lenders [sold it as a big 2-3 year traveling exhibition]; shipping information and receipts; clippings (for ideas); correspondence with manufacturers from all around the USA; lots of catalogs; installation sketches; catalog copy; lists of checklists from a similar MOMA exhibition; 1 copy of preview invitation; checklists; label copy","Correspondence with Block (Post cartoonist) and Comstock (Connoisseur and Antiques magazine editor); lectures; biographical information; correspondence with publicity","Original drawing plus 2 blueprint copies of design for silver display case","Correspondence with lenders from 1940 show due to requests by an author, prompted by current Valentine show; clipping re: Valentine show; copy of 1940 catalog","Correspondence with Rogers and her agent; confusion about scheduling dates; article in Vogue about Rogers [ended up cancelling show due to high costs of insurance and shipping]","Shipping information and receipts and labels for loan of some Pratt jewels by Mrs. Joseph Davies of Washington D.C. to the 1950 Easter eggs exhibition","Catalog [loan exhibition organized by the English speaking Union]; copy of catalog; microfilm copy of NYT clipping; correspondence with ESU; copies of ESU Bulletin; checklists; press release copy; correspondence with other institutions who are borrowing; catalog/label copy; shipping information and receipts installation instructions; annotated catalog; big ESU publicity kit; correspondence to/from J. L. Blair Buck in State Board of Education, main contact and President of the ESU, Virginia Branch; original NYT clipping; correspondence to/from Brigadier J.W.F. Treadwell, VP of ESU [called it \"Operation Canvass\" to garner interest in ESU in Virginia]; billing/payment information; correspondence with British Embassy","Correspondence with Knoedler and Newhouse [photograph of painting offered but not chosen]; copy of invitation; picked Provost's painting from Knoedler – in another folder]; correspondence re: cedar trees in galleries","Circulated by MOMA; correspondence with them; packing instructions; loan agreements; loan contracts; checklists; shipping information and receipts","Group form letter; correspondence with Wedgwood \u0026 Sons; publicity information; research; checklists; correspondence with other institutions; shipping information and receipts; 1 copy of invitation; list of Wedgwood dealers in Virginia [to invite]; correspondence with Annie Reese, Director of Promotions and Hensleigh Wedgwood, President, who lectured at preview","Correspondence with various clubs; dinner party plans and invitee lists; more correspondence with Wedgwood; copy of Museum bulletin; biographical information on Hensleigh; shipping information and receipts","Shipping information and receipts; biographical information; Museum Bulletin copy; installation instructions; label information forms; correspondence with Newhouse; checklists with values","Drawing of label boards; drawing of signage","Chose 4 exhibitions from PAU to circulate; correspondence with PAW; exhibition information; checklists; shipping information and receipts","Announcement; correspondence with printers; correspondence re: sales [1st year Museum has added Architecture]; copy for all printed materials; correspondence with prizewinning artists (including Stuart Davis); correspondence re: azaleas; biographical information on jury chairman, Hermann Williams, Director of Corcoran; correspondence with publicity; clippings; copy of catalog from 1949","Prospectus; requests for blanks; letter copy re: Virginia art interest and education and businesses; correspondence with artists; correspondence with art departments; correspondence re: sales; jury comments; biographical juror information; breakdown/tally by city; correspondence with jurors","Catalog copy; checklists with prices; correspondence with artists re: blanks; shipping information and receipts; correspondence re: sales and purchases; 1 copy of catalog","4 original drawings; introductory panels, signage; layout sketches; traveling show panels","4 drawings of lighting layouts in gallery; 1 drawing of movie projector stand; 1 drawing of panels; 1 drawing of overall layout","9 photographs of Metropolitan Museum of Art objects; copy of invitation; label copy for projector room showing film on armor; other label copy; correspondence with lenders; shipping information and receipts; correspondence with Met (major lender); correspondence with lecturer (Gracey), curator of Met arms \u0026 armor","Correspondence with artist and his wife; biographical information; copy of catalog from Hollins; clippings","1 photo of Stuart Davis; biographical information; catalog copy; shipping information and receipts; checklists with values; loan agreements; correspondence with jurors; correspondence with lender; correspondence with potential jurors (Andrew Wyeth)","2 drawings: sign and panel layout","Photograph of Tsar Nicholas II and family; 2 page exhibition design write-up (color, lighting, cases); catalog copy","Memo re: Arthritis Foundation; article on Dufy; reprint of 3/51 article on Dufy; paintings information sheets; shipping information and receipts; catalog of ICA in Boston; correspondence with lenders; correspondence with Arthritis Foundation; checklists with values; correspondence with publicity; correspondence with Dufy's gallery agent","4 drawings of signs and layouts","11 photographs of layout with and without people; close-ups of panels; correspondence with lecturer; correspondence with American Institute for Graphic Arts (organizer); publicity materials from AIGA; shipping information and receipts; catalog","Dinner guest list; correspondence with Chrysler; Chrysler catalog copy; correspondence with NYT","Photograph of Chrysler; copy of Art Digest (October 15, 1951) with photograph of gallery setup; catalog copy (paintings); correspondence with publicity; shipping information and receipts; catalogs of exhibition at University of Miami Art Gallery (correspondence with University of Miami Gallery also); checklist","Checklists and hanging order; correspondence with publicity; rough layout; catalog copy; correspondence with artist; checklist with values; correspondence with AFA (organizer); AFA 1953 catalog; wonderful letters that are art!","Preview invitation; correspondence with artist and wife; checklists","Catalog; correspondence with Director of Syracuse Museum of Fine Arts (Anna Wetherill Olmsted, speaker); biographical information on her, checklist","1 drawing: installation layout","14 photographs of items; \"prize awards\" press release; correspondence with Syracuse Museum of Fine Arts; publicity information from SMFA; catalogs; catalog copy; shipping information and receipts; annotated catalogs (one size, one price)","Correspondence with various institutions and individuals re: potential exhibitions, some with catalogs and clippings; list of proposed exhibition season","Correspondence with lender (Ouriel) and gallery (Knoedler); shipping information and receipts","Various mailing lists (Bulletin, publications), some by type, some alpha; letters to other institutions offering mailings (all Miss Frances Boushall)","1 drawing of small museum truck","Layout panels for 1st Museum brochure/guide","1 drawing and 1 copy of Information \u0026 Publication Desk of Museum","Correspondence with lenders of fabrics; shipping information and receipts; some original tags; label copy; some catalogs","Correspondence re: invitation mailing (one with return address of VMFA, one with Kiwanis Club); correspondence with lenders in Los Angeles","Invitation to screening; preview invitation list to film screening","Invitation; catalog copy; checklists; Mona Lisa research; shipping information and receipts; correspondence with lenders; 1 copy of catalog; correspondence with organizer; invitation copy; installation information; correspondence with Kiwanis Club","6 blueprints for models by Panold Masters; 1 drawing of signs; 1 drawing of layout; 4 drawings of lighting; 3 drawings of niches","1 drawing of layouts, panels","Catalog copy; clippings; annotated copy of catalog of retablos from Barton Collection; shipping information and receipts; checklists; annotated copies of catalog of textiles from Barton Collection; correspondence re: damage to retablos; correspondence with institutions; correspondence with lenders","1 drawing of signs; 4 drawings of lighting; 1 drawing of details of interior; 3 drawings of layout; 1 drawing of interior","1 photograph of clock; few compliments; some receipts for library exchange","Correspondence; damage reports; receipts; memos","Correspondence with Helen Comstock (editor of Magazine Antiques and guest curator); correspondence with potential lenders (individuals and institutions)","Correspondence with WSG; clippings; shipping information","Correspondence with WSG; catalog copy; press release copy; press releases; shipping information and receipts; biographical information; checklist with prices","2 photographs of paintings; traveling checklist; correspondence with artist; clippings; press release; catalog copy; catalogs of shows in New York and Toronto; shipping information and receipts; label copy; checklist with values; correspondence with lenders; correspondence with AFA (originator)","Invitation to preview; correspondence with designer and speaker, John Van Koert; correspondence with Walker Art Center (organizer); copy of Walker invitation","Press release; publicity copies from Towle Silversmiths; press releases; copy of catalog from Walker","5 photographs (duplicates); invitation to preview; press release copy; correspondence with Fogg; copy of catalog from Detroit; label copy, checklists; shipping information and receipts; correspondence re: theft of Degas drawing","Invitation to preview; invitation to lecture; clippings; correspondence with artisans re: exhibition decoration; correspondence with other lenders; shipping information and receipts; checklists; correspondence with dressmaker/speaker (Pauline Trigère); correspondence with Metropolitan Museum's Costume Institute","Correspondence with lenders; research (list of American and English novels); shipping information and receipts; correspondence with publisher; correspondence with publicity; correspondence with Met's Costume Institute; checklists with values","6 photographs (5 paintings and Maxson Holloway, Chicago Historical Society curator); shipping information and receipts; checklists; correspondence with Chicago Historical Society (organizer); annotated catalog from CHS; correspondence with other institutions; bulletin copy; press release","Catalog; correspondence with CHS; correspondence with other lender (Broadnax)","Photograph of picture; press release; correspondence with Red Cross; clippings; invitation copy; Red Cross promotional material; press release copy","Catalog; correspondence with AFA (organizer); shipping information and receipts","Shipping information and receipts; checklists","Correspondence with members of Club; correspondence with AFA","Drawing of layout; 2 photographs of paintings not in exhibit; research; label copy; correspondence with lenders; shipping information and receipts; checklists","Correspondence with Lady Astor; checklist of gift","Catalog copy; correspondence re: opening and Governor's dinner; invitation proofs; correspondence with publicity; text of Colonel Anderson's speech","Correspondence re: opening (mainly regrets)","Correspondence with the artist","1 drawing of sign","Correspondence with Institute of Contemporary Art in Boston, organizer; lecturer is Director, James Sachs Plaut; promotional materials","Correspondence with ICA in Boston; shipping information and receipts; catalog","Invitation; photograph of painting (1952); label copy; installation instructions; shipping information and receipts; correspondence with lenders","1 clipping","Clipping; press release copy re: move of cigar store figures from Jefferson to VMFA","Lots of correspondence from different institutions; publicity; list of contacts with great comments","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Correspondence with woman at new museum about restoring a painting","1 photograph of Leonardo's bridge; Boushall's correspondence file with publicity and others interested in our publications and exhibitions","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Quiz sheet","7 photographs of opening, gallery and piece; 1 copy of catalog","2 drawings and 1 copy of gallery layout and entry desk","Checklist; invitation, shipping information and receipts","1 drawing of book and theme table layout","6 photographs of Goya pieces; 1 photograph of someone (with mandala); catalog copy","2 invitations (1 with checklist; 1 for loan exhibition); label copy; checklists; correspondence; correspondence with lenders; catalog requests; catalog proof; shipping information and receipts","Correspondence; label copy; cover of U.S. News \u0026 World Report (2/13/53) (looks like De Stijl); shipping information and receipts; correspondence with MOMA (organizer); checklists","Press release copy; correspondence with Netherlands Embassy; lecture copy (introductions); lecturer biographical information [Carroll L. V. Meeks, Assoc. Professor of Architecture and Art History at Yale]; correspondence with MOMA","Correspondence with jurors; correspondence with potential jurors; lists of loan requests; correspondence with lenders; correspondence with publicity; shipping information and receipts; checklists; installation memos; checklists with values","\"The Significance of African Art,\" 8 photographs of items; publication reprint of \"Warega Ivories\" by Ladislas Segy; label copy; publications from Segy Gallery on African Art; correspondence with Segy Gallery (organizer); biographical data on speaker [James Johnson Sweeney, Director of the Guggenheim in NYC]; shipping information and receipts","Correspondence with speaker; label copy; press release copy; publications from Segy Gallery","1 photograph of street scene, but it has been drawn on","Copy of 1949 catalog; 1 copy of catalog; label copy; checklists by city; catalog copy; letter from Theresa Pollak regarding the way the show is chosen and hung; correspondence with artists; annotated older biennial materials; list of purchase recommendations; schedule for jurors visit; catalogs from other institutions (state shows); shipping information and receipts; traveling evaluation checklists","Copy of 1953 prospectus; correspondence with artists (Pollard's correspondence file); list of entry cards received","Correspondence with artists re: missing checks, incomplete blanks or other issues (Gaines' file)","Information from MOMA (organizer); correspondence with MOMA; checklists; shipping information and receipts; installation memo; 1 copy of invitation to opening","2 drawings","List of loans (Baltimore Museum of Art); correspondence with BMA; correspondence with speaker [Mrs. Adelyn D. Breeskin, Director of the BMA]; installation memo; checklists; label copy; shipping information and receipts. Show had 16 year age limit!","Entry/prospectus; correspondence with American Craftsmen's Educational Council; list of regional entries; correspondence with artists; completed entries; shipping information and receipts","February 1953 issue of \"The Richmond Home Builder\"","Mayor's reception schedule; lecture copy; copy of Directory of Virginia Governmental Officials (November 1950); invitation lists and planning","1 copy of invitation; lecture copy; correspondence with potential consultants","Correspondence with Thalhimer's; press release copy; lecture copy; slide list; clippings; speaker biography","Correspondence re: parking problems and conferring police authority to the Museum's guards","\"The New Art Wind Quintet\" press release; Harp Trio photograph and program; correspondence re: New Art Wind Quintet; contract copy; Harp Trio press release copy; Philippe Entremart photo; press release copy and program; correspondence with National Music league; programs; clippings","1 photograph of Victor Guye; actually a Goya exhibition file – correspondence with lenders; shipping information and receipts; checklists","Invitation; photograph of Queen Anne teapot; \"Art in Fashion\" invitation; label copy; catalog copy; correspondence with Lipton (lender) and Lipton's dealer; correspondence with speaker","Correspondence with potential participants; interim reports; correspondence with institutions in Scandinavia; exhibition proposal (typed); correspondence with embassies, consulates, etc.; shipping information and receipts; label copy; correspondence with speaker [John Van Koert]; checklists; correspondence with publicity; correspondence with AFA (organizer); 1 copy of brief prospectus; list of itinerary","Folder is incorrectly labeled \"1967\" at Library of Virginia. 1 drawing (1953-54); ALL FROM THE 1950'S: panel copy; shipping information and receipts; clippings; Sidney Janis catalogue; 1 copy of Bulletin (11/53); 1 copy of invitation, plus 1 internal memo re: new iteration as traveling show, checklist","1953 Virginia Artists prospectus; correspondence with artists; correspondence with publicity; label copy; correspondence with Des Moines Art Center (co-sponsor); shipping information and receipts; correspondence with lenders; correspondence re: purchases; biographical information on Dwight Kirsch (curator of show and Director of DMAC)","Mailing 12/1/55, \"To Virginia Painters\"; budget information; correspondence with artists; correspondence with Dwight Kirsch; annotated catalog; catalog requests; catalog disbursement list; shipping information and receipts; copy of Kansas State College Biennial Catalog (including quote from Kirsch)","1 photograph of artist and painting (John Koos with wife and Peter Khan, head of Hampton Institute Art Department); correspondence with juror; press release; correspondence with publicity; correspondence with artists (Newell's correspondence file); biographical information on Kirsch; clippings","1 copy each of 1950 and 1954 catalogs","Catalog copy; catalog proof; suggested arrangement; label copy, checklists","1 photograph of Armand Hammer; 1 photograph of room in his house; 1 photograph of Breughel painting; 1 photograph of [Erwin] Panofsky [from Institute for Advanced Study at Princeton], lecturer; 2 press releases; correspondence with Hammer; general collection information","1 drawing of main panel layout","Correspondence with lenders and dealers, artists; shipping information and receipts","Shipping information and receipts","Registration forms for each painting; checklists by gallery and by artist","Entry cards (completed); other institutional catalogs; prospectus copy; annotated catalogs; catalog copy; 1 copy of catalog; label copy correspondence with artists; correspondence re: publicity; shipping information and receipts; correspondence with jurors","Prospectus; mailing lists; budget tracking; correspondence with jurors","6 photographs of designs; shipping information and receipts; label copy; correspondence with AFA (organizer); checklists; correspondence with Cooper Union (lender)","2 drawings of panel layouts; notes re: pre-Columbian panel layout","1 drawing of panel layout; label copy","1 drawing of 20th century gallery layout with section for Virginia rotating artists; correspondence with artists; correspondence re: purchases; shipping information and receipts; biographical information; correspondence with lenders; memos re: installation; checklists","Checklists by lender and by artist; correspondence with lenders; label copy; shipping information and receipts; copy of catalog from University of Louisville with similar exhibition","1 drawing of panels; notes re: panels for exhibition","Letter to AFA re: exhibitions; exhibition proposal for Design for Theatre","Correspondence with various people and institutions re: possible exhibitions; program schedule for 1953-54; scattered exhibition-related materials as well; correspondence re: various programs, performances and dinners; correspondence with publicity; copies of Members Bulletin for March, April \u0026 May, 1954","1 photograph of Furniture of the Old South; mainly lists, both general and for particular shows","Correspondence re: an article proposed by Gulf on the Artmobile, including a photographic assignment, to run in their company magazine Orange Disc; correspondence re: subsequent mailing of issue","Letter to Presidents of Garden Clubs, 10/11/54; correspondence re: securing funding for Waddy fountain planting each season; mailing lists","Correspondence re: arrangement to use galleries for their meetings","Membership List","Copy of The Orange Disc Magazine (March-April 1954); list of Artmobile pictures used","Drawing of new membership brochure [Not taken, too hard to reproduce]; annotated membership forms; new form copy; copies of MOMA \u0026 Walker membership forms; membership campaign materials: proposal, committee schedule, plan for calls, etc., minutes of meetings, campaign reports, membership report (statistics)","Correspondence re: special loan exhibition from permanent collection; shipping information and receipts; checklists","Correspondence re: meeting; biographical information on speakers; schedule/agenda; transcribed notes from Question \u0026 Answer session","2 photographs of mural; correspondence with Rochester Institute of Technology, where she was a student (she was a VMFA Fellowship winner); correspondence with artist","\"Endorsement of the forthcoming Artmobile\" 3/10/53; \"An Exhibition of Sculpture from Africa,\" 3/22/53; \"The Hammer Collection…\" [n.d.]; \"The VMFA has purchased 3 paintings…\" 3/24/54 (short one); copies of press releases from March/April 1952/1954","13 drawings of pedestals in various galleries; notes","1 drawing; 1 list of photographs for American 19th Century","1 drawing; 1 list of photographs for Early Near Eastern","1 drawing; 1 list of photographs for Late Italian and Spanish","1 drawing; 1 list of photographs for Roman","1 drawing; 1 list of photographs for Oriental","1 drawing; 1 list of photographs for German","1 drawing; 1 list of photographs for French 17th-18th centuries","1 drawing; 1 list of photographs for Italian, 14th \u0026 15th centuries","Just list of photographs for English 16th-17th centuries","1 drawing (English 18th-19th centuries; 3 photograph lists (medieval, American 18th century, English 18th-19th centuries","1 drawing; 1 list of photographs for American 20th century","List of photographs for Virginia Today","1 drawing (Egyptian); list of photographs for Egyptian, notes","2 drawings of text panels; notes; list of photographs for North Sculpture Hall","Photograph of Blanche Tarjus; correspondence; biographical information; program copy; programs; clippings; publicity materials from National Music League; artist fee schedule; correspondence with artists; invitation copy","Photograph of damaged jade, 2 annotated photographs (all Minneapolis); shipping information and receipts; label outlines; checklists by lender and by type; correspondence with lenders; clippings, research notes; label copy; correspondence with other potential lenders","3 panel layout drawings; 4 other layout drawings; label copy; label outlines; section color suggestions and samples; list of cases needed","1 photograph of children with eggs; tear sheets from Interiors magazine; copy of 1947 Pratt catalog; suggested publicity schedule; outline of work to be done; label copy; correspondence; press releases; research; clippings; correspondence with publicity","1 drawing; 6 photographs; blue AFA Catalog list; correspondence with AFA (organizer); label copy; checklists; shipping information and receipts; fabric and paper samples; correspondence with lenders","Correspondence with artist; biographical information; shipping information and receipts; label copy; checklists","1 drawing, 1 photograph of Karolik; catalog copy; checklist; shipping information and receipts; label copy; dimension list; correspondence with Smithsonian (organizer); correspondence with collector (Maxim Karolik); 1 copy of invitation; copy of bulletin; copy of MFA Boston Bulletin on collection (10/51)","William Kienbusch and William Zorach [2 of 3 judges] catalogs; list of purchase considerations; correspondence with artists; correspondence with galleries; shipping information and receipts; checklists","1 drawing; clippings; bulletin photograph copy; correspondence with Addison (1 letter) [Addison Gallery of American Art, Chairman of Jury was Bartlett H. Hayes, Jr., Director of Addison]","Correspondence with artists; biographical information; label copy; shipping information and receipts","1 drawing; label list","1 photograph of Charles Baker; 1 drawing; shipping information and receipts; correspondence with artists; checklists; biographical information; Davis' Fellowship application; label copy","Correspondence with artists; mailing lists of artists; requests for blanks","Correspondence with artists; requests for blanks; correspondence re: incomplete forms or missing checks; handwritten list of entries received","4 layout drawings","List of winners; copy of blank certificate; copy of green prospectus; checklists; shipping information and receipts; entry copy; catalog copy; label copy; other institutions' catalogs/prospectuses; correspondence with jurors; staff members; list of artists","Correspondence with artists; entry blank requests; shipping information and receipts","Correspondence with artists; biographical information; shipping information and receipts; label copy","Typed remarks by preview speaker [Honorable Shigenobu Shima, Minister of Japan]; list of credits for exhibition","Drawings of invitation copy; 1 photograph; checklists (organized by MOMA); correspondence; label copy; 1 copy of invitation; shipping information and receipts; correspondence with Minister of Japan (preview speaker); press release copy; correspondence with MOMA; correspondence with MIYA company (lent accessories); correspondence with Japan Society","1 drawing of panel layout; correspondence with artists; shipping information and receipts; checklist","Correspondence with Corcoran (lender); label copy; shipping information and receipts","2 photographs of ICA installation; checklists from ICA in Boston; fabric samples; correspondence with manufacturer (i.e.; lender); includes some publicity materials and catalogs; shipping information and receipts; list of items sold to staff members; ICA catalog/brochure copy; correspondence with ICA; ICA press releases; label copy; ICA catalogs (1954 \u0026 1955)","Checklist; miscellaneous correspondence; ICA news releases; fabric samples; checklists","Shipping receipts for Designs for Christmas show","List of items available for purchase; correspondence with manufacturers re: sale","3 photographs; publicity materials from Virginia Chapter of AIA; shipping information and receipts; label copy","Copies of suggested schedule","Few pieces of miscellaneous correspondence related to other exhibitions","2 photographs of Suzanne Bloch; correspondence with various music organizations; publicity materials (mainly programs); clippings; Suzanne Bloch press release copy and biographical information","Catalogs and samples of wall and paper materials","Letter solicitation (7/1/55); correspondence with studios; research; exhibition proposals (Samuel Goldwyn or Cecil B. DeMille); mailing list","Correspondence; correspondence with manufacturers (including catalogs)","Copy of the Annual Report; typed and written drafts for \"Information Services and Public Relations\" report","Press release; correspondence with publicity; clippings; mailing lists; grand opening schedules; new members' room information","Copy of letter to press (11/29/55); memo re: use of mats sent to newspapers from Rex Allyn to Cheek; 5 actual mats by Virginia Stereotype Service","1 photograph of camera; correspondence with Colonial Williamsburg (author of book on Cook); label copy; camera catalogs; checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of invitation; research articles","John Koenig was Guest Promotion Director; correspondence with publicity; news releases; mailing lists; clippings; copy of catalog","Bulletin copy; Bulletin proofs; correspondence with speakers","2 copies of newsletter (2/55 and 12/54); 1 piece of AFA membership publicity","Copies of 51st and 53rd programs; copy of letter to publisher of 55th (VMFA was in it)","Rex Allyn's correspondence file; correspondence with publicity; correspondence with other institutions; clippings","4 drawings; 10 photographs; copy of catalog of traveling show in São Paulo, copy of checklist and hanging order sheet; label copy; correspondence with artists; publicity; biographical information; shipping information and receipts; correspondence with publisher; press release, checklists (for traveling too); circulated by AFA","Copy of invitation to costume ball with note about asking about museum as location","AFA Newsletter, 12/55","Publicity; correspondence with Junior League about volunteers; copies of articles in The Leaguer; press releases","Publicity; copy; catalog photographs; correspondence with speakers; cards with state exhibitions on them; clippings","Publicity; copy of Bulletin; press releases","Copy of Carl Sandberg's prologue; invitation; correspondence with MOMA (circulator); copies of drawings of installation from MOMA; copy of catalog; contract; press releases; checklists; shipping information and receipts","Article copies (by Marguerite Tabb)","Correspondence with Jaycees","Correspondence","Correspondence with Society; copies of minutes","Publicity from American National Theatre and Academy","Correspondence with WRVirginia \u0026 WLEE; list of personnel","Publicity; Artmobile schedule","Correspondence with Society; publicity; schedule and financial statement of Society","Press releases (4/14/55; 4/12/55); schedule and procedure for ceremony of awards (4/29/55); press release (4/25/55); other press releases","Copy of minutes from meeting","Correspondence with printers; budget information; samples of items; purchase orders","Miscellaneous correspondence","Correspondence; summary and minutes from conference","Correspondence with Whitney Museum; correspondence with other museum directors (Leslie Cheek a sort of consultant)","Copy of letter from Rhoads to Board; correspondence with Rhoads","Correspondence re: Georg Jensen exhibition; checklists (from SITES)","Correspondence with artists; biographical information; checklists; shipping information and receipts","Invitation; correspondence with Catherwood Foundation; label copy; exhibition proposal","Press release; shipping information and receipts; correspondence with Catherwood; Catherwood publicity; checklists; label copy","1 drawing of layout; label copy; checklists; list of loans requested; shipping information and receipts; correspondence; correspondence with publicity; correspondence with lenders; 2 annotated copies of printed checklists; copy of Bulletin","1 copy of printed checklist; correspondence with lenders; request for information cards; 1 annotated copy of printed checklist","\"Caption for Watteau Mat\" and press release (1/11/52); press releases; list of loans; checklists","Correspondence with potential lenders for Fetes Galantes","Photography purchase requests; invoices","Shipping information and receipts; correspondence with lenders; clippings","Correspondence with lenders; shipping information and receipts; request for information forms; label copy","1 copy of catalog; 1 copy of Ford Times on which the show was based; checklists; correspondence; catalog copy; correspondence with Ford; copy of story for Commonwealth","2 photographs of Helen Wearstler Foht; 1 duplicate photograph of her; checklists; correspondence with artists; shipping information and receipts; label copy","Correspondence with artist and his dealer (Hammer Galleries); copy of the exhibition catalog; label copy; 1 book jacket of his (High World); insurance information; shipping information and receipts","2 photographs; checklists; shipping information \u0026 receipts; correspondence with artists; label copy","1 photograph; 1 duplicate photograph (Aubrey Bodine or O.F. Romig) [these 2 were judges, A. Aubrey Bodine of Baltimore and Orlando F. Romig of Pittsburgh]; correspondence with artists","Shipping information and receipts; correspondence; press release","1 photograph of unknown; 1 photograph of Carl Roseberg; shipping information and receipts; sales information; checklists; correspondence with artists; label copy","3 photographs; checklists; biographical information; correspondence with artists; label copy","Invitation; list of possible artists publicity/catalogs from other shows; invitation copy; mailing list; checklists; correspondence with Sculpture Center; shipping information and receipts; correspondence with artists; correspondence with lenders; label copy","4 drawings of label panels; sheet for each with list of photographs for panels","2 photographs; shipping information and receipts; correspondence with artists; checklists; sale information; biographical information; label copy","Invitation; 1 photograph of show at Corcoran; 1 drawing; also 1 drawing of Chinese gallery, press release 3/4/55; correspondence with SITES (organizer); shipping information and receipts; checklists; correspondence re: damage to a chair; label copy; correspondence with publicity; 1 copy of catalog; 1 copy of Danish Foreign Office Journal","Correspondence with lender; shipping information and receipts; checklists; George Poiret print collection exhibition catalog (rents them)","1 photograph; correspondence; clippings","Copy for theatre publications","Program for 57-58 season; copy for earlier brochure","One letter re: season's policies","2 pieces of correspondence","\"A Proposal,\" (letter 7/14/56); Dance Society meeting minutes; correspondence; budget information; mailing list","Program April 20, February 24, January 6, October 21, September 16; correspondence (1 letter); 1 copy of a mailing","Checkbook; correspondence re: taxes","1 photograph (Richard Steinway); duplicate photograph (John Langstaff); 1 photograph of John Langstaff with Berkshire Quartet; 1 duplicate photograph and 1 regular photograph of Albeneri Trio; 1 season program","1 photograph of John Langstaff; 1 duplicate photograph of Robert Conant; 2 photographs of Amadeus Quartet; 1 photograph of Alfred Deller; 1 duplicate photograph of Alfred Deller Trio; 1 photograph of Emily Frankel and Mark Ryder; correspondence; proposed relations between the 2 organizations; meeting minutes; letter drafts; program copy; publicity materials","Wishes to thank card; Davenport Carrington letter; response card; meeting minutes; program schedule; clippings; correspondence; budget information; form letter with mailing lists; promotion planning","Shipping information and receipts; correspondence","1 copy of schedule of programs and events","Correspondence from Velz (he was on Executive Committee for 1956-1957) to various people re: events; \"The Public Relations and Information Program of the Virginia Museum of Fine Arts\" paper","1 clipping (RTD 2/15/56-they got charter)","RAUC Summary Report 1949-1956; correspondence of RAUC; evening courses for adults announcement","Correspondence re: lecture on architecture of Japan","Correspondence re: fundraising drive; interoffice memos","Hundreds of photographic department purchase requests","1 copy of magazine, October 1956 issue with VMFA feature","8 drawings of alcoves; layouts; permanent installations; lists of photographs for alcoves; memos re: installation needs; photograph orders; lists of titles for information panels; correspondence re: information panel production; panel copy; budget information; information re: hanging heights in galleries; sample label paper","\"Art Reference Resources in Virginia\" questionnaire (all about art libraries); 1 piece of correspondence about putting brochures on ferries","3 photographs from Brazilian show; newspaper and magazine clippings; catalogue and clippings for 1951 Brazilian show (Children's Book Illustrations); information and press releases and correspondence for 1953 fellowships; 1950-51 fellowship information; blank application; information on Jenny-Lynn Franklin's mural; press releases for 1956-1957 fellowships","Traveling checklist and hanging order; label copy; correspondence with artist; shipping information and receipts; correspondence re: traveling exhibition; checklists; correspondence with AFA; clippings; blank loan contract; correspondence with borrower; itinerary; AFA publicity materials for show","Material from MOMA on their 25th anniversary","2 drawings of panel layouts; list of photographs used; memos; label copy; photograph order","Mailing list; copy of Bulletin; cards sent to institution for their exhibition listing in Bulletin (called \"Elsewhere in Virginia\")","Photograph of Merrill Moore; 1 photograph of Governor Stanley; biographical information on speakers; correspondence with speakers; publicity material for Merrill Moore's new book","Mailing (open house invitation); letter from Rhoads to members; renewal card, 1 photograph by Yardley; membership letter draft; correspondence between committee members; brochure proofs; previous membership requests; privilege information; budget information; brochure copy; paper samples","Brochure copy","Fashion Festival facts; Council letter (3/21/56); program; invitation copy; correspondence with Miller \u0026 Rhoads; correspondence re: Council; correspondence with Harper's Bazaar; correspondence with publicity; mailing lists; schedules; meeting minutes; annotated scripts \u0026 schedules; fabric samples; program copy","Complete reply cards; correspondence re: Council children's events; publicity materials for puppet theatre; blank reply cards","Correspondence with artists; checklists with sale prices; shipping information and receipts; biographical information; label copy; photograph purchase requests","1 photograph of \"Black Beast,\" 1 photograph of \"Croquet Player\"; correspondence with AFA (who turned down show) and ICA Boston; correspondence with publicity; shipping information and receipts (now called \"Collection Memos Receipt\"); correspondence with lenders; insurance information","Correspondence with publicity; correspondence with artists; correspondence re: preview, installation information and schedules; correspondence with lenders; shipping information and receipts; label copy; correspondence with AFA re: withdrawal; list of lenders; photograph orders","1 drawing, 27 photographs; 1 duplicate photograph (Henry Robinson Luce); label copy; correspondence; shipping information and receipts; [unlabeled: (lady) Elsie de Wolfe; Henry Dreyfuss (architect)]","3 photographs of jurors; 1 photograph of sculpture; 1 photograph of tempera painting; correspondence with jury; checklists; shipping information and receipts; clippings; dinner lists and plans; correspondence with lenders; label copy; Ben Shahn catalog; biographical information; insurance information","1963 Virginia Artists blank; shipping information and receipts; correspondence with artists; label copy; biographical information","2 drawings (1 by her, 1 by Leslie Cheek); checklist with values; correspondence with artist; shipping information and receipts","Entry cards; shipping information and receipts; sale information; correspondence with artist; insurance information; Council Preview Party gifts information (new); check stubs; list of entrants; preview mailing list for businesses","Virginia Artists jury memo (1/25/57); blank certificates (signed); traveling exhibition checklist; 1957 prospectus; label copy; copy of 1936 catalog; speech copy; Bulletin copy; annotated 1955 blank; prospectus list; entry requests; catalogs and brochures from other exhibitions; prospectus copy; catalog copy; schedule; correspondence with publicity; shipping information and receipts; correspondence with jury; clippings; certificate recommendation list; jury report; correspondence with artists; biographical information on certificate winners","Shipping information and receipts; correspondence with artists; 1 copy of catalog","Drawing of layout","3 photographs of installation (location unknown, not VMFA); correspondence with American Institute for Graphic Arts (organizer); shipping information and receipts","\"A Brief Description of the 'New World Achievement' Exhibit,\" invitation and drawing; label copy; checklists; schedules; Jamestown materials for 1957 festival; list of lenders; for letter draft; credits; musical selections; annotated invitation; correspondence with Jamestown Committee members; copy of Commission report; shipping information and receipts; invitation copy","Illustration lists for panels; label copy","2 duplicate photographs; research and information panel copy","1 photograph of a plate; correspondence with lenders; shipping information and receipts; information request forms; label samples","3 photographs; correspondence with lenders; shipping information and receipts; information request forms","Information on VMFA and Jamestown Festival","Correspondence with ESU re: speaker and other events; correspondence with embassy; clippings; invitations; speaker publicity","Checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of VMFA Summer Calendar","1 drawing; photograph; checklist; catalog; publicity materials from AFA (organizer); measurement lists; correspondence with AFA; correspondence with Near East College Association (co-organizer); shipping information and receipts; label copy; checklists with values","2 photographs; \"Emblem of the 1957 R.S. Reynolds Memorial Award\"; 20th century works of art catalogue from the University of Illinois-Urbana; label copy; AFA publicity materials; Reynolds Memorial Award publicity materials; correspondence with AFA; correspondence with Reynolds; correspondence with artist","1 drawing, 7 photographs, press release; checklists; label copy; shipping information and receipts; MOMA publicity materials; correspondence with MOMA; label copy; condition report","1 application; 2 memos","Council member letter (2/1/57); \"The Big Frame-Up,\" script and cast list; volunteer lists by reject type; Council proposal for buying Virginia Art; preview invitations; clippings; correspondence with and between Council members; invitation copy; prize list","1 photograph (Joseph Gilliard); correspondence with artists; invitation correspondence; checklists; biographical information; shipping information and receipts; photograph orders; label copy","Invitation, traveling exhibition checklist; label copy; shipping information and receipts; checklists; correspondence with publicity; correspondence with artists; biographical information; correspondence with AFA; catalog of other comic show in NYC; press release copy; AFA Catalog 1957-58; photograph orders","1 photograph of speaker (Rorimer); correspondence with speakers (library lecture series); list of speaker possibilities","Checklists; shipping information and receipts (re: return of traveling show)","Invitation to children's play; correspondence re: children's events, including play","Membership letters; blank application; list of dropped group members with form letter; memo re: procedure","Introduction letter (9/28/56); letter (1/15/57); menu; correspondence and planning re: Council luncheon and other meetings; list of Council programs for year; correspondence; shipping information and receipts for lecture supplies; clippings","4 photographs (Iris Nordquist?); label copy; correspondence with artists; shipping information and receipts; biographical information; checklists","An example file: instructions regarding how to do the shows, rules, etc. plus samples of forms and documents","Memos and notes re: quality of transparencies used for postcards","Correspondence re: adult photography class taught by Burris (Gordon G.), staff photographer; correspondence with manufacturers re: enlargers; equipment brochures","Correspondence and agreements re: film society showings for year","5 Remington Rand catalogs; Library and filing supplies; correspondence with other librarians (arts); correspondence with possible applicants; results of art resources surveys; list of equipment desired; list of periodicals [bunch of \"Habiliments\" material]","Label copy; checklists; correspondence; correspondence with artists; sales information; repairs, shipping information and receipts","Form letter from Rhoads to members","Correspondence and memos from McClellan \u0026 Velz (PR and publicity-related) [Richard Velz, Division Head, Administrative Division; E.T. McClellan, Public Information Head]","1 photograph (Thomas Kenneth Rowe); 4 photographs of paintings; correspondence with artists; checklists; shipping information and receipts; biographical information; clipping","Label copy; shipping information and receipts; correspondence with artists; checklists","Correspondence with lenders; label copy; shipping information and receipts (no catalog published for this one)","Preview invitation; 2 photographs; layout drawing; label copy; correspondence with ICA Boston (organizer) \u0026 Detroit Institute of Arts; correspondence with Winston; checklists; shipping info and receipts; catalog of collection at University of Michigan","7 photographs; label copy; shipping information and receipts; correspondence with artists; checklists; clippings; biographical information","1 photograph; label copy; AFA publicity materials; correspondence with lenders; shipping information \u0026 receipts; credits; correspondence with designer (Oenslager); clippings; biographical information; 1 copy of catalog; AFA brochure (1957-1958)","2 photographs; AFA materials; correspondence with AFA; label copy; shipping information and receipts","Panel layout drawing; 1 photograph; checklist; list of lenders; label copy; checklists; Carnegie press releases (organizer); correspondence with ICA Boston (circulator); correspondence with Carnegie; correspondence with lecturers; shipping information and receipts; 1 copy of catalog","Correspondence with Smithsonian; Smithsonian press release; checklist; shipping information and receipts; label copy; 1 copy of catalog","6 photographs (Barbee); 6 photographs (Lou Ponder-Rogers); checklists; correspondence with artists; shipping information and receipts; biographical information; various catalogs; label copy","6 photographs (Thomas Gorman); 6 photographs (Marilyn Downes-Bennett); shipping information and receipts; correspondence with artists; checklists; label copy","1 drawing; duplicate: invitation letter; \"Art Lending Service\"; press release; mailing list; Bulletin copy; invitation copy; copy of 1947 catalog; correspondence with artists; list of eligible artists; list of previous rotating exhibitions","1 layout drawing; 2 photographs; checklists; label copy; correspondence with Warburg; shipping information and receipts; 1 copy of invitation","Copy of invitation; miscellaneous memos","1 American classics drawing; 1 duplicate Skidmore, Owings, Merrill layout drawing; 1 copy of a gallery catalogue from New York; checklists; list of preview guests; shipping information and receipts; promotion plan; correspondence with publicity; promotion plans; press release","\"SOM Projects,\" clipped prose and labels; label copy; copy of MOMA Bulletin on SOM (Fall 1950), XVIII, 1","Folder with label on front \"William Rhodes\" scheduling events surrounding opening of new Reynolds Metals Building; correspondence with publicity; correspondence with SOM; correspondence with Reynolds; shipping information and receipts; preview plans","1 photograph (Colorado Springs Air Force Academy); 1 photograph (Frederick D. Nichols, professor at School of Architecture, UVirginia); label copy; correspondence with publicity; Reynolds Metals opening schedule; annotated press releases; clippings, correspondence with potential speakers; Bulletin; shipping receipts","5 photographs and 1 slide; correspondence with Reynolds; correspondence with publicity; correspondence with William O'Neal, lots of miscellaneous correspondence","Around 10 magazine clippings","1 photograph; clippings; press release; \"1962 American Painting\" catalog; \"The Story of Steuben Glass\" book","1 photograph (duplicate); 1 drawing of pedestal; label copy; correspondence with Steuben glass; shipping information and receipts","9 photographs; 1 drawing; 1 duplicate photograph (Dorothy Miner); label copy; correspondence with Andrew Wyeth; correspondence with lenders; correspondence with local librarians; correspondence with speaker (Dorothy Miner); 1 copy of invitation; 3 annotated copies of catalog of paintings at Knoedler; shipping information and receipts; biographical information","Documentation; correspondence and schedules for school group tours, all ages and subjects; some docent information","1 copy of November 1958 – 44:11","1 folder of press releases, VMFA Bulletin, 2 photographs, called \"News About our New General Office Building.\"","1 folder with label \"Mrs. M.B. Christison\" with opening schedule information","1 photograph (Edwin Burr Pettit – Brandeis lectures); information re: Council lecture-luncheon 1957; handouts; reservation cards; correspondence, Lecture Series schedule; correspondence with potential lecturers; clippings","Correspondence re: mailing list and press releases","Correspondence with publicity; publishers and personalities; printer","1 photograph; correspondence with publicity; correspondence with dealers; press releases, Poussin material; mailing list","Correspondence with Professor of Applied Social Research at Columbia re: public relations","1 drawing; shipping information and receipts; correspondence; label copy; correspondence with lenders; UVirginia catalog","3 drawings; 9 photographs; 1 duplicate photograph; label copy; exhibition catalog from L'Art Ancien, S.A. Zurich; correspondence with Brooklyn; shipping information and receipts; invitation copy; 1 copy of invitation; clippings; AFA materials and correspondence","\"Virginia Artists Jurying: Requested Arrangements \u0026 Operations\"; 17 photographs (1 of Perrin - labeled, 1 of Bertoia - hat, 1 of Lee – other; correspondence with potential jurors; correspondence with jurors; shipping information and receipts","1 photograph; invitation (3 copies scattered); 1 drawing; checklists; biographical information; label copy; correspondence with Aldrich; catalog correspondence; correspondence with publicity; catalog copy; shipping information and receipts; clippings","Correspondence with printer re: catalog; \"thank yous\" for exchange or gift of catalog","\"Complete Catalog\" copy; correspondence with artists; information requests; shipping information and receipts; 1 certificate (signed by Sherman Lee); clippings; correspondence with jurors; schedules; lists of entries by place; entries (completed); certificate recommendations; prospectus copy; clippings; checklists; other institutions' prospectuses; other catalogs; correspondence with publicity","1 drawing; catalog copy; 1 copy of prospectus; label copy; prospectus proof","Correspondence with winners; list of certificates; list of recommendations","15 photographs; 1 drawing; correspondence with Metropolitan Museum of Art (speaker); label copy; correspondence with Minneapolis Institute of Art (lender); checklist; shipping information and receipts","5 photographs; correspondence with potential lenders; correspondence with APVirginia; correspondence with Virginia State Bar; checklists; shipping information and receipts; label copy","Correspondence; label copy","Correspondence with the Olsen Foundation (lender); 1 copy of catalog; shipping information and receipts; checklist","12 photographs (whoever had show October 7- November 4, 1956); catalogue; research; checklists; correspondence with Olsen Foundation","Suggestion for gala fundraiser","Correspondence with VHS","Correspondence with artists re: eligibility; old Virginia artists catalogues (1953 \u0026 1955); prospectus and rules","1959 catalogue; lists of eligible artists; label copy","3 negatives, 5 photographs; correspondence with lenders (NYPL, Wadsworth, Met); checklists; chipping information and receipts","Correspondence with Virginia State Bar Association","7 small photographs (Broaddus); 5 photographs (Russi); 5 photographs – prints – (Turner); correspondence re: sales; biographical information; correspondence with artists","1 photograph (Davenport); 9 photographs (Davenport); 1 photograph (Jones); 4 photographs (Jones); checklists; label copy; correspondence with artists; biographical information; shipping information and receipts","Shipping information and receipts; request for information forms","Receipts","7 photographs (I. Moore?); 7 photographs (Lois Jacobsen); 7 photographs (Bill Gaines); 1 photograph (Jacobsen); correspondence with artists; shipping information and receipts; invitation copy; correspondence re: sales","4 photographs; 1 drawing (duplicate); duplicate: catalog list (blue); correspondence with AFA; AFA materials; clippings; biographical information on lecturer; checklist; correspondence with publicity; preview dinner plans; shipping information and receipts; 1 copy of catalogue","Correspondence with lenders; publication exchange cards; checklists; committee member list; correspondence re: catalog","2 photographs; 1 photograph (Basil Taylor); 1 duplicate photograph of unknown; 1 duplicate photograph (Alice Higgins); 1 drawing; clippings; biographical information on Sports Illustrated photographers; press releases; checklists; mailing lists; budget","Label copy; checklists","Clippings; publication exchange cards; correspondence with publicity; 1 copy each of 2 invitations; dinner seating arrangement","Correspondence with lenders","Dinner reservation list; dinner invitation (March 1960); list of patrons; budget information; invitation copy; shipping information and receipts; financial reports; correspondence with publicity; travel plans, correspondence with Basil Taylor; 1 copy each of 2 invitations; correspondence with Mellon","Research; checklists; correspondence with possible lenders; correspondence with Corcoran (organizer of Sports Illustrated exhibition); other exhibition catalogs; correspondence with Mellon; clippings; committee correspondence; label copy; correspondence with publicity; correspondence with ambassadors; invoices; issue of \"Sport \u0026 the Horse: The Chronicle,\" (4/1/60)","1 drawing of dinner arrangement; correspondence with lenders; correspondence with committee members (including Mellon); shipping information and receipts; correspondence re: catalog; travel plans; invitation copy; correspondence with lecturer; correspondence with ambassadors","3 photographs of packing Manet's \"Races at Longchamp, Paris\"; correspondence with lenders; shipping information and receipts; correspondence with Mellon; correspondence with publicity; correspondence re: damage to Manet","Shipping information and receipts; correspondence with lenders","Correspondence with Blunt (Courtauld) and with royal collection","Catalog copy; 1 letter from the Palais du Louvre","Correspondence with Mellon; correspondence with committee members; list of patrons; requests to join committee","Correspondence with Constable, consultant to exhibition (former curator, MFA Boston); Courtauld Director; Art History Professor, University of London)","Correspondence with Bourlet \u0026 Sons","Correspondence with Duveen \u0026 Walker (insurance brokers); copy of policy","Correspondence with Mellon; various lists","Correspondence with potential lenders; preliminary loan list","1 photograph of Sir Robert Walpole by Wootton; shipping information and receipts; correspondence with lenders; correspondence with Paul Mellon; handwritten list of lenders","Checklists; item cards","Budget tracking (including dinners); list of contributors; correspondence with Department of Accounts; receipts with correspondence; gala invitation copy; correspondence with publicity; correspondence with Mellon; 1 invitation; gala planning; menu copy; various ad rate cards (including Sports Illustrated); \"The Sports Illustrated Guide to Regional Marketing,\" with Sports Illustrated issue 4/18/60","1 duplicate photograph of \"Brown Horse \u0026 Spaniel\" by Stubbs; correspondence re: repair (blister) of Stubbs' painting lent by Katherine Gilbey of England","2 photographs (of Stubbs' Hambletonian, Rubbing Down receipt); correspondence with lender (Estate of the Dowager Marchioness of Londonderry); shipping information and receipts","Correspondence of the British Council","Correspondence re: catalogue","Requests for catalogue","Checklists by lenders, artists, type","Correspondence with lenders","Miscellaneous correspondence re: Sport \u0026 the Horse","Correspondence with Murray, librarian at the Witt Library, Courtauld","Catalogue copy; label copy","Over 100 plus photographs!","Correspondence with publicity; clippings","Correspondence with Mellon; suggested publicity plan; clippings, correspondence especially Basil Taylor [Librarian, Royal College of Art, London] and W.G. Constable; checklists (essentially Muriel Christison's file)","Shipping information and receipts","Completed request for information forms; packet of information on paintings from Wildenstein","Correspondence with dealers; checklists; correspondence","3 photographs of Monet's painting packed; 1 photograph of James Ward \u0026 Skewbald Stallion; correspondence with lenders; shipping information and receipts; checklists","1 duplicate photograph (Gilpin's Gulliver \u0026 Houyhnhnms); correspondence with Basil Taylor (Librarian, Royal College of Art); essentially Muriel Christison's correspondence file; biographical information; catalog copy; label copy; checklists","6 Prentiss Taylor photographs, 1 photograph of Taylor, 1 photograph of Lazaron exhibition; correspondence with artists; sale information; other catalogs; biographical information; clippings; checklists; shipping information and receipts","Prospectus copy; misfiled correspondence","Prospectus copy","1 photograph of installation; 6 slides (unlabeled); 1 copy of prospectus; correspondence re: jurors and jurying; list of certificate winners; correspondence with winners; dinner replies; other catalogs; correspondence with artists; correspondence with jurors","1 drawing; 1 copy of 20th Photographic Salon prospectus (blue); 2 posters from Virginia Art Directors Club 57th Annual Exhibition; Mariners Museum catalogs, etc. (lots of prospectuses and catalogs for similar exhibitions; entry requests; correspondence with jurors; jurying information","Checklists; notes; 1 copy of 20th Virginia Photographic Salon invitation and catalog; press release","ADP prospectus; requests for entry; mailing lists; correspondence with Camera Club \u0026 Photographic Society of America; annotated copies of 20th Virginia Salon catalog; 1 copy of PSA Journal 1960 – membership list","Sale information; checklists; correspondence with artists; insurance information; biographical information; shipping information and receipts","3 duplicate photographs of artists, 1 photograph of panel; biographical information; correspondence with artists; checklists; shipping information and receipts; correspondence with publicity","Correspondence with artists; checklists; shipping information and receipts; sales information; biographical information","\"Art Lending Service,\" generic invitation; correspondence with artists","\"Notice to Virginia Photographers,\" 1 drawing, 1 photograph of juror [Hoyt L.] Roush; prospectus copy; entry requests; checklists; annotated prospectus; information re: jurying; correspondence with jurors; correspondence with Camera Club; catalog copy; copies of 18th \u0026 19th photographic salon catalogs; lists of winners; shipping information and receipts; biographical information","20th Photographic Salon prospectus; other catalog; entry requests; prospectus copy; ADP prospectus copy; clippings; news release; 1 drawing of ADP layout (already have it)","1 drawing; 1 copy of catalog; correspondence with MOMA (organizer); MOMA materials; shipping information and receipts; label copy; checklists; contract","Two 12/1/59 press releases; 3 photographs from 1/2/60; press release; clippings; correspondence with publicity; list of attendees; correspondence with UNESCO","Correspondence with jurors; shipping information and receipts; correspondence with lenders; completed request for information forms","2 negatives of Joseph A. White (shipper) and Perry Rathbone (Director, MFA Boston); checklists; correspondence with publicity; correspondence with lenders; biographical information; list of events; 2 prints of negatives","Correspondence with lenders","Invitation copy; catalog copy; annotated Sport and the Horse invitations, programs and menus; copy of \"Brief History of Virginia Museum,\" lecture copy","Correspondence with CW's President; biographical information","Correspondence with Gibbs (President of Gibbs \u0026 Cox, Architects); biographical information","Biographical information (of Lehman Brothers, investment banking); correspondence with Lehman","Correspondence with Marshall Fredericks (accepted Carl Milles award); biographical information; correspondence with Mrs. Milles","Annual reports (1956-58, 51-55, 41-50); biographical information on Ernest Brooks (President of Foundation) and correspondence with Brooks; miscellaneous correspondence","Correspondence with Saarinen; biographical information (correspondence re: Arts in Virginia article)","Notes; correspondence with contributors; correspondence with vendors","25 photographs; 1 duplicate photograph; correspondence with lenders and directors of lending institutions; biographical information","1 copy of preview invitation; list of invitees; drafts of publicity correspondence; correspondence with governor; memos","Various checklists","More checklists","Correspondence with lenders (in alpha order of lenders)","Correspondence with potential lenders (compiled by lender)","1 letter to Director of Toledo Museum of Art","Correspondence with publicity (compiled by institution)","33 duplicate photographs; 9 new photographs; shipping information and receipts; requests for information forms","24 duplicate photographs; 4 new photographs; shipping information and receipts; requests for information forms [n.b.: some overlap between folders 8 and 9]","Shipping information and receipts with new form: \"Collection Memo \u0026 Receipt.\"","1 drawing; 3 maps of table arrangements with names; 1 letter of thanks to Miller \u0026 Rhoads","\"Virginia Artists Jurying\"; 1 photograph; completed entry blanks; prospectus copy; correspondence with artists; correspondence re: sales; shipping information and receipts; list of certificate winners; labels; budget information; correspondence with jurors; prospectus proofs; correspondence re: damages; list of invitees for collectors reception","Small bit of correspondence; prospectus copy","5 photographs; correspondence with lenders; shipping information and receipts; checklists","Press release form; SITES checklist; SITES press release, 3 photographs; collection of memos and receipts; press release copy; correspondence with venders; staff memos; checklists; clippings; shipping information and receipts; request for information forms; SITES contract","Empty folder","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts; biographical information; overall rotating schedule; insurance form (new that year)","3 photographs; correspondence with artists; shipping information and receipts; checklists, insurance form","Correspondence with artists; shipping information and receipts; other catalog; checklists; insurance forms","1 drawing; correspondence with publishers and booksellers; correspondence with American Institute of Graphic Arts (circulator); shipping information and receipts; label copy; insurance form","5 photographs; label copy; research, correspondence with AFA (circulator); AFA materials; checklists; exhibition contract; press releases; shipping information and receipts; 1 copy of invitation","1 photograph; 1 drawing; 1 copy of invitation; correspondence with artist (Ruth Perkins Safford); label copy; price list; invitation copy; traveling exhibition checklist","9 photographs; 1 duplicate photograph; correspondence with MOMA (organizer and circulator); label copy; shipping information and receipts; 1 copy of invitation; MOMA materials; checklists","3 photographs; shipping information and receipts; correspondence with artists; lists of all eligible artists","Label copy; correspondence with artists; correspondence with lenders; insurance form, checklists; shipping information and receipts","1 drawing; duplicate: preview invitation; AFA materials (circulator); panel copy; 1 copy of Bulletin (November 1961); checklists; label copy; exhibition contract; correspondence with AFA; shipping information and receipts; AFA informational card (1 copy); correspondence re: sales","List of private purchasers; correspondence with artists; check receipts; shipping information and receipts; signed release forms (when items were released from museum custody); checklists; \"Report of the Council Committee for the Virginia Artists' Exhibition, 1961\"; list of business purchasers","\"Art Lending Service,\" \"Release Form,\" 1 drawing, \"Artist Form,\" another \"Art Lending Service\"; correspondence; schedule; procedures","\"Virginia Artists Jurying,\" \"Collectors' Reception\" (2/24/59), \"Tax Consequencies of Gifts of Picture,\" \"List of Firms\"; correspondence; invitation copy; memos; catalog and prospectus copy for 1961 show; label copy; procedures re: sales; check receipts","1 photograph; correspondence with artist; recommendation from Cheek; biographical information","1 bound copy of \"Cross-Examination of an Art Collection\" by Fred L. Palmer; correspondence with Palmer; checklists; shipping information and receipts; list of valuations; biographical information; collection memo and receipt; insurance report form","3 pieces of correspondence re: possible Eisenstaedt exhibition","2 photographs (duplicates); research; checklists; insurance report forms; shipping information and receipts; collection memo and receipts; label copy","Panel copy; label copy","1 photograph; shipping information and receipts; correspondence with artists; insurance report forms; Virginia Artist application; checklists","Invitation; label copy; clippings; correspondence with Railey (Mrs. Howard); research; auction catalogue: Hotel Drouot, 20 November 1861; shipping information and receipts; checklists; insurance report form","5 photographs, 1 drawing; correspondence with Director, H. Bryan Caldwell; checklists; collection memo and receipts; insurance report forms; research; press release; copies of Norfolk Museum Bulletins; Norfolk materials; 1 copy of \"Hugh Gordon Miller Collection of Paintings\"; correspondence with other Norfolk staff; 1 copy of \"The Great Mace of Norfolk\"; shipping information and receipts","Fact sheet; catalog copy; list of winners; copy of speech at preview","Prospectus copy; signed endorsement of prospectus by AIA, Virginia Chapter; prospectus proof","Signed certificates of distinction; prospectus copy; correspondence with jurors; biographical information; jury instructions; fact sheet","Jury instructions; fact sheer; list of winners","Label copy; insurance report form; memos; shipping information and receipts; correspondence with artists; biographical information","2 photographs, 1 drawing; label copy; correspondence with lender; correspondence with Basil Taylor; correspondence re: insurance; shipping information and receipts; police stand information","1 drawing; label copy; police stand information; correspondence with artists; correspondence with Hayes (Director of Addison); biographical information","1 copy of catalog; 1 copy of \"Artist-Craftsmen of Western Europe\" Catalog; unsigned invitation forms from Hayes; copies of telegraph information requests; label copy; correspondence with artists; correspondence with lenders","7 photographs; 1 copy of catalog; catalog copy; correspondence re: possible purchase of Nell Blaine painting","2 photographs, invitation; correspondence re: damage; shipping information and receipts; correspondence re: insurance [other correspondence: with artists; re: catalog; with publicity; with Hayes; re: lecture; with lenders; press releases; copy of Time magazine 1/19/62 re: Yu-Ho]; 1 copy of catalog","Shipping information and receipts; correspondence with lenders; signed invitation forms; a few other catalogs","22 new photographs; 8 duplicate photographs; some correspondence re: photographs","Shipping information and receipts; correspondence with lenders; checklists; insurance report form","Invitation; correspondence with contributors to AIV and Miss Christine Alexander, former curator at the Met \u0026 now advisor on Greek art to VMFA; staff memos; label copy; checklists; correspondence re: photographic panels for exhibition","Research (including sketches by Christine Alexander); notes; label copy","Press release; checklist; label copy","41 photographs; 12 duplicate photographs; label copy; correspondence with publicity; memos","1 drawing; label copy; checklists; shipping information and receipts; correspondence with Karolik; research; collection memo and receipt; insurance report form","12 photographs; correspondence with publicity; correspondence with potential lenders; correspondence with lenders; Jamestown Festival materials; correspondence with Jamestown; label copy","8 photographs; correspondence with artists; insurance report forms; shipping information and receipts; checklists","1 photograph; 1 duplicate photograph; 1 duplicate information sheet [\"Collectors Circle,\" 4/30/62]; shipping information and receipts; information request form; correspondence with collectors; label copy; schedule of \"expert\" lecture; insurance report form; 1 copy of invitation","Label copy; memos; correspondence with potential lenders; correspondence with SITES; correspondence with various Civil War Centennial Commissions; loan contracts (SITES); checklists; SITES materials; press releases; shipping information and receipts","12 photographs, 1 sealed envelope with possible photographic material ;checklists; label copy; correspondence with artists; shipping information and receipts","14 photographs; correspondence with artist; biographical information; memos; shipping information and receipts; insurance report form; clippings; label copy","5 photographs, 10 slides (Bristow); correspondence with artist; correspondence re: sale; press release, biographical information; memos; label copy; checklists; insurance report form; shipping information and receipts","Invitation; 1 annotated copy of \"Stravinsky and the Dance,\" NYPL, 1962","7 photographs; 2 duplicate photographs; staff memos; correspondence re: preview; correspondence with lenders; correspondence with AFA (circulator); checklists; correspondence with publicity","Sample of stuffed envelope to be weighed for postage","7 photographs; duplicates: checklist, suggested press release; correspondence with SITES; SITES materials; exhibition contract; staff memos; 1 copy of SITES catalog","Correspondence with Thorne (potential Virginia Artist)","Staff memos; correspondence with potential and real lenders; checklists; collection memo and receipts; shipping information and receipts","1 copy of Saturday Review 6/18/62","Correspondence with artists; various checklists; completed applications; blank applications (1 annotated; 1 not)","Application packet; completed applications","Correspondence with Goodrich (Director of Whitney); lecture schedule (for all lecturers for chapters and affiliates)","Correspondence with Rich (Director at Worcester); proposed schedule for Rich","Correspondence with Walker (Director, National Gallery of Art, DC); proposed schedule for Walker","2 photographs [Robert Lippold, Perry Rathbone]; duplicates: loan/own letter (8/10/62); Dear Virginia Artist (1/16/63); correspondence with artists; 2 label panels; checklist of eligible artists; prospectus copy; list of awards","1 press release","\"Curator's Choice: Collectors' Opportunity\" (orange); \"$50 Hens\" (blue); \"Procedure for Party\"; label copy; staff memos; text of speech; \"rules of etiquette\"; purchase request cards","'62 ADP catalog; old prospectuses; catalog copy; staff memo","1 drawing; 1 invitation; correspondence with artists; checklists (actually price lists); insurance report form; shipping information and receipts","Press release (9/8), 16 duplicate photographs, 7 new photographs, 1 contact sheet; 1 copy of Arts in Virginia (Spring 1962); correspondence with RMWC; checklists; correspondence with publicity","Suggested press release; checklist (circulated by MOMA); shipping information and receipts; MOMA materials; label copy; correspondence with MOMA","10 photographs; 1 copy of \"Finlandia\" catalog; correspondence with SITES. Correspondence with John Rorimer (Director of the Met); correspondence with AFA; correspondence with Finnish Society of Crafts \u0026 Designs [didn't take place!]","Correspondence with Rosenwald; correspondence with Walker \u0026 Brown at NGA; work schedule; correspondence with lenders; shipping information and receipts; staff memos; list of invitees to preview dinner; collection memo and receipt; 1 copy of invitation; foreword copy","Catalog copy; catalog proofs; miscellaneous correspondence; foreword copy","Correspondence with Philadelphia Museum; shipping information and receipts; insurance report form; correspondence with Rosenwald","3 photographs; shipping information and receipts; correspondence with SITES; checklists; press release; SITES materials; contract; label copy","Annotated copies of old prospectuses and catalogs; catalog copy","Mailing lists; list of hometowns; correspondence with artists; statistics; correspondence re: sales","1963 catalog; prospectus copy; catalog copy; catalog proof","Certificate (1 signed; few unsigned), invoices (purchasers and file copies); checklists; presentation schedule; correspondence with artists","Correspondence with artists; staff memo with form letters; Council letter (5/5/65)","Memos re: visit of Carl Weinhardt, juror; various staff memos; various form letters","Letter to purchaser from 20th exhibition, receiving and handling of prospectus and works (2/19/65); jurying procedures (3/18/65); dear Virginia Artist Printmaker; various staff memos; council committee report; Council form letters; correspondence with artists; various form letters; 1 copy of 1963 prospectus","1 slide; lists of works purchased; label copy; insurance report form; shipping information and receipts","3 drawings; duplicates: invitation; 1 copy of Bulletin (September 1965); collection memo and receipts; 1 copy of catalog; correspondence with lenders; correspondence with Moore; checklists","\"Suggested Introduction,\" 2 photographs; schedule of trip; correspondence with Arnson; miscellaneous correspondence; biographical information","1 photograph; duplicates: 1 clipping (Time 9/3/65); label copy; clippings; other invitations; Dictaphone belts with Henry Moore!; other catalogs; other press releases; transcription of interview","34 new photographs; 6 duplicate photographs","Shipping information and receipts; request for information forms; checklists; correspondence; insurance report forms; 1 copy of catalog (annotated)","1 annotated copy of \"William Blake: Poet, Printer, Prophet,\" by SITES","1 photograph; duplicates: \"Suggested press release,\" \"checklist, handling instructions\"; correspondence with SITES; SITES material; correspondence with Mellon (re: loans)","Invitation; correspondence with lenders and The Blake Trust; clippings","Label copy","Label copy; checklists","3 photographs; correspondence with Mellon; checklists; collection memo and receipts; shipping information and receipts; insurance report form","7 photographs","1 photograph; correspondence with Rosenwald; correspondence with lenders; checklists; shipping information and receipts","23 photographs; 2 duplicate photographs; correspondence with artists; photograph reproduction requests","Fact sheet for Virginia Artists 1963; correspondence with artists; shipping information and receipts","Correspondence with artists; lists of works purchased","Staff memos and notes re: improvement suggestions","Correspondence with Oenslager re: possible lecture","Correspondence with museums for slides of their expansions for a lecture","\"Fact Sheet – Virginia Artists Preview Committee-1965\"; copies of Bulletins (2/63 \u0026 3/65); various fact sheets from previous Virginia shows; checklists; correspondence; staff memos; shipping information and receipts; correspondence with artists","1 photograph: declined exhibition, \"Good Design in Toys,\" sponsored by Creative Playthings of Princeton and L.A.; correspondence re: denied exhibition proposals; some correspondence with jurors","Catalog proofs; billing information; meeting minutes (Education in the Arts Committee); rough fact sheets; schedules; correspondence with artists; checklists; catalogue copy; label copy; annotated copy of ADP '64","Memo re: AIA Dinner, 3/2/66; correspondence with artists; correspondence with associations; correspondence with Virginia AIA; clippings; budget information","Duplicates: form letter from Bill Gaines (2/4/66); certificate of distinction (unsigned); reply card","3 photographs (Arthur d'Arazien); duplicates: d'Arazien's biography; 1 photograph of Edgar Kaufmann (newsprint); correspondence with jurors; biographical information; clippings; press release","Eliot Elisofon's biography; 1 duplicate photograph (Elisofon); correspondence with jurors; biographical information","1 photograph (Louis Kahn); correspondence with juror (Kahn); schedules","\"ADP Jury Schedule\"; 5 photographs; photocopy of contact sheet; comment notes; list of potential jurors; schedules; correspondence re: dinner and hosting","\"Receiving and Handling of Material\" (11/29/65, \"Procedures for Jurying\" (1/19/66); staff memos; text of Walter Robertson's speech to dinner; notes re: jury report","ADP '62, ADP '64 catalogs; prospectus proofs; 1 copy of ADP '60 \u0026 '66 catalog; 1 copy of ADP '62, '64, '66 prospectuses","ADP slide commentary, 1966; checklists of selected entries; correspondence with artists; comments; fact sheet estimates","Virginia ADP 1966: Traveling Designs, Traveling Photographs, Traveling Transparencies","2 photographs; insurance report form; correspondence with Koplin; shipping information and receipts; biographical information; checklists; 1 copy of 9/65 Bulletin; clippings; label copy","2 photographs; duplicates: 10/65 Bulletin; internal memos; shipping information and receipts; other catalog; correspondence with Jackson","12/65 Bulletin; 2 photographs; label copy; shipping information and receipts; internal memos; insurance report form; correspondence with Alexick; biographical information","1 copy of 11/65 Bulletin; biographical information; label copy; insurance report form; correspondence with Biehl, checklists","3 photographs; correspondence with Belair; shipping information and receipts; insurance report form; 1 copy of 1/66 Bulletin; internal memos","3 photographs; 2 photographs; biographical information; insurance report form; 1 copy of 2/66 Bulletin; shipping information and receipts; correspondence with Pienkowski","2 photographs; 1 photograph; 3/66 Bulletin; label copy; biographical information; shipping information and receipts; insurance report form","2 photographs; label copy; shipping information and receipts; insurance report form; checklists; correspondence with Aldreth","2 photographs; 2 photographs; insurance report form; shipping information and receipts; correspondence with Driskell; label copy","2 photographs; 2 photographs; checklists; insurance report form; shipping information and receipts; 5/66 Bulletin; correspondence with artist; label copy","2 photographs; 2 photographs; clippings; correspondence with artist; checklists; shipping information and receipts; insurance report form; 9/66 Bulletin; press releases; internal memos; label copy","2 photographs; 3 photographs; 10/66 Bulletin; correspondence with artist; shipping information and receipts; biographical information; clippings","3 photographs; label copy; clippings; correspondence with artist; insurance report form; shipping information and receipts","2 photographs; 1 photograph; correspondence with artist; insurance report form; shipping information and receipts; 12/66 Bulletin; clippings; label copy; letter to members from Leslie Cheek Jr. re: opening","2 photographs; 3 photographs; correspondence with artist; insurance report form; 1/67 Bulletin; shipping information and receipts; biographical information; clippings; label copy","2 photographs; 3 photographs; clippings; 2/67 Bulletin; correspondence with artist; insurance report form; shipping information and receipts; label copy; checklists; other brochure; blank gallery floor plan (photocopy)","Clipping; 3 photographs; insurance report form; shipping information and receipts; correspondence with artist; gallery map","2 photographs; 2 photographs; correspondence with artist; 4/67 Bulletin; insurance report form; checklists; shipping information and receipts; label copy","2 photographs; 1 photograph; correspondence with artist; biographical information; 3/67 Bulletin; clippings; checklists; shipping information and receipts; label copy","1 photograph; correspondence trying to track artist down","3 photographs; 4 photographs; 9/67 Bulletin; clippings; correspondence with artist; 1 copy of invitation; shipping information and receipts; biographical information; label copy","3 photographs; 1 photograph; correspondence with artist; clippings; label copy; 10/67 Bulletin; 1 copy of invitation; shipping information and receipts; price list (hand drawn!)","1 photograph; 3 photographs; 11/67 Bulletin; correspondence with artist; shipping information and receipts; label copy","Comparative statistics for Tut and Greek Gold; correspondence with lenders (especially MFA Boston); correspondence re: insurance; clippings; press releases; staff memos re: procedures","Lots of photographs!; 1 copy of press packet (new!)","Lots of photographs!; shipping information and receipts; correspondence with lenders; correspondence with MFA Boston and Brooklyn (2 other venues0; correspondence with Senator Byrd and other legislators re: Senate Bill S.2273 7/9/65","[essentially Mary Louise Pinckney's (Loans Registrar-Programs Division) file]; schedules; staff memos; shipping information and receipts; correspondence with MFA Boston and Brooklyn; memos re: procedures; checklists","Copy of S.2273 Senate Bill report; label copy; memos re: procedures; clippings; correspondence with lenders; shipping information and receipts; 1 copy of invitation; research, correspondence re: recovery of stolen gold","Correspondence re: catalog (with MFA Boston, Brooklyn, author Herbert Hoffmann, printer); catalog proofs; correspondence with lenders","Catalog proofs; catalog copy","1 drawing; correspondence with MFA Boston \u0026 Brooklyn; correspondence with Greek Embassy; correspondence with Department of State; correspondence with Hoffmann, author; correspondence with publicity; staff memos; correspondence re: research","Introduction; correspondence with Pat Davidson (Brooklyn/lecturer); correspondence with Hoffmann; schedules; press release","One annotated checklist","3 articles re: theft of jewelry; 1 drawing; shipping information and receipts; correspondence with lenders","Correspondence with MFA Boston \u0026 Brooklyn; correspondence re: insurance; correspondence with lenders; 1 copy of MFA Bulletin (November 1965); checklists; copies of policies","Copy of S.2273 Bill; correspondence with legislators; clippings","Checklists; correspondence","Panel copy","Label copy; checklists; clippings; correspondence with Patricia Davidson (her writings); catalog proofs","2 items","Correspondence re: shipping with security company and lenders","Correspondence with Alderman; shipping information and receipts; checklists; insurance report form; label copy; traveling exhibition checklists; press release","1 photograph (Thomas George, painter); correspondence with lender (Betty Parsons); label copy","4 photographs; label copy; correspondence with SITES","4 photographs (duplicates); 1 new photograph; other duplicates: SITES suggested press release, Joseph V. McMullan Islamic carpets catalog; 1 copy of the catalog (annotated in a few places); checklists; correspondence with the de Young, next exhibitor; shipping information and receipts; label copy; clipping; correspondence with SITES; 1 copy of Textile Museum catalog; correspondence with Textile Museum; correspondence with Kevorkian Foundation (other choice for exhibition-denied)","2 press releases; introduction; invitation; correspondence with McMullan; itinerary for visit","10 mounted photographs only if unduplicated; 8 Photographs, 2 installation photographs, 1 photograph of building, 1 photograph of artist; 1 drawing; duplicates: catalog, 1 \"Visions of Man\" invitation; checklists; shipping information and receipts; correspondence with Reynolds; label copy, 1 copy of \"Visions of Man\"","3 photographs; correspondence with Hans Beckmann (lecturer)","5 drawings; 9 photographs; 8 duplicate photographs; 1 copy of invitation; MOMA materials (circulator); correspondence with lenders; shipping information and receipts; label copy; research; correspondence with Anni \u0026 Joseph Albers; checklists; correspondence with MOMA; Gemini lithograph catalog","1 photograph (Jonathan Williams); [rest of photos are from Virginia ADP show, probably duplicates from earlier box]; correspondence with potential lecturers for Albers exhibition","1 photograph (Robert Light-speaker); pricelist; checklists; label copy; invitation list; procedures; correspondence with lecturer","1 drawing; 9 photographs; duplicates: suggested press release; checklist; 5 duplicate photographs; shipping information and receipts; correspondence with SITES; correspondence with lecturer; SITES materials; label copy; checklist","2 drawings; 20 photographs; 6 duplicate photographs (from previous folder); correspondence with SITES; SITES materials; shipping information and receipts; label copy; correspondence with lecture sites; annotated checklists; 1 copy of lecture announcement","Introduction, suggested news release, 1 duplicate photograph of Dr. Regina Soria; correspondence with Soria; clippings; itinerary; biographical information on Soria","Invoices and shipping instructions","Miscellaneous correspondence re: exhibitions","1 piece of correspondence re: exhibition schedule change","1 piece of correspondence re: addition to catalog","Press release, 1 duplicate photograph, introduction; itinerary (lecturer); biographical information; correspondence with Dimitri; label copy; clippings (typed) [1 piece of correspondence has a color drawing on bottom]","1 duplicate photograph; memo re: engagements (8/25/64); 2 press releases; 2 introductions; \"Color by Sultner-Wells\" brochure; correspondence with Sultner-Wells; clippings; 1 copy of Longwood Gardens invitation; procedures; itinerary","2 photographs; itinerary; correspondence with Sultner-Wells; 2 posters of his clippings (montages); 2 dust jacket with his photograph; copies of other press releases","4 transparencies, photographs; label copy; correspondence with next venue (Easton Academy of Arts); shipping information and receipts; correspondence with lender (Roland Gibson); checklists","Correspondence re: possible lecture series in Virginia (Blake is connected to Architectural Forum magazine)","Correspondence re: possible lecture series (Minor connected to the Met)","C.V. for Stern; correspondence with R. Stern about leave for Council series on new building (he's Head of Architectural League of NY); correspondence with other potential speakers; correspondence with Pearsalls [John and Laila] (hosts)","Introduction; correspondence re: Christmas' lecture series; itinerary; other promotional material","Correspondence with other museums that recently expanded to obtain slides for a lecture; long letter from Cheek to Robertson re: decision of Governor's committee (turned down design); list of committee members; form letter to President of affiliates asking them to write to their legislators in support of new building plan","Correspondence with Mielziner re: lecture series; correspondence with other potential lecturers; correspondence with other institutions that recently expanded re: slides","Label copy; checklists; lists of panel photographs","5 photographs of proposed floor plans (Baskervill \u0026 Son)","Slide lists; copy of talk; checklists","Insurance report forms; label copy","Label copy; checklists; insurance report forms; correspondence","Shipping information and receipts; correspondence with lenders; checklists; insurance report forms; request for information forms; correspondence re: damage of a loaned painting by Jan Stussy","1 drawing; news clipping; 1 photograph of installation; label copy; correspondence with C.V. Donovan (juror \u0026 Director of Krannert Art Museum); correspondence with publicity; copy of lecture; checklists; other artists' promotional materials","Shipping information and receipts; correspondence with lenders; information request forms","Introduction; suggested press release; 1 slide: Paul Paul Horiuchi's \"Winter Receding,\" 1964; correspondence with Donovan; itinerary; other artists' promotional material","1 drawing; 1 duplicate photograph; 7 photographs; 1 copy of the \"Jeffersonian,\" 5/13/66 with article on exhibition and pictures of Gwathmey's painting; information request forms; checklists; catalog copy; 1 copy of invitation; correspondence with lenders","Information packet","Original proposal; copies of information packet items (drawings \u0026 proposal); copy of same","\"Exhibition Materials\"; checklists; correspondence with George Stevens Productions","Various packeted materials (promotional)","Correspondence with Hollywood Museum; correspondence with Motion Picture Association; correspondence with Ford Foundation; correspondence with George Stevens Productions; correspondence with Smithsonian Institution; correspondence with Old Dominion Foundation","Lists of panels; film sequences lists","Research notebook (Gaines' handwriting?); 1 copy of catalog \"Scenery for Cinema\" at Baltimore Museum of Art, 1942 (when Leslie Cheek was Director); lists of panels; label copy","Promotional materials from film companies (i.e. Technicolor, Panavision)","8 drawings; movie production sheet with film negatives (to stay at LVA)","Life magazine 3/27/64 offprint with article on movie","Film reel labeled \"Selected Documentary Trims\"","Couldn't pull it out without ripping envelope – looks like scripts or set notes; possibly a drawing","Photographs; Newsweek reprint (1/23/67); checklists; lender lists; internal memos; correspondence with various members/visitors with questions re: exhibition; correspondence with Colonial Williamsburg Foundation (supporter of exhibition)","1 photograph; shipping information and receipts; correspondence with lenders; checklists; correspondence with publicity; internal memos","Correspondence with Toledo Museum of Art re: possible loan (denied)","Correspondence re: catalog; annotated copy of John Summerson's essay","5 photographs of packing/unpacking process; correspondence re: Smith College Museum of Art's loan of \"Portrait of the Reverend John Headley,\" including shipping information and receipts and request for information form","Correspondence re: Washington University's loan of \"Grey Children,\" including shipping information and receipts and correspondence re: damage to fram upon return","Correspondence re; Worcester Art Museum's loan of \"Mrs. Elizabeth James\" and \"William James,\" including shipping information and receipts; and request for information form","Correspondence re: Columbus Gallery of Fine Arts' loan of \"Portrait of Anne Hogarth,\" including shipping information and receipts; and request for information form","1 photograph; correspondence re: Allen Memorial Art Museum [Oberlin] \u0026 loan of \"Theodore Jacobsen,\" including shipping information and receipts and request for information form","9 photographs of packing/unpacking; correspondence re: Albright-Knox's loan of \"The Lady's Last Stake,\" including shipping information and receipts and requests for information form","2 photographs; duplicates: \"Loans to the Wm. Hogarth Exhibition\"; catalogue copy; 1 copy of catalogue; correspondence with publicity; correspondence with visitors/members re: catalogue and exhibition; clippings; 1 copy of invitation; checklists","1 envelope of Lessing Rosenwald Prints (couldn't open without ripping); duplicates: catalog; correspondence re: catalogue requests and comments; catalogue copy; checklists","Suggested press release; correspondence with Hofer (Professor at Harvard) re: lecture; internal memos; itineraries; 1 copy of bulletin","Correspondence with Mellon; catalogue copy; checklists; request for information forms; shipping information and receipts","25 photographs (see list); research; copy; internal memos; panel drawings (copies); HOGARTH PANEL PHOTOGRAPHS - 12789 Self-Portrait, 12786 Shop Card, 13313 Jane Thornhill, 12788 Pool of Bethesda, 13305 Captain Thomas Coram, 12785 Battle of the Pictures, 13304 Analysis of Beauty title page, 13306 Grave at Chiswick, 11812 Canvassing for Votes, 13311 Views Down the Thames, 11814 St. Paul's Cathedral, 12829 Beer Street, 12966 Gin Lane, 11852 Country House, 13079 Saint Martin-in-the Fields, 12970 The Four Times of the Day: Noon, 13078 Leister Square, 11816 Renelagh, 11857 Mr. and Mrs. Paul Mellon, 10890 Lessing Rosenwald, 5272 Masterpieces of American Silver, 13001 Marriage a la Mode, 13677 Philip Hofer, 13299 Sir John Summerson, 13074 George II, 13076 Robert Walpole, 13084 William Pitt, 11811 George III, 11813 Iron Forge by Wright","\"William Hogarth: His Life,\" William Hogarth: His Times,\" William Hogarth: This Exhibition\"; copy; proofs","2 photographs; 1 duplicate photograph; correspondence with Mielziner; shipping information and receipts; clippings; panel proofs; panel copy; research; internal memos; checklists; correspondence with IEF (International Exhibitions Foundation) re: traveling exhibitions","1 photograph; shipping information and receipts; correspondence with Multiples, Inc.; list of purchase considerations; label copy; checklists; panel drawings (copies)","Correspondence with National Gallery of Art DC re: pictures of J. Carter Brown","Invitation; fact sheet; 1 copy of catalog; internal memos; annotated copy of 1965 Salon des Réfusés catalog; correspondence with jurors; schedule of work for exhibition; panel proofs; list of certificate winners","Correspondence with artists; correspondence with purchasers; copies of invoices; release forms for transfer of custody","Checklists; correspondence with artists; internal memos","Catalog; list of certificate winners at Biennial; catalog copy; correspondence with Thalhimer's; internal memos; information for 1965 Salon","19 photographs; invitation; catalogue copy; other similar exhibition catalogs from other institutions; internal memos","Correspondence with artists; checklists","March '67 Bulletin; photographs; correspondence with jurors [Milton Hebald, Jack Youngerman, Jock Truman, Paul Smith]; label copy; biographical information; schedules; internal memos; correspondence with hostesses","\"Presentation of certificates\" blank certificates; artist reply card; checklists; schedule; internal memos; correspondence with artists","April '67 Bulletin, \"use of French Galleries\" memo; label copy; statistics ('67 and earlier); internal memos; correspondence with artists","Checklists; correspondence with artists","Photographs","Photographs","Gaines to artists 6/12/67; correspondence with artists; internal memos; shipping information and receipts; invoices for stored worsk; entry blanks","2 letters from Council to purchasers, Gaines letter, yellow \"Gaines-Brandt System,\" 4 photographs; checklists; internal memos; correspondence with artists; press release, 1965 and 1963 information","3 internal memos","'67 prospectus, 2 form letters (1/16/47); prospectus copy; mailing lists; annotated '65 prospectus; '70 prospectus","Correspondence; panel drawings (copies); for traveling exhibitions; [3 traveling shows: \"Treasures from the Guggenheim\"; \"Treasures from the Whitney Museum\"; \"Contemporary Watercolors.\" Also contained \"Art by Virginia Teachers\"]","1 copy of catalog (Heeramaneck Collection) by MFA Boston (annotated)","Correspondence with Heeramaneck; correspondence with Indian embassy; shipping information and receipts; correspondence with Royal Ontario Museum (who received exhibition after VMFA); correspondence with Detroit Institute of Arts (who had it before VMFA); correspondence with MFA Boston, originator; internal memos; drawings (photocopies)","1 copy of invitation; panel copy; panel proofs; correspondence with MFA Boston; correspondence with Royal Ontario Museum; shipping information and receipts; MFA materials (including checklists); internal memos","4 drawings; correspondence with Veener player for preview; clippings re: Indian music; label copy; clippings re: show","Photographs; some select, bad quality photocopies","Photographs","Panel proofs; lecture for chapters copy; correspondence with previous VMFA designer (Ariel Ballif); checklists","Suggested press release; introduction; correspondence with Gleaser (from MOMA) (lecturer for chapters); itinerary; noted speaker report form","Correspondence with potential lecturers for preview; 1 copy of invitation; Glaeser's biographical information; correspondence with Glaeser","Photographs; (envelope of photos from D.I.A. for Arts of India \u0026 Nepal exhibition); invitation to lecture; 1 copy of invitation to preview; 1 copy of invitation to Glaeser's lecture; shipping information and receipts; MOMA (originator) materials, including checklists; drawings (photocopies)","1 drawing; duplicate: preview invitation; panel copy; drawings (photocopies); correspondence with MOMA; MOMA materials, including checklists; exhibition contract; correspondence with John Hand (lecturer from National Gallery of Art DC); shipping information and receipts","Correspondence with MOMA; shipping information and receipts; internal memos","Membership list; shipping information and receipts; correspondence with dealers; price lists from dealers; panel proofs; checklists; speech copy; Collectors Circle meeting agenda; list of items purchased","Shipping information and receipts; panel proofs (annotated 1966 panels); checklists; correspondence with dealers *lots of '66 show files)","Correspondence re: borrowing Wyeth film; correspondence with Philip Hofer (Harvard) re: lecture; blank invitations for Artmobile exhibition (Wyeth \u0026 Japanese Art); clipping; internal memo re: trip to interview Wyeth for AIV article; blank floor plan","Label copy; drawing (photocopy); internal memos; radio guide copy","3 photographs; 11 duplicate photographs; checklists; internal memos; drawings (photocopies); panel proofs; panel copy; shipping information and receipts; 1 copy of Knoedler catalog \"Unpainted Pictures\" (lender); correspondence with Knoedler; correspondence with Detroit Institute of Arts (had exhibition before VMFA); clipping from TIME (3/17/67)","Panel copy; panel proofs; drawing (photocopy); internal memo: all of this re: 400 Years of Prints","1 photograph; shipping information and receipts; drawings (photocopies); panel copy; panel proofs; correspondence with lender (NGA \u0026 AIC); correspondence with Mr. \u0026 Mrs. Leigh Block; checklists; label copy","1 copy of \"Persian \u0026 Indian Miniatures from the Collection of Edwin Binney, 3rd\" from Portland; 1 copy of \"Islamic Art from the Collection of Edwin Binney, 3rd,\" from SITES; correspondence with Portland [VMFA denied exhibition]","1 internal memo re: replacement of \"Jewels\" with \"Resident Craftsmen\"","Jones article reprint; slides, 4 photographs, 5 duplicate photographs; correspondence with IEF (circulator); correspondence with Nelson-Atkins *who received exhibition after VMFA); 1 copy of lecture invitation; 1 copy of preview invitation; shipping information and receipts; panel proofs; clippings; correspondence with potential musicians; checklists; internal memos","Internal memos; correspondence with AFA (circulator); panel copy; checklists; panel proofs; drawing (photocopy)","5 duplicate photographs; 1 photograph; correspondence with MOMA (originator); exhibition contract; MOMA materials, including checklists; shipping information and receipts; MOMA circulating exhibitions catalog 1967-68; drawing (photocopy); panel proofs","Lecture invitation; clipping; internal memo; biographical information; correspondence with Smith (Director of Museum of Contemporary Crafts); correspondence re: juror (chairman) for 1967 Virginia Artists too","1 photograph; 2 new photographs; duplicate of introduction; correspondence with Slivka re: lecture at chapters/editor in chief of Craft Horizons; itinerary; biographical information","Photographs; correspondence with artist; shipping information and receipts; checklists; Bulletin photocopy","Photographs; correspondence with artist; label copy; shipping information and receipts; 1/68 Bulletin; biographical information","Photographs; shipping information and receipts; correspondence with artist; 2/68 Bulletin; label copy","Photographs; correspondence with artist; shipping information and receipts; label copy; 3/68 Bulletin","3/68 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts; internal memos; biographical information","Photographs; biographical information; shipping information and receipts; internal memos; label copy; 4/68 Bulletin; checklists; correspondence with artist","Photographs; checklists; shipping information and receipts; label copy; biographical information; correspondence with artist","9/68 Bulletin, 4 photographs; biographical information; label copy; price list (hand drawn!); shipping information and receipts; correspondence with artist; internal memos","Photographs; 10/68 Bulletin; label copy; biographical information; checklists; shipping information and receipts; correspondence with artist","Photographs; shipping information and receipts; label copy; 11/68 Bulletin; checklists; correspondence with publicity","Photographs; correspondence with artist; label copy; 12/68 Bulletin; shipping information and receipts; internal memos; correspondence re: damage to sculpture","Photographs; internal memos; label copy; shipping information and receipts; correspondence with artist; biographical information","Photographs; correspondence with artist; label copy; shipping information and receipts; 3/69 Bulletin; checklists","2/69 Bulletin; photographs; correspondence with artist; correspondence re: damage; label copy; internal memos; checklists; shipping information and receipts","44 photographs; correspondence with lecturer; shipping information and receipts; materials from Brooklyn Museum of Art (organizer); drawings (photocopies); panel lists; 1 copy of lecture invitation; 1 copy of preview invitation; correspondence with Brooklyn; checklists","Preview invitation; 1 copy of catalog; clippings; panel copy; correspondence with Brooklyn; shipping information and receipts; Brooklyn materials; panel lists; checklists; internal memos; correspondence with visitors","1 photograph; correspondence with McCoubrey (Chair of Art Department at University of Pennsylvania); his c.v.","1 photograph; correspondence with Oenslager (lecturer)","Cybis porcelain brochure; shipping information and receipts; panel proofs; exhibitors information \"lent\"; clippings; correspondence with Ruder \u0026 Finn Inc. (co-organizers); checklists; drawings (photocopies); correspondence with Cybis porcelain (co-organizer)","2 photographs; catalog; invitation; correspondence with Robert B. Widder (juror); correspondence with entrants; internal memos; slide talk lists; correspondence with juror (Morris Ketchum, Jr.)","Photographs","Invitation, catalog, '64 Architects, Designers \u0026 Photographers, '66 ADP, 3 photographs; catalog proof; checklists; catalog copy","\"Southern Exposure\" newsletter (2/68); clippings; correspondence with artists; label copy; internal memos; schedule","Checklists","\"Comparison…for 1966-68\"; internal memo","Correspondence with artists (4 winning architects mainly); list of winners","Biographical information on Ketchum and Eames, 2 photographs; 1 photograph; correspondence with jurors [Morris Ketchum, Robert Widder, Charles Eames]; internal memos; lecture copy; biographical information","Checklist","Gaines to artist (2/26/68), signed certificates; artist reply cards; correspondence with speaker; checklist","3 prospectuses; prospectus copy; schedule; internal memos","Schedule, 1/11/68 memo, 1/24/68 memo; '66 information; internal memos","Invitation; 2 photographs of 1790s Russian silver cup (\"Charka\"); shipping information and receipts; checklists; internal memos; correspondence with Hollins; panel proofs; drawings (photocopies); correspondence from alumnae; research; correspondence with silver expert; correspondence from Helen Scott Reed (our consultant)","Shipping information and receipts; panel copy \u0026 proofs; drawings (photocopies); checklists with prices; biographical information (Anna Smith- weaver)","3 photographs; AFA materials (circulator); shipping information and receipts; correspondence with Morgan State College (had exhibit before VMFA); correspondence with AFA; reprint of Rohm \u0026 Haas Reporter on \"New AA Forms in Plexiglass\" (Mar/Apr 1966); correspondence with lender, Howard Wise Gallery; 1 copy of May '68 Bulletin; clippings; drawings (photocopies); biographical information on artists; 1 copy of a Howard Wise Gallery catalog for Otto Piene (VMFA's lecturer); 1 copy of catalog; 1 copy of lecture invitation; 1 copy of preview invitation. To take place in Loan Gallery","Biographical information on Kepes; 1 photograph; correspondence with Gyorgy Kepes (organizer of Light show \u0026 original lecturer); correspondence with Piene (M.I.T.), Kepes' replacement; Piene's biographical information; 1 copy of Arts Canada (April 1968) with one of Piene's articles","Catalog; 3 photographs; correspondence with Photographs in the Fine Arts (a company); drawings (photocopies); clippings; panel proofs; checklists; packet of available exhibitions from George Eastman House; 1 copy of PSA Journal (August 1967) [Leslie Cheek was a judge]","5 photographs; 1 catalog; exhibition contract; correspondence with MOMA (circulator); shipping information and receipts; checklists; panel proofs; MOMA materials","Lecture invitation, checklist; 4 photographs; duplicates: \"A Look at Carter Collection,\" \"Vender Gives Rodin to Museum\"; clippings; correspondence with LACMA (circulator); shipping information and receipts; internal memos; exhibition contract; 1 copy of preview invitation; correspondence with Gerald Carter (collector)","1 photograph, biographical information; correspondence with Adams (Director of Cincinnati Art Museum \u0026 VMFA lecturer); 1 copy of lecture invitation; internal memos; correspondence with Reynolds (his hosts)","\"Selections from Virginia Architecture\"; panel proofs; drawing (photocopy); internal memos","1 drawing; MOMA exhibition packet, MOMA press release (6/20/67); MOMA materials (circulator); drawings (photocopies); correspondence with MOMA; shipping information and receipts; clippings; internal memos","Photographs","1 photograph; biographical information; lecture invitation; correspondence with Szarkowski (MOMA Director of Photography \u0026 VMFA lecturer); itinerary; correspondence with Bryans (his hosts)","Shipping information and receipts; panel proofs; internal memos; drawing (photocopy);","7 drawings (on graph paper-drawn by Brown herself); label copy; shipping information and receipts; checklists; 2 more prints of transparencies from envelope; correspondence with Brown; biographical information; panel copy; panel lists; drawings (photocopies)","Shipping information and receipts; request for special/specific information forms; white envelope with 5 transparencies; 2 prints of 2 of the transparences for Collector of the Year exhibition","Special/specific request for information forms","Biographical information; correspondence with Griffith re: lectures (Curator of Films, MOMA); lecturing for \"George Stevens Makes a Film\"","Shipping information and receipts; biographical information; photocopies of 2 catalogs","1 copy of Council 1967-68 membership book; internal memos; various reports (budgetary \u0026 non); correspondence, 2 slides for lecture on Council budget 66-67 season","Lecture invitation, 1 photograph; Correspondence with Dee (curator of drawings \u0026 prints at Cooper-Hewitt) re: lecture; 1 copy of January 1969 Bulletin; correspondence with hosts; biographical information","Packing list, photographs; 1 copy of catalog (cut up) of View of Florence \u0026 Tuscany by Giuseppe Zocchi, loaned by Pierpont Morgan Library","Photographs; shipping information and receipts; correspondence with IEF (circulator); correspondence with Dee re: lecture; IEF materials; drawings (photocopies); label copy; internal memos; 1 copy of America-Italy Newsletter (spring 1968); 1 copy of Pierpont invitation; 1 copy of preview invitation; correspondence re: catalogs; correspondence re: opening","Correspondence with Senator Scott from 1982 from Richard Woodward; checklists; clippings; internal memos; correspondence with Scott; shipping information and receipts; drawings (photocopies); panel proofs","Invitation; checklists; internal memos; correspondence re; filmstrip for Orientation Theatre; drawings (photocopies)","C.v., invitation, 1 photograph; correspondence with Begley (professor at School of Art, University of Iowa); internal memos; correspondence with hosts","3 photographs; 3 photographs (small one, Dr. \u0026 Mrs. George B. Green); panel copy; panel proofs; label copy; drawings (photocopies); correspondence with lender (George Green); shipping information and receipts; internal memos; correspondence with Colonial Williamsburg; research; checklists","Photographs","8 photographs; 5 new photographs; shipping information and receipts; internal memos; checklists with values; correspondence with Motherwell (juror) and correspondence with his gallery representation (Marlborough); correspondence with Frank Gallo (juror); and his representation (Gilman Gallery and Graham Gallery); request for information forms; drawings (photocopies); label copy","Checklists; list of lenders; internal memos; correspondence with lenders (including MFA Boston and AIC); shipping information and receipts","1 photograph; lecture invitation; preview invitation; correspondence with Wardell (Curator, Department of Primitive Art at AIC) re: lecture; correspondence with hosts; 1 copy of April 1969 Bulletin","Photographs","Photographs","1 drawing; other press releases; shipping information and receipts; checklists; internal memos; correspondence with MFA Boston (organizer); correspondence with AIC (lender); clippings; panel proofs; 1 copy of preview invitation; list of lenders","8 photographs; correspondence with MFA Boston; exhibition contract; internal memos; 1 copy each of The World of Peru in the United States, Three Centuries of Peruvian Silver, Master Craftsmen of Peru; Folk Art of Peru, 2,500 Years of Peruvian Art, Folk Art of Peru (longer version), Contemporary Peruvian Paintings and Sculptures","1 photograph; list of members; special request for information form; correspondence re: broken object (belonged to Stewart Bryan)","Catalog, 3 duplicate photographs, 2 new photos; internal memos; shipping information and receipts; checklists; label proofs; exhibition contract (MOMA is circulator); correspondence with MOMA; clippings; MOMA materials (including press release)","Press release (4/2/69); Kandinsky article by Johnson; wall label, Photographs; correspondence with MOMA (organizer); MOMA materials; exhibition contract; shipping information and receipts; checklists; drawings (photocopies); panel proofs","2 photographs; duplicates: invitation, 1 duplicate photograph; correspondence with potential lecturers; correspondence with Beckmann (visiting Bauhaus artist); clipping","Shipping information and receipts; panel proofs; panel copy; drawings (photocopies); special request for information forms; label proofs; label copy; checklists; correspondence with UVirginia (lender and co-organizer); correspondence from State Library (co-organizer)","4 photographs; checklists; shipping information and receipts; correspondence with O'Neal; photocopies of drawings; list of lenders; correspondence with UVirginia; correspondence with State Library; research; internal memos; correspondence with lenders","Invitation; 2 photographs, 1 transparency; catalog copy; internal memos; checklists; correspondence with lenders; correspondence with William O'Neal (guest curator)","1 photograph; introduction; correspondence re: lecture; invitation","Checklists; correspondence with lenders; correspondence with O'Neal","Checklists from dealers with prices/values; shipping information and receipts; correspondence with dealers; checklists; internal memos","Invitation, \"Suggested Remarks for Mr. Arthur Brinkley,\" 5/12/69; 1 copy of catalog; introduction; correspondence with Alloway re: lecture","Correspondence with various speakers; internal memos; schedules","Internal memos; list and schedules (entertainment, exhibitions, events, theatre, etc.)","4 invitations; 3 other invitations (Once Invisible, Alloway's lecture, Gold of Ancient America)","Internal memos; mailing lists","Green pickup cards, Gaines to Artist (7/3/69); shipping information and receipts; correspondence with artists; entry blanks; internal memos; checklists","Gaines to Purchaser invitation, purchasers; preview tearsheet (yellow), memo 4/29/69 (blue), 1969 fact sheets; checklists","Internal memos; correspondence with artists; invoices re: sales; checklists","Photographs","Memo 11/17/69, memo 11/26/69; correspondence with artists","'69 invitation, '69 salon catalogue; 1 copy of '67 invitation and catalogue; catalogue copy; 1 copy of '69 catalogue; catalogue proof","'69 fact sheet; statistics","'67 and '69 Salon catalogues; checklist; internal memos; form letter to artists from Ellyson","3 photographs; schedule; internal memos; correspondence with jurors; biographical information; correspondence with hosts; lecture invitation; correspondence with potential jurors [Bontecou agreed but then had to cancel]","Photographs; label copy; 1 copy of ADP '68 catalog; 1/70 Bulletin; biographical information on Paul Rand; correspondence with Rand; internal memos","2 slides, 18 photographs; 5 duplicate photographs; label copy","\"Receiving \u0026 Handling of Material\" memo 1/28/70, 1 photograph [Kenneth Winebrenner \"Mirror\"]; 1 copy of 1970 prospectus; entry blanks; internal memos; correspondence with artists; biographical information","1 photograph [Paul Smith looking at Castle's work from an earlier juried exhibition?]; 2/70 Bulletin; correspondence with juror [Wendell Castle]","Photographs; 1 copy of 1970 catalog (annotated); correspondence re: image of Winebrenner's mirror","1 copy of 1970 catalog (annotated); internal memos; correspondence with artists","Form letter; shipping information and receipts; correspondence with artist; checklists","1 form letter; shipping information and receipts; correspondence with artists; checklists; internal memos","Slides; duplicates; signed certificates; correspondence with winners; checklists; presentation order","Label copy; clippings; catalogue copy; checklists; internal memos; lease agreement for warehouse; drawing (photocopy); jury tokens; correspondence with artists","Prospectus, form letter from C. Ellyson; correspondence with chapters; annotated '67 prospectus; prospectus copy schedule","Memo 1/23/69, memo 1/25/67; internal memos; correspondence with 7th \u0026 Franklin; schedule","Catalog ('70 Designers); catalogue proofs; entry blanks; 1 copy of '68 ADP catalogue; catalogue copy; checklists","Annotated '70 prospectus; correspondence with juror; prospectus copy; internal memos; schedule","Entry blanks; 1 copy of '70 Craftsmen catalogue; 1 copy of '67 Artists catalogue; checklists; catalogue copy; preview invitation; label copy","Prospectus copy; schedule","Internal memos; checklists","Checklists; internal memos","Memo 9/3/69, memo 6/30/69; checklists; internal memos; fact sheets; correspondence with artists; label copy; excerpts from juror speech","Catalogue copy; checklists; 1 piece of correspondence re: catalogue","Signed certificates, reply cards, Gaines form letter; reply cards from winners; checklists; correspondence with artists","Press release 6/27/69, biographical information, 1 photograph; correspondence with potential jurors; internal memos; correspondence with juror (Peter Bunnell)","Photographs; label copy","Photographs; correspondence with artist; 3/69 Bulletin; label copy; shipping information and receipts; biographical information","4/69 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts","5/69 Bulletin; photographs; correspondence with artist; biographical information; label copy; shipping information and receipts","9/69 Bulletin, invitation; photographs; checklists; correspondence with artist; label copy; insurance report form; internal memos; biographical information","Invitation; 10/69 Bulletin, photographs; correspondence with artist; checklists; label copy","Photographs; correspondence with artist; biographical information; label copy","Photographs; correspondence with artist; label copy; biographical information; shipping information and receipts; internal memos","2/70 Bulletin; photographs; label copy; checklists; 5/69 Bulletin; invitations; correspondence with artist; internal memos re: missing print","3/70 Bulletin, photographs; correspondence with artist; internal memos; price list (hand drawn!); press release; biographical information; label copy","Invitation; 2 photographs; 3/70 Bulletin; correspondence with artist; label copy; checklists","Photographs; correspondence with artist; checklists; 4/70 Bulletin; label copy; biographical information","5/70 Bulletin, invitation, photographs; checklists; label copy; correspondence with artist; biographical information","Invitation, \"suggested stand\" drawing; 1 photograph; label copy; correspondence with artist; clippings; biographical information; checklists; 9/70 Bulletin","10/70 Bulletin; 2 photographs; label copy; clipping; internal memos; checklists; correspondence with artist; invitation","Invitation; photographs; label copy; internal memos; shipping information and receipts; correspondence re: letter of recommendation for job","Invitation, 5 photographs; 5 new photographs; 5 slides; correspondence with artist; label copy; clipping","Correspondence with potential jurors; internal memos","1 photograph of Rand, prospectus; correspondence with Rand (juror); catalog of Rand's work; research","'69 prospectus, letter Ellyson to art department 6/23/69, memo to chapters 6/23/69; copy of '68 ADP prospectus; prospectus proof; prospectus copy; internal memos; schedule","Checklists; internal memos","Checklists; fact sheets","Internal memos; checklists","Memo 7/7/70; internal memos; entry blanks; correspondence with architects; schedule; project descriptions; drawing (photocopy); lecture invitation copy; shipping information and receipts","Reply cards; internal memos; correspondence with architects","Catalogue; correspondence with architects; catalogue copy","One signed certificate; correspondence with winners","4 photographs; correspondence with juror (Romaldo Giurgola); internal memos; clipping; biographical information","Photographs; clippings","Prospectus, announcement; prospectus proof; prospectus copy; '68 annotated ADP prospectus; clipping","Entry blanks; fact sheets; internal memos; checklists","Internal memo; checklists","Correspondence with SITES; SITES materials; invitations; exhibition information; Bulletins; correspondence with other Smithsonian Institution staff","SITES catalogues, 1967-1970","Checklists; insurance report forms; correspondence with lenders (dealers); membership list","Internal memos; correspondence with lenders; checklists; shipping information and receipts; label proofs; research; budget planning; correspondence with consultants","Preview invitation; correspondence with and between consultants (Helen Scott Reed and Kathryn Buhler); catalog copy","Invitation (preview); invitation (lecture); exhibition prospectus; catalog proofs","Photographs; internal memos; clippings; catalog notes; correspondence with lenders; checklists; invitation list","Correspondence with lenders; shipping information and receipts; correspondence with various organizations","1 copy of catalog; special information form","Correspondence with Rouse (Jamestown Foundation) re: lecture; copy of lecture text","1 photograph; correspondence with Buhler (consultant) re: lecture; copy of lecture text","4 photographs; suggested press release; checklist; correspondence with IEF; label proofs; exhibition contract; IEF materials; shipping information and receipts; internal memos","7 photographs; 2 contact sheets and 1 new photo; duplicate: invitation; crawing (photocopy); internal memos; label proofs","9 photographs, 4 new photographs including 1 contact sheet; duplicates: lecture invitation; label copy; drawings (photocopies); shipping information and receipts; MOMA materials; checklists; correspondence with MOMA (circulator); exhibition contract; research; internal memos; 1 copy of preview invitation","Lecture invitation; correspondence with Fern re; lecture (Library of Congress Prints \u0026   Photos Division); internal memos","1 photograph (contact sheet); checklists; varied correspondence","Prospectus with entry cards; 2 photographs; 1 duplicate photograph; correspondence with Castle (juror, Penland School of Crafts)","1 photograph; label copy; correspondence re: item breakage; label proofs","Preview invitation; chipping information; correspondence with lenders; internal memos; 1 copy of catalogue; clippings","Correspondence with lenders; request for information forms; 1 copy of Art Gallery Magazine (12/69); 1 copy of TIME (6/1/70), reason unknown, no more receipts kept in these files","2 contact sheets; correspondence with Peter Selz (UC Berkeley, juror); correspondence with lenders; internal memos (including correspondence re: installation of Robert Irwin's \"Disc\"); correspondence with artists re: their Vietnam War protest","Internal memos; catalogue copy; label copy; research; 1 copy of catalogue (damaged)","1 photograph (1966 show); photographs of works not in show (Krushenick, Warhol, Ruscha); copies of '62 and '66 show information; correspondence with lenders; shipping information; checklists","Label copy; checklists; panel copy; mailing and invitation lists; lender lists","Photographs (VMFA copies)","Photographs (originals)","Lecture invitation; 1 duplicate photograph; correspondence with Selz (juror) re: exhibition and lecture; biographical information; invitation copy","Correspondence with IEF; exhibition contract; internal memos; correspondence with Paul Tishman (collector whose works comprise show); correspondence with High Museum (earlier venue); IEF materials","Photographs; internal memos; correspondence with High and with UT Austin (earlier venues); correspondence with IEF; shipping information","Checklists; IEF materials; research; panel copy","Photographs","Photographs","Photographs","5 photographs; 3 duplicate photographs","7 photographs; 8 duplicate photographs","11 photographs; 3 duplicate photographs","5 photographs; 9 duplicate photographs","9 photographs; 8 duplicate photographs","15 photographs; 4 duplicate photographs","12 photographs; 2 duplicate photographs","1 duplicate photographs","7 photographs; 4 duplicate photographs","2 drawings; duplicates: loan exhibition announcement; invitation; 40 slides; 1 copy of High's brochure; internal memos; NGA brochures; IEF materials; correspondence re: possible speakers; correspondence with Tishman; copy of 9/70 Bulletin; slide list [see end of box]","5 photographs; checklist; internal memos re: this traveling exhibition SP-19 [loans from 4 major NY galleries, distributed by State Services Division]; correspondence with dealers/lenders; 1 copy of 10/70 Bulletin","Catalog (Edgeworth \u0026 VMFA); 1 photograph; audio (reel) tape \"J.[oel] Aldred – tapestries – 71/2 ips\" [Canadian broadcaster]; 1 copy of invitation; catalogue: Hommage à Jean Lurçat, Rothmans, ca. 1966; another Rothmans' catalogue ca. 1964","1 copy of catalog; 1 copy of black tie reception invitation","Internal memos; correspondence with Rothmans of Pall Mall Canada; correspondence with House of Edgeworth (co-sponsors); planning re: previous receptions, etc.","6 photographs","Black tie reception invitation; other invitations (non-VMFA)","Checklist (contemporary French tapestries); checklists (various, including hommage à Jean Lurçat); invitation lists; staff working lists","Notes on the Rothmans Collection; Rothmans press release; Contemporary French Tapestry; research; clippings; copies of other's letters to/from Lurçat [speech by Madame Denise Majorel, 2 clippings]; Lurçat letters (3/29/48 \u0026 12/24/47)","3 photographs; 9 duplicate photographs","Photographs","Photographs [overlap between these 2 folders]","8 duplicate photographs","8 photographs; 9 duplicate photographs","1 catalog for July/August program with catalog card application [1969]","Lists of speakers; internal memos; biographical information; correspondence with speakers; report from Museum Entertainment Committee","VM 1969-1970 events; lists of events; calendars; internal memos; schedules including exhibition, theatre, mailings, events, etc.; 1 copy of Theatre schedule card","Internal memos","Catalog; 4 photographs; 23 new photographs; exhibition contract (Mat is circulator); research; correspondence with Met; internal memos; shipping information and receipts","Mailing, 16 duplicate photographs; 7 new photos; correspondence with Baltimore Museum of Art (circulator); checklists; BMA materials; press release; internal memos; research; 1 copy of catalog (annotated)","4 new photographs; 7 duplicate photographs","1 new photograph; 4 duplicate photographs; correspondence with Norton Simon; clippings; checklists; internal memos; copy of Henry Moore annotated transcript from '63; label and panel copy; information sheets on paintings; 1 copy of invitation; shipping information and receipts","2 photographs; correspondence with collectors; checklists; drawings (photocopies); research, photocopy of Vogue article (4/15/60) on Colin","Correspondence with lenders; shipping information and receipts","Correspondence with lenders; internal memos","Preview invitation; correspondence with lenders; internal memos","Correspondence with potential lenders","Reminder card; invitation; checklists; research; lender lists; label copy; request for information forms; clippings; shipping information and receipts; mailing lists","33 new photographs","3 new photographs; 13 duplicate photos","5 new photographs; 10 duplicate photographs","5 new photographs; 10 duplicate photographs","2 new photographs; 10 duplicate photographs","Correspondence with lenders who gave no initial response","Correspondence with lenders re: return of works; internal memos; mailing lists; form letters","Copies of AIV articles from which loan list was gathered, annotated (probably for label/panel/catalog use)","Checklist; suggested press release, invitation, 4 duplicate photographs; 14 new photographs; 2 AFA folders of materials; internal memos; 1 copy of catalog","Shipping information; correspondence with AFA; correspondence with Smith College Museum of Art Director","Wall label; clippings; correspondence with MOMA (circulator); MOMA materials (including press release and checklist); 1 copy of MOMA members' newsletter (Spring 1970); correspondence with Peter Bunnell (photograph curator at MOMA \u0026 organizer); drawings; internal memos; exhibition contract","Invitation; 1 copy of September 1971 Bulletin; internal memos; mailing list","Prospectus; correspondence with artists; internal memos; checklists; schedules; 1 copy of October 1971 Bulletin; 1 annotated copy of Virginia Photographers '69 catalog; 1 copy of '71 catalog","Internal memos; correspondence with lenders re: potential loans; correspondence with lenders; correspondence re: extension of exhibition; correspondence with Robert Koch (speaker); correspondence with publicity","Invitation; poster; 1 duplicate photograph; 4 new photographs, 7 slides; notes; research; information request forms; 1 copy of November 1971 Bulletin; panel copy; clippings; 1 copy of December 1971 Bulletin","1 copy of November 1971 Bulletin; 1 copy of the January 1972 Antique Monthly","1 copy of the January 1972 Antique Monthly","Catalog copy","Catalog copy","Blank copy of information form","6 drawings (photocopies) of lighting schemes","3 photographs (items from Lewis Collection from some catalog); checklists; loan lists; mailing lists; internal memos; panel/catalog copy","Blank request for information forms","Checklist for catalog","Checklist for catalog","Checklist for catalog","Transparencies, 91 photographs","Empty folder","Label copy; internal memos; scripts; notes","Special object information forms","Special object information forms","Invitation; special object information forms","Correspondence with AFA; 1 copy of 1969-70 AFA Catalog","Correspondence with various institutions (museums, universities, organizations); internal memos; promotional materials","Correspondence with IEF; exhibition information sheets","1 press release from Howard University","Correspondence with various institutions (museums, universities, organizations); promotional materials","2 invitations, 2 catalogs (1969 \u0026 1971 for both shows); congratulations letter; pink salon des refuses card; prospectus; 1 contact sheet; schedule; internal memos; correspondence with juror (Thomas Hess); list of buyers; committee lists; correspondence with 7th \u0026 Franklin building owners (where judging was done); 1 drawing (photocopy)","16 photographs; duplicates: 6 photographs, prospectus; correspondence with Thalhimer's; internal memos; fact sheets; correspondence with artists; clippings; label copy; checklists; 1 copy of catalogue; 1 copy of May 1971 Bulletin; copies of certificate winners' entry blanks","Photographs; 1 copy of catalog; 1 copy of prospectus; lease agreement for 7th \u0026 Franklin Building","Photographs","Photographs","Correspondence with potential speakers","Memo 3/16/71, 5/71 Bulletin; fact sheets; internal memos; correspondence with artists; correspondence with 7th \u0026 Franklin; schedule; clipping; checklists","Internal memos; checklists","Catalogue; internal memos; catalog copy; correspondence with artist","Signed certificates; entry blanks; 1 copy of catalogue; correspondence with winners; checklists; internal memos","2 photographs; correspondence with artists; internal memos; schedules; correspondence with juror","Slides; photographs; checklists","Release forms; invoices; preview invitation list; fact sheets; checklists; internal memos; '71 invitation; correspondence with artists","Annotated catalogs; correspondence with purchasers; correspondence with artists; purchase information cards","Memo 9/8/71; correspondence with artists; label copy; internal memos","1 copy of '71 prospectus; 1 copy of '60 catalogue; correspondence with juror (Harry Callahan); fact sheets; research/biographical information","Photographs; '69 and '71 prospectuses","Prospectus copy; correspondence with artist","Fact sheets; internal memos; checklists; entry blanks","Internal memos; correspondence with artists; checklists","\"Guidelines for Preparing Panels,\" memo 3/19/71; dinner invitation copy; internal memos; project descriptions; correspondence with designers; schedule; catalog copy; AIID Virginia Chapter Directory 70-71; correspondence with Virginia AID; entry blanks; 1 copy of dinner invitation with reply card","Correspondence with winners","1 photograph; slides; correspondence with juror (Sarah Tomerlin Lee-former Editor of House Beautiful); schedule; internal memos","2 new photographs; 9 duplicate photographs","Signed certificates; entry blanks; label copy; biographical information; correspondence with juror (Henry Wolf); correspondence with potential jurors; internal memos; reception invitation list; checklists; correspondence with artists; fact sheets","Catalogue ('72); catalogue copy","14 new photographs; 2 duplicate photographs; catalogue","Prospectus; prospectus copy; annotated '68 prospectus copy","Form letter from Ellyson, prospectus; annotated '69 prospectus; correspondence with artists: re: prospectus, prospectus copy","Catalogue; fact sheets; shipping information and receipts","Reply cards; correspondence with artists; internal memos; checklists","Letter 4/8/71; fact sheets for printmakers","Catalogue; catalogue copy; checklists","Signed certificates; correspondence with winners; checklists","1 copy of '71 catalogue; checklists; catalogue copy; internal memos","Prospectus; prospectus copy; correspondence with designers","Copy of Art Directors Club prospectus","Internal memos; correspondence with artists; 1 copy of catalogue; reply cards","Entry cards; shipping information and receipts; internal memos; fact sheets; checklists; correspondence with artists; 1 signed certificate; label copy","Photographs; internal memo","Catalogue; catalogue copy; catalogue proofs; label copy","Signed certificate; correspondence with winners","5 new photographs; 8 duplicate photographs","Annotated '67 prospectus; prospectus copy; blank mailing labels","Label copy; correspondence with artist; clipping; 12/70 Bulletin; checklists","Invitation; photographs; label copy; internal memos; correspondence with artist; invitation list; biographical information 1/71 Bulletin; Robinson House exhibition checklist","Invitation; photographs; checklists; internal memos; label copy; biographical information; correspondence with artist; \"Art Now: New York,\" Vol. 2, no. 10; installation sketches by Jackson; 2/71 Bulletin; Robinson House checklist","3/71 Bulletin; 2 photographs; 7 slides; Robinson House exhibition checklist; internal memos; correspondence with artist; label copy; biographical information","3/71 Bulletin, 1 photograph; clippings; correspondence with artist; internal memos; label copy; Robinson House exhibition checklist; invitation list","3 photographs; internal memos; correspondence with artist; label copy; biographical information; Robinson House exhibition checklist; 4/71 Bulletin; invitation list","1 slide, invitation; 4 photographs; internal memos and correspondence with artist re: damaged works; biographical information; label copy; correspondence with artist; clippings; checklist; 5/73 Bulletin; shipping information and receipts","Invitation, 9/71 Bulletin, 2 duplicate slides; 2 photographs; 3 slides; label copy; correspondence with artist; invitation list","10/71 Bulletin, invitation; 4 photographs; biographical information; correspondence with artist; label copy; checklists","Photographs; 3 slides; invitation list; 1 copy of invitation; correspondence with artist; internal memos; biographical information; checklists; label copy; 11/71 Bulletin","2 photographs; 3 slides; label copy; price list (hand drawn!); correspondence with artist; biographical information; 12/71 Bulletin","2 photographs; 3 slides; invitation; label copy; biographical information; correspondence with artist; Robinson House exhibition; checklist; 12/71 Bulletin","Invitation, 1 slide; 1 new slide; 1/72 Bulletin; label copy; biographical information; checklists; internal memos; correspondence with artists","1 photograph; \"Masterpieces of Early American Furniture, Antiques (11/70), invitation, \"The U.S. Department of State Americana Fund…\"; correspondence with possible collectors; research, correspondence with Clement E. Conger, Collector of the Year 1972 (Chairman of Special Fine Arts Committee for acquisition of furnishings for the Department of State); internal memos; clippings; biographical information; press releases; clippings; checklists layout (typed)","Photographs; 1 drawing; drawing (typed!); clippings; label copy","Photographs","6 photographs; duplicates: 8 photographs, invitation; drawings (photocopies); correspondence with Mourot; research; internal memos; checklists; clippings; label copy","Prospectus; internal memos; correspondence with artists; reception guest list","Invitation, poster, MOMA information sheet, \"Modern Museum Offers Works…\"; 13 photographs; memos; correspondence with MOMA (circulator); shipping information and receipts; checklists, 1 poster","Internal memos; correspondence with lenders; research; clippings; catalog copy; 1 copy of May 1972 Bulletin; clippings; shipping information and receipts","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Correspondence with Muller; list of tentative loans","9 photographs; 1 duplicate photograph","1 new photograph; 1 duplicate photograph; correspondence with the AIC; request for information form","2 duplicate photographs; correspondence with Princeton; request for information form","1 duplicate photograph; correspondence with Atkins; request for information form","1 duplicate photograph; correspondence with Fogg; request for information form","1 duplicate photograph; correspondence with Meadows Museum; request for information form","2 photographs; 6 duplicate photographs; correspondence with Met; request for information form","4 duplicate photographs; correspondence with MFA Boston; request for information form; internal memos; insurance certificate","6 duplicate photographs; correspondence with NGA; request for information form","2 duplicate photographs; correspondence with RISD; request for information form","3 duplicate photographs; correspondence with Thaw; request for information form. invitation; photographs","1 photograph; correspondence with Worcester; shipping information and receipts; request for information form; correspondence re: insurance","1 photograph; correspondence re; photograph orders and framing for our pieces; request for information forms","16 new photographs; 4 duplicate photographs","18 new photographs; 6 duplicate photographs","Request for information form; piece of box from printer","Checklists; lists of loans; shipping lists; mailing lists","One piece of correspondence","5 new photographs; 1 duplicate photograph","8 new photographs","Correspondence with lenders who denied loan request","Checklist, wall label, press release, 7 photographs; 2 contact sheet strips; materials from MOMA (circulator); correspondence with MOMA; internal memos; label copy; drawings (photocopies); 1 [misfiled] mock-up of Goya Catalogue cover","Checklist, 2 photographs; 4 new photographs, 2 invitations, members' preview postcard and special reception in envelope; \"Gund Collection of Western Art,\" 1970; internal memos; correspondence with Gund; correspondence with lenders; clippings; \"American Western Art: a Personal Narrative.\"","Photographs","Invitation; correspondence with Gund Museum; internal memos; research; checklists; blank request for information forms; correspondence with lenders; lists of movies; Gund Collection materials","4 photographs with labels, 5th=#15494, Carl Kauba, b. 1865, \"Indian\", Gilt Bronze, Collection Bobby Chandler; loan request; information sheets with small photos stapled to them (left in folder); correspondence with lenders; checklists; research","1 catalog; 1 contact sheet strip; internal memos; label copy; 1 copy of invitation; correspondence with AIA, Richmond Chapter","Invitation, 2 layout designs by Lipton, 6 photos; 27 new photos; correspondence with MIT (circulator); internal memos; correspondence with Marlborough Gallery (organizer); panel drawing (photocopy); checklists; correspondence with Lipton; label copy; research","2 invitations, \"An Exhibition of Sculpture and Drawings by Gaston Lachaise,\" 2 photographs; 9 new photos; correspondence with Lachaise Foundation and [Felix] Landau Galleries (organizer); internal memos; checklists with prices; shipping information and receipts; drawing (photocopy); clippings","1 photograph; correspondence with MOMA re: possible exhibitions, including Otto Frei exhibition [unsure if declined or not]","Checklist; 1 photograph; internal memos; clippings; list of items sold or rented","1 piece of correspondence re: lecture offer declined","Correspondence with Bernard Danenberg Galleries re: possible showing","Correspondence with AFA","Correspondence with Advertising Trade Publications, Inc.","Correspondence with the IEF","Correspondence with Maritime Museum in Newport News and Philadelphia","\"Project background \u0026 history,\" \"Bonniers introduces 9 incredible toys,\" 8 photos; 1 drawing; internal memos; correspondence with Bonnier International Design (organizer); correspondence with Ruder \u0026 Finn (circulators); Bonnier materials (including tear sheets); 1 copy of New York (9/11/72)","Proposals and materials from: George Eastman House, National Association of Women Artists, Rice University, California Arts Commission, Haus Rucker Company; MFA Houston, St. Paul Art Center, Fran Grace, Walter Art Center","Proposals and materials from: Japan Cultural Society, MOMA, Museum of the Confederacy, J.B. Speed, Library of Congress, Appalachian Corridor, SITES, Renwick Gallery, Asian Theatre Artists, NGA, Sculpture Center, International Museum of Photography, Oakland","1 photograph; correspondence with Smith (juror, Museum of Contemporary Crafts); biographical information","Catalogs, prospectus, 1 photograph; correspondence with Wolf (juror; Trahey Wolf Advertising, Inc.); biographical information","Correspondence with AFA; 1971-1972 catalog","Correspondence with institutions; artists; galleries and others (including materials)","Invitation, 2 slides; invitation list; correspondence with artist; clippings; label copy; 2/72 Bulletin","Invitation; 4 slides; 5 photographs; biographical information; label copy; correspondence with artist; 3/72 Bulletin; checklists","Invitation, 4/72 Bulletin; 1 slide; correspondence with artist; internal memos; label copy; checklists; biographical information","4/73 Bulletin, 1 slide, invitation; 1 negative; 1 photograph; 12/69 Bulletin; label copy; shipping information and receipts; biographical information; checklists correspondence with artist","5/72 Bulletin, invitation; 1 photograph; 4 slides; correspondence with artist; label copy; checklists; biographical information","Invitation, 1 photograph; 4 slides; label copy; 9/72 Bulletin; correspondence with artist; checklist; shipping information and receipts","Invitation, 4 photographs; 1 slide; shipping information and receipts; checklists; biographical information; 10/72 Bulletin; label copy; correspondence with artist","Invitation; 1 photograph; 4 slides; checklists; shipping information and receipts; correspondence with artist; label copy; biographical information","Label copy; correspondence with artist; 11/72 Bulletin; checklists; shipping information and receipts","\"1972-73 Robinson House One-Man Exhibitions\" List; internal memos; schedules","1 photograph; 4 slides; label copy; 1/73 Bulletin; correspondence with artist; internal memos; checklists; shipping information and receipts","1 slide, invitation, 2 photographs; 1 new photograph; label copy; 1/73 Bulletin; correspondence with artist; shipping information and receipts","Invitation, 2/73 Bulletin; 2 photographs; checklists; biographical information; internal memos; correspondence with artist; transportation request form; label copy","Invitation, 3 photographs; 3 new photographs; 3 slides; biographical information; shipping information and receipts; checklists; correspondence with artist; transparencies request form; internal memos; label copy; 3/73 Bulletin","'72 Honor Awards Program, Virginia AIA Chapter; concealed ID form; catalogue; internal memos; prospectus copy; Virginia Chapter AIA materials; 1 copy of prospectus; catalogue copy","Correspondence with juror (Hugh Jacobsen)","2 photographs (Paul Smith); entry blanks; correspondence with artists; reception guest list; drawing (photocopy); internal memos; 1 copy of catalogue; correspondence with juror (Paul Smith)","Internal memos; checklists; fact sheets; shipping information and receipts; entry blanks","Purchase cards; annotated catalogues ('73); invoices; checklists; correspondence with purchasers; correspondence with artists; shipping information and receipts; release forms","Slides; 7 new photographs; 3 duplicate photographs","Letter (9/12/73); entry blanks; reception invitation list; shipping information and receipts; correspondence with artists; internal memos; correspondence with winners","1 copy of catalogue; catalogue copy; internal memos; checklists","Schedule; prospectus copy","Correspondence with artists; internal memos; fact sheets; checklists","Checklists; correspondence with artists","2 invitations, 8 duplicate photographs; 9 new photos; internal memos; checklists with values; correspondence with Blumkas (Mr. and Mrs. Leopold); research; correspondence re: complete loss of Gothic velvet tapestry due to water damage","7 photographs; correspondence with MOMA (circulator); checklists; internal memos; MOMA materials (including wall label, press release)","3 photographs; internal memos; panel layout notes; Accession Committee meeting minutes copies (to look at new accessions)","Invitation; photographs; label copy; drawing (photocopy)","Photographs; duplicates; 2 invitations; invitation copy; internal memos; correspondence with Whitney (circulator); Whitney materials; label copy; 1 copy of \"Edward Hopper: Selections from the Hopper Bequest,\" published by Whitney; 1 copy of 3/73 Bulletin","5 photographs; label copy; correspondence with lenders; request for information form; internal memos; correspondence re: Bernard Martin \"copying\" Alfred Newman's photograph of Hopper re: possible copyright infringement","Catalog; 2 photographs; 1 copy of prospectus; internal memos; label copy; list of designers; correspondence with AIID","Invitation, 10 photographs; internal memos; label copy; invitation copy; mailing lists","Catalog, invitation, 1 photograph; 2 slides, 1 new photograph; internal memos; correspondence with artists; label copy; 1 copy of prospectus; checklists; clippings","5/73 bulletin; shipping information and receipts; correspondence with artists; internal memos; correspondence with Thalhimer's re: display; label copy; checklists; fact sheets","1 copy of catalogue; catalogue copy; checklists; internal m emos; prospectus copy","Signed certificates; correspondence with winners","Correspondence with juror (William Seitz); biographical information","28 photographs","Memo (2/28/73); printmakers card; letter (3/22/73); internal memos","Reply cards; correspondence with artists; internal memos; checklists","1 photograph; duplicates, certificates; juror biographical information (William Pahlmann); correspondence with juror; internal memos; fact sheets; checklists; correspondence with artists; entry blanks","Prospectus (1 copy); AID Virginia Chapter '70-'71 directory; prospectus copy; catalogue (1 copy); checklists; correspondence with NSID","Photographs","3 photographs; 1 duplicate photograph; label copy; entry blank; correspondence with Solomon; biographical information; shipping information and receipts; 11/73 Bulletin","Invitation, 2 duplicate photographs, 10/73 Bulletin; 1 new photograph; label copy; correspondence with Beer; biographical information; checklists","2 photographs; internal memos; correspondence with juror (Nathan Lyons); biographical information","Photographs","Entry blank; correspondence with Dougherty","1 photograph; 1 new photograph; 9/73 Bulletin; correspondence with Davenport; entry blank; biographical information; clipping","Invitation, 2 photographs; 7 new photographs; correspondence with Lewises; drawing (photocopy); internal memos, 1 copy of May '72 W\u0026L Alumni Bulletin","7 photographs; press release; internal memos; materials from Museum of Primitive Art (organizer); clippings; catalog copy","Invitation; catalog; internal memos; correspondence with prospective jurors; 1 photocopy of prospectus; mailing list; article by Nathan Lyon (juror); clipping; NEA grant materials","Press release, 3 photographs, checklist; correspondence with IEF (circulator); IEF materials; internal memos","Research; checklists; catalog copy; mailing lists for catalogs [all materials Blaine-related]","3 clippings, 3 invitations; 7 photographs; internal memos; correspondence with Blaine; mailing lists; catalog copy (Blaine)","Nell Blaine at the Poindexter Gallery, 1972, catalogue folder; 2 new photographs; research; other catalogs; mailing lists; request for information forms; checklists; price lists; internal memos; correspondence with Boston University (Beal co-organizer); correspondence with Poindexter Gallery (Blaine co-organizer); correspondence with Lawrence Campbell (essay writer; Art Students' league); correspondence with lenders; correspondence with artists; catalog copy (Beal)","Photographs; 1 copy of Blaine catalog; list of Beal color transparencies returned","Correspondence with artist and purchasers re: sale of paintings (including copies of checks, etc.); checklists; price lists [all material related to Blaine]","1 drawing by Blaine; correspondence with Boston University, Poindexter Gallery, Blaine, Campbell, lenders; internal memos; 1 copy of Blaine catalog; clippings; loan agreement forms; other catalog (Beal); research; label copy; checklists","Correspondence with AFA; 1972-73 catalog; 1973-74 listing in new 8 ½ X 11 format (unbound)","2 copies of 67-68 catalog; correspondence with AFA; 2 copies of 68-69 catalog; clippings","Correspondence re: possible prison art show","Correspondence with Ruder and Finn","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Material re; possible exhibition of Cecil Beaton as well as Samuel Kirk \u0026 Son","Material re: possible exhibition of Cecil Beaton, as well as for Sir Jacob Epstein, and others","Correspondence re: Objects: USA (collection of S.C. Johnson \u0026 Son, organized by Lee Nordness Gallery); correspondence with various other institutions; various catalogs from late 1960s","Correspondence with various institutions; various catalogs from 1973","Correspondence with various institutions; various catalogs from late 1960s; early 1970s]","Correspondence; internal memos","1 copy of 66-67 catalog; 2 copies of 68-69 catalog; correspondence with MOMA; MOMA materials; clippings; internal memos","1 clipping on Peggy Guggenheim","Correspondence with Multiples, Inc. gallery; internal memo","Eastman House materials","Correspondence with SITES; 1972 catalogs; SITES materials; various SI bulletins; 1 catalog (French playbills)","Correspondence with IEF; IEF materials","Correspondence with IEF; IEF materials","Correspondence with MOMA; MOMA materials, 1 copy of catalog","1 piece of correspondence with Hirschl \u0026 Adler","Internal memos; correspondence with \"Curators of Art for Corporate Collections\" [actually called Danese Design]","Correspondence with IEF; IEF materials","Correspondence with Art professor at Mary Baldwin","Correspondence with Asia House Gallery; checklist; internal memo [not shown]","Correspondence with Whitney and Aldrich Museum of Contemporary Art","Correspondence with Museum of Fine Arts, St. Petersburg; internal memos","Internal memos; correspondence with Multiples, Inc.","Letter from Claiborne to members (10/24/73); 1 copy of invitation; label copy","Internal memos; checklists","Catalog, invitation, 6 photographs; 1 new photograph; 1 copy of Virginia Designers 1970 catalog; internal memos; mailing list; catalog copy; correspondence with Federal Council on the Arts \u0026 Humanities (speaker, Lani Lattin); schecklists","Members special film program card, 2 photographs; 1 new photograph; 1 copy of Wildenstein catalog; research; correspondence with Bakwin; correspondence with members; internal memos; 1 copy of invitation; 1 copy of catalog","Invitation, reply card; 1 photograph; 1 copy of Craftsmen's Biennial 2 (VCU) prospectus; 1 copy of Virginia Craftsmen 1970 catalog; 1 copy of 74 catalog; 1 copy of 74 prospectus; internal memos; mailing list; research","Invitation, 11 photographs; 4 new photographs; 1 copy of catalog \"Walter Gropius: Buildings, Plans, Projects, 1906-1969\"; correspondence; 1 copy of \"Portrait of an idea: Rosenthal Studio-Line\"; correspondence with IEF; IEF materials; exhibition contract; 1 drawing (photocopy); internal memos","VMFA exhibition SP-28; internal memos; checklist; label copy","Clippings; 1 copy of Commonwealth: the Magazine of Virginia (5/74)","2 preview invitations, lecture card, brochure; photographs; label copy","3 photographs; 1 new photograph","Announcement; 3 transparencies; 4 drawings of \"Project: Folk Art\"; correspondence with Whitney (circulator; organizer); internal memos; correspondence with Ruder and Finn; label copy; correspondence with Philip Morris (sponsor); research; invitation copy; brochure copy; Whitney materials; preview mailing list; 1 copy of 4/74 Bulletin; correspondence re: posters and billboard; clipping","Invitation, \"Project: Folk Art\"; 1 photograph; internal memos; correspondence with Ruder \u0026 Finn; correspondence with Whitney; checklists, correspondence with Philip Morris; brochure copy; clipping; correspondence with publicity; correspondence with other institutions","Catalog copy","3 photographs; 2 new photographs; TV speech copy; correspondence with De Young (other venue); correspondence with Central Virginia Educational Television; verbal storyboards","Internal memos; mailing/invitation lists","1 photograph; correspondence with Whitney; correspondence with other institutions; Whitney brochures; clippings; layout drawings (photocopies); label copy","7 photographs; duplicates: transcript, announcement card; 4 dictabelts (interview with Bill Gaines); checklists; correspondence with Chermayeff; internal memos; correspondence with Philip Morris (owners of tapestries); mailing list; 1 copy of invitation; press release; drawing (photocopy)","3 photographs; correspondence with Nancy Hoffman Gallery (organizer); correspondence with lenders; checklists; request for information form; gallery materials","Catalog; photographs; catalog copy; internal memos; checklists; correspondence with lenders; blank information request form; clipping","Photographs, 2 transparencies, 1 slide; 1 copy of invitation; internal memos; clippings; exhibition design drawings (photocopy)","33 photographs; 7 transparencies; duplicates: 15 photographs","4 photographs; 1 transparency, slides; correspondence with potential lenders; correspondence with Diebenkorn; internal memos; request for information forms; checklists","4 photographs; 3 new photos, 1 transparency; correspondence with potential lenders; correspondence with lenders; correspondence with Estes (the photos he provided were for his passport!); request for information forms; checklists; research","6 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklists; correspondence with Francis","5 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklist; correspondence with Frankenthaler; internal memo","2 photographs; correspondence with lenders; correspondence re: damage; request for information forms; internal memos; correspondence with Hans Nemuth re: portrait of Indiana (photograph)","5 photographs; checklists; correspondence with potential lenders; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklist","5 photographs; 1 new photograph, 2 transparencies; correspondence with potential lenders; correspondence with Motherwell; checklists; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 new photograph; correspondence with potential lenders; request for information forms; internal memos; checklists","5 photographs; 1 new photograph; 1 transparency; correspondence with Thiebaud; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 transparency; internal memos; correspondence with potential lenders; request for information forms; checklists","Catalog; internal memos; correspondence with Virginia AIA Awards Committee","Entry blanks; correspondence with designers; label copy; internal memos; checklists; fact sheets","1 copy of '74 catalog; catalog copy","Signed certificates; correspondence with juror (Ivan Chermayeff); clipping","Photographs","Prospectus; checklists; art directors' club materials; prospectus copy; schedule","4 photographs; correspondence with Hagan; shipping information and receipts; entry blank; label copy; 5/74 Bulletin; biographical information","Invitation; 2 photographs; 2 new photographs; 4/74 Bulletin; shipping information and receipts; biographical information; correspondence with Abbott; label copy","Invitation; 1 photograph; 1 new photograph; label copy; transportation requests; entry blanks; biographical information; correspondence with Barry; shipping information and receipts; 2/74 Bulletin","5 photographs; 1 duplicate photograph; invitations; 1/74 Bulletin; shipping information and receipts; checklists; label copy; internal memos; correspondence with Fridley","Invitation; 4 photographs; NEA booklet; 10/74 Bulletin; correspondence with NEA for Sandborn; brochure (1 copy); brochure copy; internal memos; biographical information; correspondence with Sandborn; entry blank; shipping information and receipts","2 photographs, invitations; 6 photographs; 9/74 Bulletin; correspondence with Ames; biographical information; shipping information and receipts; checklists; label copy; internal memos; entry blank","Catalog; photographs; internal memos; correspondence with artists; label copy; checklists; correspondence with Michael Graves (lecturer); correspondence with juror (Bill Newman); invitation copy; invitation list; prospectus copy; biographical information; 12/74 Bulletin","3 photographs: 1 duplicate photograph, invitations; 11/74 Bulletin; brochure; shipping information and receipts; checklists; biographical information; correspondence with Scalin; entry blank; label copy","22 photographs; 9 new photographs; internal memos; checklists","Research; checklists; internal memos; clippings; correspondence re: poster; drawings (photocopies); panel copy","Photographs","Label copy; research; checklists; correspondence with lenders; internal memos; correspondence with Comprehensive Exhibition Services (circulator); correspondence with potential lenders; blank request for information forms","8 photographs; 6 new photographs; request for information forms; internal memos; correspondence with lenders","SITES and National Art Collection Materials; internal memos; correspondence re: materials for Children's Day","1 photograph; 2 new photographs; correspondence with Delaware Art Museum (lender); 1 copy of 4/74 Bulletin; checklists; internal memos","Correspondence with IEF; IEF materials","Correspondence with potential speakers they declined","Photographs; research; biographical information; clippings, drawing (photocopy); 1 copy of 5/74 Bulletin; internal memos; correspondence with VCU (Professor Lester Van Winkle is co-organizer); correspondence with lenders; invitation list; 1 copy of invitation; checklists; correspondence from visitors","4/74 Bulletin, \"photographic resume,\" 1 photograph; 5 new photographs; correspondence with artist; biographical information","Correspondence with and materials from various institutions, galleries, and organizations; internal memos; clippings; catalog","1 photograph (William B. O'Neal, UVirginia); correspondence with potential speakers; promotional materials; internal memos","1 piece of correspondence re: questionnaire (5/2/74)","Correspondence with MOMA re: possible traveling shows","Correspondence with and materials from various institutions, organizations, and individuals re: declined exhibitions; internal memos; catalogs","Correspondence with Modern Master Tapestries, Inc. (organizing circulator) and Charles E. Slatkin, Inc. Galleries (organizing circulator); promotional materials","Signed certificates, catalog; 1 photograph; internal memo; correspondence with artists; fact sheets; invoices; checklists; clippings; shipping information and receipts","Photographs","Prospectus; prospectus copy; annotated '72 prospectus","NOVirginia invitation, jurors' statement, Lynchburg prospectus, signed certificates (NOVirginia); 10 photographs; checklists; prospectus copy; invitation copy; NOVirginia prospectus; correspondence with artists; catalog copy; Lynchburg catalog; correspondence with directors of affiliates; Lynchburg signed certificate","10 photographs; duplicates: Roanoke catalog, Roanoke invitation; correspondence with artists; Peninsula prospectus copy; Peninsula catalog copy; internal memos; Peninsula prospectus; Peninsula signed certificate; checklists; Roanoke catalog copy; clippings; correspondence with juror (Lawrence Alloway)","'75 prospectus; shipping information and receipts; annotated '73 prospectus; prospectus copy","Photographs; signed certificates, invitation; checklists; '75 catalog; correspondence with NEA re: grant; internal memos; correspondence with juror (Aaron Siskind); fact sheets; prospectus copy","Virginia Commission of the Arts and Humanities grant application","Catalog; catalog copy","1 signed certificate; correspondence with winners","Photographs; 1 copy of '75 catalog","Prospectus copy; internal memos; correspondence re: prospectus","Catalog; purchase cards; invoices; correspondence with artists; internal memos","Reply cards; checklists; correspondence with artists","Invitation, 1 photograph; shipping information and receipts; correspondence with potential jurors; correspondence with juror (Robert Buck); biographical information; schedule; internal memos; checklists; 5/75 Bulletin","Signed certificates; fact sheets; correspondence with juror (Elke Solomon); biographical information; internal memos; checklists; correspondence with artists","Photographs; prospectus; prospectus copy; 1 copy of catalogue; catalogue copy","Letter 2/9/75, purchase card; correspondence with artists; internal memos; invoices","Checklists; correspondence with artists","Invitation, 5 photographs; 1 new photograph; internal memos; invitation copy; correspondence with Mrs. Lammot DuPont Copeland [collector of the year]","1 copy of 2/75 Bulletin; internal memos; checklists (Artmobile exhibition); label copy","1 photograph; 1 copy of catalog; 1 copy of prospectus; internal memos; checklists","Photographs; checklists; label copy; catalog copy; research; invitation copy; correspondence with NC Museum of Art; internal memos; mailing list; 1 copy of invitation","2 photographs; \"1940, Remember?\" clipping; correspondence with Library of Congress Prints \u0026 Photographs Division; internal memos; research; checklists","Catalog, \"Observations on …,\" \"Collecting,\" 2 photographs; 2 new photographs; correspondence with O'Neal; checklists; internal memos; catalog copy; biographical information","4 new photographs; catalog","Catalog, 4 photographs; 4 new photographs; checklists; correspondence with Lewises; internal memos","Catalog, invitation, 6 photographs; 2 new photographs; 1 copy of prospectus; internal memos; invitation copy; correspondence with Robert Buck (juror, Director of Albright Knox)","1 internal memo","1 catalog, 5 photographs; 1 new photograph; internal memos; checklists","Invitation, 6 photographs; 6 new photographs; correspondence with University Art Gallery (Rutgers, organizer); internal memos; invitation copy; correspondence with VM Youth Guild; clipping; correspondence from visitors; 1 copy of catalog; list of books for sale at VMFA Shop","\"Art as Adornment\"; 10 photographs; internal memos; checklists; label copy; catalog copy","3 new photographs; 3 duplicate photographs; correspondence with Art Museum of South Texas (borrower)","Correspondence with Josef Albers Foundation; correspondence; internal memos","Invitation, catalog; internal memos; correspondence re: successful NEA grant; grant   materials; statistics","1 photograph; internal memos; checklists; correspondence with Light Gallery (lender); correspondence with Siskind","Press release; photographs; correspondence with AFA (circulator); correspondence with Museum of Primitive Art (lender); drawing (photocopy); in use list; internal memos; correspondence with African Arts magazine; clipping","Poster, catalog, 1 photograph; 4 new photographs; correspondence with AFA; checklists; internal memos; exhibition contract; invitation copy; correspondence with African Arts; correspondence with Museum of Primitive Arts; correspondence with local TV station","\"Masterpieces of Pre-Columbian Art,\" 5 photographs; 1 new photograph; internal memos; label opy; Artmobile slide lecture copy","Correspondence with Museum of the American Indian (organizer); internal memos; clipping","Correspondence with Met (organizer); internal memos","Correspondence with Hyatt re: possible accommodations; correspondence with AAM; internal memos","3 photographs; 3 new photographs; correspondence with lenders; request for information forms; checklists; shipping information and receipts; 1 copy of invitation","3 photographs; 3 new photographs; 1 copy of brochure (\"Landscape in Photography\");   internal memos; checklists","12 photographs; brochure copy; internal memos; checklists; panel copy; press releases","Correspondence with artist; 1 copy of invitation; clipping; internal memos; press release","3 photographs; 12 new photographs; correspondence with MOMA (organizer); checklist; exhibition contract; internal memos; clipping; MOMA materials","Unsigned certificate; 2 photographs; duplicates: letter 8/1/75, 2 blank information forms","Photographs","2/75 Bulletin, invitation, 1 photograph; 2 new photographs; internal memos; correspondence with artist; shipping information and receipts; biographical information; label copy","Invitation; 2 photographs; 4 duplicate photographs, 11/14/74 memo; internal memos; label coy; blank floor plan; 1/75 Bulletin; correspondence with artists; clippings; invoices [lots of correspondence re: student show]","21 photographs; information forms; biographical information; correspondence with artists; internal memos; label copy","2 photographs; duplicates: Roanoke prospectus, Peninsula prospectus, Roanoke catalogue; clippings; correspondence with artists; prospectus copy; juror biographical information; internal memos; correspondence with jurors; NOVirginia prospectus; annotated Roanoke prospectus; checklists; signed certificates; invitation; blank certificates","Photographs; drawings (photocopies); panel copy; research; catalog copy","Checklists by object type (transferred contents of a binder)","Photographs","3 photographs; internal memos; correspondence re: events such as demos and clinics; research; correspondence with visitors; invitation copy; correspondence re: catalog; correspondence with lenders; checklists","Label copy; checklists; research","Photographs; correspondence with lenders; internal memos; correspondence with Virginia Commission of the Arts \u0026 Humanities re: special funding; checklists; research","Catalog copy; research; checklists; labels","Photographs; checklists; other lists","15 photographs; shipping information and receipts; catalog proof; checklists; catalog copy; research; lists by type","10 photographs; 2 new photographs; correspondence with Toledo Museum of Art (organizer); checklists; insurance certificate; clipping, correspondence with Steuben; 1 copy of \"Steuben: 70 Years of American Glassmaking\"; internal memos; correspondence with publicity","\"Forms in Metal\" catalogue; 1 photograph; correspondence with Museum of Contemporary Crafts (organizer); exhibition contract; Museum of Contemporary Crafts materials; internal memos; drawing (photocopy)","3 photographs, invitation, reply card; 1 copy of catalog; correspondence with Lawrence Alloway (juror); invitation copy; internal memos; correspondence with members of arts organizations coming to ceremony; guest lists","Exhibition contract; correspondence with MOMA (organizer); MOMA materials; checklist; internal memos","Checklists; correspondence with University of New Mexico (organizer); research; exhibition contract; internal memos; correspondence with Western Association of Art Museums (organizer); biographical information; drawing (photocopy)","2 photographs; correspondence with Dean Brown Foundation (curator is Carol Brown, widow) and Akron Art Institute (organizer); internal memos; biographical information; AAI materials","Correspondence with Bowdoin (organizer) [cancelled]; Bowdoin materials","3 photographs; correspondence with Israel Museum; clippings","2 photographs; correspondence with Museum of the American Indian; correspondence with Phillip Morris (connection to Museum of AI)","Catalog, prospectus; statistics; letter to members of \"Richmond Communicating Artists\"","Photographs; internal memos; VMFA materials; label copy","One press release [written by Bob Keefe] re: Reeves collection","Internal memos","Correspondence with Terry Dintenfass (organizer); internal memos","19 photographs; correspondence with Gallery Association of New York State (organizer); internal memos; checklist; correspondence with Architectural League of NY (organizer); budget materials (for fundraising); GANYS materials","Photographs; 2 slides","1 drawing; 1 photograph; duplicates: museum tear sheet; general museum and various exhibitions' label copy; catalogue or essay copy for \"The 18th Century Drama\"","Biographical information","Attendance statistics","Label copy","Fact sheet","List of music for Danish Silver exhibition","Lists of alumni in Richmond","2 drawings; Leslie Cheek Jr.'s notes","2 drawings","3 drawings","3 drawings","2 checklists of members","1 drawing; list of photographs for panels","1 drawing","\"Remarks\" 5/25/77","Internal memos; article copy; checklist; correspondence re: permission to publish images","1 transparency; catalog copy; internal memos; correspondence with lenders; research; correspondence re: transparencies; correspondence with Mariner's Museum","Internal memos; correspondence with lenders; correspondence re: transparencies; catalogue copy","Blank information forms","Catalog copy","1 photograph [Vose Galleries]; correspondence with lenders who denied loans","Catalog proofs","Correspondence with Suffolk Art League","Correspondence with Mint Museum; Mint materials","1 copy of \"The Virginia Peninsula Today,\" 11/76; speech copy","Checklists; correspondence with Met re: possible loan","Invitation lists","2 duplicate photographs; 2 new photographs; request for information forms; correspondence with potential lenders","Checklists; internal memos re: postcards for sale (correspondence with other museums' shops)","Press release (8/26/74); correspondence with Mariners Museum; internal memos; clippings; fact sheet","3 photographs","Photographs","Photographs","Request for information forms (folder 2)","Request for information forms","Internal memo; correspondence with Vose re: catalogue; Artmobile label/brochure copy","Budget information; internal memos","Artmobile label copy; Artmobile layout drawing (photocopy)","Research","Slide lists","Internal memos; Artmobile brochure; checklists; Artmobile teachers' kit; clipping","Photographs","Correspondence with potential lenders; internal memos","Correspondence","Correspondence with lenders; correspondence with Mariners Museum; checklists","Checklists","Checklists; correspondence with Mariners Museum","1 slide; 1 photograph (A. Cary Smith, portrait of the Yacht Agnes); correspondence with lenders; research; internal memos; schedule; correspondence with mariners Museum; clippings; other materials","Internal memos; invitation lists; correspondence with attendees/invitees; clipping","Correspondence and internal memos re: budget","Lists; schedule; correspondence with Mariners Museum; correspondence with film companies; internal memos","Budget information; internal memos; correspondence with Mariners Museum; correspondence with NEA; clipping; grant application","6 photographs; correspondence with NNS; 1 copy of \"3 Generations of Shipbuilding\"; NNS materials; \"Men, Ships and the Sea\"; Bring Her Home\"; label copy for publicity photographs0; \"Always Good Ships\"","Label copy","14 duplicate photographs; 2 new photographs; 1 drawing; internal memo","Invitation; invitation list; correspondence with Mariners Museum; internal memos","1 photograph; internal memos; correspondence re: cancellation of Virginia Architecture 1976 (Reality and Revival is the replacement); label copy; drawings of panels (photocopies); '76 AIA honor program","Internal memos (2)","Signed certificate; correspondence with juror (Alan Shestack); correspondence with artists; checklists; internal memos; one entry","Prospectus; photographs; 1 copy of catalog (annotated); biographical information on juror (Alan Shestack, Director of Yale University Art Gallery); checklists; catalogue copy; prospectus copy; un-annotated copy of catalog","2 photographs; internal memos; correspondence with artist","1 photograph; 1 invitation; checklists; internal memos","1977 invitation; internal memos; '77 catalogue; correspondence with NEA re: grant; '77 prospectus; correspondence with juror (Lloyd Herman)","25 slides, 9 photographs; 1 duplicate photograph; clippings; correspondence with Santa Barbara Museum of Art (organizer); internal memos; correspondence with SITES (circulator); 1 copy of catalog; labels; schedule; checklists; Santa Barbara materials, including press release and prospectus; exhibition contract","Photographs; invitation list; announcement; correspondence with artist; announcement copy; price list; entry blank, invitation (signed \u0026 22/58)","Photographs; invitation list; price list; entry blank; announcement; announcement copy; biographical information; internal memos; correspondence with artist","3 photographs; invitation list; entry blank; invitation; internal memos; clipping; biographical information; correspondence with artist","1 photograph; invitation; announcement proof; correspondence with purchasers; biographical information; checklists; invitation list; correspondence with artist","3 photographs; announcement; announcement copy; invitation; internal memos; entry card; correspondence with artist; biographical information; invitation list","3 photographs; announcement; checklists; entry blank; invitation list; correspondence with artist; invitation; biographical information","2 photographs; checklists; correspondence with artist; artists' sale terms and conditions; announcement; invitation list; biographical information; invitation; internal memos","Announcement; invitation; correspondence with artist; announcement copy; biographical information; invitation list; internal memos","Announcement, invitation; announcement copy; biographical information; entry blank; Guggenheim fellowship application; clippings; correspondence with artist; invitation list","Invitation; schedule; 1 copy of prospectus; correspondence with Thalhimer's; internal memos; statistics; correspondence with artists","Prospectus copy; label copy; jurors' statement copy; 2 copies of catalog (1 annotated; 1 not); catalogue copy; correspondence with visitor re: complaint about nude woman in painting","5 photographs; 8 duplicate photographs","Signed certificates; 1 photograph; invitation; internal memos; correspondence with artists; correspondence with juror (Suzanne Delehanty); checklists; statistics","Checklists; correspondence with Thalhimer's; correspondence with artists","Checklists; correspondence with artists","Form letter to Virginia artists from Director Peter Mooz; correspondence with purchasers; correspondence with artists; internal memos; invitation list; reply cards","Internal memos","Invoices; budget information; incident report; correspondence with artist","Invitation; clippings; poster; materials from other exhibitions","Clippings; materials from other exhibitions","Postcard; checklists; label proof; lecture; invitation copy; installation drawing [checklists from Edwin A. Ulrich Museum of Art, Wichita State University)","7 photos; 5 new photos","Correspondence with Wichita State; correspondence with Lewises; correspondence with artist; correspondence with Whitney (other venue)","Invitation, reply card, brochure; 5 photographs; 1 copy of catalogue: \"The Proctor \u0026 Gamble Company Antique English Coffee Pots: The Folger's Coffee Collection\"; correspondence; internal memos; correspondence with the Rowland Company (organized the show); correspondence with Proctor \u0026 Gamble; invitation copy","3 photographs; correspondence with lenders; clippings; internal memos; correspondence with Lewises (lenders of typewriter eraser)","Invitation, 5 photographs; 33 new photographs; clippings; internal memos; correspondence with Kreegers; checklist; drawings (photocopies); invitation list; research; label copy; invitation copy","Internal memos; specs. For A.V. presentation; presentation copy","Invitation; invitation copy","2 slides; photographs; internal memos","Photographs","Budget information; internal memos; invoices; research on Owen Cheatham Foundation","Correspondence with public; correspondence re: copyright; internal memos; publicity schedule","Internal memos; label copy; checklists; drawings (photocopies)","Label copy; internal memos; catalogue proofs; correspondence re: copyright; invitation; checklists","Internal memos re: duties \u0026 plans","Clippings; internal memo","Checklist; research of the objets d'art; Owen Cheatham catalog (1 annotated; 1 not)","40 slide set from MOMA","Clippings","1 copy of VMFA operating budget, 1976-77","2 slide lists (102 slides \u0026 40 slides); checklists; MOMA brochure re: slide set","Correspondence with speakers and hostesses","Installation instructions; internal memos; checklists; drawings (photocopies); correspondence with MOMA; MOMA materials","Correspondence with MOMA; internal memo","Checklists; correspondence with MOMA; MOMA materials","Internal memo re: related books in VMFA Shop; exhibition bibiliography","Photographs","Richmond Sinfonia program; letter from MOMA (6/20/75); exhibition contract; internal memos; correspondence with MOMA; budget information; MOMA invitation; American Art Since 1945 (1 copy of catalogue, loose)","Invitation (3 pieces); invitation list; internal memos; correspondence with MOMA; invitation copy","1 photograph; correspondence with Lewises; clipping; internal memos","Checklists (MOMA materials)","Internal memo","Internal memos and information re: Brandts' trip to Greenville to see show","MOMA materials for labels","Correspondence with MOMA re: posters","Photographs; clipping; correspondence with Mark Davis (curator at the Century Association); internal memos; checklists; label copy","Brochure (summer exhibition announcement), 1 photo; 19 slides; 3 photos; correspondence with SITES (circulator); checklists; internal memos; exhibition contract","Summer exhibition announcement; 8 slides; 9 photos; correspondence with SITES (circulator); exhibition contract; checklists; internal memos; SITES materials including SITES press release; clippings; label","2 photos; checklists; internal memo","2 photos; 5 slides; internal memos; correspondence with artist; clippings; correspondence with Bowdoin (circulator); Bowdoin materials; checklists; budget information; biographical information; research","Correspondence with various institutions; correspondence with visitors; internal memos; correspondence with publicity; materials from other exhibitions; invitation; invitation copy; installation drawing; checklist","Clippings; internal memo","Correspondence with AFA re: circulation, catalogue proof inserted in file","Internal memos; correspondence with printer re: mistake; correspondence with AFA; catalog copy; checklists; correspondence with Wiltshire","Photographs","Checklist","Slides","Invitation; catalog copy; checklist","Drawings (photocopies); internal memos; budget information; checklist","Invitation; invitation lists; internal memos; correspondence with AFA","Label copy","Label copy; correspondence with Weisgall; biographical information; checklists; research","Frames checklist; correspondence with Weisgall; March'78 Bulletin","Correspondence with Weisgall; internal memos; clipping; catalog; catalog copy; budget information","Photographs","Invitation, Richmond News Leader clipping (1/30/78); internal memos; correspondence with musicians; program copy; all re: musical program, musical scores; one copy of \"The Collecting Muse: The Nathalie \u0026 Hugo Weisgall Collection\"","Poster","Clippings","Budget information; internal memos; correspondence with Fred Hughes of Andy Warhol Enterprises; correspondence with sponsors; correspondence with Coe Kerr Gallery; correspondence with artist; correspondence with Weisman; checklists [no signatures]","Postcard (2), 7 photos; 2 new photos; clippings","1 photo; internal memos; catalog proofs; clippings; correspondence with VCU re: silk screening project; budget information; catalog copy","Correspondence with potential lenders","Photographs; slides","Correspondence with MFA Boston (lender)","Correspondence with Chrysler (lender)","\"NEW\" loan agreement form","Correspondence with Ackland (lender)","Correspondence with AIC (lender)","Correspondence with BMA (lender)","Correspondence with Phillips (lender)","Correspondence with Clark (lender)","Correspondence with Mellon (lender)","Correspondence with Met (lender)","Correspondence with NCMA (lender)","Correspondence with lender","Correspondence with various institutions; checklists; internal memos; clippings","2 invitations (6 parts total); internal memos; invitation list","Budget information; internal memos; Virginia Commission for the Arts \u0026 Humanities grant information","IPR's; internal memos (form about 1 year old for IPR)","Drawings (photocopies); checklists; internal memos","Clipping; internal memos; press release copy","Checklist (4 part)","Label proofs; label copy; 1 copy of checklist","Label proofs; **clippings inserted in folder at end**","Invitation; prospectus; internal memos; program schedule; correspondence with hostesses; schedule; correspondence with juror (Thomas Barrow, Associate Professor of Photography, U of New Mexico)","Invitation; internal memos; drawings (photocopies); correspondence with Ms. Conover Hunt-Jones (consultant); checklists; correspondence with sponsors; budget information","Internal memos","Label copy","Photocopy from a catalog for scientific instruments","LACMA press release, \"Major Silver and Mosaic Collections…\"; label copy; research; LACMA materials (circulator)","Biographical information on John Gilmore Ford","Checklist proof; checklist copy","Internal memos; IPR's; budget information","1 duplicate photo","Exhibition contract; correspondence with LACMA; internal memos","Correspondence with Gilberts; internal memos; correspondence with LACMA","Internal memos; drawings (photocopies); 1 copy of LACMA paper; correspondence with LACMA","Invitation (2 – both in 2 parts); internal memos","Correspondence with public (all wanted to know dates of show after reading Smithsonian!)","Envelope containing checklist from Ford with insurance values; 1 copy of invitation; 1 copy with catalog","Budget information; IPR's","Label copy; research","8 new photos; 2 duplicate photos; drawings (photocopies); checklists; internal memos","Clippings; label copy; invitation copy; 1 copy of Weisgall invitation","Empty folder","14 new photos","Correspondence with hostesses; correspondence with Collectors Circle members; mailing list; correspondence with Ford","2 photos; duplicates: invitation, November '78 Bulletin; 1 copy of Collectors Circle program","Internal memos","Invitation, Guggenheim press release; correspondence with lenders; correspondence with Guggenheim (circulator); drawings (photocopies); checklists; clippings; internal memos","Checklists; label copy","Budget information; slide script copy","Internal memos; correspondence with Guggenheim; schedule for Contemporary Art One-Day Symposium (2/14/79)","Label copy; loan agreements; correspondence with lender; internal memos","Checklists; script copy; catalogue copy; clippings; correspondence with visitor; copy of Guggenheim brochure; research; label copy","5 duplicate photos; 9 new photos","Exhibition summary, form letter, information questionnaire; checklists; drawings (photocopies); internal memos; correspondence with galleries re: biographical information for artists; clipping","13 slides; open house poster; catalogue; label copy","Checklists; catalog copy","Drawing (photocopy); checklists","Remarks by Woodward at press conference; clippings; remarks by Mooz at press conference","IPR's; budget information; calendar","Internal memos; meeting minutes, panel drawing (photocopy)","1 piece of correspondence with Columbus Museum of Art re: show","Empty folder","Checklists; annotated gallery guide","Agenda; family tree; IEF materials; correspondence with IEF; notes; internal memos","Correspondence with IEF; correspondence with visitors; internal memos; correspondence with corporate sponsors; schedule; correspondence with other museum locations; exhibition contract","Internal memos; invitation copy; schedules; meeting minutes; checklists","14 photos; correspondence with IEF","1 copy of bumper sticker; place card; brochure; announcement; internal memos; meeting minutes; correspondence with IEF; clipping","Invoices; IPR's; internal memos; budget information","Checklists; internal memos","Note","Invoices; internal memos; budget information","Internal memos; drawings (photocopies); correspondence with Lewises re: closing Art Nouveau facility","List of films \u0026 lecturers from IEF","Correspondence with IEF re: Duke's address; internal memo","Internal memos","Internal memos; lists of tour groups","Biography, general information, itinerary, \"Short History of Chatsworth\"; IEF materials (including press release)","Timetable; meeting minutes; proposed schedule","Agendas; notes; checklists; internal memos","IPR's; internal memos; invoices","\"A.V. Program\" script; correspondence re: school A/V program; internal memos; budget information","Budget information; internal memos; correspondence with IEF","Calendars; internal memos","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF; 1 copy of the \"Chatsworth Herald\"; guide for children published by VMFA","Schedule; internal memos; correspondence with IEF","Internal memos; meeting minutes","Photos; NEA reports","Correspondence with IEF; correspondence with other museums (including invitation","Internal memos; budget information","Exhibition contract; correspondence with IEF; correspondence with corporate sponsor","Internal memos; correspondence with patrons","Internal memos","Internal memos; correspondence with ESU branches; correspondence with IEF","Internal memos; correspondence with IEF","Huge final report; internal memos; budget information; back-up report information","Internal memos; correspondence with invitees; meeting minutes; correspondence with IEF","Correspondence with IEF; internal memos; correspondence with other museums","Clippings; internal memos; correspondence with publicity; TV spot script; budget information; correspondence with IEF","Weekly reports; internal memos","Price lists; internal memos; invoices; correspondence with other museums","Internal memos; drawing (photocopy)","Envelope that couldn't open without ripping","Slide lists; budget information; correspondence with other museums; correspondence with printers; internal memos; correspondence with IEF; correspondence with Duke; reports","Final report on sales; internal memos; teacher form letters \u0026 materials; group bus forms; \"docent study materials\" from Toledo Museum of Art","Internal memos","Prospectus; internal memos; statistics; correspondence with hosts; correspondence re: juror (Lasansky)","Invitation; internal memos; label copy","Internal memos; meeting minutes; annotated gallery map","Correspondence with artists whose work purchased by Museum; internal memos; '79 prospectus; '79 invitation; correspondence with D'Arcangelo (juror)","Invitations; invitation list; internal memos; invitation copy","Schedule draft","Checklists; label copy","Correspondence with visitors and inquiries about show","Clippings; internal memos; list of press kits sent","Invitation lists; correspondence with Lewises for names","List of music; sheet music","Research; 1 piece of correspondence with Yvonne Brunhammer","Program, invitation; correspondence with attendees; clipping; correspondence with speakers; internal memos; participant list; invitation lists; 1 copy of program for 1977 \"Great Collectors of American Decorative Arts\" weekend","Internal memos; correspondence with printers; printers' materials","Budget information; correspondence with lenders; checklists; research","5X7 cards per object","Photographs; photocopies of images","Checklists; clipping; label copy; research","Internal memos; correspondence with film organizations \u0026 vendors; IPR's; information and catalogs for projectors","2 invoices from shipping company","Correspondence with Gras re: insurance for French loans","Correspondence re: shipping of works","Correspondence with other museums re: possible travel","Photocopies of photographs","Photographs; internal memos; checklists; drawings (photocopies)","Invoices; catalogue copy; correspondence with Martin Battersby (essayist)","Label copy","Research","Correspondence with Brunhammer (conservateur @ Musée des Arts Décoratifs, Paris) re: French loans; checklists","Correspondence with d\"Iberville @ Museum of Decorative Arts, Montreal re: possible venue for show (denied)","Correspondence with Harris (guest curator); research; internal memos; Harris; c.v.; schedules","Photos; 1 new photo; correspondence with AIC (lender); loan agreement","Photo; correspondence with BMA; loan agreement","Correspondence with BHP","Photo; correspondence with BF; loan agreement","Correspondence with MFA, Boston","Photos; 1 transparency; correspondence with BAD; loan agreements; checklist","1 duplicate photo; correspondence with Brooklyn; internal memos; loan agreement; research","Photos; correspondence with Merklen; loan agreements; research","Photos; correspondence with Chrysler; loan agreements","Photos; correspondence with CMA; loan agreements; label","Photo; correspondence with CMG; loan agreement","Photos; correspondence with Fine Arts Museum; loan agreements","Correspondence with Haskell; loan agreement","Correspondence with LC; loan agreements","1 photo; correspondence with Lieberman; loan agreement","Photo; correspondence with Darien House, Inc.","Photos; correspondence with Macklowe; loan agreements","Photo; correspondence with McNay; loan agreement","Photos; correspondence with Maryhill; loan agreements","Photo; correspondence with Gallion","Photo; correspondence with Musée; loan agreement","Correspondence with MOMA; loan agreements","Correspondence with NARA","One negative (8 X 10); correspondence with NYPL; loan agreement","Photos; loan agreement; correspondence with Pollard","Photo; correspondence with Pratt; loan agreement","Correspondence with Reed; research","Transparency; 9 duplicate photos; correspondence with Schimmel; loan agreement","Photo; correspondence with Silverman; correspondence with Sotheby's; loan agreement","Correspondence with Sommer; research; loan agreement","Correspondence with U of CA","Empty folder","Correspondence with Vitry; loan agreement","Photos; correspondence with Wittamer de Camps; loan agreements","One photo","Two duplicate photos","Correspondence with University","Correspondence with SDSU","Correspondence with NGA","Correspondence with Musée","Correspondence with Met","Correspondence with DIA","Correspondence with Delaunay","Correspondence with Albertina","Correspondence with Gallery","1 poster; internal memos; label copy; 1 copy of brochure","Internal memos; donor lists; list of lenders; correspondence with invitees; 1 copy of invitation; correspondence re: and with Collectors' Circle","Budget information, IPR's","List of invitees; correspondence from invitees","Label copy; internal memos","1 copy of member mailing with brochure; donor lists; brochure copy","Notes","Internal memos; budget information; checklists","Internal memos; drawings (photocopies); checklists","Label copy; 1 copy of brochure; 1 copy of \"The Tidewater Guide\" (5/80)","23 photos; 1 duplicate photo; 1 copy of brochure","19 photos; internal memos; mailing lists; clippings; correspondence re: catalogue; label; correspondence with lending brochure copy; correspondence with public; drawing (photocopy); schedule; checklists; correspondence re: speaker; correspondence re: shirts","Photos; 5 duplicate photos; case design drawing","Brochure; 4/80 Bulletin; clippings; 1 copy of invitation; 5/80 Bulletin; 1 copy of mailing","Correspondence","1 piece of correspondence with Linda Connor (juror); 1 copy of catalog","28 photos [photos don't seem to be of Designers show]","Label copy; checklists; internal memos; drawings (photocopies); correspondence with publicity","Shipping information \u0026 receipts; label copy; internal memos; clippings; traveling checklists","SITE materials; label copy","Invitation; internal memos; invitation copy; checklists","1 poster; clipping","Photos; clippings; folder with photos; clippings; press releases","Internal memos; correspondence with publicity; correspondence with SITE; correspondence with hosts; correspondence with James Wines (co-founder of SITES, speaker); correspondence with BEST; list of invitees; budget information; schedules","Internal memos; schedules; correspondence with publicity; correspondence with BEST","Internal memos; invoices; correspondence with BEST; Purchase order; budget information, IPR's","Three photos; label copy; internal memos; correspondence with SITE; drawing (photocopy); schedules","Invitation; internal memos; correspondence with Milwaukee Art Center (circulator); invitation list; poster","Invoices; IPR's; budget information; correspondence with Milwaukee; internal memos","Internal memos; correspondence with Milwaukee; correspondence with Philip Morris; symposium program copy","24 photos; invitation; internal memos; Milwaukee materials; drawings (photocopies); checklists; correspondence with Milwaukee","10 photos; press release; 1 copy of catalogue; 1 poster; label copy; research; Milwaukee materials; 1 copy of 1/80 Bulletin; meeting minutes","Poster; label copy; catalog copy; clippings; research; 1 copy of Spring '77 AIV; 1 copy of 11/79 Bulletin","Invoices; internal memos; budget information; correspondence with MFA Houston (circulator); exhibition contract","Correspondence with MOMA; internal memos; correspondence with MFA Houston; copy of birth certificate (!)","4 new photos; internal memos; checklists; label copy; drawings (photocopies); schedules","Internal memos; correspondence with Bruce (Patrick Henry Bruce's son, who came to see show for 4 days, only venue he visited, lived in CA) \u0026 wife; correspondence with MFA Houston; invitation list","Shipping information and receipts; 1 copy of catalogue; correspondence re: catalogue requests; VFH grant application, internal memos","Photos; clippings; VFH materials; VFH grant application; correspondence with Mrs. John Dos Passos","Clippings; internal memos","Catalogue; label copy","Research; checklists; correspondence with Mary Ellen Stumpf (consultant); label copy","Correspondence with VFH; VFH materials; grant application; narrative; grant report; internal memos","IPR's; budget information","Correspondence with institutions lending images; internal memos; other museum catalogues; correspondence with Dos Passos; correspondence with Stumpf (consultant, VCU faculty member); correspondence with visitors","Annotated catalog; shipping information \u0026 receipts; checklists; correspondence with Dos Passos","10 photographs; research; list of invitees; clippings; internal memos; biographical information; correspondence with May Cossitt; subpoena for Pinkney for trial (!)","Correspondence with Ruder Finn (circulator); invitation copy; internal memos","IPR's; internal memos; invitation list","16 photos; internal memos; IPR's drawings (photocopies)","Invitation; internal memos; correspondence with AMEX; invitation copy; invitation list; 1 copy of brochure","\"Henri-Cartier-Bresson: Glimpses\"; clippings; research","Label copy; checklists","Invitation","Internal memos; catalog copy; research; label copy","Correspondence with Yale (organizer); correspondence with AFA (circulator); AFA materials (including checklist); research; 1 copy of brochure","Materials from other institutions","Correspondence with AFA; internal memos; exhibition contract; AFA materials","Internal memos; schedules; invitation copy; checklist","Drawing (photocopy); internal memos; correspondence with AFA; AFA checklist","Correspondence with Yale University Art Gallery","IPR's; PO's; invoices; [1 copy of poster inserted here]","Correspondence with AFA; internal memos; clipping","Invitation, postcard; 1 copy of other preview invitation; invitation lists; information sheet on one-day symposium","1 poster; correspondence with AFA (circulator); research; NEA application","Label copy; AFA checklists","Specs. For \"New Gallery Entrance\" (8/29/79) [remodeled a gallery \u0026 named it the Mottahedeh Gallery] by Hardwicke \u0026 Associates; IPR's; internal memos; label copy; invoices, P.O.'s; correspondence with Mottahedeh; budget information","Postcard, special events postcard, 8 photos; 4 new photos; NEA Grant narrative; internal memos; correspondence with AFA; correspondence with NY State Museum re: found Maria \u0026 Julian Martinez pottery; rubbing of their signature; label copy; invitation lists; IPR's; AFA checklist; budget information; exhibition contract; postcard proofs; drawing (photocopy); NEA Grant application","Two slides; invitations; internal memos; correspondence with Mint (organizer); installation drawings; checklist; correspondence re: opening","Clippings; catalog copy; Mint materials; invitation","Two duplicate photos; 3 new photos","Checklists; research","7 photos","Internal memos; checklists; correspondence with lenders; loan agreements","Invitation; internal memos; correspondence with lenders; loan agreements; correspondence re: opening; invitation list; invoices; installation drawing; exhibition contract","Invitation; correspondence; clippings; label proofs; correspondence with lenders; correspondence with media; correspondence with visitors; internal memos; loan agreements; checklists; research","6 photos; 7 duplicate photos","Internal memos; schedule; label copy; research","Internal memos; IPR's; budget information; invoices","One slide; 13 photos; 3 duplicate photos; correspondence with one lender","Checklist; label copy; internal memos; lecture copy; research; checklist copy","Invitation; research; internal memos; correspondence with lenders; loan agreements; correspondence with media","IPR's; invoices; internal memos","Checklists; research; list of lenders","Internal memos; checklist copy; label copy; research","Correspondence with lenders; correspondence with visitors; internal memos","Installation drawing; internal memos; checklists; label copy","Internal memos; budget information; invoices; shipping information","Invitation copy; internal memos; correspondence with lender; notes; 1 copy of invitation; 1 copy of Collectors' Circle program","IPR's; invoices; correspondence with printer; research; internal memos","Schedule; correspondence re: carpet","Label copy; checklists","Ibsen \u0026 Munch brochure, press release, poster; 4 slides; photographs; clippings; internal memos; 1 copy of checklist","Internal memos; correspondence correspondence with artists; incident report re: warehouse alarm","Internal memos; correspondence; research/notes on show idea [fascinating committee work/proposals on how to revise Virginia artists shows] [mainly Woodward, Burke, Farago]","Proposals; form letters; notes","Advanced purchase program proposal; form letters; notes; invitation","Notes (Pinkney Near); research","Catalog copy; photocopies of photos","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Mailing lists; correspondence","Internal memos; invitation list","Invitation, 5 photos, slides; correspondence with visitors; internal memos; checklists; correspondence; clippings; drawing (installation); correspondence with lender; invitation list; IPR's; budget information; notes; research","Clippings","Invoices; research; correspondence with lenders; 1 copy of catalogue","Correspondence with lenders; research","1 invoice; research","Research","10 photos; correspondence with lenders; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Slides; 1 reel to reel audiotape","Correspondence with HHK; internal memos; correspondence with other institutions","Invoices; IPR's; internal memos","Correspondence with Attorney General; exhibition contract; facilities report","Two photos (not in exhibit); museum mailings; clippings; label copy; internal memos","Mailing, 1 photo; 12 new photos; internal memos; proposals, HHK materials; mailing copy; schedules; notes","Photos; checklists; internal memos; catalog copy; label copy","Slides; label proofs","Correspondence with Portland Art Association of Portland Art Museum (organizer); internal memos; exhibition contract","Four photos; shipping info \u0026 receipts; internal memos; correspondence with other institutions [mainly Allentown Art Museum]; invoices; notes; IPR's; research","Internal memos; purchase orders; correspondence with other institutions; research","\"Why We Commemorate\" by Armenian National Committee, invitation; 1 transparency; one copy of brochure; schedules; label copy; internal memos; clippings; Portland Art Museum materials; invoices; IPR's; correspondence with Turkish ambassador; Allentown materials; notes; checklists; correspondence with Binney","Invitation list; 1 copy of invitation","10 slides; 'Scribbler' Twombly clipping, mailing card; 3 photos; label copy; checklists; clippings; DIA Art Foundation materials (organizer); invoices; catalog copy","Internal memos; correspondence with Newport Harbor Art Museum (organizer); correspondence with speaker; correspondence with visitors; drawings (installation); exhibition contract; correspondence re: rescheduling","Slides; 6 photos; 12 duplicate photos; duplicates: mailing card, 2 clippings","Slides","Checklists; label copy; catalog copy","Notes; internal memos; drawing (installation); checklists; correspondence with Delaware Art Museum (Collection home)","Label copy; catalog copy; research","Mailing brochure, catalog; slides; 3 transparencies; 19 photographs; 1 negative; 6 duplicate photos; internal memos; press release; label proofs; clippings; Delaware materials","One photo; research; notes","Invoices; IPR's; check requests; internal memos; correspondence with vendors","Internal memos; clippings; correspondence with Delaware Art Museum; correspondence with lender; correspondence with visitors; correspondence with other institutions","Clippings; bulletin; internal memos; correspondence re: publications; catalog copy; label proofs; mailing brochure copy","6 photos (duplicate in Folder 20); 1 internal memo","Notes; research","Notes; checklists; loan agreements","Checklists","Correspondence; notes","Correspondence with Office of Attorney General; exhibition contract drafts; internal memos","Exhibition contract; internal memos; correspondence with DIA","Exhibition contract; budget information; correspondence with Philbrook; internal memos; loose material \u0026 notes re: 18th century prints of antiquity/archaeology","Photos; correspondence; internal memos; budget information; notes; schedule","Internal memos; IPR's","Internal memos; IPR's; \"Publicity Outline\" report","Schedules","\"A Loan Exhibition on Display at the Virginia Museum\"; internal memos","1 piece of correspondence with Fine Arts Museums of San Francisco","Correspondence; budget information; internal memos","Internal memos; budget info [info re: Council Anniversary Fund]; notes","Symposium brochure, 2 transparencies; 2 new transparencies","Correspondence with lender (Frank Raysor); internal memos","Notes; research","Correspondence with lender (NGA); checklists","Correspondence with lender (MFA Boston); checklists","6 photos; label copy; checklists; brochure copy; loan agreements; correspondence with lender (Raysor); research","Correspondence with PAFA (organizer) [Pennsylvania Academy of Fine Arts]; clippings; internal memos; invitation; PAFA materials","24 slides; negatives; 4 photos; 4 transparencies; 1 duplicate transparency; clippings; 1 poster","Correspondence with PAFA; invoices; IPR's; internal memos; 2 envelopes of material: 1) 14 photos, 2 duplicate photos; 2) 5 photos","6 photos; 10 duplicate photos; exhibition proposal from PAFA; envelope of PAFA materials","Internal memos; notes; guest list for opening","Invitation; internal memos; guest lists; notes","Internal memos; mailings; correspondence with speakers; script copy; correspondence with PAFA; schedules","One annotated copy of catalog; checklists; notes","Catalog proofs; notes","Correspondence with visitors; correspondence with lenders; correspondence with PAFA; internal memos; exhibition contract","Invitation, catalog; correspondence with PAFA; invoices; internal memos; invitation copy; checklists; label copy","Schedule of payments; consultants; responsibilities","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Corn; c.v.; notes","Correspondence with Wood; c.v.; notes","Correspondence with Davis; obituary and correspondence with wife after his death in 3/81; c.v.; notes; brochure for his book \"Intellectual Life in the Colored South\"","Correspondence with Williams; c.v.; notes","Checklists","One internal memo","One piece of correspondence with Robert Zimmerman (Baltimore Museum of Art); 2 blank travel vouchers with Zimmerman's signature \u0026 55#","Budget information; 2 invoices from Cumberland Art Conservation Center (Nashville)","Correspondence with Atlantic Van Lines; notes","Budget information; clippings \u0026 press materials related to Greek Vases","One internal memo re: promotion budget","One piece of correspondence with prospective intern; one index card with name","Correspondence with one musician; notes; scores; one internal memo re: NEA grant (denied); \"Writing Realistic Grant Budgets\" from Museum News","Interim report for NEH Grant","Correspondence with NEH; copy of grant administrator guidelines","Correspondence with Tormey re: advertising project for Philip Morris","Two blank requests; 1 complete request","Photos; [note: not all included in final exhibition]","Correspondence with various companies re: slide set duplication; invoices","Correspondence with various institutions re: potential bookings","Correspondence with institutions who declined a potential booking; internal memos","Clippings; one internal memo re: TVA","Correspondence with Coggins (Southern painting collector); correspondence with Berry-Hill Galleries re: exhibition of Coffins' collection","Correspondence with Wolfe re: possible lecture","List of proposed programs; [collection of internal memos from David Griffith inserted here]","Correspondence with American Heritage Publishing re: catalog; proofs; one internal memos \u0026 1 piece of correspondence re: Philip Morris","Brochure copy; internal memos; copies of other children's brochures","One phone message","Loan agreement; correspondence with lender (MESDA); artist worksheet","Loan agreement; correspondence with lender (Charleston Museum is lender); artist worksheet","Loan agreement; correspondence with lender (MESDA); notes; artist worksheet","Loan agreement; correspondence with lender (Muscarelle); conservation report; memo re: treatment; artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","Research; conservation report; artist worksheet","Correspondence with Wintherthur; artist worksheet; conservation reports","Loan agreement; correspondence with Club (lender); conservation bill","Correspondence with lender (Maria Tabb); artist worksheet; receipt","Correspondence with lender (NPG); research","Loan agreement; correspondence with VHS; research","Three photos; loan agreement; correspondence with NYPL","Loan agreement; copy of accession card","One photo; loan agreement; research; correspondence with Andrew Christian; condition report; artist worksheet","Correspondence with lender; artist worksheet; research","Correspondence with lender (Colonial Williamsburg)","Correspondence with lender (Pennsylvania Academy of Fine Arts); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","1 duplicate slide; correspondence with lender (Mordecai Square Historical Society); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","One photo; correspondence with lender (St. John's Lutheran Church, Charleston); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","13 slides; correspondence with lender (Hunter Museum of Art); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Two photos; correspondence with Cheekwood re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with Tulane re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","7 photos; correspondence with Ulrich re: damage; loan agreements; condition reports","Four photos; correspondence with Valentine re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with VHS re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Four photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos, 1 slide, 1 duplicate transparency; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","11 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","10 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 slide; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Two photos; condition logs; shipping information \u0026 receipts; loan agreements; correspondence","Invoices from Atlantic Van Lines","List of lenders; correspondence; Request for Travel Authorization forms; shipping information \u0026 receipts","Invoices; correspondence; internal memos","Clippings; correspondence; internal memos; shipping information","Correspondence; checklists; shipping information","Exhibition agreement; request for travel authorizations; correspondence; shipping information; loose pages – budget information 1 copy of catalogue; checklists; forms; correspondence","Checklists; correspondence with Tabb, Brockenbrough \u0026 Ragland","Invoices; purchase orders","Invoices; checklists; budget information","Invoices; checklists; budget information","Internal memo; receipts","Internal memos; checklists; correspondence","Correspondence; budget information; internal memos; invoices; budget reports; checklists","Checklists; correspondence; invitations; internal memos; NEA Grant draft; correspondence re: opening; correspondence with Philip Morris","Internal memos; correspondence; request for travel authorization; invoices; itineraries","45 slides; correspondence with Richmond Conservation Studio (reports) – Cleo Mullins; notes; loose notes: checklists, correspondence; notes","Three of the exhibition agreements","Two photos; artist's work sheet","Correspondence with Briggs re: reproduction","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; 2 slides; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 duplicate photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Selected bibliography copy","SEMC's 2nd annual meeting materials; Charleston materials; correspondence; request for travel funds","Correspondence with other institutions; checklists","Agenda; list of registrants","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Correspondence re: ball and other programming; photocopies of pictures","Correspondence \u0026 research re: possible trips","Notes","Correspondence re: books to sell in shop; loose papers re: guest curators","Schedule of payment; responsibilities","Biographical information; research; correspondence","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Budget information","Exhibition contract; internal memos; correspondence with MOMA","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","16 photos; invitations; correspondence","Internal memos; correspondence; budget information; IPR's; invitation copy; checklists; calendars","Correspondence; internal memos; invitation list; invoices","Clippings; correspondence; internal memos; correspondence with Forbes","Internal memos; correspondence with Forbes; IPR's; budget information; Kip Forbes' biographical information","Internal memos; checks; correspondence re: tapes","Internal memos \u0026 correspondence re: Acoustiguide","Research; Acoustiguide script","One photo; invoices; IPR's; internal memos","IPR's; correspondence with Forbes; checklists","Notes; internal memos; correspondence with Forbes; copy of 1947 Pratt announcement","Two photos","Internal memos","IPR; note","Research; program proposals; press release","Blank travel reimbursement vouchers with SSN's; meeting notes","Correspondence with Forbes mainly (also Council, conservator)","6 photos; 2 duplicate photos; guest book for visitors; correspondence from visitors; 1 copy of TVA \"Gin Game\" program; internal memos; research; clippings; IPR's; invoices; correspondence with Forbes","Weekly reports; Acoustiguide; cost reports; attendance reports","Article copy; loose book dust jacket","Checklist copy; checklist proof; loose bulletins, plus 1 piece of correspondence","Label copy; research","Label copy; label proofs","Correspondence with Forbes; correspondence with Acoustiguide; label copy; research","One photo; correspondence with CINOA; internal memos; correspondence with visitors; label copy; checklists with insurance values; clippings, invitation copy; schedules; installation drawing; budget information; correspondence re: opening; research; invoices","Internal memos","Three photos; publications catalog","Catalog copy","Correspondence with CINOA; foreword copy; checklists; internal memos","Correspondence with CINOA; internal memos","Correspondence with CINOA; clippings; notes; internal memos","Correspondence with CINOA; exhibition contract; notes; photocopies of photos of exhibition at Metropolitan Museum of Art","24 duplicate photos; 10 new photos","Correspondence; internal memos; invoices; notes; checklists [correspondence only with Kimbell]","Correspondence with Hunts; Collectors Circle invitation; clippins; checklists; internal memos","One photo; \"Ancient Art Shows Shifting Images\"; clippings; Kimbell materials, 1 copy of poster; attendance figures","Outline; correspondence with speaker; itineraries; invoices; internal memos","Two photos; copy of a review; correspondence with Kimbell; internal memos; Mayo essay copy; correspondence with Mayo; essay; reviews","Invitation; invitation copy; mailing lists; internal memos","13 slides; condition reports; correspondence with Getty conservator; correspondence with Kimbell; internal memos; research","Attendance figures","Correspondence with Kimbell; internal memos; checklists","2 photos; 19 photos; 3 drawings; checklists; purchase orders; internal memos; panel copy; label copy; correspondence with other institutions; invoices","Five duplicate postcards; correspondence with SITES (organizer); SITES material","Symposium brochure; correspondence with other institutions; correspondence with SITES; internal memos","Correspondence with Calouste Gulbenkian Museum (lender); internal memos; correspondence with IEF (organizer); IEF materials; correspondence with Lewises","Drawings (photocopies); correspondence; internal memos; checklists; label copy","Grant application (NEA); clippings; internal memos; IEF materials (including press release \u0026 fact sheet)","Exhibition contract; correspondence with Gulbenkian \u0026 IEF; internal memos","Label copy; label proofs; checklists","Correspondence between Ernst and Brown regarding being collector of the year (he declined); correspondence from Anne, which includes copies of correspondence between Lothar Griesbach (\"who edited Kirchner's Diary of Davos\") and Ernst regarding paintings the Fischers acquired before collecting Expressionists","Correspondence in the late 1970s between Pinkney and Ernst regarding his collection, including photocopies of pictures of the house taken when PN went to Frankfurt in 1976; correspondence in the mid 1980s between Pinkney and Anne regarding the museum","Typeset copy of Fred Brandt's interview with Mrs. Fischer, 32 pages","Typeset and annotated copy of Fred Brandt's interview with Simon and Fischer, 18 pages","Internal memos and correspondence regarding exhibition, including Anne to Fred, Perrot, and others","Internal memos and correspondence regarding exhibition, including Anne to Fred; correspondence between Simon and you regarding loan forms, checklist accuracy, and one photocopy of a handwritten document detailing the ownership of the collection","Internal memos and correspondence regarding the exhibition catalog","List of 27 questions for Fred's interview with Mrs. Fischer, in various forms; includes some of Fred's notes","Invitation","1 photo","Catalog","9 photos","Budget information; invoices; notes; correspondence \u0026 contracts for M.H. de Young (San Francisco) and Kimbell; notes; correspondence and invoices for author's contract","Budget information; internal memos","Correspondence; invoices; contracts for MOMA design \u0026 labor","Notes; internal memos; check requests","Brochure; internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; contract copy; correspondence with institutions; checklists","Internal memos; notes; installation drawing (copy)","Internal memos; label copy","Internal memos; attendance figures","Correspondence re: insurance","Internal memos; correspondence with Colin Morris; contract","Invoices; check requests; correspondence with institutions; internal memos","Brochure, press packet; Kimbell materials; invoices","Internal memos; correspondence with press; author C.V.'s; correspondence with authors; catalogue copy","Budget information; NEA report; internal memos","Label proofs","Internal memos; budget information; invoices; check requests; reports; catalogue copy (including checklist)","Photographs; correspondence with Trust for Museum Exhibitions (organizer); catalog copy (including checklist); 1 annotated copy of catalog","Checklists; correspondence with Trust for Museum Exhibitions; drawing (copy)","Correspondence with Trust; internal memos; correspondence re: Federal Indemnity Act; J.B. Speed materials","Internal memos; budget information; schedule","Contract; correspondence with Trust","Press release; press packet; label proofs; label copy; old correspondence with Cheek re: possible exhibition of his early Theatre drawings in 1987; internal memos; TVA materials; notes","Label proofs; clipping","Checklists; internal memos; clippings","Correspondence from visitors; internal memo re: opening","Invitation; checklist","Correspondence with IEF (circulator); contract; internal memos","Correspondence with Chester Beatty Library (organizer); correspondence with IEF; internal memos","Research","Empty folder","Five photos; IEF materials; research; installation drawing (copy); checklists; budget information; correspondence with IEF","Three photos; educational packet; SITES materials (circulator) including checklists; actual labels; internal memos; installation drawing (copy); invoices; study guide; 1 copy of brochure; 1 copy of mailing","Contract; correspondence with SITES; correspondence with Attorney General","Loan agreements; correspondence with lenders","Smithsonian mailer; internal memos; notes; clippings; correspondence; budget information; correspondence with SITES","SITES materials","8 photos; internal memos; invoices; correspondence with Craft Museum; brochure, \"Philip Morris and the Arts'; press release; craft materials","Internal memos; checklists; Craft Museum materials","Correspondence with Craft Museum; contract; invoices; internal memos","Internal memos; checklists; notes","Internal memos; correspondence with Mount Holyoke College Art Museum (organizer)","Internal memos; correspondence with Mount Holyoke; internal memos; invoices; correspondence with Attorney General; 1 copy of brochure","Internal memos; correspondence with Mount Holyoke; Mount Holyoke materials","One photo; internal memos; incident report; hygrometer readings; correspondence with lenders; correspondence with Art Gallery of Ontario (organizer); hygrometer information; piece of fabric; press kit; clippings; correspondence with Glasgow Library","Internal memo re: attendance; check copy","Internal memos; notes; correspondence with Glasgow","Contracts; internal memos; correspondence with institutions; correspondence with Attorney General; invoices","Drawings (copies); checklists; Ontario materials","Internal memos; correspondence with Ontario","Ontario materials","Checklists; Ontario materials; correspondence with Glasgow; budget information","1 photo; 1 new photo; invoices; budget information; correspondence; internal memos; 1 copy of Sept/Oct '88 Bulletin; checklists; clippings; drawings","Budget information; invitation; internal memo; label copy","Contract; correspondence with Center for African Art (organizer); correspondence with Attorney General","Catalog copy; catalog proofs; correspondence with Center for African Art","Research; article","Research; article","Research (copy of catalog article)","Label coy; research; correspondence with Center for African Art","Press release; CFAA materials; checklists","Label copy","13 photos; 2 duplicate photos","Clipping; internal memos; contract drafts; invoices; Bulletin copy; exhibition contracts","Correspondence","Correspondence","Correspondence","Two photos; contract drafts; press releases; correspondence with Attorney General","9 slides; 8 photos; drawings; invoices; correspondence with IMA [Indiana Museum of Art] (organizer); exhibition contract; catalog copy; checklists; press releases; internal memos; research; correspondence with Attorney General; 1 catalog/brochure","Checklists; notes; internal memos; correspondence with IMA; IMA materials","Label copy","21 slides; 1 transparency; 29 photos; other institutions' materials; correspondence with Philbrook (organizer); internal memos; Philbrook materials; checklists; label copy; mailing lists; Philbrook press packets; press releases","Contract; correspondence with Philbrook; internal memos","Correspondence with Philbrook; internal memos; budget information","6 photos; duplicates: brochure, invitation; media kit; internal memos; High Museum materials; Studio Museum poster; American Museum Association 1987 catalog; drawings; research","Checklists; label copy","Notes; label copy; label proofs","Internal memos","6 photos; press release (Philbrook); checklists; correspondence with AMA","Internal memos; correspondence with other institutions","Exhibition contract; correspondence with AFA \u0026 AMA","1 clipping; budget information","Internal memos; contract; correspondence; checklists","Contract; correspondence with Denver Art Museum (organizer); correspondence with Attorney General","Postcard mailing; 3 photos; internal memos; exhibition contract; drawings; 1 copy of 1990 Un/Common Ground prospectus","Contract; correspondence with Southeastern Center for Contemporary Art; AVirginia brochure","Internal memos; checklists; correspondence with SCCA; label copy; clippings; SCCA materials","1 copy of catalog; internal memos; checklists [George Cruger show]","Correspondence with Names Project; internal memos; media materials","One photo; internal memos; correspondence with Menil Collection; press releases; label copy; drawings; invoices; exhibition contract; checklists","Correspondence with Menil; label copy; internal memos; drawings; checklists, research","2 photos; checklists; label copy; internal memos; correspondence with Virginia Dept. of Education; artwork permission forms","Internal memos; invoices; correspondence with Philadelphia Museum of Art (lender)","7 photos; internal memos; invoices; label copy; press releases; budget information correspondence with Carter Collections' curator; correspondence with speaker","Internal memos; correspondence with Carter Collection; security system specs and drawings","Correspondence with MOCA Chicago (lender); label copy; internal memos; research","Internal memos; correspondence with BEST; checklists","Correspondence with AFA; drawings; AFA materials checklists; invoices; clipping","Mailing lists","Clippings; correspondence; research","Correspondence; correspondence with AFA; AFA materials","Label copy","Correspondence with AFA; research re: African dance","Correspondence; checklists; invoice","Internal memos; correspondence with AFA; correspondence with videographer and contract","Internal memos; research; events listing","Internal memos; correspondence with AFA","Internal memos; contract; budget information; invoices; correspondence with AFA","Notes; internal memos","Checklists; correspondence with AFA","Checklists; label copy","Checklists; correspondence with AFA","Checklists","Checklists","Empty folder","Clippings","Clipping","Label copy","Brochure; correspondence; budget information; drawings; mailing list","Internal memos; correspondence with LACMA (organizer); brochure copy","Correspondence with LACMS; contract; correspondence with Attorney General; research; budget information; correspondence with David Foundation","Two photos; internal memos; press release; checklist; correspondence with LACMA; correspondence with David Foundation","MIT mailer; internal memos; clipping; budget information","Contract; correspondence with MIT list Visual Arts Center (organizer); correspondence with Attorney General; internal memos","MIT materials (including checklist); correspondence with MIT; internal memos","Correspondence with MIT; internal memos","Two photos; 4 slides; internal memos; budget information; notes; checklist; drawings","Internal memos; checklists; correspondence with Laguna Art Museum (organizer); Laguna materials (including press release, clippings)","Correspondence with Laguna; contract; internal memos; correspondence with Attorney General","Checklist; correspondence with AIA; internal memos; correspondence with architects","Correspondence with Baskervill \u0026 Son; internal memos; checklists; label copy","Internal memos; correspondence with St. Catherine's (lender); checklists","Internal memos; budget information; label copy; catalog copy; invitation copy; clippings; biographical information; checklists","Internal memos; checklists; label copy; correspondence with Council; 1 copy of catalog","Label copy; checklists; internal memos","Checklists; notes; catalog proofs","Internal memos; budget information","Internal memos; checklists; label proofs; drawings; invitations","Internal memos; schedules; clippings; prospectus; press release; checklist proofs; drawings","Internal memos; budget information; correspondence with lenders","Internal memos","Press release; internal memos; invoices; mailer; contract; budget information","Panel \u0026 label copy \u0026 proofs; drawings","Internal memos; invoices; checklists; correspondence with lenders; budget information; clippings","Internal memos; press release; DIA materials (organizer); budget information; drawings; contract","Internal memos; correspondence with DIA; invoices; correspondence with Attorney General; checklists","Internal memos; correspondence with DIA; checklists","Exhibition contract; correspondence with DIA","Three photos; duplicates: clipping; clippings; internal memos; checklist; exhibition contract; invoices; correspondence with LACMA (organizer); 1 copy of Councillor (Spring '90)","Budget information; correspondence with LACMA","Clippings; internal memos","Internal memos","Mailing list for gala","Correspondence with LACMA; checklist","Mailers; internal memos; correspondence with LACMA; correspondence with lenders; LACMA materials; internal memos","Checklists","Checklists","Internal memos; drawings; schedules; correspondence with LACMA","Panel and label proofs","Label copy","Invoices; internal memos; layouts; meeting reports","Correspondence with Albemarle Farms; internal memos; clippings; invoices; press release; correspondence with Kluges; correspondence with conservator; drawings","Internal memos; clippings; correspondence with Philbrook; shipping information; budget information; drawings","Internal memos; drawings","Internal memos; checklists; correspondence with Virginia Department of Education","Guest book; notes; press release; drawings; invitation; clippings; internal memos; hygrometer readings; contract; correspondence with National Trust for Exhibitions (organizer)","Correspondence with Trust for Museum Exhibitions; internal memos; mailing list","Internal memos; drawings; sales records; script copy; correspondence","Usage statistics; tour schedules; internal memos; correspondence","Invitation; correspondence with Trust for Museum Exhibitions; 1 copy of CMA brochure; Acoustiguide materials (contract, usage statistics, correspondence); budget information; notes; internal memos; hygrometer readings; clippings; tour statistics","Publications' materials (including schedules \u0026 drafts \u0026 copy); internal memos; 1 copy of honor roll card","Correspondence with Trust for Museum Exhibitions; correspondence with lenders; internal memo","Internal memos; correspondence with Trust; drawings; checklists","Contracts; correspondence with Trust; internal memos","Internal memos; correspondence with Trust; scripts; narrator biographical information; tour lists","27 slides; press release; drawings; invoices; label proofs; correspondence with Walter Art Center (organizer); Walker materials; internal memos; brochure","Internal memos; correspondence with Walker; Walker materials","Exhibition contract; internal memos; correspondence with Walker; checklists; invoices","Slides; internal memos; label copy; invitation copy; Art Services International materials; correspondence with Terra (another venue); correspondence with ASI; notes; budget information; correspondence with Maier; checklists; research; contract; 1 copy of invitation","Internal memos; budget information","2 photos; label copy; correspondence with Royal Collection; hygrometer readings; attendance figures; clippings; drawings; budget information; contract; correspondence","Internal memos; correspondence; correspondence with Embassy; 1 copy of invitation; correspondence with Kimbell (another venue); correspondence with Royal Collection","Invoices; internal memos; correspondence","Empty folder","Photographs; internal memos; invoices; correspondence with Royal Collection; hygrometer readings; checklists","Correspondence with Royal Collection; checklists; internal memos; label proofs","Xeroxes of photos","Correspondence with Royal Collection; label copy","Contracts; internal memos; correspondence with Kimbell; correspondence with Royal Collection","Invoices; internal memos; correspondence; correspondence with Royal Collection; checklists","Internal memos; label copy","Panel and label proofs; checklists; internal memos","Internal memos; George Eastman House materials (organizer); correspondence with GEH; invoices; exhibition contract","30 slides; 6 duplicate slides; invitations; exhibition contract; internal memos; correspondence with Dallas (organizer); checklists; Dallas materials","Internal memos; drawings","Drawings; internal memos; correspondence with Dallas; checklists; label copy","Internal memos; correspondence with Dallas; checklists; publications copy","Brochure; internal memos; press releases; invitations; clippings; publications copy","Internal memos; checklists; other institutions' materials","High Museum press kit; brochure; docent training packet; 5 ¼\" floppy with labels","Internal memos; label copy; correspondence with institutions","Panel \u0026 label proofs \u0026 copy","Internal memos; panel \u0026 label proofs; press release; correspondence with Virginia Department of Education; checklists","Internal memos; layout","One slide; duplicates: brochure, checklists, 2 summaries; St. Petersburg Museum of Fine Arts press kit; press release; internal memos; exhibition contract; correspondence with St. Petersburg; correspondence with Attorney General","Budget information; drawings; internal memos; correspondence with St. Petersburg; research; label proofs \u0026 copy","Correspondence with St. Petersburg; invitation; internal memos; correspondence with Belmont","Internal memos; brochure; invitation; St. Petersburg materials; research","Label \u0026 panel proofs \u0026 copy; correspondence; invoice","Internal memos; checklists; label \u0026 panel proofs \u0026 copy","Internal memos; correspondence with sponsor; label \u0026 panel proofs; other catalogs; research","One photo; catalog; NSAL materials; research, correspondence with NSAL; internal memos; checklists; loan agreements; 1 copy of \"The Luxury of Tears\" – winning stories from NSAL competition; publications copy","Panel, label \u0026 catalog proofs \u0026 copy","Four photos; invoices; internal memos; correspondence with Rijksdienst; loan agreement","Three photos; internal memos; correspondence with Rijksdienst; label proofs","Correspondence with UVirginia re: possible showing; drawing","Checklists; drawing; catalog copy","Internal memos; Bayly label proofs; drawings; correspondence with Bayly; checklists","Clippings; internal memos; notes; invoices; panel copy; checklists; research","Invitation; internal memos; invoices; budget information; contract; layouts; correspondence with other institutions; exhibition proposal","1989 catalogue; checklists; label proofs; drawings; correspondence with Council","Brochure; guidelines; internal memos; drawing; invitation","Checklist","Checklists; internal memos","Correspondence with Council; drawings","Checklists; internal memos; correspondence with Council","Six photos; internal memos; layouts; checklists; brochure","Brochure; 40 slides, photographs; internal memos; drawings; correspondence with Trust for Museum Exhibitions (circulator); checklists; Trust for Museum Exhibitions materials; Trust press kit; panel \u0026 label proofs; exhibition contract","Internal memos; correspondence with Trust; invoices","Invoices; internal memos; correspondence with Trust; clippings; checklists","Exhibition contract; invoices; internal memos","This series is comprised of information regarding general exhibition management. Information may include correspondence, exhibition schedules and programming, long term planning, potential partnerships with other organizations, exhibition committees, couriers, grant applications, protection of artwork, collectors, and reports. Files on potential exhibitions conceived by the museum but never presented are also included.","This series is comprised of information on gallery renovations, installations, reinstallations, fire suppression studies and hazard analyses, storage policies, and other related buildings and grounds files."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"names_coll_ssim":["Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections"],"language_ssim":["English \n.    "],"total_component_count_is":5477,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:19:09.876Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_355_c01_c4728"}},{"id":"virmu_repositories_2_resources_28_c01_c632","type":"File","attributes":{"title":"1652-175 – 1991-1992 FF Season Brochure","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_28_c01_c632#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_28_c01_c632","ref_ssm":["virmu_repositories_2_resources_28_c01_c632"],"id":"virmu_repositories_2_resources_28_c01_c632","ead_ssi":"virmu_repositories_2_resources_28","_root_":"virmu_repositories_2_resources_28","_nest_parent_":"virmu_repositories_2_resources_28_c01","parent_ssi":"virmu_repositories_2_resources_28_c01","parent_ssim":["virmu_repositories_2_resources_28","virmu_repositories_2_resources_28_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_28","virmu_repositories_2_resources_28_c01"],"parent_unittitles_ssm":["Records of Fast/Forward (RG-25)","Series 1: Season Files"],"parent_unittitles_tesim":["Records of Fast/Forward (RG-25)","Series 1: Season Files"],"text":["Records of Fast/Forward (RG-25)","Series 1: Season Files","1652-175 – 1991-1992 FF Season Brochure","English","box RG-25 Box 13","folder Folder 30","Item RG25.01.0.632"],"title_filing_ssi":"1652-175 – 1991-1992 FF Season Brochure","title_ssm":["1652-175 – 1991-1992 FF Season Brochure"],"title_tesim":["1652-175 – 1991-1992 FF Season Brochure"],"unitdate_other_ssim":["1996-1997"],"normalized_date_ssm":["1996/1997"],"normalized_title_ssm":["1652-175 – 1991-1992 FF Season Brochure"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of Fast/Forward (RG-25)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":633,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1996,1997],"language_ssim":["English"],"containers_ssim":["box RG-25 Box 13","folder Folder 30","Item RG25.01.0.632"],"_nest_path_":"/components#0/components#631","timestamp":"2026-05-21T03:43:19.962Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_28","ead_ssi":"virmu_repositories_2_resources_28","_root_":"virmu_repositories_2_resources_28","_nest_parent_":"virmu_repositories_2_resources_28","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_28.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/28","title_filing_ssi":"Fast/Forward (RG-25)","title_ssm":["Records of Fast/Forward (RG-25)"],"title_tesim":["Records of Fast/Forward (RG-25)"],"unitdate_ssm":["1985-2001"],"unitdate_inclusive_ssm":["1985-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-25","/repositories/2/resources/28"],"text":["RG-25","/repositories/2/resources/28","Records of Fast/Forward (RG-25)","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).","The collection is organized into three series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1 Season Files, 1985-2001, undated Series 2 Film Programs, 1985-1998 Series 3 Mountain Lake Symposium, 1985-1992, undated","The collection was transferred from the Collections Department through periodic deposits.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","English \n.    "],"unitid_tesim":["RG-25","/repositories/2/resources/28"],"normalized_title_ssm":["Records of Fast/Forward (RG-25)"],"collection_title_tesim":["Records of Fast/Forward (RG-25)"],"collection_ssim":["Records of Fast/Forward (RG-25)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["43.75 Linear Feet 35 boxes"],"extent_tesim":["43.75 Linear Feet 35 boxes"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. \u003c/p\u003e\n","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSeason Files, 1985-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eFilm Programs, 1985-1998\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eMountain Lake Symposium, 1985-1992, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into three series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1 Season Files, 1985-2001, undated Series 2 Film Programs, 1985-1998 Series 3 Mountain Lake Symposium, 1985-1992, undated"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Collections Department through periodic deposits.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Collections Department through periodic deposits."],"prefercite_html_tesm":["\u003cp\u003eRecords of Fast/Forward (RG-25). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of Fast/Forward (RG-25). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. 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Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"names_ssim":["Virginia Museum of Fine Arts Archives"],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English \n.    "],"total_component_count_is":938,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:43:19.962Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_28_c01_c632"}},{"id":"virmu_repositories_2_resources_8_c01_c04_c01_c40","type":"Item","attributes":{"title":"1661","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c04_c01_c40#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTranscription: [double-headed eagle] #1661 Small solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler. It is executed in Fabergé's classic style with three shades of gold employed. The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette. About it, a delicately carved green gold wreath design is chased. From the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia. $250.00\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c04_c01_c40#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_8_c01_c04_c01_c40","ref_ssm":["virmu_repositories_2_resources_8_c01_c04_c01_c40"],"id":"virmu_repositories_2_resources_8_c01_c04_c01_c40","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8_c01_c04_c01","parent_ssi":"virmu_repositories_2_resources_8_c01_c04_c01","parent_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c04","virmu_repositories_2_resources_8_c01_c04_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c04","virmu_repositories_2_resources_8_c01_c04_c01"],"parent_unittitles_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.4: Price Tags","Binder"],"parent_unittitles_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.4: Price Tags","Binder"],"text":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.4: Price Tags","Binder","1661","Paper","Schaffer Collection","New York (N.Y.)","English","Binder SC-07 Binder 1","Page Unknown","Item SC07.01.4.040","American--1","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","47.20.185","Transcription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"title_filing_ssi":"1661","title_ssm":["1661"],"title_tesim":["1661"],"unitdate_other_ssim":["undated"],"normalized_title_ssm":["1661"],"component_level_isim":[4],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"physdesc_tesim":["Paper"],"extent_ssm":["1 item"],"extent_tesim":["1 item"],"physfacet_tesim":["Price tags"],"creator_ssim":["Schaffer Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":180,"parent_access_restrict_tesm":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. 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VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e47.20.185\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["47.20.185"],"scopecontent_html_tesm":["\u003cp\u003eTranscription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Transcription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00"],"userestrict_html_tesm":["\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"_nest_path_":"/components#0/components#3/components#0/components#39","timestamp":"2026-05-21T03:30:55.910Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_8","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_8.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/8","title_filing_ssi":"Pratt, Lillian Thomas (SC-07)","title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"unitdate_ssm":["1901-1947"],"unitdate_inclusive_ssm":["1901-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-07","/repositories/2/resources/8"],"text":["SC-07","/repositories/2/resources/8","Lillian Thomas Pratt Personal Papers (SC-07)","Art objects, Russian","Easter eggs","Fabergé eggs","The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . ","The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated","The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine 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collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Neue Palais Darmstadt Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Wolfsgarten near Darmstadt Hesse\" and \"Windsor Palace?\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Winter Palace\" and \"Anichkov Palace\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Kranichstein Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Wide World Photos, Inc. (NY-33541), Copyright 1937.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.","47.20.412, 47.20.333, 47.20.312","47.20.14, 47.20.284, 47.20.338","47.20.30, 47.20.26, 47.20.28, 47.20.214, 47.20.341, 47.20.363, 47.20.404, 47.20.309","47.20.167, 47.20.72, 47.20.287, 47.20.166, 47.20.346, 47.20.296, 47.20.90, 47.20.95, 47.20.420, 47.20.421, 47.20.85, 47.20.94, 47.20.77, 47.20.74, 47.20.78, 47.20.75, 47.20.61, 47.20.73, 47.20.89, 47.20.79, 47.20.62, 47.20.84, 47.20.86, 47.20.82, 47.20.91, 47.20.87, 47.20.115, 47.20.63, 47.20.83, 47.20.54, 47.20.88, 47.20.130, 47.20.93, 47.20.59, 47.20.56, 47.20.58, 47.20.92, 47.20.96","47.20.4, 47.20.71, 47.20.81, 47.20.70, 47.20.55, 47.20.80, 47.20.76, 47.20.332, 47.20.336, 47.20.397, 47.20.140, 47.20.342, 47.20.281, 47.20.304, 47.20.157","47.20.416, 47.20.349, 47.20.317, 47.20.197","47.20.314, 47.20.313, 47.20.322, 47.20.290, 47.20.251, 47.20.12, 47.20.319, 47.20.184, 47.20.169, 47.20.358, 47.20.350, 47.20.183, 47.20.187, 47.20.141, 47.20.162, 47.20.417, 47.20.329","47.20.173, 47.20.195","47.20.173, 47.20.195","47.20.31, 47.20.291, 47.20.193, 47.20.275, 47.20.181, 47.20.164, 47.20.168, 47.20.27, 47.20.182, 47.20.177, 47.20.196, 47.20.396, 47.20.315, 47.20.337, 47.20.413, 47.20.320","47.20.263, 47.20.353","47.20.310, 47.20.339, 47.20.19, 47.20.282, 47.20.286, 47.20.45, 47.20.348, 47.20.142, 47.20.143, 47.20.128, 47.20.185, 47.20.190, 47.20.180, 47.20.276, 47.20.127","47.20.255, 47.20.294, 47.20.314, 47.20.356, 47.20.414, 47.20.299, 47.20.210,","47.20.22, 47.20.13, 47.20.151, 47.20.279, 47.20.191, 47.20.252, 47.20.7, 47.20.21","47.20.51, 47.20.64, 47.20.493, 47.20.52, 47.20.126, 47.20.278, 47.20.208","47.20.29, 47.20.17","47.20.221, 47.20.265, 47.20.308","47.20.240, 47.20.257, 47.20.256","47.20.306","47.20.292, 47.20.288, 47.20.267","47.20.259, 47.20.311, 47.20.138","47.20.20, 47.20.297, 47.20.351, 47.20.163, 47.20.144, 47.20.220","47.20.215, 47.20.394","47.20.374, 47.20.216, 47.20.110, 47.20.136, 47.20.113, 47.20.118, 47.20.112, 47.20.122, 47.20.119, 47.20.114, 27.40.120, 47.20.125, 47.20.121, 47.20.117","47.20.374, 47.20.216, 47.20.110, 47.20.136, 47.20.113, 47.20.118, 47.20.112, 47.20.122, 47.20.119, 47.20.114, 27.40.120, 47.20.125, 47.20.121, 47.20.117","47.20.131","47.20.13","47.20.33","47.20.33","47.20.248, 47.20.249, 47.20.132, 47.20.30, 47.20.403, 47.20.402","47.20.373","47.20.209, 47.20.334, 47.20.318, 47.20.102, 47.20.100, 47.20.101","47.20.343, 47.20.344, 47.20.340, 47.20.46, 47.20.148","47.20.495, 47.20.273","47.20.233, 47.20.395","47.20.16","47.20.13","47.20.154, 47.20.205","47.20.379","47.20.383","47.20.310","47.20.339","47.20.19","47.20.282","47.20.286","47.20.45","47.20.284","47.20.312","47.20.338","47.20.333","47.20.412","47.20.14","47.20.13","47.20.177","47.20.196","47.20.168","47.20.181","47.20.193","47.20.164","47.20.182","47.20.169","47.20.27","47.20.275","47.20.291","47.20.320","47.20.337","47.20.413","47.20.31","47.20.315","47.20.396","47.20.348","47.20.142","47.20.143","47.20.128","47.20.279","47.20.185","47.20.190","47.20.180","47.20.276","47.20.127","47.20.131","47.20.167","47.20.139","47.20.312","47.20.312","47.20.333","47.20.412","47.20.39","47.20.14","47.20.284","47.20.338","47.20.30","47.20.26","47.20.28","47.20.214","47.20.404","47.20.386","47.20.145","47.20.287","47.20.72","47.20.166","47.20.346","47.20.296","47.20.90","47.20.37","47.20.95, 47.20.85, 47.20.94, 47.20.77, 47.20.59","47.20.74, 47.20.78, 47.20.75, 47.20.63, 47.20.83","47.20.61, 47.20.73, 47.20.89, 47.20.79, 47.20.62","47.20.84, 47.20.86, 47.20.82, 47.20.91, 47.20.87","47.20.115, 47.20.130, 47.20.93, 47.20.56, 47.20.58","47.20.54, 47.20.88, 47.20.92, 47.20.96","47.20.4","47.20.397","47.20.336","47.20.342","47.20.332","47.20.71","47.20.80, 47.20.76","47.20.81, 47.20.70, 47.20.55","47.20.140","47.20.281","47.20.304","47.20.157","47.20.16","47.20.349","47.20.12","47.20.416","47.20.317","47.20.197","47.20.322","47.20.290","47.20.314","47.20.313","47.20.42","47.20.251","47.20.187","47.20.184","47.20.169","47.20.183","47.20.329","47.20.319","47.20.350","47.20.358","47.20.162","47.20.141","47.20.417","47.20.205","47.20.154","47.20.173","47.20.173","47.20.195","47.20.195","47.20.31","47.20.193","47.20.291","47.20.177","47.20.196","47.20.168","47.20.181","47.20.164","47.20.182","47.20.27","47.20.275","47.20.13","47.20.52","47.20.320","47.20.337","47.20.413","47.20.51, 47.20.493, 47.20.64","47.20.315","47.20.396","47.20.126","47.20.208a-b","47.20.278","47.20.353","47.20.263","47.20.348","47.20.142","47.20.143","47.20.128","47.20.185","47.20.190","47.20.180","47.20.276","47.20.127","47.20.310","47.20.339","47.20.19","47.20.282","47.20.286","47.20.45","47.20.13","47.20.151","47.20.279","47.20.7","47.20.21","47.20.191","47.20.252","47.20.22","47.20.29","47.20.17","47.20.233","47.20.395","47.20.341, 47.20.363","47.20.176","47.20.420, 47.20.421","47.20.20","47.20.340","47.20.418","47.20.33","47.20.255","47.20.294a-b","47.20.314","47.20.138","47.20.356, 47.20.414","47.20.163","47.20.248, 47.20.249","47.20.350","47.20.299","47.20.210","47.20.297","47.20.97?","47.20.144","47.20.221","47.20.220","47.20.240","47.20.257","47.20.267","47.20.256","47.20.265","47.20.379","47.20.308","47.20.311","47.20.374","47.20.259","47.20.216","47.20.110, 47.20.136","47.20.119, 47.20.114, 47.20.120, 47.20.125","47.20.113, 47.20.118, 47.20.112, 47.20.122","47.20.121, 47.20.117","47.20.288","47.20.292","47.20.383.1-6","47.20.343","47.20.273","47.20.46, 47.20.148","47.20.495","47.20.344","47.20.394","47.20.215","47.20.209","47.20.373","47.20.131","47.20.334","47.20.102","47.20.100","47.20.101","47.20.318","47.20.132, 47.20.30, 47.20.403, 47.20.402","47.20.306","47.20.351","47.20.270","47.20.18, 47.20.8","47.20.323","47.20.345","47.20.10","47.20.18","47.20.419","47.20.355","47.20.392","47.20.40","47.20.357","47.20.8","47.20.384","47.20.9","47.20.427","47.20.382","47.20.419","47.20.1","47.20.2","47.20.2","47.20.11","47.20.391","47.20.389","47.20.393","47.20.378","47.20.25,47.20.419, 47.20.10, 47.20.11","47.20.392","47.20.398","47.20.381","47.20.419","47.20.355","47.20.391","47.20.9a","47.20.384.1-13","47.20.378","47.20.427","47.20.382","47.20.18","47.20.8","47.20.409","47.20.398","47.20.405","47.20.357","47.20.392","47.20.390","47.20.388.1, 47.20.388.2","47.20.36","47.20.389","47.20.393","47.20.393","47.20.387","47.20.3","47.20.425","47.20.303, 47.20.367","47.20.426","47.20.146","47.20.5","47.20.6","47.20.40","47.20.345","47.20.222","47.20.213","47.20.69","47.20.137","47.20.272","47.20.38","47.20.179","47.20.277a-b","47.20.330","47.20.326","47.20.53","47.20.305","47.20.323","47.20.376.1-42","47.20.271","47.20.269","47.20.244","47.20.268","47.20.152","47.20.15","47.20.165","47.20.327","47.20.328","47.20.41","47.20.293","47.20.47","47.20.48","47.20.49","47.20.50","47.20.65","47.20.66","47.20.67","47.20.68","47.20.98","47.20.250","47.20.161","47.20.325","47.20.227","47.20.235","47.20.231","47.20.211","47.20.207","47.20.202","47.20.324","47.20.228","47.20.241, 47.20.242","47.20.170","47.20.203","47.20.225","47.20.217","47.20.218","47.20.221","47.20.224","47.20.230","47.20.229","47.20.232","47.20.261","47.20.260","47.20.155","47.20.60","47.20.171","47.20.239","47.20.244","47.20.247","47.20.262","47.20.266","47.20.300","47.20.133","47.20.134","47.20.289","47.20.57","47.20.99","47.20.111","47.20.116","47.20.123","47.20.124","47.20.385","47.20.301","47.20.156","47.20.172","47.20.186","47.20.246","47.20.199","47.20.198","47.20.178","47.20.285","47.20.309","47.20.234","47.20.226","47.20.223","47.20.220","47.20.219","47.20.212","47.20.245","47.20.109","47.20.43","47.20.238","47.20.103","47.20.108","47.20.354","47.20.375","47.20.335","47.20.331","47.20.321","47.20.298","47.20.254","47.20.105","47.20.104","47.20.106","47.20.107","47.20.135","47.20.359, 47.20.365","47.20.35","42.19.1","47.20.1, 47.20.2","47.20.11","47.20.25","47.20.10","47.20.419","47.20.32","47.20.32","47.20.32","47.20.32","47.20.32","47.20.357","47.20.409","47.20.303, 47.20.367","47.20.387","47.20.3","47.20.425","47.20.34","47.20.34","47.20.36, 47.20.32, 47.20.34","47.20.17","47.20.17","47.20.17","47.20.348","47.20.21","47.20.21","47.20.176","47.20.36","47.20.32","11061-1, 47.20.33, 47.20.34","11912-2, 47.20.34, 47.20.35, 47.20.32","11912-3, 47.20.34, 47.20.44, 47.20.148","1651, 47.20.235, 47.20.217, 47.20.222","4471, 47.20.214","490M, 47.20.32, 47.20.33","490M-6, 47.20.32","491M-19, 47.20.36, 47.20.231","491M-29, 47.20.148, 47.20.46","544M, 47.20.222, 47.20.217","7852M-10, 47.20.126","7852M-12, 47.20.34, 47.20.17, 47.20.18","7853M-4, 47.20.34, 47.20.32, 47.20.148, 47.20.46","The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","This series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.","The invoices are often annotated with check numbers as balances were paid off, and dates given often refer to the handwritten notes on the invoice detailing payment history. Similarly, price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and often the date purchased. Many of the Schaffer descriptions are not dated, and while most of them can be cross-referenced with dates on the invoices, Schaffer often invoiced Pratt much later than the original purchase date, and in some cases, many years later. Finally, most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers.","The series is divided into five subseries: Series 1.1: Alexander Schaffer Correspondence, 1934-1947; Series 1.2: Ray Schaffer Correspondence, 1937-1947; Series 1.3: Invoices, 1934-1945, undated; Series 1.4: Price Tags, undated; Series 1.5: Item Descriptions, 1934-1945, undated.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nApril 14, 1934","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","My dear Mrs. Pratt,","Please forgive me for the delay in answering your kind letter of the 12th, but I was trying to trace the cause of wrong delivery, as I note that the envelope was properly addressed by you. The Mr. Schaeffer in the building should have indeed had the courtesy to forward it to me. ","I have received your note and also the book, and am sorry that you have had this unpleasantness.","I hope that my letter finds you in the best of health, and remain, with best wishes, and kindest personal regards, in which Mrs. Schaffer joins me, ","Yours very sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nNovember 19, 1935","Mrs. John L. Pratt\n\"Chatham\" Box 118\nFredericksburg, Virginia","My dear Mrs. Pratt,","I am most disappointed to hear that the cabinet is not the size that you should have. It is a pity that all your lovely objects could not be displayed without being crowded.","I will try my very best to get another cabinet for you, the size you want, and exchange it for the one you have now. Of course I cannot tell just how soon I could get one, but in the meantime you can use the one you have.","Or maybe you could find room for another cabinet which would give you a chance to display all of your lovely things without crowding them, regardless of their size. This would really be the best solution.","I am sorry you had to be annoyed paying","[page 2]","the freight for the cabinet. I gave specific instructions to send it prepaid. I have also spoken to them about packing, and I am only glad that at least it arrived safely. It is so hard to make people understand sometimes, or have them do what you want them to do.","With best wishes and kindest regards, in which Mrs. Schaffer joins me, I am","Yours most sincerely, \nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 3, 1936","Dear Mrs. Pratt,","Thank you for your check on account and your kind inquiry about Mrs. Schaffer. She is feeling fine and is at the seashore at the present. I have given her your regards and she wishes to be remembered to you. She is getting along very nicely, but of course is anxiously awaiting the great event. ","Sorry to hear about the trouble you have with your servants and hope you will be able to solve it to your satisfaction.","I have designed something myself for the little stand and am taking the liberty of going ahead with it, hoping that you will approve of it. It will be made of 14 karat gold, and will be larger than the one you had and entirely different, and will cost approximately $150.00. The only thing I am not certain about is the size, not having the egg here. I have to guess more or less from the old stand, and therefore would like very much to have the egg to take measurements. ","On second thought I don't think this will be necessary, as I expect to be in Washington next Tuesday, the 11th, when I would like to go out to your place for an hour or so, to see ","(over please)","[page 2]","your things, and at the same time I could measure the egg.","I think I could be in Fredericksburg around 2:00 P.M. and then take a train about 5:00 P.M. back to New York, unless it is necessary for me to stop over at Washington until Wednesday. ","The heat is terrific in New York, and I am so glad that Mrs. Schaffer consented to go away. ","Hoping that my letter finds you in the best of health, with kindest regards from Mrs. Schaffer and myself,","Sincerely yours,\nAlexanders S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 7, 1936","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","Dear Mrs. Pratt,","Just a line to let you know that I am planning to have an exhibit at my galleries, beginning November first, of the work of CARL FABERGE, and I thought you may be willing to loan me some of the lovely things you own. Although I really hate to put you to all this trouble, but maybe you could just have someone pack the things that you want to lend to me, and send them railway express, insured, at my expense. ","So far I have only borrowed the big Easter egg, but I do not know whether I will have anything else outside of my own things.","Believe it or not, Paul is asking about you and sends his love, in which Mrs. Schaffer joins him. ","With kindest regards and best wishes,","Cordially,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 27, 1936","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I was so glad to receive your letter, as I was worried already that you may be ill, and that this was the reason that you did not come to New York as you planned. And judging from your letter, I was almost right, but I am glad to know that it isn't anything serious, and I hope that by the time this note reaches you, you will be in perfect condition again. ","I would not think of letting you make that trip to Washington. I would much rather wait until the 3d and then you could bring the things with you. ","Regarding the Egg, you have apparently forgotten that in one of my letters I have definitely promised it to you for September, and which I meant. Although it is now October, as you see I kept my promise, except for being late, which was beyond my control. I am sorry to learn that you cannot find a way of getting it at present. However, I must tell you this – should I be successful in making a substantial sale, I shall buy it back myself and then, needless to say, I will let you have it regardless of when you could pay for it. I only hope that they do not change their minds in the meanwhile. ","I could not buy it myself presently, because I have just paid a huge amount in duties for some fine things I have bought about a year ago. If not for ","[page 2]","this, I would have probably settled the whole affair with them without even writing to you about it, because to get it back is my one ambition, and I would not worry about selling it again. I shouldn't have done it in the first place. ","With kindest regards and best wishes, and love from the family, ","Cordially,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 17, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I am very sorry you didn't have a chance to come in while you were in New York, as I have some very beautiful pieces that I know you would have greatly enjoyed seeing.","I am going abroad on Wednesday, the 23d, and will take some of them with me for a client in London. I don't know who long I will be. I hate to leave Mrs. Schaffer and the baby, but I guess I will have to.","I am carefully packing and shipping the things to you, as I have them all photographed now. I am enclosing the photographs and the histories in the package. ","With kindest regards and best wishes,","Sincerely yours,\nAlexander S. Schaffer [signed]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 21, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","It was quite a shock to learn of your illness, but we are happy to read that the danger is over, and I can't tell you how glad we are that you are back home. We do hope that you will take good care of yourself so that you will get well and strong again, and never get ill again, ever.","If I weren't going to Europe, I would pay you a visit to cheer you up by showing you some of the things, but as it is, it will have to wait. However, I will keep the choicest [underlined] for you.","Mrs. Schaffer sends her love. Paul too made some sound, whatever he meant by it. Please do cheer us up as soon as possible, to tell us that you are better as we are still worried. ","With kindest regards and wishes for your speedy recovery,","Sincerely,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: ","Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 10, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt, ","It is good to know that someone else thinks as much of the baby as we do. I was glad to see that you have noticed how much he changed. It is quite true he is not a doll any more, but a boy, and does not look like either of us especially. ","I am glad you kept the two pins. The one in question is a spinel ruby and not a garnet. I received the pink one today. ","I am sending to you today by railway express, insured, a few very choice pieces, of which I am enclosing the tags. I know that you will have great pleasure in seeing them and sincerely hope that you can manage to keep some.","Trusting that my letter finds you greatly improved (you didn't say anything about it in your letter), with kindest regards and best wishes from the whole family,","Sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","September 1, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your letter and check which I have received today.","I was glad to read that you like the photos of the baby.  He is a little imp but he is adorable.  I know you will like him. He does look like his mother I think.  Both send their love.","The raspberry red gold mounted box that you mention, you already have in your collection.  I have sold it to you before you went to Egypt and had it repaired during your absence.  That is the only one I can think of.  At any rate, I only have three Faberge pieces in raspberry red enamel in my whole collection.  One is a little match case.  One is a little perfume bottle and one is a seal.","However, I am glad that we had this little confusion about the boxes, because at least it gave you an opportunity to see the little yellow enamel box which you decided to keep.","I am looking forward to seeing you soon.  With kindest regards and best wishes, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","October 7, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","We are very much relieved that you have found the box.  I would have felt miserable otherwise.","I am enclosing the bill and the histories of the objects you have taken with you.  In this bill is included the yellow enamel box which I have sent to you previously, and the two presentation icons that I am sending to you today by Railway Express, insured against all risks.  Please let me know whether they reach you in good condition.","I hope that the trip to New York did not tire you too much, and that I will have the pleasure of seeing you very soon again.  I was sort of hoping that you could find time to see Paul, but I guess you just could not manage.","Trusting that my letter finds you in the best of spirits, with kindest regards and best wishes from both of us, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","P.S.  Mrs. Schaffer seems to think that you wanted the panagia with the jasper cameo of Christ.  Please let me know whether I should keep it for you, as I myself am not certain.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","May 11, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia ","Dear Mrs. Pratt,","I am sorry for not answering your letter before this, but a freak accident kept me away for a few days.  While moving furniture around at home, I dropped a small but heavy table full of books on one of my toes.  It was quite painful, but I am glad to say that I think nothing serious will develop now.","I am so sorry to read that you also have not been very well.  I know it is not as easy to do as to say, but one should try not to let things upset one.  Ones health is more important than anything else.  At least I am trying to practice what I preach even if I do not always succeed.","I sincerely hope that conditions will improve very soon now, which would make it so much easier for all of us.  This depression did hit everybody I think.  It's worse than in 1932, because now one cannot buy anything, yet it is very hard to sell or to collect money. At least in 1932, even if it was hard to sell, one could buy fine things at reasonable prices, and eventually good things always find a market.","Of course I would not dream of taking interest from you for the money you owe me.  I am convinced that if you could pay more than $500 a month, you would, and if you cannot, I certainly will wait rather than let you sacrifice any of the things that I know you love so much.","Looking forward to the pleasure of seeing you soon, with kindest regards, I am","Very sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","August 1, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","I was most sorry to hear that you were ill, and I am glad to know that you are up and around again. Please do take care of yourself. Remember, we need your help for Paul's wedding. ","It is remarkable how time flies! He is growing every day and you will find that he is not the little baby you have seen. Of course, we still think he's very sweet and lovable. ","We are on the beach and would enjoy it very much except that there's a plague of mosquitoes which is not very pleasant, but we hope that they'll disappear soon.","With kindest regards and love from the family,","Sincerely,\nAlexander S. Schaffer \n[signature]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","November 2, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\n \nDear Mrs. Pratt,","Thank you for your letter of the 1st and check on account.  I am glad that business is on the upswing.  It's about time – we all need it, and with the war scare behind us, we may be looking forward to better times.","Have you seen on page 219 of the October Connoisseur the editorial about my topaz Fabergé vase?  I know you will be thrilled to see it, but the description will give you some idea of its beauty.  If you haven't this copy, I have an extra one and will be glad to send it to you.","Paul and Mrs. Schaffer send their love.  You should hear him talking – a mile a minute – and most of the time we don't know what he's talking about.","I hope the weather there has been just as nice as it has been in New York, although I think it might be better for business if the cold weather would set in.","With kindest regards,\nSincerely yours,\nA.S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 15, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I have just received your letter of the 14th, and hasten to let you know that the egg arrived safely.  Before I forget, my home address is: \n117-01 Park Lane South\nKew Gardens, L. I., N. Y.\nBuilding A, Apartment 2-B.","I am sorry you cannot afford to keep the red and emerald egg.  Would you kindly return the parchment #2753?  I must have misunderstood about the jade chest egg.  I am enclosing an itemized bill as requested.","The silver tray will be packed and shipped to you as soon as possible, and if I haven't sold the necklaces before the end of the year, I will return them to you.  I think I told you that I sold the bracelet and the icon.","With kindest regards and very best wishes for a happy Christmas and New Year, in which the family joins me,","Sincerely,\nAlexander S. Schaffer [signed]","ASS:RS\nP. S.  The parchment just arrived.  Thank you.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 30, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","We have just finished packing and will be out by tomorrow.  Let's hope it is all for the best!","We both want to thank you for your good wishes, and to express our sincere gratitude for having had the good fortune to acquire a friend like you.","We do hope to be able to see you every now and then.  If we go down south, we might even surprise you for a short visit.  (should we decide to drive).","With kindest regards, and very best wishes for the truly happiest New Year you have ever had, and with love from the family,","Sincerely,\nAlexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:RS","Transcription: \n[In process]","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","\nNovember 21, 1945","Mrs. John Lee Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","Please forgive me for not answering your letter of the 14th at once, but I wanted to receive the articles before writing to you.","I am enclosing a receipt for them.  They all arrived in good condition including the flower.","Regarding the Globe Flowers, there was one stem without jade leaves. That is the way it was made.  It is all complete so you needn't worry about it.","I am glad you like the little blue velvet stand.  I am indeed sorry that you could not manage to visit us during your last visit.  I do hope you can do so when you come again.","With kindest regards and best wishes, I am,\nCordially yours,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ENC.\nASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","June 4, 1946","Mrs. John L. Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","The man who bought the Faberge Easter Egg which you always said you should have bought and which you didn't because I discouraged you, was in today.  He wants to sell the Egg for $12,000.00, federal tax included.","He claims that someone else also wants to buy the Egg, so I decided to let you know at once in case you are interested.  He is not in need of money so I think you could have about six months in which to pay for it.","Please do not misunderstand me - I don't want to be a salesman in this case but you did mention several times how sorry you were that you didn't buy it.  Therefore, I do want you to have a chance to do so if you are still interested.","With kindest regards and best wishes, I am,\nSincerely,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, L.I.\nNew York","February 3, 1942","Dear Mrs. Pratt,","Many thanks for your very kind letter and check on account.","Well, we still haven't left New York, but if all goes well, should be on the way in a few days.  Unless I write in the meantime, I think it would be best to send your next check to Kew Gardens.","Alex has been away for a few days rest.  He should be back very shortly, but I didn't want to delay writing to you.","The children are very well.  I have a new governess for them, and that's one of the reasons it's taken us longer to get away.  I didn't want to take them with us, as it would have been too much for them, and no rest for anybody, and I couldn't leave them until I was absolutely sure that everything was running smoothly at home.","I hope that we'll be seeing you soon.","Peter and Paul send their love, as do I.","Sincerely,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, N. Y.","April 24, 1942","Dear Mrs. Pratt,","Thank you very much for your check and letter.  I do appreciate it.","My husband just went away for a few days to recuperate, as he is still not up to par.","Yes, the place that you saw near the Sherry-Netherland is where we have given our collection for sale, but so far they have sold few of our things.  People seem to think however, that things will improve.  Let's hope it will be soon.","Love from us all,","Cordially,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","July 5, 1942","Dear Mrs. Pratt,","Many thanks for your nice letter and check on account.","We just moved last Monday so I'm sure you can visualize how busy I've been and will forgive me for not having written before.  Please overlook the stationery too, as I'm not even all unpacked!","The children love it here and are thriving.  I hope it will do Alex lots of good too, as he certainly needs it.  He's still been very jumpy!  As for me, I love it.","I hope you are taking good care of yourself and keeping well.","Love from us all,","Ray Schaffer","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","Copy","Dec. 4th '45","My dear Mrs. Schaffer – ","Herewith my check for two hundred eighty-five dollars in full payment of account.  When you acknowledge please mention the amount, and that it is in full payment for my files.  Thank you and Mr. Schaffer for your kindness.  A great weight is off my shoulders.","Tell Mr. Schaffer I will pay for the Globe Flower and paper-cutter as soon as I can.  My Income Tax on the 15th will leave me a very small balance for December.","Kindest regards, Sincerely yours,","(Signed) Lillian T. Pratt","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00","Transcription: \n[double-headed eagle] G. 3.\nRectangular miniature picture frame by CARL G. FABERGE, the Russian Court\njeweler.\nIt is executed in gold on silver bearing a ground of rose colored enamel.\nBorders of wreath design frame the enameled ground and around the opening for a picture is enclosed with beadwork.\nBears a piece of beveled plate glass to cover the picture and is paneled with ivory.\nSigned \"FABERGE\".\n$300.00\nFrom the Youssapoff Collection.  Originally it was presented to the Princess Youssapoff by the Empress Maria Feodorovna.","Transcription: \n[double-headed eagle] G. 5.\nMiniature picture frame by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.\nConcentric fluted gold rims separate these areas.  The jade is of a dark spotted green and in contrast to it a pale mauve enamel is employed everlaid [sic] by an interweaving green-gold wreath.\nAt top a ribbon with bow and loose ends is fixed bearing a ruby in the center.  It is mounted with a gold easel.\n$275.00","Transcription: \n[double-headed eagle]\n#G. 8.\nA miniature icon by CARL G. FABERGE, the Russian court jeweler. \nIt is in the form of triptych and very simply on the exterior is paneled with a dark wood bearing a four-petaled catch centered by an emerald.\nIt opens to disclose a solid gold interior. The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls. The yellow-gold ground bears arabesques of the filigree and studded at significant points in the design are emeralds, rubies, sapphires, and diamonds. \nThe central panel frames \"The Resurrection\". Against a dark background the figure of Christ appears holding aloft a pennant. His form radiates light and in the foreground two angels kneel. It is an extremely small painting even for a miniature but is complete in every detail. \nAt top there is the Russian cross studded with emeralds and rubies. \n$1500.00\nThe inscription is as follows: \nLeft panel: \"Resurrection of Thine, O Christ, Savior, about which the Angels sing in Heaven.\nRight panel: and we on Earth try to be worthy to glorify Thee.\"","Transcription: \n[double-headed eagle] #G. 13.\nDome-shaped jade push button by CARL G. FABERGE, the Russian Court jeweler.\nIn the classic French style adapted by Faberge, the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut ruby set in a nine-petaled mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and following in this style is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three short feet in the form of rococo scrolls.\n$650.00","Transcription: \n[double-headed eagle] #G. 14.\nGold-mounted jade calendar device by CARL G. FABERGE, the Russian Court jeweler.\nIn the form of a rectangular piece of dark translucent green jade it is designed in his classic manner and mounted with gold-gilt back and easel.\nAt the top swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center two oval openins [sic] bear red enameled mounts which have the numbers for the day of the month and these are changeable each day by clicking the buttons on either side. \nBelow on a set of gold gilt plaques the months are engraved and held in place by red enamel and moonstone mounts.\nSigned \"Faberge\".\n$1200.00","Transcription: \n[double-headed eagle] #G. 16\nLarge jade Easter egg mounted in gold gilt silver by CARL G. FABERGE, the Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold gilt silver, and bearing ruby catches with which to open it.\n$450.00","Transcription: \n[double-headed eagle] #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #23\nVery fine gold and silver frame beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth.  Signed and dated 1909.  (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is designed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\n$240.00","Transcription: \n[double-headed eagle] #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana, her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler, \"Fabergé\", by whom it is signed.  The back is of ivory.\nFrom the personal belongings of Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 2354.\n$240.00","Transcription: \n[double-headed eagle] #38\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.  \nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 1955.\n$60.00","Transcription: \n[double-headed eagle] #73/44\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n$120.00","Transcription: \n[doubleheaded eagle] #75.WM\nCream leather frame with beautiful gold tooling and crown, top center, containing a photograph of the Grand Duchesses Olga and Tatiana. [from \"containing\" on, words are scratched through]\nThe frame was made by A. Peterson at St. Petersburg, by appointment to the Czar of Russia.\nFrom the Winter Palace, where it was catalogued under #430/2.\n$36.00","Transcription: \n[double-headed eagle] #86\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and siver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n \"Blessing from the Monastery of St. Martyr and Healer Panteleimon on the Sacred Mount Athos.  To His Imperial Highness Heir Apparent and Czarevitch Grand Duke Alexis Nicholaievitch for Divine Assistance and Protection.  October 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\n$1,000.00","Transcription: \n[double-headed eagle] #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and 9 saints in miniature as follows:\n1 - St. Peter – Metropolitan of Moscow\n2 – St. Alexis -     \"                 \"          \"\n3 – St. Ivann -      \"                 \"          \"\n4 - St. Prince Michael\n5 – St. Boyard Theodor\n6 – St. Dimitry the Blessed\n7 – St. Vasily the Blessed (In whose name the famous church in Moscow was built by Ivann the Terrible.  The church upon completion was so beautiful, that the Czar, fearing that it might be duplicated, had the architect blinded.)\n8 – St. Michael the Martyr\n9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears a nameplate which reads as follows:\n\"To His Imperial Highness Czarevitch and Grand Duke Alexis Nicholaievitch from the Nobility of Nijni Novgorod.\"  It was made by \"Chlebnikoff\" (By Appointment to the Russian Royal family.)  It is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\n$3,500.00","Transcription: \n[double-headed eagle] #477\nVery lovely cane holder, of crystal, with fine enameling, and gold mounting, and studded with diamonds.\nMade by the famous court jeweler \"Faberge\" (By Appointment to the Czar of Russia.)\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Czar Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #479\nVery beautiful rock crystal parasol handle mounted in beautifully chased gold and enameled in soft shades of blue and studded with two rows of oriental pearls.\nMade by the famous court jeweler \"Carl Faberge\" (By Appointment to the Czar of Russia), who was often referred to as the Cellini of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$350.00","Transcription: \n[double-headed eagle] #480\nVery fine cane handle enameled in white.  With gold striped and two Roman tens (X), enameled in orange.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the Cellini of the 19th century.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #481\nVery fine cane handle made of Russian nephrite (jade), mounted in gold and enameled in a beautiful red translucent enamel, in spiral design.  With two rows of diamonds.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the \"Cellini of the 19th century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #509\nVery fine parasol handle of amethyst, carved with a spiral design.  Gold mounting and two rows of diamonds.  Enameled in a lovely shade of translucent pink in a woven effect.\nIt is the creation of the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia.  He was often referred to as the Cellini of the 19th century because of his unusually fine craftsmanship.  \nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$200.00","Transcription: \n[double-headed eagle] #534\nVery fine parasol handle made of a solid piece of amethyst, with most unusual gold and silver mounting.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #536\nVery fine cane handle made of Russian nephrite (jade), with gold mounting, very finely chased and hammered.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #538\nUnusual parasol handle made of Russian nephrite (jade), with very fine gold mounting in the shape of a serpent coiled around the handle.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"  \nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$150.00","Transcription: \n[double-headed eagle] #539\nUnusual red/Russian nephrite cane handle, in the shape of duck's head.  With gold mounting, enameled in green and white, and set with diamonds.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as \"The Cellini of the 19th century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in center beautifully painted portrait of \"Madonna and Child\" in enamel, and framed with filigree work which is filled with shaded enamel showing tulips and other flowers, in the center of each of which topazes and garnets alternate.\nSurmounted by crown which has two aquamarines one topaz and one garnet.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family.) Moscow.\nFrom the private belongings of Czarina Alexendra [sic] Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$325.00","Transcription: \n[double-headed eagle] #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.  The craftsmanship displayed in this piece adequately shows the reason why Carl Faberge is often referred to as the \"Cellini of the 19th century.\"\nFrom the Collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00","Transcription: \n[double-headed eagle] #1073\nExceptionally beautiful and rare [scratched out \"graphite\" and ?] jade (handwritten) frame mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frame the picture (handwritten), while on the [nephrite scratched out] jade (handwritten) margin green gold festoons are attached to reddish gold rosettes.\nA superb example of the fastidious workmanship lavished upon the small creations of Carl Faberge, celebrated court Jeweler to the Court of Russia.\nThis example aptly illustrates Faberge's unique use of the rare semi-precious stons [sic] which were found in the Russian Impire [sic].\n[Scratched through: In original Hollywood case]  From the Alexander Palace at Tsarskoye Selo.\n$750.00","Transcription: \n[double-headed eagle] #1075\nCircular gold picture frame of the most exquisite and delicate workmanship chased with a shimmering \"guilloche\" pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\n[In original case - scratched through]\nSigned by Carl G. Faberge, famous jeweler to the Imperial Court of Russia, [and who has so often been referred to as the \"Cellini of the 19th century.\" – scratched through]\nFrom the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #1078\nExceptionally beautiful gold and silver picture frame of most unusual size enameled in translucent sky-blue over a scintillating chased (guilloche) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At top laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  \n[crossed out: The frame contains a photograph portraying Czar Nicholas II and King George V of England, his cousin, and the two heirs to the throne, the Prince of Wales of England and the Czarevitch Alexis of Russia.]\nThe fine craftsmanship displayed in this example typifies the work of Carl G. Faberge, celebrated court Jeweler to the Imperial Russian Family.\nFrom the Alexander Palace at Tsarskoye Selo.\n[$600.00 scratched through] 450 handwritten","Transcription: \n[double-headed eagle] #1101\nExceptionally beautiful and rare gold (handwritten) miniature icon depicting the \"Holy Virgin and Child Enthroned\" set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top an interesting attachment is mounted with a blue sapphire while from the bottom hang a pink ruby an emerald and a pearl [last phrase handwritten].\nMounted in a beautifully designed triptych of \"Old Russian\" design. [Scratched through: lined with an ancient piece of brocade].  Hinges conform to the design of the case and are in solid silver intricately chased.\n[An \"X\" appears here, referring to where the last paragraph at the end of the text should be inserted]\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\n\"X\" - The icon bears an inscription meaning \"Save and Protect\".  It is signed by the artist: \"M. Chuknovsky\".","Transcription: \n[double-headed eagle] #1315\nVery fine miniature picture frame delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface enameled brilliant orange.  \nAt the corners of the actual opening for the picture pearls are set in while on the enamel circular wreaths are mounted together with crossed arrows.\nBy \"Carl (G) Faberge,\" celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the 19th century.\"\n$180.00","Transcription: \n[double-headed eagle] #1350\nPaper knife of richly grained tortoise shell of unusual personal interest mounted with a solid gold facsimile reproduction of the inscription: \"For Dear Alix (the Czarina Alexandra Feodorovna) from Misha.\" (Grand Duke Michael, brother of Nicholas II, the late Czar of Russia).\nFrom the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #1556\nSmall silver triangle frame by CARL G. FABERGE the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased guilloche surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a bevelled [sic] glass with the outside border in beadwork.\nBack with ivory and signed and in the original hollywood case bearing FABERGE'S name and the Russian eagle. [Last sentence crossed through]\n$350.00","Transcription: \n[double-headed eagle} #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides a diamond is inset and in the very center surrounded by a laurel wreath the Roman number \"ten\" in diamonds signifies a tenth anniversary.\nSigned by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #1576\nA pin by CARL G. FABERGE in the Egyptian style formed of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$1200.00","Transcription: \n[double-headed eagle] #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE, executed in solid gold in his French classic style.  It follows in technique the French 18th century gold snuff boxes with a ground of cobalt translucent enamel.  Unlike most of Fabergé's surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes, and is merely visible as faint rays on the enamel surface.\nAround the center there is a broad vari-colored gold band carved in a minute serpentine pattern together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg circular caps bear ten-pointed rosettes enameled in green.  The three divisions are further enhanced by the addition of 3 bands of white matte enamel dots, one of which in the center row is a tiny diamond catch.  As one opens the egg, the inscription may be seen: \"Christ is Risen\".  In the original case bearing the name \"Faberge\".\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$450.00","Transcription: \n[double-headed eagle] #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface and opens with a small pearl bordered lid having a ruby catch.\nDecorated on top with a diamond and ruby six-petaled flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #1736\nJade parasol top mounted in gold by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.  On the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #1737\nJade parasol top mounted in gold, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.  A green gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #2237\nTiny solid gold oval box, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with exerpts [sic] from the Koran.  It is surrounded by a row of diamonds.\nLike all of Fabergé's boxes, the fit of cover to box is a notable example of his craftsmanship.  Here also he has employed the hinges which appear on the finest 18th century gold snuff boxes.\n$850.00","Transcription: \n[double-headed eagle] #2238\nRare miniature Easter egg, by CARL G. FABERGE, the Russian court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise, and entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a brilliant cabochon-cut ruby.\n$250.00","Transcription: \n[double-headed eagle, no identification number]\nMiniature gold and platinum charm in the form of a bulldog.\nThe collar is gold, and the eyes are rubies, while the body is set with ten large diamonds and many smaller ones.\n$250.00","Transcription: \nRockefeller Ce [ripped] ekly\nFOR IMMEDIATE [ripped] O","Alexander S. Schaffe [ripped]\n15 West 50th Street [ripped]","Center Publications, Inc. \nNEW YORK N Y","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\n #572.\nExceptionally fine \"Fabergé\" handle, made of an unusually formed beautiful green jade, enclosed in two gold gilt bands which are chased in a simple design.  The top of the handle is studded with sixty-five various sized blue sapphires in a triangular setting.  Set on a stick of very fine tortoise shell.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934","A most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth, (Countess Brassov, morganatic wife of Grand Duke Michael.)  Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth. Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #38.\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master, \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.\nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #73/44.\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, the Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n[handwritten: 12 1/8\" hegl (?) x 14 5/8\"]","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1934\n #315.\nPorcelain Easter egg, bearing on one side the gold monogram and crown of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, and on the other, a small red cross.\nIt was the custom of the Czarina to present these eggs to wounded officers, while she served as a nurse during the World War, as a token of Easter greetings.\nFrom the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nApril 2, 1934\n #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses [sic] uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo where it was catalogued under number 1955.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nImperial Russian Art Treasures\nRockefeller Center, New York\nApril 30, 1934\n #86.\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and silver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n\"Blessing from the Monastery\nof St. Martyr and Healer\nPanteleimon on the Sacred\nMount Athos.  To His Imperial\n Highness Heir Apparent and\nCzarevitch Grand Duke Alexis\nNicholaievitch for Divine\nAssistance and Protection.\nOctober 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana [name underlined in pencil with ? following name], her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler \"Fabergé\", by whom it is signed.  The back is ivory.\nFrom the personal belongings of the Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under the number 2354.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #461\nMost exceptionally fine miniature icon (panagia), painted in enamel in very beautiful soft tones which produce a most pleasing effect.  Signed in the lower left corner.  The icon portrays \"St. George Slaying the Dragon\", the Insignia of the Romanoff family.  It is set in very fine gold and silver filigree work and is studded with rubies.\nIt is mounted in highly polished holly wood, similar to the original fitted case which is lined with satin and bears the gold stamp of the House of Fabergé, typical of the beautiful boxes that Fabergé made for his creations.  The icon is a fine example of the work of \"Carl Fabergé\", who was often referred to as the \"Cellini\" of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #462\nA most unusual enamel miniature icon (panagia), portraying \"Madonna and Child\".  It is mounted in a very beautiful gold and silver frame surmounted by crown and studded with turquoises and pearls of very good quality.\nFrom the private collection of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nJuly 28, 1934\n #463\nA most unusual enamel miniature icon (panagia), portraying the \"Madonna and Child\".  It is set in a very fine gold and silver frame inlaid with vari-colored enamel in very fine filigree work.  Surmounted by crown and studded with pearls and garnets of very good quality.\nFrom the private collection of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nSeptember 28, 1934\n #558\nA most exceptionally fine silver bunny made from life by the well-known Russian jeweler, \"Carl Fabergé\", who was often referred to as the Cellini of the 19th century.  It is made up of two sections; the head opens on a hinge, and the hollow inside was probably used for bonbons.  The eyes of are Ural rubies.\nIt is a very good example of this type of work that was made by this master craftsman.  The life-like effect and charm, as well as the characteristically fine detail, will win one over readily to the many admirers that he already has all over the world, in both royal houses and humble alike.\nThe bunny bears on the bottom a most exceptionally clear hallmark and signature \"K. Fabergé,\" surmounted by Russian Imperial eagle, the date \"1894\", and the St. Petersburg hallmark.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #150\nA most exceptional blue and silver brocade cope, with an all-over \"Baroque\" floral and leaf design woven in silver threads which will never tarnish, as they were treated with an unknown process which is today a lost art.  It is bordered with a very fine hand-made silver lace of the period.\nRussian, 18th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #309\nVery interesting gold gilt silver ice pail in the shape of a basket, executed in very fine detail, true to the fine workmanship of the well-known court silversmith, \"Ovchinnikov\", who made so many outstanding pieces for the Russian Royal family.\nIt is signed and dated 1873.  Originally in the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nChristmas, 1934\n #597\nA most unusual gold pin in the shape of a tree trunk, showing a snake coiled around the tree, hypnotizing a bird which is perched directly above.  It is chased in very fine detail of vari-colored gold which is typical of Fabergé.\nOriginally in the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJanuary 2, 1935\n #504\nVery important gold and silver vase enameled in beautiful, rich coloring, which can hardly be described.  One can scarcely distinguish the enamel from the various precious stones, such as emeralds, rubies, sapphires, pearls, etc., with which it is embellished, true to the splendor of a jewelled [sic] crown, which is incorporated in the design of the vase.\nIt is the work of that outstanding master \"Carl Fabergé\", court jeweler to the Czar of Russia, and who was often referred to as the \"Cellini\" of the 19th century.  It is one of his most outstanding creations and is signed on the bottom of the vase.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nFebruary 26, 1935\n #438\nVery fine miniature Easter egg, enameled in a translucent pink and studded with one large and two smaller sapphires and two diamonds mounted in gold.\nThe work of Carl Faberge [sic], famous craftsman of the 19th century who was often referred to as the Cellini of the 19th century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #571\nExceptionally beautiful parasol handle by Carl Faberge [sic], Court Jeweler of the Czar of Russia, often referred to as the Cellini of the 19th century.\nThis fine specimen of Faberge's [sic] art shows the ingenuity and artistry of this master craftsman.\nThe curved part of the handle, formed of a single piece of jade, is finely incised and mounted with rubies.  The main body of it, a single piece of tortoise shell, polished and tapered, is connected by a fine gold and enamel mounting.  This gold mounting, so typical of Faberge's [sic] art, is chased and enameled in a lovely translucent red, and ornamented by a fine design of festoons in yellow gold.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #760\nVery fine gold gilt silver frame beautifully enameled in a rich cobalt and decorated with a wreath.  Top surmounted by beautifully designed gold ribbon.  The back is covered with Russian birch, finished to simulate ivory.\nFrame contains well-painted miniature portraying wife of Alexander II, grandfather of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #774\nA most exceptionally fine gold gilt silver ash tray, beautifully chased and enameled in a very fine shade of canary yellow transparent enamel, supported by three ball feet; studded in the front with a beautiful round moonstone and an oval moonstone at the top of the handle.\nA fine example of the creations of the famous Russian Court Jeweler, Carl Faberge [sic], who was often referred to as the Cellini of the 19th Century.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #780\nVery fine miniature carnelian Easter Egg, studded with three small rubies and diamonds mounted in gold.  \nThe work of Carl Faberge [sic], the famous craftsman of the 19th century who was often referred to as the Cellini of the 19th Century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1935\n #818\nVery interesting white porcelain Easter egg with floral design, bearing monogram \"A.F.\" surmounted by crown, standing for Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nMade in the Russian Imperial Porcelain Factory at St. Petersburg.\nThe decoration of this porcelain Easter Egg is beautifully composed of a handsome wreath of roses going around the middle of the egg from one side of the monogram to the other.  The roses, exquisitely painted in varying shades of magenta, together with the leaves, are bound about by a blue ribbon recurring at different intervals throughout the wreath.\nThe monogram of the Czarina is finely rendered in gold laurel leaves, and with the crown, is placed in the center of an oval from which start symetrical [sic] borders in gold going around the egg.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#417.  Exceptionally fine miniature Easter egg made of lapis.\n#419.  Miniature gold Easter egg, composed of three Russian semi-precious stones mounted in gold and set with three tiny rubies.\n#420.  Miniature gold Easter egg in the shape of a cage, set with a turquoise.\n#421.  Miniature gold Easter egg engraved in a spiral design and set with a band of blue sapphires.\n#639.  Very interesting miniature Easter egg carved from a dark blue lapis lazuli\n with a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#422.  Miniature gold Easter egg, beautifully enameled in white, and bearing the red cross.\n#423.  Miniature Easter egg, made of a gray Russian semi-precious stone set on \nthe bottom with a ruby and on the top mounted with a gold leaf.\n#424.  Miniature Easter egg made of Russian pink agate.\n#445.  Miniature gold Easter egg, beautifully enameled in green, white, and red, with tiny red enamel dots on the green enamel, and decorated with gold wreath.\n#447.  Very interesting miniature gold Easter egg enameled in turquoise blue and and placed in a gold cone which is suspended from a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Maria, the third daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#425.  Gold and silver miniature Easter egg set with blue transparent enamel.  \nOpening on a hinge.\n#426.  Miniature gold Easter egg decorated with tiny bell shaped flowers, each studded with a diamond, and on the bottom a blue sapphire.\n#427.  Miniature Easter egg made of pale blue Russian semi-precious stone, mounted in beautifully chased various colored gold.\n#428.  Miniature gold Easter egg in the shape of a perfume bottle hanging from a\n chain, the lid opening and studded with an amethyst.\n#429.  Miniature Easter egg in the shape of a Russian icon lamp (lampadka), with\ngarnet in the gold lamp, which hangs from three chains.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#430.  Miniature Easter egg, made of a gray semi-precious Russian stone mounted in various colored beautifully chased gold, and studded with four rubies.\n#431.  Miniature gold Easter egg enameled in white, the upper part studded with rubies and one diamond, and in the center, beautifully chased gold\nwreath.\n#432.  Miniature Easter egg made of Russian agate mounted in various colored beautifully chased gold. \n#435.  Miniature Easter egg of Siberian jade (nephrite), decorated with a gold leaf design studded with rose diamonds and two rubies.\n#436.  Miniature gold Easter egg set with five rubies and various rose diamonds.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#437.  Miniature gold Easter egg beautifully enameled in red and white, and inlaid with gold leaves.\n#458.  Very interesting egg-shaped pearl supporting a beautifully chased gold cock which is suspended from a ring.\n#459.  Very fine miniature gold Easter egg studded with pearls and turquoises, stones divided in four sections.\n#673.  Very interesting gold gilt silver miniature Easter egg in the shape of a bee hive, studded with a green Ural stone.\n#676.  Very fine gold gilt silver miniature Easter egg enameled in soft shades of\n Russian enamel set in filigree work.","Made by the famous court jeweler \"Carl Fabergé.\"  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures \nRockefeller Center, New York\nMay 2, 1935\n#449.  Very beautiful miniature gold Easter egg nicely chased and enameled in \ntranslucent red on top and bottom; in center small squares of yellow and green enclosed in two white bands of opaque enamel.\n#450.  Very fine miniature gold Easter egg beautifully enameled in a soft shade of turquoise translucent enamel encircled with an engraved wreath which is enameled in emerald green.\n#779.  Most unusual miniature Easter egg composed of rock crystal and garnets divided in various sections with many rows of small diamonds mounted in\ngold.\n#779A. A very fine miniature Easter egg composed of an unusual star sapphire colored agate mounted in gold which is finely chased and enameled in [sic] soft shade of green and decorated with a row of diamonds.","Made by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 27, 1935 \n  #110\nExceptionally fine gold and silver Russian icon portraying the \"Holy Virgin of Iverskaya with the Child\".  The trappings, consisting of the exquisitely chased and modelled robes of the Virgin, together with the frame and borders of ancient Byzantine design, are a superb contrast to the magnificent haloes done in all the brilliant shades of the Russian enamel.  In a lovely design of filigree, the enamel combines rare shades of turquoise blue, ruby red and deep greens interspersed with white.\nWithin the recessed panel of the icon there is inscribed at top in old Russian characters: \"The Mother of God\", while within the halo of the Child, there is in the form of an abbreviation: \"From the Father Proceeds\".\nThe back of the icon is mounted with a plaque which is inscribed \"To Her Imperial Highness the Grand Duchess Tatiana Nicholaievna from the Nobility of Moscow.\"  This icon, notable alike for the beauty of characterization of the \"Virgin and Child\", together with its technical perfection in the use of gold, silver and enamel, was from her personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #888\nVery unusual penholder of the Dowager Empress Maria Feodorovna, constructed of a brilliant shaft of lapis lazuli mounted in gold and picked out with a conventionalized chasing.\nThe top is set with the seal of the Empress, consisting of her monogram \"MF\" surmounted by crown, and is engraved in a round, milky-colored agate.\nIt is a fine example of the work of \"Carl Fabergé\", the famous court jeweler to the Russian Imperial family, and who is often referred to as the \"Cellini\" of the 19th century.\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n   #893\nSmall round gold picture frame of more than ordinary beauty and quality by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family.\nThe ground of this piece chased with a shimmering pattern, is enameled translucent white and bordered with a minutely detailed wreath design in green gold on the outside.  The inside is bordered with pearls while the enameled surface is painted with conventionalized trees.\nThe back is of ivory, and it contains a photograph of Czarevitch Alexei Nicholaievitch, son and heir apparent of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #894\nSmall oval picture frame made of a deep ultramarine piece of lapis lazuli mounted on the outside with a chaste wreath design in two shades of gold.  On the inside, a border of pearls lends an air of rare quality and refinement.\nThe back is of ivory, and it contains a photograph of Maria Nicholaievna, the third daughter of Nicholas II, the late Czar of Russia.  \nIt is by \"Carl Fabergé\", famous court jeweler to the Russian Imperial family, who is often termed the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #901\nPerfectly square small silver gilt frame finely fluted and enameled in pale translucent blue.  It contains a photograph of the Grand Duchess Tatiana Nicholaiovna [sic], the second daughter of Nicholas II, the late Czar of Russia.\nIt is signed by \"Carl Fabergé\", court jeweler to the Russian Imperial family, often referred to as the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #905\nVery beautiful miniature gold Easter egg.  Chased and translucently enameled in deep Russian blue, it is finely festooned with ribbons and wreath in two shades of gold, which is so typical of the work of \"Carl Fabergé\", court jeweler to the Russian Imperial family.\nFrom the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#907, #908]\n#907.  Very lovely miniature gold Easter egg chased and enameled translucent\nwhite and studded with a beautiful yellow and a white diamond.\n#908.  Very beautiful miniature Easter egg of pink quartz.  It is encircled by a gold ring having two diamonds and two sapphires in the form of leaves attached to it.\nBoth of these eggs were made by \"Carl Fabergé\", well-known court jeweler to the Russian Imperial family, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#909, #904, #911]\n#909.  Very fine miniature Easter egg made of an unusual green Ural stone. Mounted in gold with a conventionalized flower design, it is set with three groups of three diamonds, three sapphires and three rubies.\n#904.  Very lovely gold miniature Easter egg. The upper half is chased and  enameled in translucent white.  The lower half is of gold wire.  It is mounted with a large oval sapphire and two sprigs of gold leaves.\n#911.  Most unusual miniature Easter egg made of red porphyry.  (This stone was so rare that whenever found it was always presented to the Imperial family.)  It is mounted in a beautiful gold ropework design. ","These eggs were made by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who was so often termed the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Tatiana, second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n #912\nDiamond-shaped gold pin, ornamented with the Russian Imperial Eagle, against a translucent mauve enamel ground in a chased sun-ray design.  The eagle, studded with various sized diamonds, is of very fine craftsmanship.  \nFrom the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1017\nUnusually beautiful solid gold cigarette case, elegantly embossed with sprays of leaves into which are mounted cabochon-cut rubies of beautiful color.  A ruby of the same color, mounted in gold, serves as the catch which opens the case.\nIt is signed by \"Carl Fabergé\", famous jeweler to the Russian Imperial family, who, because of his excellent craftsmanship and artistry, has often been termed the \"Cellini\" of the nineteenth century.\nFrom the belongings of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1041\nBeautifully conceived and executed miniature frame of the supreme quality achieved by \"Carl Fabergé\".  Mounted on a nephrite pedestal of pure classical inspiration, it is encircled at the top with a gold wreath mounted with rubies.  From it hang festoons of leaves minutely chased and carved out of green and yellow gold.  The gold enrichment of the base is also in two shades of gold and here is finely wrought with acanthus leaves.  The frame which is double to hold two miniatures, is enclosed with a round wreath, carved out of greenish gold and at the top is mounted with a ribbon, rubies and an oval terminal pearl.\nIt was made by the celebrated court jeweler to the Russian Imperial Court, \"Carl Fabergé\", who has often been termed the \"Cellini\" of the nineteenth century.\nFrom the Alexander Palace at Tsarskoye Seloe.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1049\nExceptionally fine and long lapis lazuli necklace composed of one hundred and ninety graduated Siberian lapis beads of an exceptionally beautiful blue.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #92\nExceptionally beautiful and rare Imperial triptych icon, designed and executed by the celebrated Russian Court silversmith, \"Ovchinnikov\", and presented by the Nobility of the City of Charcoff to the Czar and Czarina, Alexander III [sic] and Maria Feodorovna, in celebration of the twenty-fifth anniversary of their marriage.  In this example, all the ingenuity and resources of the artist were concentrated upon the workmanship of so important a piece, created to celebrate so momentous an occasion.\nOpening the icon, the central panel of sumptuous Russian design frames the exquisite portrait of the Blessed Virgin, clad in golden robes finely chased and patterned.  The Virgin is wearing a crown sparkling with the brilliance of diamonds, rubies and emeralds, against a halo of filigree and enamel mounted with ovular-shaped pearls.  The faces of the Virgin and Child are painted in miniature, and it is remarkable with what perfection the characterization and the details are rendered.  Necklaces of diamonds and rubies appear around their necks, and on the cuff of the Virgin's sleeve, a diamond star with ruby center is mounted.  The Child is also portrayed wearing the diadem of diamonds against the small halo, on which appears in Old Russian the inscription in the form of an abbreviation: \"From God Proceeds\".  The background of the panel, filling in the serpentine-shaped Russian arch, is of sky-blue and forms a superb color contrast to the yellow gold of the Virgin's robes.  Over this background, a vinelike design is entwined, studded here and there with rosette-like stars.  Magnificently framing the large central panel, as well as the side ones, borders ingeniously wrought in all different types of chasing and filigree work are set with a variety of rubies, emeralds and sapphires, interspersed with rectangular panels done in soft shades of blue and red matte enamel.\nThe side panels appropriately depict in fine relief, left, \"St. Alexander Nevsky\" (the patron saint of Alexander III [sic]), in armor and wearing ermine robes wrought in virgin silver, and on the right, \"St. Maria Magdalene\", (the patron saint of Maria Feodorovna).  Above each at left and right, guardian angels kneel in the clouds in an attitude of devotion.\nClosed, the icon presents the fine filigree exterior framed in enamel, in the center of which there is a large Greek Catholic cross studded with rubies and sapphires.\nThe reverse is inscribed as follows: \"To Their Imperial Majesties from the Nobility of Charcoff.  1866-1891. October 28.\"\nIt is signed by the artist \"Ovchinnikov\" and dated \"1891\", the year of its presentation to the Emperor and Empress of Russia.  It is considered the finest jeweled icon ever created in Russia, and is the best witness to the mastery of this great artist.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #972\nSmall gold picture frame of outstanding beauty, by \"Carl Fabergé\", famous court jeweler to the Czar of Russia.  Of rounded, triangular shape, it has as its main area the chased guilloche surface enameled in light translucent blue, in a very graceful drape design.\n\"Fabergé\" was greatly renowned for this type of enameling and in this example, the enameling is further set off by a gold border chased with a wreath design of great delicacy.  The actual opening for the picture is surrounded with a row of diamonds and surmounted by a ribbon bow.  The back of the frame is paneled with ivory.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #982\nParticularly beautiful icon depicting the \"Transfiguration\", showing \"Christ\" in an aura of light with (left), Elias, and (right), The Prophet Moses.  Below Him are James, Peter and John, (lower left, center and right, respectively).\nOf the most exquisite workmanship, both for its very expressive quality and perfection of detail, it is painted in an almost monochromatic color scheme, relieved by the touches of purple, green and blue in the gowns of the saints.  It is framed in translucent pale gray enamel with leaf and tendril design mountings, which are further [sic] enhanced by sapphires, emeralds and rubies.\nIt is by \"Carl Fabergé\", celebrated court jeweler to the Czar of Russia, and is a superb example of his genius.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #1006\nExtremely interesting water color luncheon menu of the 21st of June, 1896, in the domain \"\"Eleenskole\", which belonged to the Grand Duke Sergei Alexandrovich, uncle of Nicholas II, the late Czar of Russia.\nThis menu was written and designed by the Grand Duchess Victoria Mellita of Hesse, wife of the Empress' brother, Grand Duke Ernst-Ludvig of Hesse, and who later became the wife of the Grand Duke Cyril Vladimirovich under the name of Victoria Feodorovna.\nThe menu bears the following original signatures: Czar Nicholas II; Czarina Alexandra Feodorovna; Grand Duke Sergei Alexandrovich; Grand Duchess Elizabeth Feodorovna, sister of the Czarina and wife of the Grand Duke Sergei; Grand Duke Ernst-Ludwig of Hesse, brother of the Czarina; Victoria Mellita, his wife; and Victoria, Princess of Battenberg, sister of the Czarina.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 17, 1936\n  #1043\nExceptionally beautiful gold and silver picture frame containing a photograph of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.\nThis frame of very imposing character with a large Imperial Crown and ribbons at the top, is enameled in a raspberry red, the shade which immediately became so popular upon its creation by \"Carl Faberge [sic]\".\nSurrounding the enameled guilloche surface, leaf design borders of green gold are finely accented with ribbons of reddish-gold.  Also the enameled surface is picked out with formally placed rosettes and leaves, in this same combination so skillfully employed by \"Carl Faberge [sic]\".  The back is paneled with ivory and is signed by this famous master.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 1, 1936\n  #1176\nA most interesting umbrella handle in the form of an Easter egg sculptured of very fine dark green jade.  On the bottom it is mounted in gold gilt silver which is exquisitely chased and enameled in translucent mauve.\nIt is a good example of the work of the outstanding master \"Carl Faberge [sic]\", who was so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #37\nMost intimate and rare photograph of the late Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  It is set in an unusually fine frame of lapis lazuli.\nThe photograph was taken by her husband, the Czar, on their private yacht, and is from the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.  It bears the original catalogue number 2004.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1088\nVery fine gold and silver calendar frame beautifully chased with translucent lavender enamel.  Finely carved borders of beadwork and closely set anthemions enhance the beauty of the design.\nIt is signed by \"Carl Fabergé\", the outstanding Russian Court jeweler, who has so often been termed the \"Cellini of the nineteenth century\", because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1097\nExceptionally fine gold and silver picture frame of outstanding beauty.  It is enameled over a chased (guilloche) pattern in translucent pink, the edges bordered with finely carved wreath design terminated with rosettes.  The small oval opening for the picture, attached at the top to swags of laurel leaves, is bordered with pearls.\nIt is signed by \"Carl Faberge[sic]\", the celebrated court jeweler to the Czar of Russia, and who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1179\nMost unusual and rare miniature ivory Easter egg by \"Carl Fabergé\", the celebrated court jeweler to the Czar of Russia.\nIt opens on a hinged cover to disclose the surprise feature within, - a pale nephrite egg set in the white satin lining.  It is an ingenious creation which is typical of \"Fabergé's\" work.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1306\nA most exceptionally fine dark green jade elephant very sensitively modelled, with upturned trunk and diamonds for eyes.  It is a magnificent specimen of the fine sculptures which were created by the master \"Carl Fabergé\", and shows very beautifully his singularly perfect craftsmanship.\nIt is rendered in most complete detail.  Ears, trunk, tusks, legs, etc., are all carefully cut and polished.\nIt is one of the rare examples of miniature sculpture executed in stone by \"Carl Fabergé\", and for which he is today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #476\nA most unusually fine handle of nephrite, pale green in color, mounted with a cobra naturalistically carved out of yellow gold and entwined about the handle.  The scales and small details are meticulously rendered, while on top of the snake's head, a pink cabochon-cut ruby is mounted as the eye of the cobra.\nMade by \"Carl Fabergé\", celebrated court jeweler to the Imperial family of Russia.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #478\nVery beautifully designed parasol handle in the shape of a fin, made of nephrite.  It is mounted with gold and finely enameled in an unusual shade of pink, and is studded with four pearls and two rows of diamonds.\nIt was made by the famous court jeweler \"Carl Fabergé\" (By Appointment to the Czar of Russia), and is a fine example of his craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #482\nVery fine parasol handle made of nephrite, in the shape of a duck's head, with rubies for eyes and a most unusual green enamel band.  At the base it is mounted in gold and set with two rows of diamonds.  It is exceptionally finely enameled in translucent pink, giving the effect of trees in sunshine, which is enclosed in borders of white matte enamel, with translucent green enamel dots completing the design.\nIt is the creation of the famous Russian court jeweler \"Carl Fabergé\", who has so justly been termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #537\nExceptionally fine cane handle of pale green nephrite, exquisitely designed with an open-work gold mounting of rococco [sic] scrolls and tiny flowers in two shades of gold.  The rim is studded with a row of diamonds.\nMade by the famous artist and court jeweler \"Carl Fabergé\", who is today so often referred to as the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #986\nA particularly beautiful and rare solid gold picture frame of a graceful, oriental shape, designed with entwining leaf tendrils set with the richest shades of the transparent enamel, which has today become a lost art and cannot be duplicated.\nIt is a fine example of the work of the famous court jeweler \"Hahn\", who created some of the most prized specimens of the Russian Court Jewels.  The superb workmanship of this master is evident in such details as the execution of the panel of ivory which holds the picture, also the gold easel supporting the frame.  It is seldom indeed that one has the privilege of seeing a piece created by this great artist.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #987\nRectangular gold picture frame of exceptional quality and refinement, by \"Carl Fabergé\", court jeweler to the Czar of Russia.\nIn this specimen, \"Fabergé's\" unique enamel, a translucent mauve is set off by a border wreath design of minute workmanship in two shades of gold.  The opening for the picture, a tiny oval, is enclosed with beadwork attached at the top to festoons and ribbons of classical inspiration.  The back is paneled with ivory.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1035\nMost unusual gold and silver picture frame enameled in brilliant emerald green over a finely chased surface.  Designed in a five-petal arrangement, the center bears a photograph of Nicholas II, the late Czar of Russia, enclosed in beadwork, while in each of the five sectors, oval panels frame the portraits of the five children of the Czar: the Czarevitch Alexis, and the Grand Duchesses Olga, Tatiana, Maria and Anastasia.\nThe borders of this very rare example are embellished with wreaths, rosettes and bows of classical derivation.  The back is paneled with ivory.\nExecuted by \"Carl Fabergé\", court jeweler to the Russian Imperial family, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1166\nVery fine silver triptych frame of translucent white enamel applied over a chased (guilloché) surface, framed in a conventionalized leaf border of meticulous carving.\nThe actual openings for the portraits, two rectangular ones in the outer panels and octagonal one in the center, are placed with the formalized precision of the classic taste.  Exquisite borders, festoons with ribbons, together with rosettes and beadwork, complete the ensemble.\nSigned by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who is today referred to as the \"Cellini of the nineteenth century\" because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1189\nA very lovely handle of pale green nephrite, gracefully curved and tapered.  It is mounted with a gold cylindrical band chased and enameled in translucent white over a shimmering surface.  Rubies are placed over it and are incorporated with a design of green-gold festoons.\nThis example typifies the fastidious craftsmanship of \"Carl Fabergé\", celebrated Russian Court jeweler, who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #804\nA very beautiful brooch in the shape of a laurel wreath exquisitely cut out of green and a reddish gold and studded with many small diamonds which form a part of the design.\nThe center bears the monogram \"M\" and crown, in diamonds, of the Grand Duchess Maria, executed with two cabochon-cut rubies with the Cross on top.\nIt is a very good example of the superb workmanship of \"Carl Fabergé,\" celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth Century.\"\nFrom the personal belongings of Maria Nicholaiovna, third daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #1291\nAn unusually fine gold and silver seal of the round fluted type, mounted on the top with an exquisitely modelled monkey holding in its hands a human skull.  The monkey is contemplating the skull and in its animated attitude is a rare example of the silversmith's art.\nIn the base is set a white agate which is engraved with the monogram of Alexander Alexandrovitch, or Alexander III, father of Nicholas II, the late Czar of Russia.\nMade by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #980\nMagnificently conceived and executed Imperial Russian seal made with gold and silver stem, supporting a perfectly carved and polished agate Easter egg.  The setting holding the egg is of the most unusual and finely detailed workmanship.  It is in the form of garlands of roses carved out of several shades of gold, as well as silver, and is bordered with beadwork.  The stem likewise, is finely chased and consists of a polka dotted surface bound with a green gold wreath which flares out at the bottom into a circular base, the underside of which is minutely incised with the Russian Imperial double-headed Eagle.\nIt is one of the creations of \"Carl Fabergé, and fittingly illustrates his unique use of gold and rare semi-precious stones.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #1085\nA most unusual egg shaped, gold mounted nephrite bookmark, encrusted with diamonds and rubies in the form of the initials \"XB\", which is an abbreviation for the Russian \"Christ is Risen\".\nA good example of the work of the celebrated court jeweler \"Carl Fabergé\", showing his rare ability to combine beauty with utility.  In the original Faberge [sic] case.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533 duplicate\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535 duplicate\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #539\nA very unusual and rare red Russian nephrite cane handle carved in the shape of a duck's head.  It is mounted in vari-colored gold which is partly chased and enameled in beautiful translucent green and matte white and set with small diamonds.\nMade by the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #1101\nExceptionally beautiful and rare miniature gold icon depicting \"The Holy Virgin and Child Enthroned\", set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top, an interesting attachment is mounted with a blue sapphire, while from the bottom hang a pink ruby, an emerald and a pearl.\nThe icon bears an inscription meaning \"Save and Protect\", and is signed by the artist \"M. Chuknovsky\".\nIt is mounted in a beautifully designed triptych case of \"Old Russian\" design.  Hinges conform to the design of the case and are in solid silver intricately chased.\nFrom the personal belongings of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 26, 1936\n  #509\nExceptionally beautiful handle carved of a single amethyst set in a gold mounting and forming an exquisite terminal to a parasol.  The amethyst, beautifully carved, consists of two shells placed together on a Russian capital.  The gold mounting, so typical of \"Fabergé's\" workmanship, is intricately embellished with a repeating design punctuated all over with diamonds and enameled a lovely translucent pink.  The piece, combining as it does two shades of gold, is exquisitely bordered with two rows of diamonds superbly demonstrating the infinite amount of craftsmanship employed in a \"Fabergé\" creation.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who was so often termed the \"Cellini of the nineteenth century\" because of his unusually fine craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #477\nSmall handle of exquisite delicacy and refinement composed in its miniature dimensions of a \"T\"-shaped piece of rock crystal set in a gold mounting finely bordered with a bead edge of yellow gold.  Between these borders in incredibly small scale, the gold is chased into a design of waving lines, enameled in light blue and set with three rows of diamonds alternately placed.\nThis is a specimen typical of the unsurpassed craftsmanship of \"Carl Fabergé\", and worthy of the most discriminating taste.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #479\nParticularly beautiful handle, exquisitely wrought and decorated in a most beautiful manner.  The handle proper, a piece of rock crystal, is set in a cylindrical gold mounting embellished with various gold and enamel borders.  At the top and bottom there are green gold wreaths against a deeper shade of gold.  The enameled decoration is formed of three gold bands exquisitely enameled in a light shade of blue.  Each one is minutely chased with a scale design which imparts a shimmering quality.  Over the central band of a very pale shade of blue, there is a fine gold double wreath.  On each side of this middle portion two rows of pearls enhance the superlative quality of this \"Fabergé\" creation.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #480\nBeautiful handle perfectly illustrating the artistry of \"Carl Fabergé\". \nThis handle, a combination of a well-cut and polished piece of milky-green nephrite, is set off by the complementary shade of orange in its gold and enameled mounting.  This mounting, connecting the handle proper with the main body of the cane, is wrought with great delicacy and refinement.  Against a curved surface of white matte enamel, minutely striped with gold, there are superimposed two crossed ribbons chased of greenish-gold and enameled with translucent orange.  Above and below there is a tiny row of diamonds effectively set in quite another shade of gold.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #481\nVery fine handle made of nephrite of a pale golden greenish shade, symmetrically curved and mounted in brilliantly enameled gold.  The main part of the mounting is chased with a design of many short curves and enameled raspberry red.  Curving around it in a ribbon effect there are four bands of leaves exquisitely worked in two shades of gold, namely, yellow gold and green gold.  Above and below, there are two rows of diamonds.\nIt is a good example of the fine workmanship of the celebrated court jeweler \"Carl Fabergé\".  \nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #536\nVery fine handle of attractive simplicity composed of a beautifully shaped and polished piece of nephrite in a gold mounting.  This mount, which forms the connection between the handle proper and the body of the cane is of hand-hammered yellow gold and is bordered at top and bottom with two green gold wreaths.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who is often termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #538\n\"Fabergé\" handle executed in a most unusual manner of soft green nephrite in the shape of an egg affixed to a hand-hammered cylindrical gold mounting.  Starting from this mount and entwined over the egg-shaped surface, there is a golden snake, chased in all the precision of its naturalistic details.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in the center a beautifully painted portrait of the \"Madonna and Child\" in enamel, and framed with filigree work which is filled with unusually fine shaded enamel, showing tulips and other flowers, in the center of each of which topazes alternate with garnets.  The icon is surmounted by a large crown which is studded with a topaz, a garnet and two aquamarines.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family).  Moscow.\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #75\nCream leather frame with beautiful gold tooling, and crown in top center, made by \"A. Peterson\" at St. Petersburg (By Appointment to the Czar of Russia.)\nFrom the Winter Palace, where it was catalogued under the number 430/2.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and nine saints in miniature as follows:\n 1 – St. Peter – Metropolitan of Moscow\n 2 – St. Alexis – Metropolitan of Moscow\n 3 – St. Ivann – Metropolitan of Moscow\n 4 – St. Prince Michael\n 5 – St. Boyard Theodor\n 6 – St. Dimitry the Blessed\n 7 – St. Vasily the Blessed (In whose name the famous church in Moscow\n  was built by Ivan the Terrible.  The church upon completion was such\n  a beautiful example of Russian architecture that the Czar, fearing\n  that the church might be duplicated, had the architect blinded.)\n 8 – St. Michael the Martyr\n 9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears the nameplate of Alexei Nicholaievitch, to whom it was presented by the Nobility of Nijni Novgorod.  The plate reads as follows: \"To His Imperial Highness Czarevitch and Grand Duke Alexei Nicholaievitch from the Nobility of Nijni Novgorod.\"\nIt was made by \"Chlebnikoff\" (By Appointment to the Russian Royal Family).  It is a remarkable example of the work of this fine Russian silversmith, who has made many outstanding objects for the Imperial family.\nIt is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #906\nMiniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler cut out of a brilliant cerise-colored Ural stone set in a delicate open-work gold mounting.\nFrom the collection of the Grand Duchess Maria Nicholaievna, third daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1073\nExceptionally beautiful and rare jade frame, mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside, and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frames the picture, while on the jade margin green gold festoons are attached to reddish gold rosettes.\nIt is a superb example of the fastidious workmanship lavished upon his creations by \"Carl G. Fabergé\", the celebrated Court Jeweler to the Czar of Russia, and aptly illustrates his unique use of the rare semi-precious stones which were found throughout the Russian Empire.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1075\nCircular gold picture frame of the most exquisite and delicate workmanship, chased with a shimmering guilloche pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls, while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\nIt is in the original case and is signed by \"Carl G. Fabergé\", the famous jeweler to the Imperial Court of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1078\nExceptionally beautiful gold and silver picture frame of most unusual size, enameled in translucent sky-blue over a scintillating chased (guilloché) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At the top, laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  The back is paneled by hollywood.\nThe fine craftsmanship displayed in this example typifies the work of \"Carl G. Fabergé\", the celebrated Court Jeweler to the Russian Imperial family.\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #1182, #1183, #778\n#1182. Miniature solid gold Easter egg signed with the initials of \"Carl G. Fabergé\", the celebrated Russian Court jeweler chased with the \"guilloche\" all-over pattern enameled brilliant emerald green.  Serving as complement to the green enamel a gold circle and stripes are set with a small ruby.\n#1183. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler.  Of a yellow gold it is chased and set with nine cabochon-cut rubies.\n#778. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler executed in yellow gold with green gold wreath design and filigree volutes set with two small diamonds.\nFrom the collection of the Grand Duchess Tatiana Nicholaievna, second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1315\nVery fine miniature picture frame, delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface, enameled brilliant orange.\nAt the corners of the actual opening for the picture, pearls are set in, while on the enamel, circular wreaths are mounted, together with crossed arrows.  \nBy \"Carl G. Fabergé\", the celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1350\nPaper knife of richly grained tortoise shell, of unusual personal interest.  It is mounted with a solid gold facsimile reproduction of the inscription \"For Dear Alix\" (the Czarina Alexandra Feodorovna) \"from Misha\" (the Grand Duke Michael, brother of Nicholas II, the late Czar of Russia.)\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle] \nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1343\nVery fine Easter egg cut out of a blue agate and decorated with a continuous motif of sprigs of four-pointed flowers and leaves cut out of silver and set with a myriad of tiny diamonds.\nIt is a signed piece by \"Carl G. Fabergé\", the celebrated Russian court jeweler who is today so often referred to as the \"Cellini of the 19th century.\"","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1364\nAn exceptionally choice fantaisie by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nSigned and in the original case, this unique tray of gold gilt silver is mounted with a stand to which is attached an ivory swing on which perches a paraquet [sic] cut directly out of a rare brilliantly colored agate, the natural markings of which delineate the feathers in the minutest detail.\nEmeralds are set in for the eyes and the whole presents an astonishingly life-like aspect.  On either side of the swing tiny containers hold the golden kernels of birdseed.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1367\nA circular gold box signed by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nIt is enameled brilliant red over a broad guilloche line pattern, and mounted with intricate little vari-colored gold motifs of interlaced wreaths and rosettes having diamond centers.\nFive wreaths ornament the cover and frame a portrait of Catherine the Great which is dated 1773.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1464\nMiniature picture frame by CARL G. FABERGE cut from lapis lazuli in a quaint design, the bright blue surface overlaid with a vine-like wreath of tiny flowers executed in the greatest delicacy from green, reddish and yellow gold.\nIt is set with three diamonds.  The actual opening for the picture is bordered with pearls.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1537\nA most important miniature sculpture of a horned owl by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is rather larger than many of his famous bird and animal sculptures and is cut entirely from a moss agate, the green and gray markings creating a superb sense of the texture of feathers which are finely incised all over.  The claws are of gold and beautifully chased, and, together with the gold-mounted diamond eyes, the whole creates an astonishingly life-like aspect.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1546\nSilver gold-gilt buzzer for the table, of conical beehive shape with a large cabochon-cut ural stone in the center. \nIt is a device with clock-like movement, to be wound up, and when used gives a quiet, low, buzzing sound.\nCut into the silver by hand, a collar of long leaves surrounds the stone button.  The sides are decorated with chased garlands and around the base there is a beadwork border.\nBears the hallmark and signature of CARL G. FABERGÉ, the celebrated Russian Court jeweler.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1578\nGold chain bracelet of large heavy links, by CARL G. FABERGÉ, the celebrated Russian Court jeweler.\nIt is mounted with an Imperial Crown studded with diamonds and two cabochon-cut sapphires, and is mounted also with a small safety catch chain arrangement.\nFrom the personal belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1556\nGold gilt silver triangle frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased (guilloche) surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a beveled glass with the outside border in beadwork.\nThe back is paneled with ivory, while the easel is of gold gilt silver.  In the original hollywood case.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides, a diamond is inset and in the very center, surrounded by a laurel wreath, is the Roman number \"ten\" in diamonds.\nSigned by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1576\nA pin by CARL G. FABERGÉ in the Egyptian style, in the form of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE [sic], celebrated Russian Court jeweler, executed in solid gold in his French classic style.\nIt follows in technique the French eighteenth century gold snuff boxes with a ground of cobalt blue translucent enamel.  Unlike most of FABERGE'S [sic] surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes and is merely visible as faint rays on the enamel surface.\nAround the center, there is a broad vari-colored gold band carved in a minute serpentine pattern, together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg, circular caps bear ten-pointed rosettes enameled in green.\nThe three divisions are further elaborated by the addition of three bands of white matte enamel dots, one of which in the center row, is a tiny diamond catch.\nBears the inscription which may be seen as one opens the egg \"Christ Has Risen.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1736\nJade parasol top mounted in gold by CARL G. FABERGE [sic], the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.\nOn the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1737\nJade parasol top mounted in gold, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.\nA green-gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2237\nTiny solid gold oval box by CARL G. FABERGÉ, the celebrated Russian Court jeweler.  \nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with excerpts from the Koran.  It is surrounded by a row of diamonds.\nLike all of FABERGÉ's boxes, the fit of cover to box is a notable instance of his technique.  Here also he has employed the hinges which appear on the finest eighteenth century gold snuff boxes.\nIt is one of the best examples of his craftsmanship.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2238\nRare miniature Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise and, entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a cabochon-cut ruby.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-3\nRectangular miniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed from gold-gilt silver and is enameled over a chased (guilloche) surface in a very beautiful shade of rose.  Borders of wreath design frame the enameled ground, while the opening for the picture is enclosed with beadwork.  The back is paneled [sic] with ivory.\nFrom the Youssoupoff collection.  Originally it was presented to the Princess Youssoupoff by the Empress Maria Feodorovna.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-5\nMiniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.  Concentric fluted gold rims separate these areas.\nThe jade is of a dark, spotted green and in contrast to it, a pale mauve enamel is employed overlaid by an interweaving green-gold wreath.\nAt top, a ribbon with bow and loose ends is fixed, bearing a ruby in the center.  It is mounted with a gold easel.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-8\nA miniature icon by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is in the form of a triptych and is very simply panelled [sic] on the exterior with a dark wood bearing a four-petaled [sic] catch centered by an emerald.  It opens to disclose a solid gold interior.  The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls.  The yellow-gold ground bears arabesques of filigree and is studded at significant points in the design with emeralds, rubies, sapphires, and diamonds.\nThe central panel frames \"The Resurrection.\"  Against a dark background, the figure of Christ appears holding aloft a pennant.  His form radiates light and in the foreground, two angels kneel.\nIt is an extremely fine painting for a miniature and is complete in every detail.  It is surmounted by a Russian Cross studded with emeralds and rubies.\nThe inscription on the left panel reads as follows: \"Resurrection of Thine, O Christ, Saviour, about which the Angels sing in Heaven.\"  And on the right panel: \"And we on Earth try to be worthy to glorify Thee.\"\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-13\nDome-shaped jade push-button by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the classic French style adapted by FABERGE [sic], the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut star ruby set in a nine-petaled [sic] mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and, following in this style, is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three gold feet in the form of rococo scrolls.\nOriginally in the collection of Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-14\nGold-mounted jade calendar by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the form of a rectangular piece of dark, translucent green jade, it is designed in his classic manner and mounted with gold-gilt back and easel.  At the top, swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center, two oval openings bear red enameled mounts which have the numbers for the day of the month, and these are changeable each day by clicking the buttons on either side.  Below, on a set of gold-gilt plaques, the names of the months are engraved and held in place by red enamel and moonstone mounts.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-16\nLarge jade Easter egg mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold-gilt silver and bearing ruby catches with which to open it.\nIt originally served as a jewel case.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1509\n\"The Cathedral\", a most important nineteenth century Russian icon painted in the miniature technique on gold over silver.  Against a ground of geometrical chasing, the various figures are painted with flowing gowns of white, purple, red, and bluish-green, with their haloes inscribed in the Old Slavonic.\nIn the clouds, the Holy Virgin stands, her halo emanating rays of light, with kneeling saints and angels on either side.  Below Her, appear, left; Czar Lev, and St. Czarina Zoia; center, St. Roman; right, St. Epiphanie, St. Andrew, St. Martyr Lubov (the small figure in white), and the Archangel Michael.\nIt is in the original frame of filigree, inset with the Russian enamel in jewel-like colors.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1568\nCross cut out of a fine rich blue piece of lapis lazuli.\nIt is mounted in gold and has a moveable diamond and pearl studded link.  The center of the cross is overlaid with a diamond studded rosette which has a pearl center.\nFrom the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface, and opens with a small pearl-bordered lid having a ruby catch.  It is decorated on top with a diamond and ruby six-petaled [sic] flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2136\nJade parasol top mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is cut from the jade in a very curious manner with tapering, bulbous areas up the sides, flaring outwards to the top which is designed in a four-petaled [sic] manner.  In this specimen, the jade is of a soft but brilliant green coloring.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2243\nAn example of the miniature sculpture of CARL G. FABERGE [sic]: a pig cut out of lapis lazuli.\nIn this example of the Russian master's work, the lapis selected is a brilliant blue with rich markings and flecks of gold.\nIt is executed in an extremely naturalistic manner with such details as hooves, ears, and mouth minutely detailed.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #G-22\nVery unusual miniature diptych icon of solid gold by GRATCHOV, by Appointment to the Russian Imperial Family.\nIts design is perfectly plain on the exterior, and on opening it discloses miniatures of Jesus Christ on one panel and the Holy Virgin of Kazan on the other.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #798\nVery unusual panagia portraying \"Christ Blessing the Universe\".\nIt is carved out of green jasper in a two-colored effect, and mounted in a very interesting hand-made silver frame surmounted by crown [sic] and studded with amethysts, rubies and aquamarines. Attached to it is a gold gilt silver chain cut out by hand.\nRussian, early nineteenth century.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #1205\nExceptionally fine solid silver triptych icon designed with serpentine pointed top, and overlaid on the front with gold leaves and tendrils molded and chased to perfectly simulate the gold bullion work motifs to be found on the finest Russian brocades.\nOpening the side panels of the icon, which bear in the center the Greek Catholic cross, the central panel is painted with the \"Transfiguration\", against a pure gold ground.  Christ stands in the center with Elias on the left and Moses on the right, while below there are: left, \"John\"; middle, \"James\"; and right, \"Peter\".  The side panels frame at the left, \"St. Elizabeth\", and on the right, \"St. Sergius of Randanezh\".\nAll of the individual paintings are equally notable for a beauty of characterization as well as for the unusual finish of details.  A narrow border frame in emerald green, gold, red and black completes the design.\nThe icon bears on the reverse the dedication to Grand Duke Serge as follows: \"Blessing of the Preobrajensky Regiment, June 3d, 1884\".  \"A new commandment I give unto you, that ye love one another as I have loved you\".  \"From the New Testament, St. John, Chapter 13, Verse 34).\nThe names of the donors are inscribed (etched in the silver) over the sides of the icon.  They are as follows:\n Middle lower: Baron Medem, Kovansky, Count Murafief, Amursky, Neidhart, Kornileff, Count Titischoff. \n Right wing lower: Martinoff, Count Von Preil, Penherzhevsky, Gadon.\n Left wing lower: Belgard, Martinoff, Obahoff, Dolgoff II.\n Right top dome (front): Hartons, Belhart, Domerishkov, Veltzin, Kazin, Zhehacheff;\n         (back): Chekmareff, Komaroff, Palivin, Muravieff, Shipoff,  Schmitt.\n Left top dome (front): General Major Prince Obolensky, \n Left top dome (front) continued: Evreinoff (meaning in Russian \"Son of the Jew\"), Korniloff, Ladishensky, Dolhoff.\n   (back): Second Lieutenant Shemiakin, Bakalin, Lt. Peshkoff, Baron Medem.\nRight side (top): Admiral Ozeroff, Novisitzogg, Kasherinoff, Under Captain Haller, Heirot, Epanchin, Baliasny, Forselles, Vosnesensky, Surelius.\nRight side (bottom): Kashneff, Malahoff, Bashiloff, Mescherinoff, Merder, Neidhart II, Prince Troubetskoy, Loshhereff, Delsal, Count Loris-Melikoff.\nLeft side (top and bottom): Pensky, Kushkovsky, Adjutant Reiters, Count Stenbok, Captain A.G. Korostovitz, Kakoshkin; Schlitter, Delsal, Janetzky, Mirkuloff, Veimarn, Gardenin, Navrotsky.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","#2443","Golden flowers in a rock crystal pot. Three (3) gold \"TROLLIUS EUROPAEUS\" (Globe Flowers) are made of solid gold, the actual blooms being enamelled (sic) in a clear translucent yellow. The petals are all finely chased underneath the enamelling (sic), emphasizing the translucency of the enamel. The stem, which is also of gold, is grooved with hair-like stripes and is lightly colored in the palest of green tints. The leaves which are very realistically carved from a dark green jade are veined and folded in an accurate duplication of nature's own. Each stem is signed, K. FABERGE, in Russian characters and bears the Russian Imperial Eagle. The conical pot in which these removable flowers stand, is carved from a solid block of rock crystal in such manner as to suggest a natural water-line which is as true to life as the actual would be. On the underside of the pot appear the Russian characters for K. FABERGE.","This very beautiful object was made by the celebrated Russian Court Jeweler, KARL FABERGE and the piece is extremely rare in that seldom were objects of this type marked with his full name.","MRS. JOHN L. PRATT","November, 1945","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","November, 1945\n#2891\nLapis-Lazuli combination seal and letter-opener. The handle is a long, bulbous-shaped piece of Lapis-Lazuli, beautifully curved in symmetrical pattern with a gold, hand-chased, ferrule. The blade and the seal, which are interchangeable, are of silver-gilt.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#181\nVery fine enamel miniature portrait of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.\nIt is painted on silver and is enclosed in a gold and silver frame of beautiful bead design, surmounted by crown. Both the frame and the miniature are exceptional in quality.\nFrom the personal belongings of her father, Nicholas II. From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#540\nVery unusual and rare rock crystal cane handle, with the head of a dog etched and enameled inside of the crystal ball in amazingly realistic fashion. It is a superb example of the artistry and craftsmanship of the famous court jeweler to the Czar of Russia, \"CARL G. FABERGE\", by whom it was made, and who was often referred to as the \"Cellini of the nineteenth century.\" \nThe globe of crystal, bound about by gold, is affixed to a wide stippled mounting studded at intervals with diamonds, rubies, emeralds, and sapphires.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York.\n#598\nPair of superb Wedgwood medallions, one portraying Czar Nicholas II, the late Czar of Russia, the other, his wife Czarine Alexandra Feodorovna. \nThese rare masterpieces of Wedgwood ware, the greatest of all ceramics, are exquisitely executed in white low relief on a soft green ground. In the perfection of the details and the characterization of the personages represented, they show the painstaking craftsmanship and distinctive elegance of this art.\nOn the back of each of the medallions there is the mark \"Wedgwood\" and in script \"The Czar of Russia\" and \"The Czarina of Russia\", respectively.\nThey were purchased from Madame Anna Viroubova, former lady-in-waiting and personal friend of the Empress Alexandra Feodorovna.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1022\nMost artistically conceived and executed miniature triptych icon sculptured out of solid gold, and signed by K. HAHN, who made some of the Crown Jewels of Russia. \nOf tiny proportions, this triptych is of a most exquisite design. Shown with the two side panels closed, it exhibits the pierced work border which frames panels with cherubs enameled blue and red. At the top, these doors are surmounted with a sunburst, in the center of which is a dove with outspread wings.\nOn opening the icon, one sees \"Christ Blessing the Universe\". On the left is \"St. Nicholas\", the patron saint of Nicholas II, and on the right is \"St. Alexander Nevsky\", the patron saint of Czar Alexander III. It was presented by Alexander III to his son and successor Nicholas II, with his blessings. At top, the Almighty is depicted with surrounding inscription which reads \"Save O Lord Thy People\". Placed over the hinges and crowning the top of the central panel, three fluted Russian domes are placed, each surmounted by the Greek Catholic Cross.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1044\nCircular gold picture frame of unusually small proportions by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased (guilloche) surface in sky-blue. The border and the inner round opening for the picture are enameled in matte white, bordered with gold. It is surmounted by a gold bow and ribbon enrichment.\nIt contains an original miniature of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1291\nGold gilt silver pencil bearing at its summit a tiny, finely formed mongoose, also of gold gilt silver. \nIt was part of a complete writing set of Czar Alexander III, made by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1326\nTo celebrate the two hundredth anniversary of the founding of the capital-city St. Petersburg, the late Czar, Nicholas II, commissioned the court jeweler CARL G. FABERGE, to execute an Easter egg to be presented to the Czarina in honor of the occasion. CARL G. FABERGE, jeweler to Czar Nicholas II and to his father Alexander III, had since 1885 executed an Easter egg yearly to be presented by the sovereign to his wife. However, to celebrate so great an occasion in the annals of the Romanoff family, this egg was planned many years before the date of the anniversary and was ready in 1903. When completed, it proved to be the most sumptuous and magnificent of any ever constructed.\nAt the highest point, the egg measures almost six inches, and at the widest four inches, and is constructed entirely of solid gold. (It is marked \"72\", the equivalent of eighteen karat gold). Covering its surface, an elaborate rococo design forms in its many curves, panels and areas perfectly suited to the particular type of workmanship which Fabergé excelled in designing and his workmaster M. Perchin in executing. The rococo curves are perfectly suited to the egg-shape, and are studded with hundreds of diamonds and scores of rubies. Intertwined bullrushes [sic] arising from the lower part of the egg are done in green gold, against the yellow gold surface, and show Perchin's superb chasing and minute detail. Cat-tails of square cut rubies give the touch of color which is so significant a feature of the egg, and are entwined with garlands of roses contrasting various shades of gold with platinum. On the top of the egg, the diamond monogram of the Czar is enclosed in a wreath enameled in white and emerald green. Around the upper and lower part of the egg are white enameled ribbons, explaining in Russian the significance of the occasion for which the egg was created.\nTwo miniatures around the middle bear portraits of Peter the Great, founder of St. Petersburg (in 1703), and Nicholas II, during whose reign the bicentenary was celebrated (in 1903). Emphasizing the evolution of St. Petersburg during these two hundred years, two other miniatures frame views of the cottage which Peter built on the low-lying ground by the sea, and which was to be the Russian capital, in contrast to the Winter Palace with its grounds as it was under Nicholas II. In the distance of the latter can be seen the Fortress of Peter and Paul with its spire. These four paintings are by VASSILY ZOUEV, with whom Faberge collaborated. He was the most celebrated miniaturist in Russia and was as well miniature painter to the court. Rock crystal was employed instead of glass to cover these paintings and it exactly fits the many-sided panels. The egg bears at the top the monogram and crown of Czar Nicholas II done in diamonds and the date 1703 when St. Petersburg was founded, as well as the date 1903, when the egg was made in celebration of that event. At the bottom, the double-headed Eagle, insignia of the Imperial family, is enameled in black surmounted by the Imperial crown set with diamonds. Over its breast a portrait diamond covers a tiny crest of \"St. George and the Dragon\" enameled in color.\nThe greatest feature of all, however, is concealed within the egg. On opening it, the mechanism within raises a miniature statue of Peter the Great from the interior. It is executed in solid gold by the Russian Court sculptor G. MALYSHEW, and stands on a sapphire pedestal. It is an exact replica of the colossus representing Peter which to this day stands on a square in St. Petersburg, and which was created on the order of Catherine the Great by Falconet.\nIt is interesting to note that besides the usual hallmarks that were always used, the egg bears the engraved signature \"K. Fabergé\" and the date 1903. This egg is considered to be the chef d'oeuvre of this great master.\nIt was illustrated on page 3 of the Russian magazine \"Stolitza et Usadba\" in the April 1, 1916 issue, which was devoted to a description of the Imperial Easter eggs. They were reproduced by special permission of the Czar, and the Peter the Great egg is the first illustrated. It was also reproduced and described in the November, 1936 issue of \"The Connoisseur\" on page 284, as well as in the \"Art News\", in its issue of November 7, 1936, on page 16, and in \"The New York Sun\" of October 31, 1936, page 17.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1479\nA good example of the miniature sculpture of CARL G. FABERGE, the Russian Court jeweler; a baby vulture carved from obsidian and shown seated in a most natural attitude. \nIn its small dimensions every detail of the anatomy is correctly and precisely cut even to a chasing of the individual feathers. The sheen of light within the stone running through front to back creates a varying surface texture as the piece is moved in the light, shifting from a downy grayness to jet black.\nDiamonds are set in for the eyes.\nSigned \"C. Fabergé.\"\nFrom the Alexander Palace at Tsarskoye Selo.\nMRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1524\nCovered jade vase in a brilliant gold gilt silver mounting.\nIt is designed as a small covered chalice cup, the deep green jade forming the cup part, and mounted on a narrow stem flaring out into a circular base. The jade body is slightly tapered and curves out by means of concentric flutings into a rounded underside. The upper part bears a fluted gold rim and above it the cover is fitted. This is slightly domed and bears on its summit a high, cabochon-cut pink tourmaline as a knob.\nSigned by FABERGE, the well-known Russian Court jeweler, who is today referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1543\nMiniature picture frame enameled in mauve, signed by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed in his French classical manner with a narrow mauve-enameled ground bordered by the motifs associated with this style. \nAround the beveled glass there is an edge of white matte enamel separated from the mauve surface by a tiny fluted border crossed with ribbons.\nAn outer border of beadwork encloses the frame and over the enameled surface rosettes with short swags are mounted.\nBears a hinged easel with the name \"Victoria\" lettered in openwork.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1569\nA large Imperial Russian Crown in gold and silver, and designed with leaves, tendrils and flower forms set with numerous cabochon rubies, cabochon sapphires and diamonds.\nIt is mounted at the top with a diamond-set Greek cross, and a diamond-encircled sapphire.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1735\nGold-gilt silver triptych picture frame by CARL G. FABERGE, the Russian Court jeweler, containing an exquisite drawing.\nThe entire frame is paneled with the ivory-like hollywood and the triptych doors are clasped in the middle by a Greek Catholic cross.\nOpening the doors, he drawing is seen to be set into an oval opening covered with beveled glass and surrounded by a row of pearls.\nThe ground surrounding the drawing is in Faberge's white enamel, given a great brilliance by the chased undersurface. At the corners winged cherubs are placed.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1749\nUmbrella handle in the form of an eagle's head, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe head is carved in a highly stylised (sic) manner out of a light green jade, with the eyes fashioned of two large beautiful red Ural stones mounted in gold. The white translucent enamel of the mounting is the type which Fabergé perfected and its sheen is further heightened by the guilloche under-surface. At the top and bottom it is bounded by bands of wreaths in vari-colored gold.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1763/2723\nVery rare miniature animal studies of an elephant by CARL G. FABERGE, the celebrated Russian Court jeweler.\nOne is in silver, and is fully signed by the master, while the second, in gold, is unmarked. This was most likely made as a mate to the silver one. Presumably, they were silver and golden wedding anniversary gifts.\nThey are both modelled in an extremely naturalistic manner, with all the characteristics of the animal carried out with great fidelity to nature.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2122\nAn original photograph from the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nIt shows a whole group of photographs of the Czar, Czarina and their children. A large photograph of the Czar himself, is in the center, flanked by smaller ones showing the Czarina with the Grand Duchesses Olga, Tatiana and Maria. \nFrom the Hermitage Museum. Originally in the Winter Palace.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2247\nGold mounted sapphire-studded rock crystal perfume vial by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed in a cylindrical manner banded about the opening with gold, and bears a gold cover enameled in a translucent white. The whole bottle is studded all over in a polka-dot arrangement with cabochon-cut sapphires and bears about the opening a Greek fret chased in the gold.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2278\nA charming fantaisie by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn a solid gold cage perched on a golden bar on which rest two tiny golden containers for seed, is a parrot cut out of a single piece of pink quart with ruby gold-mounted eyes and gold claws.\nIt is a very fine example of Fabergé's animal sculpture. In its life-like presentation, all the details of feathers, wing and attitude are faithfully rendered and, most naturalistic in aspect on one side of the cage, is a tiny door of fine construction which is typical of the work of this master.\nThe cage rests on a slab of red nephrite highly polished and harmonizing so beautifully in color with the red gold cage and the pink color of the parrot.\nIt is a signed piece by this celebrated artist and is indeed a creation making him worthy of the title \"Cellini of the 19th century.\"","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2279\nKovsh by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of rock crystal into which is etched a highly conventionalized all-over leaf pattern. The shape is exquisite, being wide and flat.\nIt stands on a gold base with four feet each extending from a leaf. Around the rim is a gold mounting which comes to a point at the front and bears on its summit a pear-shaped pearl in an open-work gold mounting. The handle also, is carved out of gold into the form of a female head surrounded by leaves and flowers, and is embellished with nine small and one larger ruby and two rows of diamonds, one of which serves as a necklace for the figure.\nThe piece, elaborate as it is in its sumptuous decoration, somehow give the feeling of utter simplicity because of the harmony of the movement of line. It is a specimen of Fabergé's work which amply earns for him the title \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2281\nInteresting miniature Easter egg carved out of opal. It combines most beautifully a rich brown with iridescent shades of greens and blues.\nBy CARL G. FABERGE, the celebrated Russian Court jeweler.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2297\nSolid gold pin in the shape of a wild rose, very beautifully enameled in a soft shade of pink and giving a most delightful and lifelike effect.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2299\nA most unusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler, who is often referred to today as the \"Cellini of the nineteenth century\".\nBeautifully conceived and executed, it represents a spray of lilies-of-the valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade. The spray stands in what appears to be a red clay flower [underlined] pot filled with moss, but the pot actually is of silver and enameled in a matte brick red, the color of the natural clay, while the moss is of gold, so artfully employed  that one can scarcely believe that it is not actually moss.\nSo ingeniously is the entire object executed that it gives a most lifelike and naturalistic effect. One feels that the flower is planted in the pot, and only upon closer examination does one realize that the whole is created from such precious materials as gold, silver, pearls, diamonds and jade.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2300\nUnusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler.\nBeautifully conceived and executed, it represents a spray of lilies-of-the-valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade.\nThe spray stands in what seems to be a glass of water, but what is actually a rock crystal vase so created as to give the perfect illusion of water.\nSo ingeniously is the entire object executed that it gives a most lifelike effect. One actually feels that the lily-of-the-valley is standing in the water and only on close examination does one realize that the whole is created from gold, pearls, jade, crystal, etc.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2322\nAn exceptionally fine miniature sculpture of a blood hound by the celebrated Russian Court jeweler CARL G. FABERGE.\nThe animal is carved from a single piece of vari-colored agate ranging in shade from a light gray to a reddish brown. He is shown in the attitude of following the scent, and most noteworthy in this specimen is the impression one gains of his great strength and power. The lowered head, the sniffing nose, the upcurled tail, and long ears almost touching the ground, are all most remarkable, and most life-like. One actually seems to feel that the dog is following one, so realistic is the whole creation.\nIn its small dimensions every detail of the anatomy is correctly and precisely carved, even to the chasing of the individual markings on the dog. Diamonds are set in for the eyes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2323\nMiniature sculpture by CARL G. FABERGE, of an eagle, carved from vari-colored brown and gray agate, and with feet of gold.\nIt is an exceptionally fine example by this great Russian artist, and every portion of the bird's anatomy has been minutely carved with the greatest attention to detail.\nThe bird is shown standing in repose with wings folded in, and head slightly turned to one side. The beak is carved to almost knife-like sharpness, and diamonds are set in for the eyes, giving a most naturalistic expression. Adding to the impression one has of the great strength and ferocity of this bird, are the highly polished and sharp claws which are rendered with the highest degree of precision.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nMiniature rooster carved out of transparent carnelian, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn its small dimensions, every detail of the anatomy is correctly and precisely cut, even to the chasing of the individual feathers. The legs are of gold with the paws minutely chased and with sharp claws, while diamonds are set in for the eyes. \nIt is a fine example of the miniature sculptures in semi-precious stones for which Fabergé was famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nUnique sculpture of a hornbill by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThis exotic bird with its exceptionally long curved beak, is shown in a seated position, with its head upraised. It is carved from flawless smoky topaz, beautiful in color.\nThe rendition of the bird is executed with broad, sweeping lines, yet with great attention and fidelity to detail. Diamonds mounted in yellow gold are set in for the eyes. It is in every respect an example typical of the fine animal sculptures by Fabergé.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2340\nA magnificent specimen of the animal sculpture of CARL G. FABERGE, the celebrated Russian Court jeweler, is this large owl carved out of a single piece of obsidian.\nThis rare and excessively brittle stone is here used to the greatest advantage. It is so carved and polished as to bring out all the hidden lights.\nThe model for the sculpture was apparently an old bird, who sits looking at us sideways in a most quizzical fashion. His large eyes are set with tiger eyes, mounted in each corner with tiny diamonds, all set in gold. The roving quality of the tiger eyes is in admirable harmony with the nature of the obsidian, which changes and gives such an unusual silvery-gray sheen when light strikes it at various angles.\nThe fine carving and imbricated plumage are most typical of the genius of Fabergé. The wings are an interesting feature, being irregular in their foldings (sic), in conformity with the position of the bird, slightly turned.\nIn the original Fabergé hollywood case.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2353\nVery unusual gold pendant in the form of a lozenge, by BOLIN, the well-known Russian jeweler, who made many outstanding objects for members of the Russian Imperial family, as well as for other important personages.\nIn the center is a large diamond surrounded by four smaller ones. At the top is set a star cabochon-cut ruby of unusual color, while on the other three points are large cabochon-cut star sapphires.\nBordering the piece on both sides, are finely chased gold ropes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2373\nRare Russian silver tray of the early nineteenth century, made in St. Petersburg circa 1815 during the reign of Czar Alexander I (1801-1825).\nIt is a plain rectangular tray standing on four ball feet, and bordered with a pierced and beaded gallery, and baring two gracefully shaped handles, also beaded.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2376\nGold link bracelet by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThe center bears a shield-shaped plaque which is translucently enameled over a chased (guilloché) surface in a rich red, and against this background is mounted the Russian Imperial double-headed Eagle, beautifully chased. The breast bears a diamond and the crown surmounting it is likewise set with a diamond.\nOf exquisite refinement and delicacy it is a piece typical of the work of this great artist.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2419\nRectangular gold gilt silver frame by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe opening for the picture is large and square and the border rather narrow, which gives a most unusual effect.\nThe border, is enameled over a chased \"guilloché\" surface in a rich translucent red, over which is appliqued formal scrollwork in gold gilt silver. Pilasters enameled in fine shades of green and white complete the decoration, and blend beautifully with the entire composition. The back is paneled with hollywood.","MRS. JOHN. L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2421\nExceptionally fine rectangular gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in an extremely pale blue.\nBoth the inner rectangular border for the picture and the outer border are perfectly plain. Surmounting the frame is a gold riband from which are suspended pendant festoons of berried laurel, and in each corner are rosettes inset with tiny diamonds.\nThe back is paneled with ivory and bears a fancifully designed easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2445\nAn exceptional piece by the celebrated Russian Court jeweler, CARL G. FABERGE, is this large ash tray fashioned of gold.\nThe shape is most graceful and unusual, being of trefoil design. From each of the three points thus formed, a gold handle extends, each handle being set with a gold coin of Catherine the Great, and dated 1766, 1773, and 1783. Fabergé was very fond of using these old Russian coins in completing his designs and they are here used to perfection. The coins are of green gold and are a fine contrast to the interior of the tray, which is a highly polished red gold.\nThe exterior is a surprise feature, as it is finely fluted, with typical Fabergé precision and painstaking craftsmanship.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2453\nA large goose carved out of a piece of rock crystal by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe goose is shown in a standing position with the long neck gracefully lifted, and the head turned slightly to one side. Tiny gold-mounted diamonds are set in for the eyes.\nThe imbricated plumage is finely rendered, and so life-like is the creation, that one feels that at any moment the goose will begin to waddle along. Fabergé was a great genius in the field of animal sculpture, and has here captured the charm of this bird, and given life to this finely carved stone.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2454\nAmethystine owl by CARL G. FABERGE, the celebrated Russian Court jeweler. Carved out of a single piece of this stone, which was especially chosen for its unusual color and shading, the owl is finely chased in great detail. Tiny gold-mounted olivenes (sic) are set in for the eyes, and such a choice was a happy inspiration, as they add greatly to the character of the bird.\nHe is shown with his meticulously chased gold feet perched on an ivory stand which has sapphire tips. The whole rests on a base which is composed of a single slap (sic) of lapis lazuli.\nA typical Fabergé nicety is added near the base: - two tiny enameled bands, one in white matte enamel, and the other in a lovely shade of translucent pink enamel, complete the color harmony, and are a charming surprise.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2455. Miniature gold Easter egg, with four sections finely enameled a deep blue, and set in each corner with a gold star and in the center with a cabochon ruby. In between these sections, the gold surfaces are beautifully fluted.\n#2456. Tiny Easter rabbit mounted in an egg-shaped gold ring. The bunny is beautifully carved out of a single piece of amethyst. Around his neck is a gold collar from which is suspended a gold-mounted olivene (sic), while olivenes (sic) are also set in for the eyes.\nBoth of these are by the famous Russian Court jeweler, CARL G. FABERGE, and are from the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2457. Miniature Easter egg of rock crystal, finely etched with four four-leaf clovers, in the center of each of which is a ruby or an emerald.\n#2461. Miniature gold Easter egg enameled over a chased (guilloché) surface in a rich red, with a gold band running around its side.\n#2467. Miniature gold Easter egg enameled over a chased (guilloché) surface in a pale apple green. Superimposed are two white matte enameled lilies with leaves.\n#2474. Miniature gold Easter egg, very simple in design. Its sole decoration consists of a calyx outlined at the top in deep ultramarine blue enamel.\nThey are by CARL G. FABERGE, the well-known Russian Court jeweler, and are from the belongings of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2460. Miniature gold Easter egg, beautifully decorated with alternating panels of red and white translucent enamel. The white portions are further embellished with overlaid tiny blue flowers and green leaves.\n#2465. Miniature gold Easter egg fashioned as a gold egg-shaped ring enameled over a chased surface in a shimmering white. From its center is suspended a gold-mounted ruby.\n#2470. Miniature gold Easter egg fashioned as a gold egg-shaped ring, in which stands a gold-mounted egg-shaped aquamarine.\n#2472. Miniature Easter egg carved out of a single piece of the rare Russian semi-precious stone, orletz. Wound about the egg is a gold serpent, exquisitely chased, its head set with an emerald.\nThese are by CARL G. FABERGE, the celebrated Russian Court jeweler, and are from the belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2464. Miniature Easter egg carved out of a single piece of dark green jade, mounted in a gold wreath which divides the egg into three portions. Two points of the wreath are set with rubies.\n#2468. Miniature gold Easter egg finely enameled over a chased (guilloché) surface in a rich red. One side is set with a . (sic) pearl, while the other bears abbreviations in gold letters, which stand for the traditional Easter greeting \"Christ is Risen\".\nThese are by the celebrated Russian Court jeweler CARL G. FABERGE, and are from the belongings of the Grand Duchess Anastasia Nicholaiovna, the youngest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2496\nTiny vase with two small handles, beautifully carved out of rock crystal. The entire surface is cut with a basketwork design, while the top is mounted with a gold rim which is set with alternating diamonds and rubies.\nIt is by the celebrated Russian Court jeweler CARL G. FABERGE, who is today often referred to as the \"Cellini of the nineteenth century\".\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2497\nSmall gold cup by CARL G. FABERGE, the celebrated Russian Court jeweler. It is tapering in shape, and stands on a very short round base. On one side is a curiously formed openwork handle.\nThe most engaging feature is the decoration around the side of the cup. The lower portion is so chased as to look like water, in which are swimming two fishes, the tails and heads of which are blue sapphires. So cleverly chased are the sapphires and the gold, that the bodies of the fishes seem to be submerged in the water. The artifice is so well executed, that one actually thinks the fishes are playfully swimming in the water.\nIt is a piece typical of the fantaisies (sic) which Fabergé delighted in creating for members of the Imperial family, as well as for other important personages throughout the world.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2498\nExquisite brooch by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed as a horizontal figure eight, with a large cabochon emerald of lovely color set in each side. Each is surrounded by diamonds mounted in openwork gold setting.\nIt is a piece typical of the craftsmanship of this great artist, and of his fine, discriminating taste.\nFrom the personal belongings of Czarina Alexandria Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2512\nUnusual set of six large silver spoons, very simple both in design and in ornamentation.\nThe bowl of each is sharply pointed, while the handle is of shield shape, and on which is chased a shield surmounted by crown, and which bears the date \"1770\" as well as the words: \"Concordia et Laetitia\". The center of the shield shows two hands clasped in a handshake. The reverse is dated 1850 and bears the initials \"A.C.\".\nThe set was made in 1850 in St. Petersburg by the well-known firm \"Nichols and Plinke\", who made many outstanding objects for members of the Imperial family.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2524\nGold ring mounted with an exceptional emerald of over five carats and of remarkable brilliance and color.\nThe mounting was designed with the greatest simplicity in order to fully bring out the beauty of the stone.\nOriginally in the personal belongings of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2525\nA most exceptional star ruby of thirty carats, unusual for its size, shape and color of great intensity and richness.\nIt is mounted into an exquisite yellow gold ring, which consists of a broad band pierced throughout its entire surface, and chased with foliations and flowers which show exceedingly fine craftsmanship. The mounting for the stone is in the form of a collar of laurel leaves.\nThe general composition of the ring, with its fine material and excellent workmanship, combined with its exquisite lightness and grace, mark it as an important example of the jeweler's art.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2568\nExquisite miniature gold frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the fine quality and discriminating taste associated with the work of this master craftsman.\nIts surface is chased (guilloché) in a sunburst pattern enameled pale green [underlined]. The inner border, enclosing photograph, is set with pearls, while the outer border is beautifully chased with an oak leaf motif of green gold, crossed at intervals with bands of red gold. The back is of ivory and bears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2651\nFine Russian lapis lazuli and gold snuff box.\nIt is of cartouche form and is carved out of superb blue Russian lapis with the hinge and rims mounted in gold.\nThe cover bears in the center the gold and diamond studded monogram and crown of Empress Maria Feodorovna, mother of Nicholas II, the late Czar of Russia, and wife of Czar Alexander III.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2657\nSmall eighteen carat gold Easter egg by CARL G. FABERGE, the celebrated Russian court jeweler.\nIt opens through the center on a hinge and its entire surface is divided into four horizontal panels, each richly chased in typical FABERGE craftsmanship with interweaving foliations which stand out in bold relief against the finely stippled background. The top is set with a faceted ruby and upon opening the egg, one finds within, embedded in a lovely antique fabric, a small diamond and ruby ring. The central diamond is a golden color and this is surrounded by a circlet of six faceted rubies.\nIt is an exquisite example of the discriminating taste and precise craftsmanship of this great artist. This piece, for quality and for beauty, is in a class with the Russian Imperial Master eggs which are today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2675\nCircular ash tray by CARL G. FABERGE, the celebrated Russian Court jeweler. \nIt was executed during the World War from material captured at the front and melted.\nIt is of copper and bears in the center a large Russian Imperial double-headed Eagle. At the top are the words \"War 1914\", and at the bottom is the signature \"K. FABERGE\" in large letters.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2680\nExceptionally fine miniature gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in a scintillating white.\nIt is a small oval frame and the inner oval opening for the picture is bordered with pearls while the outer border is finely chased in typical FABERGE fashion with oak leaves in two shades of gold and set at intervals with lovely rubies in square gold mountings. At the top is a highly polished ribbon box attachment.\nThe back is paneled with ivory and bears a beautifully fashioned gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2691\nPaper knife with gold and topaz handle by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe stone is of a rich golden color and is so shaped that it may be easily grasped. Around its collar is a gold band chased in typical FABERGE classical style.\nIt is a good example of the fine craftsmanship and excellent taste of this great artist, who is today often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2692\nMiniature owl by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of a single piece of opal especially chosen for its fine color and shading.\nThe bird, which is of exceptionally small proportions, is shown standing on a gold perch which rests on an agate base. In its small dimensions, the details of the anatomy are correctly and precisely rendered. Two rubies are set in for the eyes.\nA charming example of the work of this great artist, who made so many important objets d'art for members of the Russian Imperial family, as well as for other important personages throughout the world.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2722\nCharming \"fantaisie\" by CARL G. FABERGE, the celebrated Russian Court jeweler, a tourmaline parrot of soft rose-color shading into a pale green tail and with emerald eyes, diamond collar and gold feet, perches on a swinging ivory bar which carries silver gilt pails on either end, filled with seed.\nIngeniously contrived, the swing is suspended from a silver gilt stand mounted on a round tray in typical Fabergé classical inspiration.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2786\nGold kovsh by CARL G. FABERGE, the celebrated Russian court jeweler, designed in the ancient Byzantine manner.\nThe round full bowl is decorated with eight spade-shaped panels bearing alternating leaf patterns with four Russian Imperial double-headed Eagles, all in bold relief. The eagles are chased with amazingly fine precision, and show the ball and scepter of sovereignty, the three crowns, St. George Slaying the Dragon, and the tiny shields, all in wonderful clarity and detail.\nThe kovsh stands on a short outflaring [sic] fluted foot, while the shoulder is absolutely plain. The most exotic feature is the handle which springs up from the base in the form of a horn, and which is surmounted by a finial consisting of a single large emerald.\nAn outstanding work of this great artist, often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2821\nMiniature gold and platinum charm in the form of a bull dog. \nThe collar is gold, the eyes are rubies, and the body is set with ten large diamonds and many smaller ones.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2859\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased guilloche surface in a most interesting pattern combining areas of various sizes in red, white, and blue enamel, the colors of the Imperial Standard.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2868\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler. It is enameled over a chased guilloché surface in a rich green. The top is decorated with classical fluted mounting and with chased gold garlands crossed at intervals with ribbons and from which are suspended pendant festoons. These are carried out in vari-colored gold, typical of the work of this master craftsman.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2869\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased guilloché surface in a raspberry red. One side of the egg is decorated with an applied miniature sculpture in gold of an elephant with up-turned trunk. This is outlined by a band of white matte enamel separated from the red by narrow gold bands.\n \nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2870\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is set around the center with a faceted emerald, a faceted ruby, and two faceted sapphires.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2881\nCircular silver tray by Nichols \u0026 Plinke, outstanding silversmiths of English origin who settled and worked in Russia at the request of the Imperial family.\nDesigned with the greatest simplicity the center bears an oval-shaped decoration suitable for monogramming, while the border is heavily chased and engraved with a classical pattern.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2882\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler. In typical Fabergé design, the rectangular opening for the picture is bordered by bead and dash pattern, while the outside border is likewise designed with a classical pattern, set in each corner with a rosette. \nIn between these, the area is overlaid with a chased guilloché surface enameled a most unusual shade of greyish blue and this is overlaid with rich gold festoons and shell motifs.\nBears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#JZ-1, 2, 3, 4.\nGroup of gold animal charms, of fine quality.\nOne represents a gold bear standing on a pearl [underlined]; one is a bulldog [underlined] with diamond collar and tail; another is a dog with ruby [underlined] eyes and diamond collar [underlined]; and the fourth is a dog carved in Chinese fashion [underlined].","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#L-14\nMost unusual and rare split Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today often referred to as the \"Cellini of the nineteenth century\".\nIt is a particularly noteworthy example of his genius. Carved out of nephrite and beautifully polished, it is split lengthwise through the center, which is mounted in gold with a laurel leaf design. On front and back are oval openings for pictures bordered with gold chased with the classic dart and triple dot motif. The surprise feature however, is discovered upon opening the egg. Each portion bears on the back a beautifully fashioned gold easel, so that when the egg is open, it can easily stand upon its easels, enabling one to see both pictures at the same time.\nIt is a very beautiful piece, and in every detail is typical of the fine taste and exacting craftsmanship of this great master.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#G.25\nDiamond-shaped rock crystal frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the utmost delicacy and refinement.\nThe round opening for the picture is bordered with emeralds, and through the center on top and bottom runs a golden stem bearing three gold tulips, each with four tiny gold-mounted rubies. The border is finely fluted and is crossed at intervals with leaves of a contrasting shade of gold, while in each corner is set a diamond.\nThe opening for the picture is backed with ivory, while the frame is supported by a gold easel exquisite in shape.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures","GOLD PRESENTATION BOX OF NICHOLAS II OF RUSSIA\nBY FABERGE\nThis exquisite example of the incomparable artistry of Fabergé is circular in shape. The top is enamelled [sic] in a lovely shade of rich iridescent blue over a guilloché surface. In the center is a raised oval reserve bordered by a row of pearls, a band of gold filigree and gracefully curved diamond set volutes extending to the outer rim.\nIn this reserve is found the Russian Imperial Eagle, entirely set with diamonds and surmounted by the crown set with two rubies. In the eagle's center is placed a finely chased shield showing \"St. George Slaying the Dragon\".\nUpon opening the box, the bottom of the inside is found to be enameled in the same deep blue as the top. In the center is the coat-of-arms of the Romanoff's, completely surrounded by a rayed sunburst design.\nPresented to Nicholas II by his wife Alexandra Feodorovna, upon the occasion of the three hundredth anniversary of the founding of the Romanoff dynasty, 1613-1913. \nFully signed by CARL G. FABERGE, jeweler to the Imperial Court, and bears the rare gold mark 72.","MRS. JOHN L. PRATT","This series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).","Price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and the date purchased. Most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers. A note in Pratt's hand is written on the item description for a traveling clock (item number 5253, purchased June 16, 1933) and says \"Given to H.R.H. Princess Margaret Rose of England May 1939.\" She received a letter of acknowledgment and appreciation back from Lady Constance Harriet Stuart Gaskell, a Woman of the Bedchamber to Queen Mary.","Finally, the few exhibition labels were used in the Hammer Collection's \"Russian Imperial Exhibit\" at Lord and Taylor. Four are still mounted on the original gold colored panels.","The series is divided into five subseries: Series 2.1: Lord and Taylor Invoices, [1933]; Series 2.2: Price Tags, undated; Series 2.3: Item Descriptions, 1933-1945, undated; Series 2.4: Exhibition Labels, 1933-1934, undated; Series 2.5: Correspondence, 1939.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. X 4110\nRunner made of 18th century brocade in a striped design of gold and various colors. From a portion of a Priest's robe woven and worn in Russia.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y. ","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 D\nKnife of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Polish, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 C\nFork of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Russian, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H-4098\nSilver Hand Mirror bearing the initials \"AN\" under the Imperial Crown, for Grand Duchess Anastasia, who was the youngest daughter of Nicholai II, the last Czar of Russia.","\nMrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5054\nA small modern Icon of \"St. George the Conqueror.\" Painted on metal and framed by the well-known Klebnikov of St. Petersburg. The frame is decorated in beautiful enamel work and bears the Russian hallmark \"84\" denoting the finest quality silver; also bears the stamp of the Imperial Double-headed Eagle, showing that it was made especially for a member of the Russian Royal Family.\nFrom the collection belonging to Nicholai II and his wife Alexandra, in the Winter and Alexander Palaces.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5358\nLarge Serving Spoon of gold on silver. On the handle appear the Imperial coat-of-arms, crown and monogram of Grand Duchess Elizabeth Mauvriekovna, wife of Grand Duke Konstantin. It was made by Hunt and Roskell of England.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4108\nPhotograph in a silver frame of Serge Alexandrovitch, who was the brother of Alexander III, and his wife, Elizaveta Feodorovna, who was the sister of Czarina Alexandra. On one side is engraved a crown and the inscription: \"Serge;\" on the other side, a crown and the inscription: \"Elizaveta.\" At the bottom, the dates \"1891-1904;\" at the top, a small crown and an enamel plaque of St. George Slaying the Dragon. Made by Faberge, the famous jeweler of the last Court of the Romanoffs.","From the Collection in the Winter Palace, St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4809\nFruit Spoon of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of this spoon is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg \nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. X 6101\nSquare of red velvet richly embroidered with gold stars of passementerie, also a design worked in beads and various colored stones. Finished with gold Gothic galoon. Part of a chasuble. Russian, Circa 1880.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut (sic) velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4830\nIcon, \"The Twelve Apostles.\" Seventeenth century, Northern School. Gold on bronze mounting. \nFrom the collection in the Winter Palace, St. Petersburg, of Nicholai II, the last Czar of Russia","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4809","Set of twelve Fruit Spoons of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, - the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of these spoons is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 1, 1933\nArticle No. 10685-B\nCup of gold on silver, with handsomely chased \"neilo\" (black enamel effect) decorations. Made in Russia and dated 1834.\nFrom the collection in the Winter Palace, St. Petersburg, Russia, of Nicholai I.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 2, 1933\nArticle No. 5253\nThin gold watch made by Leroy, Paris, for the Czarina Alexandra, whose monogram and crown in red enamel are delicately inlaid on the back. This simple but graceful time-piece was one of the last acquisitions of the Czarina. From her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 14, 1933\nArticle No. 5259\nGold on silver enameled Caviar Spoon. Russian, hallmarked \"88\" denoting the highest quality of Russian silver. Also bears the initials \"I.M.\" of the maker.\nFrom the collection in the Alexander Palace of the Czarina Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. D 1000\nSilver and enamel Tryptich, set with semi-precious stones. In the center is shown the head of Christ; on the left is Saint Nicholas; on the right, the Guardian Angel.\nFrom the collection of Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. 4580\nIcon of the early seventeenth century, Ulanov School, \"Dormition of the Virgin.\"\nBelow, among the prophets, disciples and saints, lies the Virgin while her Soul is represented as an infant in the arms of her Son, who will transport it to Paradise. On either side of Christ are Archangels; above Him, under the arch, are the Cherubim and Seraphim. At the top of the icon appears God the Father with the Holy Ghost. Immediately beneath is the Sabor of Angels awaiting Our Lady, who ascends from Earth. In the heavens, among other saints, are seen Thomas, John the Divine, Peter, Alexander, Paul, Philip and Savva. Below, in front of the bier, is Athonius, a Jew, who dared to place his hands on the bier to upset it. An Angel cut off the hands, but on Athonius saying an \"Ave,\" Peter healed him.\nFrom the collection of the Czarina Alexandra in the Winter Palace, St. Petersburg.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nGiven to R.P. H. Princess Margaret Rose of England May 1939 [handwritten]\nJune 16th, 1933.\nArticle No. 5253\nEnglish silver Traveling Clock in wooden case. Made for Queen Victoria by Dimmick, Maker to Her Majesty the Queen, Cowes, England.\nInscribed on the face: \"From Grandmama 1894\". Given by Queen Victoria to her grandchild, the Czarina Alexandra Feodorovna.\nFrom the Alexander Palace, Tsarskoye-Selo.","Mrs. John L. Pratt\nHotel McAlpin\nNew York, New York","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 3550\nWooden Wine Ladle. Beautifully inlayed with metal. Part of the Winter Palace Collection.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\n3623. Handkerchief.\nFine linen handkerchief embroidered with the crown and monogram of the Dowager Empress Maria Feodorovna, Mother of Nicholai II. The border is block printed with a series of brown and blue elephants. It is significant to the superstitious that the trunks of the elephant are turned down where is (sic) those of the lucky elephants are turned up. From the private quarters of the Dowager Empress in the Anitchkov Palace in St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\nF43. Paper Knife.\nGold on silver blade. Mounted in mother of pearl handle. Bears crown and monogram of Grand Duke Constantin Nicholaevitch.\nRussian [handwritten]","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6154\nMat. Made of green and silver brocade outlined in rose, conventional floral design.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces, consisting of hand-loomed brocades, damasks, handcut [sic] velvets and altar sets. The metal threads are of genuine silver.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 4404\nPhotograph of Olga, eldest daughter of Czar Nicholai II, Maria, the third daughter, their governess, and Titiani, the second daughter. Frame by Faberge; the blue ribbon crosses represents the order of St. Andrew, created in 1698 by Peter the Great. Only members of the Imperial Family could belong to this order. Winter Palace Collection.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5153\nSmall Runner. Made of damask woven with yellow flowers in serpentine design with gold. Trimmed with old gold lace. Russian Circa 18th Century.\nThis damask is from a collection used in the chapels of the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5096\nSquare Mat. Made of gold brocade outlined in tan trimmed with galoon. Russian Circa 1850. \nThis brocade is from a collection used in the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6396\nTwo Circular Mats. Made of white and gold brocade in conventional design. Trimmed with lace galoon. Russian Circa 1870.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces consisting of hand-loomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. 6025. Photograph of Nicholai II and his wife Alexandra as they were dressed for the Imperial Costume Ball held in the Winter Palace in 1903. The entire court at this ball were dress in Russian costumes of the seventeenth century. The Tzar and the Tzarina are here represented as Michael, First Tzar of Russia and his wife Evdokia, The photograph was made by Levitski, court photographer in St. Petersburg. On the back is a seal which reads: The artistic accurateness confirmed by the Imperial Academy of Art.\" This photograph was obtained from the elderly governess of the Grand Duchess who is still living incognito in Moscow.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. E-1000. Silver and enamel Easter Egg bearing red crosses on white iridescent enamel and an inscription which reads: Greater love hath no man than he who sacrifices his life for a friend [underlined]. At the top are the initials and monogram of dowager Empress Marie, mother of Nicholai II. Inside is a folding screen of miniatures painted on mother-of-pearl and framed in gold and enamel. The miniatures read from left to right with their respective monograms mounted in gold on the back as follows: Grand Duchess Olga Alexandrovna, sister of Nicholai II, Grand Duchess Olga Nicholaevna, daughter of Nicholai II, Czarina Alexandra Feodorovna, wife of Nicholai II, Grand Duchess Titiana, daughter of Nicholai II, and Grand Duchess Marie Pavlovna, author of the \"Education of a Princess\", and cousin of Nicholai II. This egg was made by Fabergé, the court jeweler for Nicholai II as an Easter gift, in 1915, for his mother, the dowager Empress. From the Anitchkov Palace in St. Petersburg, where it was under Inventory No. 17,550.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933\nArticle No. 6787\nMat. Made of gold brocade showing an Imperial Crown and double-headed eagle on a blue background. Made in 1913 to commemorate the three hundredth anniversary of the Romanoff regime. Bound and lined with old gold galoon.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6707\nRunner. Of vari-colored silk floral design of pussy willows. Probably used at Easter time. Circa 1780.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6794\nRunner. Of gold brocade with vari-colored silk floral design trimmed with old lace galoon. Circa 1800.","From a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4763\nA silver plaque depicting the Church of Christ the Saviour, which was given to the Dowager Empress Marie Feodorovna on the occasion of the erection of this church. It was to commemorate the miraculous escape of the Royal Family from death in a railroad wreck. The church was erected by the contributions of various workers in the government departments and private citizens of Russia in the year 1888.\nThe plaque is from the Anitchov Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 5528","An icon finely painted on wood and mounted with a silver trapping set with seed pearls in a Byzantine design on a background of green enamel. The subject of the icon is \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The commandment of the new day: Love Thy Neighbor as Thyself.\"\n \nThe icon is backed with red velvet. It was made by the court jeweler, Faberge, whose full name is marked under the Imperial double eagle. It also bears the figure \"88\" which denotes the highest quality of Russian silver. The icon is from the quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 6136\nAn unusual tea pot of exquisite silver bearing the crown and monogram of Alexander III. It is made with double spouts and a gut handle.\nThis tea pot was made in 1891 by the Royal jewelers, Michelson of Copenhagen, belonging to the Danish Court.\nIt was found in the Gatchina Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4765\nA slender gold column of exquisite workmanship, with a miniature of Nicholai II on it set with diamonds and crystals. The column is delicately chased with Icanthus leaves in green gold, a touch characteristic of Faberge who made the bibelot for the Czarina to present to Nicholai II on his birthday in 1907. It is contained in the original case and was found in the Alexander Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6111","A jewel chest made of hand-hammered silver, and lined with mulberry velvet. On the cover is the Russian Imperial Double-headed eagle adorned with the various emblems of the Romanoff family. The sides of the cover bear the repeated initial \"M\", inlaid with blue enamel, which stands for the Dowager Empress Marie, mother of Nicholai II. The key is set with a semi-precious green stone. The box is undoubtedly of Danish origin.","It is from the quarters of the Dowager Empress Marie, in the Anitchov Palace, St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6019","A jewel box made of silver. The cover is adorned with vari-colored Russian enamel, pearls and rose diamonds. It was made by the court silver-smith, Bolin, whose full name it bears. It is also marked with the initials of his assistant master and the figures \"88\", which denote the highest quality of Russian silver.","The box is from the personal quarters of the Czarina Alexandra, wife of Nicholai II, and was found in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6148","A brooch of silver modeled in a ribbon design and set with many turquoise and genuine half pearls.","It was found in the quarters of the Czarina Alexandra in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5421\nAn icon of \"St. Nicholas the Wonder Worker\", patron saint of Russia, with Christ and the Madonna. This icon was presented to Nicholai II when he was still a Czarevitch, by a peasant icon painter whose name appears on the border of the icon. The inscription on the back reads: \"From a peasant of the village of Materi, Province of Vladimir---Joseph Andrew Pankreshoff. Presented to His Imperial Highness, Czarevitch and Grand Duke Nicholai Alexandrovitch.\" Taken from the historic apartment of the Anitchkov Palace, with the inventory number #6794\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italian Primitive with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5538\nAn icon painted on wood on a background of gold with a border of rich enamel in Byzantine design. It has a brass trapping and is enclosed in original wood and velvet-lined case. \"St. Nicholas the Wonder Worker\". A painting of exquisite detail and coloring. It was presented to Nicholai II when he was still the Tsarevitch. The sticker on the back of the box reads: \"To the Grand Duke Nicholai Alexandrovitch, 19th of July, 1882.\" It has the city museum inventory number, Anitchkov Palace, 6819. From the quarters of Nicholai II in the Anitchkov Palace before he became the Tsar of Russia.\nThe fascinating history of icons dates back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italina (sic) Primitive, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMay 3rd, 1934.\nArticle No. 4122 C","A porcelain Easter egg bearing the monogram of the Czarevirch [sic] Alexis. It is drawn through with the original ribbon and was made in the Russian Imperial Porcelain Factory.","The Russian Imperial Porcelain Factory was owned and operated exclusively by the the [sic] Royal Family from the time of its beginning in 1744 (when it was founded by Elizabeth I, daughter of Peter the Great) down to the time of the last of the Romanoffs, Nicholai II (1917).","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT ","Article No. E-313\nSupple Bracelet of woven gold. The alternate links are fashioned of green and of red gold, which the Russians were so fond of. It was made by the famous court jeweler Faberge, and although the bracelet is not marked with his initials, its style and workmanship mark it as unmistakably his. The catch is marked with the number \"56\" for the finest grade of Russian gold.","From the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nArticle No. A-104\nOval Frame delicately wrought in filigree effect set with sixteen alternating sapphires and rubies. Contains an original snap-shot of the Czarevitch Alexis in a sailor suit, sitting astride an old cannon in the gardens of Peterhof, which was the Imperial summer residence in 1910. The frame is marked with figure \"88\"denoting a higher quality of Russian silver than our \"Sterling.\"\nFrom the personal quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo. She was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5547\nDainty spray of corn flowers, fashioned of gold, enamel and diamonds, supported in a small vase of rock crystal. The workmanship on the foliage and buds shows the most exclusive care in fashioning truly after nature. The enamel of deep blue is extremely clear. The stamen and pistils are each set with a small shiny diamond. The workmanship of the flower itself is by Faberge, the famous court jeweler, while the crystal vase was ground after his design in the Imperial Grinding Factory at Ekaterinburg.\nAmong the most delightful creations made by Faberge for Czar Nicholai II, was a collection of flowers and berries, made of gold, jade and precious stones. Many of the blossoms and berries were enameled in life like-colors. The small vases of rock crystal seem to be filled with water.\nThese delicate pieces brought great joy and pleasure to the Czar and it was a happy occasion when he presented them to some of the members of the Imperial Family.\nMrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5401\nElectric contact bell of artisticaly [sic] hand wrought silver in the form of a rabbit. The eyes, which make the contact, are set with garnets.\nIt was made and signed by the court jeweler Faberge, outstanding craftsman of the last fifty years. His name appears under the double-headed eagle of Royal appointment. The figures \"88\" denote the highest quality of Russian silver.\nFrom the property of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5687\nEaster Egg of Orletz or Eagle stone, decorated with gold and silver mountings, and bearing an inlaid monogram and crown of Maria Feodorovna, Dowager Empress and mother of the last czar, Nicholai II. The egg is shaped of this rare Ural stone, named after the Russian Eagle in the Imperial Grinding Factory in Ekaterinburg. Made by the famous court jeweler Faberge.\nFrom the quarters of the Grand Duchess Tatiana in the Alexander Palace, Tsarskoye Selo, to whom this gift was presented by Maria Feodorovna, her grandmother. Grand Duchess Tatiana was the second daughter of Nicholai II.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A-62","Rare Insignia of the Imperial Order of St. Andrew in the form of a pendant. The pendant is of gold, wrought with the double-headed eagle on either side in relief. Over the eagle on one side appeas [sic] the figure of St. Andrew as he was crucified on the cross. It was made in the time of Peter I, circa 1720, and is exquisitely enemaled [sic] in natural colors. The entire medallion is framed in nineteen large diamonds of contemporary cutting, the ring has six smaller diamonds.","From the quarters of the Grand Duchess Tatiana, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5570\nSnuff box of gold, period and style of Alexander II. Russian, circa 1860.\nThe design, exquisitely chased, is of oak leaves and acorns, inlaid with transparent enamel in dark blue. It is marked \"56\" the Russian equivalent of 14 Karat gold, the profile of the Government Assay Office and the impressed number \"2073.\" Very lightly cut is the original order number of the maker \"P154.\" [4 crossed out and 0 handwritten].\nFrom the Imperial snuff box collection of His Imperial Majesty the Czar in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMarch 6th, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nEaster Egg\nEach Easter, the Dowager Empress, Marie Feodorovna, would order the Russian Imperial Porcelain Factory to execute porcelain eggs which she personally distributed. This one, bearing the original ribbon, has her monogram \"MF\" and crown in green.\nThe Russian Imperial Porcelain Factory was owned and operated exclusively by the Royal Family from the time of its founding in 1744 by Elizabeth I, daughter of Peter the Great, down to the last Czar, Nicholai II in 1917. With few exceptions, all the china used at court was made in this factory. Many of the monarchs ordered gifts created here for foreign dignitaries and court favorites. Elizabeth I used a small double eagle as her mark, while Catherine the Great used her monogram without the crown. Otherwise, most pieces were marked with the crown and monogram of the ruler in whose reign the object was made, except Alexander I, whose china rarely bore a mark.","Mrs. John L. Pratt\nEaster, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. AS-1312\nExquisite parasol handle in baton design. It is of solid gold and decorated with conventional shell designs on a smooth ground. Each shell is set with a diamond, ruby, emerald or sapphire. On one side is applied a cut out double-headed eagle of Russia, adorned with the crests of all the Sovereign states, including that of Moscow in the center, showing \"St. George Slaying the Dragon.\" The handle is finished with an exceptional ball of choice flawless Siberian lapis lazuli of magnificient [sic] blue quality, set in a cup of scroll design, also set with precious stones. In all, there are eight diamonds, four rubies, four emeralds and five sapphires.\nFrom the quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. E-327\nRound powder box and cover of fine Ural [underlined] spinach jade [handwritten question mark]. The cover is rimmed in gold, chased in braided design, and has an artistically carved ivory elephant standing upon a fringed drum of gold, banded with alternating rubies and diamonds. The gold work is in the individual style of the celebrated court jeweler to Nicholai II, Karl Faberge, the creator of this lovely object.\nThe rim of the cover is marked with the full name of Faberge, the initials of his foremost workmaster [sic], Mikhail Perchin, the number \"56\", denoting Russian equivalent of 14Kt. gold, and the crossed anchors mark of the St. Petersburg Assay office.\nFrom the personal quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936.\n \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle E-451\nThe \"Queen's Birthday Book\". A volume published in London by Griffith, Farran, Okeden and Welsh in 1887, and dedicated to Victoria, Queen and Empress of Great Britain, Ireland and India, on the occasion of her Golden Jubilee. The book contains thirteen portraits of members of the Royal Families and fifty-five Royal autographs, among which are those of Queen Victoria, May 24th; her Prince Consort, Albert Edward, November 9th; Edward VII, January 8th; his wife Alexandra, December 1st; (sister of the Czarina Maria Feodorovna) and George V, June 3rd. Perhaps the most interesting autograph is that of the Czarina Alexandra Feodorovna of Russia while she was the Princess Alix of Hesse and but fifteen years old (June 6th).\nThe book contains the ex-libris of Countess Vorontsov Dashkov, who was Mistress of Robes, the highest position in the Court, and the close companion of the Czarina Maria Feodorovna, mother of Nicholai II. The fly-leaf bears the inscription of presentation: \"For dearest Etta, in remembrance of the Queen's Jubilee, 1887, from your affectionate Mary Adeliade [sic], June 1887\". Mary Adelaide was Her Highness, the Duchess of Teck. ","Mrs. John L. Pratt\nAugust 17, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/3\nHandsome frame of transparent green enamel with two oval apertures containing a photograph of Czarina Alexandra and one of the Czar, Nicholai II. Above the ovals is the double-headed eagle with wings outstretched. The crown between the heads is set with rubies and diamonds while a shield, set with the same stones, is on its breast. Underneath the photographs are three swags with rosettes and crescents in garland effect. At the top of the frame two griffins, facing each other with their paws resting on an urn, form a delightful balance to the whole. It is backed with an ivory panel, the handle and ring being of gold scroll.\nIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported from Russia into France, it also bears the assay office device of that country.\nFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/2","Gold on silver rectangular frame of rose enamel over a field of engine turning. Mounted over the oval aperture which contains the photograph of Czarina Alexandra Feodorovna, is a double-headed eagle bearing the Imperial crown, set with diamonds, between the heads. On its breast is a single sapphire. Below, a swag and crescent design forms the decoration. Encircling the whole is a conventional laurel leaf design attached with a ribbon bow-knot, the ends falling in graceful wavy effect. It is backed with an ivory panel, the handle and the ring being of gold scroll.","It was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported into France from Russia, it also bears the assay office device of that country.","From the quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle E-762/80\nCharm in the shape of an Easter Egg made of solid gold and superbly decorated with transparent enamel in tones of pearl, turquoise, and ruby. The colors are separated by gold swags which cross and are capped by four pigeon blood rubies.\nIt was created by the celebrated Karl Faberge, court jeweler to Nicholai II, and is hall-marked with the initials of his workmaster [sic], and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle -4776\nJade and gold frame on a stand. The photograph, in a heart-shaped pendant, is of Grand Duke Boris Vladimirovitch.\nIt was made by the famous court jeweler to Nicholai II, Karl Faberge.\nFrom the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\n ","Transcription: \n[double-headed eagle]\nArticle E-43\nExceptional photograph of the Czarina Alexandra in court dress, showing her great beauty. It is appropriately framed in finely chased gold on silver with a background of red iridescent enamel.\nThe frame was made by the famous court jeweler to Nicholai II, Karl Faberge, outstanding craftsman of the last fifty years. It is marked with the initials of his master and the figures \"88\" which denote the highest quality of Russian silver.\nFrom the personal quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP-1553/2\nPhotograph album containing many rare and valuable photos of the Imperial Family. It is bound in navy blue morocco (whole binding), with shield, clasp and line impress of silver. The doublures are of white moire paper, and the edges are silver. It was bound by F. Knoop, St. Petersburg. The book bears the bookplate of Nicholai II, and was found in his private study, in the Alexander Palace, Tsarskoye Selo. First inventory given is on doublure number \"26933\". Later it was inventoried on the third page as \"12415\".\nThe list of photographs is as follows:\n47.20.376.1 – Emperor Alexander II\n2 – Emperor Alexander II\n3 – Empress Marie Alexandrovna\n4 – Emperor Alexander II\n5 – Emperor Alexander II\n6 – Empress Marie Alexandrovna, wife of Alexander II.\n7 – Emperor Alexander II\n8 – Alexander III and Marie Feodorovna\n9 – Empress Marie Feodorovna and Nicholai II\n10 – Emperor Alexander III\n11 – Grand Duchess Xenia, sister of Nicholai II\n12 – Three generations of German Rulers. The infant is the present ex-crown prince\n13 – Empress Marie Feodorovna and Nicholai II\n14 – Nicholai II (Grand Duke Nicholai Alexandrovitch)\n15 – Grand Duke George Alexandrovitch (brother of N. II)\n16 – Grand Duke Vladimir Alexandrovitch\n17 – Grand Duchess Marie Pavlovna, his wife\n18 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir and her children\n19 – Grand Duke Vladimir and his sons, Kyril and Boris\n20 – Grand Duke Vladimir Alexandrovitch\n21 – Grand Duchess Marie Pavlovna, his wife\n22 – Grand Dukes Kyril and Boris Vladimirovitch\n23 – Grand Duke Kyril Vladimirovitch\n    \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","[double-headed eagle]\n-2- \n 24 – Grand Duchess Marie Alexandrovna\n 25 – Grand Duke Alexis Vladimirovitch\n 26 – Grand Duke Serge Alexandrovitch\n 27 – Grand Duke Paul Alexandrovitch\n 28 – Grand Duke Paul Alexandrovitch\n 29 – Grand Duke Alexis Alexandrovitch\n 30 – Grand Dukes Paul and Alexis and Duke of Oldenburg\n 31 – Grand Dukes Serge Alexandrovitch and Konstantin Konstantinovitch and the sister of Konstantin, Olga, later Queen of Greece\n32 – Grand Duke Nicholai Nicholaevitch\n33 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir\n34 – Grand Duke Nicholai Alexandrovitch (Nicholai II)\n35 – Grand Duchess Olga Konstantinovna, Queen of Greece\n36 – Grand Duchess Militza Nicholaevna\n37 – Duchess Alexandra of Oldenburg, 1st wife of Grand Duke Nicholai Nicholaevitch, died in 1900\n38 – Grand Duke Serge Alexandrovitch and Duchess Elizabeth Feodorovna\n39 – Grand Duke Vyacheslav Konstantinovitch\n40 – Grand Duke Dmitri Konstantinovitch\n41 – Grand Duke Konstantin Konstantinovitch\n42 – Grand Duchess Marie Alexandrovna, Duchess de Saxe- Coburg Gotha","Mrs. John L. Pratt\nJanuary 29th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. ME-1249\nRound snuffbox of spinach green Ural jade with hinged lid, mounted in gold. On the cover, set in diamonds, is the crown and monogram of Nicholai II, backed with two laurel sprays in green gold of exquisite workmanship, also set with diamonds. The top and bottom rims are engraved in delicate dot and dash design, while through the center runs a fillet of finely chased acanthus leaves in green gold and several tiny rosettes of red gold.\nThis superb example of the jeweler's art was designed by the celebrated jeweler to Nicholai II, Carl Faberge, and is hall-marked with his full name, the initials of his leading artist, Mikhail Perchin, the number \"56\" denoting the equivalent of 14 karat gold, the wreathed head of the government assay office, and the initials of the gold inspector \"YL\".\nFrom the collection of Nicholai II, last Czar of Russia, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nFebruary 8th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5571\nMagnificent gold snuffbox in oval shape with hinged lid. It is hand-wrought with a chased gold mounting. The lid has an oval gray and white cameo, masterfully carved with a mythological sea scene, signed \"W. Eissel\", outstanding German master. This is framed with fifty large diamonds and about one hundred small ones. The edge is in carved scroll design including two gargoyles over lapis blue enamel, and set with many diamonds, four of which are about one karat each. The sides are finished in the same treatment, having the crown and monogram of Kaiser Wilhelm in the front and the German imperial eagle in the back, all set in diamonds. The crown also has two rubies. At either end are small round cameos of mermen by the same master. Four kneeling cherubim, placed within shells of blue enamel and diamonds, support the cover. The bottom of the box is engraved with another sea scene showing Neptune and Venus receiving homage, while the background is again of blue enamel. This box was made for the Kaiser of Germany, and was so admired by Nicholai II, the former presented him with it.\nFrom the Snuffbox Collection of Nicholai II and his wife Alexandra, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay 11th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. JJ-5050/2\nExquisite oval icon of the \"Madonna of Kazan\". It is painted on ivory in a charming combination of water colors. The Greek symbols are for \"Mother of God\", \"Jesus Christ\" and \"Kazanski Mother of God\". The icon has a brass rim and is framed in rose velvet; it is backed with rose ribbed silk.\nAttached is the original government inventory tag, the abbreviations of which read: \"Alexander Palace Museum, Children's Apartments, Classroom of the Older Grand Duchesses Number 644/III\". These were the daughters of Nicholai II, whose palace was located in Tsarskoye Selo. This icon was undoubtedly executed by the Tsarina of Russia, a talented artist, whose work is easily recognized by her choice of colors and the fact that she invariably marked her paintings with the initials of her maiden name, Hesse.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. AV-5008/1\nOval icon medallion of solid gold. On one side is an exquisite enamel miniature of Jesus Christ dressed in blue and orange robes against a ground of brown scrolls on beige. His right hand is held in blessing, while in his left he is holding the open scripture. The Greek symbols about his shoulders are for \"Jesus Christ\", while those above the halo are for the \"Eternal Christ\". On the reverse side, on a ground of white enamel, is inscribed in black – \"Save and Protect\".\nThe gold is hall-marked with a number \"56\" denoting the Russian equivalent of 14 karat gold, and the device of the Moscow assay office.\nFound in St. Petersburg.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RB-5210/37\nDelightful charm of a German Dachshund [underlined] in seated posture. Carved from genuine topaz, he is adorned with a gold collar and suspended from a gold link. His eyes are realistically set with emeralds.\nThis excellently modeled and lifelike animal was designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his talented stone carver, Kremlev.\nMrs. J. L. Pratt\nDecember, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1815\nCharming stone figure designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his leading stone carver, Kremlev. Represented is one of the favorite sailors of Grand Duke Mikhail Alexandrovitch, brother of the last Tsar, Nicholai II. The name of the Imperial yacht \"Zarnitsa\" is inscribed in gold on the seaman's hatband.\nStanding solidly on his two feet of black onyx slightly spread apart, this sailor of courageous appearance is dressed in a spotless, freshly laundered suit of milky white jade. His piercing blue eyes, each set with a cabochon sapphire, sparkle with loyalty and sincerity. Flesh-toned aventurine makes up his interesting face, finely moulded [sic] with high cheek bones and sharp nose – typically Slavic characteristics. His sturdy hands are also of aventurine. This unusual portrayal, viewed from any angle, is singularly lifelike and attractive.\nIt is contained in the original hollywood box of the court jeweler, and is stamped with his full name beneath the double-headed eagle of royal appointment.\nThe \"Zarnitsa\" was anchored just outside of Kronstadt during the Krensky Revolution, and it is said that while the other sailors of the fleet joined the revolutionists, those on board the yacht ramined [sic] loyal to the Grand Duke Mikhail, in whose favor Nicholai II abdicated.\nMrs. J. L. Pratt \nDecember 9, 1937\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-517/4\nCross of hand-wrought silver, finished with a ball effect to represent jewels; Russian workmanship of the 18th century. On the face is the eight point Greek Orthodox cross, adorned with the crown of thorns. On either side is the spear and sponge of the Crucifixion, while below is the skull signifying that Christ conquered Death. The Slavic symbols read – \"King of Glory, Jesus Christ, son of God\". The reverse side is in scroll design.\nFrom the Imperial Chapel of the Feodorovski Cathedral, Tsarskoye Selo.","Lillian T. Pratt\nChristmas, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP- 1843/4\nRare mosaic icon of \"St. Nicholas the Wonder Worker\"; Russian workmanship, circa 1850. This portrayal of Russia's most beloved Saint is so skilfully [sic] inlaid with thousands of varicolored stones that it gives the impression of being executed in oil. It shows great character and deep religious inspiration, rarely found in mosaics.\nSet off by a gold halo, St. Nicholas is represented making the sign of Jesus Christ with one hand, while in the other he holds a gold and green Bible. His gracefully folded robes of red and blue are trimmed with gold, and his stole of silver is embroidered with gold crosses. Slavic symbols on either side of the halo are for \"St. Nicholas the Wonder Worker\". The icon has a rim of fire gilt and is framed and backed in red velvet of a later period.\nFrom the apartments of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nJanuary 8, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/4\nParasol handle of frosted rock crystal, carved to represent the head of a duck, and mounted on mohagony [sic] banded in gold. The eyes of the duck are all the more lifelike for the two deep blue sapphires set in gold. Around the neck is a gold collar, set with fifteen green tourmalines. The ring of silver gilt was added later to the base of the handle.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Faberge, for Tsarina Alexandra Feodorovna and was found in her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. A-61\nUnusual frame of rose jasper and gold-on-silver, containing a snapshot of Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, taken in Peterhof, 1907. Dome-shaped and with easel back, it is contained in the original Vyatka birch box, lined with green velvet and white silk, of the court jeweler to Nicholai II, Carl Faberge. The lining is stamped with his name beneath the double-headed eagle of royal appointment.\nThe frame is hall-marked with the initials of one of Faberge's leading workmasters [sic], Mikhail Perchin; the number \"84\" denoting the Russian standard of silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the court jeweler, \"45196\".\nFrom the quarters of the children of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-754\nCharming miniature frame containing a photograph of the Tsarina Alexandra Feodorovna. Dome-shaped, it is made of lettuce jade, delicately decorated with chased green and red gold mountings. Above the oval aperture, rimmed in laurel leaf design, is a swag motif tied with a ribbon; below are two dainty rosettes.\nThis frame was made by the celebrated court jeweler to Nicholai II, Carl Faberge, and the gold-on-silver easel back is marked with the initials of his workmaster [sic] \"IB\"; the number \"88\" denoting the quality of Russian silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the jeweler, \"0170\".\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/3\nEaster egg of green quartzite, varicolored gold and rock crystal, suspended from a chain of gold. A band of cut rock cyrstal [sic], bordered with narrow rims of gold, encircles the egg, separating the top from the lower portion. The top is surmounted with a wheel device decoratively worked in red and green gold, whose apex is a small Empirean [sic] wreath of laurel. A convex form of gold, delicately engraved in a wreath design covers the base.\nIt was created by the celebrated Russian court jeweler to Nicholai II and Alexander III, Carl Faberge.\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/1\nGraceful porte-poche of rock crystal with borders, handle and thee feet set with rubies and diamonds.  A gold border around the top is set with forty rubies and the corresponding border in the base has thirty-three rubies.  The question mark handle of gold, decorated with scroll design, is outlined with eight diamonds, set squarely.  Into each of the three ball feet are set thirty-two graduated diamonds. \nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé, and is hall-marked with his full name; the initials of one of his leading workmasters, Edward Kolin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.  It is engraved with the original order number of the court jeweler – \"40312\".  Since it was originally brought from Russia to England, it also bears the assay of the later country.\nFrom the apartments of the Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nJanuary 28, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/47\nCharm, in the form of an Easter egg, of exquisite simplicity.  It is made of spinach jade, belted with gold and a narrow fillet of diamonds, and is suspended from a gold link.\nThe egg was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé.\nFrom the apartments of Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/41\nEaster egg charm of gold, engraved in moire effect to represent clouds in the sky.  The design is based on the star and crescent motifs of Mohammedan origin.  Within the star form, outlined in relief, is set a diamond, and a large cabochon sapphire is enclosed within the crescent form.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster; the number \"56\" denoting the Russian equivalent of 14 Karat gold; and the device of the Moscow assay office, St. George slaying the dragon.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/46\nCharm of gold, purpurine and enamel, in the form of an Easter egg.  A circlet of diamonds separates the purpurine portion from the rest which is made up of alternating sections of opaque white and transparent emerald green enameling on a gold ground.  Each of the enameled sections bears a numeral of the year \"1900\", when it was presented to Grand Duchess Olga.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster.\nFrom the quarters of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nNote: purpurine is a composite stone developed by Fabergé, and reputed to be formed by a secret process of fusing gold and porcelain.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/39\nCharm of gold in the form of an Easter egg.  Palmetto leaves and the figure of an African elephant holding in his trunk a diamond, form the decoration.\nIn the style of Fabergé, the Russian court jeweler, it was created by the Kalodnikoff masters, bearing their hall-marks and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of the Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1933\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/45\nUnusually handsome Easter egg charm of gold.  A fillet of diamonds separates a petal decoration from the upper part of the egg in which a solitaire diamond is set.  A cabochon sapphire is set at the base.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked number \"56\", the Russian equivalent of 14 karat gold.  \nFrom the apartments of Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/38\nEaster egg charm of gold-on-silver, inlaid with varicolored opaque [handwritten, transparent x'ed out] enamel and bearing the Russian letters \"XB\" front and back, the abbreviation of the Easter salutation \"Christ is Risen\".\nIt was designed by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II and Alexander III, and is hall-marked with the initials of his workmaster.  \nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/33\nCharm of clove pink matte enamel, covered with a filigree of gold intricate design of conventional fleur-de-lis and braiding.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/32\nCharm of gold, in the form of an Easter egg.  It is covered with enamel in the deep blue color, beloved of the Russian people, over delicate engine turning and is set with a diamond.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the number \"56\" denoting the Russian equivalent of 14 karat gold; and the initials of his master.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/44\nEaster egg charm of topaz, with alternating sections of opaque white and translucent red enamel, banded with a circle of diamonds.\nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/9\nExquisitely modeled figure of an African elephant with upraised trunk, wrought in twenty-two karat gold.  His lifelike eyes are set with diamonds, and the tusks are carved from ivory.\nCreated by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II, it was made to the special order of his mother, the Dowager Empress Marie Feodorovna.\nFrom the quarters of the Empress, in the Anitchkov Palace, St. Petersburg.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/13\nDelightful gold chain bracelet with safety catch.  It alternates with three red gold and three green gold links.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and executed by his workmaster whose initials it bears – \"AE\", together with the wreathed head of the government assay office.\nFrom the apartments of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 2, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5209/26\nTiny, exquisite frame of lapis lazuli mounted on a rectangular base of gold-on-silver, supported by four ball feet.  The oval aperture, rimmed in gold, bears a photograph of Nicholai II.\nThis charming piece is from the quarters of Tsarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nApril 15, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSIES\nGraceful spray of pansies carved in amethyst, the centers set with brown diamonds.  Calyxes are formed in jade.  Rising on slender gold stems with leaves of Siberian nephrite, serrated and realistically modeled, the little pansy is set in rock crystal carved to represent water in a vase.\nCreated by the world-famed Russian jeweler, Karl Faberge, it is hallmarked with his name in Russian, and the initials of one of his leading masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18 karat gold.\nNumber RE5380-13\nMrs. John L. Pratt\nJanuary 9, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/2\nFlower fantasy exquisitely developed in jewels in the form of a dandelion seed ball.  Created by Carl Fabergé, illustrious jeweler to the Russian Imperial Family, this little piece typifies his finest work.  The head, with down of asbestos is developed around the seed pod and pedicels of platinum, delicately finished with tiny diamonds.  Serrated leaves carved in jade and graceful gold stalk rise from a little vase carved in rock crystal to represent a tumbler filled with water.\nFully hallmarked, it is signed with the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and with the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom a collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/10\nExtraordinary jeweled flower fantasy by Carl Fabergé, world famed court master to Tsars Alexsandr III and Nikolai II of Russia.  The blossom, carved in amethyst, opens slightly to reveal three stamens of gold, diamond set.  It surmounts a sturdy stem imbedded in gold soil within a tub-like container.  Leaves are realistically modeled of deep hued Siberian nephrite.  Encircling the container, which is fashioned of varitoned grey-brown agate, are hoops of gold pointed with small diamonds representing rivets.\nImportantly hallmarked, the stalk bears the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/16\nPair of lovebirds carved in amethyst, huddled together on an ivory perch ornamented with transparent carnelian enamel on a ground of guilloché gold and dainty rings of platinum, diamond set.  Deep cabochon topaz are set in the ends of the perch bar; two fine gold chains, linked to a foot of each bird, are attached to the pedestal base.  The delicately wrought fantasy rests on an inverted circular base, fashioned of dark green Siberian jade mounted with a simple gold border.  Four ball feet of gold complete the stand.\nCreated by Carl Fabergé, eminent Russian court jeweler, this exquisite object is hallmarked with his name; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/17\nSmall cage of appealing design wrought with slender bars of gold and suspended with a gold loop.  Mounted on a base of Siberian nephrite which rests on four ball feet, the top is finished with seven pearls and with a decorative portion of turquoise composition, encircled by diamonds.  Within this cage, on a small twig-like perch, is a diminutive bird carved in emerald, with head lifted in song and eyes set with diamonds.  \nThe gold perch bears full hallmarks including the name of Fabergé; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nMrs. John L. Pratt\nFebruary 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/29\nParasol handle of limpid clear rock crystal etched in open squared effect, pointed throughout with cabochon rubies.  The base is of solid gold and is encircled with a conventionalized laurel wreath, intermittently bound with crossed ribbons.\nDesigned by Carl Fabergé, famed jeweler not only to the Imperial family of Russia but to the crowned heads of Europe and Asia, it is fully hallmarked.  Present is the name \"Fabergé\" (indistinct); the Russian initials of one of the master's leading artists, Mikhail Perchin; the wreathed head of the government assay office; the numeral \"56\" denoting the Russian equivalent of 14kt. gold; and the initials of the government inspector \"YL\".\nOriginally a parasol handle in the possession of the Tsarina Aleksandra Feodorovna of Russia, a flat base has been applied so that the little object may be used as a seal.  From the personal effects of the Tsarina in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.CA-5364/2\nGreen jade miniature frame designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II.  Made of one piece, it has two oval receptacles containing rare, original photographs of the court jeweler and his wife.  They are rimmed with delicate fillets of silver, applied with ruby and black enamel in a design bordered by lines of white.  The photograph openings are backed with ivory to which is attached a hinged easel of graceful design.\nThe easel is hallmarked with the full name \"Fabergé\"; the initials of one of his leading workmasters, Henrik Wigstroem; and the numeral \"88\" denoting the quality of Russian silver.\nAcquired from Nikolai Fabergé, son of the renowned jeweler.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\nFebruary 17, 1939","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/3\nJeweled flower fantasy created by Carl Fabergé, eminent Russian court jeweler, signed with his name and the initials of one of his leading workmasters, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nDesigned with ingenuous artistry, this branch of English hawthorn has small fruits (\"haws) of red and white agate, cleft leaves of jade and a gold stalk imbedded in a white agate pot with soil of gold.  It is mounted on a base of white jade.\nFrom the collection of a member of the Russian Imperial Family.\nThese flower creations represent the height of Fabergé's imaginative genius.  They were the favorite possessions of the late Tsar and Tsarina, both of whom were ardent flower lovers.  Several of these were created by Fabergé for King Edward VII of England who presented them to Queen Alexandra.  Upon her passing, these jewels were left to her son, King George V of England, and to Queen Maud of Norway.  Some of these fantasies are now the prized possessions of Mary, the Queen Mother of England.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5332/7\nCompanion figures of two French bulldogs, one seated in attentive attitude – the other, a pup, in crouched position.  Beautifully carved of smoky topaz, the eyes of each are set with cabochon sapphires.  Collars finished with pendant drops, are gold, set with faceted sapphires of fine deep color.\nRealistic in every detail, these little sculptures are designed and executed with incomparable finesse.  They are creations of Carl Fabergé, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia, who was, as well, jeweler to nearly all the crowned heads of the European and Asiatic continents.  Fabergé, expert in the art of small figure sculpture, was noted for his ability to impart to the materials in his hands a convincingly living quality of form.\nThe topaz dogs are from the collection of the Tsarina Aleksandra Feodorovna, , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5389/2\nHandsome parasol handle of Siberian nephrite known as spinach jade, banded in red gold, encircled in diamonds.  The central portion has a connecting bow motif developed in diamonds and two cabochon rubies of fine color.\nIt was created by Carl Fabergé, renowned jeweler to the Russian Imperial Family.  Smoothly modeled and gracious in its simplicity, it is characteristic of the decoratively useful objects made by him for the late Tsarina Aleksandra Feodorovna and her daughters, the young Grand Duchesses.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/28\nParasol handle of lapis lazuli and gold in hexagonal form.  Narrow strips of gold connecting with the collar, pointed alternately with diamonds and gold relief pattern in diamond effect.  Finished with a flat end of gold, the handle is suitable for use as a seal.  It is contained in its original case of green hand-tooled leather.\nOf Russian workmanship, in the style of Fabergé, it bears the master's initials \"AK\".\nMrs. John L. Pratt\nFebruary 20, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/16\nRare, jeweled flower fantasy in the form of a water lily spray, set in rock crystal,  carved to simulate a rectangular vase filled with water.  Beautifully modeled, blossoms and buds are carved in chalcedony; stamen clusters of gold are set with rubies of fine color.  The leaves, liquid in appearance and with natural veinings, are carved in Siberian nephrite.  Grouped together, these are supported on slender stems of gold of which the lower portion of which the lower branch is fully hallmarked with the complete name of the master-designer, Faberge, illustrious jeweler to the Imperial court of Russia.  Present also are the initials of one of his leading artists, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 14kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 23, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/11\nIngenuous flower fantasy, finely detailed describing a Tibetian [sic] poppy.  Small buds and opening blossoms are fashioned in white chalcedony with peach tonings [sic].  The delicate stamens of gold, set with sapphires, cluster thickly in the fuller blown blossoms; centers are set with topaz.  Rhythmical stems rising from gold soil and finely worked sepals are in gold.  Carved in Siberian nephrite, the serrated leaves enclose the flower grouping.  A simulated tub carved in greyish-brown veined agate, is held with hoops of gold set with diamonds for the rivets.  \nAn extraordinary creation of Carl Fabergé, Imperial Russian master and illustrious designer in gems, the lower portion of the stem is hallmarked with his name in Russian; the initials of his able artist, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/4\nJeweled opium poppy, represented growing in a tub, designed by Carl Fabergé, Imperial Russia's greatest creator in gems.  Rising on sturdily modeled stalk of gold with blossom head full blown, it is delicately carved in amethyst.  A large cabochon Siberian amethyst, set in gold and red platinum, forms the heart of the blossom.  Surrounding this is a cluster of fine gold stamens pointed with diamonds.  The leaves are of extraordinary artistry.  Carved in Siberian nephrite, they follow the natural feeling of the growing plant.  The tub container is fashioned in brown-toned, striped agate.  Within this is soil of gold, and two gold hoops encircle the exterior.  Simulated rivets are diamond set.  \nThe stem is fully hallmarked with the complete name \"Fabergé\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/5\nLilies of the Valley\nEthereal flower creation developed in gems by Imperial Russia's foremost jeweler.  Tiny blossoms are delicately fashioned in quartz, with centers of gold.  Imbedded within gold soil in a container of brown veined agate, the blossoms and bands encircling the little tub are of 18kt. gold.  To this fact full hallmarks attest.  Present is the master's name \"Fabergé\"; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian [Imperial] Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/14\nDainty jeweled fantasy of a small hyacinth plant set in a little tub carved in white agate.  From the centers of the miniature blossoms of blue chalcedony appear gold stamens set with tiny emeralds.  Calyxes and leaves in realistic manner are of Siberian nephrite, and the stem isof [sic] 18kt. gold.\nThe lower portion of the stem, rising above the gold soil within a little tub, is hallmarked with the name of the master-designer, Carl Fabergé.  Present also are the initials of one of his ablest masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/12\nStalk of small asters, the blossoms carved in polished chalcedony, with gold centers, emerald set.  Calyxes are of green chalcedony, toning with the serrated leaves fashioned in Siberian nephrite.  The branch and extending short stems, joined irregularly with tiny leaflets, rise from a pot of jasper.  Wide gold bands encircle top and bottom of the container, the material of which, predominately brick-toned, shows platinum grains, throughout.  It may be noted that jasper and lapis lazuli from the Ural mountains frequently carried particles of precious metals.\nThe lower portion of the stem is fully hallmarked with the name, in Russian, of the master-creator of this little fantasy, \"Fabergé\".  Present also are the initials of one of his outstanding artists Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/11\nMiniature jeweled flower fantasy representing a rose plant imbedded in gold soil within a pot of grey-brown agate, banded in gold.  Bud-like blossoms of quartz surmount slender stalks of gold, realistically modeled in detail with thorns along their length.  Myriad small leaves in Siberian nephrite point upwards or cluster on drooping stems at the top of the container.\nThe little jeweled object, created by Carl Fabergé, eminent jeweler at the court of St. Petersburg, is fully hallmarked with his name; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/3\nRare, jeweled flower, fantasy, representing a branch of Queen Anne's Lace, imbedded within gold soil in a pot fashioned of dark red jasper, inclining gracefully to one side, the flower head is developed in platinum, pointed with diamonds on sturdy pedicels of gold.  The flower calyx is in chalcedony.  Gold stems bear small serrated leaves carved in nephrite, designed in perfect complement to the natural species.\nThe lower portion of the stem is fully hallmarked with the name \"Fabergé; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nOrange Blossom\nArticle No. RH-5380/10\nDelicately wrought flower fantasy created by Carl Fabergé, world famed court jeweler to the last two Tsars of Russia, Aleksandr III and Nikolai II.  Fashioned with consummated [sic] artistry, the buds and blossoms in chalcedony surmount a slender, curved stem of gold on which startingly [sic] realistic leaves appear, carved in Siberian nephrite.  Five of these cluster at the top and a large one is joined near the base of the stem, at the point where it is immersed in simulated water.  The little vase is ingeniously fashioned of rock crystal.\nFull hallmarks include the name \"Fabergé\"; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/5\nFigure of a heron carved in blue-gray smoky agate, with legs and splayed feet of red gold.  The eyes are set with diamonds.\nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it was executed by one of his foremost artists, Henrik Wigstroem.  The bird shown upright, in resting position, carries one wing slightly higher than the other.  Sensitively modeled, fine detail of feathers and general form is evident.  Rhythmic in line, the little sculpture is a particularly beautiful example of the designer's individuality of expression.\nFully hallmarked, it bears the full name, \"Fabergé\"; initials of his workmaster Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/4\nFigure of a \"Teterev\", wood grouse carved in black obsidian with eyes of diamonds, legs and claws fashioned in red gold.  The plump body is modeled smoothly and realistically described by restrained carving which suggests the feathered formation.  The bird is posed looking alertly to one side, with head inclined attentively and tail feathers raised.  \nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it is hallmarked with his name and initials of his leading master, Henrik Wigstroem.  Present also is the numeral \"72\", denoting the Russian standard of 18kt. gold.\nFrom the personal quarters of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/16\nFigure of a Russian bear, smoothly carved in rock crystal, in standing posture.  Modeled with rare fluency of form and subtly detailed the little animal is shown with four [sic?] paws upraised and head turned to one side.  A striking feature of this beautiful sculpture is its perfect equilibrium notwithstanding the fact that the heavy body inclines forward.\nIt was designed by that master-creator in gems, Carl Fabergé, jeweler at the court of St. Petersburg during the reigns of the last two Tsars of Russia, Aleksandr III and Nikolai II.\nMrs. John L. Pratt\nMarch 3, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH845/1\nLocket and chain of solid gold.  The locket, oval in shape, encloses a plaque of pearl-white transparent enamel inlaid on a ground in sunburst and star design, framed within a scrolled pattern.  Applied to the enamel is a raised flower of gold, the petals of which are set with three rubies and three diamonds.\nIt was designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II, and is hallmarked with the initials of his workmaster; the wreathed head of the government assay office; the initials of the silver inspector and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.  The chain of alternating smooth and etched oblong links, fashioned also by the court jeweler, is hallmarked with the initials of his workmaster \"H(?)V\".\nFrom the apartments of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Alexsandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 15, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.3531\nNineteenth century mahogany cabinet in French classic style, carved and ornamented with bronze mountings.  \"Espagnolettes\" form decorative motifs on portions of the frameworks.  Gracefully proportioned, it is fitted with removable glass shelves.\nDuring the twenty years previous to the Revolution, the style of French furniture reached a high standard of artistic excellence, both in design and execution.  This phase continued and produced a fine influence on the furniture of the next period, extending itself, as well, to the development of gracious furniture types in other countries.\nMrs. John L. Pratt\nMarch 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5454/3\nIntriguingly designed pendant in the form of a Russian Easter egg, suspended by two chains from a large loop.  Of solid gold, and fashioned to open midway on a small hinge, the six-pointed star ornamenting the top is set with a ruby and eighteen rose diamonds.\nDesigned by Carl Fabergé, Imperial Russia's greatest court jeweler, this little pendant charm was made for one of the young Grand Duchesses, daughters of the late Tsar Nikolai II.  It was found in the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5448\nUnusual, small parasol handle designed by Carl Fabergé, executed in his finest manner.  The ball top is fashioned in jade, the handle stick of gold is overlaid with blush-pink transparent enamel on a ground tooled in swag effect.  Two delicate fillets of gold, set with finely matched pearls, frame this portion.\nIt is contained in the original box of hollywood, stamped with the master's insignia beneath the double-headed eagle of royal appointment.\nOf great charm and simplicity, the little object was made for one of the daughters of the late Tsar Nikolai II.  It is from the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/12\nFigure of a polar bear carved in white granite, the eyes set with faceted emeralds of brilliant hue.  With teeth bared and head thrust forward, the animal seems to present a resistant front to some invisible enemy.  Heavy legs and paws and cumbersome body are well delineated, and the fur subtly handled.\nDesigned by Carl Fabergé, famous jeweler to the late Russian Imperial family, it was executed by one of his most talented stone carvers, Kremlev the Younger.\nFrom the apartments of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.5449\nFigure of a Dachshund carved in black Ural agate, lightly veined in red.  The little sculpture, smoothly executed and rhythmic in line, is shown in seated posture.  The eyes, set with diamonds, glisten in the finely modeled head and convey an expression of keen awareness, as well as that of patient watchfulness.  An appealing note is found in the left forepaw: the deep hued agate in which the entire body is carved, assumes a definite toning here, and the forefoot, consequently, is of grayish-tan color.\nDesigned by Carl Fabergé, Old Russia's illustrious jeweler for Tsars Aleksandr III and Nikolai II, and made for the Dowager Empress Marie Feodorovna, this is one of his exceptional animal sculptures.  It is contained in the original box of hollywood, velvet and satin lined, and stamped with the insignia of the royal jeweler beneath the double-headed eagle of royal appointment.\nFrom the apartments of the Dowager Empress in the Anitchkov Palace.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/8\nCrouched figure of a cat gracefully carved in white transparent Ural stone, the eyes set with faceted sapphires.  There is a feeling of concentrated watchfulness in the rhythm of the body.\nIt was designed by the celebrated jeweler to the late Tsar's family, Carl Fabergé, and was executed by his able stone carver, Kremlev the Younger.\nFrom the collection of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5409/25\nGraceful figure of an ostrich, realistically carved in Siberian striated [sic] brown agate, with eyes set with emeralds and legs modeled in gold.  It stands on a plinth of giallo marble.  The body is beautifully executed in full detail.  Feather formation follow [sic] the natural veinings in the stone and the neck, rising arched, developed in the lighter-toned portion, is etched to show the smallest feather form.  \nIt was created by Carl Fabergé, world-famed jeweler to the Imperial family of Russia, court jeweler and designer in precious substances to nearly all the royal houses in Europe and Asia.\nMrs. John L. Pratt\nJune 1, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nROOSTER\nTiny, exquisite figure of a Rhode Island Red rooster, carved from a piece of veined gray and brown agate.  The natural coloring of the stone is admirably suited to representing the coloring of this famous chicken.  Each of its eyes is set with a sparkling diamond, and its feet are delicately fashioned in solid gold.\nThe rooster was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented young sculptor, Kremlov.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nJADE COUPE\nMagnificent cylindrical coupe wrought from a single piece of spinach jade.  The vessel is supported on a tripod base formed by three powerful sea horses [sic], superbly modeled in gold and silver.  A pierced gold band, displaying a design of dolphins and set with cabochon rubies and sapphires, rims the top.  Surmounting the domed cover of jade is a gold trident, beneath which is the head of Neptune, two female heads and a cabochon ruby and sapphire.\nThis distinguished objet d'art was designed by Carl Faberge, celebrated court jeweler to Nikolai II and is hallmarked in Russian with his full name; the initials of his workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; the number \"88\" indicating a fine quality of Russian silver; the device of the St. Petersburg assay office, crossed anchors and scepter; and the original order number of the court jeweler, 2017.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm in the form of a bear, carved from real opal, suspended from a gold link.  He is standing on four paws and his eyes are set with cabochon rubies.\nThis little animal was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm of a bear exquisitely carved from real amethyst and suspended from a gold link.  He is standing on his hind legs, and his eyes are set with small cabochon rubies.  \nThis charm was designed by the celebrated court jeweler to Nikolai II, and executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVASE\nSmall, oval vase carved in brown and white veined Ural agate.  The bowl is separated from the skirted foot by a band of finely matched turquoise set between two fillets of repousse [sic] gold.\nThis exquisitely graceful object was made in the Imperial Grinding Factory in Peterhof.  This factory was owned and operated exclusively by the court.\nFrom the quarters of Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold decorated with vertical sections of transparent ruby enamel, separated by fillets of transparent pearl enamel.  Each section has a dainty leaf design, giving the decoration a Persian feeling.\nIt is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nCharm in the form of three tiny Easter Eggs, suspended from a bar.  The eggs are of chrysophrase, agate, and reconstructed turquoise, while the gold bar is set with three cabochon rose tourmalines, alternating with two pearls.\nIt was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and is hallmarked with \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head of the government assay office (indistinct).\nFrom the quarters of the Grand Duchess Anastasia Nikolaevna, youngest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual charm in the form of an Easter Egg.  It is made up of two halves of Siberian amethyst, separated by a band of faceted rock crystal and held together on an axis of gold.\nIt was created by the celebrated court jeweler to Nikolai II, Carl Faberge, and the gold link is hallmarked with the initials of his assistant master \"PK\", and the number \"56\" denoting the equivalent of 14 kt. gold.  Since it was originally brought from Russia into France, it bears the French inscription mark \"ET\".\nFrom the apartments of the Grand Duchess Tatiana Nikolaevna, second daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nMiniature Easter Egg designed as a pendant charm, of gold-on-silver, the surface hand-tooled.  The swam motif modeled in relief, encircled within a modeled form, ornaments one side.\nLoops from which it is suspended are hallmarked, but the devices through years of wear have become less distinct.\nDesigned by Carl Faberge, court jeweler to the last two Tsars of the Romanov Dynasty, it is fashioned like those which he made expressly for the young Grand Duchesses, daughters of Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg pendant of gold, set with sapphires and diamonds in a connecting design resembling three medallions suspended from triangular ribbon pieces.\nIt is surmounted by two loops, one of which is hallmarked (indistinctly).\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold, decorated with transparent sapphire blue enamel over a field of delicate guilloche [sic] work.  It is set with a large diamond on one side and a small one at the bottom.\nThe loop is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nSILVER VASE\nVase of hand-wrought silver in Empire style, designed by the celebrated court jeweler to Nikolai II, Carl Faberge.  Standing on three claw feet, its sides are decorated with as many antique Russian coins, one of Empress Anna, dated 1712, one of Peter III, dated 1762 (he was the husband of Catherine the Great and ruled only one year), and one of Catherine the Great, dated 1764.  The bowl is outlined with a tiny twisted motif, while the upper rim is in acanthus leaf design.\nIt is hallmarked with the full name of the court jeweler, \"2K. Faberge\" beneath the double-headed eagle of royal appointment; the initials of his assistant workmaster \"AW\"; the number 88 denoting the quality of Russian silver; and the wreathed head device of the government assay office.  It also bears the jeweler's original order number #24066.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nINK WELL\nMagnificent inkwell of spinach jade, gold, silver and transparent enamel in the classic Empire style characteristic of many of the finest works of Carl Faberge, Russian court jeweler.  The base of Siberian nephrite is smoothly modeled down straight sides and under surface.  The collar of champ-leve [sic: champlevé] pearl -white enamel on a guilloche field designed in undulating effect is rimmed in gold motif.  Heavy gold swags in in the same feeling depend from this over the top surface of the bowl.  The hinged lid is vibrant with champ-leve [sic: champlevé] amethyst and pearl-white enamel in alternating bands, on guilloche fields identically designed with the collar.\nWithin the lid of gold-on-silver appear the hallmarks which include the Russian name of the master creator, Faberge; the Russian initials of his workmaster, F. Afanasaiev, the number \"88\" denoting the quality of Russian silver; and the wreathed head device of the government assay office.\nThe object is from the famous jade collection of Agathon Faberge, illustrious son of the jeweler, known throughout Europe during the Imperial regime as one of the greatest gem experts of the world.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOCKET\nUnusual ball-like locket made from choice Siberian lapis lazuli and mounted with corded lattice work in gold.  Opening in half on a hinged lid, one side is equipped with a hinged glass miniature frame.\nThis locket was acquired from the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold and enamel created by Carl Faberge[sic], eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  The egg-shaped top has a field of guilloche work applied with mauve champ-leve [sic: champlevé] enamel, favorite color of the Tsarina Aleksandr Feodorovna.  This is decorated with a spiral effect of diamonds, terminating in a large diamond at the top.  The wide neck of yellow champ-leve [sic: champlevé] enamel is banded by two fillets of diamonds and is mounted with swags of green and red gold tied with diamonds.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold in graceful tapering shape, created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II, Carl Faberge.  The sides and top are divided into five sections of rose champ-leve [sic: champlevé] enamel, with moss agate effects, over a field of guilloche work, and outlined in white enamel, each centered with a diamond.  The crown of the handle is rimmed with diamonds, and the top is set with a large diamond surrounded by small ones.  The neck, also of rose enamel banded with diamonds, is applied with criss-cross leaf motifs, each set with a diamond.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBULLDOG\nFigure of a bulldog cared in obsidian and designed by Carl Faberge, eminent jeweler to the Imperial Court of Tsars Aleksandr III and Nikolai II of Russia.  The dog's brilliant eyes, each set with a diamond, and his life-like expression, are a lasting tribute to the genius of Faberge.  Around his neck is a white enameled, gold collar from which is suspended a tiny bell.\nThe loop on the collar is hallmarked with the initials of Heinrich Wigstroen, successor to Mikhail Perchin as Faberge's [sic] leading master.  It also bears the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head device of the assay office.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle fashioned in 18 kt. gold, applied on a guilloche ground with long panels in champ-leve blue enamel.  Separations between these, and collars circumscribed top and base, are patterned in small flower and leaf effect, the motifs executed in transparent ruby and emerald enamel.  A faceted diamond is set in the circular top and this is enclosed within the three tones of transparent enamel bordered in gold.\nThe object was created by Russia's eminent court jeweler, Karl Faberge, famous throughout the world as the greatest creator in gems of modern times.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest masters, Henrik Wigstroem; the numeral \"72\" denoting the Russian standard of 18 kt. gold; wreathed head device of the government assay office; and the Russian initials \"YL\" of the government inspector.  Present also is another assay device, nearly obliterated through wear.\nFrom the Imperial Russian Collection.\nNumber 5450-6\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nLong parasol handle of spinach jade, gold, and enamel.  The smoothly formed top is finished with a wide collar of red and green gold applied with opaque white enamel and red-carnelian champ-leve enamel on a guilloche undersurface.  This is rimmed in fluent wreath effect in the characteristically classic manner of its maker, Karl Faberge, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.\nThe object is hallmarked with the Russian initials of one of the master's artist-assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nNumber 5625-11\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nRhythmically shaped parasol handle of finely carved jade, mounted in solid gold and set with numerous diamonds in leaf-veining effect following the movement of the carving.\nIt was made by the Court Jeweler to Tsar Nikolai II, Karl Faberge, outstanding craftsman of the last fifty years, and illustrious court master to the late sovereign and his father, Aleksandr III.  His full name appears on the object, together with the initials of one of his foremost masters, Mikhail Perchin.  It is also marked with Faberge's original order number, #1225.  The handle is contained in the original white hollywood box.\nFrom the apartments of the Tsarina Alexandra Feodorovna, wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber #E23\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nGLOBE\nTerrestrial globe fashioned of remarkably clear topaz, intricately carved with a map of the Earth and its great divisions.\nIt rests on a solid gold tripod, nested in the base of which is a compass.  The frame-stand is encircled with a wide gold rim band engraved to show the units of longitude reckoned 180 degrees East to West or 15 degrees to the hour, the months of the year inscribed in Russian, and the corresponding signs of the Zodiac.  \nPoles are represented by small gold markers engraved with the hours of the day, and these attach to the latitude indicator measuring the distance on the earth's surface northward and southward from the Equator.  Hinged to this is the terrestrial Meridian index.\nA rarity even among the exceptional objects of fantasy and the bibelots created by Karl Faberge, illustrious Court Jeweler to Tsars Aleksandr III and Nikolai II of Russia, the piece is hallmarked with the initials \"EK\" of the master's leading goldsmith, Edward Kollin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre, device of the St. Petersburg assay office.\nFrom the Imperial Russian Collection.\nNumber 5550-1\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nDainty, rectangular frame of gold-on-silver with mauve champ-leve [sic: champ levé] enamel on a guilloche field, in basket weave design.  The oval aperture is rimmed in a fillet of gold set with pearls.\nThe frame, bordered with a continuous laurel leaf design in green gold, and delicately enhanced by the subtle color it encloses, is wrought in the finely characteristic style of the master.\nThe object is signed with the full name, in Russian, of Karl Faberge, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  Frequent also is the number \"88\" for the Russian quality of silver; the Russian initials of Faberge's assistant master, Mikhail Perchin; device of the St. Petersburg assay office, crossed anchors and sceptre; and the jeweler's original order number #57700.\nThe object is backed with ivory and has an easel as well as a hook for hanging.\nFrom the apartments of the Tsarina Alexandra Feodorovna , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber RH1698-100\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSY\nBeautifully composed spray of pansies, featured in rock crystal, fashioned to represent a small vase filled with water.  On a single stem of gold, three branchlets [sic] divide, each topped with a blossom carved in golden-hued and carnelian agate.  Petals, engraved with simulated veinings,[sic] curl realistically, held by calyxes of gold, and centers are set, each with a diamond.  Nephrite leaves group mainly along one long branchlet,[sic] reaching toward the light in their ascent.\nKarl Faberge, Russian court jeweler to the last two sovereigns of the Old Empire, created the little fantasy.  It bears his name in Russian; initials of one of his ablest assistants, Henrik Wigstroem; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and an assay device, in all likelihood that of St. Petersburg, now obscured.\nNumber 5509\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVERBENA\nDainty flower form created by Karl Faberge, Imperial Russia's most illustrious designer in gems.  Fashioned as a small verbena plant, the tiny blossoms are carved in chalcedony and white quartz, the centers pointed with diamonds.  These are joined to the gold stem by pedicels of gold.  Leaves are in Siberian nephrite.  The little tub, within which the plant is imbedded in gold soil, is of brown veined agate.\nLower portion of the stem is fully hallmarked with the complete name of the master in Russian, \"Faberge\"; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-6\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBUTTERCUP\nJeweled flower fantasy of buttercups with three blossoms fashioned in translucent yellow agate, with stamen centers, diamond set.  Rising on graceful, slender stalks of gold, their serrated leaves, carved in Siberian nephrite, thrust upward through the gold soil in a container of Siberian lapis lazuli.  This rests on a square plinth of white jade.\nThe lower portion of the stem is hallmarked in full with the complete name, \"Faberge\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the number \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLILIES-OF-THE-VALLEY\nDelicately wrought lilies-of-the-valley with blossoms in translucent white chalcedony with gold centers, drooped on long stems of gold, from the base of which rise leaves in nephrite.  The little fantasy rests within rock crystal fashioned to represent a vase filled with water.\nThe object was created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  It is fully hallmarked at the base of the stem with the master's full name in Russian, \"K. [struck through] Faberge\"; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and the initials \"HW\" for Henrik Wigstroem, one of Faberge's ablest workmasters.\nNumber RH5380-9\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPRIMROSE\nGraceful flowering primrose branch rising from a rectangular vase carved in rock crystal.  The container is designed in such a manner that it has the appearance of being filled with water.  Full blown flowers are in carnelian-toned agate, stamen clusters of gold surrounding brilliant centers set with diamonds.  The leaves, carved with rare finesse are in Siberian nephrite, and stems are made of 18 kt. gold.\nKarl Faberge, Imperial Russia's greatest court jeweler, designed the extraordinary fantasy.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nRH5413-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nHUMMING BIRD\nExquisitely carved figure of a humming bird with extended wing, resting on a high perch.  It was created by Karl Faberge, world-famed court jeweler to Aleksandr III and Nikolai II of Russia.\nFormed in smoky-toned translucent agate, the little figure is modeled with simplicity and fine attention to necessary detail of feathers and expression.  The eyes are set with diamonds.  The perch on which it rests is of 18 kt. gold, the horizontal bar being finished at either end with a cabochon sapphire and a circlet of diamonds.  Where the verticle [sic] rod joins purpurine base, banded and footed in gold in characteristic style of the master, it is encompassed by a collar of opaque and transparent enamel in white and pale tangerine.\nRendered indistinct through the years, are the hallmarks which appear on the under rim of the base.  These include the numeral \"72\" denoting the Russian standard of 18 kt. gold; and the initials \"HW\" for the Court Jeweler's notable workmaster, Henrik Wigstroem.\nThe composition known as purpurine is associated, if not entirely, at least most closely with the work of Faberge.  It was he who discovered the process whereby the fusing of porcelain and glass resulted in the extraordinary rich, red color.  The substance results, more often than not, although in a few of the rarest pieces, such as the one described above, the composition is smooth.\nNumber RH5408-14\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nDACHSUND [sic]\nBeautiful, detailed figure of a dachshund, created by Karl Faberge, illustrious court jeweler to the monarchs of Europe and Asia, and especially to the last two Tsars of Russia.  It is carved in fine, brown agate.\nEach movement of the little body, subtly expressed, contributes to the whole rhythmical form.  The eyes are set with cabochon rubies.\nNumber 5478-5\nMrs. John L. Pratt\nJanuary 10, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG PENDANT\nImperial Russian Easter Egg pendant carved of pink orletz, known as eaglestone, found in the Ural mountains.  It is mounted in gold with an abruptly bent loop pinioned to either side of the top.  Through this passes a second large loop for hanging.\nCreated by Karl Faberge, illustrious court jeweler to the last two Tsars of Russia, it is hallmarked with the initials \"AD\" of one of his workmasters, and with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nIt is from the collection of the Grand Duchess Marie Nikolaevna, third daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5625-3\nMrs. John L. Pratt\nJanuary 24, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCOIN\nLarge commemorative medallion heavily wrought in silver, featuring Queen Victoria of the British Empire on its cover with the inscription \"Victoria Regina Imperatrix\" – Victoria, Queen and Empress.  The back is modeled in relief with figures of Greek mythology, and with shields of the continents massed on the lower edge entitled \"Asia\", \"America\", \"Europe\", \"Austral-Asia\", and \"Africa\".  Marvelously fashioned to conceal all but a vestige of the device by which the hinged lid opens, the piece contains two oval miniatures of Queen Alexandra and King Edward VII of England as Princess and Prince of Wales, hand-painted on ivory and framed with elaborate mounts of gold.  These include the plumed crown of the Prince of Wales and ribbons bearing the inscription \"Ich Dien\" – I Serve, motto significant of the Hanoverian line of the British Royal House.  \nThe cover of the piece is marked with the initials of the artist, \"JEB\".  It is of English workmanship and was made by the firm of \"George Edward \u0026 Sons\", Silversmiths by Appointment to the British Court.  It is contained in the original red velvet case.\nNumber 5450-17\nMrs. John L. Pratt\nJanuary 31, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG\nImperial Easter Egg of rose quartz.  It was polished in the Imperial Grinding Factory in Peterhof which was founded by the Empress Elizaveta Petrovna.  At the larger end is found a magnificent star similar to that of a star sapphire.\nIn Imperial Russia the Easter Egg was of the greatest significance, symbolizing as it did the Resurrection and beginning of life and hopefulness.  During the festival of Easter, the year's greatest elaborate and simple eggs were given by all orthodox believers.\nThis egg of rose quartz was the property of Grand Duchess Olga Nikolaevna, oldest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye, [sic] Selo.\nNumber RH-5332-17\nMrs. John L. Pratt\nFebruary 6, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVIOLET\nJeweled violet fashioned in 18 kt. gold, the diamond-centered blossom naturalistically textured with an overlay of matte enamel, leaves wrought in Siberian nephrite.  Resting in its vase of rock crystal carved to represent a tiny tumbler filled with water, the flowerette [sic] inclines gracefully on its slender stem as if borne to one side by the weight of its petals. \nMady [sic] by Karl Faberge, illustrious court jeweler and in the master's best style, the little fantasy bears the assay mark of London in which city it was found.\nNumber 5756-19\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nPendant charm in the form of an Imperial Easter Egg of gold, applied with champ-leve [sic: champ-levé] ruby enamel on a surface tooled to represent a leaf form, and alternating sections in ultramarine blue enamel.  The four portions are banded with diamonds crossing at the underside and fashioned at the top with a double loop for hanging.\nMade by Karl Faberge, the larger of the loops is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and initials \"BF\" of one of the master's assistants.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent the most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-4\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nDelicately worked Imperial Easte[r] Egg charm of fete-ui mounted in gold and set with diamonds and rubies.  Describing a shower of tiny flower blossoms, small traceries in the precious metal depend rhythmically from a central repousse form at the top.\nTwo loops for hanging are hallmarked with the device of the workmaster \"MP\" for Mikhail Perchin, assistant of the illustrious court jeweler, Karl Faberge; and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nExquisitely hand-wrought small double picture frame of a thin solid slab of Siberian nephrite mounted with motifs of the Empire period.  Above the rectangularly cut apertures, enframed in pearls, is a long floral swag developed in several tones of gold and set with cabochon rubies.  The central design shows a graceful  flower basket which depends from a triple bowknot.  A similarly fashioned classical design with long pole terminating with the traditional pineapple suggestion, is centered with a flowing ribbon.  The squared openings are backed in mother-of-pearl, and the little piece rests on an easel wrought in gold-on-silver.\nCreated by Karl Faberge, it is fully hallmarked with the master's name in Russian; with the numeral \"88\" denoting the standard of Russian silver; the wreathed head device of the government assay office; and Russian initials \"YA\" of the official inspector.\nNumber 5777-8\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nTABLE BELL\nSmall table bell of red gold, designed in cupola form with tapering oval handle.  \nSole ornamentation consists of horizontal ridges which encircle the entire piece.  Producing a musical note as it strikes the side of the bell, the clacker is modeled as an elongated drop.  \nThe little piece was fashioned by Karl Faberge, jeweler to the last two sovereigns of Old Russia, and is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and with the initials of one of the master's assistant goldsmiths.\nNumber 5839-12\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame of a solid slab of translucent jade, mounted in two tones of gold with ornamental border and radiating stripes from an inner oval framework.  Containing the photograph of the small daughter Ireene of Prince Felix Youssopoff, it is exquisitely worked in the best style of the great court jeweler, Karl Faberge.  Mount designs include small four-petaled open blossoms, a twisted cabling and an alternating concantenate [sic] border within the outer edge.  \nDesigned with an ivory and gold back for resting on a table or hanging, the piece is hallmarked with the initials of one of the master's leading assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.\nNumber 5839-9\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nTiny double, gold frame, hand-wrought with incised stylized borders and a tooled ground on which is applied transparent pearl-white enamel.  It contains portraits of Tsar Nikolai I of Russia in uniform, decorated with various orders of knighthood, and his wife, the Tsarina Aleksandra Feodorovna who also wears one of the star orders of the Empire.  Each of the sovereigns is portrayed wearing the blue ribbon of the Order of St. Andrew.  Finely executed, these are set off by interior oval frames in the manner of the border.\nThe object rests on a gold easel and is backed in ivory.\nNumber 5840-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame fashioned to contain a miniature.  Hand-wrought in gold and applied on a guilloche field with transparent enamel in rich cobalt blue, the outer frame is developed in two tones of gold with a running border of leaves, and the inner fillet is bordered in pearls.\nThe piece, made by Karl Faberge, jeweler to the last two Tsars of Russia, is finely hallmarked with the master's full name in Russian; with the initials \"MP\" of one of Faberge's ablest associates, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of St. Petersburg.  The object bears as well the original order number, 58898.\nIt is backed in ivory and provided with a gold easel rest and a loop for hanging.\nNumber 5808-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nKOVSH\nCommemorative kovsh, smoothly modeled in red gold, featuring the Imperial double-headed eagle in diamonds on the prow.  Engraved within the border, fine old Russian stylized motifs are incised on the highly polished surface.  In the base, engraved within a heavy laurel wreath in repousse, a five ruble yellow-gold coin of Catherine the Great bears the Empress' portrait and, on the underside, the date \"1776\".  \nThis rare objet d'art was created by Karl Faberge and executed by his leading gold master, Edward Kolin.  Underside of the prow [lined through] handle bears, together with the jeweler's original order number #4297, the following hallmarks: the initials of the workmaster; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.  \nNumber 5756-18\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCHICK\nBaby chick, skilfully [sic] carved in richly-toned rose jasper with feet modeled in 18 kt. gold.  The eyes are set with cabochon rubies.\nCreated by Karl Faberge with fine expression of form and subtle line, this little object exemplifies the perfection of detail and ingenuous appeal which the master brought to the art of stone cutting.  \nFully hallmarked, it bears the number \"72\" denoting the Russian equivalent of 18 kt. gold; wreathed head of the government assay office; initials \"TL\" of the government inspector; and initials of the workmaster \"HW\" for Henrik Wigstroem.\nPresent also is the original blue enameled number, G21632, under which it was inventoried in the Gatchina Palace.\nNumber 5791-10\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg finely wrought in gold, hand-tooled and overlaid with orchid-pink champ-leve[sic: champ-levé] enamel and set with diamonds and a cabochon emerald.  Fashioned in panelled [sic] form, with diamond bands separating the enameled portions enhanced each by a stylized spray of gold laurel, the cabochon gem stone is featured in the based enframed [sic] in diamonds.\nIt was designed by the celebrated court jeweler, Karl Faberge.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nHandsome Easter Egg pendant of gold designed with oval medallions mounted with minute flower forms.  These, pointed with pearls and diamonds, are enhanced by vibrant enamelling [sic] in grotto green and old red.  Opaque white borders each of the four medallions.  The base is finished with a tiny pearl and the top with two loops for hanging.\nMade by Karl Faberge, both of these bear hallmarks including the numeral \"56\" denoting the Russian equivalent of 14 kt. gold and insignia, obscured, of the workmaster.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-5\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg charm designed as a locket to open by means of pressure on the tiny diamond thumb piece set in the base.  Of gold, overlaid with opaque white enamel streaked with swirls of pink to represent a rosebud, brilliant green enamel on a guilloche ground forms intricate patterns in repousse over the bud form to suggest the tendrils of a wild rose.\nIt was created by Karl Faberge, Russian court jeweler, and executed by one of his most illustrious assistants, Mikhail Perchin, who initials, in Russian, appear on the larger of the two loops.  Present also, but nearly obliterated through wear, is the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg charm of gold and sky-blue enamel set with a piece of rose quartz cut en cabochon.  Girdled with a fine gold band, the upper portion, terminating in a point, is hand-tooled beneath the enameled surface in delicate basket weave pattern.\nSurmounted with loops for hanging, the larger of the two is hallmarked with [in right margin a circle with slash through it and capital \"A\"; next text up to semi-colon appears to be lined through] the name of the Russian court jeweler Karl Faberge; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and certain other marks, partly obliterated through wear.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 6201-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOBSTER CHARM\nUnique charm modeled in gold and applied with transparent lacquer-red enamel on a tooled field, in the form of a lobster claw.  Characteristically jointed, the pincer end holds a faceted diamond in a prong setting.  It is surmounted by double loops for hanging.\nOriginally designed as a stick pin, this interesting charm was made by Karl Faberge, jeweler to the late sovereigns of Russia.\nNumber 5870-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK","LOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\nLOT #505 – ART. 6\nMARINE PAINTING ON CANVAS\n\"THE AMERICAN PACKET SHIP 'DREADNOUGHT'\nOF NEW YORK\".\nBy: James Wilson Carmichael\nENGLISH-1800-1868\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg, Va.\nFebruary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nMINIATURE IN FRAME\nSmall, round, gold frame by Faberge, wrought in exquisitely delicate form and ornamented with haut-relief floral swags, a spray of laurel and a graceful bowknot.  It contains a beautifully painted miniature on ivory of the late Queen Alexandra of England, sister of the Dowager Empress, Marie Feodorovna of Russia.  This is immediately enframed [sic] within a rim of red cisele [sic] gold, and an outer gold rim is finely engraved to finish the piece.\nProvided with a modeled gold easel and with a loop for hanging, the little bibelot of backed in ivory held by gold screws.\nIt is one of the characteristically superior works of the famed Russian court jeweler, Karl Faberge.\nFrom the collection of Prince Youssopoff.\nMrs. John L. Pratt\nFebruary 26, 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nFLORENTINE RENAISSANCE BUST\nLorenzo the Magnificent gave to the period of the Renaissance such impetus and encouragement that they served as the brush [??] which [??] the renewed interest in Classical Art.\nLorenzo had his faults, but his love for gems and jewels was less a fault than a talent, for he gathered together one of the finest collections of carved stones and exquisite jewelry ever to be owned by one man, and because he was a collector of Classical Art, others imitated him and followed his example, thus creating a market for the lapidary and goldsmith's work which has never been equalled. [sic]\nA development from this effort to create unusual pieces of jewelry and decorative objects was the use of large baroque pearls in their natural form.  The jeweler eagerly bought these pearls and after recognizing in one the body of a swan, in another the torso of a man, or, as in the figure of the warrior, a well-molded [?] helmet, he proceeded to make a design that completed the picture which his imagination visuallized [sic] with the pearl.\nIt is interesting, therefore, in contemplating the beautiful statuette of the warrior, that the helmet-shaped pearl was in all possibility the inspiration for the subject.\nWe do not know for what aristocrat it was made; we simply know that only a man of fine taste and great wealth could have commanded such a piece from his artisans and that the latter were among the best of the Renaissance period.\nThe best is that of a bearded Greek warrior carved from a large matrix emerald, showing fine detail in portrayal and in execution; on the head the warrior wears a gold helmet covered with the pearl and topped with a winged dragon; the bust stands on four golden snails [??] and is brightened about the [??] with rose diamonds.  The plinth is of topaz quartz carved in cameo [??] with heads of warriors and a philosopher.\nThis piece was formerly a part of the well-known Henry Walters Collection.\nLillian Pratt\nJanuary, 1945","Transcription: \n[double-headed eagle]\nArticle #5324\nA nine-paneled, hinged screen closes to form this exquisite egg of solid gold.  Surmounting it is the symbol of Christianity, a pelican feeding her blood to her young, rising gracefully from a golden nest.  The pelican is enameled in pastel tones – the wings and eyes being set with diamonds.  On each panel is a painting by Zehngraf, on ivory, showing various institutes of which the Dowager Empress Marie Feodorovna was the patroness.  A fillet of gold, with an inner rim of pearls, frames each scene.  On the reverse side, reading from left to right, the panels are inscribed as follows:\n1 – \"Zenia Institute, founded in 1894\".\n\"Nicholai Orphanage, founded 1837\".\n2 – \"Patriotic Institute, founded 1827\".\n3 – \"Smolni Institute, founded 1764\".\n4 – \"Ekaterina Institute, founded 1798\".\n5 – \"Pavlov Institute, founded 1798\".\n6 – \"St. Petersburg Orphanage of Nicholai, founded 1837\".\n\"Elizabeth Institute, founded 1808\".\nA center panel which serves as an easel for the egg when opened is chased on one side with a grouping symbolic of the arts; and on the other side with a motif suggesting knowledge.  When closed, the egg shows an elaborate design in Empire style and bears the inscription \"Visit the vineyard and you will also live, 1797-1897\".\nThe gold stand has four columns surmounted with crowned eagle heads and finished with claw feet.  Between the columns is an interesting design made up of crossed arrows and laurel leaves.  This gift, contained in its original red velvet case, was created by the celebrated court jeweler to Nicholai II, Carl Faberge, and hallmarked with his full name; the initials of his leading workmaster Michael Perchin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the government assay office.\nIt was presented to the Dowager Empress by her son, Nicholai II, Easter 1897.\nMrs. J. L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nTABLE\nOval tea table of mahogany with mirror and fine silver chased mountings.  A small oval tray, with pierced marquetry can be raised or lowered by regulating a latch beneath the table.\nThe silver mountings were made by the celebrated court jeweler to Nikolai II, Karl Faberge, and are designed in his typical Roman staff and ribbon motif.  The table itself was made in Paris by Escalier De Cristal, whose name is burned in the bottom.\nFrom the personal quarters of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5454","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle Nos. 5523-5524\nPair of icons depicting Saint Savior and \"Our Lady of Iberia.\"  They are painted on wood in warm coloring with artistically wrought trappings of gold on silver, set with Ural stones.  The Greek symbols on either side of the halos signify Jesus Christ and Mother of God respectively.\nThey were made by the court jeweler, Karl Faberge, master craftsman and designer and are all marked with his full name beneath the Double-headed Eagle of Royal Appointment, and the figures \"88\" which denote a very high quality of Russian silver.  The icons are backed with cerise velvet and are contained in the original boxes of Holly wood, lined with silk and velvet and are also marked with the name of the court jeweler.\nThese icons were made for the last Czar, Nicholai II, and were found in his quarters in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5846\nIcon of hand-hammered gold on silver depicting Saint Maria, Saint Nicholas, the Wonder Worker, and Saint Alexander Nevsky.  God the Father is represented in the Heavens above.  The oval frame is mounted at the top with the Holy Dove.\nThe icon was presented to the Czarevitch Nicholai Alexandrovitch, eldest son of Alexander II, who died before his father, thus permitting his younger brother, Alexander III, to succeed to the throne.  On the back of the icon is engraved: \"To His Imperial Highness, The Sovereign Heir, Czarevitch Nicholai Alexandrovitch, in honor of his confirmation, 1859.  8th of September.  This heartfelt offering from the Master of Silversmiths, Vasily Fedotov Ilyia, made by his own hand.\"\nFrom the quarters of the Dowager Empress Marie Feodorovna.  Bears the Alexander Palace inventory no. ADM 94735 A.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A68\nExtremely rare icon pendant with gold on silver mounting.  The medallion is very delicately hand-hammered and inlaid with richly colored enamel representing the Saint Savior Enthroned.  The Greek symbol of Jesus Christ appears on either side of the halo and the opened book bears the invitation \"Come Unto Me etc.\"  The frame is composed of hundreds of pearls. On a separate medallion above is engraved the Holy Vernicle.  The back of the pendant is engraved with the symbols of Jesus Christ.\nFrom the Prie-Dieu of the Czarina Alexandra Feodorovna, wife of the last Czar, Nicholai II, in the Imperial Chapel of Feodorovna at Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A105\nIcon of unusual shape, hand-hammered, chased silver.  Represented are Saint Nicholas in the center, Saint Alexander on the left and Saint Alexis on the right.  These were the patron saints of the last Czar, Nicholai II, his wife, Alexandra, and his son, Alexis.  In the mounting are represented two Guardian Angels holding the crown, surrounded by lovely garland effects and set with green Ural stones.\nThis icon was made by the Court Silversmith, Klebnikov, and bears his full name below the double-headed eagle of Royal Appointment.  The figures \"84\" denote the Russian equivalent of Sterling silver.\nFrom the cabinet of Nicholai II in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. H3825\nUnique cheese spoon of gold on silver in grapevine design, while a crown in relief forms the end of the handle.  Below this crown appears the coat-of-arms of Prince Yousoupoff on one side and his family monograph on the other.  It was made in England, circa 1847.  From the Yousoupoff Palace on Moika Canal in St. Petersburg.  \nThis Prince will be remembered for the prominent part he played in the assassination of Rasputin, the monk who wielded such influence over the last royal family of Russia.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nEaster Eggs\n1. Emerald enameled egg, presented by Czar Nicolai II to his mother, The Dowager Empress Maria Feodorovna, in 1912.  The Empire design of the egg was to commemorate the 100th anniversary of the war of the fatherland against Napoleon.  The folding screen of miniatures, which fits into the egg, shows the regiments of which she was honorary Colonel-in-Chief, which regiments were active in War of 1812.  \nHeight including stand, 7\".\nDiameter, 4 ½\"\nScreen opened measures 2 ½\" x 12 ¾\"\n2. Ruby enameled egg presented by Czar Alexander III to his wife Czarina Maria Feodorovna in 1893.  Has four miniature views of the Caucasian mountainside, and their son, Grand Duke George who had to live in high altitudes due to his ill health.  \nHeight 6\" including stand\nDiameter 3 ½\"","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nIMPERIAL RUSSIAN EASTER EGG\n*1896*\nPresented by the Tsar Nikolai II to his wife, the Tsarina Aleksandra Feodorovna, at Eastertide in the year of their Coronation in Moscow, the magnificent Imperial Easter Egg is rock crystal and gold inlaid with rare champleve enamel and set with gems is one of the monumental works of the illustrious Russian Court Jeweler, Karl Faberge.  One of the fabulous forty-nine jeweled Easter gifts in the form of eggs symbolic of New Life, Resurrection and Hopefulness, received by the Empresses Maria Feodorovna and Aleksandra Feodorovna at the height of the Easter Festivals, the rock crystal egg is surpassed by no other one of the artist's creations, and it is said that neither is it equaled in purity of form and adroit workmanship by any of the other jeweled eggs.\nFashioned in a block of rock crystal hollowed to remarkable thinness, banded in diamonds and translucent emerald enamel, it is surmounted with a twenty-seven carat Siberian emerald cut en cabochon and pointed.  It is mounted on a pedestal of gold inlaid with brilliant varicolored enamel wrought in a series of monograms of the recipient as the Princess Alix of Hesse-Darmstadt before her marriage, and later as Aleksandra Feodorovna, Empress of Russia.  Above these appear diamond crowns of the respective royal houses, and narrow diamond borders enframe the spheroidic steps of the pedestal which rises from a circular stepped base in rock crystal.\nWithin the egg, twelve handpainted miniatures on ivory, signed, by Zehngraf, framed in gold and controlled by the emerald at the apex, revolve on a gold columnar axis.  These, of the royal residences in Germany, England and Russia associated with the life of the Tsarina, include views of palaces in and near Darmstadt, Hesse, such as the Neue Palais at Darmstadt and Kranichstein in Hesse; Rosenau, Coburg; Balmoral and Windsor Castles and Osborne House in the British Isles; the Winter, Anitchkov and Aleksandr Palaces of Russia.\nFully hallmarked, the object bears the master's name in Russian, the Russian initials \"MP\" for Mikhail Perchin, one of Faberge's chief assistants – himself a creative artist in precious metals and a person of singular ability; the numeral \"56\" which is the Russian equivalent of fourteen karat gold, and the crossed anchors and sceptre device of the St. Petersburg assay office.\nThe overall height of the rock crystal Easter egg is 9 ¾ inches.  It is contained in the original case of velvet, lined in satin and stamped with Faberge's insignia.\nLillian T. Pratt\n[Small typescript note attached]\nNOTE: SEE PHOTOGRAPHS OF MINIATURES IN INSIDE OF CRYSTAL BALL OF RUSSIAN IMPERIAL EASTER EGG.  THE WRITING ON THE BACK OF THE PHOTOGRAPHS WHICH GIVES LOCATION OF THE RESIDENCES IS SAID TO BE THE HANDWRITING OF QUEEN MARY.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Osborne House, Isle of Wight, England, and on the right is Neues Palais, Darmstadt, Germany.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Schloss Wolfsgarten, near Darmstadt, Germany, and on the right is Windsor Castle, near London, England.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Anichkov Palace, St. Petersburg, Russia, and on the right is Winter Palace, St. Petersburg, Russia.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Jagdschloss Kranichstein, Darmstadt, Germany, and on the right is Fortress Coburg (Veste Coburg), Germany.","Transcription: \nPhotograph of the daughters of the Czar Nicholai II in a silver frame made by Faberge, the court jeweler. The blue cross signifies the order of St. Andrew. From the Alexander Palace.","Transcription: \nLinen handkerchief with wide border of brown and blue elephants. Hemstitched and embroidered with monogram of Marie Feodorovna, Dowager Empress of Russia. From the Anitchkov Palace.","Transcription: \nSolid gold column. Decorated with a fine wreath design in green gold with a laurel wreath carrying the suspended miniature of Nicholai II surmounted by a crown set with diamonds. Presented to the Czarina Alexandra Feodorovna on her birthday in 1907 by Nicholai the Second. Made by court jeweler Fabergé.","Transcription: \nSilver plaque presented to the Dowager Empress Marie upon completion of a church built to commemorate the miraculous escape of the entire Royal Family, when the royal train was wrecked. Inventory no. 23677","Transcription: \nIcon delicately painted on wood and mounted with a silver trapping set with seed pearls in Byzantine design, on a background of green enamel. \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The Commandment of the New Day - \"Love Thy Neighbor as Thyself\". It is backed with red velvet. It was made by the court jeweler Fabergé whose name it bears. It is marked with the figures \"88\" which denotes the highest quality of Russian silver. From the quarters of Nicholai II in the Alex. Palace, Tsarskoye Selo. Inventory no. 12-31-33.","Transcription: \nSilver Teapot, bears the crown and monogram of Alexander III. Made in 1891 by Michelson of Copenhagen, Danish court jeweler. From the Gatchince Palace. No. 6136","Transcription: \nHeart-shaped box, made by the famous court jeweller - Fabergé -","Transcription: \n[Crown]\nMARLBOROUGH HOUSE\nS.W.1.\nDear Mrs. Pratt\nI am commanded by Queen Mary to convey to you Her Majesty's grateful thanks for the travelling clock which was a gift from Queen Victoria to Princess Alix.  The Queen very much interested to have it and touched that you should have given it to Her.  The Clock will be put among family relics.\nYou will have read of the terrible motor accident Her Majesty has been in.  I am thankful to say she is getting over the effects wonderfully well, it is amazing that the Queen was not seriously injured and indeed that no one was badly hurt.\nYrs sincerely \nConstance [?] Gaskell\nMay 27 39","This series is comprised of information about Pratt's estate after her death on July 21, 1947. The estate tax return outlines the extent of her entire estate, including the varied philanthropic bequests and funds she had arranged. Detailed inventories of the estate list her belongings by category. One of the paintings lists was annotated by a local appraiser, Virginia Clarke Taylor, denoting which paintings were \"antiques\" or not. Finally, there are many price tags from other non-Faberge purchases she made over the years. Most are from the New York department store B. Altman and Company, and detail her acquisitions of silver, lamps, fabric, vases, paintings, and other decorative items.","The series is divided into three subseries: Series 3.1: Tax Information, 1947; Series 3.2: Inventory, 1947, undated; Series 3.3: Other Furnishings, 1932, undated.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nSpecial Order\nDept. 93\nOrder 26583\nTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO \nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 149322","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 159619","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nB. ALTMAN \u0026 CO.\nSALON of Antique Furniture\nAnd Works of Art\n#101/4062/D\nAntique Cork\nCut Glass\nComport [sic: Compote]\n$155.00","Transcription: \nGallery of Antiques\nAnd Collectors Pieces\n#353/13122\nDescription\nSilhouette Painting on\nGlass\nPrice $65.00 [crossed through, replaced with $35.00]\nB. Altman \u0026 Co.\nFifth Avenue New York","Transcription: \nB. Altman \u0026 Co.\nS 1108\nFinest Milanese\n17th Century\n1 yd 31 in\nfor\n95.00 [crossed through]\n78.00 [crossed through]","45 00","Transcription: \n[Front]\nTreasure Trove\nNo 16/640\nTerracotta Urn\nPrice 150.00 [crossed through]\n85.00\nB. Altman \u0026 Co.\nNew York","[Back]\nB. Altman \u0026 Co. New York\n60\n25.00\nOver Treasure Trove tag","Transcription: \n[Front]\nNo. 94/203\nBRONZE URN\nPrice 395.00 [crossed through]\n300.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] \nBack of Treasure Trove tag with B. Altman \u0026 Co. New York tag \n45.00","Transcription: \n[Front]\nNo. 94/407\nBRONZE BUCKET\nPrice 350.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag with sticker B. Altman \u0026 Co. New York\n50.00","Transcription: \n[Front]\nNo. 100/14\nJADE LAMP W/ SHADE\nPrice 225.00 [crossed through]\n165 –\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 100/101\nLAPIS LAZULI LAMP \u0026 SHADE\nPrice 375.00 COMPLETE [crossed through]\n225.00 [crossed through]\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 139/10211\nPOMPEIIAN BRONZE TRYPOD [sic]\nPrice 265.00 [crossed through]\n180.00 [crossed through]\n35.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag, Sale","Transcription: \n[Front]\nNo. 139/12015\nPOMPEIIAN BRONZE VASE\nPrice 275.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag [$45.00?]","Transcription: \n[Front]\nBloor Darby Long Tom Vase over 100 years old\nB. Altman \u0026 Col. New York\n[Back] Altman Lamps tag","Transcription: \n[Front]\nOld Colebrookdale Vase made in England\nB. Altman \u0026 Co. New York\n[Back] Altman lamps tag","Transcription: \nT 52\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. 13 /B – Odd\nPrice 14.00","Transcription: \nT 52A\nM 98\nB. ALTMAN \u0026 CO.\n63/2398\n[Sheff Repe ?] Candlesticks 1 Pr\nPrice [46.00?] P R","Transcription: \nT 52-A\nB. ALTMAN \u0026 CO.\nS 93C\n191\n16\"\n11.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nS93C\n191\n16\"\n11.00","Transcription: \nT52\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 97/5043\nColor\nPrice 82.50","Transcription: \nT52\nA4 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 2127\nPrice 70.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nW5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor Special\nPrice 40.00","Transcription: \nT52\nA 93\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 44718\nColor TL\nPrice 50.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52-A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/034F\nMade in London\nYear\nBy  Mug\nPrice 145.00 [lined through], 95.00 [lined through], 50.00","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7514\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 150.00 [lined through], 85.00, 42.50\n[Back]\nDEPT 75 X B","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7515\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 110.00 [lined through], 65.00 [lined through], 32.50\n[Back]\nDEPT 75 XB","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7524\nMade In London\nYear 1813\nBy\nTea Pot\nPrice 130.00 [lined through], 90.00 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7545\nMade in 1776\nYear Geo III\nBy\nBasket\nPrice 150.00 [lined through], 80.00 [?], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7547\nMade in London\nYear 1773\nBy\nSugar Basin\nPrice 120.00 [lined through], 75 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7555\nMade in\nYear Geo III\nBy 1767\nPr. Candlesticks\nPrice 200.00 pr. [lined through], 120.00 [lined through], 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 319/2182\nMade in\nYear\nBy Pair\nSheffield [lined through] Candlesticks\nPrice 275.00 [lined through], 200.00 [lined through], 100.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld English Sheffield Plate\nNo. 321/140\nArticle Pr Adam Candlestks [sic]\nPeriod Sheffield\nPrice 425.00 [lined through], 210.00 [lined through], 100.00","Transcription: \n[Front]\nNo. 12/953\nLustre\nPrice 225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 written over \"B\"; 725 in margin]\n[Back]\nTreasure Trove","Transcription: \n[Front]\nNo. 12/953\nLustre\n225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 and 725 written on front as well]\n[Back]\nTreasure Trove","Transcription: \nNo. 12/989\nCrystals\n$650.00 Pr.\nB. Altman \u0026 Co.\nNew York\n[Back]\nTreasure Trove","Transcription: \nTreasure Trove\nNo. 97/5043\nCIG. BOX\nPrice 225.00 [lined through]\nB. Altman \u0026 Co.\nNew York\n[R829 written over company name at bottom]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n5203\n25.00 [lined through]; 5.40 [?] 2 Doz. [?]\nCluny \u0026 Bohemian Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n[company name written over with 1 Doz. [?]]\n10346\n85.00 [lined through]; 30.00\n[?]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n1 Doz.\n10640\n28.00 [lined through]; 15.00 [?]\nBruges Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11370\n¬all\n85.00 [lined through]; 30.00","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11696 1/2\n65.00 Dz. [lined through]; 24.00 Doz. [?]\nRt [?] Milan Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n12875\n55.00 Dz. [lined through]; 18.00\nPt. [?] Milan","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n13698\n145.00 [lined through] all; 42.00","Transcription: \nB. Altman \u0026 Co.\nNew York\n165.00 [lined through]","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 150.00","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 145.00","Transcription: \n[Front] Miller \u0026 Rhoads\nRICHMOND, VA.\nNo. 393B2\nMfr. C1004 – C3004\nArticle Junior\nPrice Lamp Complete\n17.95\n[Back] W. \u0026 J. Sloane\n47th \u0026 5th Ave\nN. Y. City","Transcription: \n[Front] Antiques\nReproductions\nDecoration\nLord \u0026 Taylor\nFIFTH AVENUE, NEW YORK\n[Back] CLASS E-10  \nSEA 0 \nLOT 2212\nFramed English Sampler\nPRICE $95.\nLength – Width – Height","Transcription: \nOld Silver\nTray\nHall Marked\nLondon 1817\nWm. Elliott\nJ.E. CALDWELL \u0026 CO.\nPHILADELPHIA","Transcription: \nSauce Boat\nHall Mark\nLondon 1763\nMakers\nJ. Parker \u0026 E. Wakelin","Transcription: \nM106\nMcCutcheon's\nUpholstery Dept.\nS91\n35.00 [lined through]; 14.50\n37 over 5502over T.A.C.M.","Transcription: \n[Front]\nPatt. 236\nSize 2 7[?] x 5 \nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 236\nSize as \nSeason S","Transcription: \n[Front]\nPatt. 237-E\nSize 2  9 x 5  4\nQual.\nPrice 86.00 [lined through]\n[Back]\nLot 237-E\nXS as \nSeason K","Transcription: \n[Front]\nPatt. 243\nSize 2 10 x 5 6\nQual.\nPrice 235.00 [lined through]\n[Back]\nLot 243\nX S as \nSeason H [?]","Transcription: \n[Front]\nPatt 286\nSize 3 4 x 5 10\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 286\nX S as \nSeason S","Transcription: \n[Front]\nPatt. 295\nSize 2 2 x 5\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 295\nX S as\nSeason K","Transcription: \n[Front]\nPatt. D1215\nSize 9 x 11\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D. 1215\nSize as\nSeason M","Transcription: \n[Front]\nPatt. D.1234\nSize 9 x 11 5\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D.1234\nX S as\nSeason P","Transcription: \n[Front]\nPatt. D. 1361\nSize 2 6 x 4\nQual.\nPrice 250.00 [lined through]\n[Back]\nLot D. 1361\nX S as\nSeason T","Transcription: \n[Front]\nPatt. D. 1369\nSize 2 7 x 6 8\nQual.\nPrice 675.00 [lined through]\n[Back]\nLot D. 1369\nX S\nSeason W","Transcription: \n1353\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\nand Richard Sibley\nEM9","Transcription: \n1353B\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\n\u0026 Richard\nSibley\nRRM","Transcription: \n4537\nPair\nOld Sheffield\nwine coolers\ncirca 1800\nRGG","Transcription: \n[Front]\n307\nColor\nWidth\nPrice $28.50\n[Back]\n#427","Transcription: \nKEA\nOld English\nSheffield Plate\nArticle pr. Candlesticks\nNumber 2398/L\nPeriod Circa\n1850","Transcription: \n[Front]\n10679\nGeo. III\n[lion \u0026 unicorn]\nAntique Sheffield Plate\nMade in\nENGLAND\nA.D. 1800\nBy\nWeight\n[Back]\n#10679\npr. three-light\nCandleabra [sic]\nFluted and \nGadroon border\n16 ½\"","Transcription: \n301/7523\nGeo. III\nDesert [sic] Set\n18 K. + 18 F.\nPrice 340.00 [lined through]; 200.00 [lined through]; 100.00","Transcription: \n[Front]\nN. 2886\n[Back]\nROYAL WORCESTER","Transcription: \n2002\n$20.00 (b)\nGeorgian\nMA","Transcription: \n[Front]\nPatt. 1244\nSize 8 10 x 11\nQual.\nPrice 1750.00 [lined through]; 500.00\n[Back]\nLot D1244\nX S as\nSeason R","Transcription: \n[Tag 1 Front]\nNo. of Sale\nNo. of Rug 39032\nLength 20 feet 3 inches\nWidth 13 feet 4 inches\n[Tag 1 Back]\nTurfbaff\n[Tag 2 Front]\nSOLD\nName Pratt\nSalesman\nDate 2-26-32","Transcription: \nS. \u0026 G. GUMP CO.\nSAN FRANCISCO, CAL.","Antique French miniature musical watch and vanity box in the form of a butterfly. Exquisite variegated colored enamels have been imposed on the gold body.\nThis box was a gift from Louis XVI to the Chinese Emperor Chien Lung.\nFrom the collection of the late Mrs. Mabel L. Gump.","S. \u0026 G. GUMP COMPANY","This series is comprised of the few clippings that were found in the collection. As none of these particular clippings were mentioned in the correspondence directly, it's possible that they did not originally belong to Pratt. The photographic copies of some of the articles were obviously made much later, but were retained as they may have been copies of articles Pratt once kept.","Transcription: \nThalhimers cordially invite you to view this extraordinary exhibit of Royal Russian Treasures","This remarkable assemblage of Russian treasures were collected by two intrepid young Americans, Dr. Armand Hammer and his brother, Mr. Victor Hammer. It's the first important collection to come out of Russia since the Revolution. Be sure to see it. ","All Articles are for Sale\nRoyal Crown Jeweled Objects\nIcons from the 15th Century\nAntique Fabrics and Brocades\nCopes and Chasubles\nSilver, Porcelain and Glassware","FIFTH FLOOR","Thalhimers","Transcription: \nCzarist Treasures to Be Seen In the Lobby of Jefferson Hotel","Part of $500,000 Collection Is Removed From Thalhimer's Store Under Heavy Police Guard; Interesting Relics Attract Attention","Czarist treasures, including personal possessions of Catherine the Great, a bracelet of \"Titiana,\" the young grand duchess murdered by the Bolshevists, and pictures of the Grand Duke Boris, \"handsomest officer of the Imperial Russian Army,\" were taken yesterday from the main collection at Thalhimer's and placed on exhibit in the lobby of the Jefferson Hotel. Although only a small portion of the 500,000 collections, which has been on exhibit at the store during the past week, and may be seen there through Thursdays, was moved to the hotel. Miss Alva Lowry, who is traveling with the exhibit, was provided police protection to ensure the safety of the relics.\n[...]\nThese, however, pale into insignificance beside the main collection, reigned over by the diamond-mounted miniatures of the last Czarevitch in its lapis lazuli Easter egg. The gold-mounted diamond-studded egg wtih its contents was the $50,000 Easter gift of the last Czar to the Czarina on Easter, 1912. ","When brought to The Times-Dispatch to be photographed, the $50,000 egg was guarded by Patrolman William H. Southward, who acted as escort for Miss Lowry on the trip to the Jefferson.\n[...]","Transcription: \nNEW YORK EVENING POST. TUESDAY, JANUARY 3, 1933\nRomanoff Jewels Exhibited Here\nArt treasures of former rulers of Russias on display today. (Picture on left is by Parade Studios, Inc.)\nROMANOFF GEMS, ART SHOWN HERE\nCollection of Dr. Armand Hammer Includes Ikons of 14th Century Russia\nBy AARON MARC STEIN\nThe largest collection of jewels and other personal possessions of the Romanoffs, formerly rulers of all the Russias, ever to be shown in America, has been placed on exhibition in the Georgian Room at Lord \u0026 Taylor's. The collection will have its private showing this afternoon and will be opened to the public tomorrow. \nIkons dating back to the fourteenth century, other sacred images in which each nimbus is incrusted with gems, furniture, porcelains, brocades and the fabulous jewels that were one of the oriental or medieval characteristics of the Russian Imperial Court, are included in the collection, formed by a young American doctor who searched village market places for relics of imperial glory. \nThe doctor was Armand Hammer, M.D. It was a very new M.D. conferred on him by the College of Physicians and Surgeons of Columbia University, and the young physician set out on an errand of adventure and mercy. He organized a relief expedition which reached Russia in 1921. Civil war had hardly ended, and in the Urals Dr. Hammer found famine sweeping the country.\n[…]\nAnother of these eggs is of lapis lazuli covered with an elaborate gold filligree. Approximately the size of an ostrich egg, it is lavishly jeweled and set with a square flat diamond into which is cut the monogram of the Empress and the date. This egg was the gift of the late Czar to his wife. When opened this egg contains a double eagle set with diamonds and a miniature portrait of the Czarevitch, done in the full round. The bust portrait of the little Prince in his sailor suit is handled in a naturalistically life-like manner. \n[…]","Transcription: \nNEW YORK HERALD TRIBUNE, TUESDAY, MARCH 3, 1936\nGrand Duchess Victoria Dead; Lived as the 'Empress of Russia'\nSister of Queen Marie and Cousin of George V, Victim of Stroke Near Munich \nBy The United Press\nMUNICH, Germany, March 2.— Grand Duchess Victoria Feodorovna, wife of Grand Duke Cyril of Russia, head of the Romanoff family and self-described Czar of All the Russias, died today of an apoplectic stroke at the castle of her daughter, Princess Maria von Leiningen, in Amorbach, Lower Franconia. She was fifty-nine years old.\nThe Grand Duchess, a sister or Dowager Queen Marie of Rumania and a first cousin of the late King George V of England, will be buried in Coburg, Germany, where she and the Grand Duke have maintained a court since 1924. King Carol of Rumania and representatives of King Edward VIII and of Marie, the Queen Mother of Jugoslavia, will attend.\nTen days ago the Grand Duchess was stricken with pneumonia when she went to the bedside of her daughter, who had just given birth to a son. As soon as her condition became grave her three sisters, the Dowager Queen Marie; the Princess of Hohenlohe-Langenburg, and the Infanta Beatriz of Bourbon-Orleans, hastened to Amorbach.\nThe Grand Duke Cyril, a cousin of the late Czar Nicholas II, who was on a holiday in his retreat in Brittany, also rushed back to Germany, arriving soon before his wife's death. He telegraphed the news to the various courts of Europe. Today the court of Jugoslavia, by decree of King Peter II, ordered a month of mourning.\n[…]","Transcription: \nTHE NEW YORK SUN, SATURDAY, OCTOBER 16, 1937\nANTIQUES\nFaberge Royal Craftsman\nExamples of His Work Include Silver Service and Translucent Enamels.\nBy ETHEL WALTON EVERETT.\nA sumptuous silver tea and coffee service by Carl G. Faberge, the Russian Court jeweler, made for the Grand Duchess Alexandra Josephovna, has just been put on exhibition in the Schaffer Collection of Russia Imperial Art Treasures.\nCommissioned as a silver-wedding anniversary present, it bears the initials \"A. J.\" of the Grand Duchess and engraved facsimile auto graphs, \"Olga,\" \"Vera\" and \"Dmitri.\" In addition to samovar, drip bowl and rounded, rectangular tray; coffee and tea urns, sugar container and creamer, with large oval tray; matching items include one dozen spoons, tea strainer, lemon fork, tea scoop and sugar tongs. Every piece is of extreme grace and beauty, difficult to achieve with the classical design used.\nThe collection has a comprehensive showing of Faberge's translucent enamels, with examples of his delicate tones of palest almond green, claire de lune, lustrous \"pearly white,\" lavender, and a pale, bright color exactly like the polished birchwood for which Russia is famous. The enamel is combined with chased and chiseled gold and silver, in photograph frames of various shapes, cigarette boxes, candlesticks and other pieces, many set with jewels, and the majority having his signature.\nOne of the last named is a cigarette box of heavy polished gold, with translucent enamel of pale peacock blue, having narrow gold borders, ornamented with a delicate leaf and flower design in gem-like emerald green and ruby red. Deep royal blue and pale salmon pink are used for other cigarette boxes.\nAmong the larger enameled pieces are a pair of candlesticks claire de lune, on silver, with gold tops, bases and feet, richly chiseled, and with delicate gold swags, set with jewels. The same claire de lune enamel and harmonizing swag design appear on the handle of gold seal with the crown and monogram \"TH\" of the Grand Duchess Tatiana, with six diamonds set in the green and yellow gold decoration.\nThe seals are varied in character. Bearing the crown and \"AH\" monograms of the Czar, is one with handle of plain, polished ivory, with a very simple design in the gold band which holds the dark gray agate seal. Another is an attractive little cylinder of pure white polished crystal, with engraved crown and \"NB\" initials. The ornamentation is like a guard ring, a band of small, square rubies, between two bands of tiny diamonds. \n[Image of candlestick with enamel and gold mountings. Caption:]\nOne of a pair of candlesticks by Faberge of pale blue translucent enamel on silver with gold mountings shown by Schaffer Galleries.\n[Image of silver samovar]","This series is comprised of items related to the Pratt collection that were transferred from the Curatorial department. Items found in the object records include early photographs of items from both Hammer Galleries and the Schaffer Collection, photographs of the Russian imperial family, as well as a statement of account from Hammer and the first complete list of the collection after its arrival at the museum in 1947.","Description: \nIn a publicity shot that was circulated to newspapers, Rosamond Fulmer leans on a counter behind ten imperial Easter eggs on display at Hammer Galleries. Several icons can be seen hanging on the wall to the right behind Fulmer.","Description: \nBack of silver triptych icon with an engraved inscription within a laurel crown. Translated from the Russian, it reads: \"Blessing of the Preobrazhenskii Regiment. June 3rd, 1884. A new commandment I give unto you the ye love one another as I loved you. (St. John, Chapter 13, Verse 34)\".","Description: \nCover of silver triptych icon with a Greek cross surrounded by finely detailed leaves.","Description: \nSilver triptych icon featuring paintings of the Transfiguration in the center, St. Elizabeth standing in the left side panel, and St. Sergius of Radonezh standing in the right side panel. Each panel is surrounded by an elaborate patterned border.","Description: \nTriangular silver picture frame with geometric enamel background. Central circular cut-out is bordered in pearls and features an image of Alexandra Feodorovna.","Description: \nBack of silver diptych icon. One side has an engraved inscription that indicates that it was presented to Nicholas II and Empress Alexandra by courtiers. The other side features an elaborate scroll work design and studded with ten turquoise, garnets, and pearls.","Description: \nSilver diptych icon featuring paintings of Princess St. Alexandra on the left and St. Nicholas the Miracle Worker on the right. Each painting is bordered with pearls and the top of the icon is curved like an arch.","Description: \nRock crystal parasol handle with the head of a dog etched and enameled inside the crystal ball. The base of the handle is studded with small gemstones.","Transcription: \nAKRON STUDIOS\n232 EAST 42nd STREET\nNEW YORK CITY","TO Russian Imperial Treasures\n15 W 50th St\nAtt Mr Schaefer [sic]","Photographs - Do Not Bend","Description: \nSmall pencil drawing of a decorative stand for the Red Cross Easter Egg. It is unknown who the artist is, but the drawing does resemble the gold stand currently used by the museum to hold the egg. The rusted imprint from a paperclip can be seen at the top left.","Transcription: \n[In process]","Transcription: \n[In process]","Description: \nBlack-and-white postcard featuring a single image of the Rock Crystal Easter Egg.","Description: \nGroup portrait of 29 members of the Russian Imperial Romanov family and royal relatives from Denmark, Sweden, Norway, England, and Greece on the steps of the palace at Fredensborg, Denmark. Seven children, all dressed in white, appear in the first row, with 22 adults behind them.","Transcription: \nFamily Group taken in Bernstorff, Denmark, after the death of Queen Louisa of Denmark, in 1898.","1. Louise Princess of Sweden and Norway, wife of Crown Prince Frederick of Denmark\n2. Crown Prince Frederick of Denmark, later King Frederick VIII.\n3. Princess Ingeborg of Denmark.\n4. Queen Alexandra of England.\n5. King George of Greece.\n6. King Christian IX of Denmark.\n7. Princess Thyra of Denmark.\n8. Dowager Empress Maria Feodorovna of Russia.\n9. Prince Johann of Glucksburg (Uncle Hans).\n10. Grand Duchess Olga Alexandrovna, sister of Nicholas II.\n11. Prince Peter of Oldenburg, husband of Duchess Olga.\n12. Prince Nicholas of Greece.\n13. Empress Alexandra Feodorovna.","[Hand drawn and numbered outlines of the heads of all the people in the photograph]","14. Princess Victoria of England.\n15. Grand Duke Michael, brother of Nicholas II.\n16. Emperor Nicholas II of Russia.\n17. Prince Harold of Denmark.\n18. King Edward VII of England.\n19. Queen Maud of Norway.\n20. King Haakon VII of Norway.\n21. Princess Alexandrina, nee Princess of Mecklenbourg (Present Queen of Denmark).\n22. Christian, son of the Crown Prince of Denmark. (Present King of Denmark).\n23. \n24. \n25. Grand Duchess Tatiana Nlcolaievna\n26. Grand Duchess Olga Nicolaievna.\n28. Prince Aag of Denmark.\n29. Princess Dagmara of Denmark.","Description: \nGroup portrait of the Russian Imperial Romanov family on the desk of their royal yacht \"Standart\". Empress Alexandra Feodorovna sits in the center with Prince Alexei on her lap. Her four daughers, Grand Duchesses Olga, Tatiana, Maria, and Anastasia, and her husband, Emperor Nicholas II, stand behind her.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits in a high-backed chair outdoors in a garden-like setting. Wearing a large hat and formal dress, she looks at the camera directly, with one hand in her lap and the other with elbow bent and fingers touching her right cheek.","Description: \nPortait of the Emperor Nicholas II and Prince Alexei seated next to each other on the deck of the royal yacht \"Standart\". Nicholas holds a newspaper in his lap as Alexei seems to squint into the sun.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits on a sofa indoors. Wearing a high-necked shirt and long skirt, she looks away from the camera towards the floor, with her hands clasped in her lap. Behind her, she is surrounded by picture frames, small vases, and flowers, on shelves that continue well above her head.","Description: \nTwo young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.","Description: \nA young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young boy stares at Fabergé's Imperial Easter Egg with Revolving Miniatures, which is set on a table right in front of him. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl opens an egg-shaped ring box which contains a jewelled ring within it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.","Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918","English \n.    "],"unitid_tesim":["SC-07","/repositories/2/resources/8"],"normalized_title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray"],"creator_corpname_ssim":["Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creators_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art objects, Russian","Easter eggs","Fabergé eggs"],"access_subjects_ssm":["Art objects, Russian","Easter eggs","Fabergé eggs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"extent_tesim":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"physfacet_tesim":["723 items"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eDigitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/archives/lillian-thomas-pratt-personal-papers-sc-07/\"\u003eVMFA Collections Search website\u003c/a\u003e. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSchaffer Collection, 1934-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eHammer Galleries, 1933-1945, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eEstate, 1932-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eClippings, 1932-1937, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMuseum Records, 1936-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated"],"bibliography_html_tesm":["\u003cbibref\u003eThe Fall of the Romanoffs: How the Ex-Empress \u0026amp; Rasputine Caused the Russian Revolution, 1917\u003c/bibref\u003e","\u003cbibref\u003eConfessions of the Czarina, 1918\u003c/bibref\u003e","\u003cbibref\u003eMother Dear: The Empress Marie of Russia and Her Times, 1926\u003c/bibref\u003e","\u003cbibref\u003eThe Tragic Bride: The Story of the Empress Alexandra of Russia, 1927\u003c/bibref\u003e","\u003cbibref\u003eThe Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Intimate Life of the Last Tzarina, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931\u003c/bibref\u003e","\u003cbibref\u003eRussia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931\u003c/bibref\u003e","\u003cbibref\u003eEducation of a Princess: A Memoir, 1931\u003c/bibref\u003e","\u003cbibref\u003eA Princess in Exile, 1932\u003c/bibref\u003e","\u003cbibref\u003eTwice Seven, 1937\u003c/bibref\u003e","\u003cbibref\u003eRussian Imperial Treasures: Collection of Lillian T. Pratt, undated\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940\u003c/bibref\u003e","\u003cbibref\u003eHandbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960\u003c/bibref\u003e","\u003cbibref\u003eFabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976\u003c/bibref\u003e","\u003cbibref\u003eFabergé: Virginia Museum of Fine Arts, 1995\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed: At the Virginia Museum of Fine Arts, 2011\u003c/bibref\u003e","\u003cbibref\u003eLillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996\u003c/bibref\u003e","\u003cbibref\u003eSelections from the Lillian Thomas Pratt Collection of Jewels, 1947\u003c/bibref\u003e","\u003cbibref\u003e12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1949\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1950\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1951\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1952\u003c/bibref\u003e","\u003cbibref\u003eJewelry by Fabergé, 1953\u003c/bibref\u003e","\u003cbibref\u003eJewels by Fabergé, 1954\u003c/bibref\u003e","\u003cbibref\u003eFabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed, 2011\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Decorative Arts: Metalwork: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Pratt, John Lee and Lillian Thomas\u003c/bibref\u003e","\u003cbibref\u003eVMFA Gallery Design: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Pratt's Personal Library","Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Video","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia"],"bibliography_tesim":["The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eTwo months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.\u003c/p\u003e\n","\u003cp\u003ePratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=6519%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eFabergé: Virginia Museum of Fine 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Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine 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collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. 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Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Neue Palais Darmstadt Hesse\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Wolfsgarten near Darmstadt Hesse\" and \"Windsor Palace?\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Winter Palace\" and \"Anichkov Palace\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Kranichstein Hesse\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eThalhimer's, Richmond\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eThalhimer's, Richmond\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eWide World Photos, Inc. (NY-33541), Copyright 1937.\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eFound in file for 47.20.376\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eFound in file for 47.20.376\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","Ge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Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Neue Palais Darmstadt Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Wolfsgarten near Darmstadt Hesse\" and \"Windsor Palace?\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Winter Palace\" and \"Anichkov Palace\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Kranichstein Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Wide World Photos, Inc. (NY-33541), Copyright 1937.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). 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VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). 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VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives."],"processinfo_html_tesm":["\u003cp\u003eA large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. 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The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","This series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.","The invoices are often annotated with check numbers as balances were paid off, and dates given often refer to the handwritten notes on the invoice detailing payment history. Similarly, price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and often the date purchased. Many of the Schaffer descriptions are not dated, and while most of them can be cross-referenced with dates on the invoices, Schaffer often invoiced Pratt much later than the original purchase date, and in some cases, many years later. Finally, most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers.","The series is divided into five subseries: Series 1.1: Alexander Schaffer Correspondence, 1934-1947; Series 1.2: Ray Schaffer Correspondence, 1937-1947; Series 1.3: Invoices, 1934-1945, undated; Series 1.4: Price Tags, undated; Series 1.5: Item Descriptions, 1934-1945, undated.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nApril 14, 1934","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","My dear Mrs. Pratt,","Please forgive me for the delay in answering your kind letter of the 12th, but I was trying to trace the cause of wrong delivery, as I note that the envelope was properly addressed by you. The Mr. Schaeffer in the building should have indeed had the courtesy to forward it to me. ","I have received your note and also the book, and am sorry that you have had this unpleasantness.","I hope that my letter finds you in the best of health, and remain, with best wishes, and kindest personal regards, in which Mrs. Schaffer joins me, ","Yours very sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nNovember 19, 1935","Mrs. John L. Pratt\n\"Chatham\" Box 118\nFredericksburg, Virginia","My dear Mrs. Pratt,","I am most disappointed to hear that the cabinet is not the size that you should have. It is a pity that all your lovely objects could not be displayed without being crowded.","I will try my very best to get another cabinet for you, the size you want, and exchange it for the one you have now. Of course I cannot tell just how soon I could get one, but in the meantime you can use the one you have.","Or maybe you could find room for another cabinet which would give you a chance to display all of your lovely things without crowding them, regardless of their size. This would really be the best solution.","I am sorry you had to be annoyed paying","[page 2]","the freight for the cabinet. I gave specific instructions to send it prepaid. I have also spoken to them about packing, and I am only glad that at least it arrived safely. It is so hard to make people understand sometimes, or have them do what you want them to do.","With best wishes and kindest regards, in which Mrs. Schaffer joins me, I am","Yours most sincerely, \nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 3, 1936","Dear Mrs. Pratt,","Thank you for your check on account and your kind inquiry about Mrs. Schaffer. She is feeling fine and is at the seashore at the present. I have given her your regards and she wishes to be remembered to you. She is getting along very nicely, but of course is anxiously awaiting the great event. ","Sorry to hear about the trouble you have with your servants and hope you will be able to solve it to your satisfaction.","I have designed something myself for the little stand and am taking the liberty of going ahead with it, hoping that you will approve of it. It will be made of 14 karat gold, and will be larger than the one you had and entirely different, and will cost approximately $150.00. The only thing I am not certain about is the size, not having the egg here. I have to guess more or less from the old stand, and therefore would like very much to have the egg to take measurements. ","On second thought I don't think this will be necessary, as I expect to be in Washington next Tuesday, the 11th, when I would like to go out to your place for an hour or so, to see ","(over please)","[page 2]","your things, and at the same time I could measure the egg.","I think I could be in Fredericksburg around 2:00 P.M. and then take a train about 5:00 P.M. back to New York, unless it is necessary for me to stop over at Washington until Wednesday. ","The heat is terrific in New York, and I am so glad that Mrs. Schaffer consented to go away. ","Hoping that my letter finds you in the best of health, with kindest regards from Mrs. Schaffer and myself,","Sincerely yours,\nAlexanders S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 7, 1936","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","Dear Mrs. Pratt,","Just a line to let you know that I am planning to have an exhibit at my galleries, beginning November first, of the work of CARL FABERGE, and I thought you may be willing to loan me some of the lovely things you own. Although I really hate to put you to all this trouble, but maybe you could just have someone pack the things that you want to lend to me, and send them railway express, insured, at my expense. ","So far I have only borrowed the big Easter egg, but I do not know whether I will have anything else outside of my own things.","Believe it or not, Paul is asking about you and sends his love, in which Mrs. Schaffer joins him. ","With kindest regards and best wishes,","Cordially,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 27, 1936","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I was so glad to receive your letter, as I was worried already that you may be ill, and that this was the reason that you did not come to New York as you planned. And judging from your letter, I was almost right, but I am glad to know that it isn't anything serious, and I hope that by the time this note reaches you, you will be in perfect condition again. ","I would not think of letting you make that trip to Washington. I would much rather wait until the 3d and then you could bring the things with you. ","Regarding the Egg, you have apparently forgotten that in one of my letters I have definitely promised it to you for September, and which I meant. Although it is now October, as you see I kept my promise, except for being late, which was beyond my control. I am sorry to learn that you cannot find a way of getting it at present. However, I must tell you this – should I be successful in making a substantial sale, I shall buy it back myself and then, needless to say, I will let you have it regardless of when you could pay for it. I only hope that they do not change their minds in the meanwhile. ","I could not buy it myself presently, because I have just paid a huge amount in duties for some fine things I have bought about a year ago. If not for ","[page 2]","this, I would have probably settled the whole affair with them without even writing to you about it, because to get it back is my one ambition, and I would not worry about selling it again. I shouldn't have done it in the first place. ","With kindest regards and best wishes, and love from the family, ","Cordially,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 17, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I am very sorry you didn't have a chance to come in while you were in New York, as I have some very beautiful pieces that I know you would have greatly enjoyed seeing.","I am going abroad on Wednesday, the 23d, and will take some of them with me for a client in London. I don't know who long I will be. I hate to leave Mrs. Schaffer and the baby, but I guess I will have to.","I am carefully packing and shipping the things to you, as I have them all photographed now. I am enclosing the photographs and the histories in the package. ","With kindest regards and best wishes,","Sincerely yours,\nAlexander S. Schaffer [signed]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 21, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","It was quite a shock to learn of your illness, but we are happy to read that the danger is over, and I can't tell you how glad we are that you are back home. We do hope that you will take good care of yourself so that you will get well and strong again, and never get ill again, ever.","If I weren't going to Europe, I would pay you a visit to cheer you up by showing you some of the things, but as it is, it will have to wait. However, I will keep the choicest [underlined] for you.","Mrs. Schaffer sends her love. Paul too made some sound, whatever he meant by it. Please do cheer us up as soon as possible, to tell us that you are better as we are still worried. ","With kindest regards and wishes for your speedy recovery,","Sincerely,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: ","Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 10, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt, ","It is good to know that someone else thinks as much of the baby as we do. I was glad to see that you have noticed how much he changed. It is quite true he is not a doll any more, but a boy, and does not look like either of us especially. ","I am glad you kept the two pins. The one in question is a spinel ruby and not a garnet. I received the pink one today. ","I am sending to you today by railway express, insured, a few very choice pieces, of which I am enclosing the tags. I know that you will have great pleasure in seeing them and sincerely hope that you can manage to keep some.","Trusting that my letter finds you greatly improved (you didn't say anything about it in your letter), with kindest regards and best wishes from the whole family,","Sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","September 1, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your letter and check which I have received today.","I was glad to read that you like the photos of the baby.  He is a little imp but he is adorable.  I know you will like him. He does look like his mother I think.  Both send their love.","The raspberry red gold mounted box that you mention, you already have in your collection.  I have sold it to you before you went to Egypt and had it repaired during your absence.  That is the only one I can think of.  At any rate, I only have three Faberge pieces in raspberry red enamel in my whole collection.  One is a little match case.  One is a little perfume bottle and one is a seal.","However, I am glad that we had this little confusion about the boxes, because at least it gave you an opportunity to see the little yellow enamel box which you decided to keep.","I am looking forward to seeing you soon.  With kindest regards and best wishes, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","October 7, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","We are very much relieved that you have found the box.  I would have felt miserable otherwise.","I am enclosing the bill and the histories of the objects you have taken with you.  In this bill is included the yellow enamel box which I have sent to you previously, and the two presentation icons that I am sending to you today by Railway Express, insured against all risks.  Please let me know whether they reach you in good condition.","I hope that the trip to New York did not tire you too much, and that I will have the pleasure of seeing you very soon again.  I was sort of hoping that you could find time to see Paul, but I guess you just could not manage.","Trusting that my letter finds you in the best of spirits, with kindest regards and best wishes from both of us, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","P.S.  Mrs. Schaffer seems to think that you wanted the panagia with the jasper cameo of Christ.  Please let me know whether I should keep it for you, as I myself am not certain.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","May 11, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia ","Dear Mrs. Pratt,","I am sorry for not answering your letter before this, but a freak accident kept me away for a few days.  While moving furniture around at home, I dropped a small but heavy table full of books on one of my toes.  It was quite painful, but I am glad to say that I think nothing serious will develop now.","I am so sorry to read that you also have not been very well.  I know it is not as easy to do as to say, but one should try not to let things upset one.  Ones health is more important than anything else.  At least I am trying to practice what I preach even if I do not always succeed.","I sincerely hope that conditions will improve very soon now, which would make it so much easier for all of us.  This depression did hit everybody I think.  It's worse than in 1932, because now one cannot buy anything, yet it is very hard to sell or to collect money. At least in 1932, even if it was hard to sell, one could buy fine things at reasonable prices, and eventually good things always find a market.","Of course I would not dream of taking interest from you for the money you owe me.  I am convinced that if you could pay more than $500 a month, you would, and if you cannot, I certainly will wait rather than let you sacrifice any of the things that I know you love so much.","Looking forward to the pleasure of seeing you soon, with kindest regards, I am","Very sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","August 1, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","I was most sorry to hear that you were ill, and I am glad to know that you are up and around again. Please do take care of yourself. Remember, we need your help for Paul's wedding. ","It is remarkable how time flies! He is growing every day and you will find that he is not the little baby you have seen. Of course, we still think he's very sweet and lovable. ","We are on the beach and would enjoy it very much except that there's a plague of mosquitoes which is not very pleasant, but we hope that they'll disappear soon.","With kindest regards and love from the family,","Sincerely,\nAlexander S. Schaffer \n[signature]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","November 2, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\n \nDear Mrs. Pratt,","Thank you for your letter of the 1st and check on account.  I am glad that business is on the upswing.  It's about time – we all need it, and with the war scare behind us, we may be looking forward to better times.","Have you seen on page 219 of the October Connoisseur the editorial about my topaz Fabergé vase?  I know you will be thrilled to see it, but the description will give you some idea of its beauty.  If you haven't this copy, I have an extra one and will be glad to send it to you.","Paul and Mrs. Schaffer send their love.  You should hear him talking – a mile a minute – and most of the time we don't know what he's talking about.","I hope the weather there has been just as nice as it has been in New York, although I think it might be better for business if the cold weather would set in.","With kindest regards,\nSincerely yours,\nA.S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 15, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I have just received your letter of the 14th, and hasten to let you know that the egg arrived safely.  Before I forget, my home address is: \n117-01 Park Lane South\nKew Gardens, L. I., N. Y.\nBuilding A, Apartment 2-B.","I am sorry you cannot afford to keep the red and emerald egg.  Would you kindly return the parchment #2753?  I must have misunderstood about the jade chest egg.  I am enclosing an itemized bill as requested.","The silver tray will be packed and shipped to you as soon as possible, and if I haven't sold the necklaces before the end of the year, I will return them to you.  I think I told you that I sold the bracelet and the icon.","With kindest regards and very best wishes for a happy Christmas and New Year, in which the family joins me,","Sincerely,\nAlexander S. Schaffer [signed]","ASS:RS\nP. S.  The parchment just arrived.  Thank you.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 30, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","We have just finished packing and will be out by tomorrow.  Let's hope it is all for the best!","We both want to thank you for your good wishes, and to express our sincere gratitude for having had the good fortune to acquire a friend like you.","We do hope to be able to see you every now and then.  If we go down south, we might even surprise you for a short visit.  (should we decide to drive).","With kindest regards, and very best wishes for the truly happiest New Year you have ever had, and with love from the family,","Sincerely,\nAlexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:RS","Transcription: \n[In process]","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","\nNovember 21, 1945","Mrs. John Lee Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","Please forgive me for not answering your letter of the 14th at once, but I wanted to receive the articles before writing to you.","I am enclosing a receipt for them.  They all arrived in good condition including the flower.","Regarding the Globe Flowers, there was one stem without jade leaves. That is the way it was made.  It is all complete so you needn't worry about it.","I am glad you like the little blue velvet stand.  I am indeed sorry that you could not manage to visit us during your last visit.  I do hope you can do so when you come again.","With kindest regards and best wishes, I am,\nCordially yours,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ENC.\nASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","June 4, 1946","Mrs. John L. Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","The man who bought the Faberge Easter Egg which you always said you should have bought and which you didn't because I discouraged you, was in today.  He wants to sell the Egg for $12,000.00, federal tax included.","He claims that someone else also wants to buy the Egg, so I decided to let you know at once in case you are interested.  He is not in need of money so I think you could have about six months in which to pay for it.","Please do not misunderstand me - I don't want to be a salesman in this case but you did mention several times how sorry you were that you didn't buy it.  Therefore, I do want you to have a chance to do so if you are still interested.","With kindest regards and best wishes, I am,\nSincerely,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, L.I.\nNew York","February 3, 1942","Dear Mrs. Pratt,","Many thanks for your very kind letter and check on account.","Well, we still haven't left New York, but if all goes well, should be on the way in a few days.  Unless I write in the meantime, I think it would be best to send your next check to Kew Gardens.","Alex has been away for a few days rest.  He should be back very shortly, but I didn't want to delay writing to you.","The children are very well.  I have a new governess for them, and that's one of the reasons it's taken us longer to get away.  I didn't want to take them with us, as it would have been too much for them, and no rest for anybody, and I couldn't leave them until I was absolutely sure that everything was running smoothly at home.","I hope that we'll be seeing you soon.","Peter and Paul send their love, as do I.","Sincerely,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, N. Y.","April 24, 1942","Dear Mrs. Pratt,","Thank you very much for your check and letter.  I do appreciate it.","My husband just went away for a few days to recuperate, as he is still not up to par.","Yes, the place that you saw near the Sherry-Netherland is where we have given our collection for sale, but so far they have sold few of our things.  People seem to think however, that things will improve.  Let's hope it will be soon.","Love from us all,","Cordially,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","July 5, 1942","Dear Mrs. Pratt,","Many thanks for your nice letter and check on account.","We just moved last Monday so I'm sure you can visualize how busy I've been and will forgive me for not having written before.  Please overlook the stationery too, as I'm not even all unpacked!","The children love it here and are thriving.  I hope it will do Alex lots of good too, as he certainly needs it.  He's still been very jumpy!  As for me, I love it.","I hope you are taking good care of yourself and keeping well.","Love from us all,","Ray Schaffer","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","Copy","Dec. 4th '45","My dear Mrs. Schaffer – ","Herewith my check for two hundred eighty-five dollars in full payment of account.  When you acknowledge please mention the amount, and that it is in full payment for my files.  Thank you and Mr. Schaffer for your kindness.  A great weight is off my shoulders.","Tell Mr. Schaffer I will pay for the Globe Flower and paper-cutter as soon as I can.  My Income Tax on the 15th will leave me a very small balance for December.","Kindest regards, Sincerely yours,","(Signed) Lillian T. Pratt","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00","Transcription: \n[double-headed eagle] G. 3.\nRectangular miniature picture frame by CARL G. FABERGE, the Russian Court\njeweler.\nIt is executed in gold on silver bearing a ground of rose colored enamel.\nBorders of wreath design frame the enameled ground and around the opening for a picture is enclosed with beadwork.\nBears a piece of beveled plate glass to cover the picture and is paneled with ivory.\nSigned \"FABERGE\".\n$300.00\nFrom the Youssapoff Collection.  Originally it was presented to the Princess Youssapoff by the Empress Maria Feodorovna.","Transcription: \n[double-headed eagle] G. 5.\nMiniature picture frame by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.\nConcentric fluted gold rims separate these areas.  The jade is of a dark spotted green and in contrast to it a pale mauve enamel is employed everlaid [sic] by an interweaving green-gold wreath.\nAt top a ribbon with bow and loose ends is fixed bearing a ruby in the center.  It is mounted with a gold easel.\n$275.00","Transcription: \n[double-headed eagle]\n#G. 8.\nA miniature icon by CARL G. FABERGE, the Russian court jeweler. \nIt is in the form of triptych and very simply on the exterior is paneled with a dark wood bearing a four-petaled catch centered by an emerald.\nIt opens to disclose a solid gold interior. The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls. The yellow-gold ground bears arabesques of the filigree and studded at significant points in the design are emeralds, rubies, sapphires, and diamonds. \nThe central panel frames \"The Resurrection\". Against a dark background the figure of Christ appears holding aloft a pennant. His form radiates light and in the foreground two angels kneel. It is an extremely small painting even for a miniature but is complete in every detail. \nAt top there is the Russian cross studded with emeralds and rubies. \n$1500.00\nThe inscription is as follows: \nLeft panel: \"Resurrection of Thine, O Christ, Savior, about which the Angels sing in Heaven.\nRight panel: and we on Earth try to be worthy to glorify Thee.\"","Transcription: \n[double-headed eagle] #G. 13.\nDome-shaped jade push button by CARL G. FABERGE, the Russian Court jeweler.\nIn the classic French style adapted by Faberge, the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut ruby set in a nine-petaled mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and following in this style is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three short feet in the form of rococo scrolls.\n$650.00","Transcription: \n[double-headed eagle] #G. 14.\nGold-mounted jade calendar device by CARL G. FABERGE, the Russian Court jeweler.\nIn the form of a rectangular piece of dark translucent green jade it is designed in his classic manner and mounted with gold-gilt back and easel.\nAt the top swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center two oval openins [sic] bear red enameled mounts which have the numbers for the day of the month and these are changeable each day by clicking the buttons on either side. \nBelow on a set of gold gilt plaques the months are engraved and held in place by red enamel and moonstone mounts.\nSigned \"Faberge\".\n$1200.00","Transcription: \n[double-headed eagle] #G. 16\nLarge jade Easter egg mounted in gold gilt silver by CARL G. FABERGE, the Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold gilt silver, and bearing ruby catches with which to open it.\n$450.00","Transcription: \n[double-headed eagle] #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #23\nVery fine gold and silver frame beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth.  Signed and dated 1909.  (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is designed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\n$240.00","Transcription: \n[double-headed eagle] #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana, her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler, \"Fabergé\", by whom it is signed.  The back is of ivory.\nFrom the personal belongings of Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 2354.\n$240.00","Transcription: \n[double-headed eagle] #38\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.  \nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 1955.\n$60.00","Transcription: \n[double-headed eagle] #73/44\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n$120.00","Transcription: \n[doubleheaded eagle] #75.WM\nCream leather frame with beautiful gold tooling and crown, top center, containing a photograph of the Grand Duchesses Olga and Tatiana. [from \"containing\" on, words are scratched through]\nThe frame was made by A. Peterson at St. Petersburg, by appointment to the Czar of Russia.\nFrom the Winter Palace, where it was catalogued under #430/2.\n$36.00","Transcription: \n[double-headed eagle] #86\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and siver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n \"Blessing from the Monastery of St. Martyr and Healer Panteleimon on the Sacred Mount Athos.  To His Imperial Highness Heir Apparent and Czarevitch Grand Duke Alexis Nicholaievitch for Divine Assistance and Protection.  October 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\n$1,000.00","Transcription: \n[double-headed eagle] #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and 9 saints in miniature as follows:\n1 - St. Peter – Metropolitan of Moscow\n2 – St. Alexis -     \"                 \"          \"\n3 – St. Ivann -      \"                 \"          \"\n4 - St. Prince Michael\n5 – St. Boyard Theodor\n6 – St. Dimitry the Blessed\n7 – St. Vasily the Blessed (In whose name the famous church in Moscow was built by Ivann the Terrible.  The church upon completion was so beautiful, that the Czar, fearing that it might be duplicated, had the architect blinded.)\n8 – St. Michael the Martyr\n9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears a nameplate which reads as follows:\n\"To His Imperial Highness Czarevitch and Grand Duke Alexis Nicholaievitch from the Nobility of Nijni Novgorod.\"  It was made by \"Chlebnikoff\" (By Appointment to the Russian Royal family.)  It is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\n$3,500.00","Transcription: \n[double-headed eagle] #477\nVery lovely cane holder, of crystal, with fine enameling, and gold mounting, and studded with diamonds.\nMade by the famous court jeweler \"Faberge\" (By Appointment to the Czar of Russia.)\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Czar Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #479\nVery beautiful rock crystal parasol handle mounted in beautifully chased gold and enameled in soft shades of blue and studded with two rows of oriental pearls.\nMade by the famous court jeweler \"Carl Faberge\" (By Appointment to the Czar of Russia), who was often referred to as the Cellini of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$350.00","Transcription: \n[double-headed eagle] #480\nVery fine cane handle enameled in white.  With gold striped and two Roman tens (X), enameled in orange.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the Cellini of the 19th century.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #481\nVery fine cane handle made of Russian nephrite (jade), mounted in gold and enameled in a beautiful red translucent enamel, in spiral design.  With two rows of diamonds.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the \"Cellini of the 19th century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #509\nVery fine parasol handle of amethyst, carved with a spiral design.  Gold mounting and two rows of diamonds.  Enameled in a lovely shade of translucent pink in a woven effect.\nIt is the creation of the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia.  He was often referred to as the Cellini of the 19th century because of his unusually fine craftsmanship.  \nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$200.00","Transcription: \n[double-headed eagle] #534\nVery fine parasol handle made of a solid piece of amethyst, with most unusual gold and silver mounting.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #536\nVery fine cane handle made of Russian nephrite (jade), with gold mounting, very finely chased and hammered.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #538\nUnusual parasol handle made of Russian nephrite (jade), with very fine gold mounting in the shape of a serpent coiled around the handle.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"  \nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$150.00","Transcription: \n[double-headed eagle] #539\nUnusual red/Russian nephrite cane handle, in the shape of duck's head.  With gold mounting, enameled in green and white, and set with diamonds.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as \"The Cellini of the 19th century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in center beautifully painted portrait of \"Madonna and Child\" in enamel, and framed with filigree work which is filled with shaded enamel showing tulips and other flowers, in the center of each of which topazes and garnets alternate.\nSurmounted by crown which has two aquamarines one topaz and one garnet.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family.) Moscow.\nFrom the private belongings of Czarina Alexendra [sic] Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$325.00","Transcription: \n[double-headed eagle] #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.  The craftsmanship displayed in this piece adequately shows the reason why Carl Faberge is often referred to as the \"Cellini of the 19th century.\"\nFrom the Collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00","Transcription: \n[double-headed eagle] #1073\nExceptionally beautiful and rare [scratched out \"graphite\" and ?] jade (handwritten) frame mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frame the picture (handwritten), while on the [nephrite scratched out] jade (handwritten) margin green gold festoons are attached to reddish gold rosettes.\nA superb example of the fastidious workmanship lavished upon the small creations of Carl Faberge, celebrated court Jeweler to the Court of Russia.\nThis example aptly illustrates Faberge's unique use of the rare semi-precious stons [sic] which were found in the Russian Impire [sic].\n[Scratched through: In original Hollywood case]  From the Alexander Palace at Tsarskoye Selo.\n$750.00","Transcription: \n[double-headed eagle] #1075\nCircular gold picture frame of the most exquisite and delicate workmanship chased with a shimmering \"guilloche\" pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\n[In original case - scratched through]\nSigned by Carl G. Faberge, famous jeweler to the Imperial Court of Russia, [and who has so often been referred to as the \"Cellini of the 19th century.\" – scratched through]\nFrom the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #1078\nExceptionally beautiful gold and silver picture frame of most unusual size enameled in translucent sky-blue over a scintillating chased (guilloche) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At top laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  \n[crossed out: The frame contains a photograph portraying Czar Nicholas II and King George V of England, his cousin, and the two heirs to the throne, the Prince of Wales of England and the Czarevitch Alexis of Russia.]\nThe fine craftsmanship displayed in this example typifies the work of Carl G. Faberge, celebrated court Jeweler to the Imperial Russian Family.\nFrom the Alexander Palace at Tsarskoye Selo.\n[$600.00 scratched through] 450 handwritten","Transcription: \n[double-headed eagle] #1101\nExceptionally beautiful and rare gold (handwritten) miniature icon depicting the \"Holy Virgin and Child Enthroned\" set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top an interesting attachment is mounted with a blue sapphire while from the bottom hang a pink ruby an emerald and a pearl [last phrase handwritten].\nMounted in a beautifully designed triptych of \"Old Russian\" design. [Scratched through: lined with an ancient piece of brocade].  Hinges conform to the design of the case and are in solid silver intricately chased.\n[An \"X\" appears here, referring to where the last paragraph at the end of the text should be inserted]\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\n\"X\" - The icon bears an inscription meaning \"Save and Protect\".  It is signed by the artist: \"M. Chuknovsky\".","Transcription: \n[double-headed eagle] #1315\nVery fine miniature picture frame delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface enameled brilliant orange.  \nAt the corners of the actual opening for the picture pearls are set in while on the enamel circular wreaths are mounted together with crossed arrows.\nBy \"Carl (G) Faberge,\" celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the 19th century.\"\n$180.00","Transcription: \n[double-headed eagle] #1350\nPaper knife of richly grained tortoise shell of unusual personal interest mounted with a solid gold facsimile reproduction of the inscription: \"For Dear Alix (the Czarina Alexandra Feodorovna) from Misha.\" (Grand Duke Michael, brother of Nicholas II, the late Czar of Russia).\nFrom the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #1556\nSmall silver triangle frame by CARL G. FABERGE the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased guilloche surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a bevelled [sic] glass with the outside border in beadwork.\nBack with ivory and signed and in the original hollywood case bearing FABERGE'S name and the Russian eagle. [Last sentence crossed through]\n$350.00","Transcription: \n[double-headed eagle} #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides a diamond is inset and in the very center surrounded by a laurel wreath the Roman number \"ten\" in diamonds signifies a tenth anniversary.\nSigned by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #1576\nA pin by CARL G. FABERGE in the Egyptian style formed of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$1200.00","Transcription: \n[double-headed eagle] #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE, executed in solid gold in his French classic style.  It follows in technique the French 18th century gold snuff boxes with a ground of cobalt translucent enamel.  Unlike most of Fabergé's surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes, and is merely visible as faint rays on the enamel surface.\nAround the center there is a broad vari-colored gold band carved in a minute serpentine pattern together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg circular caps bear ten-pointed rosettes enameled in green.  The three divisions are further enhanced by the addition of 3 bands of white matte enamel dots, one of which in the center row is a tiny diamond catch.  As one opens the egg, the inscription may be seen: \"Christ is Risen\".  In the original case bearing the name \"Faberge\".\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$450.00","Transcription: \n[double-headed eagle] #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface and opens with a small pearl bordered lid having a ruby catch.\nDecorated on top with a diamond and ruby six-petaled flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #1736\nJade parasol top mounted in gold by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.  On the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #1737\nJade parasol top mounted in gold, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.  A green gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #2237\nTiny solid gold oval box, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with exerpts [sic] from the Koran.  It is surrounded by a row of diamonds.\nLike all of Fabergé's boxes, the fit of cover to box is a notable example of his craftsmanship.  Here also he has employed the hinges which appear on the finest 18th century gold snuff boxes.\n$850.00","Transcription: \n[double-headed eagle] #2238\nRare miniature Easter egg, by CARL G. FABERGE, the Russian court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise, and entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a brilliant cabochon-cut ruby.\n$250.00","Transcription: \n[double-headed eagle, no identification number]\nMiniature gold and platinum charm in the form of a bulldog.\nThe collar is gold, and the eyes are rubies, while the body is set with ten large diamonds and many smaller ones.\n$250.00","Transcription: \nRockefeller Ce [ripped] ekly\nFOR IMMEDIATE [ripped] O","Alexander S. Schaffe [ripped]\n15 West 50th Street [ripped]","Center Publications, Inc. \nNEW YORK N Y","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\n #572.\nExceptionally fine \"Fabergé\" handle, made of an unusually formed beautiful green jade, enclosed in two gold gilt bands which are chased in a simple design.  The top of the handle is studded with sixty-five various sized blue sapphires in a triangular setting.  Set on a stick of very fine tortoise shell.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934","A most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth, (Countess Brassov, morganatic wife of Grand Duke Michael.)  Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth. Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #38.\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master, \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.\nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #73/44.\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, the Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n[handwritten: 12 1/8\" hegl (?) x 14 5/8\"]","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1934\n #315.\nPorcelain Easter egg, bearing on one side the gold monogram and crown of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, and on the other, a small red cross.\nIt was the custom of the Czarina to present these eggs to wounded officers, while she served as a nurse during the World War, as a token of Easter greetings.\nFrom the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nApril 2, 1934\n #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses [sic] uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo where it was catalogued under number 1955.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nImperial Russian Art Treasures\nRockefeller Center, New York\nApril 30, 1934\n #86.\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and silver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n\"Blessing from the Monastery\nof St. Martyr and Healer\nPanteleimon on the Sacred\nMount Athos.  To His Imperial\n Highness Heir Apparent and\nCzarevitch Grand Duke Alexis\nNicholaievitch for Divine\nAssistance and Protection.\nOctober 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana [name underlined in pencil with ? following name], her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler \"Fabergé\", by whom it is signed.  The back is ivory.\nFrom the personal belongings of the Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under the number 2354.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #461\nMost exceptionally fine miniature icon (panagia), painted in enamel in very beautiful soft tones which produce a most pleasing effect.  Signed in the lower left corner.  The icon portrays \"St. George Slaying the Dragon\", the Insignia of the Romanoff family.  It is set in very fine gold and silver filigree work and is studded with rubies.\nIt is mounted in highly polished holly wood, similar to the original fitted case which is lined with satin and bears the gold stamp of the House of Fabergé, typical of the beautiful boxes that Fabergé made for his creations.  The icon is a fine example of the work of \"Carl Fabergé\", who was often referred to as the \"Cellini\" of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #462\nA most unusual enamel miniature icon (panagia), portraying \"Madonna and Child\".  It is mounted in a very beautiful gold and silver frame surmounted by crown and studded with turquoises and pearls of very good quality.\nFrom the private collection of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nJuly 28, 1934\n #463\nA most unusual enamel miniature icon (panagia), portraying the \"Madonna and Child\".  It is set in a very fine gold and silver frame inlaid with vari-colored enamel in very fine filigree work.  Surmounted by crown and studded with pearls and garnets of very good quality.\nFrom the private collection of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nSeptember 28, 1934\n #558\nA most exceptionally fine silver bunny made from life by the well-known Russian jeweler, \"Carl Fabergé\", who was often referred to as the Cellini of the 19th century.  It is made up of two sections; the head opens on a hinge, and the hollow inside was probably used for bonbons.  The eyes of are Ural rubies.\nIt is a very good example of this type of work that was made by this master craftsman.  The life-like effect and charm, as well as the characteristically fine detail, will win one over readily to the many admirers that he already has all over the world, in both royal houses and humble alike.\nThe bunny bears on the bottom a most exceptionally clear hallmark and signature \"K. Fabergé,\" surmounted by Russian Imperial eagle, the date \"1894\", and the St. Petersburg hallmark.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #150\nA most exceptional blue and silver brocade cope, with an all-over \"Baroque\" floral and leaf design woven in silver threads which will never tarnish, as they were treated with an unknown process which is today a lost art.  It is bordered with a very fine hand-made silver lace of the period.\nRussian, 18th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #309\nVery interesting gold gilt silver ice pail in the shape of a basket, executed in very fine detail, true to the fine workmanship of the well-known court silversmith, \"Ovchinnikov\", who made so many outstanding pieces for the Russian Royal family.\nIt is signed and dated 1873.  Originally in the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nChristmas, 1934\n #597\nA most unusual gold pin in the shape of a tree trunk, showing a snake coiled around the tree, hypnotizing a bird which is perched directly above.  It is chased in very fine detail of vari-colored gold which is typical of Fabergé.\nOriginally in the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJanuary 2, 1935\n #504\nVery important gold and silver vase enameled in beautiful, rich coloring, which can hardly be described.  One can scarcely distinguish the enamel from the various precious stones, such as emeralds, rubies, sapphires, pearls, etc., with which it is embellished, true to the splendor of a jewelled [sic] crown, which is incorporated in the design of the vase.\nIt is the work of that outstanding master \"Carl Fabergé\", court jeweler to the Czar of Russia, and who was often referred to as the \"Cellini\" of the 19th century.  It is one of his most outstanding creations and is signed on the bottom of the vase.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nFebruary 26, 1935\n #438\nVery fine miniature Easter egg, enameled in a translucent pink and studded with one large and two smaller sapphires and two diamonds mounted in gold.\nThe work of Carl Faberge [sic], famous craftsman of the 19th century who was often referred to as the Cellini of the 19th century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #571\nExceptionally beautiful parasol handle by Carl Faberge [sic], Court Jeweler of the Czar of Russia, often referred to as the Cellini of the 19th century.\nThis fine specimen of Faberge's [sic] art shows the ingenuity and artistry of this master craftsman.\nThe curved part of the handle, formed of a single piece of jade, is finely incised and mounted with rubies.  The main body of it, a single piece of tortoise shell, polished and tapered, is connected by a fine gold and enamel mounting.  This gold mounting, so typical of Faberge's [sic] art, is chased and enameled in a lovely translucent red, and ornamented by a fine design of festoons in yellow gold.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #760\nVery fine gold gilt silver frame beautifully enameled in a rich cobalt and decorated with a wreath.  Top surmounted by beautifully designed gold ribbon.  The back is covered with Russian birch, finished to simulate ivory.\nFrame contains well-painted miniature portraying wife of Alexander II, grandfather of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #774\nA most exceptionally fine gold gilt silver ash tray, beautifully chased and enameled in a very fine shade of canary yellow transparent enamel, supported by three ball feet; studded in the front with a beautiful round moonstone and an oval moonstone at the top of the handle.\nA fine example of the creations of the famous Russian Court Jeweler, Carl Faberge [sic], who was often referred to as the Cellini of the 19th Century.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #780\nVery fine miniature carnelian Easter Egg, studded with three small rubies and diamonds mounted in gold.  \nThe work of Carl Faberge [sic], the famous craftsman of the 19th century who was often referred to as the Cellini of the 19th Century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1935\n #818\nVery interesting white porcelain Easter egg with floral design, bearing monogram \"A.F.\" surmounted by crown, standing for Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nMade in the Russian Imperial Porcelain Factory at St. Petersburg.\nThe decoration of this porcelain Easter Egg is beautifully composed of a handsome wreath of roses going around the middle of the egg from one side of the monogram to the other.  The roses, exquisitely painted in varying shades of magenta, together with the leaves, are bound about by a blue ribbon recurring at different intervals throughout the wreath.\nThe monogram of the Czarina is finely rendered in gold laurel leaves, and with the crown, is placed in the center of an oval from which start symetrical [sic] borders in gold going around the egg.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#417.  Exceptionally fine miniature Easter egg made of lapis.\n#419.  Miniature gold Easter egg, composed of three Russian semi-precious stones mounted in gold and set with three tiny rubies.\n#420.  Miniature gold Easter egg in the shape of a cage, set with a turquoise.\n#421.  Miniature gold Easter egg engraved in a spiral design and set with a band of blue sapphires.\n#639.  Very interesting miniature Easter egg carved from a dark blue lapis lazuli\n with a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#422.  Miniature gold Easter egg, beautifully enameled in white, and bearing the red cross.\n#423.  Miniature Easter egg, made of a gray Russian semi-precious stone set on \nthe bottom with a ruby and on the top mounted with a gold leaf.\n#424.  Miniature Easter egg made of Russian pink agate.\n#445.  Miniature gold Easter egg, beautifully enameled in green, white, and red, with tiny red enamel dots on the green enamel, and decorated with gold wreath.\n#447.  Very interesting miniature gold Easter egg enameled in turquoise blue and and placed in a gold cone which is suspended from a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Maria, the third daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#425.  Gold and silver miniature Easter egg set with blue transparent enamel.  \nOpening on a hinge.\n#426.  Miniature gold Easter egg decorated with tiny bell shaped flowers, each studded with a diamond, and on the bottom a blue sapphire.\n#427.  Miniature Easter egg made of pale blue Russian semi-precious stone, mounted in beautifully chased various colored gold.\n#428.  Miniature gold Easter egg in the shape of a perfume bottle hanging from a\n chain, the lid opening and studded with an amethyst.\n#429.  Miniature Easter egg in the shape of a Russian icon lamp (lampadka), with\ngarnet in the gold lamp, which hangs from three chains.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#430.  Miniature Easter egg, made of a gray semi-precious Russian stone mounted in various colored beautifully chased gold, and studded with four rubies.\n#431.  Miniature gold Easter egg enameled in white, the upper part studded with rubies and one diamond, and in the center, beautifully chased gold\nwreath.\n#432.  Miniature Easter egg made of Russian agate mounted in various colored beautifully chased gold. \n#435.  Miniature Easter egg of Siberian jade (nephrite), decorated with a gold leaf design studded with rose diamonds and two rubies.\n#436.  Miniature gold Easter egg set with five rubies and various rose diamonds.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#437.  Miniature gold Easter egg beautifully enameled in red and white, and inlaid with gold leaves.\n#458.  Very interesting egg-shaped pearl supporting a beautifully chased gold cock which is suspended from a ring.\n#459.  Very fine miniature gold Easter egg studded with pearls and turquoises, stones divided in four sections.\n#673.  Very interesting gold gilt silver miniature Easter egg in the shape of a bee hive, studded with a green Ural stone.\n#676.  Very fine gold gilt silver miniature Easter egg enameled in soft shades of\n Russian enamel set in filigree work.","Made by the famous court jeweler \"Carl Fabergé.\"  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures \nRockefeller Center, New York\nMay 2, 1935\n#449.  Very beautiful miniature gold Easter egg nicely chased and enameled in \ntranslucent red on top and bottom; in center small squares of yellow and green enclosed in two white bands of opaque enamel.\n#450.  Very fine miniature gold Easter egg beautifully enameled in a soft shade of turquoise translucent enamel encircled with an engraved wreath which is enameled in emerald green.\n#779.  Most unusual miniature Easter egg composed of rock crystal and garnets divided in various sections with many rows of small diamonds mounted in\ngold.\n#779A. A very fine miniature Easter egg composed of an unusual star sapphire colored agate mounted in gold which is finely chased and enameled in [sic] soft shade of green and decorated with a row of diamonds.","Made by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 27, 1935 \n  #110\nExceptionally fine gold and silver Russian icon portraying the \"Holy Virgin of Iverskaya with the Child\".  The trappings, consisting of the exquisitely chased and modelled robes of the Virgin, together with the frame and borders of ancient Byzantine design, are a superb contrast to the magnificent haloes done in all the brilliant shades of the Russian enamel.  In a lovely design of filigree, the enamel combines rare shades of turquoise blue, ruby red and deep greens interspersed with white.\nWithin the recessed panel of the icon there is inscribed at top in old Russian characters: \"The Mother of God\", while within the halo of the Child, there is in the form of an abbreviation: \"From the Father Proceeds\".\nThe back of the icon is mounted with a plaque which is inscribed \"To Her Imperial Highness the Grand Duchess Tatiana Nicholaievna from the Nobility of Moscow.\"  This icon, notable alike for the beauty of characterization of the \"Virgin and Child\", together with its technical perfection in the use of gold, silver and enamel, was from her personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #888\nVery unusual penholder of the Dowager Empress Maria Feodorovna, constructed of a brilliant shaft of lapis lazuli mounted in gold and picked out with a conventionalized chasing.\nThe top is set with the seal of the Empress, consisting of her monogram \"MF\" surmounted by crown, and is engraved in a round, milky-colored agate.\nIt is a fine example of the work of \"Carl Fabergé\", the famous court jeweler to the Russian Imperial family, and who is often referred to as the \"Cellini\" of the 19th century.\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n   #893\nSmall round gold picture frame of more than ordinary beauty and quality by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family.\nThe ground of this piece chased with a shimmering pattern, is enameled translucent white and bordered with a minutely detailed wreath design in green gold on the outside.  The inside is bordered with pearls while the enameled surface is painted with conventionalized trees.\nThe back is of ivory, and it contains a photograph of Czarevitch Alexei Nicholaievitch, son and heir apparent of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #894\nSmall oval picture frame made of a deep ultramarine piece of lapis lazuli mounted on the outside with a chaste wreath design in two shades of gold.  On the inside, a border of pearls lends an air of rare quality and refinement.\nThe back is of ivory, and it contains a photograph of Maria Nicholaievna, the third daughter of Nicholas II, the late Czar of Russia.  \nIt is by \"Carl Fabergé\", famous court jeweler to the Russian Imperial family, who is often termed the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #901\nPerfectly square small silver gilt frame finely fluted and enameled in pale translucent blue.  It contains a photograph of the Grand Duchess Tatiana Nicholaiovna [sic], the second daughter of Nicholas II, the late Czar of Russia.\nIt is signed by \"Carl Fabergé\", court jeweler to the Russian Imperial family, often referred to as the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #905\nVery beautiful miniature gold Easter egg.  Chased and translucently enameled in deep Russian blue, it is finely festooned with ribbons and wreath in two shades of gold, which is so typical of the work of \"Carl Fabergé\", court jeweler to the Russian Imperial family.\nFrom the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#907, #908]\n#907.  Very lovely miniature gold Easter egg chased and enameled translucent\nwhite and studded with a beautiful yellow and a white diamond.\n#908.  Very beautiful miniature Easter egg of pink quartz.  It is encircled by a gold ring having two diamonds and two sapphires in the form of leaves attached to it.\nBoth of these eggs were made by \"Carl Fabergé\", well-known court jeweler to the Russian Imperial family, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#909, #904, #911]\n#909.  Very fine miniature Easter egg made of an unusual green Ural stone. Mounted in gold with a conventionalized flower design, it is set with three groups of three diamonds, three sapphires and three rubies.\n#904.  Very lovely gold miniature Easter egg. The upper half is chased and  enameled in translucent white.  The lower half is of gold wire.  It is mounted with a large oval sapphire and two sprigs of gold leaves.\n#911.  Most unusual miniature Easter egg made of red porphyry.  (This stone was so rare that whenever found it was always presented to the Imperial family.)  It is mounted in a beautiful gold ropework design. ","These eggs were made by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who was so often termed the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Tatiana, second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n #912\nDiamond-shaped gold pin, ornamented with the Russian Imperial Eagle, against a translucent mauve enamel ground in a chased sun-ray design.  The eagle, studded with various sized diamonds, is of very fine craftsmanship.  \nFrom the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1017\nUnusually beautiful solid gold cigarette case, elegantly embossed with sprays of leaves into which are mounted cabochon-cut rubies of beautiful color.  A ruby of the same color, mounted in gold, serves as the catch which opens the case.\nIt is signed by \"Carl Fabergé\", famous jeweler to the Russian Imperial family, who, because of his excellent craftsmanship and artistry, has often been termed the \"Cellini\" of the nineteenth century.\nFrom the belongings of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1041\nBeautifully conceived and executed miniature frame of the supreme quality achieved by \"Carl Fabergé\".  Mounted on a nephrite pedestal of pure classical inspiration, it is encircled at the top with a gold wreath mounted with rubies.  From it hang festoons of leaves minutely chased and carved out of green and yellow gold.  The gold enrichment of the base is also in two shades of gold and here is finely wrought with acanthus leaves.  The frame which is double to hold two miniatures, is enclosed with a round wreath, carved out of greenish gold and at the top is mounted with a ribbon, rubies and an oval terminal pearl.\nIt was made by the celebrated court jeweler to the Russian Imperial Court, \"Carl Fabergé\", who has often been termed the \"Cellini\" of the nineteenth century.\nFrom the Alexander Palace at Tsarskoye Seloe.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1049\nExceptionally fine and long lapis lazuli necklace composed of one hundred and ninety graduated Siberian lapis beads of an exceptionally beautiful blue.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #92\nExceptionally beautiful and rare Imperial triptych icon, designed and executed by the celebrated Russian Court silversmith, \"Ovchinnikov\", and presented by the Nobility of the City of Charcoff to the Czar and Czarina, Alexander III [sic] and Maria Feodorovna, in celebration of the twenty-fifth anniversary of their marriage.  In this example, all the ingenuity and resources of the artist were concentrated upon the workmanship of so important a piece, created to celebrate so momentous an occasion.\nOpening the icon, the central panel of sumptuous Russian design frames the exquisite portrait of the Blessed Virgin, clad in golden robes finely chased and patterned.  The Virgin is wearing a crown sparkling with the brilliance of diamonds, rubies and emeralds, against a halo of filigree and enamel mounted with ovular-shaped pearls.  The faces of the Virgin and Child are painted in miniature, and it is remarkable with what perfection the characterization and the details are rendered.  Necklaces of diamonds and rubies appear around their necks, and on the cuff of the Virgin's sleeve, a diamond star with ruby center is mounted.  The Child is also portrayed wearing the diadem of diamonds against the small halo, on which appears in Old Russian the inscription in the form of an abbreviation: \"From God Proceeds\".  The background of the panel, filling in the serpentine-shaped Russian arch, is of sky-blue and forms a superb color contrast to the yellow gold of the Virgin's robes.  Over this background, a vinelike design is entwined, studded here and there with rosette-like stars.  Magnificently framing the large central panel, as well as the side ones, borders ingeniously wrought in all different types of chasing and filigree work are set with a variety of rubies, emeralds and sapphires, interspersed with rectangular panels done in soft shades of blue and red matte enamel.\nThe side panels appropriately depict in fine relief, left, \"St. Alexander Nevsky\" (the patron saint of Alexander III [sic]), in armor and wearing ermine robes wrought in virgin silver, and on the right, \"St. Maria Magdalene\", (the patron saint of Maria Feodorovna).  Above each at left and right, guardian angels kneel in the clouds in an attitude of devotion.\nClosed, the icon presents the fine filigree exterior framed in enamel, in the center of which there is a large Greek Catholic cross studded with rubies and sapphires.\nThe reverse is inscribed as follows: \"To Their Imperial Majesties from the Nobility of Charcoff.  1866-1891. October 28.\"\nIt is signed by the artist \"Ovchinnikov\" and dated \"1891\", the year of its presentation to the Emperor and Empress of Russia.  It is considered the finest jeweled icon ever created in Russia, and is the best witness to the mastery of this great artist.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #972\nSmall gold picture frame of outstanding beauty, by \"Carl Fabergé\", famous court jeweler to the Czar of Russia.  Of rounded, triangular shape, it has as its main area the chased guilloche surface enameled in light translucent blue, in a very graceful drape design.\n\"Fabergé\" was greatly renowned for this type of enameling and in this example, the enameling is further set off by a gold border chased with a wreath design of great delicacy.  The actual opening for the picture is surrounded with a row of diamonds and surmounted by a ribbon bow.  The back of the frame is paneled with ivory.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #982\nParticularly beautiful icon depicting the \"Transfiguration\", showing \"Christ\" in an aura of light with (left), Elias, and (right), The Prophet Moses.  Below Him are James, Peter and John, (lower left, center and right, respectively).\nOf the most exquisite workmanship, both for its very expressive quality and perfection of detail, it is painted in an almost monochromatic color scheme, relieved by the touches of purple, green and blue in the gowns of the saints.  It is framed in translucent pale gray enamel with leaf and tendril design mountings, which are further [sic] enhanced by sapphires, emeralds and rubies.\nIt is by \"Carl Fabergé\", celebrated court jeweler to the Czar of Russia, and is a superb example of his genius.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #1006\nExtremely interesting water color luncheon menu of the 21st of June, 1896, in the domain \"\"Eleenskole\", which belonged to the Grand Duke Sergei Alexandrovich, uncle of Nicholas II, the late Czar of Russia.\nThis menu was written and designed by the Grand Duchess Victoria Mellita of Hesse, wife of the Empress' brother, Grand Duke Ernst-Ludvig of Hesse, and who later became the wife of the Grand Duke Cyril Vladimirovich under the name of Victoria Feodorovna.\nThe menu bears the following original signatures: Czar Nicholas II; Czarina Alexandra Feodorovna; Grand Duke Sergei Alexandrovich; Grand Duchess Elizabeth Feodorovna, sister of the Czarina and wife of the Grand Duke Sergei; Grand Duke Ernst-Ludwig of Hesse, brother of the Czarina; Victoria Mellita, his wife; and Victoria, Princess of Battenberg, sister of the Czarina.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 17, 1936\n  #1043\nExceptionally beautiful gold and silver picture frame containing a photograph of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.\nThis frame of very imposing character with a large Imperial Crown and ribbons at the top, is enameled in a raspberry red, the shade which immediately became so popular upon its creation by \"Carl Faberge [sic]\".\nSurrounding the enameled guilloche surface, leaf design borders of green gold are finely accented with ribbons of reddish-gold.  Also the enameled surface is picked out with formally placed rosettes and leaves, in this same combination so skillfully employed by \"Carl Faberge [sic]\".  The back is paneled with ivory and is signed by this famous master.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 1, 1936\n  #1176\nA most interesting umbrella handle in the form of an Easter egg sculptured of very fine dark green jade.  On the bottom it is mounted in gold gilt silver which is exquisitely chased and enameled in translucent mauve.\nIt is a good example of the work of the outstanding master \"Carl Faberge [sic]\", who was so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #37\nMost intimate and rare photograph of the late Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  It is set in an unusually fine frame of lapis lazuli.\nThe photograph was taken by her husband, the Czar, on their private yacht, and is from the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.  It bears the original catalogue number 2004.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1088\nVery fine gold and silver calendar frame beautifully chased with translucent lavender enamel.  Finely carved borders of beadwork and closely set anthemions enhance the beauty of the design.\nIt is signed by \"Carl Fabergé\", the outstanding Russian Court jeweler, who has so often been termed the \"Cellini of the nineteenth century\", because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1097\nExceptionally fine gold and silver picture frame of outstanding beauty.  It is enameled over a chased (guilloche) pattern in translucent pink, the edges bordered with finely carved wreath design terminated with rosettes.  The small oval opening for the picture, attached at the top to swags of laurel leaves, is bordered with pearls.\nIt is signed by \"Carl Faberge[sic]\", the celebrated court jeweler to the Czar of Russia, and who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1179\nMost unusual and rare miniature ivory Easter egg by \"Carl Fabergé\", the celebrated court jeweler to the Czar of Russia.\nIt opens on a hinged cover to disclose the surprise feature within, - a pale nephrite egg set in the white satin lining.  It is an ingenious creation which is typical of \"Fabergé's\" work.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1306\nA most exceptionally fine dark green jade elephant very sensitively modelled, with upturned trunk and diamonds for eyes.  It is a magnificent specimen of the fine sculptures which were created by the master \"Carl Fabergé\", and shows very beautifully his singularly perfect craftsmanship.\nIt is rendered in most complete detail.  Ears, trunk, tusks, legs, etc., are all carefully cut and polished.\nIt is one of the rare examples of miniature sculpture executed in stone by \"Carl Fabergé\", and for which he is today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #476\nA most unusually fine handle of nephrite, pale green in color, mounted with a cobra naturalistically carved out of yellow gold and entwined about the handle.  The scales and small details are meticulously rendered, while on top of the snake's head, a pink cabochon-cut ruby is mounted as the eye of the cobra.\nMade by \"Carl Fabergé\", celebrated court jeweler to the Imperial family of Russia.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #478\nVery beautifully designed parasol handle in the shape of a fin, made of nephrite.  It is mounted with gold and finely enameled in an unusual shade of pink, and is studded with four pearls and two rows of diamonds.\nIt was made by the famous court jeweler \"Carl Fabergé\" (By Appointment to the Czar of Russia), and is a fine example of his craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #482\nVery fine parasol handle made of nephrite, in the shape of a duck's head, with rubies for eyes and a most unusual green enamel band.  At the base it is mounted in gold and set with two rows of diamonds.  It is exceptionally finely enameled in translucent pink, giving the effect of trees in sunshine, which is enclosed in borders of white matte enamel, with translucent green enamel dots completing the design.\nIt is the creation of the famous Russian court jeweler \"Carl Fabergé\", who has so justly been termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #537\nExceptionally fine cane handle of pale green nephrite, exquisitely designed with an open-work gold mounting of rococco [sic] scrolls and tiny flowers in two shades of gold.  The rim is studded with a row of diamonds.\nMade by the famous artist and court jeweler \"Carl Fabergé\", who is today so often referred to as the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #986\nA particularly beautiful and rare solid gold picture frame of a graceful, oriental shape, designed with entwining leaf tendrils set with the richest shades of the transparent enamel, which has today become a lost art and cannot be duplicated.\nIt is a fine example of the work of the famous court jeweler \"Hahn\", who created some of the most prized specimens of the Russian Court Jewels.  The superb workmanship of this master is evident in such details as the execution of the panel of ivory which holds the picture, also the gold easel supporting the frame.  It is seldom indeed that one has the privilege of seeing a piece created by this great artist.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #987\nRectangular gold picture frame of exceptional quality and refinement, by \"Carl Fabergé\", court jeweler to the Czar of Russia.\nIn this specimen, \"Fabergé's\" unique enamel, a translucent mauve is set off by a border wreath design of minute workmanship in two shades of gold.  The opening for the picture, a tiny oval, is enclosed with beadwork attached at the top to festoons and ribbons of classical inspiration.  The back is paneled with ivory.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1035\nMost unusual gold and silver picture frame enameled in brilliant emerald green over a finely chased surface.  Designed in a five-petal arrangement, the center bears a photograph of Nicholas II, the late Czar of Russia, enclosed in beadwork, while in each of the five sectors, oval panels frame the portraits of the five children of the Czar: the Czarevitch Alexis, and the Grand Duchesses Olga, Tatiana, Maria and Anastasia.\nThe borders of this very rare example are embellished with wreaths, rosettes and bows of classical derivation.  The back is paneled with ivory.\nExecuted by \"Carl Fabergé\", court jeweler to the Russian Imperial family, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1166\nVery fine silver triptych frame of translucent white enamel applied over a chased (guilloché) surface, framed in a conventionalized leaf border of meticulous carving.\nThe actual openings for the portraits, two rectangular ones in the outer panels and octagonal one in the center, are placed with the formalized precision of the classic taste.  Exquisite borders, festoons with ribbons, together with rosettes and beadwork, complete the ensemble.\nSigned by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who is today referred to as the \"Cellini of the nineteenth century\" because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1189\nA very lovely handle of pale green nephrite, gracefully curved and tapered.  It is mounted with a gold cylindrical band chased and enameled in translucent white over a shimmering surface.  Rubies are placed over it and are incorporated with a design of green-gold festoons.\nThis example typifies the fastidious craftsmanship of \"Carl Fabergé\", celebrated Russian Court jeweler, who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #804\nA very beautiful brooch in the shape of a laurel wreath exquisitely cut out of green and a reddish gold and studded with many small diamonds which form a part of the design.\nThe center bears the monogram \"M\" and crown, in diamonds, of the Grand Duchess Maria, executed with two cabochon-cut rubies with the Cross on top.\nIt is a very good example of the superb workmanship of \"Carl Fabergé,\" celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth Century.\"\nFrom the personal belongings of Maria Nicholaiovna, third daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #1291\nAn unusually fine gold and silver seal of the round fluted type, mounted on the top with an exquisitely modelled monkey holding in its hands a human skull.  The monkey is contemplating the skull and in its animated attitude is a rare example of the silversmith's art.\nIn the base is set a white agate which is engraved with the monogram of Alexander Alexandrovitch, or Alexander III, father of Nicholas II, the late Czar of Russia.\nMade by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #980\nMagnificently conceived and executed Imperial Russian seal made with gold and silver stem, supporting a perfectly carved and polished agate Easter egg.  The setting holding the egg is of the most unusual and finely detailed workmanship.  It is in the form of garlands of roses carved out of several shades of gold, as well as silver, and is bordered with beadwork.  The stem likewise, is finely chased and consists of a polka dotted surface bound with a green gold wreath which flares out at the bottom into a circular base, the underside of which is minutely incised with the Russian Imperial double-headed Eagle.\nIt is one of the creations of \"Carl Fabergé, and fittingly illustrates his unique use of gold and rare semi-precious stones.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #1085\nA most unusual egg shaped, gold mounted nephrite bookmark, encrusted with diamonds and rubies in the form of the initials \"XB\", which is an abbreviation for the Russian \"Christ is Risen\".\nA good example of the work of the celebrated court jeweler \"Carl Fabergé\", showing his rare ability to combine beauty with utility.  In the original Faberge [sic] case.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533 duplicate\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535 duplicate\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #539\nA very unusual and rare red Russian nephrite cane handle carved in the shape of a duck's head.  It is mounted in vari-colored gold which is partly chased and enameled in beautiful translucent green and matte white and set with small diamonds.\nMade by the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #1101\nExceptionally beautiful and rare miniature gold icon depicting \"The Holy Virgin and Child Enthroned\", set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top, an interesting attachment is mounted with a blue sapphire, while from the bottom hang a pink ruby, an emerald and a pearl.\nThe icon bears an inscription meaning \"Save and Protect\", and is signed by the artist \"M. Chuknovsky\".\nIt is mounted in a beautifully designed triptych case of \"Old Russian\" design.  Hinges conform to the design of the case and are in solid silver intricately chased.\nFrom the personal belongings of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 26, 1936\n  #509\nExceptionally beautiful handle carved of a single amethyst set in a gold mounting and forming an exquisite terminal to a parasol.  The amethyst, beautifully carved, consists of two shells placed together on a Russian capital.  The gold mounting, so typical of \"Fabergé's\" workmanship, is intricately embellished with a repeating design punctuated all over with diamonds and enameled a lovely translucent pink.  The piece, combining as it does two shades of gold, is exquisitely bordered with two rows of diamonds superbly demonstrating the infinite amount of craftsmanship employed in a \"Fabergé\" creation.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who was so often termed the \"Cellini of the nineteenth century\" because of his unusually fine craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #477\nSmall handle of exquisite delicacy and refinement composed in its miniature dimensions of a \"T\"-shaped piece of rock crystal set in a gold mounting finely bordered with a bead edge of yellow gold.  Between these borders in incredibly small scale, the gold is chased into a design of waving lines, enameled in light blue and set with three rows of diamonds alternately placed.\nThis is a specimen typical of the unsurpassed craftsmanship of \"Carl Fabergé\", and worthy of the most discriminating taste.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #479\nParticularly beautiful handle, exquisitely wrought and decorated in a most beautiful manner.  The handle proper, a piece of rock crystal, is set in a cylindrical gold mounting embellished with various gold and enamel borders.  At the top and bottom there are green gold wreaths against a deeper shade of gold.  The enameled decoration is formed of three gold bands exquisitely enameled in a light shade of blue.  Each one is minutely chased with a scale design which imparts a shimmering quality.  Over the central band of a very pale shade of blue, there is a fine gold double wreath.  On each side of this middle portion two rows of pearls enhance the superlative quality of this \"Fabergé\" creation.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #480\nBeautiful handle perfectly illustrating the artistry of \"Carl Fabergé\". \nThis handle, a combination of a well-cut and polished piece of milky-green nephrite, is set off by the complementary shade of orange in its gold and enameled mounting.  This mounting, connecting the handle proper with the main body of the cane, is wrought with great delicacy and refinement.  Against a curved surface of white matte enamel, minutely striped with gold, there are superimposed two crossed ribbons chased of greenish-gold and enameled with translucent orange.  Above and below there is a tiny row of diamonds effectively set in quite another shade of gold.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #481\nVery fine handle made of nephrite of a pale golden greenish shade, symmetrically curved and mounted in brilliantly enameled gold.  The main part of the mounting is chased with a design of many short curves and enameled raspberry red.  Curving around it in a ribbon effect there are four bands of leaves exquisitely worked in two shades of gold, namely, yellow gold and green gold.  Above and below, there are two rows of diamonds.\nIt is a good example of the fine workmanship of the celebrated court jeweler \"Carl Fabergé\".  \nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #536\nVery fine handle of attractive simplicity composed of a beautifully shaped and polished piece of nephrite in a gold mounting.  This mount, which forms the connection between the handle proper and the body of the cane is of hand-hammered yellow gold and is bordered at top and bottom with two green gold wreaths.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who is often termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #538\n\"Fabergé\" handle executed in a most unusual manner of soft green nephrite in the shape of an egg affixed to a hand-hammered cylindrical gold mounting.  Starting from this mount and entwined over the egg-shaped surface, there is a golden snake, chased in all the precision of its naturalistic details.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in the center a beautifully painted portrait of the \"Madonna and Child\" in enamel, and framed with filigree work which is filled with unusually fine shaded enamel, showing tulips and other flowers, in the center of each of which topazes alternate with garnets.  The icon is surmounted by a large crown which is studded with a topaz, a garnet and two aquamarines.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family).  Moscow.\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #75\nCream leather frame with beautiful gold tooling, and crown in top center, made by \"A. Peterson\" at St. Petersburg (By Appointment to the Czar of Russia.)\nFrom the Winter Palace, where it was catalogued under the number 430/2.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and nine saints in miniature as follows:\n 1 – St. Peter – Metropolitan of Moscow\n 2 – St. Alexis – Metropolitan of Moscow\n 3 – St. Ivann – Metropolitan of Moscow\n 4 – St. Prince Michael\n 5 – St. Boyard Theodor\n 6 – St. Dimitry the Blessed\n 7 – St. Vasily the Blessed (In whose name the famous church in Moscow\n  was built by Ivan the Terrible.  The church upon completion was such\n  a beautiful example of Russian architecture that the Czar, fearing\n  that the church might be duplicated, had the architect blinded.)\n 8 – St. Michael the Martyr\n 9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears the nameplate of Alexei Nicholaievitch, to whom it was presented by the Nobility of Nijni Novgorod.  The plate reads as follows: \"To His Imperial Highness Czarevitch and Grand Duke Alexei Nicholaievitch from the Nobility of Nijni Novgorod.\"\nIt was made by \"Chlebnikoff\" (By Appointment to the Russian Royal Family).  It is a remarkable example of the work of this fine Russian silversmith, who has made many outstanding objects for the Imperial family.\nIt is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #906\nMiniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler cut out of a brilliant cerise-colored Ural stone set in a delicate open-work gold mounting.\nFrom the collection of the Grand Duchess Maria Nicholaievna, third daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1073\nExceptionally beautiful and rare jade frame, mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside, and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frames the picture, while on the jade margin green gold festoons are attached to reddish gold rosettes.\nIt is a superb example of the fastidious workmanship lavished upon his creations by \"Carl G. Fabergé\", the celebrated Court Jeweler to the Czar of Russia, and aptly illustrates his unique use of the rare semi-precious stones which were found throughout the Russian Empire.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1075\nCircular gold picture frame of the most exquisite and delicate workmanship, chased with a shimmering guilloche pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls, while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\nIt is in the original case and is signed by \"Carl G. Fabergé\", the famous jeweler to the Imperial Court of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1078\nExceptionally beautiful gold and silver picture frame of most unusual size, enameled in translucent sky-blue over a scintillating chased (guilloché) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At the top, laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  The back is paneled by hollywood.\nThe fine craftsmanship displayed in this example typifies the work of \"Carl G. Fabergé\", the celebrated Court Jeweler to the Russian Imperial family.\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #1182, #1183, #778\n#1182. Miniature solid gold Easter egg signed with the initials of \"Carl G. Fabergé\", the celebrated Russian Court jeweler chased with the \"guilloche\" all-over pattern enameled brilliant emerald green.  Serving as complement to the green enamel a gold circle and stripes are set with a small ruby.\n#1183. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler.  Of a yellow gold it is chased and set with nine cabochon-cut rubies.\n#778. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler executed in yellow gold with green gold wreath design and filigree volutes set with two small diamonds.\nFrom the collection of the Grand Duchess Tatiana Nicholaievna, second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1315\nVery fine miniature picture frame, delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface, enameled brilliant orange.\nAt the corners of the actual opening for the picture, pearls are set in, while on the enamel, circular wreaths are mounted, together with crossed arrows.  \nBy \"Carl G. Fabergé\", the celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1350\nPaper knife of richly grained tortoise shell, of unusual personal interest.  It is mounted with a solid gold facsimile reproduction of the inscription \"For Dear Alix\" (the Czarina Alexandra Feodorovna) \"from Misha\" (the Grand Duke Michael, brother of Nicholas II, the late Czar of Russia.)\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle] \nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1343\nVery fine Easter egg cut out of a blue agate and decorated with a continuous motif of sprigs of four-pointed flowers and leaves cut out of silver and set with a myriad of tiny diamonds.\nIt is a signed piece by \"Carl G. Fabergé\", the celebrated Russian court jeweler who is today so often referred to as the \"Cellini of the 19th century.\"","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1364\nAn exceptionally choice fantaisie by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nSigned and in the original case, this unique tray of gold gilt silver is mounted with a stand to which is attached an ivory swing on which perches a paraquet [sic] cut directly out of a rare brilliantly colored agate, the natural markings of which delineate the feathers in the minutest detail.\nEmeralds are set in for the eyes and the whole presents an astonishingly life-like aspect.  On either side of the swing tiny containers hold the golden kernels of birdseed.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1367\nA circular gold box signed by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nIt is enameled brilliant red over a broad guilloche line pattern, and mounted with intricate little vari-colored gold motifs of interlaced wreaths and rosettes having diamond centers.\nFive wreaths ornament the cover and frame a portrait of Catherine the Great which is dated 1773.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1464\nMiniature picture frame by CARL G. FABERGE cut from lapis lazuli in a quaint design, the bright blue surface overlaid with a vine-like wreath of tiny flowers executed in the greatest delicacy from green, reddish and yellow gold.\nIt is set with three diamonds.  The actual opening for the picture is bordered with pearls.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1537\nA most important miniature sculpture of a horned owl by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is rather larger than many of his famous bird and animal sculptures and is cut entirely from a moss agate, the green and gray markings creating a superb sense of the texture of feathers which are finely incised all over.  The claws are of gold and beautifully chased, and, together with the gold-mounted diamond eyes, the whole creates an astonishingly life-like aspect.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1546\nSilver gold-gilt buzzer for the table, of conical beehive shape with a large cabochon-cut ural stone in the center. \nIt is a device with clock-like movement, to be wound up, and when used gives a quiet, low, buzzing sound.\nCut into the silver by hand, a collar of long leaves surrounds the stone button.  The sides are decorated with chased garlands and around the base there is a beadwork border.\nBears the hallmark and signature of CARL G. FABERGÉ, the celebrated Russian Court jeweler.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1578\nGold chain bracelet of large heavy links, by CARL G. FABERGÉ, the celebrated Russian Court jeweler.\nIt is mounted with an Imperial Crown studded with diamonds and two cabochon-cut sapphires, and is mounted also with a small safety catch chain arrangement.\nFrom the personal belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1556\nGold gilt silver triangle frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased (guilloche) surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a beveled glass with the outside border in beadwork.\nThe back is paneled with ivory, while the easel is of gold gilt silver.  In the original hollywood case.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides, a diamond is inset and in the very center, surrounded by a laurel wreath, is the Roman number \"ten\" in diamonds.\nSigned by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1576\nA pin by CARL G. FABERGÉ in the Egyptian style, in the form of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE [sic], celebrated Russian Court jeweler, executed in solid gold in his French classic style.\nIt follows in technique the French eighteenth century gold snuff boxes with a ground of cobalt blue translucent enamel.  Unlike most of FABERGE'S [sic] surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes and is merely visible as faint rays on the enamel surface.\nAround the center, there is a broad vari-colored gold band carved in a minute serpentine pattern, together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg, circular caps bear ten-pointed rosettes enameled in green.\nThe three divisions are further elaborated by the addition of three bands of white matte enamel dots, one of which in the center row, is a tiny diamond catch.\nBears the inscription which may be seen as one opens the egg \"Christ Has Risen.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1736\nJade parasol top mounted in gold by CARL G. FABERGE [sic], the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.\nOn the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1737\nJade parasol top mounted in gold, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.\nA green-gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2237\nTiny solid gold oval box by CARL G. FABERGÉ, the celebrated Russian Court jeweler.  \nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with excerpts from the Koran.  It is surrounded by a row of diamonds.\nLike all of FABERGÉ's boxes, the fit of cover to box is a notable instance of his technique.  Here also he has employed the hinges which appear on the finest eighteenth century gold snuff boxes.\nIt is one of the best examples of his craftsmanship.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2238\nRare miniature Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise and, entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a cabochon-cut ruby.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-3\nRectangular miniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed from gold-gilt silver and is enameled over a chased (guilloche) surface in a very beautiful shade of rose.  Borders of wreath design frame the enameled ground, while the opening for the picture is enclosed with beadwork.  The back is paneled [sic] with ivory.\nFrom the Youssoupoff collection.  Originally it was presented to the Princess Youssoupoff by the Empress Maria Feodorovna.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-5\nMiniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.  Concentric fluted gold rims separate these areas.\nThe jade is of a dark, spotted green and in contrast to it, a pale mauve enamel is employed overlaid by an interweaving green-gold wreath.\nAt top, a ribbon with bow and loose ends is fixed, bearing a ruby in the center.  It is mounted with a gold easel.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-8\nA miniature icon by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is in the form of a triptych and is very simply panelled [sic] on the exterior with a dark wood bearing a four-petaled [sic] catch centered by an emerald.  It opens to disclose a solid gold interior.  The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls.  The yellow-gold ground bears arabesques of filigree and is studded at significant points in the design with emeralds, rubies, sapphires, and diamonds.\nThe central panel frames \"The Resurrection.\"  Against a dark background, the figure of Christ appears holding aloft a pennant.  His form radiates light and in the foreground, two angels kneel.\nIt is an extremely fine painting for a miniature and is complete in every detail.  It is surmounted by a Russian Cross studded with emeralds and rubies.\nThe inscription on the left panel reads as follows: \"Resurrection of Thine, O Christ, Saviour, about which the Angels sing in Heaven.\"  And on the right panel: \"And we on Earth try to be worthy to glorify Thee.\"\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-13\nDome-shaped jade push-button by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the classic French style adapted by FABERGE [sic], the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut star ruby set in a nine-petaled [sic] mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and, following in this style, is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three gold feet in the form of rococo scrolls.\nOriginally in the collection of Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-14\nGold-mounted jade calendar by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the form of a rectangular piece of dark, translucent green jade, it is designed in his classic manner and mounted with gold-gilt back and easel.  At the top, swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center, two oval openings bear red enameled mounts which have the numbers for the day of the month, and these are changeable each day by clicking the buttons on either side.  Below, on a set of gold-gilt plaques, the names of the months are engraved and held in place by red enamel and moonstone mounts.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-16\nLarge jade Easter egg mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold-gilt silver and bearing ruby catches with which to open it.\nIt originally served as a jewel case.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1509\n\"The Cathedral\", a most important nineteenth century Russian icon painted in the miniature technique on gold over silver.  Against a ground of geometrical chasing, the various figures are painted with flowing gowns of white, purple, red, and bluish-green, with their haloes inscribed in the Old Slavonic.\nIn the clouds, the Holy Virgin stands, her halo emanating rays of light, with kneeling saints and angels on either side.  Below Her, appear, left; Czar Lev, and St. Czarina Zoia; center, St. Roman; right, St. Epiphanie, St. Andrew, St. Martyr Lubov (the small figure in white), and the Archangel Michael.\nIt is in the original frame of filigree, inset with the Russian enamel in jewel-like colors.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1568\nCross cut out of a fine rich blue piece of lapis lazuli.\nIt is mounted in gold and has a moveable diamond and pearl studded link.  The center of the cross is overlaid with a diamond studded rosette which has a pearl center.\nFrom the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface, and opens with a small pearl-bordered lid having a ruby catch.  It is decorated on top with a diamond and ruby six-petaled [sic] flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2136\nJade parasol top mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is cut from the jade in a very curious manner with tapering, bulbous areas up the sides, flaring outwards to the top which is designed in a four-petaled [sic] manner.  In this specimen, the jade is of a soft but brilliant green coloring.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2243\nAn example of the miniature sculpture of CARL G. FABERGE [sic]: a pig cut out of lapis lazuli.\nIn this example of the Russian master's work, the lapis selected is a brilliant blue with rich markings and flecks of gold.\nIt is executed in an extremely naturalistic manner with such details as hooves, ears, and mouth minutely detailed.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #G-22\nVery unusual miniature diptych icon of solid gold by GRATCHOV, by Appointment to the Russian Imperial Family.\nIts design is perfectly plain on the exterior, and on opening it discloses miniatures of Jesus Christ on one panel and the Holy Virgin of Kazan on the other.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #798\nVery unusual panagia portraying \"Christ Blessing the Universe\".\nIt is carved out of green jasper in a two-colored effect, and mounted in a very interesting hand-made silver frame surmounted by crown [sic] and studded with amethysts, rubies and aquamarines. Attached to it is a gold gilt silver chain cut out by hand.\nRussian, early nineteenth century.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #1205\nExceptionally fine solid silver triptych icon designed with serpentine pointed top, and overlaid on the front with gold leaves and tendrils molded and chased to perfectly simulate the gold bullion work motifs to be found on the finest Russian brocades.\nOpening the side panels of the icon, which bear in the center the Greek Catholic cross, the central panel is painted with the \"Transfiguration\", against a pure gold ground.  Christ stands in the center with Elias on the left and Moses on the right, while below there are: left, \"John\"; middle, \"James\"; and right, \"Peter\".  The side panels frame at the left, \"St. Elizabeth\", and on the right, \"St. Sergius of Randanezh\".\nAll of the individual paintings are equally notable for a beauty of characterization as well as for the unusual finish of details.  A narrow border frame in emerald green, gold, red and black completes the design.\nThe icon bears on the reverse the dedication to Grand Duke Serge as follows: \"Blessing of the Preobrajensky Regiment, June 3d, 1884\".  \"A new commandment I give unto you, that ye love one another as I have loved you\".  \"From the New Testament, St. John, Chapter 13, Verse 34).\nThe names of the donors are inscribed (etched in the silver) over the sides of the icon.  They are as follows:\n Middle lower: Baron Medem, Kovansky, Count Murafief, Amursky, Neidhart, Kornileff, Count Titischoff. \n Right wing lower: Martinoff, Count Von Preil, Penherzhevsky, Gadon.\n Left wing lower: Belgard, Martinoff, Obahoff, Dolgoff II.\n Right top dome (front): Hartons, Belhart, Domerishkov, Veltzin, Kazin, Zhehacheff;\n         (back): Chekmareff, Komaroff, Palivin, Muravieff, Shipoff,  Schmitt.\n Left top dome (front): General Major Prince Obolensky, \n Left top dome (front) continued: Evreinoff (meaning in Russian \"Son of the Jew\"), Korniloff, Ladishensky, Dolhoff.\n   (back): Second Lieutenant Shemiakin, Bakalin, Lt. Peshkoff, Baron Medem.\nRight side (top): Admiral Ozeroff, Novisitzogg, Kasherinoff, Under Captain Haller, Heirot, Epanchin, Baliasny, Forselles, Vosnesensky, Surelius.\nRight side (bottom): Kashneff, Malahoff, Bashiloff, Mescherinoff, Merder, Neidhart II, Prince Troubetskoy, Loshhereff, Delsal, Count Loris-Melikoff.\nLeft side (top and bottom): Pensky, Kushkovsky, Adjutant Reiters, Count Stenbok, Captain A.G. Korostovitz, Kakoshkin; Schlitter, Delsal, Janetzky, Mirkuloff, Veimarn, Gardenin, Navrotsky.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","#2443","Golden flowers in a rock crystal pot. Three (3) gold \"TROLLIUS EUROPAEUS\" (Globe Flowers) are made of solid gold, the actual blooms being enamelled (sic) in a clear translucent yellow. The petals are all finely chased underneath the enamelling (sic), emphasizing the translucency of the enamel. The stem, which is also of gold, is grooved with hair-like stripes and is lightly colored in the palest of green tints. The leaves which are very realistically carved from a dark green jade are veined and folded in an accurate duplication of nature's own. Each stem is signed, K. FABERGE, in Russian characters and bears the Russian Imperial Eagle. The conical pot in which these removable flowers stand, is carved from a solid block of rock crystal in such manner as to suggest a natural water-line which is as true to life as the actual would be. On the underside of the pot appear the Russian characters for K. FABERGE.","This very beautiful object was made by the celebrated Russian Court Jeweler, KARL FABERGE and the piece is extremely rare in that seldom were objects of this type marked with his full name.","MRS. JOHN L. PRATT","November, 1945","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","November, 1945\n#2891\nLapis-Lazuli combination seal and letter-opener. The handle is a long, bulbous-shaped piece of Lapis-Lazuli, beautifully curved in symmetrical pattern with a gold, hand-chased, ferrule. The blade and the seal, which are interchangeable, are of silver-gilt.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#181\nVery fine enamel miniature portrait of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.\nIt is painted on silver and is enclosed in a gold and silver frame of beautiful bead design, surmounted by crown. Both the frame and the miniature are exceptional in quality.\nFrom the personal belongings of her father, Nicholas II. From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#540\nVery unusual and rare rock crystal cane handle, with the head of a dog etched and enameled inside of the crystal ball in amazingly realistic fashion. It is a superb example of the artistry and craftsmanship of the famous court jeweler to the Czar of Russia, \"CARL G. FABERGE\", by whom it was made, and who was often referred to as the \"Cellini of the nineteenth century.\" \nThe globe of crystal, bound about by gold, is affixed to a wide stippled mounting studded at intervals with diamonds, rubies, emeralds, and sapphires.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York.\n#598\nPair of superb Wedgwood medallions, one portraying Czar Nicholas II, the late Czar of Russia, the other, his wife Czarine Alexandra Feodorovna. \nThese rare masterpieces of Wedgwood ware, the greatest of all ceramics, are exquisitely executed in white low relief on a soft green ground. In the perfection of the details and the characterization of the personages represented, they show the painstaking craftsmanship and distinctive elegance of this art.\nOn the back of each of the medallions there is the mark \"Wedgwood\" and in script \"The Czar of Russia\" and \"The Czarina of Russia\", respectively.\nThey were purchased from Madame Anna Viroubova, former lady-in-waiting and personal friend of the Empress Alexandra Feodorovna.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1022\nMost artistically conceived and executed miniature triptych icon sculptured out of solid gold, and signed by K. HAHN, who made some of the Crown Jewels of Russia. \nOf tiny proportions, this triptych is of a most exquisite design. Shown with the two side panels closed, it exhibits the pierced work border which frames panels with cherubs enameled blue and red. At the top, these doors are surmounted with a sunburst, in the center of which is a dove with outspread wings.\nOn opening the icon, one sees \"Christ Blessing the Universe\". On the left is \"St. Nicholas\", the patron saint of Nicholas II, and on the right is \"St. Alexander Nevsky\", the patron saint of Czar Alexander III. It was presented by Alexander III to his son and successor Nicholas II, with his blessings. At top, the Almighty is depicted with surrounding inscription which reads \"Save O Lord Thy People\". Placed over the hinges and crowning the top of the central panel, three fluted Russian domes are placed, each surmounted by the Greek Catholic Cross.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1044\nCircular gold picture frame of unusually small proportions by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased (guilloche) surface in sky-blue. The border and the inner round opening for the picture are enameled in matte white, bordered with gold. It is surmounted by a gold bow and ribbon enrichment.\nIt contains an original miniature of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1291\nGold gilt silver pencil bearing at its summit a tiny, finely formed mongoose, also of gold gilt silver. \nIt was part of a complete writing set of Czar Alexander III, made by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1326\nTo celebrate the two hundredth anniversary of the founding of the capital-city St. Petersburg, the late Czar, Nicholas II, commissioned the court jeweler CARL G. FABERGE, to execute an Easter egg to be presented to the Czarina in honor of the occasion. CARL G. FABERGE, jeweler to Czar Nicholas II and to his father Alexander III, had since 1885 executed an Easter egg yearly to be presented by the sovereign to his wife. However, to celebrate so great an occasion in the annals of the Romanoff family, this egg was planned many years before the date of the anniversary and was ready in 1903. When completed, it proved to be the most sumptuous and magnificent of any ever constructed.\nAt the highest point, the egg measures almost six inches, and at the widest four inches, and is constructed entirely of solid gold. (It is marked \"72\", the equivalent of eighteen karat gold). Covering its surface, an elaborate rococo design forms in its many curves, panels and areas perfectly suited to the particular type of workmanship which Fabergé excelled in designing and his workmaster M. Perchin in executing. The rococo curves are perfectly suited to the egg-shape, and are studded with hundreds of diamonds and scores of rubies. Intertwined bullrushes [sic] arising from the lower part of the egg are done in green gold, against the yellow gold surface, and show Perchin's superb chasing and minute detail. Cat-tails of square cut rubies give the touch of color which is so significant a feature of the egg, and are entwined with garlands of roses contrasting various shades of gold with platinum. On the top of the egg, the diamond monogram of the Czar is enclosed in a wreath enameled in white and emerald green. Around the upper and lower part of the egg are white enameled ribbons, explaining in Russian the significance of the occasion for which the egg was created.\nTwo miniatures around the middle bear portraits of Peter the Great, founder of St. Petersburg (in 1703), and Nicholas II, during whose reign the bicentenary was celebrated (in 1903). Emphasizing the evolution of St. Petersburg during these two hundred years, two other miniatures frame views of the cottage which Peter built on the low-lying ground by the sea, and which was to be the Russian capital, in contrast to the Winter Palace with its grounds as it was under Nicholas II. In the distance of the latter can be seen the Fortress of Peter and Paul with its spire. These four paintings are by VASSILY ZOUEV, with whom Faberge collaborated. He was the most celebrated miniaturist in Russia and was as well miniature painter to the court. Rock crystal was employed instead of glass to cover these paintings and it exactly fits the many-sided panels. The egg bears at the top the monogram and crown of Czar Nicholas II done in diamonds and the date 1703 when St. Petersburg was founded, as well as the date 1903, when the egg was made in celebration of that event. At the bottom, the double-headed Eagle, insignia of the Imperial family, is enameled in black surmounted by the Imperial crown set with diamonds. Over its breast a portrait diamond covers a tiny crest of \"St. George and the Dragon\" enameled in color.\nThe greatest feature of all, however, is concealed within the egg. On opening it, the mechanism within raises a miniature statue of Peter the Great from the interior. It is executed in solid gold by the Russian Court sculptor G. MALYSHEW, and stands on a sapphire pedestal. It is an exact replica of the colossus representing Peter which to this day stands on a square in St. Petersburg, and which was created on the order of Catherine the Great by Falconet.\nIt is interesting to note that besides the usual hallmarks that were always used, the egg bears the engraved signature \"K. Fabergé\" and the date 1903. This egg is considered to be the chef d'oeuvre of this great master.\nIt was illustrated on page 3 of the Russian magazine \"Stolitza et Usadba\" in the April 1, 1916 issue, which was devoted to a description of the Imperial Easter eggs. They were reproduced by special permission of the Czar, and the Peter the Great egg is the first illustrated. It was also reproduced and described in the November, 1936 issue of \"The Connoisseur\" on page 284, as well as in the \"Art News\", in its issue of November 7, 1936, on page 16, and in \"The New York Sun\" of October 31, 1936, page 17.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1479\nA good example of the miniature sculpture of CARL G. FABERGE, the Russian Court jeweler; a baby vulture carved from obsidian and shown seated in a most natural attitude. \nIn its small dimensions every detail of the anatomy is correctly and precisely cut even to a chasing of the individual feathers. The sheen of light within the stone running through front to back creates a varying surface texture as the piece is moved in the light, shifting from a downy grayness to jet black.\nDiamonds are set in for the eyes.\nSigned \"C. Fabergé.\"\nFrom the Alexander Palace at Tsarskoye Selo.\nMRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1524\nCovered jade vase in a brilliant gold gilt silver mounting.\nIt is designed as a small covered chalice cup, the deep green jade forming the cup part, and mounted on a narrow stem flaring out into a circular base. The jade body is slightly tapered and curves out by means of concentric flutings into a rounded underside. The upper part bears a fluted gold rim and above it the cover is fitted. This is slightly domed and bears on its summit a high, cabochon-cut pink tourmaline as a knob.\nSigned by FABERGE, the well-known Russian Court jeweler, who is today referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1543\nMiniature picture frame enameled in mauve, signed by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed in his French classical manner with a narrow mauve-enameled ground bordered by the motifs associated with this style. \nAround the beveled glass there is an edge of white matte enamel separated from the mauve surface by a tiny fluted border crossed with ribbons.\nAn outer border of beadwork encloses the frame and over the enameled surface rosettes with short swags are mounted.\nBears a hinged easel with the name \"Victoria\" lettered in openwork.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1569\nA large Imperial Russian Crown in gold and silver, and designed with leaves, tendrils and flower forms set with numerous cabochon rubies, cabochon sapphires and diamonds.\nIt is mounted at the top with a diamond-set Greek cross, and a diamond-encircled sapphire.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1735\nGold-gilt silver triptych picture frame by CARL G. FABERGE, the Russian Court jeweler, containing an exquisite drawing.\nThe entire frame is paneled with the ivory-like hollywood and the triptych doors are clasped in the middle by a Greek Catholic cross.\nOpening the doors, he drawing is seen to be set into an oval opening covered with beveled glass and surrounded by a row of pearls.\nThe ground surrounding the drawing is in Faberge's white enamel, given a great brilliance by the chased undersurface. At the corners winged cherubs are placed.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1749\nUmbrella handle in the form of an eagle's head, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe head is carved in a highly stylised (sic) manner out of a light green jade, with the eyes fashioned of two large beautiful red Ural stones mounted in gold. The white translucent enamel of the mounting is the type which Fabergé perfected and its sheen is further heightened by the guilloche under-surface. At the top and bottom it is bounded by bands of wreaths in vari-colored gold.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1763/2723\nVery rare miniature animal studies of an elephant by CARL G. FABERGE, the celebrated Russian Court jeweler.\nOne is in silver, and is fully signed by the master, while the second, in gold, is unmarked. This was most likely made as a mate to the silver one. Presumably, they were silver and golden wedding anniversary gifts.\nThey are both modelled in an extremely naturalistic manner, with all the characteristics of the animal carried out with great fidelity to nature.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2122\nAn original photograph from the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nIt shows a whole group of photographs of the Czar, Czarina and their children. A large photograph of the Czar himself, is in the center, flanked by smaller ones showing the Czarina with the Grand Duchesses Olga, Tatiana and Maria. \nFrom the Hermitage Museum. Originally in the Winter Palace.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2247\nGold mounted sapphire-studded rock crystal perfume vial by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed in a cylindrical manner banded about the opening with gold, and bears a gold cover enameled in a translucent white. The whole bottle is studded all over in a polka-dot arrangement with cabochon-cut sapphires and bears about the opening a Greek fret chased in the gold.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2278\nA charming fantaisie by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn a solid gold cage perched on a golden bar on which rest two tiny golden containers for seed, is a parrot cut out of a single piece of pink quart with ruby gold-mounted eyes and gold claws.\nIt is a very fine example of Fabergé's animal sculpture. In its life-like presentation, all the details of feathers, wing and attitude are faithfully rendered and, most naturalistic in aspect on one side of the cage, is a tiny door of fine construction which is typical of the work of this master.\nThe cage rests on a slab of red nephrite highly polished and harmonizing so beautifully in color with the red gold cage and the pink color of the parrot.\nIt is a signed piece by this celebrated artist and is indeed a creation making him worthy of the title \"Cellini of the 19th century.\"","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2279\nKovsh by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of rock crystal into which is etched a highly conventionalized all-over leaf pattern. The shape is exquisite, being wide and flat.\nIt stands on a gold base with four feet each extending from a leaf. Around the rim is a gold mounting which comes to a point at the front and bears on its summit a pear-shaped pearl in an open-work gold mounting. The handle also, is carved out of gold into the form of a female head surrounded by leaves and flowers, and is embellished with nine small and one larger ruby and two rows of diamonds, one of which serves as a necklace for the figure.\nThe piece, elaborate as it is in its sumptuous decoration, somehow give the feeling of utter simplicity because of the harmony of the movement of line. It is a specimen of Fabergé's work which amply earns for him the title \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2281\nInteresting miniature Easter egg carved out of opal. It combines most beautifully a rich brown with iridescent shades of greens and blues.\nBy CARL G. FABERGE, the celebrated Russian Court jeweler.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2297\nSolid gold pin in the shape of a wild rose, very beautifully enameled in a soft shade of pink and giving a most delightful and lifelike effect.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2299\nA most unusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler, who is often referred to today as the \"Cellini of the nineteenth century\".\nBeautifully conceived and executed, it represents a spray of lilies-of-the valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade. The spray stands in what appears to be a red clay flower [underlined] pot filled with moss, but the pot actually is of silver and enameled in a matte brick red, the color of the natural clay, while the moss is of gold, so artfully employed  that one can scarcely believe that it is not actually moss.\nSo ingeniously is the entire object executed that it gives a most lifelike and naturalistic effect. One feels that the flower is planted in the pot, and only upon closer examination does one realize that the whole is created from such precious materials as gold, silver, pearls, diamonds and jade.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2300\nUnusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler.\nBeautifully conceived and executed, it represents a spray of lilies-of-the-valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade.\nThe spray stands in what seems to be a glass of water, but what is actually a rock crystal vase so created as to give the perfect illusion of water.\nSo ingeniously is the entire object executed that it gives a most lifelike effect. One actually feels that the lily-of-the-valley is standing in the water and only on close examination does one realize that the whole is created from gold, pearls, jade, crystal, etc.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2322\nAn exceptionally fine miniature sculpture of a blood hound by the celebrated Russian Court jeweler CARL G. FABERGE.\nThe animal is carved from a single piece of vari-colored agate ranging in shade from a light gray to a reddish brown. He is shown in the attitude of following the scent, and most noteworthy in this specimen is the impression one gains of his great strength and power. The lowered head, the sniffing nose, the upcurled tail, and long ears almost touching the ground, are all most remarkable, and most life-like. One actually seems to feel that the dog is following one, so realistic is the whole creation.\nIn its small dimensions every detail of the anatomy is correctly and precisely carved, even to the chasing of the individual markings on the dog. Diamonds are set in for the eyes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2323\nMiniature sculpture by CARL G. FABERGE, of an eagle, carved from vari-colored brown and gray agate, and with feet of gold.\nIt is an exceptionally fine example by this great Russian artist, and every portion of the bird's anatomy has been minutely carved with the greatest attention to detail.\nThe bird is shown standing in repose with wings folded in, and head slightly turned to one side. The beak is carved to almost knife-like sharpness, and diamonds are set in for the eyes, giving a most naturalistic expression. Adding to the impression one has of the great strength and ferocity of this bird, are the highly polished and sharp claws which are rendered with the highest degree of precision.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nMiniature rooster carved out of transparent carnelian, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn its small dimensions, every detail of the anatomy is correctly and precisely cut, even to the chasing of the individual feathers. The legs are of gold with the paws minutely chased and with sharp claws, while diamonds are set in for the eyes. \nIt is a fine example of the miniature sculptures in semi-precious stones for which Fabergé was famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nUnique sculpture of a hornbill by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThis exotic bird with its exceptionally long curved beak, is shown in a seated position, with its head upraised. It is carved from flawless smoky topaz, beautiful in color.\nThe rendition of the bird is executed with broad, sweeping lines, yet with great attention and fidelity to detail. Diamonds mounted in yellow gold are set in for the eyes. It is in every respect an example typical of the fine animal sculptures by Fabergé.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2340\nA magnificent specimen of the animal sculpture of CARL G. FABERGE, the celebrated Russian Court jeweler, is this large owl carved out of a single piece of obsidian.\nThis rare and excessively brittle stone is here used to the greatest advantage. It is so carved and polished as to bring out all the hidden lights.\nThe model for the sculpture was apparently an old bird, who sits looking at us sideways in a most quizzical fashion. His large eyes are set with tiger eyes, mounted in each corner with tiny diamonds, all set in gold. The roving quality of the tiger eyes is in admirable harmony with the nature of the obsidian, which changes and gives such an unusual silvery-gray sheen when light strikes it at various angles.\nThe fine carving and imbricated plumage are most typical of the genius of Fabergé. The wings are an interesting feature, being irregular in their foldings (sic), in conformity with the position of the bird, slightly turned.\nIn the original Fabergé hollywood case.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2353\nVery unusual gold pendant in the form of a lozenge, by BOLIN, the well-known Russian jeweler, who made many outstanding objects for members of the Russian Imperial family, as well as for other important personages.\nIn the center is a large diamond surrounded by four smaller ones. At the top is set a star cabochon-cut ruby of unusual color, while on the other three points are large cabochon-cut star sapphires.\nBordering the piece on both sides, are finely chased gold ropes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2373\nRare Russian silver tray of the early nineteenth century, made in St. Petersburg circa 1815 during the reign of Czar Alexander I (1801-1825).\nIt is a plain rectangular tray standing on four ball feet, and bordered with a pierced and beaded gallery, and baring two gracefully shaped handles, also beaded.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2376\nGold link bracelet by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThe center bears a shield-shaped plaque which is translucently enameled over a chased (guilloché) surface in a rich red, and against this background is mounted the Russian Imperial double-headed Eagle, beautifully chased. The breast bears a diamond and the crown surmounting it is likewise set with a diamond.\nOf exquisite refinement and delicacy it is a piece typical of the work of this great artist.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2419\nRectangular gold gilt silver frame by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe opening for the picture is large and square and the border rather narrow, which gives a most unusual effect.\nThe border, is enameled over a chased \"guilloché\" surface in a rich translucent red, over which is appliqued formal scrollwork in gold gilt silver. Pilasters enameled in fine shades of green and white complete the decoration, and blend beautifully with the entire composition. The back is paneled with hollywood.","MRS. JOHN. L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2421\nExceptionally fine rectangular gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in an extremely pale blue.\nBoth the inner rectangular border for the picture and the outer border are perfectly plain. Surmounting the frame is a gold riband from which are suspended pendant festoons of berried laurel, and in each corner are rosettes inset with tiny diamonds.\nThe back is paneled with ivory and bears a fancifully designed easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2445\nAn exceptional piece by the celebrated Russian Court jeweler, CARL G. FABERGE, is this large ash tray fashioned of gold.\nThe shape is most graceful and unusual, being of trefoil design. From each of the three points thus formed, a gold handle extends, each handle being set with a gold coin of Catherine the Great, and dated 1766, 1773, and 1783. Fabergé was very fond of using these old Russian coins in completing his designs and they are here used to perfection. The coins are of green gold and are a fine contrast to the interior of the tray, which is a highly polished red gold.\nThe exterior is a surprise feature, as it is finely fluted, with typical Fabergé precision and painstaking craftsmanship.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2453\nA large goose carved out of a piece of rock crystal by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe goose is shown in a standing position with the long neck gracefully lifted, and the head turned slightly to one side. Tiny gold-mounted diamonds are set in for the eyes.\nThe imbricated plumage is finely rendered, and so life-like is the creation, that one feels that at any moment the goose will begin to waddle along. Fabergé was a great genius in the field of animal sculpture, and has here captured the charm of this bird, and given life to this finely carved stone.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2454\nAmethystine owl by CARL G. FABERGE, the celebrated Russian Court jeweler. Carved out of a single piece of this stone, which was especially chosen for its unusual color and shading, the owl is finely chased in great detail. Tiny gold-mounted olivenes (sic) are set in for the eyes, and such a choice was a happy inspiration, as they add greatly to the character of the bird.\nHe is shown with his meticulously chased gold feet perched on an ivory stand which has sapphire tips. The whole rests on a base which is composed of a single slap (sic) of lapis lazuli.\nA typical Fabergé nicety is added near the base: - two tiny enameled bands, one in white matte enamel, and the other in a lovely shade of translucent pink enamel, complete the color harmony, and are a charming surprise.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2455. Miniature gold Easter egg, with four sections finely enameled a deep blue, and set in each corner with a gold star and in the center with a cabochon ruby. In between these sections, the gold surfaces are beautifully fluted.\n#2456. Tiny Easter rabbit mounted in an egg-shaped gold ring. The bunny is beautifully carved out of a single piece of amethyst. Around his neck is a gold collar from which is suspended a gold-mounted olivene (sic), while olivenes (sic) are also set in for the eyes.\nBoth of these are by the famous Russian Court jeweler, CARL G. FABERGE, and are from the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2457. Miniature Easter egg of rock crystal, finely etched with four four-leaf clovers, in the center of each of which is a ruby or an emerald.\n#2461. Miniature gold Easter egg enameled over a chased (guilloché) surface in a rich red, with a gold band running around its side.\n#2467. Miniature gold Easter egg enameled over a chased (guilloché) surface in a pale apple green. Superimposed are two white matte enameled lilies with leaves.\n#2474. Miniature gold Easter egg, very simple in design. Its sole decoration consists of a calyx outlined at the top in deep ultramarine blue enamel.\nThey are by CARL G. FABERGE, the well-known Russian Court jeweler, and are from the belongings of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2460. Miniature gold Easter egg, beautifully decorated with alternating panels of red and white translucent enamel. The white portions are further embellished with overlaid tiny blue flowers and green leaves.\n#2465. Miniature gold Easter egg fashioned as a gold egg-shaped ring enameled over a chased surface in a shimmering white. From its center is suspended a gold-mounted ruby.\n#2470. Miniature gold Easter egg fashioned as a gold egg-shaped ring, in which stands a gold-mounted egg-shaped aquamarine.\n#2472. Miniature Easter egg carved out of a single piece of the rare Russian semi-precious stone, orletz. Wound about the egg is a gold serpent, exquisitely chased, its head set with an emerald.\nThese are by CARL G. FABERGE, the celebrated Russian Court jeweler, and are from the belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2464. Miniature Easter egg carved out of a single piece of dark green jade, mounted in a gold wreath which divides the egg into three portions. Two points of the wreath are set with rubies.\n#2468. Miniature gold Easter egg finely enameled over a chased (guilloché) surface in a rich red. One side is set with a . (sic) pearl, while the other bears abbreviations in gold letters, which stand for the traditional Easter greeting \"Christ is Risen\".\nThese are by the celebrated Russian Court jeweler CARL G. FABERGE, and are from the belongings of the Grand Duchess Anastasia Nicholaiovna, the youngest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2496\nTiny vase with two small handles, beautifully carved out of rock crystal. The entire surface is cut with a basketwork design, while the top is mounted with a gold rim which is set with alternating diamonds and rubies.\nIt is by the celebrated Russian Court jeweler CARL G. FABERGE, who is today often referred to as the \"Cellini of the nineteenth century\".\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2497\nSmall gold cup by CARL G. FABERGE, the celebrated Russian Court jeweler. It is tapering in shape, and stands on a very short round base. On one side is a curiously formed openwork handle.\nThe most engaging feature is the decoration around the side of the cup. The lower portion is so chased as to look like water, in which are swimming two fishes, the tails and heads of which are blue sapphires. So cleverly chased are the sapphires and the gold, that the bodies of the fishes seem to be submerged in the water. The artifice is so well executed, that one actually thinks the fishes are playfully swimming in the water.\nIt is a piece typical of the fantaisies (sic) which Fabergé delighted in creating for members of the Imperial family, as well as for other important personages throughout the world.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2498\nExquisite brooch by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed as a horizontal figure eight, with a large cabochon emerald of lovely color set in each side. Each is surrounded by diamonds mounted in openwork gold setting.\nIt is a piece typical of the craftsmanship of this great artist, and of his fine, discriminating taste.\nFrom the personal belongings of Czarina Alexandria Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2512\nUnusual set of six large silver spoons, very simple both in design and in ornamentation.\nThe bowl of each is sharply pointed, while the handle is of shield shape, and on which is chased a shield surmounted by crown, and which bears the date \"1770\" as well as the words: \"Concordia et Laetitia\". The center of the shield shows two hands clasped in a handshake. The reverse is dated 1850 and bears the initials \"A.C.\".\nThe set was made in 1850 in St. Petersburg by the well-known firm \"Nichols and Plinke\", who made many outstanding objects for members of the Imperial family.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2524\nGold ring mounted with an exceptional emerald of over five carats and of remarkable brilliance and color.\nThe mounting was designed with the greatest simplicity in order to fully bring out the beauty of the stone.\nOriginally in the personal belongings of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2525\nA most exceptional star ruby of thirty carats, unusual for its size, shape and color of great intensity and richness.\nIt is mounted into an exquisite yellow gold ring, which consists of a broad band pierced throughout its entire surface, and chased with foliations and flowers which show exceedingly fine craftsmanship. The mounting for the stone is in the form of a collar of laurel leaves.\nThe general composition of the ring, with its fine material and excellent workmanship, combined with its exquisite lightness and grace, mark it as an important example of the jeweler's art.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2568\nExquisite miniature gold frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the fine quality and discriminating taste associated with the work of this master craftsman.\nIts surface is chased (guilloché) in a sunburst pattern enameled pale green [underlined]. The inner border, enclosing photograph, is set with pearls, while the outer border is beautifully chased with an oak leaf motif of green gold, crossed at intervals with bands of red gold. The back is of ivory and bears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2651\nFine Russian lapis lazuli and gold snuff box.\nIt is of cartouche form and is carved out of superb blue Russian lapis with the hinge and rims mounted in gold.\nThe cover bears in the center the gold and diamond studded monogram and crown of Empress Maria Feodorovna, mother of Nicholas II, the late Czar of Russia, and wife of Czar Alexander III.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2657\nSmall eighteen carat gold Easter egg by CARL G. FABERGE, the celebrated Russian court jeweler.\nIt opens through the center on a hinge and its entire surface is divided into four horizontal panels, each richly chased in typical FABERGE craftsmanship with interweaving foliations which stand out in bold relief against the finely stippled background. The top is set with a faceted ruby and upon opening the egg, one finds within, embedded in a lovely antique fabric, a small diamond and ruby ring. The central diamond is a golden color and this is surrounded by a circlet of six faceted rubies.\nIt is an exquisite example of the discriminating taste and precise craftsmanship of this great artist. This piece, for quality and for beauty, is in a class with the Russian Imperial Master eggs which are today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2675\nCircular ash tray by CARL G. FABERGE, the celebrated Russian Court jeweler. \nIt was executed during the World War from material captured at the front and melted.\nIt is of copper and bears in the center a large Russian Imperial double-headed Eagle. At the top are the words \"War 1914\", and at the bottom is the signature \"K. FABERGE\" in large letters.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2680\nExceptionally fine miniature gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in a scintillating white.\nIt is a small oval frame and the inner oval opening for the picture is bordered with pearls while the outer border is finely chased in typical FABERGE fashion with oak leaves in two shades of gold and set at intervals with lovely rubies in square gold mountings. At the top is a highly polished ribbon box attachment.\nThe back is paneled with ivory and bears a beautifully fashioned gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2691\nPaper knife with gold and topaz handle by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe stone is of a rich golden color and is so shaped that it may be easily grasped. Around its collar is a gold band chased in typical FABERGE classical style.\nIt is a good example of the fine craftsmanship and excellent taste of this great artist, who is today often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2692\nMiniature owl by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of a single piece of opal especially chosen for its fine color and shading.\nThe bird, which is of exceptionally small proportions, is shown standing on a gold perch which rests on an agate base. In its small dimensions, the details of the anatomy are correctly and precisely rendered. Two rubies are set in for the eyes.\nA charming example of the work of this great artist, who made so many important objets d'art for members of the Russian Imperial family, as well as for other important personages throughout the world.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2722\nCharming \"fantaisie\" by CARL G. FABERGE, the celebrated Russian Court jeweler, a tourmaline parrot of soft rose-color shading into a pale green tail and with emerald eyes, diamond collar and gold feet, perches on a swinging ivory bar which carries silver gilt pails on either end, filled with seed.\nIngeniously contrived, the swing is suspended from a silver gilt stand mounted on a round tray in typical Fabergé classical inspiration.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2786\nGold kovsh by CARL G. FABERGE, the celebrated Russian court jeweler, designed in the ancient Byzantine manner.\nThe round full bowl is decorated with eight spade-shaped panels bearing alternating leaf patterns with four Russian Imperial double-headed Eagles, all in bold relief. The eagles are chased with amazingly fine precision, and show the ball and scepter of sovereignty, the three crowns, St. George Slaying the Dragon, and the tiny shields, all in wonderful clarity and detail.\nThe kovsh stands on a short outflaring [sic] fluted foot, while the shoulder is absolutely plain. The most exotic feature is the handle which springs up from the base in the form of a horn, and which is surmounted by a finial consisting of a single large emerald.\nAn outstanding work of this great artist, often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2821\nMiniature gold and platinum charm in the form of a bull dog. \nThe collar is gold, the eyes are rubies, and the body is set with ten large diamonds and many smaller ones.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2859\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased guilloche surface in a most interesting pattern combining areas of various sizes in red, white, and blue enamel, the colors of the Imperial Standard.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2868\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler. It is enameled over a chased guilloché surface in a rich green. The top is decorated with classical fluted mounting and with chased gold garlands crossed at intervals with ribbons and from which are suspended pendant festoons. These are carried out in vari-colored gold, typical of the work of this master craftsman.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2869\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased guilloché surface in a raspberry red. One side of the egg is decorated with an applied miniature sculpture in gold of an elephant with up-turned trunk. This is outlined by a band of white matte enamel separated from the red by narrow gold bands.\n \nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2870\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is set around the center with a faceted emerald, a faceted ruby, and two faceted sapphires.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2881\nCircular silver tray by Nichols \u0026 Plinke, outstanding silversmiths of English origin who settled and worked in Russia at the request of the Imperial family.\nDesigned with the greatest simplicity the center bears an oval-shaped decoration suitable for monogramming, while the border is heavily chased and engraved with a classical pattern.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2882\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler. In typical Fabergé design, the rectangular opening for the picture is bordered by bead and dash pattern, while the outside border is likewise designed with a classical pattern, set in each corner with a rosette. \nIn between these, the area is overlaid with a chased guilloché surface enameled a most unusual shade of greyish blue and this is overlaid with rich gold festoons and shell motifs.\nBears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#JZ-1, 2, 3, 4.\nGroup of gold animal charms, of fine quality.\nOne represents a gold bear standing on a pearl [underlined]; one is a bulldog [underlined] with diamond collar and tail; another is a dog with ruby [underlined] eyes and diamond collar [underlined]; and the fourth is a dog carved in Chinese fashion [underlined].","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#L-14\nMost unusual and rare split Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today often referred to as the \"Cellini of the nineteenth century\".\nIt is a particularly noteworthy example of his genius. Carved out of nephrite and beautifully polished, it is split lengthwise through the center, which is mounted in gold with a laurel leaf design. On front and back are oval openings for pictures bordered with gold chased with the classic dart and triple dot motif. The surprise feature however, is discovered upon opening the egg. Each portion bears on the back a beautifully fashioned gold easel, so that when the egg is open, it can easily stand upon its easels, enabling one to see both pictures at the same time.\nIt is a very beautiful piece, and in every detail is typical of the fine taste and exacting craftsmanship of this great master.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#G.25\nDiamond-shaped rock crystal frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the utmost delicacy and refinement.\nThe round opening for the picture is bordered with emeralds, and through the center on top and bottom runs a golden stem bearing three gold tulips, each with four tiny gold-mounted rubies. The border is finely fluted and is crossed at intervals with leaves of a contrasting shade of gold, while in each corner is set a diamond.\nThe opening for the picture is backed with ivory, while the frame is supported by a gold easel exquisite in shape.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures","GOLD PRESENTATION BOX OF NICHOLAS II OF RUSSIA\nBY FABERGE\nThis exquisite example of the incomparable artistry of Fabergé is circular in shape. The top is enamelled [sic] in a lovely shade of rich iridescent blue over a guilloché surface. In the center is a raised oval reserve bordered by a row of pearls, a band of gold filigree and gracefully curved diamond set volutes extending to the outer rim.\nIn this reserve is found the Russian Imperial Eagle, entirely set with diamonds and surmounted by the crown set with two rubies. In the eagle's center is placed a finely chased shield showing \"St. George Slaying the Dragon\".\nUpon opening the box, the bottom of the inside is found to be enameled in the same deep blue as the top. In the center is the coat-of-arms of the Romanoff's, completely surrounded by a rayed sunburst design.\nPresented to Nicholas II by his wife Alexandra Feodorovna, upon the occasion of the three hundredth anniversary of the founding of the Romanoff dynasty, 1613-1913. \nFully signed by CARL G. FABERGE, jeweler to the Imperial Court, and bears the rare gold mark 72.","MRS. JOHN L. PRATT","This series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).","Price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and the date purchased. Most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers. A note in Pratt's hand is written on the item description for a traveling clock (item number 5253, purchased June 16, 1933) and says \"Given to H.R.H. Princess Margaret Rose of England May 1939.\" She received a letter of acknowledgment and appreciation back from Lady Constance Harriet Stuart Gaskell, a Woman of the Bedchamber to Queen Mary.","Finally, the few exhibition labels were used in the Hammer Collection's \"Russian Imperial Exhibit\" at Lord and Taylor. Four are still mounted on the original gold colored panels.","The series is divided into five subseries: Series 2.1: Lord and Taylor Invoices, [1933]; Series 2.2: Price Tags, undated; Series 2.3: Item Descriptions, 1933-1945, undated; Series 2.4: Exhibition Labels, 1933-1934, undated; Series 2.5: Correspondence, 1939.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. X 4110\nRunner made of 18th century brocade in a striped design of gold and various colors. From a portion of a Priest's robe woven and worn in Russia.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y. ","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 D\nKnife of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Polish, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 C\nFork of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Russian, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H-4098\nSilver Hand Mirror bearing the initials \"AN\" under the Imperial Crown, for Grand Duchess Anastasia, who was the youngest daughter of Nicholai II, the last Czar of Russia.","\nMrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5054\nA small modern Icon of \"St. George the Conqueror.\" Painted on metal and framed by the well-known Klebnikov of St. Petersburg. The frame is decorated in beautiful enamel work and bears the Russian hallmark \"84\" denoting the finest quality silver; also bears the stamp of the Imperial Double-headed Eagle, showing that it was made especially for a member of the Russian Royal Family.\nFrom the collection belonging to Nicholai II and his wife Alexandra, in the Winter and Alexander Palaces.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5358\nLarge Serving Spoon of gold on silver. On the handle appear the Imperial coat-of-arms, crown and monogram of Grand Duchess Elizabeth Mauvriekovna, wife of Grand Duke Konstantin. It was made by Hunt and Roskell of England.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4108\nPhotograph in a silver frame of Serge Alexandrovitch, who was the brother of Alexander III, and his wife, Elizaveta Feodorovna, who was the sister of Czarina Alexandra. On one side is engraved a crown and the inscription: \"Serge;\" on the other side, a crown and the inscription: \"Elizaveta.\" At the bottom, the dates \"1891-1904;\" at the top, a small crown and an enamel plaque of St. George Slaying the Dragon. Made by Faberge, the famous jeweler of the last Court of the Romanoffs.","From the Collection in the Winter Palace, St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4809\nFruit Spoon of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of this spoon is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg \nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. X 6101\nSquare of red velvet richly embroidered with gold stars of passementerie, also a design worked in beads and various colored stones. Finished with gold Gothic galoon. Part of a chasuble. Russian, Circa 1880.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut (sic) velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4830\nIcon, \"The Twelve Apostles.\" Seventeenth century, Northern School. Gold on bronze mounting. \nFrom the collection in the Winter Palace, St. Petersburg, of Nicholai II, the last Czar of Russia","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4809","Set of twelve Fruit Spoons of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, - the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of these spoons is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 1, 1933\nArticle No. 10685-B\nCup of gold on silver, with handsomely chased \"neilo\" (black enamel effect) decorations. Made in Russia and dated 1834.\nFrom the collection in the Winter Palace, St. Petersburg, Russia, of Nicholai I.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 2, 1933\nArticle No. 5253\nThin gold watch made by Leroy, Paris, for the Czarina Alexandra, whose monogram and crown in red enamel are delicately inlaid on the back. This simple but graceful time-piece was one of the last acquisitions of the Czarina. From her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 14, 1933\nArticle No. 5259\nGold on silver enameled Caviar Spoon. Russian, hallmarked \"88\" denoting the highest quality of Russian silver. Also bears the initials \"I.M.\" of the maker.\nFrom the collection in the Alexander Palace of the Czarina Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. D 1000\nSilver and enamel Tryptich, set with semi-precious stones. In the center is shown the head of Christ; on the left is Saint Nicholas; on the right, the Guardian Angel.\nFrom the collection of Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. 4580\nIcon of the early seventeenth century, Ulanov School, \"Dormition of the Virgin.\"\nBelow, among the prophets, disciples and saints, lies the Virgin while her Soul is represented as an infant in the arms of her Son, who will transport it to Paradise. On either side of Christ are Archangels; above Him, under the arch, are the Cherubim and Seraphim. At the top of the icon appears God the Father with the Holy Ghost. Immediately beneath is the Sabor of Angels awaiting Our Lady, who ascends from Earth. In the heavens, among other saints, are seen Thomas, John the Divine, Peter, Alexander, Paul, Philip and Savva. Below, in front of the bier, is Athonius, a Jew, who dared to place his hands on the bier to upset it. An Angel cut off the hands, but on Athonius saying an \"Ave,\" Peter healed him.\nFrom the collection of the Czarina Alexandra in the Winter Palace, St. Petersburg.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nGiven to R.P. H. Princess Margaret Rose of England May 1939 [handwritten]\nJune 16th, 1933.\nArticle No. 5253\nEnglish silver Traveling Clock in wooden case. Made for Queen Victoria by Dimmick, Maker to Her Majesty the Queen, Cowes, England.\nInscribed on the face: \"From Grandmama 1894\". Given by Queen Victoria to her grandchild, the Czarina Alexandra Feodorovna.\nFrom the Alexander Palace, Tsarskoye-Selo.","Mrs. John L. Pratt\nHotel McAlpin\nNew York, New York","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 3550\nWooden Wine Ladle. Beautifully inlayed with metal. Part of the Winter Palace Collection.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\n3623. Handkerchief.\nFine linen handkerchief embroidered with the crown and monogram of the Dowager Empress Maria Feodorovna, Mother of Nicholai II. The border is block printed with a series of brown and blue elephants. It is significant to the superstitious that the trunks of the elephant are turned down where is (sic) those of the lucky elephants are turned up. From the private quarters of the Dowager Empress in the Anitchkov Palace in St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\nF43. Paper Knife.\nGold on silver blade. Mounted in mother of pearl handle. Bears crown and monogram of Grand Duke Constantin Nicholaevitch.\nRussian [handwritten]","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6154\nMat. Made of green and silver brocade outlined in rose, conventional floral design.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces, consisting of hand-loomed brocades, damasks, handcut [sic] velvets and altar sets. The metal threads are of genuine silver.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 4404\nPhotograph of Olga, eldest daughter of Czar Nicholai II, Maria, the third daughter, their governess, and Titiani, the second daughter. Frame by Faberge; the blue ribbon crosses represents the order of St. Andrew, created in 1698 by Peter the Great. Only members of the Imperial Family could belong to this order. Winter Palace Collection.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5153\nSmall Runner. Made of damask woven with yellow flowers in serpentine design with gold. Trimmed with old gold lace. Russian Circa 18th Century.\nThis damask is from a collection used in the chapels of the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5096\nSquare Mat. Made of gold brocade outlined in tan trimmed with galoon. Russian Circa 1850. \nThis brocade is from a collection used in the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6396\nTwo Circular Mats. Made of white and gold brocade in conventional design. Trimmed with lace galoon. Russian Circa 1870.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces consisting of hand-loomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. 6025. Photograph of Nicholai II and his wife Alexandra as they were dressed for the Imperial Costume Ball held in the Winter Palace in 1903. The entire court at this ball were dress in Russian costumes of the seventeenth century. The Tzar and the Tzarina are here represented as Michael, First Tzar of Russia and his wife Evdokia, The photograph was made by Levitski, court photographer in St. Petersburg. On the back is a seal which reads: The artistic accurateness confirmed by the Imperial Academy of Art.\" This photograph was obtained from the elderly governess of the Grand Duchess who is still living incognito in Moscow.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. E-1000. Silver and enamel Easter Egg bearing red crosses on white iridescent enamel and an inscription which reads: Greater love hath no man than he who sacrifices his life for a friend [underlined]. At the top are the initials and monogram of dowager Empress Marie, mother of Nicholai II. Inside is a folding screen of miniatures painted on mother-of-pearl and framed in gold and enamel. The miniatures read from left to right with their respective monograms mounted in gold on the back as follows: Grand Duchess Olga Alexandrovna, sister of Nicholai II, Grand Duchess Olga Nicholaevna, daughter of Nicholai II, Czarina Alexandra Feodorovna, wife of Nicholai II, Grand Duchess Titiana, daughter of Nicholai II, and Grand Duchess Marie Pavlovna, author of the \"Education of a Princess\", and cousin of Nicholai II. This egg was made by Fabergé, the court jeweler for Nicholai II as an Easter gift, in 1915, for his mother, the dowager Empress. From the Anitchkov Palace in St. Petersburg, where it was under Inventory No. 17,550.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933\nArticle No. 6787\nMat. Made of gold brocade showing an Imperial Crown and double-headed eagle on a blue background. Made in 1913 to commemorate the three hundredth anniversary of the Romanoff regime. Bound and lined with old gold galoon.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6707\nRunner. Of vari-colored silk floral design of pussy willows. Probably used at Easter time. Circa 1780.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6794\nRunner. Of gold brocade with vari-colored silk floral design trimmed with old lace galoon. Circa 1800.","From a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4763\nA silver plaque depicting the Church of Christ the Saviour, which was given to the Dowager Empress Marie Feodorovna on the occasion of the erection of this church. It was to commemorate the miraculous escape of the Royal Family from death in a railroad wreck. The church was erected by the contributions of various workers in the government departments and private citizens of Russia in the year 1888.\nThe plaque is from the Anitchov Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 5528","An icon finely painted on wood and mounted with a silver trapping set with seed pearls in a Byzantine design on a background of green enamel. The subject of the icon is \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The commandment of the new day: Love Thy Neighbor as Thyself.\"\n \nThe icon is backed with red velvet. It was made by the court jeweler, Faberge, whose full name is marked under the Imperial double eagle. It also bears the figure \"88\" which denotes the highest quality of Russian silver. The icon is from the quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 6136\nAn unusual tea pot of exquisite silver bearing the crown and monogram of Alexander III. It is made with double spouts and a gut handle.\nThis tea pot was made in 1891 by the Royal jewelers, Michelson of Copenhagen, belonging to the Danish Court.\nIt was found in the Gatchina Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4765\nA slender gold column of exquisite workmanship, with a miniature of Nicholai II on it set with diamonds and crystals. The column is delicately chased with Icanthus leaves in green gold, a touch characteristic of Faberge who made the bibelot for the Czarina to present to Nicholai II on his birthday in 1907. It is contained in the original case and was found in the Alexander Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6111","A jewel chest made of hand-hammered silver, and lined with mulberry velvet. On the cover is the Russian Imperial Double-headed eagle adorned with the various emblems of the Romanoff family. The sides of the cover bear the repeated initial \"M\", inlaid with blue enamel, which stands for the Dowager Empress Marie, mother of Nicholai II. The key is set with a semi-precious green stone. The box is undoubtedly of Danish origin.","It is from the quarters of the Dowager Empress Marie, in the Anitchov Palace, St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6019","A jewel box made of silver. The cover is adorned with vari-colored Russian enamel, pearls and rose diamonds. It was made by the court silver-smith, Bolin, whose full name it bears. It is also marked with the initials of his assistant master and the figures \"88\", which denote the highest quality of Russian silver.","The box is from the personal quarters of the Czarina Alexandra, wife of Nicholai II, and was found in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6148","A brooch of silver modeled in a ribbon design and set with many turquoise and genuine half pearls.","It was found in the quarters of the Czarina Alexandra in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5421\nAn icon of \"St. Nicholas the Wonder Worker\", patron saint of Russia, with Christ and the Madonna. This icon was presented to Nicholai II when he was still a Czarevitch, by a peasant icon painter whose name appears on the border of the icon. The inscription on the back reads: \"From a peasant of the village of Materi, Province of Vladimir---Joseph Andrew Pankreshoff. Presented to His Imperial Highness, Czarevitch and Grand Duke Nicholai Alexandrovitch.\" Taken from the historic apartment of the Anitchkov Palace, with the inventory number #6794\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italian Primitive with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5538\nAn icon painted on wood on a background of gold with a border of rich enamel in Byzantine design. It has a brass trapping and is enclosed in original wood and velvet-lined case. \"St. Nicholas the Wonder Worker\". A painting of exquisite detail and coloring. It was presented to Nicholai II when he was still the Tsarevitch. The sticker on the back of the box reads: \"To the Grand Duke Nicholai Alexandrovitch, 19th of July, 1882.\" It has the city museum inventory number, Anitchkov Palace, 6819. From the quarters of Nicholai II in the Anitchkov Palace before he became the Tsar of Russia.\nThe fascinating history of icons dates back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italina (sic) Primitive, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMay 3rd, 1934.\nArticle No. 4122 C","A porcelain Easter egg bearing the monogram of the Czarevirch [sic] Alexis. It is drawn through with the original ribbon and was made in the Russian Imperial Porcelain Factory.","The Russian Imperial Porcelain Factory was owned and operated exclusively by the the [sic] Royal Family from the time of its beginning in 1744 (when it was founded by Elizabeth I, daughter of Peter the Great) down to the time of the last of the Romanoffs, Nicholai II (1917).","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT ","Article No. E-313\nSupple Bracelet of woven gold. The alternate links are fashioned of green and of red gold, which the Russians were so fond of. It was made by the famous court jeweler Faberge, and although the bracelet is not marked with his initials, its style and workmanship mark it as unmistakably his. The catch is marked with the number \"56\" for the finest grade of Russian gold.","From the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nArticle No. A-104\nOval Frame delicately wrought in filigree effect set with sixteen alternating sapphires and rubies. Contains an original snap-shot of the Czarevitch Alexis in a sailor suit, sitting astride an old cannon in the gardens of Peterhof, which was the Imperial summer residence in 1910. The frame is marked with figure \"88\"denoting a higher quality of Russian silver than our \"Sterling.\"\nFrom the personal quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo. She was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5547\nDainty spray of corn flowers, fashioned of gold, enamel and diamonds, supported in a small vase of rock crystal. The workmanship on the foliage and buds shows the most exclusive care in fashioning truly after nature. The enamel of deep blue is extremely clear. The stamen and pistils are each set with a small shiny diamond. The workmanship of the flower itself is by Faberge, the famous court jeweler, while the crystal vase was ground after his design in the Imperial Grinding Factory at Ekaterinburg.\nAmong the most delightful creations made by Faberge for Czar Nicholai II, was a collection of flowers and berries, made of gold, jade and precious stones. Many of the blossoms and berries were enameled in life like-colors. The small vases of rock crystal seem to be filled with water.\nThese delicate pieces brought great joy and pleasure to the Czar and it was a happy occasion when he presented them to some of the members of the Imperial Family.\nMrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5401\nElectric contact bell of artisticaly [sic] hand wrought silver in the form of a rabbit. The eyes, which make the contact, are set with garnets.\nIt was made and signed by the court jeweler Faberge, outstanding craftsman of the last fifty years. His name appears under the double-headed eagle of Royal appointment. The figures \"88\" denote the highest quality of Russian silver.\nFrom the property of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5687\nEaster Egg of Orletz or Eagle stone, decorated with gold and silver mountings, and bearing an inlaid monogram and crown of Maria Feodorovna, Dowager Empress and mother of the last czar, Nicholai II. The egg is shaped of this rare Ural stone, named after the Russian Eagle in the Imperial Grinding Factory in Ekaterinburg. Made by the famous court jeweler Faberge.\nFrom the quarters of the Grand Duchess Tatiana in the Alexander Palace, Tsarskoye Selo, to whom this gift was presented by Maria Feodorovna, her grandmother. Grand Duchess Tatiana was the second daughter of Nicholai II.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A-62","Rare Insignia of the Imperial Order of St. Andrew in the form of a pendant. The pendant is of gold, wrought with the double-headed eagle on either side in relief. Over the eagle on one side appeas [sic] the figure of St. Andrew as he was crucified on the cross. It was made in the time of Peter I, circa 1720, and is exquisitely enemaled [sic] in natural colors. The entire medallion is framed in nineteen large diamonds of contemporary cutting, the ring has six smaller diamonds.","From the quarters of the Grand Duchess Tatiana, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5570\nSnuff box of gold, period and style of Alexander II. Russian, circa 1860.\nThe design, exquisitely chased, is of oak leaves and acorns, inlaid with transparent enamel in dark blue. It is marked \"56\" the Russian equivalent of 14 Karat gold, the profile of the Government Assay Office and the impressed number \"2073.\" Very lightly cut is the original order number of the maker \"P154.\" [4 crossed out and 0 handwritten].\nFrom the Imperial snuff box collection of His Imperial Majesty the Czar in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMarch 6th, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nEaster Egg\nEach Easter, the Dowager Empress, Marie Feodorovna, would order the Russian Imperial Porcelain Factory to execute porcelain eggs which she personally distributed. This one, bearing the original ribbon, has her monogram \"MF\" and crown in green.\nThe Russian Imperial Porcelain Factory was owned and operated exclusively by the Royal Family from the time of its founding in 1744 by Elizabeth I, daughter of Peter the Great, down to the last Czar, Nicholai II in 1917. With few exceptions, all the china used at court was made in this factory. Many of the monarchs ordered gifts created here for foreign dignitaries and court favorites. Elizabeth I used a small double eagle as her mark, while Catherine the Great used her monogram without the crown. Otherwise, most pieces were marked with the crown and monogram of the ruler in whose reign the object was made, except Alexander I, whose china rarely bore a mark.","Mrs. John L. Pratt\nEaster, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. AS-1312\nExquisite parasol handle in baton design. It is of solid gold and decorated with conventional shell designs on a smooth ground. Each shell is set with a diamond, ruby, emerald or sapphire. On one side is applied a cut out double-headed eagle of Russia, adorned with the crests of all the Sovereign states, including that of Moscow in the center, showing \"St. George Slaying the Dragon.\" The handle is finished with an exceptional ball of choice flawless Siberian lapis lazuli of magnificient [sic] blue quality, set in a cup of scroll design, also set with precious stones. In all, there are eight diamonds, four rubies, four emeralds and five sapphires.\nFrom the quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. E-327\nRound powder box and cover of fine Ural [underlined] spinach jade [handwritten question mark]. The cover is rimmed in gold, chased in braided design, and has an artistically carved ivory elephant standing upon a fringed drum of gold, banded with alternating rubies and diamonds. The gold work is in the individual style of the celebrated court jeweler to Nicholai II, Karl Faberge, the creator of this lovely object.\nThe rim of the cover is marked with the full name of Faberge, the initials of his foremost workmaster [sic], Mikhail Perchin, the number \"56\", denoting Russian equivalent of 14Kt. gold, and the crossed anchors mark of the St. Petersburg Assay office.\nFrom the personal quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936.\n \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle E-451\nThe \"Queen's Birthday Book\". A volume published in London by Griffith, Farran, Okeden and Welsh in 1887, and dedicated to Victoria, Queen and Empress of Great Britain, Ireland and India, on the occasion of her Golden Jubilee. The book contains thirteen portraits of members of the Royal Families and fifty-five Royal autographs, among which are those of Queen Victoria, May 24th; her Prince Consort, Albert Edward, November 9th; Edward VII, January 8th; his wife Alexandra, December 1st; (sister of the Czarina Maria Feodorovna) and George V, June 3rd. Perhaps the most interesting autograph is that of the Czarina Alexandra Feodorovna of Russia while she was the Princess Alix of Hesse and but fifteen years old (June 6th).\nThe book contains the ex-libris of Countess Vorontsov Dashkov, who was Mistress of Robes, the highest position in the Court, and the close companion of the Czarina Maria Feodorovna, mother of Nicholai II. The fly-leaf bears the inscription of presentation: \"For dearest Etta, in remembrance of the Queen's Jubilee, 1887, from your affectionate Mary Adeliade [sic], June 1887\". Mary Adelaide was Her Highness, the Duchess of Teck. ","Mrs. John L. Pratt\nAugust 17, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/3\nHandsome frame of transparent green enamel with two oval apertures containing a photograph of Czarina Alexandra and one of the Czar, Nicholai II. Above the ovals is the double-headed eagle with wings outstretched. The crown between the heads is set with rubies and diamonds while a shield, set with the same stones, is on its breast. Underneath the photographs are three swags with rosettes and crescents in garland effect. At the top of the frame two griffins, facing each other with their paws resting on an urn, form a delightful balance to the whole. It is backed with an ivory panel, the handle and ring being of gold scroll.\nIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported from Russia into France, it also bears the assay office device of that country.\nFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/2","Gold on silver rectangular frame of rose enamel over a field of engine turning. Mounted over the oval aperture which contains the photograph of Czarina Alexandra Feodorovna, is a double-headed eagle bearing the Imperial crown, set with diamonds, between the heads. On its breast is a single sapphire. Below, a swag and crescent design forms the decoration. Encircling the whole is a conventional laurel leaf design attached with a ribbon bow-knot, the ends falling in graceful wavy effect. It is backed with an ivory panel, the handle and the ring being of gold scroll.","It was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported into France from Russia, it also bears the assay office device of that country.","From the quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle E-762/80\nCharm in the shape of an Easter Egg made of solid gold and superbly decorated with transparent enamel in tones of pearl, turquoise, and ruby. The colors are separated by gold swags which cross and are capped by four pigeon blood rubies.\nIt was created by the celebrated Karl Faberge, court jeweler to Nicholai II, and is hall-marked with the initials of his workmaster [sic], and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle -4776\nJade and gold frame on a stand. The photograph, in a heart-shaped pendant, is of Grand Duke Boris Vladimirovitch.\nIt was made by the famous court jeweler to Nicholai II, Karl Faberge.\nFrom the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\n ","Transcription: \n[double-headed eagle]\nArticle E-43\nExceptional photograph of the Czarina Alexandra in court dress, showing her great beauty. It is appropriately framed in finely chased gold on silver with a background of red iridescent enamel.\nThe frame was made by the famous court jeweler to Nicholai II, Karl Faberge, outstanding craftsman of the last fifty years. It is marked with the initials of his master and the figures \"88\" which denote the highest quality of Russian silver.\nFrom the personal quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP-1553/2\nPhotograph album containing many rare and valuable photos of the Imperial Family. It is bound in navy blue morocco (whole binding), with shield, clasp and line impress of silver. The doublures are of white moire paper, and the edges are silver. It was bound by F. Knoop, St. Petersburg. The book bears the bookplate of Nicholai II, and was found in his private study, in the Alexander Palace, Tsarskoye Selo. First inventory given is on doublure number \"26933\". Later it was inventoried on the third page as \"12415\".\nThe list of photographs is as follows:\n47.20.376.1 – Emperor Alexander II\n2 – Emperor Alexander II\n3 – Empress Marie Alexandrovna\n4 – Emperor Alexander II\n5 – Emperor Alexander II\n6 – Empress Marie Alexandrovna, wife of Alexander II.\n7 – Emperor Alexander II\n8 – Alexander III and Marie Feodorovna\n9 – Empress Marie Feodorovna and Nicholai II\n10 – Emperor Alexander III\n11 – Grand Duchess Xenia, sister of Nicholai II\n12 – Three generations of German Rulers. The infant is the present ex-crown prince\n13 – Empress Marie Feodorovna and Nicholai II\n14 – Nicholai II (Grand Duke Nicholai Alexandrovitch)\n15 – Grand Duke George Alexandrovitch (brother of N. II)\n16 – Grand Duke Vladimir Alexandrovitch\n17 – Grand Duchess Marie Pavlovna, his wife\n18 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir and her children\n19 – Grand Duke Vladimir and his sons, Kyril and Boris\n20 – Grand Duke Vladimir Alexandrovitch\n21 – Grand Duchess Marie Pavlovna, his wife\n22 – Grand Dukes Kyril and Boris Vladimirovitch\n23 – Grand Duke Kyril Vladimirovitch\n    \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","[double-headed eagle]\n-2- \n 24 – Grand Duchess Marie Alexandrovna\n 25 – Grand Duke Alexis Vladimirovitch\n 26 – Grand Duke Serge Alexandrovitch\n 27 – Grand Duke Paul Alexandrovitch\n 28 – Grand Duke Paul Alexandrovitch\n 29 – Grand Duke Alexis Alexandrovitch\n 30 – Grand Dukes Paul and Alexis and Duke of Oldenburg\n 31 – Grand Dukes Serge Alexandrovitch and Konstantin Konstantinovitch and the sister of Konstantin, Olga, later Queen of Greece\n32 – Grand Duke Nicholai Nicholaevitch\n33 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir\n34 – Grand Duke Nicholai Alexandrovitch (Nicholai II)\n35 – Grand Duchess Olga Konstantinovna, Queen of Greece\n36 – Grand Duchess Militza Nicholaevna\n37 – Duchess Alexandra of Oldenburg, 1st wife of Grand Duke Nicholai Nicholaevitch, died in 1900\n38 – Grand Duke Serge Alexandrovitch and Duchess Elizabeth Feodorovna\n39 – Grand Duke Vyacheslav Konstantinovitch\n40 – Grand Duke Dmitri Konstantinovitch\n41 – Grand Duke Konstantin Konstantinovitch\n42 – Grand Duchess Marie Alexandrovna, Duchess de Saxe- Coburg Gotha","Mrs. John L. Pratt\nJanuary 29th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. ME-1249\nRound snuffbox of spinach green Ural jade with hinged lid, mounted in gold. On the cover, set in diamonds, is the crown and monogram of Nicholai II, backed with two laurel sprays in green gold of exquisite workmanship, also set with diamonds. The top and bottom rims are engraved in delicate dot and dash design, while through the center runs a fillet of finely chased acanthus leaves in green gold and several tiny rosettes of red gold.\nThis superb example of the jeweler's art was designed by the celebrated jeweler to Nicholai II, Carl Faberge, and is hall-marked with his full name, the initials of his leading artist, Mikhail Perchin, the number \"56\" denoting the equivalent of 14 karat gold, the wreathed head of the government assay office, and the initials of the gold inspector \"YL\".\nFrom the collection of Nicholai II, last Czar of Russia, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nFebruary 8th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5571\nMagnificent gold snuffbox in oval shape with hinged lid. It is hand-wrought with a chased gold mounting. The lid has an oval gray and white cameo, masterfully carved with a mythological sea scene, signed \"W. Eissel\", outstanding German master. This is framed with fifty large diamonds and about one hundred small ones. The edge is in carved scroll design including two gargoyles over lapis blue enamel, and set with many diamonds, four of which are about one karat each. The sides are finished in the same treatment, having the crown and monogram of Kaiser Wilhelm in the front and the German imperial eagle in the back, all set in diamonds. The crown also has two rubies. At either end are small round cameos of mermen by the same master. Four kneeling cherubim, placed within shells of blue enamel and diamonds, support the cover. The bottom of the box is engraved with another sea scene showing Neptune and Venus receiving homage, while the background is again of blue enamel. This box was made for the Kaiser of Germany, and was so admired by Nicholai II, the former presented him with it.\nFrom the Snuffbox Collection of Nicholai II and his wife Alexandra, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay 11th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. JJ-5050/2\nExquisite oval icon of the \"Madonna of Kazan\". It is painted on ivory in a charming combination of water colors. The Greek symbols are for \"Mother of God\", \"Jesus Christ\" and \"Kazanski Mother of God\". The icon has a brass rim and is framed in rose velvet; it is backed with rose ribbed silk.\nAttached is the original government inventory tag, the abbreviations of which read: \"Alexander Palace Museum, Children's Apartments, Classroom of the Older Grand Duchesses Number 644/III\". These were the daughters of Nicholai II, whose palace was located in Tsarskoye Selo. This icon was undoubtedly executed by the Tsarina of Russia, a talented artist, whose work is easily recognized by her choice of colors and the fact that she invariably marked her paintings with the initials of her maiden name, Hesse.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. AV-5008/1\nOval icon medallion of solid gold. On one side is an exquisite enamel miniature of Jesus Christ dressed in blue and orange robes against a ground of brown scrolls on beige. His right hand is held in blessing, while in his left he is holding the open scripture. The Greek symbols about his shoulders are for \"Jesus Christ\", while those above the halo are for the \"Eternal Christ\". On the reverse side, on a ground of white enamel, is inscribed in black – \"Save and Protect\".\nThe gold is hall-marked with a number \"56\" denoting the Russian equivalent of 14 karat gold, and the device of the Moscow assay office.\nFound in St. Petersburg.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RB-5210/37\nDelightful charm of a German Dachshund [underlined] in seated posture. Carved from genuine topaz, he is adorned with a gold collar and suspended from a gold link. His eyes are realistically set with emeralds.\nThis excellently modeled and lifelike animal was designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his talented stone carver, Kremlev.\nMrs. J. L. Pratt\nDecember, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1815\nCharming stone figure designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his leading stone carver, Kremlev. Represented is one of the favorite sailors of Grand Duke Mikhail Alexandrovitch, brother of the last Tsar, Nicholai II. The name of the Imperial yacht \"Zarnitsa\" is inscribed in gold on the seaman's hatband.\nStanding solidly on his two feet of black onyx slightly spread apart, this sailor of courageous appearance is dressed in a spotless, freshly laundered suit of milky white jade. His piercing blue eyes, each set with a cabochon sapphire, sparkle with loyalty and sincerity. Flesh-toned aventurine makes up his interesting face, finely moulded [sic] with high cheek bones and sharp nose – typically Slavic characteristics. His sturdy hands are also of aventurine. This unusual portrayal, viewed from any angle, is singularly lifelike and attractive.\nIt is contained in the original hollywood box of the court jeweler, and is stamped with his full name beneath the double-headed eagle of royal appointment.\nThe \"Zarnitsa\" was anchored just outside of Kronstadt during the Krensky Revolution, and it is said that while the other sailors of the fleet joined the revolutionists, those on board the yacht ramined [sic] loyal to the Grand Duke Mikhail, in whose favor Nicholai II abdicated.\nMrs. J. L. Pratt \nDecember 9, 1937\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-517/4\nCross of hand-wrought silver, finished with a ball effect to represent jewels; Russian workmanship of the 18th century. On the face is the eight point Greek Orthodox cross, adorned with the crown of thorns. On either side is the spear and sponge of the Crucifixion, while below is the skull signifying that Christ conquered Death. The Slavic symbols read – \"King of Glory, Jesus Christ, son of God\". The reverse side is in scroll design.\nFrom the Imperial Chapel of the Feodorovski Cathedral, Tsarskoye Selo.","Lillian T. Pratt\nChristmas, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP- 1843/4\nRare mosaic icon of \"St. Nicholas the Wonder Worker\"; Russian workmanship, circa 1850. This portrayal of Russia's most beloved Saint is so skilfully [sic] inlaid with thousands of varicolored stones that it gives the impression of being executed in oil. It shows great character and deep religious inspiration, rarely found in mosaics.\nSet off by a gold halo, St. Nicholas is represented making the sign of Jesus Christ with one hand, while in the other he holds a gold and green Bible. His gracefully folded robes of red and blue are trimmed with gold, and his stole of silver is embroidered with gold crosses. Slavic symbols on either side of the halo are for \"St. Nicholas the Wonder Worker\". The icon has a rim of fire gilt and is framed and backed in red velvet of a later period.\nFrom the apartments of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nJanuary 8, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/4\nParasol handle of frosted rock crystal, carved to represent the head of a duck, and mounted on mohagony [sic] banded in gold. The eyes of the duck are all the more lifelike for the two deep blue sapphires set in gold. Around the neck is a gold collar, set with fifteen green tourmalines. The ring of silver gilt was added later to the base of the handle.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Faberge, for Tsarina Alexandra Feodorovna and was found in her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. A-61\nUnusual frame of rose jasper and gold-on-silver, containing a snapshot of Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, taken in Peterhof, 1907. Dome-shaped and with easel back, it is contained in the original Vyatka birch box, lined with green velvet and white silk, of the court jeweler to Nicholai II, Carl Faberge. The lining is stamped with his name beneath the double-headed eagle of royal appointment.\nThe frame is hall-marked with the initials of one of Faberge's leading workmasters [sic], Mikhail Perchin; the number \"84\" denoting the Russian standard of silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the court jeweler, \"45196\".\nFrom the quarters of the children of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-754\nCharming miniature frame containing a photograph of the Tsarina Alexandra Feodorovna. Dome-shaped, it is made of lettuce jade, delicately decorated with chased green and red gold mountings. Above the oval aperture, rimmed in laurel leaf design, is a swag motif tied with a ribbon; below are two dainty rosettes.\nThis frame was made by the celebrated court jeweler to Nicholai II, Carl Faberge, and the gold-on-silver easel back is marked with the initials of his workmaster [sic] \"IB\"; the number \"88\" denoting the quality of Russian silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the jeweler, \"0170\".\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/3\nEaster egg of green quartzite, varicolored gold and rock crystal, suspended from a chain of gold. A band of cut rock cyrstal [sic], bordered with narrow rims of gold, encircles the egg, separating the top from the lower portion. The top is surmounted with a wheel device decoratively worked in red and green gold, whose apex is a small Empirean [sic] wreath of laurel. A convex form of gold, delicately engraved in a wreath design covers the base.\nIt was created by the celebrated Russian court jeweler to Nicholai II and Alexander III, Carl Faberge.\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/1\nGraceful porte-poche of rock crystal with borders, handle and thee feet set with rubies and diamonds.  A gold border around the top is set with forty rubies and the corresponding border in the base has thirty-three rubies.  The question mark handle of gold, decorated with scroll design, is outlined with eight diamonds, set squarely.  Into each of the three ball feet are set thirty-two graduated diamonds. \nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé, and is hall-marked with his full name; the initials of one of his leading workmasters, Edward Kolin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.  It is engraved with the original order number of the court jeweler – \"40312\".  Since it was originally brought from Russia to England, it also bears the assay of the later country.\nFrom the apartments of the Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nJanuary 28, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/47\nCharm, in the form of an Easter egg, of exquisite simplicity.  It is made of spinach jade, belted with gold and a narrow fillet of diamonds, and is suspended from a gold link.\nThe egg was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé.\nFrom the apartments of Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/41\nEaster egg charm of gold, engraved in moire effect to represent clouds in the sky.  The design is based on the star and crescent motifs of Mohammedan origin.  Within the star form, outlined in relief, is set a diamond, and a large cabochon sapphire is enclosed within the crescent form.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster; the number \"56\" denoting the Russian equivalent of 14 Karat gold; and the device of the Moscow assay office, St. George slaying the dragon.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/46\nCharm of gold, purpurine and enamel, in the form of an Easter egg.  A circlet of diamonds separates the purpurine portion from the rest which is made up of alternating sections of opaque white and transparent emerald green enameling on a gold ground.  Each of the enameled sections bears a numeral of the year \"1900\", when it was presented to Grand Duchess Olga.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster.\nFrom the quarters of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nNote: purpurine is a composite stone developed by Fabergé, and reputed to be formed by a secret process of fusing gold and porcelain.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/39\nCharm of gold in the form of an Easter egg.  Palmetto leaves and the figure of an African elephant holding in his trunk a diamond, form the decoration.\nIn the style of Fabergé, the Russian court jeweler, it was created by the Kalodnikoff masters, bearing their hall-marks and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of the Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1933\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/45\nUnusually handsome Easter egg charm of gold.  A fillet of diamonds separates a petal decoration from the upper part of the egg in which a solitaire diamond is set.  A cabochon sapphire is set at the base.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked number \"56\", the Russian equivalent of 14 karat gold.  \nFrom the apartments of Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/38\nEaster egg charm of gold-on-silver, inlaid with varicolored opaque [handwritten, transparent x'ed out] enamel and bearing the Russian letters \"XB\" front and back, the abbreviation of the Easter salutation \"Christ is Risen\".\nIt was designed by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II and Alexander III, and is hall-marked with the initials of his workmaster.  \nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/33\nCharm of clove pink matte enamel, covered with a filigree of gold intricate design of conventional fleur-de-lis and braiding.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/32\nCharm of gold, in the form of an Easter egg.  It is covered with enamel in the deep blue color, beloved of the Russian people, over delicate engine turning and is set with a diamond.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the number \"56\" denoting the Russian equivalent of 14 karat gold; and the initials of his master.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/44\nEaster egg charm of topaz, with alternating sections of opaque white and translucent red enamel, banded with a circle of diamonds.\nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/9\nExquisitely modeled figure of an African elephant with upraised trunk, wrought in twenty-two karat gold.  His lifelike eyes are set with diamonds, and the tusks are carved from ivory.\nCreated by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II, it was made to the special order of his mother, the Dowager Empress Marie Feodorovna.\nFrom the quarters of the Empress, in the Anitchkov Palace, St. Petersburg.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/13\nDelightful gold chain bracelet with safety catch.  It alternates with three red gold and three green gold links.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and executed by his workmaster whose initials it bears – \"AE\", together with the wreathed head of the government assay office.\nFrom the apartments of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 2, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5209/26\nTiny, exquisite frame of lapis lazuli mounted on a rectangular base of gold-on-silver, supported by four ball feet.  The oval aperture, rimmed in gold, bears a photograph of Nicholai II.\nThis charming piece is from the quarters of Tsarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nApril 15, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSIES\nGraceful spray of pansies carved in amethyst, the centers set with brown diamonds.  Calyxes are formed in jade.  Rising on slender gold stems with leaves of Siberian nephrite, serrated and realistically modeled, the little pansy is set in rock crystal carved to represent water in a vase.\nCreated by the world-famed Russian jeweler, Karl Faberge, it is hallmarked with his name in Russian, and the initials of one of his leading masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18 karat gold.\nNumber RE5380-13\nMrs. John L. Pratt\nJanuary 9, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/2\nFlower fantasy exquisitely developed in jewels in the form of a dandelion seed ball.  Created by Carl Fabergé, illustrious jeweler to the Russian Imperial Family, this little piece typifies his finest work.  The head, with down of asbestos is developed around the seed pod and pedicels of platinum, delicately finished with tiny diamonds.  Serrated leaves carved in jade and graceful gold stalk rise from a little vase carved in rock crystal to represent a tumbler filled with water.\nFully hallmarked, it is signed with the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and with the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom a collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/10\nExtraordinary jeweled flower fantasy by Carl Fabergé, world famed court master to Tsars Alexsandr III and Nikolai II of Russia.  The blossom, carved in amethyst, opens slightly to reveal three stamens of gold, diamond set.  It surmounts a sturdy stem imbedded in gold soil within a tub-like container.  Leaves are realistically modeled of deep hued Siberian nephrite.  Encircling the container, which is fashioned of varitoned grey-brown agate, are hoops of gold pointed with small diamonds representing rivets.\nImportantly hallmarked, the stalk bears the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/16\nPair of lovebirds carved in amethyst, huddled together on an ivory perch ornamented with transparent carnelian enamel on a ground of guilloché gold and dainty rings of platinum, diamond set.  Deep cabochon topaz are set in the ends of the perch bar; two fine gold chains, linked to a foot of each bird, are attached to the pedestal base.  The delicately wrought fantasy rests on an inverted circular base, fashioned of dark green Siberian jade mounted with a simple gold border.  Four ball feet of gold complete the stand.\nCreated by Carl Fabergé, eminent Russian court jeweler, this exquisite object is hallmarked with his name; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/17\nSmall cage of appealing design wrought with slender bars of gold and suspended with a gold loop.  Mounted on a base of Siberian nephrite which rests on four ball feet, the top is finished with seven pearls and with a decorative portion of turquoise composition, encircled by diamonds.  Within this cage, on a small twig-like perch, is a diminutive bird carved in emerald, with head lifted in song and eyes set with diamonds.  \nThe gold perch bears full hallmarks including the name of Fabergé; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nMrs. John L. Pratt\nFebruary 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/29\nParasol handle of limpid clear rock crystal etched in open squared effect, pointed throughout with cabochon rubies.  The base is of solid gold and is encircled with a conventionalized laurel wreath, intermittently bound with crossed ribbons.\nDesigned by Carl Fabergé, famed jeweler not only to the Imperial family of Russia but to the crowned heads of Europe and Asia, it is fully hallmarked.  Present is the name \"Fabergé\" (indistinct); the Russian initials of one of the master's leading artists, Mikhail Perchin; the wreathed head of the government assay office; the numeral \"56\" denoting the Russian equivalent of 14kt. gold; and the initials of the government inspector \"YL\".\nOriginally a parasol handle in the possession of the Tsarina Aleksandra Feodorovna of Russia, a flat base has been applied so that the little object may be used as a seal.  From the personal effects of the Tsarina in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.CA-5364/2\nGreen jade miniature frame designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II.  Made of one piece, it has two oval receptacles containing rare, original photographs of the court jeweler and his wife.  They are rimmed with delicate fillets of silver, applied with ruby and black enamel in a design bordered by lines of white.  The photograph openings are backed with ivory to which is attached a hinged easel of graceful design.\nThe easel is hallmarked with the full name \"Fabergé\"; the initials of one of his leading workmasters, Henrik Wigstroem; and the numeral \"88\" denoting the quality of Russian silver.\nAcquired from Nikolai Fabergé, son of the renowned jeweler.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\nFebruary 17, 1939","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/3\nJeweled flower fantasy created by Carl Fabergé, eminent Russian court jeweler, signed with his name and the initials of one of his leading workmasters, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nDesigned with ingenuous artistry, this branch of English hawthorn has small fruits (\"haws) of red and white agate, cleft leaves of jade and a gold stalk imbedded in a white agate pot with soil of gold.  It is mounted on a base of white jade.\nFrom the collection of a member of the Russian Imperial Family.\nThese flower creations represent the height of Fabergé's imaginative genius.  They were the favorite possessions of the late Tsar and Tsarina, both of whom were ardent flower lovers.  Several of these were created by Fabergé for King Edward VII of England who presented them to Queen Alexandra.  Upon her passing, these jewels were left to her son, King George V of England, and to Queen Maud of Norway.  Some of these fantasies are now the prized possessions of Mary, the Queen Mother of England.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5332/7\nCompanion figures of two French bulldogs, one seated in attentive attitude – the other, a pup, in crouched position.  Beautifully carved of smoky topaz, the eyes of each are set with cabochon sapphires.  Collars finished with pendant drops, are gold, set with faceted sapphires of fine deep color.\nRealistic in every detail, these little sculptures are designed and executed with incomparable finesse.  They are creations of Carl Fabergé, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia, who was, as well, jeweler to nearly all the crowned heads of the European and Asiatic continents.  Fabergé, expert in the art of small figure sculpture, was noted for his ability to impart to the materials in his hands a convincingly living quality of form.\nThe topaz dogs are from the collection of the Tsarina Aleksandra Feodorovna, , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5389/2\nHandsome parasol handle of Siberian nephrite known as spinach jade, banded in red gold, encircled in diamonds.  The central portion has a connecting bow motif developed in diamonds and two cabochon rubies of fine color.\nIt was created by Carl Fabergé, renowned jeweler to the Russian Imperial Family.  Smoothly modeled and gracious in its simplicity, it is characteristic of the decoratively useful objects made by him for the late Tsarina Aleksandra Feodorovna and her daughters, the young Grand Duchesses.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/28\nParasol handle of lapis lazuli and gold in hexagonal form.  Narrow strips of gold connecting with the collar, pointed alternately with diamonds and gold relief pattern in diamond effect.  Finished with a flat end of gold, the handle is suitable for use as a seal.  It is contained in its original case of green hand-tooled leather.\nOf Russian workmanship, in the style of Fabergé, it bears the master's initials \"AK\".\nMrs. John L. Pratt\nFebruary 20, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/16\nRare, jeweled flower fantasy in the form of a water lily spray, set in rock crystal,  carved to simulate a rectangular vase filled with water.  Beautifully modeled, blossoms and buds are carved in chalcedony; stamen clusters of gold are set with rubies of fine color.  The leaves, liquid in appearance and with natural veinings, are carved in Siberian nephrite.  Grouped together, these are supported on slender stems of gold of which the lower portion of which the lower branch is fully hallmarked with the complete name of the master-designer, Faberge, illustrious jeweler to the Imperial court of Russia.  Present also are the initials of one of his leading artists, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 14kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 23, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/11\nIngenuous flower fantasy, finely detailed describing a Tibetian [sic] poppy.  Small buds and opening blossoms are fashioned in white chalcedony with peach tonings [sic].  The delicate stamens of gold, set with sapphires, cluster thickly in the fuller blown blossoms; centers are set with topaz.  Rhythmical stems rising from gold soil and finely worked sepals are in gold.  Carved in Siberian nephrite, the serrated leaves enclose the flower grouping.  A simulated tub carved in greyish-brown veined agate, is held with hoops of gold set with diamonds for the rivets.  \nAn extraordinary creation of Carl Fabergé, Imperial Russian master and illustrious designer in gems, the lower portion of the stem is hallmarked with his name in Russian; the initials of his able artist, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/4\nJeweled opium poppy, represented growing in a tub, designed by Carl Fabergé, Imperial Russia's greatest creator in gems.  Rising on sturdily modeled stalk of gold with blossom head full blown, it is delicately carved in amethyst.  A large cabochon Siberian amethyst, set in gold and red platinum, forms the heart of the blossom.  Surrounding this is a cluster of fine gold stamens pointed with diamonds.  The leaves are of extraordinary artistry.  Carved in Siberian nephrite, they follow the natural feeling of the growing plant.  The tub container is fashioned in brown-toned, striped agate.  Within this is soil of gold, and two gold hoops encircle the exterior.  Simulated rivets are diamond set.  \nThe stem is fully hallmarked with the complete name \"Fabergé\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/5\nLilies of the Valley\nEthereal flower creation developed in gems by Imperial Russia's foremost jeweler.  Tiny blossoms are delicately fashioned in quartz, with centers of gold.  Imbedded within gold soil in a container of brown veined agate, the blossoms and bands encircling the little tub are of 18kt. gold.  To this fact full hallmarks attest.  Present is the master's name \"Fabergé\"; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian [Imperial] Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/14\nDainty jeweled fantasy of a small hyacinth plant set in a little tub carved in white agate.  From the centers of the miniature blossoms of blue chalcedony appear gold stamens set with tiny emeralds.  Calyxes and leaves in realistic manner are of Siberian nephrite, and the stem isof [sic] 18kt. gold.\nThe lower portion of the stem, rising above the gold soil within a little tub, is hallmarked with the name of the master-designer, Carl Fabergé.  Present also are the initials of one of his ablest masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/12\nStalk of small asters, the blossoms carved in polished chalcedony, with gold centers, emerald set.  Calyxes are of green chalcedony, toning with the serrated leaves fashioned in Siberian nephrite.  The branch and extending short stems, joined irregularly with tiny leaflets, rise from a pot of jasper.  Wide gold bands encircle top and bottom of the container, the material of which, predominately brick-toned, shows platinum grains, throughout.  It may be noted that jasper and lapis lazuli from the Ural mountains frequently carried particles of precious metals.\nThe lower portion of the stem is fully hallmarked with the name, in Russian, of the master-creator of this little fantasy, \"Fabergé\".  Present also are the initials of one of his outstanding artists Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/11\nMiniature jeweled flower fantasy representing a rose plant imbedded in gold soil within a pot of grey-brown agate, banded in gold.  Bud-like blossoms of quartz surmount slender stalks of gold, realistically modeled in detail with thorns along their length.  Myriad small leaves in Siberian nephrite point upwards or cluster on drooping stems at the top of the container.\nThe little jeweled object, created by Carl Fabergé, eminent jeweler at the court of St. Petersburg, is fully hallmarked with his name; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/3\nRare, jeweled flower, fantasy, representing a branch of Queen Anne's Lace, imbedded within gold soil in a pot fashioned of dark red jasper, inclining gracefully to one side, the flower head is developed in platinum, pointed with diamonds on sturdy pedicels of gold.  The flower calyx is in chalcedony.  Gold stems bear small serrated leaves carved in nephrite, designed in perfect complement to the natural species.\nThe lower portion of the stem is fully hallmarked with the name \"Fabergé; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nOrange Blossom\nArticle No. RH-5380/10\nDelicately wrought flower fantasy created by Carl Fabergé, world famed court jeweler to the last two Tsars of Russia, Aleksandr III and Nikolai II.  Fashioned with consummated [sic] artistry, the buds and blossoms in chalcedony surmount a slender, curved stem of gold on which startingly [sic] realistic leaves appear, carved in Siberian nephrite.  Five of these cluster at the top and a large one is joined near the base of the stem, at the point where it is immersed in simulated water.  The little vase is ingeniously fashioned of rock crystal.\nFull hallmarks include the name \"Fabergé\"; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/5\nFigure of a heron carved in blue-gray smoky agate, with legs and splayed feet of red gold.  The eyes are set with diamonds.\nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it was executed by one of his foremost artists, Henrik Wigstroem.  The bird shown upright, in resting position, carries one wing slightly higher than the other.  Sensitively modeled, fine detail of feathers and general form is evident.  Rhythmic in line, the little sculpture is a particularly beautiful example of the designer's individuality of expression.\nFully hallmarked, it bears the full name, \"Fabergé\"; initials of his workmaster Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/4\nFigure of a \"Teterev\", wood grouse carved in black obsidian with eyes of diamonds, legs and claws fashioned in red gold.  The plump body is modeled smoothly and realistically described by restrained carving which suggests the feathered formation.  The bird is posed looking alertly to one side, with head inclined attentively and tail feathers raised.  \nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it is hallmarked with his name and initials of his leading master, Henrik Wigstroem.  Present also is the numeral \"72\", denoting the Russian standard of 18kt. gold.\nFrom the personal quarters of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/16\nFigure of a Russian bear, smoothly carved in rock crystal, in standing posture.  Modeled with rare fluency of form and subtly detailed the little animal is shown with four [sic?] paws upraised and head turned to one side.  A striking feature of this beautiful sculpture is its perfect equilibrium notwithstanding the fact that the heavy body inclines forward.\nIt was designed by that master-creator in gems, Carl Fabergé, jeweler at the court of St. Petersburg during the reigns of the last two Tsars of Russia, Aleksandr III and Nikolai II.\nMrs. John L. Pratt\nMarch 3, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH845/1\nLocket and chain of solid gold.  The locket, oval in shape, encloses a plaque of pearl-white transparent enamel inlaid on a ground in sunburst and star design, framed within a scrolled pattern.  Applied to the enamel is a raised flower of gold, the petals of which are set with three rubies and three diamonds.\nIt was designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II, and is hallmarked with the initials of his workmaster; the wreathed head of the government assay office; the initials of the silver inspector and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.  The chain of alternating smooth and etched oblong links, fashioned also by the court jeweler, is hallmarked with the initials of his workmaster \"H(?)V\".\nFrom the apartments of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Alexsandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 15, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.3531\nNineteenth century mahogany cabinet in French classic style, carved and ornamented with bronze mountings.  \"Espagnolettes\" form decorative motifs on portions of the frameworks.  Gracefully proportioned, it is fitted with removable glass shelves.\nDuring the twenty years previous to the Revolution, the style of French furniture reached a high standard of artistic excellence, both in design and execution.  This phase continued and produced a fine influence on the furniture of the next period, extending itself, as well, to the development of gracious furniture types in other countries.\nMrs. John L. Pratt\nMarch 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5454/3\nIntriguingly designed pendant in the form of a Russian Easter egg, suspended by two chains from a large loop.  Of solid gold, and fashioned to open midway on a small hinge, the six-pointed star ornamenting the top is set with a ruby and eighteen rose diamonds.\nDesigned by Carl Fabergé, Imperial Russia's greatest court jeweler, this little pendant charm was made for one of the young Grand Duchesses, daughters of the late Tsar Nikolai II.  It was found in the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5448\nUnusual, small parasol handle designed by Carl Fabergé, executed in his finest manner.  The ball top is fashioned in jade, the handle stick of gold is overlaid with blush-pink transparent enamel on a ground tooled in swag effect.  Two delicate fillets of gold, set with finely matched pearls, frame this portion.\nIt is contained in the original box of hollywood, stamped with the master's insignia beneath the double-headed eagle of royal appointment.\nOf great charm and simplicity, the little object was made for one of the daughters of the late Tsar Nikolai II.  It is from the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/12\nFigure of a polar bear carved in white granite, the eyes set with faceted emeralds of brilliant hue.  With teeth bared and head thrust forward, the animal seems to present a resistant front to some invisible enemy.  Heavy legs and paws and cumbersome body are well delineated, and the fur subtly handled.\nDesigned by Carl Fabergé, famous jeweler to the late Russian Imperial family, it was executed by one of his most talented stone carvers, Kremlev the Younger.\nFrom the apartments of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.5449\nFigure of a Dachshund carved in black Ural agate, lightly veined in red.  The little sculpture, smoothly executed and rhythmic in line, is shown in seated posture.  The eyes, set with diamonds, glisten in the finely modeled head and convey an expression of keen awareness, as well as that of patient watchfulness.  An appealing note is found in the left forepaw: the deep hued agate in which the entire body is carved, assumes a definite toning here, and the forefoot, consequently, is of grayish-tan color.\nDesigned by Carl Fabergé, Old Russia's illustrious jeweler for Tsars Aleksandr III and Nikolai II, and made for the Dowager Empress Marie Feodorovna, this is one of his exceptional animal sculptures.  It is contained in the original box of hollywood, velvet and satin lined, and stamped with the insignia of the royal jeweler beneath the double-headed eagle of royal appointment.\nFrom the apartments of the Dowager Empress in the Anitchkov Palace.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/8\nCrouched figure of a cat gracefully carved in white transparent Ural stone, the eyes set with faceted sapphires.  There is a feeling of concentrated watchfulness in the rhythm of the body.\nIt was designed by the celebrated jeweler to the late Tsar's family, Carl Fabergé, and was executed by his able stone carver, Kremlev the Younger.\nFrom the collection of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5409/25\nGraceful figure of an ostrich, realistically carved in Siberian striated [sic] brown agate, with eyes set with emeralds and legs modeled in gold.  It stands on a plinth of giallo marble.  The body is beautifully executed in full detail.  Feather formation follow [sic] the natural veinings in the stone and the neck, rising arched, developed in the lighter-toned portion, is etched to show the smallest feather form.  \nIt was created by Carl Fabergé, world-famed jeweler to the Imperial family of Russia, court jeweler and designer in precious substances to nearly all the royal houses in Europe and Asia.\nMrs. John L. Pratt\nJune 1, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nROOSTER\nTiny, exquisite figure of a Rhode Island Red rooster, carved from a piece of veined gray and brown agate.  The natural coloring of the stone is admirably suited to representing the coloring of this famous chicken.  Each of its eyes is set with a sparkling diamond, and its feet are delicately fashioned in solid gold.\nThe rooster was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented young sculptor, Kremlov.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nJADE COUPE\nMagnificent cylindrical coupe wrought from a single piece of spinach jade.  The vessel is supported on a tripod base formed by three powerful sea horses [sic], superbly modeled in gold and silver.  A pierced gold band, displaying a design of dolphins and set with cabochon rubies and sapphires, rims the top.  Surmounting the domed cover of jade is a gold trident, beneath which is the head of Neptune, two female heads and a cabochon ruby and sapphire.\nThis distinguished objet d'art was designed by Carl Faberge, celebrated court jeweler to Nikolai II and is hallmarked in Russian with his full name; the initials of his workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; the number \"88\" indicating a fine quality of Russian silver; the device of the St. Petersburg assay office, crossed anchors and scepter; and the original order number of the court jeweler, 2017.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm in the form of a bear, carved from real opal, suspended from a gold link.  He is standing on four paws and his eyes are set with cabochon rubies.\nThis little animal was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm of a bear exquisitely carved from real amethyst and suspended from a gold link.  He is standing on his hind legs, and his eyes are set with small cabochon rubies.  \nThis charm was designed by the celebrated court jeweler to Nikolai II, and executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVASE\nSmall, oval vase carved in brown and white veined Ural agate.  The bowl is separated from the skirted foot by a band of finely matched turquoise set between two fillets of repousse [sic] gold.\nThis exquisitely graceful object was made in the Imperial Grinding Factory in Peterhof.  This factory was owned and operated exclusively by the court.\nFrom the quarters of Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold decorated with vertical sections of transparent ruby enamel, separated by fillets of transparent pearl enamel.  Each section has a dainty leaf design, giving the decoration a Persian feeling.\nIt is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nCharm in the form of three tiny Easter Eggs, suspended from a bar.  The eggs are of chrysophrase, agate, and reconstructed turquoise, while the gold bar is set with three cabochon rose tourmalines, alternating with two pearls.\nIt was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and is hallmarked with \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head of the government assay office (indistinct).\nFrom the quarters of the Grand Duchess Anastasia Nikolaevna, youngest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual charm in the form of an Easter Egg.  It is made up of two halves of Siberian amethyst, separated by a band of faceted rock crystal and held together on an axis of gold.\nIt was created by the celebrated court jeweler to Nikolai II, Carl Faberge, and the gold link is hallmarked with the initials of his assistant master \"PK\", and the number \"56\" denoting the equivalent of 14 kt. gold.  Since it was originally brought from Russia into France, it bears the French inscription mark \"ET\".\nFrom the apartments of the Grand Duchess Tatiana Nikolaevna, second daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nMiniature Easter Egg designed as a pendant charm, of gold-on-silver, the surface hand-tooled.  The swam motif modeled in relief, encircled within a modeled form, ornaments one side.\nLoops from which it is suspended are hallmarked, but the devices through years of wear have become less distinct.\nDesigned by Carl Faberge, court jeweler to the last two Tsars of the Romanov Dynasty, it is fashioned like those which he made expressly for the young Grand Duchesses, daughters of Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg pendant of gold, set with sapphires and diamonds in a connecting design resembling three medallions suspended from triangular ribbon pieces.\nIt is surmounted by two loops, one of which is hallmarked (indistinctly).\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold, decorated with transparent sapphire blue enamel over a field of delicate guilloche [sic] work.  It is set with a large diamond on one side and a small one at the bottom.\nThe loop is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nSILVER VASE\nVase of hand-wrought silver in Empire style, designed by the celebrated court jeweler to Nikolai II, Carl Faberge.  Standing on three claw feet, its sides are decorated with as many antique Russian coins, one of Empress Anna, dated 1712, one of Peter III, dated 1762 (he was the husband of Catherine the Great and ruled only one year), and one of Catherine the Great, dated 1764.  The bowl is outlined with a tiny twisted motif, while the upper rim is in acanthus leaf design.\nIt is hallmarked with the full name of the court jeweler, \"2K. Faberge\" beneath the double-headed eagle of royal appointment; the initials of his assistant workmaster \"AW\"; the number 88 denoting the quality of Russian silver; and the wreathed head device of the government assay office.  It also bears the jeweler's original order number #24066.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nINK WELL\nMagnificent inkwell of spinach jade, gold, silver and transparent enamel in the classic Empire style characteristic of many of the finest works of Carl Faberge, Russian court jeweler.  The base of Siberian nephrite is smoothly modeled down straight sides and under surface.  The collar of champ-leve [sic: champlevé] pearl -white enamel on a guilloche field designed in undulating effect is rimmed in gold motif.  Heavy gold swags in in the same feeling depend from this over the top surface of the bowl.  The hinged lid is vibrant with champ-leve [sic: champlevé] amethyst and pearl-white enamel in alternating bands, on guilloche fields identically designed with the collar.\nWithin the lid of gold-on-silver appear the hallmarks which include the Russian name of the master creator, Faberge; the Russian initials of his workmaster, F. Afanasaiev, the number \"88\" denoting the quality of Russian silver; and the wreathed head device of the government assay office.\nThe object is from the famous jade collection of Agathon Faberge, illustrious son of the jeweler, known throughout Europe during the Imperial regime as one of the greatest gem experts of the world.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOCKET\nUnusual ball-like locket made from choice Siberian lapis lazuli and mounted with corded lattice work in gold.  Opening in half on a hinged lid, one side is equipped with a hinged glass miniature frame.\nThis locket was acquired from the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold and enamel created by Carl Faberge[sic], eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  The egg-shaped top has a field of guilloche work applied with mauve champ-leve [sic: champlevé] enamel, favorite color of the Tsarina Aleksandr Feodorovna.  This is decorated with a spiral effect of diamonds, terminating in a large diamond at the top.  The wide neck of yellow champ-leve [sic: champlevé] enamel is banded by two fillets of diamonds and is mounted with swags of green and red gold tied with diamonds.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold in graceful tapering shape, created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II, Carl Faberge.  The sides and top are divided into five sections of rose champ-leve [sic: champlevé] enamel, with moss agate effects, over a field of guilloche work, and outlined in white enamel, each centered with a diamond.  The crown of the handle is rimmed with diamonds, and the top is set with a large diamond surrounded by small ones.  The neck, also of rose enamel banded with diamonds, is applied with criss-cross leaf motifs, each set with a diamond.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBULLDOG\nFigure of a bulldog cared in obsidian and designed by Carl Faberge, eminent jeweler to the Imperial Court of Tsars Aleksandr III and Nikolai II of Russia.  The dog's brilliant eyes, each set with a diamond, and his life-like expression, are a lasting tribute to the genius of Faberge.  Around his neck is a white enameled, gold collar from which is suspended a tiny bell.\nThe loop on the collar is hallmarked with the initials of Heinrich Wigstroen, successor to Mikhail Perchin as Faberge's [sic] leading master.  It also bears the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head device of the assay office.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle fashioned in 18 kt. gold, applied on a guilloche ground with long panels in champ-leve blue enamel.  Separations between these, and collars circumscribed top and base, are patterned in small flower and leaf effect, the motifs executed in transparent ruby and emerald enamel.  A faceted diamond is set in the circular top and this is enclosed within the three tones of transparent enamel bordered in gold.\nThe object was created by Russia's eminent court jeweler, Karl Faberge, famous throughout the world as the greatest creator in gems of modern times.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest masters, Henrik Wigstroem; the numeral \"72\" denoting the Russian standard of 18 kt. gold; wreathed head device of the government assay office; and the Russian initials \"YL\" of the government inspector.  Present also is another assay device, nearly obliterated through wear.\nFrom the Imperial Russian Collection.\nNumber 5450-6\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nLong parasol handle of spinach jade, gold, and enamel.  The smoothly formed top is finished with a wide collar of red and green gold applied with opaque white enamel and red-carnelian champ-leve enamel on a guilloche undersurface.  This is rimmed in fluent wreath effect in the characteristically classic manner of its maker, Karl Faberge, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.\nThe object is hallmarked with the Russian initials of one of the master's artist-assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nNumber 5625-11\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nRhythmically shaped parasol handle of finely carved jade, mounted in solid gold and set with numerous diamonds in leaf-veining effect following the movement of the carving.\nIt was made by the Court Jeweler to Tsar Nikolai II, Karl Faberge, outstanding craftsman of the last fifty years, and illustrious court master to the late sovereign and his father, Aleksandr III.  His full name appears on the object, together with the initials of one of his foremost masters, Mikhail Perchin.  It is also marked with Faberge's original order number, #1225.  The handle is contained in the original white hollywood box.\nFrom the apartments of the Tsarina Alexandra Feodorovna, wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber #E23\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nGLOBE\nTerrestrial globe fashioned of remarkably clear topaz, intricately carved with a map of the Earth and its great divisions.\nIt rests on a solid gold tripod, nested in the base of which is a compass.  The frame-stand is encircled with a wide gold rim band engraved to show the units of longitude reckoned 180 degrees East to West or 15 degrees to the hour, the months of the year inscribed in Russian, and the corresponding signs of the Zodiac.  \nPoles are represented by small gold markers engraved with the hours of the day, and these attach to the latitude indicator measuring the distance on the earth's surface northward and southward from the Equator.  Hinged to this is the terrestrial Meridian index.\nA rarity even among the exceptional objects of fantasy and the bibelots created by Karl Faberge, illustrious Court Jeweler to Tsars Aleksandr III and Nikolai II of Russia, the piece is hallmarked with the initials \"EK\" of the master's leading goldsmith, Edward Kollin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre, device of the St. Petersburg assay office.\nFrom the Imperial Russian Collection.\nNumber 5550-1\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nDainty, rectangular frame of gold-on-silver with mauve champ-leve [sic: champ levé] enamel on a guilloche field, in basket weave design.  The oval aperture is rimmed in a fillet of gold set with pearls.\nThe frame, bordered with a continuous laurel leaf design in green gold, and delicately enhanced by the subtle color it encloses, is wrought in the finely characteristic style of the master.\nThe object is signed with the full name, in Russian, of Karl Faberge, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  Frequent also is the number \"88\" for the Russian quality of silver; the Russian initials of Faberge's assistant master, Mikhail Perchin; device of the St. Petersburg assay office, crossed anchors and sceptre; and the jeweler's original order number #57700.\nThe object is backed with ivory and has an easel as well as a hook for hanging.\nFrom the apartments of the Tsarina Alexandra Feodorovna , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber RH1698-100\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSY\nBeautifully composed spray of pansies, featured in rock crystal, fashioned to represent a small vase filled with water.  On a single stem of gold, three branchlets [sic] divide, each topped with a blossom carved in golden-hued and carnelian agate.  Petals, engraved with simulated veinings,[sic] curl realistically, held by calyxes of gold, and centers are set, each with a diamond.  Nephrite leaves group mainly along one long branchlet,[sic] reaching toward the light in their ascent.\nKarl Faberge, Russian court jeweler to the last two sovereigns of the Old Empire, created the little fantasy.  It bears his name in Russian; initials of one of his ablest assistants, Henrik Wigstroem; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and an assay device, in all likelihood that of St. Petersburg, now obscured.\nNumber 5509\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVERBENA\nDainty flower form created by Karl Faberge, Imperial Russia's most illustrious designer in gems.  Fashioned as a small verbena plant, the tiny blossoms are carved in chalcedony and white quartz, the centers pointed with diamonds.  These are joined to the gold stem by pedicels of gold.  Leaves are in Siberian nephrite.  The little tub, within which the plant is imbedded in gold soil, is of brown veined agate.\nLower portion of the stem is fully hallmarked with the complete name of the master in Russian, \"Faberge\"; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-6\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBUTTERCUP\nJeweled flower fantasy of buttercups with three blossoms fashioned in translucent yellow agate, with stamen centers, diamond set.  Rising on graceful, slender stalks of gold, their serrated leaves, carved in Siberian nephrite, thrust upward through the gold soil in a container of Siberian lapis lazuli.  This rests on a square plinth of white jade.\nThe lower portion of the stem is hallmarked in full with the complete name, \"Faberge\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the number \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLILIES-OF-THE-VALLEY\nDelicately wrought lilies-of-the-valley with blossoms in translucent white chalcedony with gold centers, drooped on long stems of gold, from the base of which rise leaves in nephrite.  The little fantasy rests within rock crystal fashioned to represent a vase filled with water.\nThe object was created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  It is fully hallmarked at the base of the stem with the master's full name in Russian, \"K. [struck through] Faberge\"; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and the initials \"HW\" for Henrik Wigstroem, one of Faberge's ablest workmasters.\nNumber RH5380-9\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPRIMROSE\nGraceful flowering primrose branch rising from a rectangular vase carved in rock crystal.  The container is designed in such a manner that it has the appearance of being filled with water.  Full blown flowers are in carnelian-toned agate, stamen clusters of gold surrounding brilliant centers set with diamonds.  The leaves, carved with rare finesse are in Siberian nephrite, and stems are made of 18 kt. gold.\nKarl Faberge, Imperial Russia's greatest court jeweler, designed the extraordinary fantasy.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nRH5413-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nHUMMING BIRD\nExquisitely carved figure of a humming bird with extended wing, resting on a high perch.  It was created by Karl Faberge, world-famed court jeweler to Aleksandr III and Nikolai II of Russia.\nFormed in smoky-toned translucent agate, the little figure is modeled with simplicity and fine attention to necessary detail of feathers and expression.  The eyes are set with diamonds.  The perch on which it rests is of 18 kt. gold, the horizontal bar being finished at either end with a cabochon sapphire and a circlet of diamonds.  Where the verticle [sic] rod joins purpurine base, banded and footed in gold in characteristic style of the master, it is encompassed by a collar of opaque and transparent enamel in white and pale tangerine.\nRendered indistinct through the years, are the hallmarks which appear on the under rim of the base.  These include the numeral \"72\" denoting the Russian standard of 18 kt. gold; and the initials \"HW\" for the Court Jeweler's notable workmaster, Henrik Wigstroem.\nThe composition known as purpurine is associated, if not entirely, at least most closely with the work of Faberge.  It was he who discovered the process whereby the fusing of porcelain and glass resulted in the extraordinary rich, red color.  The substance results, more often than not, although in a few of the rarest pieces, such as the one described above, the composition is smooth.\nNumber RH5408-14\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nDACHSUND [sic]\nBeautiful, detailed figure of a dachshund, created by Karl Faberge, illustrious court jeweler to the monarchs of Europe and Asia, and especially to the last two Tsars of Russia.  It is carved in fine, brown agate.\nEach movement of the little body, subtly expressed, contributes to the whole rhythmical form.  The eyes are set with cabochon rubies.\nNumber 5478-5\nMrs. John L. Pratt\nJanuary 10, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG PENDANT\nImperial Russian Easter Egg pendant carved of pink orletz, known as eaglestone, found in the Ural mountains.  It is mounted in gold with an abruptly bent loop pinioned to either side of the top.  Through this passes a second large loop for hanging.\nCreated by Karl Faberge, illustrious court jeweler to the last two Tsars of Russia, it is hallmarked with the initials \"AD\" of one of his workmasters, and with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nIt is from the collection of the Grand Duchess Marie Nikolaevna, third daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5625-3\nMrs. John L. Pratt\nJanuary 24, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCOIN\nLarge commemorative medallion heavily wrought in silver, featuring Queen Victoria of the British Empire on its cover with the inscription \"Victoria Regina Imperatrix\" – Victoria, Queen and Empress.  The back is modeled in relief with figures of Greek mythology, and with shields of the continents massed on the lower edge entitled \"Asia\", \"America\", \"Europe\", \"Austral-Asia\", and \"Africa\".  Marvelously fashioned to conceal all but a vestige of the device by which the hinged lid opens, the piece contains two oval miniatures of Queen Alexandra and King Edward VII of England as Princess and Prince of Wales, hand-painted on ivory and framed with elaborate mounts of gold.  These include the plumed crown of the Prince of Wales and ribbons bearing the inscription \"Ich Dien\" – I Serve, motto significant of the Hanoverian line of the British Royal House.  \nThe cover of the piece is marked with the initials of the artist, \"JEB\".  It is of English workmanship and was made by the firm of \"George Edward \u0026 Sons\", Silversmiths by Appointment to the British Court.  It is contained in the original red velvet case.\nNumber 5450-17\nMrs. John L. Pratt\nJanuary 31, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG\nImperial Easter Egg of rose quartz.  It was polished in the Imperial Grinding Factory in Peterhof which was founded by the Empress Elizaveta Petrovna.  At the larger end is found a magnificent star similar to that of a star sapphire.\nIn Imperial Russia the Easter Egg was of the greatest significance, symbolizing as it did the Resurrection and beginning of life and hopefulness.  During the festival of Easter, the year's greatest elaborate and simple eggs were given by all orthodox believers.\nThis egg of rose quartz was the property of Grand Duchess Olga Nikolaevna, oldest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye, [sic] Selo.\nNumber RH-5332-17\nMrs. John L. Pratt\nFebruary 6, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVIOLET\nJeweled violet fashioned in 18 kt. gold, the diamond-centered blossom naturalistically textured with an overlay of matte enamel, leaves wrought in Siberian nephrite.  Resting in its vase of rock crystal carved to represent a tiny tumbler filled with water, the flowerette [sic] inclines gracefully on its slender stem as if borne to one side by the weight of its petals. \nMady [sic] by Karl Faberge, illustrious court jeweler and in the master's best style, the little fantasy bears the assay mark of London in which city it was found.\nNumber 5756-19\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nPendant charm in the form of an Imperial Easter Egg of gold, applied with champ-leve [sic: champ-levé] ruby enamel on a surface tooled to represent a leaf form, and alternating sections in ultramarine blue enamel.  The four portions are banded with diamonds crossing at the underside and fashioned at the top with a double loop for hanging.\nMade by Karl Faberge, the larger of the loops is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and initials \"BF\" of one of the master's assistants.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent the most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-4\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nDelicately worked Imperial Easte[r] Egg charm of fete-ui mounted in gold and set with diamonds and rubies.  Describing a shower of tiny flower blossoms, small traceries in the precious metal depend rhythmically from a central repousse form at the top.\nTwo loops for hanging are hallmarked with the device of the workmaster \"MP\" for Mikhail Perchin, assistant of the illustrious court jeweler, Karl Faberge; and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nExquisitely hand-wrought small double picture frame of a thin solid slab of Siberian nephrite mounted with motifs of the Empire period.  Above the rectangularly cut apertures, enframed in pearls, is a long floral swag developed in several tones of gold and set with cabochon rubies.  The central design shows a graceful  flower basket which depends from a triple bowknot.  A similarly fashioned classical design with long pole terminating with the traditional pineapple suggestion, is centered with a flowing ribbon.  The squared openings are backed in mother-of-pearl, and the little piece rests on an easel wrought in gold-on-silver.\nCreated by Karl Faberge, it is fully hallmarked with the master's name in Russian; with the numeral \"88\" denoting the standard of Russian silver; the wreathed head device of the government assay office; and Russian initials \"YA\" of the official inspector.\nNumber 5777-8\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nTABLE BELL\nSmall table bell of red gold, designed in cupola form with tapering oval handle.  \nSole ornamentation consists of horizontal ridges which encircle the entire piece.  Producing a musical note as it strikes the side of the bell, the clacker is modeled as an elongated drop.  \nThe little piece was fashioned by Karl Faberge, jeweler to the last two sovereigns of Old Russia, and is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and with the initials of one of the master's assistant goldsmiths.\nNumber 5839-12\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame of a solid slab of translucent jade, mounted in two tones of gold with ornamental border and radiating stripes from an inner oval framework.  Containing the photograph of the small daughter Ireene of Prince Felix Youssopoff, it is exquisitely worked in the best style of the great court jeweler, Karl Faberge.  Mount designs include small four-petaled open blossoms, a twisted cabling and an alternating concantenate [sic] border within the outer edge.  \nDesigned with an ivory and gold back for resting on a table or hanging, the piece is hallmarked with the initials of one of the master's leading assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.\nNumber 5839-9\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nTiny double, gold frame, hand-wrought with incised stylized borders and a tooled ground on which is applied transparent pearl-white enamel.  It contains portraits of Tsar Nikolai I of Russia in uniform, decorated with various orders of knighthood, and his wife, the Tsarina Aleksandra Feodorovna who also wears one of the star orders of the Empire.  Each of the sovereigns is portrayed wearing the blue ribbon of the Order of St. Andrew.  Finely executed, these are set off by interior oval frames in the manner of the border.\nThe object rests on a gold easel and is backed in ivory.\nNumber 5840-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame fashioned to contain a miniature.  Hand-wrought in gold and applied on a guilloche field with transparent enamel in rich cobalt blue, the outer frame is developed in two tones of gold with a running border of leaves, and the inner fillet is bordered in pearls.\nThe piece, made by Karl Faberge, jeweler to the last two Tsars of Russia, is finely hallmarked with the master's full name in Russian; with the initials \"MP\" of one of Faberge's ablest associates, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of St. Petersburg.  The object bears as well the original order number, 58898.\nIt is backed in ivory and provided with a gold easel rest and a loop for hanging.\nNumber 5808-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nKOVSH\nCommemorative kovsh, smoothly modeled in red gold, featuring the Imperial double-headed eagle in diamonds on the prow.  Engraved within the border, fine old Russian stylized motifs are incised on the highly polished surface.  In the base, engraved within a heavy laurel wreath in repousse, a five ruble yellow-gold coin of Catherine the Great bears the Empress' portrait and, on the underside, the date \"1776\".  \nThis rare objet d'art was created by Karl Faberge and executed by his leading gold master, Edward Kolin.  Underside of the prow [lined through] handle bears, together with the jeweler's original order number #4297, the following hallmarks: the initials of the workmaster; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.  \nNumber 5756-18\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCHICK\nBaby chick, skilfully [sic] carved in richly-toned rose jasper with feet modeled in 18 kt. gold.  The eyes are set with cabochon rubies.\nCreated by Karl Faberge with fine expression of form and subtle line, this little object exemplifies the perfection of detail and ingenuous appeal which the master brought to the art of stone cutting.  \nFully hallmarked, it bears the number \"72\" denoting the Russian equivalent of 18 kt. gold; wreathed head of the government assay office; initials \"TL\" of the government inspector; and initials of the workmaster \"HW\" for Henrik Wigstroem.\nPresent also is the original blue enameled number, G21632, under which it was inventoried in the Gatchina Palace.\nNumber 5791-10\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg finely wrought in gold, hand-tooled and overlaid with orchid-pink champ-leve[sic: champ-levé] enamel and set with diamonds and a cabochon emerald.  Fashioned in panelled [sic] form, with diamond bands separating the enameled portions enhanced each by a stylized spray of gold laurel, the cabochon gem stone is featured in the based enframed [sic] in diamonds.\nIt was designed by the celebrated court jeweler, Karl Faberge.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nHandsome Easter Egg pendant of gold designed with oval medallions mounted with minute flower forms.  These, pointed with pearls and diamonds, are enhanced by vibrant enamelling [sic] in grotto green and old red.  Opaque white borders each of the four medallions.  The base is finished with a tiny pearl and the top with two loops for hanging.\nMade by Karl Faberge, both of these bear hallmarks including the numeral \"56\" denoting the Russian equivalent of 14 kt. gold and insignia, obscured, of the workmaster.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-5\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg charm designed as a locket to open by means of pressure on the tiny diamond thumb piece set in the base.  Of gold, overlaid with opaque white enamel streaked with swirls of pink to represent a rosebud, brilliant green enamel on a guilloche ground forms intricate patterns in repousse over the bud form to suggest the tendrils of a wild rose.\nIt was created by Karl Faberge, Russian court jeweler, and executed by one of his most illustrious assistants, Mikhail Perchin, who initials, in Russian, appear on the larger of the two loops.  Present also, but nearly obliterated through wear, is the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg charm of gold and sky-blue enamel set with a piece of rose quartz cut en cabochon.  Girdled with a fine gold band, the upper portion, terminating in a point, is hand-tooled beneath the enameled surface in delicate basket weave pattern.\nSurmounted with loops for hanging, the larger of the two is hallmarked with [in right margin a circle with slash through it and capital \"A\"; next text up to semi-colon appears to be lined through] the name of the Russian court jeweler Karl Faberge; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and certain other marks, partly obliterated through wear.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 6201-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOBSTER CHARM\nUnique charm modeled in gold and applied with transparent lacquer-red enamel on a tooled field, in the form of a lobster claw.  Characteristically jointed, the pincer end holds a faceted diamond in a prong setting.  It is surmounted by double loops for hanging.\nOriginally designed as a stick pin, this interesting charm was made by Karl Faberge, jeweler to the late sovereigns of Russia.\nNumber 5870-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK","LOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\nLOT #505 – ART. 6\nMARINE PAINTING ON CANVAS\n\"THE AMERICAN PACKET SHIP 'DREADNOUGHT'\nOF NEW YORK\".\nBy: James Wilson Carmichael\nENGLISH-1800-1868\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg, Va.\nFebruary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nMINIATURE IN FRAME\nSmall, round, gold frame by Faberge, wrought in exquisitely delicate form and ornamented with haut-relief floral swags, a spray of laurel and a graceful bowknot.  It contains a beautifully painted miniature on ivory of the late Queen Alexandra of England, sister of the Dowager Empress, Marie Feodorovna of Russia.  This is immediately enframed [sic] within a rim of red cisele [sic] gold, and an outer gold rim is finely engraved to finish the piece.\nProvided with a modeled gold easel and with a loop for hanging, the little bibelot of backed in ivory held by gold screws.\nIt is one of the characteristically superior works of the famed Russian court jeweler, Karl Faberge.\nFrom the collection of Prince Youssopoff.\nMrs. John L. Pratt\nFebruary 26, 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nFLORENTINE RENAISSANCE BUST\nLorenzo the Magnificent gave to the period of the Renaissance such impetus and encouragement that they served as the brush [??] which [??] the renewed interest in Classical Art.\nLorenzo had his faults, but his love for gems and jewels was less a fault than a talent, for he gathered together one of the finest collections of carved stones and exquisite jewelry ever to be owned by one man, and because he was a collector of Classical Art, others imitated him and followed his example, thus creating a market for the lapidary and goldsmith's work which has never been equalled. [sic]\nA development from this effort to create unusual pieces of jewelry and decorative objects was the use of large baroque pearls in their natural form.  The jeweler eagerly bought these pearls and after recognizing in one the body of a swan, in another the torso of a man, or, as in the figure of the warrior, a well-molded [?] helmet, he proceeded to make a design that completed the picture which his imagination visuallized [sic] with the pearl.\nIt is interesting, therefore, in contemplating the beautiful statuette of the warrior, that the helmet-shaped pearl was in all possibility the inspiration for the subject.\nWe do not know for what aristocrat it was made; we simply know that only a man of fine taste and great wealth could have commanded such a piece from his artisans and that the latter were among the best of the Renaissance period.\nThe best is that of a bearded Greek warrior carved from a large matrix emerald, showing fine detail in portrayal and in execution; on the head the warrior wears a gold helmet covered with the pearl and topped with a winged dragon; the bust stands on four golden snails [??] and is brightened about the [??] with rose diamonds.  The plinth is of topaz quartz carved in cameo [??] with heads of warriors and a philosopher.\nThis piece was formerly a part of the well-known Henry Walters Collection.\nLillian Pratt\nJanuary, 1945","Transcription: \n[double-headed eagle]\nArticle #5324\nA nine-paneled, hinged screen closes to form this exquisite egg of solid gold.  Surmounting it is the symbol of Christianity, a pelican feeding her blood to her young, rising gracefully from a golden nest.  The pelican is enameled in pastel tones – the wings and eyes being set with diamonds.  On each panel is a painting by Zehngraf, on ivory, showing various institutes of which the Dowager Empress Marie Feodorovna was the patroness.  A fillet of gold, with an inner rim of pearls, frames each scene.  On the reverse side, reading from left to right, the panels are inscribed as follows:\n1 – \"Zenia Institute, founded in 1894\".\n\"Nicholai Orphanage, founded 1837\".\n2 – \"Patriotic Institute, founded 1827\".\n3 – \"Smolni Institute, founded 1764\".\n4 – \"Ekaterina Institute, founded 1798\".\n5 – \"Pavlov Institute, founded 1798\".\n6 – \"St. Petersburg Orphanage of Nicholai, founded 1837\".\n\"Elizabeth Institute, founded 1808\".\nA center panel which serves as an easel for the egg when opened is chased on one side with a grouping symbolic of the arts; and on the other side with a motif suggesting knowledge.  When closed, the egg shows an elaborate design in Empire style and bears the inscription \"Visit the vineyard and you will also live, 1797-1897\".\nThe gold stand has four columns surmounted with crowned eagle heads and finished with claw feet.  Between the columns is an interesting design made up of crossed arrows and laurel leaves.  This gift, contained in its original red velvet case, was created by the celebrated court jeweler to Nicholai II, Carl Faberge, and hallmarked with his full name; the initials of his leading workmaster Michael Perchin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the government assay office.\nIt was presented to the Dowager Empress by her son, Nicholai II, Easter 1897.\nMrs. J. L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nTABLE\nOval tea table of mahogany with mirror and fine silver chased mountings.  A small oval tray, with pierced marquetry can be raised or lowered by regulating a latch beneath the table.\nThe silver mountings were made by the celebrated court jeweler to Nikolai II, Karl Faberge, and are designed in his typical Roman staff and ribbon motif.  The table itself was made in Paris by Escalier De Cristal, whose name is burned in the bottom.\nFrom the personal quarters of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5454","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle Nos. 5523-5524\nPair of icons depicting Saint Savior and \"Our Lady of Iberia.\"  They are painted on wood in warm coloring with artistically wrought trappings of gold on silver, set with Ural stones.  The Greek symbols on either side of the halos signify Jesus Christ and Mother of God respectively.\nThey were made by the court jeweler, Karl Faberge, master craftsman and designer and are all marked with his full name beneath the Double-headed Eagle of Royal Appointment, and the figures \"88\" which denote a very high quality of Russian silver.  The icons are backed with cerise velvet and are contained in the original boxes of Holly wood, lined with silk and velvet and are also marked with the name of the court jeweler.\nThese icons were made for the last Czar, Nicholai II, and were found in his quarters in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5846\nIcon of hand-hammered gold on silver depicting Saint Maria, Saint Nicholas, the Wonder Worker, and Saint Alexander Nevsky.  God the Father is represented in the Heavens above.  The oval frame is mounted at the top with the Holy Dove.\nThe icon was presented to the Czarevitch Nicholai Alexandrovitch, eldest son of Alexander II, who died before his father, thus permitting his younger brother, Alexander III, to succeed to the throne.  On the back of the icon is engraved: \"To His Imperial Highness, The Sovereign Heir, Czarevitch Nicholai Alexandrovitch, in honor of his confirmation, 1859.  8th of September.  This heartfelt offering from the Master of Silversmiths, Vasily Fedotov Ilyia, made by his own hand.\"\nFrom the quarters of the Dowager Empress Marie Feodorovna.  Bears the Alexander Palace inventory no. ADM 94735 A.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A68\nExtremely rare icon pendant with gold on silver mounting.  The medallion is very delicately hand-hammered and inlaid with richly colored enamel representing the Saint Savior Enthroned.  The Greek symbol of Jesus Christ appears on either side of the halo and the opened book bears the invitation \"Come Unto Me etc.\"  The frame is composed of hundreds of pearls. On a separate medallion above is engraved the Holy Vernicle.  The back of the pendant is engraved with the symbols of Jesus Christ.\nFrom the Prie-Dieu of the Czarina Alexandra Feodorovna, wife of the last Czar, Nicholai II, in the Imperial Chapel of Feodorovna at Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A105\nIcon of unusual shape, hand-hammered, chased silver.  Represented are Saint Nicholas in the center, Saint Alexander on the left and Saint Alexis on the right.  These were the patron saints of the last Czar, Nicholai II, his wife, Alexandra, and his son, Alexis.  In the mounting are represented two Guardian Angels holding the crown, surrounded by lovely garland effects and set with green Ural stones.\nThis icon was made by the Court Silversmith, Klebnikov, and bears his full name below the double-headed eagle of Royal Appointment.  The figures \"84\" denote the Russian equivalent of Sterling silver.\nFrom the cabinet of Nicholai II in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. H3825\nUnique cheese spoon of gold on silver in grapevine design, while a crown in relief forms the end of the handle.  Below this crown appears the coat-of-arms of Prince Yousoupoff on one side and his family monograph on the other.  It was made in England, circa 1847.  From the Yousoupoff Palace on Moika Canal in St. Petersburg.  \nThis Prince will be remembered for the prominent part he played in the assassination of Rasputin, the monk who wielded such influence over the last royal family of Russia.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nEaster Eggs\n1. Emerald enameled egg, presented by Czar Nicolai II to his mother, The Dowager Empress Maria Feodorovna, in 1912.  The Empire design of the egg was to commemorate the 100th anniversary of the war of the fatherland against Napoleon.  The folding screen of miniatures, which fits into the egg, shows the regiments of which she was honorary Colonel-in-Chief, which regiments were active in War of 1812.  \nHeight including stand, 7\".\nDiameter, 4 ½\"\nScreen opened measures 2 ½\" x 12 ¾\"\n2. Ruby enameled egg presented by Czar Alexander III to his wife Czarina Maria Feodorovna in 1893.  Has four miniature views of the Caucasian mountainside, and their son, Grand Duke George who had to live in high altitudes due to his ill health.  \nHeight 6\" including stand\nDiameter 3 ½\"","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nIMPERIAL RUSSIAN EASTER EGG\n*1896*\nPresented by the Tsar Nikolai II to his wife, the Tsarina Aleksandra Feodorovna, at Eastertide in the year of their Coronation in Moscow, the magnificent Imperial Easter Egg is rock crystal and gold inlaid with rare champleve enamel and set with gems is one of the monumental works of the illustrious Russian Court Jeweler, Karl Faberge.  One of the fabulous forty-nine jeweled Easter gifts in the form of eggs symbolic of New Life, Resurrection and Hopefulness, received by the Empresses Maria Feodorovna and Aleksandra Feodorovna at the height of the Easter Festivals, the rock crystal egg is surpassed by no other one of the artist's creations, and it is said that neither is it equaled in purity of form and adroit workmanship by any of the other jeweled eggs.\nFashioned in a block of rock crystal hollowed to remarkable thinness, banded in diamonds and translucent emerald enamel, it is surmounted with a twenty-seven carat Siberian emerald cut en cabochon and pointed.  It is mounted on a pedestal of gold inlaid with brilliant varicolored enamel wrought in a series of monograms of the recipient as the Princess Alix of Hesse-Darmstadt before her marriage, and later as Aleksandra Feodorovna, Empress of Russia.  Above these appear diamond crowns of the respective royal houses, and narrow diamond borders enframe the spheroidic steps of the pedestal which rises from a circular stepped base in rock crystal.\nWithin the egg, twelve handpainted miniatures on ivory, signed, by Zehngraf, framed in gold and controlled by the emerald at the apex, revolve on a gold columnar axis.  These, of the royal residences in Germany, England and Russia associated with the life of the Tsarina, include views of palaces in and near Darmstadt, Hesse, such as the Neue Palais at Darmstadt and Kranichstein in Hesse; Rosenau, Coburg; Balmoral and Windsor Castles and Osborne House in the British Isles; the Winter, Anitchkov and Aleksandr Palaces of Russia.\nFully hallmarked, the object bears the master's name in Russian, the Russian initials \"MP\" for Mikhail Perchin, one of Faberge's chief assistants – himself a creative artist in precious metals and a person of singular ability; the numeral \"56\" which is the Russian equivalent of fourteen karat gold, and the crossed anchors and sceptre device of the St. Petersburg assay office.\nThe overall height of the rock crystal Easter egg is 9 ¾ inches.  It is contained in the original case of velvet, lined in satin and stamped with Faberge's insignia.\nLillian T. Pratt\n[Small typescript note attached]\nNOTE: SEE PHOTOGRAPHS OF MINIATURES IN INSIDE OF CRYSTAL BALL OF RUSSIAN IMPERIAL EASTER EGG.  THE WRITING ON THE BACK OF THE PHOTOGRAPHS WHICH GIVES LOCATION OF THE RESIDENCES IS SAID TO BE THE HANDWRITING OF QUEEN MARY.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Osborne House, Isle of Wight, England, and on the right is Neues Palais, Darmstadt, Germany.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Schloss Wolfsgarten, near Darmstadt, Germany, and on the right is Windsor Castle, near London, England.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Anichkov Palace, St. Petersburg, Russia, and on the right is Winter Palace, St. Petersburg, Russia.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Jagdschloss Kranichstein, Darmstadt, Germany, and on the right is Fortress Coburg (Veste Coburg), Germany.","Transcription: \nPhotograph of the daughters of the Czar Nicholai II in a silver frame made by Faberge, the court jeweler. The blue cross signifies the order of St. Andrew. From the Alexander Palace.","Transcription: \nLinen handkerchief with wide border of brown and blue elephants. Hemstitched and embroidered with monogram of Marie Feodorovna, Dowager Empress of Russia. From the Anitchkov Palace.","Transcription: \nSolid gold column. Decorated with a fine wreath design in green gold with a laurel wreath carrying the suspended miniature of Nicholai II surmounted by a crown set with diamonds. Presented to the Czarina Alexandra Feodorovna on her birthday in 1907 by Nicholai the Second. Made by court jeweler Fabergé.","Transcription: \nSilver plaque presented to the Dowager Empress Marie upon completion of a church built to commemorate the miraculous escape of the entire Royal Family, when the royal train was wrecked. Inventory no. 23677","Transcription: \nIcon delicately painted on wood and mounted with a silver trapping set with seed pearls in Byzantine design, on a background of green enamel. \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The Commandment of the New Day - \"Love Thy Neighbor as Thyself\". It is backed with red velvet. It was made by the court jeweler Fabergé whose name it bears. It is marked with the figures \"88\" which denotes the highest quality of Russian silver. From the quarters of Nicholai II in the Alex. Palace, Tsarskoye Selo. Inventory no. 12-31-33.","Transcription: \nSilver Teapot, bears the crown and monogram of Alexander III. Made in 1891 by Michelson of Copenhagen, Danish court jeweler. From the Gatchince Palace. No. 6136","Transcription: \nHeart-shaped box, made by the famous court jeweller - Fabergé -","Transcription: \n[Crown]\nMARLBOROUGH HOUSE\nS.W.1.\nDear Mrs. Pratt\nI am commanded by Queen Mary to convey to you Her Majesty's grateful thanks for the travelling clock which was a gift from Queen Victoria to Princess Alix.  The Queen very much interested to have it and touched that you should have given it to Her.  The Clock will be put among family relics.\nYou will have read of the terrible motor accident Her Majesty has been in.  I am thankful to say she is getting over the effects wonderfully well, it is amazing that the Queen was not seriously injured and indeed that no one was badly hurt.\nYrs sincerely \nConstance [?] Gaskell\nMay 27 39","This series is comprised of information about Pratt's estate after her death on July 21, 1947. The estate tax return outlines the extent of her entire estate, including the varied philanthropic bequests and funds she had arranged. Detailed inventories of the estate list her belongings by category. One of the paintings lists was annotated by a local appraiser, Virginia Clarke Taylor, denoting which paintings were \"antiques\" or not. Finally, there are many price tags from other non-Faberge purchases she made over the years. Most are from the New York department store B. Altman and Company, and detail her acquisitions of silver, lamps, fabric, vases, paintings, and other decorative items.","The series is divided into three subseries: Series 3.1: Tax Information, 1947; Series 3.2: Inventory, 1947, undated; Series 3.3: Other Furnishings, 1932, undated.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nSpecial Order\nDept. 93\nOrder 26583\nTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO \nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 149322","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 159619","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nB. ALTMAN \u0026 CO.\nSALON of Antique Furniture\nAnd Works of Art\n#101/4062/D\nAntique Cork\nCut Glass\nComport [sic: Compote]\n$155.00","Transcription: \nGallery of Antiques\nAnd Collectors Pieces\n#353/13122\nDescription\nSilhouette Painting on\nGlass\nPrice $65.00 [crossed through, replaced with $35.00]\nB. Altman \u0026 Co.\nFifth Avenue New York","Transcription: \nB. Altman \u0026 Co.\nS 1108\nFinest Milanese\n17th Century\n1 yd 31 in\nfor\n95.00 [crossed through]\n78.00 [crossed through]","45 00","Transcription: \n[Front]\nTreasure Trove\nNo 16/640\nTerracotta Urn\nPrice 150.00 [crossed through]\n85.00\nB. Altman \u0026 Co.\nNew York","[Back]\nB. Altman \u0026 Co. New York\n60\n25.00\nOver Treasure Trove tag","Transcription: \n[Front]\nNo. 94/203\nBRONZE URN\nPrice 395.00 [crossed through]\n300.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] \nBack of Treasure Trove tag with B. Altman \u0026 Co. New York tag \n45.00","Transcription: \n[Front]\nNo. 94/407\nBRONZE BUCKET\nPrice 350.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag with sticker B. Altman \u0026 Co. New York\n50.00","Transcription: \n[Front]\nNo. 100/14\nJADE LAMP W/ SHADE\nPrice 225.00 [crossed through]\n165 –\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 100/101\nLAPIS LAZULI LAMP \u0026 SHADE\nPrice 375.00 COMPLETE [crossed through]\n225.00 [crossed through]\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 139/10211\nPOMPEIIAN BRONZE TRYPOD [sic]\nPrice 265.00 [crossed through]\n180.00 [crossed through]\n35.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag, Sale","Transcription: \n[Front]\nNo. 139/12015\nPOMPEIIAN BRONZE VASE\nPrice 275.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag [$45.00?]","Transcription: \n[Front]\nBloor Darby Long Tom Vase over 100 years old\nB. Altman \u0026 Col. New York\n[Back] Altman Lamps tag","Transcription: \n[Front]\nOld Colebrookdale Vase made in England\nB. Altman \u0026 Co. New York\n[Back] Altman lamps tag","Transcription: \nT 52\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. 13 /B – Odd\nPrice 14.00","Transcription: \nT 52A\nM 98\nB. ALTMAN \u0026 CO.\n63/2398\n[Sheff Repe ?] Candlesticks 1 Pr\nPrice [46.00?] P R","Transcription: \nT 52-A\nB. ALTMAN \u0026 CO.\nS 93C\n191\n16\"\n11.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nS93C\n191\n16\"\n11.00","Transcription: \nT52\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 97/5043\nColor\nPrice 82.50","Transcription: \nT52\nA4 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 2127\nPrice 70.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nW5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor Special\nPrice 40.00","Transcription: \nT52\nA 93\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 44718\nColor TL\nPrice 50.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52-A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/034F\nMade in London\nYear\nBy  Mug\nPrice 145.00 [lined through], 95.00 [lined through], 50.00","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7514\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 150.00 [lined through], 85.00, 42.50\n[Back]\nDEPT 75 X B","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7515\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 110.00 [lined through], 65.00 [lined through], 32.50\n[Back]\nDEPT 75 XB","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7524\nMade In London\nYear 1813\nBy\nTea Pot\nPrice 130.00 [lined through], 90.00 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7545\nMade in 1776\nYear Geo III\nBy\nBasket\nPrice 150.00 [lined through], 80.00 [?], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7547\nMade in London\nYear 1773\nBy\nSugar Basin\nPrice 120.00 [lined through], 75 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7555\nMade in\nYear Geo III\nBy 1767\nPr. Candlesticks\nPrice 200.00 pr. [lined through], 120.00 [lined through], 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 319/2182\nMade in\nYear\nBy Pair\nSheffield [lined through] Candlesticks\nPrice 275.00 [lined through], 200.00 [lined through], 100.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld English Sheffield Plate\nNo. 321/140\nArticle Pr Adam Candlestks [sic]\nPeriod Sheffield\nPrice 425.00 [lined through], 210.00 [lined through], 100.00","Transcription: \n[Front]\nNo. 12/953\nLustre\nPrice 225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 written over \"B\"; 725 in margin]\n[Back]\nTreasure Trove","Transcription: \n[Front]\nNo. 12/953\nLustre\n225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 and 725 written on front as well]\n[Back]\nTreasure Trove","Transcription: \nNo. 12/989\nCrystals\n$650.00 Pr.\nB. Altman \u0026 Co.\nNew York\n[Back]\nTreasure Trove","Transcription: \nTreasure Trove\nNo. 97/5043\nCIG. BOX\nPrice 225.00 [lined through]\nB. Altman \u0026 Co.\nNew York\n[R829 written over company name at bottom]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n5203\n25.00 [lined through]; 5.40 [?] 2 Doz. [?]\nCluny \u0026 Bohemian Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n[company name written over with 1 Doz. [?]]\n10346\n85.00 [lined through]; 30.00\n[?]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n1 Doz.\n10640\n28.00 [lined through]; 15.00 [?]\nBruges Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11370\n¬all\n85.00 [lined through]; 30.00","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11696 1/2\n65.00 Dz. [lined through]; 24.00 Doz. [?]\nRt [?] Milan Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n12875\n55.00 Dz. [lined through]; 18.00\nPt. [?] Milan","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n13698\n145.00 [lined through] all; 42.00","Transcription: \nB. Altman \u0026 Co.\nNew York\n165.00 [lined through]","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 150.00","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 145.00","Transcription: \n[Front] Miller \u0026 Rhoads\nRICHMOND, VA.\nNo. 393B2\nMfr. C1004 – C3004\nArticle Junior\nPrice Lamp Complete\n17.95\n[Back] W. \u0026 J. Sloane\n47th \u0026 5th Ave\nN. Y. City","Transcription: \n[Front] Antiques\nReproductions\nDecoration\nLord \u0026 Taylor\nFIFTH AVENUE, NEW YORK\n[Back] CLASS E-10  \nSEA 0 \nLOT 2212\nFramed English Sampler\nPRICE $95.\nLength – Width – Height","Transcription: \nOld Silver\nTray\nHall Marked\nLondon 1817\nWm. Elliott\nJ.E. CALDWELL \u0026 CO.\nPHILADELPHIA","Transcription: \nSauce Boat\nHall Mark\nLondon 1763\nMakers\nJ. Parker \u0026 E. Wakelin","Transcription: \nM106\nMcCutcheon's\nUpholstery Dept.\nS91\n35.00 [lined through]; 14.50\n37 over 5502over T.A.C.M.","Transcription: \n[Front]\nPatt. 236\nSize 2 7[?] x 5 \nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 236\nSize as \nSeason S","Transcription: \n[Front]\nPatt. 237-E\nSize 2  9 x 5  4\nQual.\nPrice 86.00 [lined through]\n[Back]\nLot 237-E\nXS as \nSeason K","Transcription: \n[Front]\nPatt. 243\nSize 2 10 x 5 6\nQual.\nPrice 235.00 [lined through]\n[Back]\nLot 243\nX S as \nSeason H [?]","Transcription: \n[Front]\nPatt 286\nSize 3 4 x 5 10\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 286\nX S as \nSeason S","Transcription: \n[Front]\nPatt. 295\nSize 2 2 x 5\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 295\nX S as\nSeason K","Transcription: \n[Front]\nPatt. D1215\nSize 9 x 11\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D. 1215\nSize as\nSeason M","Transcription: \n[Front]\nPatt. D.1234\nSize 9 x 11 5\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D.1234\nX S as\nSeason P","Transcription: \n[Front]\nPatt. D. 1361\nSize 2 6 x 4\nQual.\nPrice 250.00 [lined through]\n[Back]\nLot D. 1361\nX S as\nSeason T","Transcription: \n[Front]\nPatt. D. 1369\nSize 2 7 x 6 8\nQual.\nPrice 675.00 [lined through]\n[Back]\nLot D. 1369\nX S\nSeason W","Transcription: \n1353\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\nand Richard Sibley\nEM9","Transcription: \n1353B\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\n\u0026 Richard\nSibley\nRRM","Transcription: \n4537\nPair\nOld Sheffield\nwine coolers\ncirca 1800\nRGG","Transcription: \n[Front]\n307\nColor\nWidth\nPrice $28.50\n[Back]\n#427","Transcription: \nKEA\nOld English\nSheffield Plate\nArticle pr. Candlesticks\nNumber 2398/L\nPeriod Circa\n1850","Transcription: \n[Front]\n10679\nGeo. III\n[lion \u0026 unicorn]\nAntique Sheffield Plate\nMade in\nENGLAND\nA.D. 1800\nBy\nWeight\n[Back]\n#10679\npr. three-light\nCandleabra [sic]\nFluted and \nGadroon border\n16 ½\"","Transcription: \n301/7523\nGeo. III\nDesert [sic] Set\n18 K. + 18 F.\nPrice 340.00 [lined through]; 200.00 [lined through]; 100.00","Transcription: \n[Front]\nN. 2886\n[Back]\nROYAL WORCESTER","Transcription: \n2002\n$20.00 (b)\nGeorgian\nMA","Transcription: \n[Front]\nPatt. 1244\nSize 8 10 x 11\nQual.\nPrice 1750.00 [lined through]; 500.00\n[Back]\nLot D1244\nX S as\nSeason R","Transcription: \n[Tag 1 Front]\nNo. of Sale\nNo. of Rug 39032\nLength 20 feet 3 inches\nWidth 13 feet 4 inches\n[Tag 1 Back]\nTurfbaff\n[Tag 2 Front]\nSOLD\nName Pratt\nSalesman\nDate 2-26-32","Transcription: \nS. \u0026 G. GUMP CO.\nSAN FRANCISCO, CAL.","Antique French miniature musical watch and vanity box in the form of a butterfly. Exquisite variegated colored enamels have been imposed on the gold body.\nThis box was a gift from Louis XVI to the Chinese Emperor Chien Lung.\nFrom the collection of the late Mrs. Mabel L. Gump.","S. \u0026 G. GUMP COMPANY","This series is comprised of the few clippings that were found in the collection. As none of these particular clippings were mentioned in the correspondence directly, it's possible that they did not originally belong to Pratt. The photographic copies of some of the articles were obviously made much later, but were retained as they may have been copies of articles Pratt once kept.","Transcription: \nThalhimers cordially invite you to view this extraordinary exhibit of Royal Russian Treasures","This remarkable assemblage of Russian treasures were collected by two intrepid young Americans, Dr. Armand Hammer and his brother, Mr. Victor Hammer. It's the first important collection to come out of Russia since the Revolution. Be sure to see it. ","All Articles are for Sale\nRoyal Crown Jeweled Objects\nIcons from the 15th Century\nAntique Fabrics and Brocades\nCopes and Chasubles\nSilver, Porcelain and Glassware","FIFTH FLOOR","Thalhimers","Transcription: \nCzarist Treasures to Be Seen In the Lobby of Jefferson Hotel","Part of $500,000 Collection Is Removed From Thalhimer's Store Under Heavy Police Guard; Interesting Relics Attract Attention","Czarist treasures, including personal possessions of Catherine the Great, a bracelet of \"Titiana,\" the young grand duchess murdered by the Bolshevists, and pictures of the Grand Duke Boris, \"handsomest officer of the Imperial Russian Army,\" were taken yesterday from the main collection at Thalhimer's and placed on exhibit in the lobby of the Jefferson Hotel. Although only a small portion of the 500,000 collections, which has been on exhibit at the store during the past week, and may be seen there through Thursdays, was moved to the hotel. Miss Alva Lowry, who is traveling with the exhibit, was provided police protection to ensure the safety of the relics.\n[...]\nThese, however, pale into insignificance beside the main collection, reigned over by the diamond-mounted miniatures of the last Czarevitch in its lapis lazuli Easter egg. The gold-mounted diamond-studded egg wtih its contents was the $50,000 Easter gift of the last Czar to the Czarina on Easter, 1912. ","When brought to The Times-Dispatch to be photographed, the $50,000 egg was guarded by Patrolman William H. Southward, who acted as escort for Miss Lowry on the trip to the Jefferson.\n[...]","Transcription: \nNEW YORK EVENING POST. TUESDAY, JANUARY 3, 1933\nRomanoff Jewels Exhibited Here\nArt treasures of former rulers of Russias on display today. (Picture on left is by Parade Studios, Inc.)\nROMANOFF GEMS, ART SHOWN HERE\nCollection of Dr. Armand Hammer Includes Ikons of 14th Century Russia\nBy AARON MARC STEIN\nThe largest collection of jewels and other personal possessions of the Romanoffs, formerly rulers of all the Russias, ever to be shown in America, has been placed on exhibition in the Georgian Room at Lord \u0026 Taylor's. The collection will have its private showing this afternoon and will be opened to the public tomorrow. \nIkons dating back to the fourteenth century, other sacred images in which each nimbus is incrusted with gems, furniture, porcelains, brocades and the fabulous jewels that were one of the oriental or medieval characteristics of the Russian Imperial Court, are included in the collection, formed by a young American doctor who searched village market places for relics of imperial glory. \nThe doctor was Armand Hammer, M.D. It was a very new M.D. conferred on him by the College of Physicians and Surgeons of Columbia University, and the young physician set out on an errand of adventure and mercy. He organized a relief expedition which reached Russia in 1921. Civil war had hardly ended, and in the Urals Dr. Hammer found famine sweeping the country.\n[…]\nAnother of these eggs is of lapis lazuli covered with an elaborate gold filligree. Approximately the size of an ostrich egg, it is lavishly jeweled and set with a square flat diamond into which is cut the monogram of the Empress and the date. This egg was the gift of the late Czar to his wife. When opened this egg contains a double eagle set with diamonds and a miniature portrait of the Czarevitch, done in the full round. The bust portrait of the little Prince in his sailor suit is handled in a naturalistically life-like manner. \n[…]","Transcription: \nNEW YORK HERALD TRIBUNE, TUESDAY, MARCH 3, 1936\nGrand Duchess Victoria Dead; Lived as the 'Empress of Russia'\nSister of Queen Marie and Cousin of George V, Victim of Stroke Near Munich \nBy The United Press\nMUNICH, Germany, March 2.— Grand Duchess Victoria Feodorovna, wife of Grand Duke Cyril of Russia, head of the Romanoff family and self-described Czar of All the Russias, died today of an apoplectic stroke at the castle of her daughter, Princess Maria von Leiningen, in Amorbach, Lower Franconia. She was fifty-nine years old.\nThe Grand Duchess, a sister or Dowager Queen Marie of Rumania and a first cousin of the late King George V of England, will be buried in Coburg, Germany, where she and the Grand Duke have maintained a court since 1924. King Carol of Rumania and representatives of King Edward VIII and of Marie, the Queen Mother of Jugoslavia, will attend.\nTen days ago the Grand Duchess was stricken with pneumonia when she went to the bedside of her daughter, who had just given birth to a son. As soon as her condition became grave her three sisters, the Dowager Queen Marie; the Princess of Hohenlohe-Langenburg, and the Infanta Beatriz of Bourbon-Orleans, hastened to Amorbach.\nThe Grand Duke Cyril, a cousin of the late Czar Nicholas II, who was on a holiday in his retreat in Brittany, also rushed back to Germany, arriving soon before his wife's death. He telegraphed the news to the various courts of Europe. Today the court of Jugoslavia, by decree of King Peter II, ordered a month of mourning.\n[…]","Transcription: \nTHE NEW YORK SUN, SATURDAY, OCTOBER 16, 1937\nANTIQUES\nFaberge Royal Craftsman\nExamples of His Work Include Silver Service and Translucent Enamels.\nBy ETHEL WALTON EVERETT.\nA sumptuous silver tea and coffee service by Carl G. Faberge, the Russian Court jeweler, made for the Grand Duchess Alexandra Josephovna, has just been put on exhibition in the Schaffer Collection of Russia Imperial Art Treasures.\nCommissioned as a silver-wedding anniversary present, it bears the initials \"A. J.\" of the Grand Duchess and engraved facsimile auto graphs, \"Olga,\" \"Vera\" and \"Dmitri.\" In addition to samovar, drip bowl and rounded, rectangular tray; coffee and tea urns, sugar container and creamer, with large oval tray; matching items include one dozen spoons, tea strainer, lemon fork, tea scoop and sugar tongs. Every piece is of extreme grace and beauty, difficult to achieve with the classical design used.\nThe collection has a comprehensive showing of Faberge's translucent enamels, with examples of his delicate tones of palest almond green, claire de lune, lustrous \"pearly white,\" lavender, and a pale, bright color exactly like the polished birchwood for which Russia is famous. The enamel is combined with chased and chiseled gold and silver, in photograph frames of various shapes, cigarette boxes, candlesticks and other pieces, many set with jewels, and the majority having his signature.\nOne of the last named is a cigarette box of heavy polished gold, with translucent enamel of pale peacock blue, having narrow gold borders, ornamented with a delicate leaf and flower design in gem-like emerald green and ruby red. Deep royal blue and pale salmon pink are used for other cigarette boxes.\nAmong the larger enameled pieces are a pair of candlesticks claire de lune, on silver, with gold tops, bases and feet, richly chiseled, and with delicate gold swags, set with jewels. The same claire de lune enamel and harmonizing swag design appear on the handle of gold seal with the crown and monogram \"TH\" of the Grand Duchess Tatiana, with six diamonds set in the green and yellow gold decoration.\nThe seals are varied in character. Bearing the crown and \"AH\" monograms of the Czar, is one with handle of plain, polished ivory, with a very simple design in the gold band which holds the dark gray agate seal. Another is an attractive little cylinder of pure white polished crystal, with engraved crown and \"NB\" initials. The ornamentation is like a guard ring, a band of small, square rubies, between two bands of tiny diamonds. \n[Image of candlestick with enamel and gold mountings. Caption:]\nOne of a pair of candlesticks by Faberge of pale blue translucent enamel on silver with gold mountings shown by Schaffer Galleries.\n[Image of silver samovar]","This series is comprised of items related to the Pratt collection that were transferred from the Curatorial department. Items found in the object records include early photographs of items from both Hammer Galleries and the Schaffer Collection, photographs of the Russian imperial family, as well as a statement of account from Hammer and the first complete list of the collection after its arrival at the museum in 1947.","Description: \nIn a publicity shot that was circulated to newspapers, Rosamond Fulmer leans on a counter behind ten imperial Easter eggs on display at Hammer Galleries. Several icons can be seen hanging on the wall to the right behind Fulmer.","Description: \nBack of silver triptych icon with an engraved inscription within a laurel crown. Translated from the Russian, it reads: \"Blessing of the Preobrazhenskii Regiment. June 3rd, 1884. A new commandment I give unto you the ye love one another as I loved you. (St. John, Chapter 13, Verse 34)\".","Description: \nCover of silver triptych icon with a Greek cross surrounded by finely detailed leaves.","Description: \nSilver triptych icon featuring paintings of the Transfiguration in the center, St. Elizabeth standing in the left side panel, and St. Sergius of Radonezh standing in the right side panel. Each panel is surrounded by an elaborate patterned border.","Description: \nTriangular silver picture frame with geometric enamel background. Central circular cut-out is bordered in pearls and features an image of Alexandra Feodorovna.","Description: \nBack of silver diptych icon. One side has an engraved inscription that indicates that it was presented to Nicholas II and Empress Alexandra by courtiers. The other side features an elaborate scroll work design and studded with ten turquoise, garnets, and pearls.","Description: \nSilver diptych icon featuring paintings of Princess St. Alexandra on the left and St. Nicholas the Miracle Worker on the right. Each painting is bordered with pearls and the top of the icon is curved like an arch.","Description: \nRock crystal parasol handle with the head of a dog etched and enameled inside the crystal ball. The base of the handle is studded with small gemstones.","Transcription: \nAKRON STUDIOS\n232 EAST 42nd STREET\nNEW YORK CITY","TO Russian Imperial Treasures\n15 W 50th St\nAtt Mr Schaefer [sic]","Photographs - Do Not Bend","Description: \nSmall pencil drawing of a decorative stand for the Red Cross Easter Egg. It is unknown who the artist is, but the drawing does resemble the gold stand currently used by the museum to hold the egg. The rusted imprint from a paperclip can be seen at the top left.","Transcription: \n[In process]","Transcription: \n[In process]","Description: \nBlack-and-white postcard featuring a single image of the Rock Crystal Easter Egg.","Description: \nGroup portrait of 29 members of the Russian Imperial Romanov family and royal relatives from Denmark, Sweden, Norway, England, and Greece on the steps of the palace at Fredensborg, Denmark. Seven children, all dressed in white, appear in the first row, with 22 adults behind them.","Transcription: \nFamily Group taken in Bernstorff, Denmark, after the death of Queen Louisa of Denmark, in 1898.","1. Louise Princess of Sweden and Norway, wife of Crown Prince Frederick of Denmark\n2. Crown Prince Frederick of Denmark, later King Frederick VIII.\n3. Princess Ingeborg of Denmark.\n4. Queen Alexandra of England.\n5. King George of Greece.\n6. King Christian IX of Denmark.\n7. Princess Thyra of Denmark.\n8. Dowager Empress Maria Feodorovna of Russia.\n9. Prince Johann of Glucksburg (Uncle Hans).\n10. Grand Duchess Olga Alexandrovna, sister of Nicholas II.\n11. Prince Peter of Oldenburg, husband of Duchess Olga.\n12. Prince Nicholas of Greece.\n13. Empress Alexandra Feodorovna.","[Hand drawn and numbered outlines of the heads of all the people in the photograph]","14. Princess Victoria of England.\n15. Grand Duke Michael, brother of Nicholas II.\n16. Emperor Nicholas II of Russia.\n17. Prince Harold of Denmark.\n18. King Edward VII of England.\n19. Queen Maud of Norway.\n20. King Haakon VII of Norway.\n21. Princess Alexandrina, nee Princess of Mecklenbourg (Present Queen of Denmark).\n22. Christian, son of the Crown Prince of Denmark. (Present King of Denmark).\n23. \n24. \n25. Grand Duchess Tatiana Nlcolaievna\n26. Grand Duchess Olga Nicolaievna.\n28. Prince Aag of Denmark.\n29. Princess Dagmara of Denmark.","Description: \nGroup portrait of the Russian Imperial Romanov family on the desk of their royal yacht \"Standart\". Empress Alexandra Feodorovna sits in the center with Prince Alexei on her lap. Her four daughers, Grand Duchesses Olga, Tatiana, Maria, and Anastasia, and her husband, Emperor Nicholas II, stand behind her.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits in a high-backed chair outdoors in a garden-like setting. Wearing a large hat and formal dress, she looks at the camera directly, with one hand in her lap and the other with elbow bent and fingers touching her right cheek.","Description: \nPortait of the Emperor Nicholas II and Prince Alexei seated next to each other on the deck of the royal yacht \"Standart\". Nicholas holds a newspaper in his lap as Alexei seems to squint into the sun.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits on a sofa indoors. Wearing a high-necked shirt and long skirt, she looks away from the camera towards the floor, with her hands clasped in her lap. Behind her, she is surrounded by picture frames, small vases, and flowers, on shelves that continue well above her head.","Description: \nTwo young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.","Description: \nA young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young boy stares at Fabergé's Imperial Easter Egg with Revolving Miniatures, which is set on a table right in front of him. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl opens an egg-shaped ring box which contains a jewelled ring within it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: 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Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb5f9a7488efeca094913bc14bf01383\"\u003eThe collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget"],"persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"language_ssim":["English \n.    "],"total_component_count_is":762,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:30:55.910Z","scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.\u003c/p\u003e\n","\u003cp\u003eThe invoices are often annotated with check numbers as balances were paid off, and dates given often refer to the handwritten notes on the invoice detailing payment history. Similarly, price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and often the date purchased. Many of the Schaffer descriptions are not dated, and while most of them can be cross-referenced with dates on the invoices, Schaffer often invoiced Pratt much later than the original purchase date, and in some cases, many years later. Finally, most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers.\u003c/p\u003e\n","\u003cp\u003eThe series is divided into five subseries: Series 1.1: Alexander Schaffer Correspondence, 1934-1947; Series 1.2: Ray Schaffer Correspondence, 1937-1947; Series 1.3: Invoices, 1934-1945, undated; Series 1.4: Price Tags, undated; Series 1.5: Item Descriptions, 1934-1945, undated.\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nApril 14, 1934\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eMy dear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003ePlease forgive me for the delay in answering your kind letter of the 12th, but I was trying to trace the cause of wrong delivery, as I note that the envelope was properly addressed by you. The Mr. Schaeffer in the building should have indeed had the courtesy to forward it to me. \u003c/p\u003e\n","\u003cp\u003eI have received your note and also the book, and am sorry that you have had this unpleasantness.\u003c/p\u003e\n","\u003cp\u003eI hope that my letter finds you in the best of health, and remain, with best wishes, and kindest personal regards, in which Mrs. Schaffer joins me, \u003c/p\u003e\n","\u003cp\u003eYours very sincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nNovember 19, 1935\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\n\"Chatham\" Box 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eMy dear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI am most disappointed to hear that the cabinet is not the size that you should have. It is a pity that all your lovely objects could not be displayed without being crowded.\u003c/p\u003e\n","\u003cp\u003eI will try my very best to get another cabinet for you, the size you want, and exchange it for the one you have now. Of course I cannot tell just how soon I could get one, but in the meantime you can use the one you have.\u003c/p\u003e\n","\u003cp\u003eOr maybe you could find room for another cabinet which would give you a chance to display all of your lovely things without crowding them, regardless of their size. This would really be the best solution.\u003c/p\u003e\n","\u003cp\u003eI am sorry you had to be annoyed paying\u003c/p\u003e\n","\u003cp\u003e[page 2]\u003c/p\u003e\n","\u003cp\u003ethe freight for the cabinet. I gave specific instructions to send it prepaid. I have also spoken to them about packing, and I am only glad that at least it arrived safely. It is so hard to make people understand sometimes, or have them do what you want them to do.\u003c/p\u003e\n","\u003cp\u003eWith best wishes and kindest regards, in which Mrs. Schaffer joins me, I am\u003c/p\u003e\n","\u003cp\u003eYours most sincerely, \nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 3, 1936\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your check on account and your kind inquiry about Mrs. Schaffer. She is feeling fine and is at the seashore at the present. I have given her your regards and she wishes to be remembered to you. She is getting along very nicely, but of course is anxiously awaiting the great event. \u003c/p\u003e\n","\u003cp\u003eSorry to hear about the trouble you have with your servants and hope you will be able to solve it to your satisfaction.\u003c/p\u003e\n","\u003cp\u003eI have designed something myself for the little stand and am taking the liberty of going ahead with it, hoping that you will approve of it. It will be made of 14 karat gold, and will be larger than the one you had and entirely different, and will cost approximately $150.00. The only thing I am not certain about is the size, not having the egg here. I have to guess more or less from the old stand, and therefore would like very much to have the egg to take measurements. \u003c/p\u003e\n","\u003cp\u003eOn second thought I don't think this will be necessary, as I expect to be in Washington next Tuesday, the 11th, when I would like to go out to your place for an hour or so, to see \u003c/p\u003e\n","\u003cp\u003e(over please)\u003c/p\u003e\n","\u003cp\u003e[page 2]\u003c/p\u003e\n","\u003cp\u003eyour things, and at the same time I could measure the egg.\u003c/p\u003e\n","\u003cp\u003eI think I could be in Fredericksburg around 2:00 P.M. and then take a train about 5:00 P.M. back to New York, unless it is necessary for me to stop over at Washington until Wednesday. \u003c/p\u003e\n","\u003cp\u003eThe heat is terrific in New York, and I am so glad that Mrs. Schaffer consented to go away. \u003c/p\u003e\n","\u003cp\u003eHoping that my letter finds you in the best of health, with kindest regards from Mrs. Schaffer and myself,\u003c/p\u003e\n","\u003cp\u003eSincerely yours,\nAlexanders S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 7, 1936\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eJust a line to let you know that I am planning to have an exhibit at my galleries, beginning November first, of the work of CARL FABERGE, and I thought you may be willing to loan me some of the lovely things you own. Although I really hate to put you to all this trouble, but maybe you could just have someone pack the things that you want to lend to me, and send them railway express, insured, at my expense. \u003c/p\u003e\n","\u003cp\u003eSo far I have only borrowed the big Easter egg, but I do not know whether I will have anything else outside of my own things.\u003c/p\u003e\n","\u003cp\u003eBelieve it or not, Paul is asking about you and sends his love, in which Mrs. Schaffer joins him. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes,\u003c/p\u003e\n","\u003cp\u003eCordially,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 27, 1936\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI was so glad to receive your letter, as I was worried already that you may be ill, and that this was the reason that you did not come to New York as you planned. And judging from your letter, I was almost right, but I am glad to know that it isn't anything serious, and I hope that by the time this note reaches you, you will be in perfect condition again. \u003c/p\u003e\n","\u003cp\u003eI would not think of letting you make that trip to Washington. I would much rather wait until the 3d and then you could bring the things with you. \u003c/p\u003e\n","\u003cp\u003eRegarding the Egg, you have apparently forgotten that in one of my letters I have definitely promised it to you for September, and which I meant. Although it is now October, as you see I kept my promise, except for being late, which was beyond my control. I am sorry to learn that you cannot find a way of getting it at present. However, I must tell you this – should I be successful in making a substantial sale, I shall buy it back myself and then, needless to say, I will let you have it regardless of when you could pay for it. I only hope that they do not change their minds in the meanwhile. \u003c/p\u003e\n","\u003cp\u003eI could not buy it myself presently, because I have just paid a huge amount in duties for some fine things I have bought about a year ago. If not for \u003c/p\u003e\n","\u003cp\u003e[page 2]\u003c/p\u003e\n","\u003cp\u003ethis, I would have probably settled the whole affair with them without even writing to you about it, because to get it back is my one ambition, and I would not worry about selling it again. I shouldn't have done it in the first place. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes, and love from the family, \u003c/p\u003e\n","\u003cp\u003eCordially,\nAlexander S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 17, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI am very sorry you didn't have a chance to come in while you were in New York, as I have some very beautiful pieces that I know you would have greatly enjoyed seeing.\u003c/p\u003e\n","\u003cp\u003eI am going abroad on Wednesday, the 23d, and will take some of them with me for a client in London. I don't know who long I will be. I hate to leave Mrs. Schaffer and the baby, but I guess I will have to.\u003c/p\u003e\n","\u003cp\u003eI am carefully packing and shipping the things to you, as I have them all photographed now. I am enclosing the photographs and the histories in the package. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes,\u003c/p\u003e\n","\u003cp\u003eSincerely yours,\nAlexander S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 21, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eIt was quite a shock to learn of your illness, but we are happy to read that the danger is over, and I can't tell you how glad we are that you are back home. We do hope that you will take good care of yourself so that you will get well and strong again, and never get ill again, ever.\u003c/p\u003e\n","\u003cp\u003eIf I weren't going to Europe, I would pay you a visit to cheer you up by showing you some of the things, but as it is, it will have to wait. However, I will keep the choicest [underlined] for you.\u003c/p\u003e\n","\u003cp\u003eMrs. Schaffer sends her love. Paul too made some sound, whatever he meant by it. Please do cheer us up as soon as possible, to tell us that you are better as we are still worried. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and wishes for your speedy recovery,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \u003c/p\u003e\n","\u003cp\u003eTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 10, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt, \u003c/p\u003e\n","\u003cp\u003eIt is good to know that someone else thinks as much of the baby as we do. I was glad to see that you have noticed how much he changed. It is quite true he is not a doll any more, but a boy, and does not look like either of us especially. \u003c/p\u003e\n","\u003cp\u003eI am glad you kept the two pins. The one in question is a spinel ruby and not a garnet. I received the pink one today. \u003c/p\u003e\n","\u003cp\u003eI am sending to you today by railway express, insured, a few very choice pieces, of which I am enclosing the tags. I know that you will have great pleasure in seeing them and sincerely hope that you can manage to keep some.\u003c/p\u003e\n","\u003cp\u003eTrusting that my letter finds you greatly improved (you didn't say anything about it in your letter), with kindest regards and best wishes from the whole family,\u003c/p\u003e\n","\u003cp\u003eSincerely yours,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eSeptember 1, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your letter and check which I have received today.\u003c/p\u003e\n","\u003cp\u003eI was glad to read that you like the photos of the baby.  He is a little imp but he is adorable.  I know you will like him. He does look like his mother I think.  Both send their love.\u003c/p\u003e\n","\u003cp\u003eThe raspberry red gold mounted box that you mention, you already have in your collection.  I have sold it to you before you went to Egypt and had it repaired during your absence.  That is the only one I can think of.  At any rate, I only have three Faberge pieces in raspberry red enamel in my whole collection.  One is a little match case.  One is a little perfume bottle and one is a seal.\u003c/p\u003e\n","\u003cp\u003eHowever, I am glad that we had this little confusion about the boxes, because at least it gave you an opportunity to see the little yellow enamel box which you decided to keep.\u003c/p\u003e\n","\u003cp\u003eI am looking forward to seeing you soon.  With kindest regards and best wishes, I am\u003c/p\u003e\n","\u003cp\u003eYours sincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eOctober 7, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eWe are very much relieved that you have found the box.  I would have felt miserable otherwise.\u003c/p\u003e\n","\u003cp\u003eI am enclosing the bill and the histories of the objects you have taken with you.  In this bill is included the yellow enamel box which I have sent to you previously, and the two presentation icons that I am sending to you today by Railway Express, insured against all risks.  Please let me know whether they reach you in good condition.\u003c/p\u003e\n","\u003cp\u003eI hope that the trip to New York did not tire you too much, and that I will have the pleasure of seeing you very soon again.  I was sort of hoping that you could find time to see Paul, but I guess you just could not manage.\u003c/p\u003e\n","\u003cp\u003eTrusting that my letter finds you in the best of spirits, with kindest regards and best wishes from both of us, I am\u003c/p\u003e\n","\u003cp\u003eYours sincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eP.S.  Mrs. Schaffer seems to think that you wanted the panagia with the jasper cameo of Christ.  Please let me know whether I should keep it for you, as I myself am not certain.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eMay 11, 1938\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia \u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI am sorry for not answering your letter before this, but a freak accident kept me away for a few days.  While moving furniture around at home, I dropped a small but heavy table full of books on one of my toes.  It was quite painful, but I am glad to say that I think nothing serious will develop now.\u003c/p\u003e\n","\u003cp\u003eI am so sorry to read that you also have not been very well.  I know it is not as easy to do as to say, but one should try not to let things upset one.  Ones health is more important than anything else.  At least I am trying to practice what I preach even if I do not always succeed.\u003c/p\u003e\n","\u003cp\u003eI sincerely hope that conditions will improve very soon now, which would make it so much easier for all of us.  This depression did hit everybody I think.  It's worse than in 1932, because now one cannot buy anything, yet it is very hard to sell or to collect money. At least in 1932, even if it was hard to sell, one could buy fine things at reasonable prices, and eventually good things always find a market.\u003c/p\u003e\n","\u003cp\u003eOf course I would not dream of taking interest from you for the money you owe me.  I am convinced that if you could pay more than $500 a month, you would, and if you cannot, I certainly will wait rather than let you sacrifice any of the things that I know you love so much.\u003c/p\u003e\n","\u003cp\u003eLooking forward to the pleasure of seeing you soon, with kindest regards, I am\u003c/p\u003e\n","\u003cp\u003eVery sincerely yours,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: Telephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eAugust 1, 1938\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your kind letter and check on account.\u003c/p\u003e\n","\u003cp\u003eI was most sorry to hear that you were ill, and I am glad to know that you are up and around again. Please do take care of yourself. Remember, we need your help for Paul's wedding. \u003c/p\u003e\n","\u003cp\u003eIt is remarkable how time flies! He is growing every day and you will find that he is not the little baby you have seen. Of course, we still think he's very sweet and lovable. \u003c/p\u003e\n","\u003cp\u003eWe are on the beach and would enjoy it very much except that there's a plague of mosquitoes which is not very pleasant, but we hope that they'll disappear soon.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and love from the family,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer \n[signature]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eNovember 2, 1938\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\n \nDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your letter of the 1st and check on account.  I am glad that business is on the upswing.  It's about time – we all need it, and with the war scare behind us, we may be looking forward to better times.\u003c/p\u003e\n","\u003cp\u003eHave you seen on page 219 of the October Connoisseur the editorial about my topaz Fabergé vase?  I know you will be thrilled to see it, but the description will give you some idea of its beauty.  If you haven't this copy, I have an extra one and will be glad to send it to you.\u003c/p\u003e\n","\u003cp\u003ePaul and Mrs. Schaffer send their love.  You should hear him talking – a mile a minute – and most of the time we don't know what he's talking about.\u003c/p\u003e\n","\u003cp\u003eI hope the weather there has been just as nice as it has been in New York, although I think it might be better for business if the cold weather would set in.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards,\nSincerely yours,\nA.S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eDecember 15, 1941\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI have just received your letter of the 14th, and hasten to let you know that the egg arrived safely.  Before I forget, my home address is: \n117-01 Park Lane South\nKew Gardens, L. I., N. Y.\nBuilding A, Apartment 2-B.\u003c/p\u003e\n","\u003cp\u003eI am sorry you cannot afford to keep the red and emerald egg.  Would you kindly return the parchment #2753?  I must have misunderstood about the jade chest egg.  I am enclosing an itemized bill as requested.\u003c/p\u003e\n","\u003cp\u003eThe silver tray will be packed and shipped to you as soon as possible, and if I haven't sold the necklaces before the end of the year, I will return them to you.  I think I told you that I sold the bracelet and the icon.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and very best wishes for a happy Christmas and New Year, in which the family joins me,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\nP. S.  The parchment just arrived.  Thank you.\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eDecember 30, 1941\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your kind letter and check on account.\u003c/p\u003e\n","\u003cp\u003eWe have just finished packing and will be out by tomorrow.  Let's hope it is all for the best!\u003c/p\u003e\n","\u003cp\u003eWe both want to thank you for your good wishes, and to express our sincere gratitude for having had the good fortune to acquire a friend like you.\u003c/p\u003e\n","\u003cp\u003eWe do hope to be able to see you every now and then.  If we go down south, we might even surprise you for a short visit.  (should we decide to drive).\u003c/p\u003e\n","\u003cp\u003eWith kindest regards, and very best wishes for the truly happiest New Year you have ever had, and with love from the family,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer [signed]\nAlexander S. Schaffer\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"\u003c/p\u003e\n","\u003cp\u003e[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"\u003c/p\u003e\n","\u003cp\u003eA La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889\u003c/p\u003e\n","\u003cp\u003e\nNovember 21, 1945\u003c/p\u003e\n","\u003cp\u003eMrs. John Lee Pratt\nP. O. Box 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt:\u003c/p\u003e\n","\u003cp\u003ePlease forgive me for not answering your letter of the 14th at once, but I wanted to receive the articles before writing to you.\u003c/p\u003e\n","\u003cp\u003eI am enclosing a receipt for them.  They all arrived in good condition including the flower.\u003c/p\u003e\n","\u003cp\u003eRegarding the Globe Flowers, there was one stem without jade leaves. That is the way it was made.  It is all complete so you needn't worry about it.\u003c/p\u003e\n","\u003cp\u003eI am glad you like the little blue velvet stand.  I am indeed sorry that you could not manage to visit us during your last visit.  I do hope you can do so when you come again.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes, I am,\nCordially yours,\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer [signed]\nAlexander S. Schaffer\u003c/p\u003e\n","\u003cp\u003eENC.\nASS:GMD\u003c/p\u003e\n","\u003cp\u003eCable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris\u003c/p\u003e","\u003cp\u003eTranscription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"\u003c/p\u003e\n","\u003cp\u003e[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"\u003c/p\u003e\n","\u003cp\u003eA La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889\u003c/p\u003e\n","\u003cp\u003eJune 4, 1946\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nP. O. Box 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt:\u003c/p\u003e\n","\u003cp\u003eThe man who bought the Faberge Easter Egg which you always said you should have bought and which you didn't because I discouraged you, was in today.  He wants to sell the Egg for $12,000.00, federal tax included.\u003c/p\u003e\n","\u003cp\u003eHe claims that someone else also wants to buy the Egg, so I decided to let you know at once in case you are interested.  He is not in need of money so I think you could have about six months in which to pay for it.\u003c/p\u003e\n","\u003cp\u003ePlease do not misunderstand me - I don't want to be a salesman in this case but you did mention several times how sorry you were that you didn't buy it.  Therefore, I do want you to have a chance to do so if you are still interested.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes, I am,\nSincerely,\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer [signed]\nAlexander S. Schaffer\u003c/p\u003e\n","\u003cp\u003eASS:GMD\u003c/p\u003e\n","\u003cp\u003eCable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747  \u003c/p\u003e\n","\u003cp\u003eCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, L.I.\nNew York\u003c/p\u003e\n","\u003cp\u003eFebruary 3, 1942\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eMany thanks for your very kind letter and check on account.\u003c/p\u003e\n","\u003cp\u003eWell, we still haven't left New York, but if all goes well, should be on the way in a few days.  Unless I write in the meantime, I think it would be best to send your next check to Kew Gardens.\u003c/p\u003e\n","\u003cp\u003eAlex has been away for a few days rest.  He should be back very shortly, but I didn't want to delay writing to you.\u003c/p\u003e\n","\u003cp\u003eThe children are very well.  I have a new governess for them, and that's one of the reasons it's taken us longer to get away.  I didn't want to take them with us, as it would have been too much for them, and no rest for anybody, and I couldn't leave them until I was absolutely sure that everything was running smoothly at home.\u003c/p\u003e\n","\u003cp\u003eI hope that we'll be seeing you soon.\u003c/p\u003e\n","\u003cp\u003ePeter and Paul send their love, as do I.\u003c/p\u003e\n","\u003cp\u003eSincerely,\nRay Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747  \u003c/p\u003e\n","\u003cp\u003eCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, N. Y.\u003c/p\u003e\n","\u003cp\u003eApril 24, 1942\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you very much for your check and letter.  I do appreciate it.\u003c/p\u003e\n","\u003cp\u003eMy husband just went away for a few days to recuperate, as he is still not up to par.\u003c/p\u003e\n","\u003cp\u003eYes, the place that you saw near the Sherry-Netherland is where we have given our collection for sale, but so far they have sold few of our things.  People seem to think however, that things will improve.  Let's hope it will be soon.\u003c/p\u003e\n","\u003cp\u003eLove from us all,\u003c/p\u003e\n","\u003cp\u003eCordially,\nRay Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Handwritten letter]\u003c/p\u003e\n","\u003cp\u003eJuly 5, 1942\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eMany thanks for your nice letter and check on account.\u003c/p\u003e\n","\u003cp\u003eWe just moved last Monday so I'm sure you can visualize how busy I've been and will forgive me for not having written before.  Please overlook the stationery too, as I'm not even all unpacked!\u003c/p\u003e\n","\u003cp\u003eThe children love it here and are thriving.  I hope it will do Alex lots of good too, as he certainly needs it.  He's still been very jumpy!  As for me, I love it.\u003c/p\u003e\n","\u003cp\u003eI hope you are taking good care of yourself and keeping well.\u003c/p\u003e\n","\u003cp\u003eLove from us all,\u003c/p\u003e\n","\u003cp\u003eRay Schaffer\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Handwritten letter]\u003c/p\u003e\n","\u003cp\u003eCopy\u003c/p\u003e\n","\u003cp\u003eDec. 4th '45\u003c/p\u003e\n","\u003cp\u003eMy dear Mrs. Schaffer – \u003c/p\u003e\n","\u003cp\u003eHerewith my check for two hundred eighty-five dollars in full payment of account.  When you acknowledge please mention the amount, and that it is in full payment for my files.  Thank you and Mr. Schaffer for your kindness.  A great weight is off my shoulders.\u003c/p\u003e\n","\u003cp\u003eTell Mr. Schaffer I will pay for the Globe Flower and paper-cutter as soon as I can.  My Income Tax on the 15th will leave me a very small balance for December.\u003c/p\u003e\n","\u003cp\u003eKindest regards, Sincerely yours,\u003c/p\u003e\n","\u003cp\u003e(Signed) Lillian T. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] G. 3.\nRectangular miniature picture frame by CARL G. FABERGE, the Russian Court\njeweler.\nIt is executed in gold on silver bearing a ground of rose colored enamel.\nBorders of wreath design frame the enameled ground and around the opening for a picture is enclosed with beadwork.\nBears a piece of beveled plate glass to cover the picture and is paneled with ivory.\nSigned \"FABERGE\".\n$300.00\nFrom the Youssapoff Collection.  Originally it was presented to the Princess Youssapoff by the Empress Maria Feodorovna.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] G. 5.\nMiniature picture frame by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.\nConcentric fluted gold rims separate these areas.  The jade is of a dark spotted green and in contrast to it a pale mauve enamel is employed everlaid [sic] by an interweaving green-gold wreath.\nAt top a ribbon with bow and loose ends is fixed bearing a ruby in the center.  It is mounted with a gold easel.\n$275.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\n#G. 8.\nA miniature icon by CARL G. FABERGE, the Russian court jeweler. \nIt is in the form of triptych and very simply on the exterior is paneled with a dark wood bearing a four-petaled catch centered by an emerald.\nIt opens to disclose a solid gold interior. The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls. The yellow-gold ground bears arabesques of the filigree and studded at significant points in the design are emeralds, rubies, sapphires, and diamonds. \nThe central panel frames \"The Resurrection\". Against a dark background the figure of Christ appears holding aloft a pennant. His form radiates light and in the foreground two angels kneel. It is an extremely small painting even for a miniature but is complete in every detail. \nAt top there is the Russian cross studded with emeralds and rubies. \n$1500.00\nThe inscription is as follows: \nLeft panel: \"Resurrection of Thine, O Christ, Savior, about which the Angels sing in Heaven.\nRight panel: and we on Earth try to be worthy to glorify Thee.\"\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #G. 13.\nDome-shaped jade push button by CARL G. FABERGE, the Russian Court jeweler.\nIn the classic French style adapted by Faberge, the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut ruby set in a nine-petaled mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and following in this style is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three short feet in the form of rococo scrolls.\n$650.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #G. 14.\nGold-mounted jade calendar device by CARL G. FABERGE, the Russian Court jeweler.\nIn the form of a rectangular piece of dark translucent green jade it is designed in his classic manner and mounted with gold-gilt back and easel.\nAt the top swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center two oval openins [sic] bear red enameled mounts which have the numbers for the day of the month and these are changeable each day by clicking the buttons on either side. \nBelow on a set of gold gilt plaques the months are engraved and held in place by red enamel and moonstone mounts.\nSigned \"Faberge\".\n$1200.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #G. 16\nLarge jade Easter egg mounted in gold gilt silver by CARL G. FABERGE, the Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold gilt silver, and bearing ruby catches with which to open it.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #23\nVery fine gold and silver frame beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth.  Signed and dated 1909.  (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is designed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\n$240.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana, her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler, \"Fabergé\", by whom it is signed.  The back is of ivory.\nFrom the personal belongings of Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 2354.\n$240.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #38\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.  \nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 1955.\n$60.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #73/44\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n$120.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[doubleheaded eagle] #75.WM\nCream leather frame with beautiful gold tooling and crown, top center, containing a photograph of the Grand Duchesses Olga and Tatiana. [from \"containing\" on, words are scratched through]\nThe frame was made by A. Peterson at St. Petersburg, by appointment to the Czar of Russia.\nFrom the Winter Palace, where it was catalogued under #430/2.\n$36.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #86\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and siver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n \"Blessing from the Monastery of St. Martyr and Healer Panteleimon on the Sacred Mount Athos.  To His Imperial Highness Heir Apparent and Czarevitch Grand Duke Alexis Nicholaievitch for Divine Assistance and Protection.  October 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\n$1,000.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and 9 saints in miniature as follows:\n1 - St. Peter – Metropolitan of Moscow\n2 – St. Alexis -     \"                 \"          \"\n3 – St. Ivann -      \"                 \"          \"\n4 - St. Prince Michael\n5 – St. Boyard Theodor\n6 – St. Dimitry the Blessed\n7 – St. Vasily the Blessed (In whose name the famous church in Moscow was built by Ivann the Terrible.  The church upon completion was so beautiful, that the Czar, fearing that it might be duplicated, had the architect blinded.)\n8 – St. Michael the Martyr\n9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears a nameplate which reads as follows:\n\"To His Imperial Highness Czarevitch and Grand Duke Alexis Nicholaievitch from the Nobility of Nijni Novgorod.\"  It was made by \"Chlebnikoff\" (By Appointment to the Russian Royal family.)  It is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\n$3,500.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #477\nVery lovely cane holder, of crystal, with fine enameling, and gold mounting, and studded with diamonds.\nMade by the famous court jeweler \"Faberge\" (By Appointment to the Czar of Russia.)\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Czar Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #479\nVery beautiful rock crystal parasol handle mounted in beautifully chased gold and enameled in soft shades of blue and studded with two rows of oriental pearls.\nMade by the famous court jeweler \"Carl Faberge\" (By Appointment to the Czar of Russia), who was often referred to as the Cellini of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #480\nVery fine cane handle enameled in white.  With gold striped and two Roman tens (X), enameled in orange.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the Cellini of the 19th century.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #481\nVery fine cane handle made of Russian nephrite (jade), mounted in gold and enameled in a beautiful red translucent enamel, in spiral design.  With two rows of diamonds.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the \"Cellini of the 19th century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #509\nVery fine parasol handle of amethyst, carved with a spiral design.  Gold mounting and two rows of diamonds.  Enameled in a lovely shade of translucent pink in a woven effect.\nIt is the creation of the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia.  He was often referred to as the Cellini of the 19th century because of his unusually fine craftsmanship.  \nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$200.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #534\nVery fine parasol handle made of a solid piece of amethyst, with most unusual gold and silver mounting.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #536\nVery fine cane handle made of Russian nephrite (jade), with gold mounting, very finely chased and hammered.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #538\nUnusual parasol handle made of Russian nephrite (jade), with very fine gold mounting in the shape of a serpent coiled around the handle.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"  \nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #539\nUnusual red/Russian nephrite cane handle, in the shape of duck's head.  With gold mounting, enameled in green and white, and set with diamonds.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as \"The Cellini of the 19th century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in center beautifully painted portrait of \"Madonna and Child\" in enamel, and framed with filigree work which is filled with shaded enamel showing tulips and other flowers, in the center of each of which topazes and garnets alternate.\nSurmounted by crown which has two aquamarines one topaz and one garnet.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family.) Moscow.\nFrom the private belongings of Czarina Alexendra [sic] Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$325.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.  The craftsmanship displayed in this piece adequately shows the reason why Carl Faberge is often referred to as the \"Cellini of the 19th century.\"\nFrom the Collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1073\nExceptionally beautiful and rare [scratched out \"graphite\" and ?] jade (handwritten) frame mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frame the picture (handwritten), while on the [nephrite scratched out] jade (handwritten) margin green gold festoons are attached to reddish gold rosettes.\nA superb example of the fastidious workmanship lavished upon the small creations of Carl Faberge, celebrated court Jeweler to the Court of Russia.\nThis example aptly illustrates Faberge's unique use of the rare semi-precious stons [sic] which were found in the Russian Impire [sic].\n[Scratched through: In original Hollywood case]  From the Alexander Palace at Tsarskoye Selo.\n$750.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1075\nCircular gold picture frame of the most exquisite and delicate workmanship chased with a shimmering \"guilloche\" pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\n[In original case - scratched through]\nSigned by Carl G. Faberge, famous jeweler to the Imperial Court of Russia, [and who has so often been referred to as the \"Cellini of the 19th century.\" – scratched through]\nFrom the Alexander Palace at Tsarskoye Selo.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1078\nExceptionally beautiful gold and silver picture frame of most unusual size enameled in translucent sky-blue over a scintillating chased (guilloche) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At top laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  \n[crossed out: The frame contains a photograph portraying Czar Nicholas II and King George V of England, his cousin, and the two heirs to the throne, the Prince of Wales of England and the Czarevitch Alexis of Russia.]\nThe fine craftsmanship displayed in this example typifies the work of Carl G. Faberge, celebrated court Jeweler to the Imperial Russian Family.\nFrom the Alexander Palace at Tsarskoye Selo.\n[$600.00 scratched through] 450 handwritten\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1101\nExceptionally beautiful and rare gold (handwritten) miniature icon depicting the \"Holy Virgin and Child Enthroned\" set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top an interesting attachment is mounted with a blue sapphire while from the bottom hang a pink ruby an emerald and a pearl [last phrase handwritten].\nMounted in a beautifully designed triptych of \"Old Russian\" design. [Scratched through: lined with an ancient piece of brocade].  Hinges conform to the design of the case and are in solid silver intricately chased.\n[An \"X\" appears here, referring to where the last paragraph at the end of the text should be inserted]\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\n\"X\" - The icon bears an inscription meaning \"Save and Protect\".  It is signed by the artist: \"M. Chuknovsky\".\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1315\nVery fine miniature picture frame delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface enameled brilliant orange.  \nAt the corners of the actual opening for the picture pearls are set in while on the enamel circular wreaths are mounted together with crossed arrows.\nBy \"Carl (G) Faberge,\" celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the 19th century.\"\n$180.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1350\nPaper knife of richly grained tortoise shell of unusual personal interest mounted with a solid gold facsimile reproduction of the inscription: \"For Dear Alix (the Czarina Alexandra Feodorovna) from Misha.\" (Grand Duke Michael, brother of Nicholas II, the late Czar of Russia).\nFrom the Alexander Palace at Tsarskoye Selo.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1556\nSmall silver triangle frame by CARL G. FABERGE the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased guilloche surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a bevelled [sic] glass with the outside border in beadwork.\nBack with ivory and signed and in the original hollywood case bearing FABERGE'S name and the Russian eagle. [Last sentence crossed through]\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle} #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides a diamond is inset and in the very center surrounded by a laurel wreath the Roman number \"ten\" in diamonds signifies a tenth anniversary.\nSigned by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1576\nA pin by CARL G. FABERGE in the Egyptian style formed of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$1200.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE, executed in solid gold in his French classic style.  It follows in technique the French 18th century gold snuff boxes with a ground of cobalt translucent enamel.  Unlike most of Fabergé's surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes, and is merely visible as faint rays on the enamel surface.\nAround the center there is a broad vari-colored gold band carved in a minute serpentine pattern together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg circular caps bear ten-pointed rosettes enameled in green.  The three divisions are further enhanced by the addition of 3 bands of white matte enamel dots, one of which in the center row is a tiny diamond catch.  As one opens the egg, the inscription may be seen: \"Christ is Risen\".  In the original case bearing the name \"Faberge\".\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface and opens with a small pearl bordered lid having a ruby catch.\nDecorated on top with a diamond and ruby six-petaled flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1736\nJade parasol top mounted in gold by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.  On the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1737\nJade parasol top mounted in gold, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.  A green gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #2237\nTiny solid gold oval box, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with exerpts [sic] from the Koran.  It is surrounded by a row of diamonds.\nLike all of Fabergé's boxes, the fit of cover to box is a notable example of his craftsmanship.  Here also he has employed the hinges which appear on the finest 18th century gold snuff boxes.\n$850.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #2238\nRare miniature Easter egg, by CARL G. FABERGE, the Russian court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise, and entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a brilliant cabochon-cut ruby.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle, no identification number]\nMiniature gold and platinum charm in the form of a bulldog.\nThe collar is gold, and the eyes are rubies, while the body is set with ten large diamonds and many smaller ones.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \nRockefeller Ce [ripped] ekly\nFOR IMMEDIATE [ripped] O\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffe [ripped]\n15 West 50th Street [ripped]\u003c/p\u003e\n","\u003cp\u003eCenter Publications, Inc. \nNEW YORK N Y\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\n #572.\nExceptionally fine \"Fabergé\" handle, made of an unusually formed beautiful green jade, enclosed in two gold gilt bands which are chased in a simple design.  The top of the handle is studded with sixty-five various sized blue sapphires in a triangular setting.  Set on a stick of very fine tortoise shell.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003e\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\u003c/p\u003e\n","\u003cp\u003eA most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth, (Countess Brassov, morganatic wife of Grand Duke Michael.)  Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth. Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #38.\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master, \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.\nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #73/44.\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, the Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n[handwritten: 12 1/8\" hegl (?) x 14 5/8\"]\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1934\n #315.\nPorcelain Easter egg, bearing on one side the gold monogram and crown of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, and on the other, a small red cross.\nIt was the custom of the Czarina to present these eggs to wounded officers, while she served as a nurse during the World War, as a token of Easter greetings.\nFrom the Winter Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nApril 2, 1934\n #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses [sic] uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo where it was catalogued under number 1955.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nImperial Russian Art Treasures\nRockefeller Center, New York\nApril 30, 1934\n #86.\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and silver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n\"Blessing from the Monastery\nof St. Martyr and Healer\nPanteleimon on the Sacred\nMount Athos.  To His Imperial\n Highness Heir Apparent and\nCzarevitch Grand Duke Alexis\nNicholaievitch for Divine\nAssistance and Protection.\nOctober 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana [name underlined in pencil with ? following name], her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler \"Fabergé\", by whom it is signed.  The back is ivory.\nFrom the personal belongings of the Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under the number 2354.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #461\nMost exceptionally fine miniature icon (panagia), painted in enamel in very beautiful soft tones which produce a most pleasing effect.  Signed in the lower left corner.  The icon portrays \"St. George Slaying the Dragon\", the Insignia of the Romanoff family.  It is set in very fine gold and silver filigree work and is studded with rubies.\nIt is mounted in highly polished holly wood, similar to the original fitted case which is lined with satin and bears the gold stamp of the House of Fabergé, typical of the beautiful boxes that Fabergé made for his creations.  The icon is a fine example of the work of \"Carl Fabergé\", who was often referred to as the \"Cellini\" of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #462\nA most unusual enamel miniature icon (panagia), portraying \"Madonna and Child\".  It is mounted in a very beautiful gold and silver frame surmounted by crown and studded with turquoises and pearls of very good quality.\nFrom the private collection of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nJuly 28, 1934\n #463\nA most unusual enamel miniature icon (panagia), portraying the \"Madonna and Child\".  It is set in a very fine gold and silver frame inlaid with vari-colored enamel in very fine filigree work.  Surmounted by crown and studded with pearls and garnets of very good quality.\nFrom the private collection of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nSeptember 28, 1934\n #558\nA most exceptionally fine silver bunny made from life by the well-known Russian jeweler, \"Carl Fabergé\", who was often referred to as the Cellini of the 19th century.  It is made up of two sections; the head opens on a hinge, and the hollow inside was probably used for bonbons.  The eyes of are Ural rubies.\nIt is a very good example of this type of work that was made by this master craftsman.  The life-like effect and charm, as well as the characteristically fine detail, will win one over readily to the many admirers that he already has all over the world, in both royal houses and humble alike.\nThe bunny bears on the bottom a most exceptionally clear hallmark and signature \"K. Fabergé,\" surmounted by Russian Imperial eagle, the date \"1894\", and the St. Petersburg hallmark.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #150\nA most exceptional blue and silver brocade cope, with an all-over \"Baroque\" floral and leaf design woven in silver threads which will never tarnish, as they were treated with an unknown process which is today a lost art.  It is bordered with a very fine hand-made silver lace of the period.\nRussian, 18th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #309\nVery interesting gold gilt silver ice pail in the shape of a basket, executed in very fine detail, true to the fine workmanship of the well-known court silversmith, \"Ovchinnikov\", who made so many outstanding pieces for the Russian Royal family.\nIt is signed and dated 1873.  Originally in the Winter Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nChristmas, 1934\n #597\nA most unusual gold pin in the shape of a tree trunk, showing a snake coiled around the tree, hypnotizing a bird which is perched directly above.  It is chased in very fine detail of vari-colored gold which is typical of Fabergé.\nOriginally in the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJanuary 2, 1935\n #504\nVery important gold and silver vase enameled in beautiful, rich coloring, which can hardly be described.  One can scarcely distinguish the enamel from the various precious stones, such as emeralds, rubies, sapphires, pearls, etc., with which it is embellished, true to the splendor of a jewelled [sic] crown, which is incorporated in the design of the vase.\nIt is the work of that outstanding master \"Carl Fabergé\", court jeweler to the Czar of Russia, and who was often referred to as the \"Cellini\" of the 19th century.  It is one of his most outstanding creations and is signed on the bottom of the vase.\nFrom the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nFebruary 26, 1935\n #438\nVery fine miniature Easter egg, enameled in a translucent pink and studded with one large and two smaller sapphires and two diamonds mounted in gold.\nThe work of Carl Faberge [sic], famous craftsman of the 19th century who was often referred to as the Cellini of the 19th century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #571\nExceptionally beautiful parasol handle by Carl Faberge [sic], Court Jeweler of the Czar of Russia, often referred to as the Cellini of the 19th century.\nThis fine specimen of Faberge's [sic] art shows the ingenuity and artistry of this master craftsman.\nThe curved part of the handle, formed of a single piece of jade, is finely incised and mounted with rubies.  The main body of it, a single piece of tortoise shell, polished and tapered, is connected by a fine gold and enamel mounting.  This gold mounting, so typical of Faberge's [sic] art, is chased and enameled in a lovely translucent red, and ornamented by a fine design of festoons in yellow gold.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #760\nVery fine gold gilt silver frame beautifully enameled in a rich cobalt and decorated with a wreath.  Top surmounted by beautifully designed gold ribbon.  The back is covered with Russian birch, finished to simulate ivory.\nFrame contains well-painted miniature portraying wife of Alexander II, grandfather of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #774\nA most exceptionally fine gold gilt silver ash tray, beautifully chased and enameled in a very fine shade of canary yellow transparent enamel, supported by three ball feet; studded in the front with a beautiful round moonstone and an oval moonstone at the top of the handle.\nA fine example of the creations of the famous Russian Court Jeweler, Carl Faberge [sic], who was often referred to as the Cellini of the 19th Century.\nFrom the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #780\nVery fine miniature carnelian Easter Egg, studded with three small rubies and diamonds mounted in gold.  \nThe work of Carl Faberge [sic], the famous craftsman of the 19th century who was often referred to as the Cellini of the 19th Century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1935\n #818\nVery interesting white porcelain Easter egg with floral design, bearing monogram \"A.F.\" surmounted by crown, standing for Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nMade in the Russian Imperial Porcelain Factory at St. Petersburg.\nThe decoration of this porcelain Easter Egg is beautifully composed of a handsome wreath of roses going around the middle of the egg from one side of the monogram to the other.  The roses, exquisitely painted in varying shades of magenta, together with the leaves, are bound about by a blue ribbon recurring at different intervals throughout the wreath.\nThe monogram of the Czarina is finely rendered in gold laurel leaves, and with the crown, is placed in the center of an oval from which start symetrical [sic] borders in gold going around the egg.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\u003c/p\u003e\n","\u003cp\u003e#417.  Exceptionally fine miniature Easter egg made of lapis.\n#419.  Miniature gold Easter egg, composed of three Russian semi-precious stones mounted in gold and set with three tiny rubies.\n#420.  Miniature gold Easter egg in the shape of a cage, set with a turquoise.\n#421.  Miniature gold Easter egg engraved in a spiral design and set with a band of blue sapphires.\n#639.  Very interesting miniature Easter egg carved from a dark blue lapis lazuli\n with a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\u003c/p\u003e\n","\u003cp\u003e#422.  Miniature gold Easter egg, beautifully enameled in white, and bearing the red cross.\n#423.  Miniature Easter egg, made of a gray Russian semi-precious stone set on \nthe bottom with a ruby and on the top mounted with a gold leaf.\n#424.  Miniature Easter egg made of Russian pink agate.\n#445.  Miniature gold Easter egg, beautifully enameled in green, white, and red, with tiny red enamel dots on the green enamel, and decorated with gold wreath.\n#447.  Very interesting miniature gold Easter egg enameled in turquoise blue and and placed in a gold cone which is suspended from a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Maria, the third daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#425.  Gold and silver miniature Easter egg set with blue transparent enamel.  \nOpening on a hinge.\n#426.  Miniature gold Easter egg decorated with tiny bell shaped flowers, each studded with a diamond, and on the bottom a blue sapphire.\n#427.  Miniature Easter egg made of pale blue Russian semi-precious stone, mounted in beautifully chased various colored gold.\n#428.  Miniature gold Easter egg in the shape of a perfume bottle hanging from a\n chain, the lid opening and studded with an amethyst.\n#429.  Miniature Easter egg in the shape of a Russian icon lamp (lampadka), with\ngarnet in the gold lamp, which hangs from three chains.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#430.  Miniature Easter egg, made of a gray semi-precious Russian stone mounted in various colored beautifully chased gold, and studded with four rubies.\n#431.  Miniature gold Easter egg enameled in white, the upper part studded with rubies and one diamond, and in the center, beautifully chased gold\nwreath.\n#432.  Miniature Easter egg made of Russian agate mounted in various colored beautifully chased gold. \n#435.  Miniature Easter egg of Siberian jade (nephrite), decorated with a gold leaf design studded with rose diamonds and two rubies.\n#436.  Miniature gold Easter egg set with five rubies and various rose diamonds.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#437.  Miniature gold Easter egg beautifully enameled in red and white, and inlaid with gold leaves.\n#458.  Very interesting egg-shaped pearl supporting a beautifully chased gold cock which is suspended from a ring.\n#459.  Very fine miniature gold Easter egg studded with pearls and turquoises, stones divided in four sections.\n#673.  Very interesting gold gilt silver miniature Easter egg in the shape of a bee hive, studded with a green Ural stone.\n#676.  Very fine gold gilt silver miniature Easter egg enameled in soft shades of\n Russian enamel set in filigree work.\u003c/p\u003e\n","\u003cp\u003eMade by the famous court jeweler \"Carl Fabergé.\"  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures \nRockefeller Center, New York\nMay 2, 1935\n#449.  Very beautiful miniature gold Easter egg nicely chased and enameled in \ntranslucent red on top and bottom; in center small squares of yellow and green enclosed in two white bands of opaque enamel.\n#450.  Very fine miniature gold Easter egg beautifully enameled in a soft shade of turquoise translucent enamel encircled with an engraved wreath which is enameled in emerald green.\n#779.  Most unusual miniature Easter egg composed of rock crystal and garnets divided in various sections with many rows of small diamonds mounted in\ngold.\n#779A. A very fine miniature Easter egg composed of an unusual star sapphire colored agate mounted in gold which is finely chased and enameled in [sic] soft shade of green and decorated with a row of diamonds.\u003c/p\u003e\n","\u003cp\u003eMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 27, 1935 \n  #110\nExceptionally fine gold and silver Russian icon portraying the \"Holy Virgin of Iverskaya with the Child\".  The trappings, consisting of the exquisitely chased and modelled robes of the Virgin, together with the frame and borders of ancient Byzantine design, are a superb contrast to the magnificent haloes done in all the brilliant shades of the Russian enamel.  In a lovely design of filigree, the enamel combines rare shades of turquoise blue, ruby red and deep greens interspersed with white.\nWithin the recessed panel of the icon there is inscribed at top in old Russian characters: \"The Mother of God\", while within the halo of the Child, there is in the form of an abbreviation: \"From the Father Proceeds\".\nThe back of the icon is mounted with a plaque which is inscribed \"To Her Imperial Highness the Grand Duchess Tatiana Nicholaievna from the Nobility of Moscow.\"  This icon, notable alike for the beauty of characterization of the \"Virgin and Child\", together with its technical perfection in the use of gold, silver and enamel, was from her personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #888\nVery unusual penholder of the Dowager Empress Maria Feodorovna, constructed of a brilliant shaft of lapis lazuli mounted in gold and picked out with a conventionalized chasing.\nThe top is set with the seal of the Empress, consisting of her monogram \"MF\" surmounted by crown, and is engraved in a round, milky-colored agate.\nIt is a fine example of the work of \"Carl Fabergé\", the famous court jeweler to the Russian Imperial family, and who is often referred to as the \"Cellini\" of the 19th century.\nFrom the Winter Palace.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n   #893\nSmall round gold picture frame of more than ordinary beauty and quality by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family.\nThe ground of this piece chased with a shimmering pattern, is enameled translucent white and bordered with a minutely detailed wreath design in green gold on the outside.  The inside is bordered with pearls while the enameled surface is painted with conventionalized trees.\nThe back is of ivory, and it contains a photograph of Czarevitch Alexei Nicholaievitch, son and heir apparent of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #894\nSmall oval picture frame made of a deep ultramarine piece of lapis lazuli mounted on the outside with a chaste wreath design in two shades of gold.  On the inside, a border of pearls lends an air of rare quality and refinement.\nThe back is of ivory, and it contains a photograph of Maria Nicholaievna, the third daughter of Nicholas II, the late Czar of Russia.  \nIt is by \"Carl Fabergé\", famous court jeweler to the Russian Imperial family, who is often termed the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #901\nPerfectly square small silver gilt frame finely fluted and enameled in pale translucent blue.  It contains a photograph of the Grand Duchess Tatiana Nicholaiovna [sic], the second daughter of Nicholas II, the late Czar of Russia.\nIt is signed by \"Carl Fabergé\", court jeweler to the Russian Imperial family, often referred to as the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #905\nVery beautiful miniature gold Easter egg.  Chased and translucently enameled in deep Russian blue, it is finely festooned with ribbons and wreath in two shades of gold, which is so typical of the work of \"Carl Fabergé\", court jeweler to the Russian Imperial family.\nFrom the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#907, #908]\n#907.  Very lovely miniature gold Easter egg chased and enameled translucent\nwhite and studded with a beautiful yellow and a white diamond.\n#908.  Very beautiful miniature Easter egg of pink quartz.  It is encircled by a gold ring having two diamonds and two sapphires in the form of leaves attached to it.\nBoth of these eggs were made by \"Carl Fabergé\", well-known court jeweler to the Russian Imperial family, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#909, #904, #911]\n#909.  Very fine miniature Easter egg made of an unusual green Ural stone. Mounted in gold with a conventionalized flower design, it is set with three groups of three diamonds, three sapphires and three rubies.\n#904.  Very lovely gold miniature Easter egg. The upper half is chased and  enameled in translucent white.  The lower half is of gold wire.  It is mounted with a large oval sapphire and two sprigs of gold leaves.\n#911.  Most unusual miniature Easter egg made of red porphyry.  (This stone was so rare that whenever found it was always presented to the Imperial family.)  It is mounted in a beautiful gold ropework design. \u003c/p\u003e\n","\u003cp\u003eThese eggs were made by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who was so often termed the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Tatiana, second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n #912\nDiamond-shaped gold pin, ornamented with the Russian Imperial Eagle, against a translucent mauve enamel ground in a chased sun-ray design.  The eagle, studded with various sized diamonds, is of very fine craftsmanship.  \nFrom the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1017\nUnusually beautiful solid gold cigarette case, elegantly embossed with sprays of leaves into which are mounted cabochon-cut rubies of beautiful color.  A ruby of the same color, mounted in gold, serves as the catch which opens the case.\nIt is signed by \"Carl Fabergé\", famous jeweler to the Russian Imperial family, who, because of his excellent craftsmanship and artistry, has often been termed the \"Cellini\" of the nineteenth century.\nFrom the belongings of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1041\nBeautifully conceived and executed miniature frame of the supreme quality achieved by \"Carl Fabergé\".  Mounted on a nephrite pedestal of pure classical inspiration, it is encircled at the top with a gold wreath mounted with rubies.  From it hang festoons of leaves minutely chased and carved out of green and yellow gold.  The gold enrichment of the base is also in two shades of gold and here is finely wrought with acanthus leaves.  The frame which is double to hold two miniatures, is enclosed with a round wreath, carved out of greenish gold and at the top is mounted with a ribbon, rubies and an oval terminal pearl.\nIt was made by the celebrated court jeweler to the Russian Imperial Court, \"Carl Fabergé\", who has often been termed the \"Cellini\" of the nineteenth century.\nFrom the Alexander Palace at Tsarskoye Seloe.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1049\nExceptionally fine and long lapis lazuli necklace composed of one hundred and ninety graduated Siberian lapis beads of an exceptionally beautiful blue.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #92\nExceptionally beautiful and rare Imperial triptych icon, designed and executed by the celebrated Russian Court silversmith, \"Ovchinnikov\", and presented by the Nobility of the City of Charcoff to the Czar and Czarina, Alexander III [sic] and Maria Feodorovna, in celebration of the twenty-fifth anniversary of their marriage.  In this example, all the ingenuity and resources of the artist were concentrated upon the workmanship of so important a piece, created to celebrate so momentous an occasion.\nOpening the icon, the central panel of sumptuous Russian design frames the exquisite portrait of the Blessed Virgin, clad in golden robes finely chased and patterned.  The Virgin is wearing a crown sparkling with the brilliance of diamonds, rubies and emeralds, against a halo of filigree and enamel mounted with ovular-shaped pearls.  The faces of the Virgin and Child are painted in miniature, and it is remarkable with what perfection the characterization and the details are rendered.  Necklaces of diamonds and rubies appear around their necks, and on the cuff of the Virgin's sleeve, a diamond star with ruby center is mounted.  The Child is also portrayed wearing the diadem of diamonds against the small halo, on which appears in Old Russian the inscription in the form of an abbreviation: \"From God Proceeds\".  The background of the panel, filling in the serpentine-shaped Russian arch, is of sky-blue and forms a superb color contrast to the yellow gold of the Virgin's robes.  Over this background, a vinelike design is entwined, studded here and there with rosette-like stars.  Magnificently framing the large central panel, as well as the side ones, borders ingeniously wrought in all different types of chasing and filigree work are set with a variety of rubies, emeralds and sapphires, interspersed with rectangular panels done in soft shades of blue and red matte enamel.\nThe side panels appropriately depict in fine relief, left, \"St. Alexander Nevsky\" (the patron saint of Alexander III [sic]), in armor and wearing ermine robes wrought in virgin silver, and on the right, \"St. Maria Magdalene\", (the patron saint of Maria Feodorovna).  Above each at left and right, guardian angels kneel in the clouds in an attitude of devotion.\nClosed, the icon presents the fine filigree exterior framed in enamel, in the center of which there is a large Greek Catholic cross studded with rubies and sapphires.\nThe reverse is inscribed as follows: \"To Their Imperial Majesties from the Nobility of Charcoff.  1866-1891. October 28.\"\nIt is signed by the artist \"Ovchinnikov\" and dated \"1891\", the year of its presentation to the Emperor and Empress of Russia.  It is considered the finest jeweled icon ever created in Russia, and is the best witness to the mastery of this great artist.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #972\nSmall gold picture frame of outstanding beauty, by \"Carl Fabergé\", famous court jeweler to the Czar of Russia.  Of rounded, triangular shape, it has as its main area the chased guilloche surface enameled in light translucent blue, in a very graceful drape design.\n\"Fabergé\" was greatly renowned for this type of enameling and in this example, the enameling is further set off by a gold border chased with a wreath design of great delicacy.  The actual opening for the picture is surrounded with a row of diamonds and surmounted by a ribbon bow.  The back of the frame is paneled with ivory.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #982\nParticularly beautiful icon depicting the \"Transfiguration\", showing \"Christ\" in an aura of light with (left), Elias, and (right), The Prophet Moses.  Below Him are James, Peter and John, (lower left, center and right, respectively).\nOf the most exquisite workmanship, both for its very expressive quality and perfection of detail, it is painted in an almost monochromatic color scheme, relieved by the touches of purple, green and blue in the gowns of the saints.  It is framed in translucent pale gray enamel with leaf and tendril design mountings, which are further [sic] enhanced by sapphires, emeralds and rubies.\nIt is by \"Carl Fabergé\", celebrated court jeweler to the Czar of Russia, and is a superb example of his genius.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #1006\nExtremely interesting water color luncheon menu of the 21st of June, 1896, in the domain \"\"Eleenskole\", which belonged to the Grand Duke Sergei Alexandrovich, uncle of Nicholas II, the late Czar of Russia.\nThis menu was written and designed by the Grand Duchess Victoria Mellita of Hesse, wife of the Empress' brother, Grand Duke Ernst-Ludvig of Hesse, and who later became the wife of the Grand Duke Cyril Vladimirovich under the name of Victoria Feodorovna.\nThe menu bears the following original signatures: Czar Nicholas II; Czarina Alexandra Feodorovna; Grand Duke Sergei Alexandrovich; Grand Duchess Elizabeth Feodorovna, sister of the Czarina and wife of the Grand Duke Sergei; Grand Duke Ernst-Ludwig of Hesse, brother of the Czarina; Victoria Mellita, his wife; and Victoria, Princess of Battenberg, sister of the Czarina.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 17, 1936\n  #1043\nExceptionally beautiful gold and silver picture frame containing a photograph of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.\nThis frame of very imposing character with a large Imperial Crown and ribbons at the top, is enameled in a raspberry red, the shade which immediately became so popular upon its creation by \"Carl Faberge [sic]\".\nSurrounding the enameled guilloche surface, leaf design borders of green gold are finely accented with ribbons of reddish-gold.  Also the enameled surface is picked out with formally placed rosettes and leaves, in this same combination so skillfully employed by \"Carl Faberge [sic]\".  The back is paneled with ivory and is signed by this famous master.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 1, 1936\n  #1176\nA most interesting umbrella handle in the form of an Easter egg sculptured of very fine dark green jade.  On the bottom it is mounted in gold gilt silver which is exquisitely chased and enameled in translucent mauve.\nIt is a good example of the work of the outstanding master \"Carl Faberge [sic]\", who was so often referred to as the \"Cellini of the nineteenth century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #37\nMost intimate and rare photograph of the late Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  It is set in an unusually fine frame of lapis lazuli.\nThe photograph was taken by her husband, the Czar, on their private yacht, and is from the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.  It bears the original catalogue number 2004.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1088\nVery fine gold and silver calendar frame beautifully chased with translucent lavender enamel.  Finely carved borders of beadwork and closely set anthemions enhance the beauty of the design.\nIt is signed by \"Carl Fabergé\", the outstanding Russian Court jeweler, who has so often been termed the \"Cellini of the nineteenth century\", because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1097\nExceptionally fine gold and silver picture frame of outstanding beauty.  It is enameled over a chased (guilloche) pattern in translucent pink, the edges bordered with finely carved wreath design terminated with rosettes.  The small oval opening for the picture, attached at the top to swags of laurel leaves, is bordered with pearls.\nIt is signed by \"Carl Faberge[sic]\", the celebrated court jeweler to the Czar of Russia, and who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1179\nMost unusual and rare miniature ivory Easter egg by \"Carl Fabergé\", the celebrated court jeweler to the Czar of Russia.\nIt opens on a hinged cover to disclose the surprise feature within, - a pale nephrite egg set in the white satin lining.  It is an ingenious creation which is typical of \"Fabergé's\" work.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1306\nA most exceptionally fine dark green jade elephant very sensitively modelled, with upturned trunk and diamonds for eyes.  It is a magnificent specimen of the fine sculptures which were created by the master \"Carl Fabergé\", and shows very beautifully his singularly perfect craftsmanship.\nIt is rendered in most complete detail.  Ears, trunk, tusks, legs, etc., are all carefully cut and polished.\nIt is one of the rare examples of miniature sculpture executed in stone by \"Carl Fabergé\", and for which he is today so justly famous.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #476\nA most unusually fine handle of nephrite, pale green in color, mounted with a cobra naturalistically carved out of yellow gold and entwined about the handle.  The scales and small details are meticulously rendered, while on top of the snake's head, a pink cabochon-cut ruby is mounted as the eye of the cobra.\nMade by \"Carl Fabergé\", celebrated court jeweler to the Imperial family of Russia.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #478\nVery beautifully designed parasol handle in the shape of a fin, made of nephrite.  It is mounted with gold and finely enameled in an unusual shade of pink, and is studded with four pearls and two rows of diamonds.\nIt was made by the famous court jeweler \"Carl Fabergé\" (By Appointment to the Czar of Russia), and is a fine example of his craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #482\nVery fine parasol handle made of nephrite, in the shape of a duck's head, with rubies for eyes and a most unusual green enamel band.  At the base it is mounted in gold and set with two rows of diamonds.  It is exceptionally finely enameled in translucent pink, giving the effect of trees in sunshine, which is enclosed in borders of white matte enamel, with translucent green enamel dots completing the design.\nIt is the creation of the famous Russian court jeweler \"Carl Fabergé\", who has so justly been termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #537\nExceptionally fine cane handle of pale green nephrite, exquisitely designed with an open-work gold mounting of rococco [sic] scrolls and tiny flowers in two shades of gold.  The rim is studded with a row of diamonds.\nMade by the famous artist and court jeweler \"Carl Fabergé\", who is today so often referred to as the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #986\nA particularly beautiful and rare solid gold picture frame of a graceful, oriental shape, designed with entwining leaf tendrils set with the richest shades of the transparent enamel, which has today become a lost art and cannot be duplicated.\nIt is a fine example of the work of the famous court jeweler \"Hahn\", who created some of the most prized specimens of the Russian Court Jewels.  The superb workmanship of this master is evident in such details as the execution of the panel of ivory which holds the picture, also the gold easel supporting the frame.  It is seldom indeed that one has the privilege of seeing a piece created by this great artist.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #987\nRectangular gold picture frame of exceptional quality and refinement, by \"Carl Fabergé\", court jeweler to the Czar of Russia.\nIn this specimen, \"Fabergé's\" unique enamel, a translucent mauve is set off by a border wreath design of minute workmanship in two shades of gold.  The opening for the picture, a tiny oval, is enclosed with beadwork attached at the top to festoons and ribbons of classical inspiration.  The back is paneled with ivory.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1035\nMost unusual gold and silver picture frame enameled in brilliant emerald green over a finely chased surface.  Designed in a five-petal arrangement, the center bears a photograph of Nicholas II, the late Czar of Russia, enclosed in beadwork, while in each of the five sectors, oval panels frame the portraits of the five children of the Czar: the Czarevitch Alexis, and the Grand Duchesses Olga, Tatiana, Maria and Anastasia.\nThe borders of this very rare example are embellished with wreaths, rosettes and bows of classical derivation.  The back is paneled with ivory.\nExecuted by \"Carl Fabergé\", court jeweler to the Russian Imperial family, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1166\nVery fine silver triptych frame of translucent white enamel applied over a chased (guilloché) surface, framed in a conventionalized leaf border of meticulous carving.\nThe actual openings for the portraits, two rectangular ones in the outer panels and octagonal one in the center, are placed with the formalized precision of the classic taste.  Exquisite borders, festoons with ribbons, together with rosettes and beadwork, complete the ensemble.\nSigned by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who is today referred to as the \"Cellini of the nineteenth century\" because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1189\nA very lovely handle of pale green nephrite, gracefully curved and tapered.  It is mounted with a gold cylindrical band chased and enameled in translucent white over a shimmering surface.  Rubies are placed over it and are incorporated with a design of green-gold festoons.\nThis example typifies the fastidious craftsmanship of \"Carl Fabergé\", celebrated Russian Court jeweler, who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #804\nA very beautiful brooch in the shape of a laurel wreath exquisitely cut out of green and a reddish gold and studded with many small diamonds which form a part of the design.\nThe center bears the monogram \"M\" and crown, in diamonds, of the Grand Duchess Maria, executed with two cabochon-cut rubies with the Cross on top.\nIt is a very good example of the superb workmanship of \"Carl Fabergé,\" celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth Century.\"\nFrom the personal belongings of Maria Nicholaiovna, third daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #1291\nAn unusually fine gold and silver seal of the round fluted type, mounted on the top with an exquisitely modelled monkey holding in its hands a human skull.  The monkey is contemplating the skull and in its animated attitude is a rare example of the silversmith's art.\nIn the base is set a white agate which is engraved with the monogram of Alexander Alexandrovitch, or Alexander III, father of Nicholas II, the late Czar of Russia.\nMade by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #980\nMagnificently conceived and executed Imperial Russian seal made with gold and silver stem, supporting a perfectly carved and polished agate Easter egg.  The setting holding the egg is of the most unusual and finely detailed workmanship.  It is in the form of garlands of roses carved out of several shades of gold, as well as silver, and is bordered with beadwork.  The stem likewise, is finely chased and consists of a polka dotted surface bound with a green gold wreath which flares out at the bottom into a circular base, the underside of which is minutely incised with the Russian Imperial double-headed Eagle.\nIt is one of the creations of \"Carl Fabergé, and fittingly illustrates his unique use of gold and rare semi-precious stones.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #1085\nA most unusual egg shaped, gold mounted nephrite bookmark, encrusted with diamonds and rubies in the form of the initials \"XB\", which is an abbreviation for the Russian \"Christ is Risen\".\nA good example of the work of the celebrated court jeweler \"Carl Fabergé\", showing his rare ability to combine beauty with utility.  In the original Faberge [sic] case.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533 duplicate\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535 duplicate\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #539\nA very unusual and rare red Russian nephrite cane handle carved in the shape of a duck's head.  It is mounted in vari-colored gold which is partly chased and enameled in beautiful translucent green and matte white and set with small diamonds.\nMade by the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #1101\nExceptionally beautiful and rare miniature gold icon depicting \"The Holy Virgin and Child Enthroned\", set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top, an interesting attachment is mounted with a blue sapphire, while from the bottom hang a pink ruby, an emerald and a pearl.\nThe icon bears an inscription meaning \"Save and Protect\", and is signed by the artist \"M. Chuknovsky\".\nIt is mounted in a beautifully designed triptych case of \"Old Russian\" design.  Hinges conform to the design of the case and are in solid silver intricately chased.\nFrom the personal belongings of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 26, 1936\n  #509\nExceptionally beautiful handle carved of a single amethyst set in a gold mounting and forming an exquisite terminal to a parasol.  The amethyst, beautifully carved, consists of two shells placed together on a Russian capital.  The gold mounting, so typical of \"Fabergé's\" workmanship, is intricately embellished with a repeating design punctuated all over with diamonds and enameled a lovely translucent pink.  The piece, combining as it does two shades of gold, is exquisitely bordered with two rows of diamonds superbly demonstrating the infinite amount of craftsmanship employed in a \"Fabergé\" creation.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who was so often termed the \"Cellini of the nineteenth century\" because of his unusually fine craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #477\nSmall handle of exquisite delicacy and refinement composed in its miniature dimensions of a \"T\"-shaped piece of rock crystal set in a gold mounting finely bordered with a bead edge of yellow gold.  Between these borders in incredibly small scale, the gold is chased into a design of waving lines, enameled in light blue and set with three rows of diamonds alternately placed.\nThis is a specimen typical of the unsurpassed craftsmanship of \"Carl Fabergé\", and worthy of the most discriminating taste.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #479\nParticularly beautiful handle, exquisitely wrought and decorated in a most beautiful manner.  The handle proper, a piece of rock crystal, is set in a cylindrical gold mounting embellished with various gold and enamel borders.  At the top and bottom there are green gold wreaths against a deeper shade of gold.  The enameled decoration is formed of three gold bands exquisitely enameled in a light shade of blue.  Each one is minutely chased with a scale design which imparts a shimmering quality.  Over the central band of a very pale shade of blue, there is a fine gold double wreath.  On each side of this middle portion two rows of pearls enhance the superlative quality of this \"Fabergé\" creation.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #480\nBeautiful handle perfectly illustrating the artistry of \"Carl Fabergé\". \nThis handle, a combination of a well-cut and polished piece of milky-green nephrite, is set off by the complementary shade of orange in its gold and enameled mounting.  This mounting, connecting the handle proper with the main body of the cane, is wrought with great delicacy and refinement.  Against a curved surface of white matte enamel, minutely striped with gold, there are superimposed two crossed ribbons chased of greenish-gold and enameled with translucent orange.  Above and below there is a tiny row of diamonds effectively set in quite another shade of gold.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #481\nVery fine handle made of nephrite of a pale golden greenish shade, symmetrically curved and mounted in brilliantly enameled gold.  The main part of the mounting is chased with a design of many short curves and enameled raspberry red.  Curving around it in a ribbon effect there are four bands of leaves exquisitely worked in two shades of gold, namely, yellow gold and green gold.  Above and below, there are two rows of diamonds.\nIt is a good example of the fine workmanship of the celebrated court jeweler \"Carl Fabergé\".  \nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #536\nVery fine handle of attractive simplicity composed of a beautifully shaped and polished piece of nephrite in a gold mounting.  This mount, which forms the connection between the handle proper and the body of the cane is of hand-hammered yellow gold and is bordered at top and bottom with two green gold wreaths.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who is often termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #538\n\"Fabergé\" handle executed in a most unusual manner of soft green nephrite in the shape of an egg affixed to a hand-hammered cylindrical gold mounting.  Starting from this mount and entwined over the egg-shaped surface, there is a golden snake, chased in all the precision of its naturalistic details.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in the center a beautifully painted portrait of the \"Madonna and Child\" in enamel, and framed with filigree work which is filled with unusually fine shaded enamel, showing tulips and other flowers, in the center of each of which topazes alternate with garnets.  The icon is surmounted by a large crown which is studded with a topaz, a garnet and two aquamarines.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family).  Moscow.\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #75\nCream leather frame with beautiful gold tooling, and crown in top center, made by \"A. Peterson\" at St. Petersburg (By Appointment to the Czar of Russia.)\nFrom the Winter Palace, where it was catalogued under the number 430/2.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and nine saints in miniature as follows:\n 1 – St. Peter – Metropolitan of Moscow\n 2 – St. Alexis – Metropolitan of Moscow\n 3 – St. Ivann – Metropolitan of Moscow\n 4 – St. Prince Michael\n 5 – St. Boyard Theodor\n 6 – St. Dimitry the Blessed\n 7 – St. Vasily the Blessed (In whose name the famous church in Moscow\n  was built by Ivan the Terrible.  The church upon completion was such\n  a beautiful example of Russian architecture that the Czar, fearing\n  that the church might be duplicated, had the architect blinded.)\n 8 – St. Michael the Martyr\n 9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears the nameplate of Alexei Nicholaievitch, to whom it was presented by the Nobility of Nijni Novgorod.  The plate reads as follows: \"To His Imperial Highness Czarevitch and Grand Duke Alexei Nicholaievitch from the Nobility of Nijni Novgorod.\"\nIt was made by \"Chlebnikoff\" (By Appointment to the Russian Royal Family).  It is a remarkable example of the work of this fine Russian silversmith, who has made many outstanding objects for the Imperial family.\nIt is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #906\nMiniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler cut out of a brilliant cerise-colored Ural stone set in a delicate open-work gold mounting.\nFrom the collection of the Grand Duchess Maria Nicholaievna, third daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1073\nExceptionally beautiful and rare jade frame, mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside, and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frames the picture, while on the jade margin green gold festoons are attached to reddish gold rosettes.\nIt is a superb example of the fastidious workmanship lavished upon his creations by \"Carl G. Fabergé\", the celebrated Court Jeweler to the Czar of Russia, and aptly illustrates his unique use of the rare semi-precious stones which were found throughout the Russian Empire.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1075\nCircular gold picture frame of the most exquisite and delicate workmanship, chased with a shimmering guilloche pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls, while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\nIt is in the original case and is signed by \"Carl G. Fabergé\", the famous jeweler to the Imperial Court of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1078\nExceptionally beautiful gold and silver picture frame of most unusual size, enameled in translucent sky-blue over a scintillating chased (guilloché) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At the top, laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  The back is paneled by hollywood.\nThe fine craftsmanship displayed in this example typifies the work of \"Carl G. Fabergé\", the celebrated Court Jeweler to the Russian Imperial family.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #1182, #1183, #778\n#1182. Miniature solid gold Easter egg signed with the initials of \"Carl G. Fabergé\", the celebrated Russian Court jeweler chased with the \"guilloche\" all-over pattern enameled brilliant emerald green.  Serving as complement to the green enamel a gold circle and stripes are set with a small ruby.\n#1183. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler.  Of a yellow gold it is chased and set with nine cabochon-cut rubies.\n#778. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler executed in yellow gold with green gold wreath design and filigree volutes set with two small diamonds.\nFrom the collection of the Grand Duchess Tatiana Nicholaievna, second daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1315\nVery fine miniature picture frame, delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface, enameled brilliant orange.\nAt the corners of the actual opening for the picture, pearls are set in, while on the enamel, circular wreaths are mounted, together with crossed arrows.  \nBy \"Carl G. Fabergé\", the celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the nineteenth century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1350\nPaper knife of richly grained tortoise shell, of unusual personal interest.  It is mounted with a solid gold facsimile reproduction of the inscription \"For Dear Alix\" (the Czarina Alexandra Feodorovna) \"from Misha\" (the Grand Duke Michael, brother of Nicholas II, the late Czar of Russia.)\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] \nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1343\nVery fine Easter egg cut out of a blue agate and decorated with a continuous motif of sprigs of four-pointed flowers and leaves cut out of silver and set with a myriad of tiny diamonds.\nIt is a signed piece by \"Carl G. Fabergé\", the celebrated Russian court jeweler who is today so often referred to as the \"Cellini of the 19th century.\"\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1364\nAn exceptionally choice fantaisie by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nSigned and in the original case, this unique tray of gold gilt silver is mounted with a stand to which is attached an ivory swing on which perches a paraquet [sic] cut directly out of a rare brilliantly colored agate, the natural markings of which delineate the feathers in the minutest detail.\nEmeralds are set in for the eyes and the whole presents an astonishingly life-like aspect.  On either side of the swing tiny containers hold the golden kernels of birdseed.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1367\nA circular gold box signed by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nIt is enameled brilliant red over a broad guilloche line pattern, and mounted with intricate little vari-colored gold motifs of interlaced wreaths and rosettes having diamond centers.\nFive wreaths ornament the cover and frame a portrait of Catherine the Great which is dated 1773.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1464\nMiniature picture frame by CARL G. FABERGE cut from lapis lazuli in a quaint design, the bright blue surface overlaid with a vine-like wreath of tiny flowers executed in the greatest delicacy from green, reddish and yellow gold.\nIt is set with three diamonds.  The actual opening for the picture is bordered with pearls.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1537\nA most important miniature sculpture of a horned owl by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is rather larger than many of his famous bird and animal sculptures and is cut entirely from a moss agate, the green and gray markings creating a superb sense of the texture of feathers which are finely incised all over.  The claws are of gold and beautifully chased, and, together with the gold-mounted diamond eyes, the whole creates an astonishingly life-like aspect.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1546\nSilver gold-gilt buzzer for the table, of conical beehive shape with a large cabochon-cut ural stone in the center. \nIt is a device with clock-like movement, to be wound up, and when used gives a quiet, low, buzzing sound.\nCut into the silver by hand, a collar of long leaves surrounds the stone button.  The sides are decorated with chased garlands and around the base there is a beadwork border.\nBears the hallmark and signature of CARL G. FABERGÉ, the celebrated Russian Court jeweler.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1578\nGold chain bracelet of large heavy links, by CARL G. FABERGÉ, the celebrated Russian Court jeweler.\nIt is mounted with an Imperial Crown studded with diamonds and two cabochon-cut sapphires, and is mounted also with a small safety catch chain arrangement.\nFrom the personal belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1556\nGold gilt silver triangle frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased (guilloche) surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a beveled glass with the outside border in beadwork.\nThe back is paneled with ivory, while the easel is of gold gilt silver.  In the original hollywood case.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides, a diamond is inset and in the very center, surrounded by a laurel wreath, is the Roman number \"ten\" in diamonds.\nSigned by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1576\nA pin by CARL G. FABERGÉ in the Egyptian style, in the form of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE [sic], celebrated Russian Court jeweler, executed in solid gold in his French classic style.\nIt follows in technique the French eighteenth century gold snuff boxes with a ground of cobalt blue translucent enamel.  Unlike most of FABERGE'S [sic] surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes and is merely visible as faint rays on the enamel surface.\nAround the center, there is a broad vari-colored gold band carved in a minute serpentine pattern, together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg, circular caps bear ten-pointed rosettes enameled in green.\nThe three divisions are further elaborated by the addition of three bands of white matte enamel dots, one of which in the center row, is a tiny diamond catch.\nBears the inscription which may be seen as one opens the egg \"Christ Has Risen.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1736\nJade parasol top mounted in gold by CARL G. FABERGE [sic], the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.\nOn the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1737\nJade parasol top mounted in gold, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.\nA green-gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2237\nTiny solid gold oval box by CARL G. FABERGÉ, the celebrated Russian Court jeweler.  \nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with excerpts from the Koran.  It is surrounded by a row of diamonds.\nLike all of FABERGÉ's boxes, the fit of cover to box is a notable instance of his technique.  Here also he has employed the hinges which appear on the finest eighteenth century gold snuff boxes.\nIt is one of the best examples of his craftsmanship.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2238\nRare miniature Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise and, entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a cabochon-cut ruby.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-3\nRectangular miniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed from gold-gilt silver and is enameled over a chased (guilloche) surface in a very beautiful shade of rose.  Borders of wreath design frame the enameled ground, while the opening for the picture is enclosed with beadwork.  The back is paneled [sic] with ivory.\nFrom the Youssoupoff collection.  Originally it was presented to the Princess Youssoupoff by the Empress Maria Feodorovna.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-5\nMiniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.  Concentric fluted gold rims separate these areas.\nThe jade is of a dark, spotted green and in contrast to it, a pale mauve enamel is employed overlaid by an interweaving green-gold wreath.\nAt top, a ribbon with bow and loose ends is fixed, bearing a ruby in the center.  It is mounted with a gold easel.\nOriginally in the collection of the Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-8\nA miniature icon by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is in the form of a triptych and is very simply panelled [sic] on the exterior with a dark wood bearing a four-petaled [sic] catch centered by an emerald.  It opens to disclose a solid gold interior.  The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls.  The yellow-gold ground bears arabesques of filigree and is studded at significant points in the design with emeralds, rubies, sapphires, and diamonds.\nThe central panel frames \"The Resurrection.\"  Against a dark background, the figure of Christ appears holding aloft a pennant.  His form radiates light and in the foreground, two angels kneel.\nIt is an extremely fine painting for a miniature and is complete in every detail.  It is surmounted by a Russian Cross studded with emeralds and rubies.\nThe inscription on the left panel reads as follows: \"Resurrection of Thine, O Christ, Saviour, about which the Angels sing in Heaven.\"  And on the right panel: \"And we on Earth try to be worthy to glorify Thee.\"\nOriginally in the collection of the Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-13\nDome-shaped jade push-button by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the classic French style adapted by FABERGE [sic], the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut star ruby set in a nine-petaled [sic] mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and, following in this style, is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three gold feet in the form of rococo scrolls.\nOriginally in the collection of Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-14\nGold-mounted jade calendar by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the form of a rectangular piece of dark, translucent green jade, it is designed in his classic manner and mounted with gold-gilt back and easel.  At the top, swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center, two oval openings bear red enameled mounts which have the numbers for the day of the month, and these are changeable each day by clicking the buttons on either side.  Below, on a set of gold-gilt plaques, the names of the months are engraved and held in place by red enamel and moonstone mounts.\nOriginally in the collection of the Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-16\nLarge jade Easter egg mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold-gilt silver and bearing ruby catches with which to open it.\nIt originally served as a jewel case.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1509\n\"The Cathedral\", a most important nineteenth century Russian icon painted in the miniature technique on gold over silver.  Against a ground of geometrical chasing, the various figures are painted with flowing gowns of white, purple, red, and bluish-green, with their haloes inscribed in the Old Slavonic.\nIn the clouds, the Holy Virgin stands, her halo emanating rays of light, with kneeling saints and angels on either side.  Below Her, appear, left; Czar Lev, and St. Czarina Zoia; center, St. Roman; right, St. Epiphanie, St. Andrew, St. Martyr Lubov (the small figure in white), and the Archangel Michael.\nIt is in the original frame of filigree, inset with the Russian enamel in jewel-like colors.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1568\nCross cut out of a fine rich blue piece of lapis lazuli.\nIt is mounted in gold and has a moveable diamond and pearl studded link.  The center of the cross is overlaid with a diamond studded rosette which has a pearl center.\nFrom the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface, and opens with a small pearl-bordered lid having a ruby catch.  It is decorated on top with a diamond and ruby six-petaled [sic] flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2136\nJade parasol top mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is cut from the jade in a very curious manner with tapering, bulbous areas up the sides, flaring outwards to the top which is designed in a four-petaled [sic] manner.  In this specimen, the jade is of a soft but brilliant green coloring.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2243\nAn example of the miniature sculpture of CARL G. FABERGE [sic]: a pig cut out of lapis lazuli.\nIn this example of the Russian master's work, the lapis selected is a brilliant blue with rich markings and flecks of gold.\nIt is executed in an extremely naturalistic manner with such details as hooves, ears, and mouth minutely detailed.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #G-22\nVery unusual miniature diptych icon of solid gold by GRATCHOV, by Appointment to the Russian Imperial Family.\nIts design is perfectly plain on the exterior, and on opening it discloses miniatures of Jesus Christ on one panel and the Holy Virgin of Kazan on the other.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #798\nVery unusual panagia portraying \"Christ Blessing the Universe\".\nIt is carved out of green jasper in a two-colored effect, and mounted in a very interesting hand-made silver frame surmounted by crown [sic] and studded with amethysts, rubies and aquamarines. Attached to it is a gold gilt silver chain cut out by hand.\nRussian, early nineteenth century.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #1205\nExceptionally fine solid silver triptych icon designed with serpentine pointed top, and overlaid on the front with gold leaves and tendrils molded and chased to perfectly simulate the gold bullion work motifs to be found on the finest Russian brocades.\nOpening the side panels of the icon, which bear in the center the Greek Catholic cross, the central panel is painted with the \"Transfiguration\", against a pure gold ground.  Christ stands in the center with Elias on the left and Moses on the right, while below there are: left, \"John\"; middle, \"James\"; and right, \"Peter\".  The side panels frame at the left, \"St. Elizabeth\", and on the right, \"St. Sergius of Randanezh\".\nAll of the individual paintings are equally notable for a beauty of characterization as well as for the unusual finish of details.  A narrow border frame in emerald green, gold, red and black completes the design.\nThe icon bears on the reverse the dedication to Grand Duke Serge as follows: \"Blessing of the Preobrajensky Regiment, June 3d, 1884\".  \"A new commandment I give unto you, that ye love one another as I have loved you\".  \"From the New Testament, St. John, Chapter 13, Verse 34).\nThe names of the donors are inscribed (etched in the silver) over the sides of the icon.  They are as follows:\n Middle lower: Baron Medem, Kovansky, Count Murafief, Amursky, Neidhart, Kornileff, Count Titischoff. \n Right wing lower: Martinoff, Count Von Preil, Penherzhevsky, Gadon.\n Left wing lower: Belgard, Martinoff, Obahoff, Dolgoff II.\n Right top dome (front): Hartons, Belhart, Domerishkov, Veltzin, Kazin, Zhehacheff;\n         (back): Chekmareff, Komaroff, Palivin, Muravieff, Shipoff,  Schmitt.\n Left top dome (front): General Major Prince Obolensky, \n Left top dome (front) continued: Evreinoff (meaning in Russian \"Son of the Jew\"), Korniloff, Ladishensky, Dolhoff.\n   (back): Second Lieutenant Shemiakin, Bakalin, Lt. Peshkoff, Baron Medem.\nRight side (top): Admiral Ozeroff, Novisitzogg, Kasherinoff, Under Captain Haller, Heirot, Epanchin, Baliasny, Forselles, Vosnesensky, Surelius.\nRight side (bottom): Kashneff, Malahoff, Bashiloff, Mescherinoff, Merder, Neidhart II, Prince Troubetskoy, Loshhereff, Delsal, Count Loris-Melikoff.\nLeft side (top and bottom): Pensky, Kushkovsky, Adjutant Reiters, Count Stenbok, Captain A.G. Korostovitz, Kakoshkin; Schlitter, Delsal, Janetzky, Mirkuloff, Veimarn, Gardenin, Navrotsky.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2443\u003c/p\u003e\n","\u003cp\u003eGolden flowers in a rock crystal pot. Three (3) gold \"TROLLIUS EUROPAEUS\" (Globe Flowers) are made of solid gold, the actual blooms being enamelled (sic) in a clear translucent yellow. The petals are all finely chased underneath the enamelling (sic), emphasizing the translucency of the enamel. The stem, which is also of gold, is grooved with hair-like stripes and is lightly colored in the palest of green tints. The leaves which are very realistically carved from a dark green jade are veined and folded in an accurate duplication of nature's own. Each stem is signed, K. FABERGE, in Russian characters and bears the Russian Imperial Eagle. The conical pot in which these removable flowers stand, is carved from a solid block of rock crystal in such manner as to suggest a natural water-line which is as true to life as the actual would be. On the underside of the pot appear the Russian characters for K. FABERGE.\u003c/p\u003e\n","\u003cp\u003eThis very beautiful object was made by the celebrated Russian Court Jeweler, KARL FABERGE and the piece is extremely rare in that seldom were objects of this type marked with his full name.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e\n","\u003cp\u003eNovember, 1945\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK\u003c/p\u003e\n","\u003cp\u003eNovember, 1945\n#2891\nLapis-Lazuli combination seal and letter-opener. The handle is a long, bulbous-shaped piece of Lapis-Lazuli, beautifully curved in symmetrical pattern with a gold, hand-chased, ferrule. The blade and the seal, which are interchangeable, are of silver-gilt.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#181\nVery fine enamel miniature portrait of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.\nIt is painted on silver and is enclosed in a gold and silver frame of beautiful bead design, surmounted by crown. Both the frame and the miniature are exceptional in quality.\nFrom the personal belongings of her father, Nicholas II. From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#540\nVery unusual and rare rock crystal cane handle, with the head of a dog etched and enameled inside of the crystal ball in amazingly realistic fashion. It is a superb example of the artistry and craftsmanship of the famous court jeweler to the Czar of Russia, \"CARL G. FABERGE\", by whom it was made, and who was often referred to as the \"Cellini of the nineteenth century.\" \nThe globe of crystal, bound about by gold, is affixed to a wide stippled mounting studded at intervals with diamonds, rubies, emeralds, and sapphires.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York.\n#598\nPair of superb Wedgwood medallions, one portraying Czar Nicholas II, the late Czar of Russia, the other, his wife Czarine Alexandra Feodorovna. \nThese rare masterpieces of Wedgwood ware, the greatest of all ceramics, are exquisitely executed in white low relief on a soft green ground. In the perfection of the details and the characterization of the personages represented, they show the painstaking craftsmanship and distinctive elegance of this art.\nOn the back of each of the medallions there is the mark \"Wedgwood\" and in script \"The Czar of Russia\" and \"The Czarina of Russia\", respectively.\nThey were purchased from Madame Anna Viroubova, former lady-in-waiting and personal friend of the Empress Alexandra Feodorovna.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1022\nMost artistically conceived and executed miniature triptych icon sculptured out of solid gold, and signed by K. HAHN, who made some of the Crown Jewels of Russia. \nOf tiny proportions, this triptych is of a most exquisite design. Shown with the two side panels closed, it exhibits the pierced work border which frames panels with cherubs enameled blue and red. At the top, these doors are surmounted with a sunburst, in the center of which is a dove with outspread wings.\nOn opening the icon, one sees \"Christ Blessing the Universe\". On the left is \"St. Nicholas\", the patron saint of Nicholas II, and on the right is \"St. Alexander Nevsky\", the patron saint of Czar Alexander III. It was presented by Alexander III to his son and successor Nicholas II, with his blessings. At top, the Almighty is depicted with surrounding inscription which reads \"Save O Lord Thy People\". Placed over the hinges and crowning the top of the central panel, three fluted Russian domes are placed, each surmounted by the Greek Catholic Cross.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1044\nCircular gold picture frame of unusually small proportions by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased (guilloche) surface in sky-blue. The border and the inner round opening for the picture are enameled in matte white, bordered with gold. It is surmounted by a gold bow and ribbon enrichment.\nIt contains an original miniature of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1291\nGold gilt silver pencil bearing at its summit a tiny, finely formed mongoose, also of gold gilt silver. \nIt was part of a complete writing set of Czar Alexander III, made by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1326\nTo celebrate the two hundredth anniversary of the founding of the capital-city St. Petersburg, the late Czar, Nicholas II, commissioned the court jeweler CARL G. FABERGE, to execute an Easter egg to be presented to the Czarina in honor of the occasion. CARL G. FABERGE, jeweler to Czar Nicholas II and to his father Alexander III, had since 1885 executed an Easter egg yearly to be presented by the sovereign to his wife. However, to celebrate so great an occasion in the annals of the Romanoff family, this egg was planned many years before the date of the anniversary and was ready in 1903. When completed, it proved to be the most sumptuous and magnificent of any ever constructed.\nAt the highest point, the egg measures almost six inches, and at the widest four inches, and is constructed entirely of solid gold. (It is marked \"72\", the equivalent of eighteen karat gold). Covering its surface, an elaborate rococo design forms in its many curves, panels and areas perfectly suited to the particular type of workmanship which Fabergé excelled in designing and his workmaster M. Perchin in executing. The rococo curves are perfectly suited to the egg-shape, and are studded with hundreds of diamonds and scores of rubies. Intertwined bullrushes [sic] arising from the lower part of the egg are done in green gold, against the yellow gold surface, and show Perchin's superb chasing and minute detail. Cat-tails of square cut rubies give the touch of color which is so significant a feature of the egg, and are entwined with garlands of roses contrasting various shades of gold with platinum. On the top of the egg, the diamond monogram of the Czar is enclosed in a wreath enameled in white and emerald green. Around the upper and lower part of the egg are white enameled ribbons, explaining in Russian the significance of the occasion for which the egg was created.\nTwo miniatures around the middle bear portraits of Peter the Great, founder of St. Petersburg (in 1703), and Nicholas II, during whose reign the bicentenary was celebrated (in 1903). Emphasizing the evolution of St. Petersburg during these two hundred years, two other miniatures frame views of the cottage which Peter built on the low-lying ground by the sea, and which was to be the Russian capital, in contrast to the Winter Palace with its grounds as it was under Nicholas II. In the distance of the latter can be seen the Fortress of Peter and Paul with its spire. These four paintings are by VASSILY ZOUEV, with whom Faberge collaborated. He was the most celebrated miniaturist in Russia and was as well miniature painter to the court. Rock crystal was employed instead of glass to cover these paintings and it exactly fits the many-sided panels. The egg bears at the top the monogram and crown of Czar Nicholas II done in diamonds and the date 1703 when St. Petersburg was founded, as well as the date 1903, when the egg was made in celebration of that event. At the bottom, the double-headed Eagle, insignia of the Imperial family, is enameled in black surmounted by the Imperial crown set with diamonds. Over its breast a portrait diamond covers a tiny crest of \"St. George and the Dragon\" enameled in color.\nThe greatest feature of all, however, is concealed within the egg. On opening it, the mechanism within raises a miniature statue of Peter the Great from the interior. It is executed in solid gold by the Russian Court sculptor G. MALYSHEW, and stands on a sapphire pedestal. It is an exact replica of the colossus representing Peter which to this day stands on a square in St. Petersburg, and which was created on the order of Catherine the Great by Falconet.\nIt is interesting to note that besides the usual hallmarks that were always used, the egg bears the engraved signature \"K. Fabergé\" and the date 1903. This egg is considered to be the chef d'oeuvre of this great master.\nIt was illustrated on page 3 of the Russian magazine \"Stolitza et Usadba\" in the April 1, 1916 issue, which was devoted to a description of the Imperial Easter eggs. They were reproduced by special permission of the Czar, and the Peter the Great egg is the first illustrated. It was also reproduced and described in the November, 1936 issue of \"The Connoisseur\" on page 284, as well as in the \"Art News\", in its issue of November 7, 1936, on page 16, and in \"The New York Sun\" of October 31, 1936, page 17.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1479\nA good example of the miniature sculpture of CARL G. FABERGE, the Russian Court jeweler; a baby vulture carved from obsidian and shown seated in a most natural attitude. \nIn its small dimensions every detail of the anatomy is correctly and precisely cut even to a chasing of the individual feathers. The sheen of light within the stone running through front to back creates a varying surface texture as the piece is moved in the light, shifting from a downy grayness to jet black.\nDiamonds are set in for the eyes.\nSigned \"C. Fabergé.\"\nFrom the Alexander Palace at Tsarskoye Selo.\nMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1524\nCovered jade vase in a brilliant gold gilt silver mounting.\nIt is designed as a small covered chalice cup, the deep green jade forming the cup part, and mounted on a narrow stem flaring out into a circular base. The jade body is slightly tapered and curves out by means of concentric flutings into a rounded underside. The upper part bears a fluted gold rim and above it the cover is fitted. This is slightly domed and bears on its summit a high, cabochon-cut pink tourmaline as a knob.\nSigned by FABERGE, the well-known Russian Court jeweler, who is today referred to as the \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1543\nMiniature picture frame enameled in mauve, signed by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed in his French classical manner with a narrow mauve-enameled ground bordered by the motifs associated with this style. \nAround the beveled glass there is an edge of white matte enamel separated from the mauve surface by a tiny fluted border crossed with ribbons.\nAn outer border of beadwork encloses the frame and over the enameled surface rosettes with short swags are mounted.\nBears a hinged easel with the name \"Victoria\" lettered in openwork.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1569\nA large Imperial Russian Crown in gold and silver, and designed with leaves, tendrils and flower forms set with numerous cabochon rubies, cabochon sapphires and diamonds.\nIt is mounted at the top with a diamond-set Greek cross, and a diamond-encircled sapphire.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1735\nGold-gilt silver triptych picture frame by CARL G. FABERGE, the Russian Court jeweler, containing an exquisite drawing.\nThe entire frame is paneled with the ivory-like hollywood and the triptych doors are clasped in the middle by a Greek Catholic cross.\nOpening the doors, he drawing is seen to be set into an oval opening covered with beveled glass and surrounded by a row of pearls.\nThe ground surrounding the drawing is in Faberge's white enamel, given a great brilliance by the chased undersurface. At the corners winged cherubs are placed.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1749\nUmbrella handle in the form of an eagle's head, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe head is carved in a highly stylised (sic) manner out of a light green jade, with the eyes fashioned of two large beautiful red Ural stones mounted in gold. The white translucent enamel of the mounting is the type which Fabergé perfected and its sheen is further heightened by the guilloche under-surface. At the top and bottom it is bounded by bands of wreaths in vari-colored gold.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1763/2723\nVery rare miniature animal studies of an elephant by CARL G. FABERGE, the celebrated Russian Court jeweler.\nOne is in silver, and is fully signed by the master, while the second, in gold, is unmarked. This was most likely made as a mate to the silver one. Presumably, they were silver and golden wedding anniversary gifts.\nThey are both modelled in an extremely naturalistic manner, with all the characteristics of the animal carried out with great fidelity to nature.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2122\nAn original photograph from the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nIt shows a whole group of photographs of the Czar, Czarina and their children. A large photograph of the Czar himself, is in the center, flanked by smaller ones showing the Czarina with the Grand Duchesses Olga, Tatiana and Maria. \nFrom the Hermitage Museum. Originally in the Winter Palace.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2247\nGold mounted sapphire-studded rock crystal perfume vial by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed in a cylindrical manner banded about the opening with gold, and bears a gold cover enameled in a translucent white. The whole bottle is studded all over in a polka-dot arrangement with cabochon-cut sapphires and bears about the opening a Greek fret chased in the gold.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2278\nA charming fantaisie by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn a solid gold cage perched on a golden bar on which rest two tiny golden containers for seed, is a parrot cut out of a single piece of pink quart with ruby gold-mounted eyes and gold claws.\nIt is a very fine example of Fabergé's animal sculpture. In its life-like presentation, all the details of feathers, wing and attitude are faithfully rendered and, most naturalistic in aspect on one side of the cage, is a tiny door of fine construction which is typical of the work of this master.\nThe cage rests on a slab of red nephrite highly polished and harmonizing so beautifully in color with the red gold cage and the pink color of the parrot.\nIt is a signed piece by this celebrated artist and is indeed a creation making him worthy of the title \"Cellini of the 19th century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2279\nKovsh by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of rock crystal into which is etched a highly conventionalized all-over leaf pattern. The shape is exquisite, being wide and flat.\nIt stands on a gold base with four feet each extending from a leaf. Around the rim is a gold mounting which comes to a point at the front and bears on its summit a pear-shaped pearl in an open-work gold mounting. The handle also, is carved out of gold into the form of a female head surrounded by leaves and flowers, and is embellished with nine small and one larger ruby and two rows of diamonds, one of which serves as a necklace for the figure.\nThe piece, elaborate as it is in its sumptuous decoration, somehow give the feeling of utter simplicity because of the harmony of the movement of line. It is a specimen of Fabergé's work which amply earns for him the title \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2281\nInteresting miniature Easter egg carved out of opal. It combines most beautifully a rich brown with iridescent shades of greens and blues.\nBy CARL G. FABERGE, the celebrated Russian Court jeweler.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2297\nSolid gold pin in the shape of a wild rose, very beautifully enameled in a soft shade of pink and giving a most delightful and lifelike effect.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2299\nA most unusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler, who is often referred to today as the \"Cellini of the nineteenth century\".\nBeautifully conceived and executed, it represents a spray of lilies-of-the valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade. The spray stands in what appears to be a red clay flower [underlined] pot filled with moss, but the pot actually is of silver and enameled in a matte brick red, the color of the natural clay, while the moss is of gold, so artfully employed  that one can scarcely believe that it is not actually moss.\nSo ingeniously is the entire object executed that it gives a most lifelike and naturalistic effect. One feels that the flower is planted in the pot, and only upon closer examination does one realize that the whole is created from such precious materials as gold, silver, pearls, diamonds and jade.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2300\nUnusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler.\nBeautifully conceived and executed, it represents a spray of lilies-of-the-valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade.\nThe spray stands in what seems to be a glass of water, but what is actually a rock crystal vase so created as to give the perfect illusion of water.\nSo ingeniously is the entire object executed that it gives a most lifelike effect. One actually feels that the lily-of-the-valley is standing in the water and only on close examination does one realize that the whole is created from gold, pearls, jade, crystal, etc.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2322\nAn exceptionally fine miniature sculpture of a blood hound by the celebrated Russian Court jeweler CARL G. FABERGE.\nThe animal is carved from a single piece of vari-colored agate ranging in shade from a light gray to a reddish brown. He is shown in the attitude of following the scent, and most noteworthy in this specimen is the impression one gains of his great strength and power. The lowered head, the sniffing nose, the upcurled tail, and long ears almost touching the ground, are all most remarkable, and most life-like. One actually seems to feel that the dog is following one, so realistic is the whole creation.\nIn its small dimensions every detail of the anatomy is correctly and precisely carved, even to the chasing of the individual markings on the dog. Diamonds are set in for the eyes.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2323\nMiniature sculpture by CARL G. FABERGE, of an eagle, carved from vari-colored brown and gray agate, and with feet of gold.\nIt is an exceptionally fine example by this great Russian artist, and every portion of the bird's anatomy has been minutely carved with the greatest attention to detail.\nThe bird is shown standing in repose with wings folded in, and head slightly turned to one side. The beak is carved to almost knife-like sharpness, and diamonds are set in for the eyes, giving a most naturalistic expression. Adding to the impression one has of the great strength and ferocity of this bird, are the highly polished and sharp claws which are rendered with the highest degree of precision.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2325\nMiniature rooster carved out of transparent carnelian, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn its small dimensions, every detail of the anatomy is correctly and precisely cut, even to the chasing of the individual feathers. The legs are of gold with the paws minutely chased and with sharp claws, while diamonds are set in for the eyes. \nIt is a fine example of the miniature sculptures in semi-precious stones for which Fabergé was famous.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2325\nUnique sculpture of a hornbill by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThis exotic bird with its exceptionally long curved beak, is shown in a seated position, with its head upraised. It is carved from flawless smoky topaz, beautiful in color.\nThe rendition of the bird is executed with broad, sweeping lines, yet with great attention and fidelity to detail. Diamonds mounted in yellow gold are set in for the eyes. It is in every respect an example typical of the fine animal sculptures by Fabergé.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2340\nA magnificent specimen of the animal sculpture of CARL G. FABERGE, the celebrated Russian Court jeweler, is this large owl carved out of a single piece of obsidian.\nThis rare and excessively brittle stone is here used to the greatest advantage. It is so carved and polished as to bring out all the hidden lights.\nThe model for the sculpture was apparently an old bird, who sits looking at us sideways in a most quizzical fashion. His large eyes are set with tiger eyes, mounted in each corner with tiny diamonds, all set in gold. The roving quality of the tiger eyes is in admirable harmony with the nature of the obsidian, which changes and gives such an unusual silvery-gray sheen when light strikes it at various angles.\nThe fine carving and imbricated plumage are most typical of the genius of Fabergé. The wings are an interesting feature, being irregular in their foldings (sic), in conformity with the position of the bird, slightly turned.\nIn the original Fabergé hollywood case.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2353\nVery unusual gold pendant in the form of a lozenge, by BOLIN, the well-known Russian jeweler, who made many outstanding objects for members of the Russian Imperial family, as well as for other important personages.\nIn the center is a large diamond surrounded by four smaller ones. At the top is set a star cabochon-cut ruby of unusual color, while on the other three points are large cabochon-cut star sapphires.\nBordering the piece on both sides, are finely chased gold ropes.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2373\nRare Russian silver tray of the early nineteenth century, made in St. Petersburg circa 1815 during the reign of Czar Alexander I (1801-1825).\nIt is a plain rectangular tray standing on four ball feet, and bordered with a pierced and beaded gallery, and baring two gracefully shaped handles, also beaded.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2376\nGold link bracelet by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThe center bears a shield-shaped plaque which is translucently enameled over a chased (guilloché) surface in a rich red, and against this background is mounted the Russian Imperial double-headed Eagle, beautifully chased. The breast bears a diamond and the crown surmounting it is likewise set with a diamond.\nOf exquisite refinement and delicacy it is a piece typical of the work of this great artist.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2419\nRectangular gold gilt silver frame by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe opening for the picture is large and square and the border rather narrow, which gives a most unusual effect.\nThe border, is enameled over a chased \"guilloché\" surface in a rich translucent red, over which is appliqued formal scrollwork in gold gilt silver. Pilasters enameled in fine shades of green and white complete the decoration, and blend beautifully with the entire composition. The back is paneled with hollywood.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN. L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2421\nExceptionally fine rectangular gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in an extremely pale blue.\nBoth the inner rectangular border for the picture and the outer border are perfectly plain. Surmounting the frame is a gold riband from which are suspended pendant festoons of berried laurel, and in each corner are rosettes inset with tiny diamonds.\nThe back is paneled with ivory and bears a fancifully designed easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2445\nAn exceptional piece by the celebrated Russian Court jeweler, CARL G. FABERGE, is this large ash tray fashioned of gold.\nThe shape is most graceful and unusual, being of trefoil design. From each of the three points thus formed, a gold handle extends, each handle being set with a gold coin of Catherine the Great, and dated 1766, 1773, and 1783. Fabergé was very fond of using these old Russian coins in completing his designs and they are here used to perfection. The coins are of green gold and are a fine contrast to the interior of the tray, which is a highly polished red gold.\nThe exterior is a surprise feature, as it is finely fluted, with typical Fabergé precision and painstaking craftsmanship.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2453\nA large goose carved out of a piece of rock crystal by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe goose is shown in a standing position with the long neck gracefully lifted, and the head turned slightly to one side. Tiny gold-mounted diamonds are set in for the eyes.\nThe imbricated plumage is finely rendered, and so life-like is the creation, that one feels that at any moment the goose will begin to waddle along. Fabergé was a great genius in the field of animal sculpture, and has here captured the charm of this bird, and given life to this finely carved stone.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2454\nAmethystine owl by CARL G. FABERGE, the celebrated Russian Court jeweler. Carved out of a single piece of this stone, which was especially chosen for its unusual color and shading, the owl is finely chased in great detail. Tiny gold-mounted olivenes (sic) are set in for the eyes, and such a choice was a happy inspiration, as they add greatly to the character of the bird.\nHe is shown with his meticulously chased gold feet perched on an ivory stand which has sapphire tips. The whole rests on a base which is composed of a single slap (sic) of lapis lazuli.\nA typical Fabergé nicety is added near the base: - two tiny enameled bands, one in white matte enamel, and the other in a lovely shade of translucent pink enamel, complete the color harmony, and are a charming surprise.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2455. Miniature gold Easter egg, with four sections finely enameled a deep blue, and set in each corner with a gold star and in the center with a cabochon ruby. In between these sections, the gold surfaces are beautifully fluted.\n#2456. Tiny Easter rabbit mounted in an egg-shaped gold ring. The bunny is beautifully carved out of a single piece of amethyst. Around his neck is a gold collar from which is suspended a gold-mounted olivene (sic), while olivenes (sic) are also set in for the eyes.\nBoth of these are by the famous Russian Court jeweler, CARL G. FABERGE, and are from the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2457. Miniature Easter egg of rock crystal, finely etched with four four-leaf clovers, in the center of each of which is a ruby or an emerald.\n#2461. Miniature gold Easter egg enameled over a chased (guilloché) surface in a rich red, with a gold band running around its side.\n#2467. Miniature gold Easter egg enameled over a chased (guilloché) surface in a pale apple green. Superimposed are two white matte enameled lilies with leaves.\n#2474. Miniature gold Easter egg, very simple in design. Its sole decoration consists of a calyx outlined at the top in deep ultramarine blue enamel.\nThey are by CARL G. FABERGE, the well-known Russian Court jeweler, and are from the belongings of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2460. Miniature gold Easter egg, beautifully decorated with alternating panels of red and white translucent enamel. The white portions are further embellished with overlaid tiny blue flowers and green leaves.\n#2465. Miniature gold Easter egg fashioned as a gold egg-shaped ring enameled over a chased surface in a shimmering white. From its center is suspended a gold-mounted ruby.\n#2470. Miniature gold Easter egg fashioned as a gold egg-shaped ring, in which stands a gold-mounted egg-shaped aquamarine.\n#2472. Miniature Easter egg carved out of a single piece of the rare Russian semi-precious stone, orletz. Wound about the egg is a gold serpent, exquisitely chased, its head set with an emerald.\nThese are by CARL G. FABERGE, the celebrated Russian Court jeweler, and are from the belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2464. Miniature Easter egg carved out of a single piece of dark green jade, mounted in a gold wreath which divides the egg into three portions. Two points of the wreath are set with rubies.\n#2468. Miniature gold Easter egg finely enameled over a chased (guilloché) surface in a rich red. One side is set with a . (sic) pearl, while the other bears abbreviations in gold letters, which stand for the traditional Easter greeting \"Christ is Risen\".\nThese are by the celebrated Russian Court jeweler CARL G. FABERGE, and are from the belongings of the Grand Duchess Anastasia Nicholaiovna, the youngest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2496\nTiny vase with two small handles, beautifully carved out of rock crystal. The entire surface is cut with a basketwork design, while the top is mounted with a gold rim which is set with alternating diamonds and rubies.\nIt is by the celebrated Russian Court jeweler CARL G. FABERGE, who is today often referred to as the \"Cellini of the nineteenth century\".\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2497\nSmall gold cup by CARL G. FABERGE, the celebrated Russian Court jeweler. It is tapering in shape, and stands on a very short round base. On one side is a curiously formed openwork handle.\nThe most engaging feature is the decoration around the side of the cup. The lower portion is so chased as to look like water, in which are swimming two fishes, the tails and heads of which are blue sapphires. So cleverly chased are the sapphires and the gold, that the bodies of the fishes seem to be submerged in the water. The artifice is so well executed, that one actually thinks the fishes are playfully swimming in the water.\nIt is a piece typical of the fantaisies (sic) which Fabergé delighted in creating for members of the Imperial family, as well as for other important personages throughout the world.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2498\nExquisite brooch by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed as a horizontal figure eight, with a large cabochon emerald of lovely color set in each side. Each is surrounded by diamonds mounted in openwork gold setting.\nIt is a piece typical of the craftsmanship of this great artist, and of his fine, discriminating taste.\nFrom the personal belongings of Czarina Alexandria Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2512\nUnusual set of six large silver spoons, very simple both in design and in ornamentation.\nThe bowl of each is sharply pointed, while the handle is of shield shape, and on which is chased a shield surmounted by crown, and which bears the date \"1770\" as well as the words: \"Concordia et Laetitia\". The center of the shield shows two hands clasped in a handshake. The reverse is dated 1850 and bears the initials \"A.C.\".\nThe set was made in 1850 in St. Petersburg by the well-known firm \"Nichols and Plinke\", who made many outstanding objects for members of the Imperial family.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2524\nGold ring mounted with an exceptional emerald of over five carats and of remarkable brilliance and color.\nThe mounting was designed with the greatest simplicity in order to fully bring out the beauty of the stone.\nOriginally in the personal belongings of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2525\nA most exceptional star ruby of thirty carats, unusual for its size, shape and color of great intensity and richness.\nIt is mounted into an exquisite yellow gold ring, which consists of a broad band pierced throughout its entire surface, and chased with foliations and flowers which show exceedingly fine craftsmanship. The mounting for the stone is in the form of a collar of laurel leaves.\nThe general composition of the ring, with its fine material and excellent workmanship, combined with its exquisite lightness and grace, mark it as an important example of the jeweler's art.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2568\nExquisite miniature gold frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the fine quality and discriminating taste associated with the work of this master craftsman.\nIts surface is chased (guilloché) in a sunburst pattern enameled pale green [underlined]. The inner border, enclosing photograph, is set with pearls, while the outer border is beautifully chased with an oak leaf motif of green gold, crossed at intervals with bands of red gold. The back is of ivory and bears a fancifully designed gold easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2651\nFine Russian lapis lazuli and gold snuff box.\nIt is of cartouche form and is carved out of superb blue Russian lapis with the hinge and rims mounted in gold.\nThe cover bears in the center the gold and diamond studded monogram and crown of Empress Maria Feodorovna, mother of Nicholas II, the late Czar of Russia, and wife of Czar Alexander III.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2657\nSmall eighteen carat gold Easter egg by CARL G. FABERGE, the celebrated Russian court jeweler.\nIt opens through the center on a hinge and its entire surface is divided into four horizontal panels, each richly chased in typical FABERGE craftsmanship with interweaving foliations which stand out in bold relief against the finely stippled background. The top is set with a faceted ruby and upon opening the egg, one finds within, embedded in a lovely antique fabric, a small diamond and ruby ring. The central diamond is a golden color and this is surrounded by a circlet of six faceted rubies.\nIt is an exquisite example of the discriminating taste and precise craftsmanship of this great artist. This piece, for quality and for beauty, is in a class with the Russian Imperial Master eggs which are today so justly famous.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2675\nCircular ash tray by CARL G. FABERGE, the celebrated Russian Court jeweler. \nIt was executed during the World War from material captured at the front and melted.\nIt is of copper and bears in the center a large Russian Imperial double-headed Eagle. At the top are the words \"War 1914\", and at the bottom is the signature \"K. FABERGE\" in large letters.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2680\nExceptionally fine miniature gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in a scintillating white.\nIt is a small oval frame and the inner oval opening for the picture is bordered with pearls while the outer border is finely chased in typical FABERGE fashion with oak leaves in two shades of gold and set at intervals with lovely rubies in square gold mountings. At the top is a highly polished ribbon box attachment.\nThe back is paneled with ivory and bears a beautifully fashioned gold easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2691\nPaper knife with gold and topaz handle by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe stone is of a rich golden color and is so shaped that it may be easily grasped. Around its collar is a gold band chased in typical FABERGE classical style.\nIt is a good example of the fine craftsmanship and excellent taste of this great artist, who is today often referred to as the \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2692\nMiniature owl by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of a single piece of opal especially chosen for its fine color and shading.\nThe bird, which is of exceptionally small proportions, is shown standing on a gold perch which rests on an agate base. In its small dimensions, the details of the anatomy are correctly and precisely rendered. Two rubies are set in for the eyes.\nA charming example of the work of this great artist, who made so many important objets d'art for members of the Russian Imperial family, as well as for other important personages throughout the world.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2722\nCharming \"fantaisie\" by CARL G. FABERGE, the celebrated Russian Court jeweler, a tourmaline parrot of soft rose-color shading into a pale green tail and with emerald eyes, diamond collar and gold feet, perches on a swinging ivory bar which carries silver gilt pails on either end, filled with seed.\nIngeniously contrived, the swing is suspended from a silver gilt stand mounted on a round tray in typical Fabergé classical inspiration.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2786\nGold kovsh by CARL G. FABERGE, the celebrated Russian court jeweler, designed in the ancient Byzantine manner.\nThe round full bowl is decorated with eight spade-shaped panels bearing alternating leaf patterns with four Russian Imperial double-headed Eagles, all in bold relief. The eagles are chased with amazingly fine precision, and show the ball and scepter of sovereignty, the three crowns, St. George Slaying the Dragon, and the tiny shields, all in wonderful clarity and detail.\nThe kovsh stands on a short outflaring [sic] fluted foot, while the shoulder is absolutely plain. The most exotic feature is the handle which springs up from the base in the form of a horn, and which is surmounted by a finial consisting of a single large emerald.\nAn outstanding work of this great artist, often referred to as the \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2821\nMiniature gold and platinum charm in the form of a bull dog. \nThe collar is gold, the eyes are rubies, and the body is set with ten large diamonds and many smaller ones.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2859\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased guilloche surface in a most interesting pattern combining areas of various sizes in red, white, and blue enamel, the colors of the Imperial Standard.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2868\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler. It is enameled over a chased guilloché surface in a rich green. The top is decorated with classical fluted mounting and with chased gold garlands crossed at intervals with ribbons and from which are suspended pendant festoons. These are carried out in vari-colored gold, typical of the work of this master craftsman.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2869\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased guilloché surface in a raspberry red. One side of the egg is decorated with an applied miniature sculpture in gold of an elephant with up-turned trunk. This is outlined by a band of white matte enamel separated from the red by narrow gold bands.\n \nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2870\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is set around the center with a faceted emerald, a faceted ruby, and two faceted sapphires.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2881\nCircular silver tray by Nichols \u0026amp; Plinke, outstanding silversmiths of English origin who settled and worked in Russia at the request of the Imperial family.\nDesigned with the greatest simplicity the center bears an oval-shaped decoration suitable for monogramming, while the border is heavily chased and engraved with a classical pattern.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2882\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler. In typical Fabergé design, the rectangular opening for the picture is bordered by bead and dash pattern, while the outside border is likewise designed with a classical pattern, set in each corner with a rosette. \nIn between these, the area is overlaid with a chased guilloché surface enameled a most unusual shade of greyish blue and this is overlaid with rich gold festoons and shell motifs.\nBears a fancifully designed gold easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#JZ-1, 2, 3, 4.\nGroup of gold animal charms, of fine quality.\nOne represents a gold bear standing on a pearl [underlined]; one is a bulldog [underlined] with diamond collar and tail; another is a dog with ruby [underlined] eyes and diamond collar [underlined]; and the fourth is a dog carved in Chinese fashion [underlined].\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#L-14\nMost unusual and rare split Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today often referred to as the \"Cellini of the nineteenth century\".\nIt is a particularly noteworthy example of his genius. Carved out of nephrite and beautifully polished, it is split lengthwise through the center, which is mounted in gold with a laurel leaf design. On front and back are oval openings for pictures bordered with gold chased with the classic dart and triple dot motif. The surprise feature however, is discovered upon opening the egg. Each portion bears on the back a beautifully fashioned gold easel, so that when the egg is open, it can easily stand upon its easels, enabling one to see both pictures at the same time.\nIt is a very beautiful piece, and in every detail is typical of the fine taste and exacting craftsmanship of this great master.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#G.25\nDiamond-shaped rock crystal frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the utmost delicacy and refinement.\nThe round opening for the picture is bordered with emeralds, and through the center on top and bottom runs a golden stem bearing three gold tulips, each with four tiny gold-mounted rubies. The border is finely fluted and is crossed at intervals with leaves of a contrasting shade of gold, while in each corner is set a diamond.\nThe opening for the picture is backed with ivory, while the frame is supported by a gold easel exquisite in shape.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\u003c/p\u003e\n","\u003cp\u003eGOLD PRESENTATION BOX OF NICHOLAS II OF RUSSIA\nBY FABERGE\nThis exquisite example of the incomparable artistry of Fabergé is circular in shape. The top is enamelled [sic] in a lovely shade of rich iridescent blue over a guilloché surface. In the center is a raised oval reserve bordered by a row of pearls, a band of gold filigree and gracefully curved diamond set volutes extending to the outer rim.\nIn this reserve is found the Russian Imperial Eagle, entirely set with diamonds and surmounted by the crown set with two rubies. In the eagle's center is placed a finely chased shield showing \"St. George Slaying the Dragon\".\nUpon opening the box, the bottom of the inside is found to be enameled in the same deep blue as the top. In the center is the coat-of-arms of the Romanoff's, completely surrounded by a rayed sunburst design.\nPresented to Nicholas II by his wife Alexandra Feodorovna, upon the occasion of the three hundredth anniversary of the founding of the Romanoff dynasty, 1613-1913. \nFully signed by CARL G. FABERGE, jeweler to the Imperial Court, and bears the rare gold mark 72.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eThis series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).\u003c/p\u003e\n","\u003cp\u003ePrice tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and the date purchased. Most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers. A note in Pratt's hand is written on the item description for a traveling clock (item number 5253, purchased June 16, 1933) and says \"Given to H.R.H. Princess Margaret Rose of England May 1939.\" She received a letter of acknowledgment and appreciation back from Lady Constance Harriet Stuart Gaskell, a Woman of the Bedchamber to Queen Mary.\u003c/p\u003e\n","\u003cp\u003eFinally, the few exhibition labels were used in the Hammer Collection's \"Russian Imperial Exhibit\" at Lord and Taylor. Four are still mounted on the original gold colored panels.\u003c/p\u003e\n","\u003cp\u003eThe series is divided into five subseries: Series 2.1: Lord and Taylor Invoices, [1933]; Series 2.2: Price Tags, undated; Series 2.3: Item Descriptions, 1933-1945, undated; Series 2.4: Exhibition Labels, 1933-1934, undated; Series 2.5: Correspondence, 1939.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. X 4110\nRunner made of 18th century brocade in a striped design of gold and various colors. From a portion of a Priest's robe woven and worn in Russia.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y. \u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 D\nKnife of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Polish, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 C\nFork of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Russian, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H-4098\nSilver Hand Mirror bearing the initials \"AN\" under the Imperial Crown, for Grand Duchess Anastasia, who was the youngest daughter of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003e\nMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5054\nA small modern Icon of \"St. George the Conqueror.\" Painted on metal and framed by the well-known Klebnikov of St. Petersburg. The frame is decorated in beautiful enamel work and bears the Russian hallmark \"84\" denoting the finest quality silver; also bears the stamp of the Imperial Double-headed Eagle, showing that it was made especially for a member of the Russian Royal Family.\nFrom the collection belonging to Nicholai II and his wife Alexandra, in the Winter and Alexander Palaces.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5358\nLarge Serving Spoon of gold on silver. On the handle appear the Imperial coat-of-arms, crown and monogram of Grand Duchess Elizabeth Mauvriekovna, wife of Grand Duke Konstantin. It was made by Hunt and Roskell of England.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4108\nPhotograph in a silver frame of Serge Alexandrovitch, who was the brother of Alexander III, and his wife, Elizaveta Feodorovna, who was the sister of Czarina Alexandra. On one side is engraved a crown and the inscription: \"Serge;\" on the other side, a crown and the inscription: \"Elizaveta.\" At the bottom, the dates \"1891-1904;\" at the top, a small crown and an enamel plaque of St. George Slaying the Dragon. Made by Faberge, the famous jeweler of the last Court of the Romanoffs.\u003c/p\u003e\n","\u003cp\u003eFrom the Collection in the Winter Palace, St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4809\nFruit Spoon of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of this spoon is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg \nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. X 6101\nSquare of red velvet richly embroidered with gold stars of passementerie, also a design worked in beads and various colored stones. Finished with gold Gothic galoon. Part of a chasuble. Russian, Circa 1880.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut (sic) velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4830\nIcon, \"The Twelve Apostles.\" Seventeenth century, Northern School. Gold on bronze mounting. \nFrom the collection in the Winter Palace, St. Petersburg, of Nicholai II, the last Czar of Russia\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4809\u003c/p\u003e\n","\u003cp\u003eSet of twelve Fruit Spoons of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, - the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of these spoons is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 1, 1933\nArticle No. 10685-B\nCup of gold on silver, with handsomely chased \"neilo\" (black enamel effect) decorations. Made in Russia and dated 1834.\nFrom the collection in the Winter Palace, St. Petersburg, Russia, of Nicholai I.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 2, 1933\nArticle No. 5253\nThin gold watch made by Leroy, Paris, for the Czarina Alexandra, whose monogram and crown in red enamel are delicately inlaid on the back. This simple but graceful time-piece was one of the last acquisitions of the Czarina. From her personal quarters in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 14, 1933\nArticle No. 5259\nGold on silver enameled Caviar Spoon. Russian, hallmarked \"88\" denoting the highest quality of Russian silver. Also bears the initials \"I.M.\" of the maker.\nFrom the collection in the Alexander Palace of the Czarina Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. D 1000\nSilver and enamel Tryptich, set with semi-precious stones. In the center is shown the head of Christ; on the left is Saint Nicholas; on the right, the Guardian Angel.\nFrom the collection of Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. 4580\nIcon of the early seventeenth century, Ulanov School, \"Dormition of the Virgin.\"\nBelow, among the prophets, disciples and saints, lies the Virgin while her Soul is represented as an infant in the arms of her Son, who will transport it to Paradise. On either side of Christ are Archangels; above Him, under the arch, are the Cherubim and Seraphim. At the top of the icon appears God the Father with the Holy Ghost. Immediately beneath is the Sabor of Angels awaiting Our Lady, who ascends from Earth. In the heavens, among other saints, are seen Thomas, John the Divine, Peter, Alexander, Paul, Philip and Savva. Below, in front of the bier, is Athonius, a Jew, who dared to place his hands on the bier to upset it. An Angel cut off the hands, but on Athonius saying an \"Ave,\" Peter healed him.\nFrom the collection of the Czarina Alexandra in the Winter Palace, St. Petersburg.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nGiven to R.P. H. Princess Margaret Rose of England May 1939 [handwritten]\nJune 16th, 1933.\nArticle No. 5253\nEnglish silver Traveling Clock in wooden case. Made for Queen Victoria by Dimmick, Maker to Her Majesty the Queen, Cowes, England.\nInscribed on the face: \"From Grandmama 1894\". Given by Queen Victoria to her grandchild, the Czarina Alexandra Feodorovna.\nFrom the Alexander Palace, Tsarskoye-Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nHotel McAlpin\nNew York, New York\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 3550\nWooden Wine Ladle. Beautifully inlayed with metal. Part of the Winter Palace Collection.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\n3623. Handkerchief.\nFine linen handkerchief embroidered with the crown and monogram of the Dowager Empress Maria Feodorovna, Mother of Nicholai II. The border is block printed with a series of brown and blue elephants. It is significant to the superstitious that the trunks of the elephant are turned down where is (sic) those of the lucky elephants are turned up. From the private quarters of the Dowager Empress in the Anitchkov Palace in St. Petersburg.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\nF43. Paper Knife.\nGold on silver blade. Mounted in mother of pearl handle. Bears crown and monogram of Grand Duke Constantin Nicholaevitch.\nRussian [handwritten]\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6154\nMat. Made of green and silver brocade outlined in rose, conventional floral design.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces, consisting of hand-loomed brocades, damasks, handcut [sic] velvets and altar sets. The metal threads are of genuine silver.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 4404\nPhotograph of Olga, eldest daughter of Czar Nicholai II, Maria, the third daughter, their governess, and Titiani, the second daughter. Frame by Faberge; the blue ribbon crosses represents the order of St. Andrew, created in 1698 by Peter the Great. Only members of the Imperial Family could belong to this order. Winter Palace Collection.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5153\nSmall Runner. Made of damask woven with yellow flowers in serpentine design with gold. Trimmed with old gold lace. Russian Circa 18th Century.\nThis damask is from a collection used in the chapels of the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5096\nSquare Mat. Made of gold brocade outlined in tan trimmed with galoon. Russian Circa 1850. \nThis brocade is from a collection used in the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6396\nTwo Circular Mats. Made of white and gold brocade in conventional design. Trimmed with lace galoon. Russian Circa 1870.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces consisting of hand-loomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. 6025. Photograph of Nicholai II and his wife Alexandra as they were dressed for the Imperial Costume Ball held in the Winter Palace in 1903. The entire court at this ball were dress in Russian costumes of the seventeenth century. The Tzar and the Tzarina are here represented as Michael, First Tzar of Russia and his wife Evdokia, The photograph was made by Levitski, court photographer in St. Petersburg. On the back is a seal which reads: The artistic accurateness confirmed by the Imperial Academy of Art.\" This photograph was obtained from the elderly governess of the Grand Duchess who is still living incognito in Moscow.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. E-1000. Silver and enamel Easter Egg bearing red crosses on white iridescent enamel and an inscription which reads: Greater love hath no man than he who sacrifices his life for a friend [underlined]. At the top are the initials and monogram of dowager Empress Marie, mother of Nicholai II. Inside is a folding screen of miniatures painted on mother-of-pearl and framed in gold and enamel. The miniatures read from left to right with their respective monograms mounted in gold on the back as follows: Grand Duchess Olga Alexandrovna, sister of Nicholai II, Grand Duchess Olga Nicholaevna, daughter of Nicholai II, Czarina Alexandra Feodorovna, wife of Nicholai II, Grand Duchess Titiana, daughter of Nicholai II, and Grand Duchess Marie Pavlovna, author of the \"Education of a Princess\", and cousin of Nicholai II. This egg was made by Fabergé, the court jeweler for Nicholai II as an Easter gift, in 1915, for his mother, the dowager Empress. From the Anitchkov Palace in St. Petersburg, where it was under Inventory No. 17,550.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933\nArticle No. 6787\nMat. Made of gold brocade showing an Imperial Crown and double-headed eagle on a blue background. Made in 1913 to commemorate the three hundredth anniversary of the Romanoff regime. Bound and lined with old gold galoon.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6707\nRunner. Of vari-colored silk floral design of pussy willows. Probably used at Easter time. Circa 1780.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6794\nRunner. Of gold brocade with vari-colored silk floral design trimmed with old lace galoon. Circa 1800.\u003c/p\u003e\n","\u003cp\u003eFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4763\nA silver plaque depicting the Church of Christ the Saviour, which was given to the Dowager Empress Marie Feodorovna on the occasion of the erection of this church. It was to commemorate the miraculous escape of the Royal Family from death in a railroad wreck. The church was erected by the contributions of various workers in the government departments and private citizens of Russia in the year 1888.\nThe plaque is from the Anitchov Palace.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 5528\u003c/p\u003e\n","\u003cp\u003eAn icon finely painted on wood and mounted with a silver trapping set with seed pearls in a Byzantine design on a background of green enamel. The subject of the icon is \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The commandment of the new day: Love Thy Neighbor as Thyself.\"\n \nThe icon is backed with red velvet. It was made by the court jeweler, Faberge, whose full name is marked under the Imperial double eagle. It also bears the figure \"88\" which denotes the highest quality of Russian silver. The icon is from the quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 6136\nAn unusual tea pot of exquisite silver bearing the crown and monogram of Alexander III. It is made with double spouts and a gut handle.\nThis tea pot was made in 1891 by the Royal jewelers, Michelson of Copenhagen, belonging to the Danish Court.\nIt was found in the Gatchina Palace.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4765\nA slender gold column of exquisite workmanship, with a miniature of Nicholai II on it set with diamonds and crystals. The column is delicately chased with Icanthus leaves in green gold, a touch characteristic of Faberge who made the bibelot for the Czarina to present to Nicholai II on his birthday in 1907. It is contained in the original case and was found in the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6111\u003c/p\u003e\n","\u003cp\u003eA jewel chest made of hand-hammered silver, and lined with mulberry velvet. On the cover is the Russian Imperial Double-headed eagle adorned with the various emblems of the Romanoff family. The sides of the cover bear the repeated initial \"M\", inlaid with blue enamel, which stands for the Dowager Empress Marie, mother of Nicholai II. The key is set with a semi-precious green stone. The box is undoubtedly of Danish origin.\u003c/p\u003e\n","\u003cp\u003eIt is from the quarters of the Dowager Empress Marie, in the Anitchov Palace, St. Petersburg.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6019\u003c/p\u003e\n","\u003cp\u003eA jewel box made of silver. The cover is adorned with vari-colored Russian enamel, pearls and rose diamonds. It was made by the court silver-smith, Bolin, whose full name it bears. It is also marked with the initials of his assistant master and the figures \"88\", which denote the highest quality of Russian silver.\u003c/p\u003e\n","\u003cp\u003eThe box is from the personal quarters of the Czarina Alexandra, wife of Nicholai II, and was found in the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6148\u003c/p\u003e\n","\u003cp\u003eA brooch of silver modeled in a ribbon design and set with many turquoise and genuine half pearls.\u003c/p\u003e\n","\u003cp\u003eIt was found in the quarters of the Czarina Alexandra in the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5421\nAn icon of \"St. Nicholas the Wonder Worker\", patron saint of Russia, with Christ and the Madonna. This icon was presented to Nicholai II when he was still a Czarevitch, by a peasant icon painter whose name appears on the border of the icon. The inscription on the back reads: \"From a peasant of the village of Materi, Province of Vladimir---Joseph Andrew Pankreshoff. Presented to His Imperial Highness, Czarevitch and Grand Duke Nicholai Alexandrovitch.\" Taken from the historic apartment of the Anitchkov Palace, with the inventory number #6794\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italian Primitive with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5538\nAn icon painted on wood on a background of gold with a border of rich enamel in Byzantine design. It has a brass trapping and is enclosed in original wood and velvet-lined case. \"St. Nicholas the Wonder Worker\". A painting of exquisite detail and coloring. It was presented to Nicholai II when he was still the Tsarevitch. The sticker on the back of the box reads: \"To the Grand Duke Nicholai Alexandrovitch, 19th of July, 1882.\" It has the city museum inventory number, Anitchkov Palace, 6819. From the quarters of Nicholai II in the Anitchkov Palace before he became the Tsar of Russia.\nThe fascinating history of icons dates back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italina (sic) Primitive, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMay 3rd, 1934.\nArticle No. 4122 C\u003c/p\u003e\n","\u003cp\u003eA porcelain Easter egg bearing the monogram of the Czarevirch [sic] Alexis. It is drawn through with the original ribbon and was made in the Russian Imperial Porcelain Factory.\u003c/p\u003e\n","\u003cp\u003eThe Russian Imperial Porcelain Factory was owned and operated exclusively by the the [sic] Royal Family from the time of its beginning in 1744 (when it was founded by Elizabeth I, daughter of Peter the Great) down to the time of the last of the Romanoffs, Nicholai II (1917).\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \u003c/p\u003e\n","\u003cp\u003eArticle No. E-313\nSupple Bracelet of woven gold. The alternate links are fashioned of green and of red gold, which the Russians were so fond of. It was made by the famous court jeweler Faberge, and although the bracelet is not marked with his initials, its style and workmanship mark it as unmistakably his. The catch is marked with the number \"56\" for the finest grade of Russian gold.\u003c/p\u003e\n","\u003cp\u003eFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nJanuary 31, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nArticle No. A-104\nOval Frame delicately wrought in filigree effect set with sixteen alternating sapphires and rubies. Contains an original snap-shot of the Czarevitch Alexis in a sailor suit, sitting astride an old cannon in the gardens of Peterhof, which was the Imperial summer residence in 1910. The frame is marked with figure \"88\"denoting a higher quality of Russian silver than our \"Sterling.\"\nFrom the personal quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo. She was the wife of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nJanuary 31, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5547\nDainty spray of corn flowers, fashioned of gold, enamel and diamonds, supported in a small vase of rock crystal. The workmanship on the foliage and buds shows the most exclusive care in fashioning truly after nature. The enamel of deep blue is extremely clear. The stamen and pistils are each set with a small shiny diamond. The workmanship of the flower itself is by Faberge, the famous court jeweler, while the crystal vase was ground after his design in the Imperial Grinding Factory at Ekaterinburg.\nAmong the most delightful creations made by Faberge for Czar Nicholai II, was a collection of flowers and berries, made of gold, jade and precious stones. Many of the blossoms and berries were enameled in life like-colors. The small vases of rock crystal seem to be filled with water.\nThese delicate pieces brought great joy and pleasure to the Czar and it was a happy occasion when he presented them to some of the members of the Imperial Family.\nMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5401\nElectric contact bell of artisticaly [sic] hand wrought silver in the form of a rabbit. The eyes, which make the contact, are set with garnets.\nIt was made and signed by the court jeweler Faberge, outstanding craftsman of the last fifty years. His name appears under the double-headed eagle of Royal appointment. The figures \"88\" denote the highest quality of Russian silver.\nFrom the property of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5687\nEaster Egg of Orletz or Eagle stone, decorated with gold and silver mountings, and bearing an inlaid monogram and crown of Maria Feodorovna, Dowager Empress and mother of the last czar, Nicholai II. The egg is shaped of this rare Ural stone, named after the Russian Eagle in the Imperial Grinding Factory in Ekaterinburg. Made by the famous court jeweler Faberge.\nFrom the quarters of the Grand Duchess Tatiana in the Alexander Palace, Tsarskoye Selo, to whom this gift was presented by Maria Feodorovna, her grandmother. Grand Duchess Tatiana was the second daughter of Nicholai II.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A-62\u003c/p\u003e\n","\u003cp\u003eRare Insignia of the Imperial Order of St. Andrew in the form of a pendant. The pendant is of gold, wrought with the double-headed eagle on either side in relief. Over the eagle on one side appeas [sic] the figure of St. Andrew as he was crucified on the cross. It was made in the time of Peter I, circa 1720, and is exquisitely enemaled [sic] in natural colors. The entire medallion is framed in nineteen large diamonds of contemporary cutting, the ring has six smaller diamonds.\u003c/p\u003e\n","\u003cp\u003eFrom the quarters of the Grand Duchess Tatiana, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5570\nSnuff box of gold, period and style of Alexander II. Russian, circa 1860.\nThe design, exquisitely chased, is of oak leaves and acorns, inlaid with transparent enamel in dark blue. It is marked \"56\" the Russian equivalent of 14 Karat gold, the profile of the Government Assay Office and the impressed number \"2073.\" Very lightly cut is the original order number of the maker \"P154.\" [4 crossed out and 0 handwritten].\nFrom the Imperial snuff box collection of His Imperial Majesty the Czar in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMarch 6th, 1936.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nEaster Egg\nEach Easter, the Dowager Empress, Marie Feodorovna, would order the Russian Imperial Porcelain Factory to execute porcelain eggs which she personally distributed. This one, bearing the original ribbon, has her monogram \"MF\" and crown in green.\nThe Russian Imperial Porcelain Factory was owned and operated exclusively by the Royal Family from the time of its founding in 1744 by Elizabeth I, daughter of Peter the Great, down to the last Czar, Nicholai II in 1917. With few exceptions, all the china used at court was made in this factory. Many of the monarchs ordered gifts created here for foreign dignitaries and court favorites. Elizabeth I used a small double eagle as her mark, while Catherine the Great used her monogram without the crown. Otherwise, most pieces were marked with the crown and monogram of the ruler in whose reign the object was made, except Alexander I, whose china rarely bore a mark.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nEaster, 1936.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. AS-1312\nExquisite parasol handle in baton design. It is of solid gold and decorated with conventional shell designs on a smooth ground. Each shell is set with a diamond, ruby, emerald or sapphire. On one side is applied a cut out double-headed eagle of Russia, adorned with the crests of all the Sovereign states, including that of Moscow in the center, showing \"St. George Slaying the Dragon.\" The handle is finished with an exceptional ball of choice flawless Siberian lapis lazuli of magnificient [sic] blue quality, set in a cup of scroll design, also set with precious stones. In all, there are eight diamonds, four rubies, four emeralds and five sapphires.\nFrom the quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMay, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. E-327\nRound powder box and cover of fine Ural [underlined] spinach jade [handwritten question mark]. The cover is rimmed in gold, chased in braided design, and has an artistically carved ivory elephant standing upon a fringed drum of gold, banded with alternating rubies and diamonds. The gold work is in the individual style of the celebrated court jeweler to Nicholai II, Karl Faberge, the creator of this lovely object.\nThe rim of the cover is marked with the full name of Faberge, the initials of his foremost workmaster [sic], Mikhail Perchin, the number \"56\", denoting Russian equivalent of 14Kt. gold, and the crossed anchors mark of the St. Petersburg Assay office.\nFrom the personal quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMay, 1936.\n \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle E-451\nThe \"Queen's Birthday Book\". A volume published in London by Griffith, Farran, Okeden and Welsh in 1887, and dedicated to Victoria, Queen and Empress of Great Britain, Ireland and India, on the occasion of her Golden Jubilee. The book contains thirteen portraits of members of the Royal Families and fifty-five Royal autographs, among which are those of Queen Victoria, May 24th; her Prince Consort, Albert Edward, November 9th; Edward VII, January 8th; his wife Alexandra, December 1st; (sister of the Czarina Maria Feodorovna) and George V, June 3rd. Perhaps the most interesting autograph is that of the Czarina Alexandra Feodorovna of Russia while she was the Princess Alix of Hesse and but fifteen years old (June 6th).\nThe book contains the ex-libris of Countess Vorontsov Dashkov, who was Mistress of Robes, the highest position in the Court, and the close companion of the Czarina Maria Feodorovna, mother of Nicholai II. The fly-leaf bears the inscription of presentation: \"For dearest Etta, in remembrance of the Queen's Jubilee, 1887, from your affectionate Mary Adeliade [sic], June 1887\". Mary Adelaide was Her Highness, the Duchess of Teck. \u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nAugust 17, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle GT-1530/3\nHandsome frame of transparent green enamel with two oval apertures containing a photograph of Czarina Alexandra and one of the Czar, Nicholai II. Above the ovals is the double-headed eagle with wings outstretched. The crown between the heads is set with rubies and diamonds while a shield, set with the same stones, is on its breast. Underneath the photographs are three swags with rosettes and crescents in garland effect. At the top of the frame two griffins, facing each other with their paws resting on an urn, form a delightful balance to the whole. It is backed with an ivory panel, the handle and ring being of gold scroll.\nIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported from Russia into France, it also bears the assay office device of that country.\nFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nNovember 9th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle GT-1530/2\u003c/p\u003e\n","\u003cp\u003eGold on silver rectangular frame of rose enamel over a field of engine turning. Mounted over the oval aperture which contains the photograph of Czarina Alexandra Feodorovna, is a double-headed eagle bearing the Imperial crown, set with diamonds, between the heads. On its breast is a single sapphire. Below, a swag and crescent design forms the decoration. Encircling the whole is a conventional laurel leaf design attached with a ribbon bow-knot, the ends falling in graceful wavy effect. It is backed with an ivory panel, the handle and the ring being of gold scroll.\u003c/p\u003e\n","\u003cp\u003eIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported into France from Russia, it also bears the assay office device of that country.\u003c/p\u003e\n","\u003cp\u003eFrom the quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 9th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle E-762/80\nCharm in the shape of an Easter Egg made of solid gold and superbly decorated with transparent enamel in tones of pearl, turquoise, and ruby. The colors are separated by gold swags which cross and are capped by four pigeon blood rubies.\nIt was created by the celebrated Karl Faberge, court jeweler to Nicholai II, and is hall-marked with the initials of his workmaster [sic], and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 9th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle -4776\nJade and gold frame on a stand. The photograph, in a heart-shaped pendant, is of Grand Duke Boris Vladimirovitch.\nIt was made by the famous court jeweler to Nicholai II, Karl Faberge.\nFrom the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 12th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\n \u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle E-43\nExceptional photograph of the Czarina Alexandra in court dress, showing her great beauty. It is appropriately framed in finely chased gold on silver with a background of red iridescent enamel.\nThe frame was made by the famous court jeweler to Nicholai II, Karl Faberge, outstanding craftsman of the last fifty years. It is marked with the initials of his master and the figures \"88\" which denote the highest quality of Russian silver.\nFrom the personal quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 12th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. IP-1553/2\nPhotograph album containing many rare and valuable photos of the Imperial Family. It is bound in navy blue morocco (whole binding), with shield, clasp and line impress of silver. The doublures are of white moire paper, and the edges are silver. It was bound by F. Knoop, St. Petersburg. The book bears the bookplate of Nicholai II, and was found in his private study, in the Alexander Palace, Tsarskoye Selo. First inventory given is on doublure number \"26933\". Later it was inventoried on the third page as \"12415\".\nThe list of photographs is as follows:\n47.20.376.1 – Emperor Alexander II\n2 – Emperor Alexander II\n3 – Empress Marie Alexandrovna\n4 – Emperor Alexander II\n5 – Emperor Alexander II\n6 – Empress Marie Alexandrovna, wife of Alexander II.\n7 – Emperor Alexander II\n8 – Alexander III and Marie Feodorovna\n9 – Empress Marie Feodorovna and Nicholai II\n10 – Emperor Alexander III\n11 – Grand Duchess Xenia, sister of Nicholai II\n12 – Three generations of German Rulers. The infant is the present ex-crown prince\n13 – Empress Marie Feodorovna and Nicholai II\n14 – Nicholai II (Grand Duke Nicholai Alexandrovitch)\n15 – Grand Duke George Alexandrovitch (brother of N. II)\n16 – Grand Duke Vladimir Alexandrovitch\n17 – Grand Duchess Marie Pavlovna, his wife\n18 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir and her children\n19 – Grand Duke Vladimir and his sons, Kyril and Boris\n20 – Grand Duke Vladimir Alexandrovitch\n21 – Grand Duchess Marie Pavlovna, his wife\n22 – Grand Dukes Kyril and Boris Vladimirovitch\n23 – Grand Duke Kyril Vladimirovitch\n    \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle]\n-2- \n 24 – Grand Duchess Marie Alexandrovna\n 25 – Grand Duke Alexis Vladimirovitch\n 26 – Grand Duke Serge Alexandrovitch\n 27 – Grand Duke Paul Alexandrovitch\n 28 – Grand Duke Paul Alexandrovitch\n 29 – Grand Duke Alexis Alexandrovitch\n 30 – Grand Dukes Paul and Alexis and Duke of Oldenburg\n 31 – Grand Dukes Serge Alexandrovitch and Konstantin Konstantinovitch and the sister of Konstantin, Olga, later Queen of Greece\n32 – Grand Duke Nicholai Nicholaevitch\n33 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir\n34 – Grand Duke Nicholai Alexandrovitch (Nicholai II)\n35 – Grand Duchess Olga Konstantinovna, Queen of Greece\n36 – Grand Duchess Militza Nicholaevna\n37 – Duchess Alexandra of Oldenburg, 1st wife of Grand Duke Nicholai Nicholaevitch, died in 1900\n38 – Grand Duke Serge Alexandrovitch and Duchess Elizabeth Feodorovna\n39 – Grand Duke Vyacheslav Konstantinovitch\n40 – Grand Duke Dmitri Konstantinovitch\n41 – Grand Duke Konstantin Konstantinovitch\n42 – Grand Duchess Marie Alexandrovna, Duchess de Saxe- Coburg Gotha\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nJanuary 29th, 1937.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. ME-1249\nRound snuffbox of spinach green Ural jade with hinged lid, mounted in gold. On the cover, set in diamonds, is the crown and monogram of Nicholai II, backed with two laurel sprays in green gold of exquisite workmanship, also set with diamonds. The top and bottom rims are engraved in delicate dot and dash design, while through the center runs a fillet of finely chased acanthus leaves in green gold and several tiny rosettes of red gold.\nThis superb example of the jeweler's art was designed by the celebrated jeweler to Nicholai II, Carl Faberge, and is hall-marked with his full name, the initials of his leading artist, Mikhail Perchin, the number \"56\" denoting the equivalent of 14 karat gold, the wreathed head of the government assay office, and the initials of the gold inspector \"YL\".\nFrom the collection of Nicholai II, last Czar of Russia, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nFebruary 8th, 1937.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. 5571\nMagnificent gold snuffbox in oval shape with hinged lid. It is hand-wrought with a chased gold mounting. The lid has an oval gray and white cameo, masterfully carved with a mythological sea scene, signed \"W. Eissel\", outstanding German master. This is framed with fifty large diamonds and about one hundred small ones. The edge is in carved scroll design including two gargoyles over lapis blue enamel, and set with many diamonds, four of which are about one karat each. The sides are finished in the same treatment, having the crown and monogram of Kaiser Wilhelm in the front and the German imperial eagle in the back, all set in diamonds. The crown also has two rubies. At either end are small round cameos of mermen by the same master. Four kneeling cherubim, placed within shells of blue enamel and diamonds, support the cover. The bottom of the box is engraved with another sea scene showing Neptune and Venus receiving homage, while the background is again of blue enamel. This box was made for the Kaiser of Germany, and was so admired by Nicholai II, the former presented him with it.\nFrom the Snuffbox Collection of Nicholai II and his wife Alexandra, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMay 11th, 1937.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. JJ-5050/2\nExquisite oval icon of the \"Madonna of Kazan\". It is painted on ivory in a charming combination of water colors. The Greek symbols are for \"Mother of God\", \"Jesus Christ\" and \"Kazanski Mother of God\". The icon has a brass rim and is framed in rose velvet; it is backed with rose ribbed silk.\nAttached is the original government inventory tag, the abbreviations of which read: \"Alexander Palace Museum, Children's Apartments, Classroom of the Older Grand Duchesses Number 644/III\". These were the daughters of Nicholai II, whose palace was located in Tsarskoye Selo. This icon was undoubtedly executed by the Tsarina of Russia, a talented artist, whose work is easily recognized by her choice of colors and the fact that she invariably marked her paintings with the initials of her maiden name, Hesse.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nOctober 2nd, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. AV-5008/1\nOval icon medallion of solid gold. On one side is an exquisite enamel miniature of Jesus Christ dressed in blue and orange robes against a ground of brown scrolls on beige. His right hand is held in blessing, while in his left he is holding the open scripture. The Greek symbols about his shoulders are for \"Jesus Christ\", while those above the halo are for the \"Eternal Christ\". On the reverse side, on a ground of white enamel, is inscribed in black – \"Save and Protect\".\nThe gold is hall-marked with a number \"56\" denoting the Russian equivalent of 14 karat gold, and the device of the Moscow assay office.\nFound in St. Petersburg.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nOctober 2nd, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RB-5210/37\nDelightful charm of a German Dachshund [underlined] in seated posture. Carved from genuine topaz, he is adorned with a gold collar and suspended from a gold link. His eyes are realistically set with emeralds.\nThis excellently modeled and lifelike animal was designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his talented stone carver, Kremlev.\nMrs. J. L. Pratt\nDecember, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-1815\nCharming stone figure designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his leading stone carver, Kremlev. Represented is one of the favorite sailors of Grand Duke Mikhail Alexandrovitch, brother of the last Tsar, Nicholai II. The name of the Imperial yacht \"Zarnitsa\" is inscribed in gold on the seaman's hatband.\nStanding solidly on his two feet of black onyx slightly spread apart, this sailor of courageous appearance is dressed in a spotless, freshly laundered suit of milky white jade. His piercing blue eyes, each set with a cabochon sapphire, sparkle with loyalty and sincerity. Flesh-toned aventurine makes up his interesting face, finely moulded [sic] with high cheek bones and sharp nose – typically Slavic characteristics. His sturdy hands are also of aventurine. This unusual portrayal, viewed from any angle, is singularly lifelike and attractive.\nIt is contained in the original hollywood box of the court jeweler, and is stamped with his full name beneath the double-headed eagle of royal appointment.\nThe \"Zarnitsa\" was anchored just outside of Kronstadt during the Krensky Revolution, and it is said that while the other sailors of the fleet joined the revolutionists, those on board the yacht ramined [sic] loyal to the Grand Duke Mikhail, in whose favor Nicholai II abdicated.\nMrs. J. L. Pratt \nDecember 9, 1937\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. E-517/4\nCross of hand-wrought silver, finished with a ball effect to represent jewels; Russian workmanship of the 18th century. On the face is the eight point Greek Orthodox cross, adorned with the crown of thorns. On either side is the spear and sponge of the Crucifixion, while below is the skull signifying that Christ conquered Death. The Slavic symbols read – \"King of Glory, Jesus Christ, son of God\". The reverse side is in scroll design.\nFrom the Imperial Chapel of the Feodorovski Cathedral, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eLillian T. Pratt\nChristmas, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. IP- 1843/4\nRare mosaic icon of \"St. Nicholas the Wonder Worker\"; Russian workmanship, circa 1850. This portrayal of Russia's most beloved Saint is so skilfully [sic] inlaid with thousands of varicolored stones that it gives the impression of being executed in oil. It shows great character and deep religious inspiration, rarely found in mosaics.\nSet off by a gold halo, St. Nicholas is represented making the sign of Jesus Christ with one hand, while in the other he holds a gold and green Bible. His gracefully folded robes of red and blue are trimmed with gold, and his stole of silver is embroidered with gold crosses. Slavic symbols on either side of the halo are for \"St. Nicholas the Wonder Worker\". The icon has a rim of fire gilt and is framed and backed in red velvet of a later period.\nFrom the apartments of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nJanuary 8, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/4\nParasol handle of frosted rock crystal, carved to represent the head of a duck, and mounted on mohagony [sic] banded in gold. The eyes of the duck are all the more lifelike for the two deep blue sapphires set in gold. Around the neck is a gold collar, set with fifteen green tourmalines. The ring of silver gilt was added later to the base of the handle.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Faberge, for Tsarina Alexandra Feodorovna and was found in her personal quarters in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. A-61\nUnusual frame of rose jasper and gold-on-silver, containing a snapshot of Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, taken in Peterhof, 1907. Dome-shaped and with easel back, it is contained in the original Vyatka birch box, lined with green velvet and white silk, of the court jeweler to Nicholai II, Carl Faberge. The lining is stamped with his name beneath the double-headed eagle of royal appointment.\nThe frame is hall-marked with the initials of one of Faberge's leading workmasters [sic], Mikhail Perchin; the number \"84\" denoting the Russian standard of silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the court jeweler, \"45196\".\nFrom the quarters of the children of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. E-754\nCharming miniature frame containing a photograph of the Tsarina Alexandra Feodorovna. Dome-shaped, it is made of lettuce jade, delicately decorated with chased green and red gold mountings. Above the oval aperture, rimmed in laurel leaf design, is a swag motif tied with a ribbon; below are two dainty rosettes.\nThis frame was made by the celebrated court jeweler to Nicholai II, Carl Faberge, and the gold-on-silver easel back is marked with the initials of his workmaster [sic] \"IB\"; the number \"88\" denoting the quality of Russian silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the jeweler, \"0170\".\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/3\nEaster egg of green quartzite, varicolored gold and rock crystal, suspended from a chain of gold. A band of cut rock cyrstal [sic], bordered with narrow rims of gold, encircles the egg, separating the top from the lower portion. The top is surmounted with a wheel device decoratively worked in red and green gold, whose apex is a small Empirean [sic] wreath of laurel. A convex form of gold, delicately engraved in a wreath design covers the base.\nIt was created by the celebrated Russian court jeweler to Nicholai II and Alexander III, Carl Faberge.\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/1\nGraceful porte-poche of rock crystal with borders, handle and thee feet set with rubies and diamonds.  A gold border around the top is set with forty rubies and the corresponding border in the base has thirty-three rubies.  The question mark handle of gold, decorated with scroll design, is outlined with eight diamonds, set squarely.  Into each of the three ball feet are set thirty-two graduated diamonds. \nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé, and is hall-marked with his full name; the initials of one of his leading workmasters, Edward Kolin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.  It is engraved with the original order number of the court jeweler – \"40312\".  Since it was originally brought from Russia to England, it also bears the assay of the later country.\nFrom the apartments of the Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nJanuary 28, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/47\nCharm, in the form of an Easter egg, of exquisite simplicity.  It is made of spinach jade, belted with gold and a narrow fillet of diamonds, and is suspended from a gold link.\nThe egg was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé.\nFrom the apartments of Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/41\nEaster egg charm of gold, engraved in moire effect to represent clouds in the sky.  The design is based on the star and crescent motifs of Mohammedan origin.  Within the star form, outlined in relief, is set a diamond, and a large cabochon sapphire is enclosed within the crescent form.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster; the number \"56\" denoting the Russian equivalent of 14 Karat gold; and the device of the Moscow assay office, St. George slaying the dragon.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/46\nCharm of gold, purpurine and enamel, in the form of an Easter egg.  A circlet of diamonds separates the purpurine portion from the rest which is made up of alternating sections of opaque white and transparent emerald green enameling on a gold ground.  Each of the enameled sections bears a numeral of the year \"1900\", when it was presented to Grand Duchess Olga.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster.\nFrom the quarters of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nNote: purpurine is a composite stone developed by Fabergé, and reputed to be formed by a secret process of fusing gold and porcelain.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/39\nCharm of gold in the form of an Easter egg.  Palmetto leaves and the figure of an African elephant holding in his trunk a diamond, form the decoration.\nIn the style of Fabergé, the Russian court jeweler, it was created by the Kalodnikoff masters, bearing their hall-marks and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of the Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1933\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/45\nUnusually handsome Easter egg charm of gold.  A fillet of diamonds separates a petal decoration from the upper part of the egg in which a solitaire diamond is set.  A cabochon sapphire is set at the base.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked number \"56\", the Russian equivalent of 14 karat gold.  \nFrom the apartments of Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/38\nEaster egg charm of gold-on-silver, inlaid with varicolored opaque [handwritten, transparent x'ed out] enamel and bearing the Russian letters \"XB\" front and back, the abbreviation of the Easter salutation \"Christ is Risen\".\nIt was designed by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II and Alexander III, and is hall-marked with the initials of his workmaster.  \nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/33\nCharm of clove pink matte enamel, covered with a filigree of gold intricate design of conventional fleur-de-lis and braiding.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/32\nCharm of gold, in the form of an Easter egg.  It is covered with enamel in the deep blue color, beloved of the Russian people, over delicate engine turning and is set with a diamond.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the number \"56\" denoting the Russian equivalent of 14 karat gold; and the initials of his master.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/44\nEaster egg charm of topaz, with alternating sections of opaque white and translucent red enamel, banded with a circle of diamonds.\nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/9\nExquisitely modeled figure of an African elephant with upraised trunk, wrought in twenty-two karat gold.  His lifelike eyes are set with diamonds, and the tusks are carved from ivory.\nCreated by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II, it was made to the special order of his mother, the Dowager Empress Marie Feodorovna.\nFrom the quarters of the Empress, in the Anitchkov Palace, St. Petersburg.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/13\nDelightful gold chain bracelet with safety catch.  It alternates with three red gold and three green gold links.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and executed by his workmaster whose initials it bears – \"AE\", together with the wreathed head of the government assay office.\nFrom the apartments of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 2, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5209/26\nTiny, exquisite frame of lapis lazuli mounted on a rectangular base of gold-on-silver, supported by four ball feet.  The oval aperture, rimmed in gold, bears a photograph of Nicholai II.\nThis charming piece is from the quarters of Tsarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nApril 15, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPANSIES\nGraceful spray of pansies carved in amethyst, the centers set with brown diamonds.  Calyxes are formed in jade.  Rising on slender gold stems with leaves of Siberian nephrite, serrated and realistically modeled, the little pansy is set in rock crystal carved to represent water in a vase.\nCreated by the world-famed Russian jeweler, Karl Faberge, it is hallmarked with his name in Russian, and the initials of one of his leading masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18 karat gold.\nNumber RE5380-13\nMrs. John L. Pratt\nJanuary 9, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/2\nFlower fantasy exquisitely developed in jewels in the form of a dandelion seed ball.  Created by Carl Fabergé, illustrious jeweler to the Russian Imperial Family, this little piece typifies his finest work.  The head, with down of asbestos is developed around the seed pod and pedicels of platinum, delicately finished with tiny diamonds.  Serrated leaves carved in jade and graceful gold stalk rise from a little vase carved in rock crystal to represent a tumbler filled with water.\nFully hallmarked, it is signed with the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and with the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom a collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/10\nExtraordinary jeweled flower fantasy by Carl Fabergé, world famed court master to Tsars Alexsandr III and Nikolai II of Russia.  The blossom, carved in amethyst, opens slightly to reveal three stamens of gold, diamond set.  It surmounts a sturdy stem imbedded in gold soil within a tub-like container.  Leaves are realistically modeled of deep hued Siberian nephrite.  Encircling the container, which is fashioned of varitoned grey-brown agate, are hoops of gold pointed with small diamonds representing rivets.\nImportantly hallmarked, the stalk bears the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.VD-5399/16\nPair of lovebirds carved in amethyst, huddled together on an ivory perch ornamented with transparent carnelian enamel on a ground of guilloché gold and dainty rings of platinum, diamond set.  Deep cabochon topaz are set in the ends of the perch bar; two fine gold chains, linked to a foot of each bird, are attached to the pedestal base.  The delicately wrought fantasy rests on an inverted circular base, fashioned of dark green Siberian jade mounted with a simple gold border.  Four ball feet of gold complete the stand.\nCreated by Carl Fabergé, eminent Russian court jeweler, this exquisite object is hallmarked with his name; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/17\nSmall cage of appealing design wrought with slender bars of gold and suspended with a gold loop.  Mounted on a base of Siberian nephrite which rests on four ball feet, the top is finished with seven pearls and with a decorative portion of turquoise composition, encircled by diamonds.  Within this cage, on a small twig-like perch, is a diminutive bird carved in emerald, with head lifted in song and eyes set with diamonds.  \nThe gold perch bears full hallmarks including the name of Fabergé; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nMrs. John L. Pratt\nFebruary 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5416/29\nParasol handle of limpid clear rock crystal etched in open squared effect, pointed throughout with cabochon rubies.  The base is of solid gold and is encircled with a conventionalized laurel wreath, intermittently bound with crossed ribbons.\nDesigned by Carl Fabergé, famed jeweler not only to the Imperial family of Russia but to the crowned heads of Europe and Asia, it is fully hallmarked.  Present is the name \"Fabergé\" (indistinct); the Russian initials of one of the master's leading artists, Mikhail Perchin; the wreathed head of the government assay office; the numeral \"56\" denoting the Russian equivalent of 14kt. gold; and the initials of the government inspector \"YL\".\nOriginally a parasol handle in the possession of the Tsarina Aleksandra Feodorovna of Russia, a flat base has been applied so that the little object may be used as a seal.  From the personal effects of the Tsarina in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.CA-5364/2\nGreen jade miniature frame designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II.  Made of one piece, it has two oval receptacles containing rare, original photographs of the court jeweler and his wife.  They are rimmed with delicate fillets of silver, applied with ruby and black enamel in a design bordered by lines of white.  The photograph openings are backed with ivory to which is attached a hinged easel of graceful design.\nThe easel is hallmarked with the full name \"Fabergé\"; the initials of one of his leading workmasters, Henrik Wigstroem; and the numeral \"88\" denoting the quality of Russian silver.\nAcquired from Nikolai Fabergé, son of the renowned jeweler.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\nFebruary 17, 1939\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/3\nJeweled flower fantasy created by Carl Fabergé, eminent Russian court jeweler, signed with his name and the initials of one of his leading workmasters, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nDesigned with ingenuous artistry, this branch of English hawthorn has small fruits (\"haws) of red and white agate, cleft leaves of jade and a gold stalk imbedded in a white agate pot with soil of gold.  It is mounted on a base of white jade.\nFrom the collection of a member of the Russian Imperial Family.\nThese flower creations represent the height of Fabergé's imaginative genius.  They were the favorite possessions of the late Tsar and Tsarina, both of whom were ardent flower lovers.  Several of these were created by Fabergé for King Edward VII of England who presented them to Queen Alexandra.  Upon her passing, these jewels were left to her son, King George V of England, and to Queen Maud of Norway.  Some of these fantasies are now the prized possessions of Mary, the Queen Mother of England.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5332/7\nCompanion figures of two French bulldogs, one seated in attentive attitude – the other, a pup, in crouched position.  Beautifully carved of smoky topaz, the eyes of each are set with cabochon sapphires.  Collars finished with pendant drops, are gold, set with faceted sapphires of fine deep color.\nRealistic in every detail, these little sculptures are designed and executed with incomparable finesse.  They are creations of Carl Fabergé, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia, who was, as well, jeweler to nearly all the crowned heads of the European and Asiatic continents.  Fabergé, expert in the art of small figure sculpture, was noted for his ability to impart to the materials in his hands a convincingly living quality of form.\nThe topaz dogs are from the collection of the Tsarina Aleksandra Feodorovna, , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5389/2\nHandsome parasol handle of Siberian nephrite known as spinach jade, banded in red gold, encircled in diamonds.  The central portion has a connecting bow motif developed in diamonds and two cabochon rubies of fine color.\nIt was created by Carl Fabergé, renowned jeweler to the Russian Imperial Family.  Smoothly modeled and gracious in its simplicity, it is characteristic of the decoratively useful objects made by him for the late Tsarina Aleksandra Feodorovna and her daughters, the young Grand Duchesses.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5416/28\nParasol handle of lapis lazuli and gold in hexagonal form.  Narrow strips of gold connecting with the collar, pointed alternately with diamonds and gold relief pattern in diamond effect.  Finished with a flat end of gold, the handle is suitable for use as a seal.  It is contained in its original case of green hand-tooled leather.\nOf Russian workmanship, in the style of Fabergé, it bears the master's initials \"AK\".\nMrs. John L. Pratt\nFebruary 20, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/16\nRare, jeweled flower fantasy in the form of a water lily spray, set in rock crystal,  carved to simulate a rectangular vase filled with water.  Beautifully modeled, blossoms and buds are carved in chalcedony; stamen clusters of gold are set with rubies of fine color.  The leaves, liquid in appearance and with natural veinings, are carved in Siberian nephrite.  Grouped together, these are supported on slender stems of gold of which the lower portion of which the lower branch is fully hallmarked with the complete name of the master-designer, Faberge, illustrious jeweler to the Imperial court of Russia.  Present also are the initials of one of his leading artists, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 14kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 23, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/11\nIngenuous flower fantasy, finely detailed describing a Tibetian [sic] poppy.  Small buds and opening blossoms are fashioned in white chalcedony with peach tonings [sic].  The delicate stamens of gold, set with sapphires, cluster thickly in the fuller blown blossoms; centers are set with topaz.  Rhythmical stems rising from gold soil and finely worked sepals are in gold.  Carved in Siberian nephrite, the serrated leaves enclose the flower grouping.  A simulated tub carved in greyish-brown veined agate, is held with hoops of gold set with diamonds for the rivets.  \nAn extraordinary creation of Carl Fabergé, Imperial Russian master and illustrious designer in gems, the lower portion of the stem is hallmarked with his name in Russian; the initials of his able artist, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5413/4\nJeweled opium poppy, represented growing in a tub, designed by Carl Fabergé, Imperial Russia's greatest creator in gems.  Rising on sturdily modeled stalk of gold with blossom head full blown, it is delicately carved in amethyst.  A large cabochon Siberian amethyst, set in gold and red platinum, forms the heart of the blossom.  Surrounding this is a cluster of fine gold stamens pointed with diamonds.  The leaves are of extraordinary artistry.  Carved in Siberian nephrite, they follow the natural feeling of the growing plant.  The tub container is fashioned in brown-toned, striped agate.  Within this is soil of gold, and two gold hoops encircle the exterior.  Simulated rivets are diamond set.  \nThe stem is fully hallmarked with the complete name \"Fabergé\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/5\nLilies of the Valley\nEthereal flower creation developed in gems by Imperial Russia's foremost jeweler.  Tiny blossoms are delicately fashioned in quartz, with centers of gold.  Imbedded within gold soil in a container of brown veined agate, the blossoms and bands encircling the little tub are of 18kt. gold.  To this fact full hallmarks attest.  Present is the master's name \"Fabergé\"; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian [Imperial] Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/14\nDainty jeweled fantasy of a small hyacinth plant set in a little tub carved in white agate.  From the centers of the miniature blossoms of blue chalcedony appear gold stamens set with tiny emeralds.  Calyxes and leaves in realistic manner are of Siberian nephrite, and the stem isof [sic] 18kt. gold.\nThe lower portion of the stem, rising above the gold soil within a little tub, is hallmarked with the name of the master-designer, Carl Fabergé.  Present also are the initials of one of his ablest masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/12\nStalk of small asters, the blossoms carved in polished chalcedony, with gold centers, emerald set.  Calyxes are of green chalcedony, toning with the serrated leaves fashioned in Siberian nephrite.  The branch and extending short stems, joined irregularly with tiny leaflets, rise from a pot of jasper.  Wide gold bands encircle top and bottom of the container, the material of which, predominately brick-toned, shows platinum grains, throughout.  It may be noted that jasper and lapis lazuli from the Ural mountains frequently carried particles of precious metals.\nThe lower portion of the stem is fully hallmarked with the name, in Russian, of the master-creator of this little fantasy, \"Fabergé\".  Present also are the initials of one of his outstanding artists Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/11\nMiniature jeweled flower fantasy representing a rose plant imbedded in gold soil within a pot of grey-brown agate, banded in gold.  Bud-like blossoms of quartz surmount slender stalks of gold, realistically modeled in detail with thorns along their length.  Myriad small leaves in Siberian nephrite point upwards or cluster on drooping stems at the top of the container.\nThe little jeweled object, created by Carl Fabergé, eminent jeweler at the court of St. Petersburg, is fully hallmarked with his name; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5413/3\nRare, jeweled flower, fantasy, representing a branch of Queen Anne's Lace, imbedded within gold soil in a pot fashioned of dark red jasper, inclining gracefully to one side, the flower head is developed in platinum, pointed with diamonds on sturdy pedicels of gold.  The flower calyx is in chalcedony.  Gold stems bear small serrated leaves carved in nephrite, designed in perfect complement to the natural species.\nThe lower portion of the stem is fully hallmarked with the name \"Fabergé; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nOrange Blossom\nArticle No. RH-5380/10\nDelicately wrought flower fantasy created by Carl Fabergé, world famed court jeweler to the last two Tsars of Russia, Aleksandr III and Nikolai II.  Fashioned with consummated [sic] artistry, the buds and blossoms in chalcedony surmount a slender, curved stem of gold on which startingly [sic] realistic leaves appear, carved in Siberian nephrite.  Five of these cluster at the top and a large one is joined near the base of the stem, at the point where it is immersed in simulated water.  The little vase is ingeniously fashioned of rock crystal.\nFull hallmarks include the name \"Fabergé\"; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.VD-5399/5\nFigure of a heron carved in blue-gray smoky agate, with legs and splayed feet of red gold.  The eyes are set with diamonds.\nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it was executed by one of his foremost artists, Henrik Wigstroem.  The bird shown upright, in resting position, carries one wing slightly higher than the other.  Sensitively modeled, fine detail of feathers and general form is evident.  Rhythmic in line, the little sculpture is a particularly beautiful example of the designer's individuality of expression.\nFully hallmarked, it bears the full name, \"Fabergé\"; initials of his workmaster Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.VD-5399/4\nFigure of a \"Teterev\", wood grouse carved in black obsidian with eyes of diamonds, legs and claws fashioned in red gold.  The plump body is modeled smoothly and realistically described by restrained carving which suggests the feathered formation.  The bird is posed looking alertly to one side, with head inclined attentively and tail feathers raised.  \nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it is hallmarked with his name and initials of his leading master, Henrik Wigstroem.  Present also is the numeral \"72\", denoting the Russian standard of 18kt. gold.\nFrom the personal quarters of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/16\nFigure of a Russian bear, smoothly carved in rock crystal, in standing posture.  Modeled with rare fluency of form and subtly detailed the little animal is shown with four [sic?] paws upraised and head turned to one side.  A striking feature of this beautiful sculpture is its perfect equilibrium notwithstanding the fact that the heavy body inclines forward.\nIt was designed by that master-creator in gems, Carl Fabergé, jeweler at the court of St. Petersburg during the reigns of the last two Tsars of Russia, Aleksandr III and Nikolai II.\nMrs. John L. Pratt\nMarch 3, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH845/1\nLocket and chain of solid gold.  The locket, oval in shape, encloses a plaque of pearl-white transparent enamel inlaid on a ground in sunburst and star design, framed within a scrolled pattern.  Applied to the enamel is a raised flower of gold, the petals of which are set with three rubies and three diamonds.\nIt was designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II, and is hallmarked with the initials of his workmaster; the wreathed head of the government assay office; the initials of the silver inspector and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.  The chain of alternating smooth and etched oblong links, fashioned also by the court jeweler, is hallmarked with the initials of his workmaster \"H(?)V\".\nFrom the apartments of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Alexsandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 15, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.3531\nNineteenth century mahogany cabinet in French classic style, carved and ornamented with bronze mountings.  \"Espagnolettes\" form decorative motifs on portions of the frameworks.  Gracefully proportioned, it is fitted with removable glass shelves.\nDuring the twenty years previous to the Revolution, the style of French furniture reached a high standard of artistic excellence, both in design and execution.  This phase continued and produced a fine influence on the furniture of the next period, extending itself, as well, to the development of gracious furniture types in other countries.\nMrs. John L. Pratt\nMarch 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5454/3\nIntriguingly designed pendant in the form of a Russian Easter egg, suspended by two chains from a large loop.  Of solid gold, and fashioned to open midway on a small hinge, the six-pointed star ornamenting the top is set with a ruby and eighteen rose diamonds.\nDesigned by Carl Fabergé, Imperial Russia's greatest court jeweler, this little pendant charm was made for one of the young Grand Duchesses, daughters of the late Tsar Nikolai II.  It was found in the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. 5448\nUnusual, small parasol handle designed by Carl Fabergé, executed in his finest manner.  The ball top is fashioned in jade, the handle stick of gold is overlaid with blush-pink transparent enamel on a ground tooled in swag effect.  Two delicate fillets of gold, set with finely matched pearls, frame this portion.\nIt is contained in the original box of hollywood, stamped with the master's insignia beneath the double-headed eagle of royal appointment.\nOf great charm and simplicity, the little object was made for one of the daughters of the late Tsar Nikolai II.  It is from the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-1842/12\nFigure of a polar bear carved in white granite, the eyes set with faceted emeralds of brilliant hue.  With teeth bared and head thrust forward, the animal seems to present a resistant front to some invisible enemy.  Heavy legs and paws and cumbersome body are well delineated, and the fur subtly handled.\nDesigned by Carl Fabergé, famous jeweler to the late Russian Imperial family, it was executed by one of his most talented stone carvers, Kremlev the Younger.\nFrom the apartments of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.5449\nFigure of a Dachshund carved in black Ural agate, lightly veined in red.  The little sculpture, smoothly executed and rhythmic in line, is shown in seated posture.  The eyes, set with diamonds, glisten in the finely modeled head and convey an expression of keen awareness, as well as that of patient watchfulness.  An appealing note is found in the left forepaw: the deep hued agate in which the entire body is carved, assumes a definite toning here, and the forefoot, consequently, is of grayish-tan color.\nDesigned by Carl Fabergé, Old Russia's illustrious jeweler for Tsars Aleksandr III and Nikolai II, and made for the Dowager Empress Marie Feodorovna, this is one of his exceptional animal sculptures.  It is contained in the original box of hollywood, velvet and satin lined, and stamped with the insignia of the royal jeweler beneath the double-headed eagle of royal appointment.\nFrom the apartments of the Dowager Empress in the Anitchkov Palace.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-1842/8\nCrouched figure of a cat gracefully carved in white transparent Ural stone, the eyes set with faceted sapphires.  There is a feeling of concentrated watchfulness in the rhythm of the body.\nIt was designed by the celebrated jeweler to the late Tsar's family, Carl Fabergé, and was executed by his able stone carver, Kremlev the Younger.\nFrom the collection of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5409/25\nGraceful figure of an ostrich, realistically carved in Siberian striated [sic] brown agate, with eyes set with emeralds and legs modeled in gold.  It stands on a plinth of giallo marble.  The body is beautifully executed in full detail.  Feather formation follow [sic] the natural veinings in the stone and the neck, rising arched, developed in the lighter-toned portion, is etched to show the smallest feather form.  \nIt was created by Carl Fabergé, world-famed jeweler to the Imperial family of Russia, court jeweler and designer in precious substances to nearly all the royal houses in Europe and Asia.\nMrs. John L. Pratt\nJune 1, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nROOSTER\nTiny, exquisite figure of a Rhode Island Red rooster, carved from a piece of veined gray and brown agate.  The natural coloring of the stone is admirably suited to representing the coloring of this famous chicken.  Each of its eyes is set with a sparkling diamond, and its feet are delicately fashioned in solid gold.\nThe rooster was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented young sculptor, Kremlov.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nJADE COUPE\nMagnificent cylindrical coupe wrought from a single piece of spinach jade.  The vessel is supported on a tripod base formed by three powerful sea horses [sic], superbly modeled in gold and silver.  A pierced gold band, displaying a design of dolphins and set with cabochon rubies and sapphires, rims the top.  Surmounting the domed cover of jade is a gold trident, beneath which is the head of Neptune, two female heads and a cabochon ruby and sapphire.\nThis distinguished objet d'art was designed by Carl Faberge, celebrated court jeweler to Nikolai II and is hallmarked in Russian with his full name; the initials of his workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; the number \"88\" indicating a fine quality of Russian silver; the device of the St. Petersburg assay office, crossed anchors and scepter; and the original order number of the court jeweler, 2017.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm in the form of a bear, carved from real opal, suspended from a gold link.  He is standing on four paws and his eyes are set with cabochon rubies.\nThis little animal was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm of a bear exquisitely carved from real amethyst and suspended from a gold link.  He is standing on his hind legs, and his eyes are set with small cabochon rubies.  \nThis charm was designed by the celebrated court jeweler to Nikolai II, and executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nVASE\nSmall, oval vase carved in brown and white veined Ural agate.  The bowl is separated from the skirted foot by a band of finely matched turquoise set between two fillets of repousse [sic] gold.\nThis exquisitely graceful object was made in the Imperial Grinding Factory in Peterhof.  This factory was owned and operated exclusively by the court.\nFrom the quarters of Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold decorated with vertical sections of transparent ruby enamel, separated by fillets of transparent pearl enamel.  Each section has a dainty leaf design, giving the decoration a Persian feeling.\nIt is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nCharm in the form of three tiny Easter Eggs, suspended from a bar.  The eggs are of chrysophrase, agate, and reconstructed turquoise, while the gold bar is set with three cabochon rose tourmalines, alternating with two pearls.\nIt was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and is hallmarked with \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head of the government assay office (indistinct).\nFrom the quarters of the Grand Duchess Anastasia Nikolaevna, youngest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual charm in the form of an Easter Egg.  It is made up of two halves of Siberian amethyst, separated by a band of faceted rock crystal and held together on an axis of gold.\nIt was created by the celebrated court jeweler to Nikolai II, Carl Faberge, and the gold link is hallmarked with the initials of his assistant master \"PK\", and the number \"56\" denoting the equivalent of 14 kt. gold.  Since it was originally brought from Russia into France, it bears the French inscription mark \"ET\".\nFrom the apartments of the Grand Duchess Tatiana Nikolaevna, second daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nMiniature Easter Egg designed as a pendant charm, of gold-on-silver, the surface hand-tooled.  The swam motif modeled in relief, encircled within a modeled form, ornaments one side.\nLoops from which it is suspended are hallmarked, but the devices through years of wear have become less distinct.\nDesigned by Carl Faberge, court jeweler to the last two Tsars of the Romanov Dynasty, it is fashioned like those which he made expressly for the young Grand Duchesses, daughters of Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg pendant of gold, set with sapphires and diamonds in a connecting design resembling three medallions suspended from triangular ribbon pieces.\nIt is surmounted by two loops, one of which is hallmarked (indistinctly).\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold, decorated with transparent sapphire blue enamel over a field of delicate guilloche [sic] work.  It is set with a large diamond on one side and a small one at the bottom.\nThe loop is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nSILVER VASE\nVase of hand-wrought silver in Empire style, designed by the celebrated court jeweler to Nikolai II, Carl Faberge.  Standing on three claw feet, its sides are decorated with as many antique Russian coins, one of Empress Anna, dated 1712, one of Peter III, dated 1762 (he was the husband of Catherine the Great and ruled only one year), and one of Catherine the Great, dated 1764.  The bowl is outlined with a tiny twisted motif, while the upper rim is in acanthus leaf design.\nIt is hallmarked with the full name of the court jeweler, \"2K. Faberge\" beneath the double-headed eagle of royal appointment; the initials of his assistant workmaster \"AW\"; the number 88 denoting the quality of Russian silver; and the wreathed head device of the government assay office.  It also bears the jeweler's original order number #24066.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nINK WELL\nMagnificent inkwell of spinach jade, gold, silver and transparent enamel in the classic Empire style characteristic of many of the finest works of Carl Faberge, Russian court jeweler.  The base of Siberian nephrite is smoothly modeled down straight sides and under surface.  The collar of champ-leve [sic: champlevé] pearl -white enamel on a guilloche field designed in undulating effect is rimmed in gold motif.  Heavy gold swags in in the same feeling depend from this over the top surface of the bowl.  The hinged lid is vibrant with champ-leve [sic: champlevé] amethyst and pearl-white enamel in alternating bands, on guilloche fields identically designed with the collar.\nWithin the lid of gold-on-silver appear the hallmarks which include the Russian name of the master creator, Faberge; the Russian initials of his workmaster, F. Afanasaiev, the number \"88\" denoting the quality of Russian silver; and the wreathed head device of the government assay office.\nThe object is from the famous jade collection of Agathon Faberge, illustrious son of the jeweler, known throughout Europe during the Imperial regime as one of the greatest gem experts of the world.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nLOCKET\nUnusual ball-like locket made from choice Siberian lapis lazuli and mounted with corded lattice work in gold.  Opening in half on a hinged lid, one side is equipped with a hinged glass miniature frame.\nThis locket was acquired from the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold and enamel created by Carl Faberge[sic], eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  The egg-shaped top has a field of guilloche work applied with mauve champ-leve [sic: champlevé] enamel, favorite color of the Tsarina Aleksandr Feodorovna.  This is decorated with a spiral effect of diamonds, terminating in a large diamond at the top.  The wide neck of yellow champ-leve [sic: champlevé] enamel is banded by two fillets of diamonds and is mounted with swags of green and red gold tied with diamonds.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold in graceful tapering shape, created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II, Carl Faberge.  The sides and top are divided into five sections of rose champ-leve [sic: champlevé] enamel, with moss agate effects, over a field of guilloche work, and outlined in white enamel, each centered with a diamond.  The crown of the handle is rimmed with diamonds, and the top is set with a large diamond surrounded by small ones.  The neck, also of rose enamel banded with diamonds, is applied with criss-cross leaf motifs, each set with a diamond.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBULLDOG\nFigure of a bulldog cared in obsidian and designed by Carl Faberge, eminent jeweler to the Imperial Court of Tsars Aleksandr III and Nikolai II of Russia.  The dog's brilliant eyes, each set with a diamond, and his life-like expression, are a lasting tribute to the genius of Faberge.  Around his neck is a white enameled, gold collar from which is suspended a tiny bell.\nThe loop on the collar is hallmarked with the initials of Heinrich Wigstroen, successor to Mikhail Perchin as Faberge's [sic] leading master.  It also bears the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head device of the assay office.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle fashioned in 18 kt. gold, applied on a guilloche ground with long panels in champ-leve blue enamel.  Separations between these, and collars circumscribed top and base, are patterned in small flower and leaf effect, the motifs executed in transparent ruby and emerald enamel.  A faceted diamond is set in the circular top and this is enclosed within the three tones of transparent enamel bordered in gold.\nThe object was created by Russia's eminent court jeweler, Karl Faberge, famous throughout the world as the greatest creator in gems of modern times.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest masters, Henrik Wigstroem; the numeral \"72\" denoting the Russian standard of 18 kt. gold; wreathed head device of the government assay office; and the Russian initials \"YL\" of the government inspector.  Present also is another assay device, nearly obliterated through wear.\nFrom the Imperial Russian Collection.\nNumber 5450-6\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nLong parasol handle of spinach jade, gold, and enamel.  The smoothly formed top is finished with a wide collar of red and green gold applied with opaque white enamel and red-carnelian champ-leve enamel on a guilloche undersurface.  This is rimmed in fluent wreath effect in the characteristically classic manner of its maker, Karl Faberge, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.\nThe object is hallmarked with the Russian initials of one of the master's artist-assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nNumber 5625-11\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nRhythmically shaped parasol handle of finely carved jade, mounted in solid gold and set with numerous diamonds in leaf-veining effect following the movement of the carving.\nIt was made by the Court Jeweler to Tsar Nikolai II, Karl Faberge, outstanding craftsman of the last fifty years, and illustrious court master to the late sovereign and his father, Aleksandr III.  His full name appears on the object, together with the initials of one of his foremost masters, Mikhail Perchin.  It is also marked with Faberge's original order number, #1225.  The handle is contained in the original white hollywood box.\nFrom the apartments of the Tsarina Alexandra Feodorovna, wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber #E23\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nGLOBE\nTerrestrial globe fashioned of remarkably clear topaz, intricately carved with a map of the Earth and its great divisions.\nIt rests on a solid gold tripod, nested in the base of which is a compass.  The frame-stand is encircled with a wide gold rim band engraved to show the units of longitude reckoned 180 degrees East to West or 15 degrees to the hour, the months of the year inscribed in Russian, and the corresponding signs of the Zodiac.  \nPoles are represented by small gold markers engraved with the hours of the day, and these attach to the latitude indicator measuring the distance on the earth's surface northward and southward from the Equator.  Hinged to this is the terrestrial Meridian index.\nA rarity even among the exceptional objects of fantasy and the bibelots created by Karl Faberge, illustrious Court Jeweler to Tsars Aleksandr III and Nikolai II of Russia, the piece is hallmarked with the initials \"EK\" of the master's leading goldsmith, Edward Kollin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre, device of the St. Petersburg assay office.\nFrom the Imperial Russian Collection.\nNumber 5550-1\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nDainty, rectangular frame of gold-on-silver with mauve champ-leve [sic: champ levé] enamel on a guilloche field, in basket weave design.  The oval aperture is rimmed in a fillet of gold set with pearls.\nThe frame, bordered with a continuous laurel leaf design in green gold, and delicately enhanced by the subtle color it encloses, is wrought in the finely characteristic style of the master.\nThe object is signed with the full name, in Russian, of Karl Faberge, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  Frequent also is the number \"88\" for the Russian quality of silver; the Russian initials of Faberge's assistant master, Mikhail Perchin; device of the St. Petersburg assay office, crossed anchors and sceptre; and the jeweler's original order number #57700.\nThe object is backed with ivory and has an easel as well as a hook for hanging.\nFrom the apartments of the Tsarina Alexandra Feodorovna , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber RH1698-100\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPANSY\nBeautifully composed spray of pansies, featured in rock crystal, fashioned to represent a small vase filled with water.  On a single stem of gold, three branchlets [sic] divide, each topped with a blossom carved in golden-hued and carnelian agate.  Petals, engraved with simulated veinings,[sic] curl realistically, held by calyxes of gold, and centers are set, each with a diamond.  Nephrite leaves group mainly along one long branchlet,[sic] reaching toward the light in their ascent.\nKarl Faberge, Russian court jeweler to the last two sovereigns of the Old Empire, created the little fantasy.  It bears his name in Russian; initials of one of his ablest assistants, Henrik Wigstroem; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and an assay device, in all likelihood that of St. Petersburg, now obscured.\nNumber 5509\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nVERBENA\nDainty flower form created by Karl Faberge, Imperial Russia's most illustrious designer in gems.  Fashioned as a small verbena plant, the tiny blossoms are carved in chalcedony and white quartz, the centers pointed with diamonds.  These are joined to the gold stem by pedicels of gold.  Leaves are in Siberian nephrite.  The little tub, within which the plant is imbedded in gold soil, is of brown veined agate.\nLower portion of the stem is fully hallmarked with the complete name of the master in Russian, \"Faberge\"; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-6\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBUTTERCUP\nJeweled flower fantasy of buttercups with three blossoms fashioned in translucent yellow agate, with stamen centers, diamond set.  Rising on graceful, slender stalks of gold, their serrated leaves, carved in Siberian nephrite, thrust upward through the gold soil in a container of Siberian lapis lazuli.  This rests on a square plinth of white jade.\nThe lower portion of the stem is hallmarked in full with the complete name, \"Faberge\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the number \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nLILIES-OF-THE-VALLEY\nDelicately wrought lilies-of-the-valley with blossoms in translucent white chalcedony with gold centers, drooped on long stems of gold, from the base of which rise leaves in nephrite.  The little fantasy rests within rock crystal fashioned to represent a vase filled with water.\nThe object was created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  It is fully hallmarked at the base of the stem with the master's full name in Russian, \"K. [struck through] Faberge\"; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and the initials \"HW\" for Henrik Wigstroem, one of Faberge's ablest workmasters.\nNumber RH5380-9\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPRIMROSE\nGraceful flowering primrose branch rising from a rectangular vase carved in rock crystal.  The container is designed in such a manner that it has the appearance of being filled with water.  Full blown flowers are in carnelian-toned agate, stamen clusters of gold surrounding brilliant centers set with diamonds.  The leaves, carved with rare finesse are in Siberian nephrite, and stems are made of 18 kt. gold.\nKarl Faberge, Imperial Russia's greatest court jeweler, designed the extraordinary fantasy.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nRH5413-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nHUMMING BIRD\nExquisitely carved figure of a humming bird with extended wing, resting on a high perch.  It was created by Karl Faberge, world-famed court jeweler to Aleksandr III and Nikolai II of Russia.\nFormed in smoky-toned translucent agate, the little figure is modeled with simplicity and fine attention to necessary detail of feathers and expression.  The eyes are set with diamonds.  The perch on which it rests is of 18 kt. gold, the horizontal bar being finished at either end with a cabochon sapphire and a circlet of diamonds.  Where the verticle [sic] rod joins purpurine base, banded and footed in gold in characteristic style of the master, it is encompassed by a collar of opaque and transparent enamel in white and pale tangerine.\nRendered indistinct through the years, are the hallmarks which appear on the under rim of the base.  These include the numeral \"72\" denoting the Russian standard of 18 kt. gold; and the initials \"HW\" for the Court Jeweler's notable workmaster, Henrik Wigstroem.\nThe composition known as purpurine is associated, if not entirely, at least most closely with the work of Faberge.  It was he who discovered the process whereby the fusing of porcelain and glass resulted in the extraordinary rich, red color.  The substance results, more often than not, although in a few of the rarest pieces, such as the one described above, the composition is smooth.\nNumber RH5408-14\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nDACHSUND [sic]\nBeautiful, detailed figure of a dachshund, created by Karl Faberge, illustrious court jeweler to the monarchs of Europe and Asia, and especially to the last two Tsars of Russia.  It is carved in fine, brown agate.\nEach movement of the little body, subtly expressed, contributes to the whole rhythmical form.  The eyes are set with cabochon rubies.\nNumber 5478-5\nMrs. John L. Pratt\nJanuary 10, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG PENDANT\nImperial Russian Easter Egg pendant carved of pink orletz, known as eaglestone, found in the Ural mountains.  It is mounted in gold with an abruptly bent loop pinioned to either side of the top.  Through this passes a second large loop for hanging.\nCreated by Karl Faberge, illustrious court jeweler to the last two Tsars of Russia, it is hallmarked with the initials \"AD\" of one of his workmasters, and with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nIt is from the collection of the Grand Duchess Marie Nikolaevna, third daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5625-3\nMrs. John L. Pratt\nJanuary 24, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nCOIN\nLarge commemorative medallion heavily wrought in silver, featuring Queen Victoria of the British Empire on its cover with the inscription \"Victoria Regina Imperatrix\" – Victoria, Queen and Empress.  The back is modeled in relief with figures of Greek mythology, and with shields of the continents massed on the lower edge entitled \"Asia\", \"America\", \"Europe\", \"Austral-Asia\", and \"Africa\".  Marvelously fashioned to conceal all but a vestige of the device by which the hinged lid opens, the piece contains two oval miniatures of Queen Alexandra and King Edward VII of England as Princess and Prince of Wales, hand-painted on ivory and framed with elaborate mounts of gold.  These include the plumed crown of the Prince of Wales and ribbons bearing the inscription \"Ich Dien\" – I Serve, motto significant of the Hanoverian line of the British Royal House.  \nThe cover of the piece is marked with the initials of the artist, \"JEB\".  It is of English workmanship and was made by the firm of \"George Edward \u0026amp; Sons\", Silversmiths by Appointment to the British Court.  It is contained in the original red velvet case.\nNumber 5450-17\nMrs. John L. Pratt\nJanuary 31, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG\nImperial Easter Egg of rose quartz.  It was polished in the Imperial Grinding Factory in Peterhof which was founded by the Empress Elizaveta Petrovna.  At the larger end is found a magnificent star similar to that of a star sapphire.\nIn Imperial Russia the Easter Egg was of the greatest significance, symbolizing as it did the Resurrection and beginning of life and hopefulness.  During the festival of Easter, the year's greatest elaborate and simple eggs were given by all orthodox believers.\nThis egg of rose quartz was the property of Grand Duchess Olga Nikolaevna, oldest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye, [sic] Selo.\nNumber RH-5332-17\nMrs. John L. Pratt\nFebruary 6, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nVIOLET\nJeweled violet fashioned in 18 kt. gold, the diamond-centered blossom naturalistically textured with an overlay of matte enamel, leaves wrought in Siberian nephrite.  Resting in its vase of rock crystal carved to represent a tiny tumbler filled with water, the flowerette [sic] inclines gracefully on its slender stem as if borne to one side by the weight of its petals. \nMady [sic] by Karl Faberge, illustrious court jeweler and in the master's best style, the little fantasy bears the assay mark of London in which city it was found.\nNumber 5756-19\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nPendant charm in the form of an Imperial Easter Egg of gold, applied with champ-leve [sic: champ-levé] ruby enamel on a surface tooled to represent a leaf form, and alternating sections in ultramarine blue enamel.  The four portions are banded with diamonds crossing at the underside and fashioned at the top with a double loop for hanging.\nMade by Karl Faberge, the larger of the loops is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and initials \"BF\" of one of the master's assistants.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent the most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-4\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nDelicately worked Imperial Easte[r] Egg charm of fete-ui mounted in gold and set with diamonds and rubies.  Describing a shower of tiny flower blossoms, small traceries in the precious metal depend rhythmically from a central repousse form at the top.\nTwo loops for hanging are hallmarked with the device of the workmaster \"MP\" for Mikhail Perchin, assistant of the illustrious court jeweler, Karl Faberge; and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nExquisitely hand-wrought small double picture frame of a thin solid slab of Siberian nephrite mounted with motifs of the Empire period.  Above the rectangularly cut apertures, enframed in pearls, is a long floral swag developed in several tones of gold and set with cabochon rubies.  The central design shows a graceful  flower basket which depends from a triple bowknot.  A similarly fashioned classical design with long pole terminating with the traditional pineapple suggestion, is centered with a flowing ribbon.  The squared openings are backed in mother-of-pearl, and the little piece rests on an easel wrought in gold-on-silver.\nCreated by Karl Faberge, it is fully hallmarked with the master's name in Russian; with the numeral \"88\" denoting the standard of Russian silver; the wreathed head device of the government assay office; and Russian initials \"YA\" of the official inspector.\nNumber 5777-8\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nTABLE BELL\nSmall table bell of red gold, designed in cupola form with tapering oval handle.  \nSole ornamentation consists of horizontal ridges which encircle the entire piece.  Producing a musical note as it strikes the side of the bell, the clacker is modeled as an elongated drop.  \nThe little piece was fashioned by Karl Faberge, jeweler to the last two sovereigns of Old Russia, and is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and with the initials of one of the master's assistant goldsmiths.\nNumber 5839-12\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nSquare picture frame of a solid slab of translucent jade, mounted in two tones of gold with ornamental border and radiating stripes from an inner oval framework.  Containing the photograph of the small daughter Ireene of Prince Felix Youssopoff, it is exquisitely worked in the best style of the great court jeweler, Karl Faberge.  Mount designs include small four-petaled open blossoms, a twisted cabling and an alternating concantenate [sic] border within the outer edge.  \nDesigned with an ivory and gold back for resting on a table or hanging, the piece is hallmarked with the initials of one of the master's leading assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.\nNumber 5839-9\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nTiny double, gold frame, hand-wrought with incised stylized borders and a tooled ground on which is applied transparent pearl-white enamel.  It contains portraits of Tsar Nikolai I of Russia in uniform, decorated with various orders of knighthood, and his wife, the Tsarina Aleksandra Feodorovna who also wears one of the star orders of the Empire.  Each of the sovereigns is portrayed wearing the blue ribbon of the Order of St. Andrew.  Finely executed, these are set off by interior oval frames in the manner of the border.\nThe object rests on a gold easel and is backed in ivory.\nNumber 5840-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nSquare picture frame fashioned to contain a miniature.  Hand-wrought in gold and applied on a guilloche field with transparent enamel in rich cobalt blue, the outer frame is developed in two tones of gold with a running border of leaves, and the inner fillet is bordered in pearls.\nThe piece, made by Karl Faberge, jeweler to the last two Tsars of Russia, is finely hallmarked with the master's full name in Russian; with the initials \"MP\" of one of Faberge's ablest associates, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of St. Petersburg.  The object bears as well the original order number, 58898.\nIt is backed in ivory and provided with a gold easel rest and a loop for hanging.\nNumber 5808-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nKOVSH\nCommemorative kovsh, smoothly modeled in red gold, featuring the Imperial double-headed eagle in diamonds on the prow.  Engraved within the border, fine old Russian stylized motifs are incised on the highly polished surface.  In the base, engraved within a heavy laurel wreath in repousse, a five ruble yellow-gold coin of Catherine the Great bears the Empress' portrait and, on the underside, the date \"1776\".  \nThis rare objet d'art was created by Karl Faberge and executed by his leading gold master, Edward Kolin.  Underside of the prow [lined through] handle bears, together with the jeweler's original order number #4297, the following hallmarks: the initials of the workmaster; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.  \nNumber 5756-18\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nCHICK\nBaby chick, skilfully [sic] carved in richly-toned rose jasper with feet modeled in 18 kt. gold.  The eyes are set with cabochon rubies.\nCreated by Karl Faberge with fine expression of form and subtle line, this little object exemplifies the perfection of detail and ingenuous appeal which the master brought to the art of stone cutting.  \nFully hallmarked, it bears the number \"72\" denoting the Russian equivalent of 18 kt. gold; wreathed head of the government assay office; initials \"TL\" of the government inspector; and initials of the workmaster \"HW\" for Henrik Wigstroem.\nPresent also is the original blue enameled number, G21632, under which it was inventoried in the Gatchina Palace.\nNumber 5791-10\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg finely wrought in gold, hand-tooled and overlaid with orchid-pink champ-leve[sic: champ-levé] enamel and set with diamonds and a cabochon emerald.  Fashioned in panelled [sic] form, with diamond bands separating the enameled portions enhanced each by a stylized spray of gold laurel, the cabochon gem stone is featured in the based enframed [sic] in diamonds.\nIt was designed by the celebrated court jeweler, Karl Faberge.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nHandsome Easter Egg pendant of gold designed with oval medallions mounted with minute flower forms.  These, pointed with pearls and diamonds, are enhanced by vibrant enamelling [sic] in grotto green and old red.  Opaque white borders each of the four medallions.  The base is finished with a tiny pearl and the top with two loops for hanging.\nMade by Karl Faberge, both of these bear hallmarks including the numeral \"56\" denoting the Russian equivalent of 14 kt. gold and insignia, obscured, of the workmaster.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-5\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg charm designed as a locket to open by means of pressure on the tiny diamond thumb piece set in the base.  Of gold, overlaid with opaque white enamel streaked with swirls of pink to represent a rosebud, brilliant green enamel on a guilloche ground forms intricate patterns in repousse over the bud form to suggest the tendrils of a wild rose.\nIt was created by Karl Faberge, Russian court jeweler, and executed by one of his most illustrious assistants, Mikhail Perchin, who initials, in Russian, appear on the larger of the two loops.  Present also, but nearly obliterated through wear, is the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg charm of gold and sky-blue enamel set with a piece of rose quartz cut en cabochon.  Girdled with a fine gold band, the upper portion, terminating in a point, is hand-tooled beneath the enameled surface in delicate basket weave pattern.\nSurmounted with loops for hanging, the larger of the two is hallmarked with [in right margin a circle with slash through it and capital \"A\"; next text up to semi-colon appears to be lined through] the name of the Russian court jeweler Karl Faberge; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and certain other marks, partly obliterated through wear.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 6201-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nLOBSTER CHARM\nUnique charm modeled in gold and applied with transparent lacquer-red enamel on a tooled field, in the form of a lobster claw.  Characteristically jointed, the pincer end holds a faceted diamond in a prong setting.  It is surmounted by double loops for hanging.\nOriginally designed as a stick pin, this interesting charm was made by Karl Faberge, jeweler to the late sovereigns of Russia.\nNumber 5870-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\u003c/p\u003e\n","\u003cp\u003eLOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\nLOT #505 – ART. 6\nMARINE PAINTING ON CANVAS\n\"THE AMERICAN PACKET SHIP 'DREADNOUGHT'\nOF NEW YORK\".\nBy: James Wilson Carmichael\nENGLISH-1800-1868\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg, Va.\nFebruary 1941\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nMINIATURE IN FRAME\nSmall, round, gold frame by Faberge, wrought in exquisitely delicate form and ornamented with haut-relief floral swags, a spray of laurel and a graceful bowknot.  It contains a beautifully painted miniature on ivory of the late Queen Alexandra of England, sister of the Dowager Empress, Marie Feodorovna of Russia.  This is immediately enframed [sic] within a rim of red cisele [sic] gold, and an outer gold rim is finely engraved to finish the piece.\nProvided with a modeled gold easel and with a loop for hanging, the little bibelot of backed in ivory held by gold screws.\nIt is one of the characteristically superior works of the famed Russian court jeweler, Karl Faberge.\nFrom the collection of Prince Youssopoff.\nMrs. John L. Pratt\nFebruary 26, 1941\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nFLORENTINE RENAISSANCE BUST\nLorenzo the Magnificent gave to the period of the Renaissance such impetus and encouragement that they served as the brush [??] which [??] the renewed interest in Classical Art.\nLorenzo had his faults, but his love for gems and jewels was less a fault than a talent, for he gathered together one of the finest collections of carved stones and exquisite jewelry ever to be owned by one man, and because he was a collector of Classical Art, others imitated him and followed his example, thus creating a market for the lapidary and goldsmith's work which has never been equalled. [sic]\nA development from this effort to create unusual pieces of jewelry and decorative objects was the use of large baroque pearls in their natural form.  The jeweler eagerly bought these pearls and after recognizing in one the body of a swan, in another the torso of a man, or, as in the figure of the warrior, a well-molded [?] helmet, he proceeded to make a design that completed the picture which his imagination visuallized [sic] with the pearl.\nIt is interesting, therefore, in contemplating the beautiful statuette of the warrior, that the helmet-shaped pearl was in all possibility the inspiration for the subject.\nWe do not know for what aristocrat it was made; we simply know that only a man of fine taste and great wealth could have commanded such a piece from his artisans and that the latter were among the best of the Renaissance period.\nThe best is that of a bearded Greek warrior carved from a large matrix emerald, showing fine detail in portrayal and in execution; on the head the warrior wears a gold helmet covered with the pearl and topped with a winged dragon; the bust stands on four golden snails [??] and is brightened about the [??] with rose diamonds.  The plinth is of topaz quartz carved in cameo [??] with heads of warriors and a philosopher.\nThis piece was formerly a part of the well-known Henry Walters Collection.\nLillian Pratt\nJanuary, 1945\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle #5324\nA nine-paneled, hinged screen closes to form this exquisite egg of solid gold.  Surmounting it is the symbol of Christianity, a pelican feeding her blood to her young, rising gracefully from a golden nest.  The pelican is enameled in pastel tones – the wings and eyes being set with diamonds.  On each panel is a painting by Zehngraf, on ivory, showing various institutes of which the Dowager Empress Marie Feodorovna was the patroness.  A fillet of gold, with an inner rim of pearls, frames each scene.  On the reverse side, reading from left to right, the panels are inscribed as follows:\n1 – \"Zenia Institute, founded in 1894\".\n\"Nicholai Orphanage, founded 1837\".\n2 – \"Patriotic Institute, founded 1827\".\n3 – \"Smolni Institute, founded 1764\".\n4 – \"Ekaterina Institute, founded 1798\".\n5 – \"Pavlov Institute, founded 1798\".\n6 – \"St. Petersburg Orphanage of Nicholai, founded 1837\".\n\"Elizabeth Institute, founded 1808\".\nA center panel which serves as an easel for the egg when opened is chased on one side with a grouping symbolic of the arts; and on the other side with a motif suggesting knowledge.  When closed, the egg shows an elaborate design in Empire style and bears the inscription \"Visit the vineyard and you will also live, 1797-1897\".\nThe gold stand has four columns surmounted with crowned eagle heads and finished with claw feet.  Between the columns is an interesting design made up of crossed arrows and laurel leaves.  This gift, contained in its original red velvet case, was created by the celebrated court jeweler to Nicholai II, Carl Faberge, and hallmarked with his full name; the initials of his leading workmaster Michael Perchin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the government assay office.\nIt was presented to the Dowager Empress by her son, Nicholai II, Easter 1897.\nMrs. J. L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nTABLE\nOval tea table of mahogany with mirror and fine silver chased mountings.  A small oval tray, with pierced marquetry can be raised or lowered by regulating a latch beneath the table.\nThe silver mountings were made by the celebrated court jeweler to Nikolai II, Karl Faberge, and are designed in his typical Roman staff and ribbon motif.  The table itself was made in Paris by Escalier De Cristal, whose name is burned in the bottom.\nFrom the personal quarters of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5454\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle Nos. 5523-5524\nPair of icons depicting Saint Savior and \"Our Lady of Iberia.\"  They are painted on wood in warm coloring with artistically wrought trappings of gold on silver, set with Ural stones.  The Greek symbols on either side of the halos signify Jesus Christ and Mother of God respectively.\nThey were made by the court jeweler, Karl Faberge, master craftsman and designer and are all marked with his full name beneath the Double-headed Eagle of Royal Appointment, and the figures \"88\" which denote a very high quality of Russian silver.  The icons are backed with cerise velvet and are contained in the original boxes of Holly wood, lined with silk and velvet and are also marked with the name of the court jeweler.\nThese icons were made for the last Czar, Nicholai II, and were found in his quarters in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5846\nIcon of hand-hammered gold on silver depicting Saint Maria, Saint Nicholas, the Wonder Worker, and Saint Alexander Nevsky.  God the Father is represented in the Heavens above.  The oval frame is mounted at the top with the Holy Dove.\nThe icon was presented to the Czarevitch Nicholai Alexandrovitch, eldest son of Alexander II, who died before his father, thus permitting his younger brother, Alexander III, to succeed to the throne.  On the back of the icon is engraved: \"To His Imperial Highness, The Sovereign Heir, Czarevitch Nicholai Alexandrovitch, in honor of his confirmation, 1859.  8th of September.  This heartfelt offering from the Master of Silversmiths, Vasily Fedotov Ilyia, made by his own hand.\"\nFrom the quarters of the Dowager Empress Marie Feodorovna.  Bears the Alexander Palace inventory no. ADM 94735 A.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A68\nExtremely rare icon pendant with gold on silver mounting.  The medallion is very delicately hand-hammered and inlaid with richly colored enamel representing the Saint Savior Enthroned.  The Greek symbol of Jesus Christ appears on either side of the halo and the opened book bears the invitation \"Come Unto Me etc.\"  The frame is composed of hundreds of pearls. On a separate medallion above is engraved the Holy Vernicle.  The back of the pendant is engraved with the symbols of Jesus Christ.\nFrom the Prie-Dieu of the Czarina Alexandra Feodorovna, wife of the last Czar, Nicholai II, in the Imperial Chapel of Feodorovna at Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A105\nIcon of unusual shape, hand-hammered, chased silver.  Represented are Saint Nicholas in the center, Saint Alexander on the left and Saint Alexis on the right.  These were the patron saints of the last Czar, Nicholai II, his wife, Alexandra, and his son, Alexis.  In the mounting are represented two Guardian Angels holding the crown, surrounded by lovely garland effects and set with green Ural stones.\nThis icon was made by the Court Silversmith, Klebnikov, and bears his full name below the double-headed eagle of Royal Appointment.  The figures \"84\" denote the Russian equivalent of Sterling silver.\nFrom the cabinet of Nicholai II in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. H3825\nUnique cheese spoon of gold on silver in grapevine design, while a crown in relief forms the end of the handle.  Below this crown appears the coat-of-arms of Prince Yousoupoff on one side and his family monograph on the other.  It was made in England, circa 1847.  From the Yousoupoff Palace on Moika Canal in St. Petersburg.  \nThis Prince will be remembered for the prominent part he played in the assassination of Rasputin, the monk who wielded such influence over the last royal family of Russia.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nEaster Eggs\n1. Emerald enameled egg, presented by Czar Nicolai II to his mother, The Dowager Empress Maria Feodorovna, in 1912.  The Empire design of the egg was to commemorate the 100th anniversary of the war of the fatherland against Napoleon.  The folding screen of miniatures, which fits into the egg, shows the regiments of which she was honorary Colonel-in-Chief, which regiments were active in War of 1812.  \nHeight including stand, 7\".\nDiameter, 4 ½\"\nScreen opened measures 2 ½\" x 12 ¾\"\n2. Ruby enameled egg presented by Czar Alexander III to his wife Czarina Maria Feodorovna in 1893.  Has four miniature views of the Caucasian mountainside, and their son, Grand Duke George who had to live in high altitudes due to his ill health.  \nHeight 6\" including stand\nDiameter 3 ½\"\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nIMPERIAL RUSSIAN EASTER EGG\n*1896*\nPresented by the Tsar Nikolai II to his wife, the Tsarina Aleksandra Feodorovna, at Eastertide in the year of their Coronation in Moscow, the magnificent Imperial Easter Egg is rock crystal and gold inlaid with rare champleve enamel and set with gems is one of the monumental works of the illustrious Russian Court Jeweler, Karl Faberge.  One of the fabulous forty-nine jeweled Easter gifts in the form of eggs symbolic of New Life, Resurrection and Hopefulness, received by the Empresses Maria Feodorovna and Aleksandra Feodorovna at the height of the Easter Festivals, the rock crystal egg is surpassed by no other one of the artist's creations, and it is said that neither is it equaled in purity of form and adroit workmanship by any of the other jeweled eggs.\nFashioned in a block of rock crystal hollowed to remarkable thinness, banded in diamonds and translucent emerald enamel, it is surmounted with a twenty-seven carat Siberian emerald cut en cabochon and pointed.  It is mounted on a pedestal of gold inlaid with brilliant varicolored enamel wrought in a series of monograms of the recipient as the Princess Alix of Hesse-Darmstadt before her marriage, and later as Aleksandra Feodorovna, Empress of Russia.  Above these appear diamond crowns of the respective royal houses, and narrow diamond borders enframe the spheroidic steps of the pedestal which rises from a circular stepped base in rock crystal.\nWithin the egg, twelve handpainted miniatures on ivory, signed, by Zehngraf, framed in gold and controlled by the emerald at the apex, revolve on a gold columnar axis.  These, of the royal residences in Germany, England and Russia associated with the life of the Tsarina, include views of palaces in and near Darmstadt, Hesse, such as the Neue Palais at Darmstadt and Kranichstein in Hesse; Rosenau, Coburg; Balmoral and Windsor Castles and Osborne House in the British Isles; the Winter, Anitchkov and Aleksandr Palaces of Russia.\nFully hallmarked, the object bears the master's name in Russian, the Russian initials \"MP\" for Mikhail Perchin, one of Faberge's chief assistants – himself a creative artist in precious metals and a person of singular ability; the numeral \"56\" which is the Russian equivalent of fourteen karat gold, and the crossed anchors and sceptre device of the St. Petersburg assay office.\nThe overall height of the rock crystal Easter egg is 9 ¾ inches.  It is contained in the original case of velvet, lined in satin and stamped with Faberge's insignia.\nLillian T. Pratt\n[Small typescript note attached]\nNOTE: SEE PHOTOGRAPHS OF MINIATURES IN INSIDE OF CRYSTAL BALL OF RUSSIAN IMPERIAL EASTER EGG.  THE WRITING ON THE BACK OF THE PHOTOGRAPHS WHICH GIVES LOCATION OF THE RESIDENCES IS SAID TO BE THE HANDWRITING OF QUEEN MARY.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Osborne House, Isle of Wight, England, and on the right is Neues Palais, Darmstadt, Germany.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Schloss Wolfsgarten, near Darmstadt, Germany, and on the right is Windsor Castle, near London, England.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Anichkov Palace, St. Petersburg, Russia, and on the right is Winter Palace, St. Petersburg, Russia.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Jagdschloss Kranichstein, Darmstadt, Germany, and on the right is Fortress Coburg (Veste Coburg), Germany.\u003c/p\u003e","\u003cp\u003eTranscription: \nPhotograph of the daughters of the Czar Nicholai II in a silver frame made by Faberge, the court jeweler. The blue cross signifies the order of St. Andrew. From the Alexander Palace.\u003c/p\u003e","\u003cp\u003eTranscription: \nLinen handkerchief with wide border of brown and blue elephants. Hemstitched and embroidered with monogram of Marie Feodorovna, Dowager Empress of Russia. From the Anitchkov Palace.\u003c/p\u003e","\u003cp\u003eTranscription: \nSolid gold column. Decorated with a fine wreath design in green gold with a laurel wreath carrying the suspended miniature of Nicholai II surmounted by a crown set with diamonds. Presented to the Czarina Alexandra Feodorovna on her birthday in 1907 by Nicholai the Second. Made by court jeweler Fabergé.\u003c/p\u003e","\u003cp\u003eTranscription: \nSilver plaque presented to the Dowager Empress Marie upon completion of a church built to commemorate the miraculous escape of the entire Royal Family, when the royal train was wrecked. Inventory no. 23677\u003c/p\u003e","\u003cp\u003eTranscription: \nIcon delicately painted on wood and mounted with a silver trapping set with seed pearls in Byzantine design, on a background of green enamel. \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The Commandment of the New Day - \"Love Thy Neighbor as Thyself\". It is backed with red velvet. It was made by the court jeweler Fabergé whose name it bears. It is marked with the figures \"88\" which denotes the highest quality of Russian silver. From the quarters of Nicholai II in the Alex. Palace, Tsarskoye Selo. Inventory no. 12-31-33.\u003c/p\u003e","\u003cp\u003eTranscription: \nSilver Teapot, bears the crown and monogram of Alexander III. Made in 1891 by Michelson of Copenhagen, Danish court jeweler. From the Gatchince Palace. No. 6136\u003c/p\u003e","\u003cp\u003eTranscription: \nHeart-shaped box, made by the famous court jeweller - Fabergé -\u003c/p\u003e","\u003cp\u003eTranscription: \n[Crown]\nMARLBOROUGH HOUSE\nS.W.1.\nDear Mrs. Pratt\nI am commanded by Queen Mary to convey to you Her Majesty's grateful thanks for the travelling clock which was a gift from Queen Victoria to Princess Alix.  The Queen very much interested to have it and touched that you should have given it to Her.  The Clock will be put among family relics.\nYou will have read of the terrible motor accident Her Majesty has been in.  I am thankful to say she is getting over the effects wonderfully well, it is amazing that the Queen was not seriously injured and indeed that no one was badly hurt.\nYrs sincerely \nConstance [?] Gaskell\nMay 27 39\u003c/p\u003e","\u003cp\u003eThis series is comprised of information about Pratt's estate after her death on July 21, 1947. The estate tax return outlines the extent of her entire estate, including the varied philanthropic bequests and funds she had arranged. Detailed inventories of the estate list her belongings by category. One of the paintings lists was annotated by a local appraiser, Virginia Clarke Taylor, denoting which paintings were \"antiques\" or not. Finally, there are many price tags from other non-Faberge purchases she made over the years. Most are from the New York department store B. Altman and Company, and detail her acquisitions of silver, lamps, fabric, vases, paintings, and other decorative items.\u003c/p\u003e\n","\u003cp\u003eThe series is divided into three subseries: Series 3.1: Tax Information, 1947; Series 3.2: Inventory, 1947, undated; Series 3.3: Other Furnishings, 1932, undated.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nSpecial Order\nDept. 93\nOrder 26583\nTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO \nB. ALTMAN \u0026amp; CO.\u003c/p\u003e","\u003cp\u003eTranscription: \nSpecial Order\nDept. 93\nOrder No. 149322\u003c/p\u003e\n","\u003cp\u003eTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026amp; CO.\u003c/p\u003e","\u003cp\u003eTranscription: \nSpecial Order\nDept. 93\nOrder No. 159619\u003c/p\u003e\n","\u003cp\u003eTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026amp; CO.\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nSALON of Antique Furniture\nAnd Works of Art\n#101/4062/D\nAntique Cork\nCut Glass\nComport [sic: Compote]\n$155.00\u003c/p\u003e","\u003cp\u003eTranscription: \nGallery of Antiques\nAnd Collectors Pieces\n#353/13122\nDescription\nSilhouette Painting on\nGlass\nPrice $65.00 [crossed through, replaced with $35.00]\nB. Altman \u0026amp; Co.\nFifth Avenue New York\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nS 1108\nFinest Milanese\n17th Century\n1 yd 31 in\nfor\n95.00 [crossed through]\n78.00 [crossed through]\u003c/p\u003e\n","\u003cp\u003e45 00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nTreasure Trove\nNo 16/640\nTerracotta Urn\nPrice 150.00 [crossed through]\n85.00\nB. Altman \u0026amp; Co.\nNew York\u003c/p\u003e\n","\u003cp\u003e[Back]\nB. Altman \u0026amp; Co. New York\n60\n25.00\nOver Treasure Trove tag\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 94/203\nBRONZE URN\nPrice 395.00 [crossed through]\n300.00 [crossed through]\n175.00\nB. Altman \u0026amp; Co. New York\n[Back] \nBack of Treasure Trove tag with B. Altman \u0026amp; Co. New York tag \n45.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 94/407\nBRONZE BUCKET\nPrice 350.00 [crossed through]\n175.00\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag with sticker B. Altman \u0026amp; Co. New York\n50.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 100/14\nJADE LAMP W/ SHADE\nPrice 225.00 [crossed through]\n165 –\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag no new price sticker\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 100/101\nLAPIS LAZULI LAMP \u0026amp; SHADE\nPrice 375.00 COMPLETE [crossed through]\n225.00 [crossed through]\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag no new price sticker\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 139/10211\nPOMPEIIAN BRONZE TRYPOD [sic]\nPrice 265.00 [crossed through]\n180.00 [crossed through]\n35.00\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag, Sale\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 139/12015\nPOMPEIIAN BRONZE VASE\nPrice 275.00 [crossed through]\n175.00\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag [$45.00?]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nBloor Darby Long Tom Vase over 100 years old\nB. Altman \u0026amp; Col. New York\n[Back] Altman Lamps tag\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nOld Colebrookdale Vase made in England\nB. Altman \u0026amp; Co. New York\n[Back] Altman lamps tag\u003c/p\u003e","\u003cp\u003eTranscription: \nT 52\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. 13 /B – Odd\nPrice 14.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT 52A\nM 98\nB. ALTMAN \u0026amp; CO.\n63/2398\n[Sheff Repe ?] Candlesticks 1 Pr\nPrice [46.00?] P R\u003c/p\u003e","\u003cp\u003eTranscription: \nT 52-A\nB. ALTMAN \u0026amp; CO.\nS 93C\n191\n16\"\n11.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT-52A\nB. ALTMAN \u0026amp; CO.\nS93C\n191\n16\"\n11.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nB. ALTMAN \u0026amp; CO. NEW YORK\nNo. 97/5043\nColor\nPrice 82.50\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA4 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt [?] No. 191\nColor 2127\nPrice 70.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA5 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt [?] No. 191\nColor 1745\nPrice 30.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA5 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt. [?] No. 191\nColor 1745\nPrice 30.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nW5 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt. [?] No. 191\nColor Special\nPrice 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nNo. 44718\nColor TL\nPrice 50.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52-A\nB. ALTMAN \u0026amp; CO.\nC3 93\n896 TL\nD6199\nPrice 60.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT-52A\nB. ALTMAN \u0026amp; CO.\nC3 93\n896 TL\nD6199\nPrice 60.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/034F\nMade in London\nYear\nBy  Mug\nPrice 145.00 [lined through], 95.00 [lined through], 50.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7514\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 150.00 [lined through], 85.00, 42.50\n[Back]\nDEPT 75 X B\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7515\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 110.00 [lined through], 65.00 [lined through], 32.50\n[Back]\nDEPT 75 XB\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7524\nMade In London\nYear 1813\nBy\nTea Pot\nPrice 130.00 [lined through], 90.00 [lined through], 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7545\nMade in 1776\nYear Geo III\nBy\nBasket\nPrice 150.00 [lined through], 80.00 [?], 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7547\nMade in London\nYear 1773\nBy\nSugar Basin\nPrice 120.00 [lined through], 75 [lined through], 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7555\nMade in\nYear Geo III\nBy 1767\nPr. Candlesticks\nPrice 200.00 pr. [lined through], 120.00 [lined through], 60.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 319/2182\nMade in\nYear\nBy Pair\nSheffield [lined through] Candlesticks\nPrice 275.00 [lined through], 200.00 [lined through], 100.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld English Sheffield Plate\nNo. 321/140\nArticle Pr Adam Candlestks [sic]\nPeriod Sheffield\nPrice 425.00 [lined through], 210.00 [lined through], 100.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 12/953\nLustre\nPrice 225.00 Pr.\nB. Altman \u0026amp; Co.\nNew York [7 written over \"B\"; 725 in margin]\n[Back]\nTreasure Trove\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 12/953\nLustre\n225.00 Pr.\nB. Altman \u0026amp; Co.\nNew York [7 and 725 written on front as well]\n[Back]\nTreasure Trove\u003c/p\u003e","\u003cp\u003eTranscription: \nNo. 12/989\nCrystals\n$650.00 Pr.\nB. Altman \u0026amp; Co.\nNew York\n[Back]\nTreasure Trove\u003c/p\u003e","\u003cp\u003eTranscription: \nTreasure Trove\nNo. 97/5043\nCIG. BOX\nPrice 225.00 [lined through]\nB. Altman \u0026amp; Co.\nNew York\n[R829 written over company name at bottom]\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n5203\n25.00 [lined through]; 5.40 [?] 2 Doz. [?]\nCluny \u0026amp; Bohemian Lace\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n[company name written over with 1 Doz. [?]]\n10346\n85.00 [lined through]; 30.00\n[?]\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n1 Doz.\n10640\n28.00 [lined through]; 15.00 [?]\nBruges Lace\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK \n11370\n¬all\n85.00 [lined through]; 30.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK \n11696 1/2\n65.00 Dz. [lined through]; 24.00 Doz. [?]\nRt [?] Milan Lace\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK \n12875\n55.00 Dz. [lined through]; 18.00\nPt. [?] Milan\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n13698\n145.00 [lined through] all; 42.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNew York\n165.00 [lined through]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] B. Altman \u0026amp; Co.\nStyle\nColor\nSize\nPrice\n[Back] 150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] B. Altman \u0026amp; Co.\nStyle\nColor\nSize\nPrice\n[Back] 145.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] Miller \u0026amp; Rhoads\nRICHMOND, VA.\nNo. 393B2\nMfr. C1004 – C3004\nArticle Junior\nPrice Lamp Complete\n17.95\n[Back] W. \u0026amp; J. Sloane\n47th \u0026amp; 5th Ave\nN. Y. City\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] Antiques\nReproductions\nDecoration\nLord \u0026amp; Taylor\nFIFTH AVENUE, NEW YORK\n[Back] CLASS E-10  \nSEA 0 \nLOT 2212\nFramed English Sampler\nPRICE $95.\nLength – Width – Height\u003c/p\u003e","\u003cp\u003eTranscription: \nOld Silver\nTray\nHall Marked\nLondon 1817\nWm. Elliott\nJ.E. CALDWELL \u0026amp; CO.\nPHILADELPHIA\u003c/p\u003e","\u003cp\u003eTranscription: \nSauce Boat\nHall Mark\nLondon 1763\nMakers\nJ. Parker \u0026amp; E. Wakelin\u003c/p\u003e","\u003cp\u003eTranscription: \nM106\nMcCutcheon's\nUpholstery Dept.\nS91\n35.00 [lined through]; 14.50\n37 over 5502over T.A.C.M.\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 236\nSize 2 7[?] x 5 \nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 236\nSize as \nSeason S\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 237-E\nSize 2  9 x 5  4\nQual.\nPrice 86.00 [lined through]\n[Back]\nLot 237-E\nXS as \nSeason K\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 243\nSize 2 10 x 5 6\nQual.\nPrice 235.00 [lined through]\n[Back]\nLot 243\nX S as \nSeason H [?]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt 286\nSize 3 4 x 5 10\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 286\nX S as \nSeason S\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 295\nSize 2 2 x 5\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 295\nX S as\nSeason K\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D1215\nSize 9 x 11\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D. 1215\nSize as\nSeason M\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D.1234\nSize 9 x 11 5\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D.1234\nX S as\nSeason P\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D. 1361\nSize 2 6 x 4\nQual.\nPrice 250.00 [lined through]\n[Back]\nLot D. 1361\nX S as\nSeason T\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D. 1369\nSize 2 7 x 6 8\nQual.\nPrice 675.00 [lined through]\n[Back]\nLot D. 1369\nX S\nSeason W\u003c/p\u003e","\u003cp\u003eTranscription: \n1353\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\nand Richard Sibley\nEM9\u003c/p\u003e","\u003cp\u003eTranscription: \n1353B\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\n\u0026amp; Richard\nSibley\nRRM\u003c/p\u003e","\u003cp\u003eTranscription: \n4537\nPair\nOld Sheffield\nwine coolers\ncirca 1800\nRGG\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\n307\nColor\nWidth\nPrice $28.50\n[Back]\n#427\u003c/p\u003e","\u003cp\u003eTranscription: \nKEA\nOld English\nSheffield Plate\nArticle pr. Candlesticks\nNumber 2398/L\nPeriod Circa\n1850\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\n10679\nGeo. III\n[lion \u0026amp; unicorn]\nAntique Sheffield Plate\nMade in\nENGLAND\nA.D. 1800\nBy\nWeight\n[Back]\n#10679\npr. three-light\nCandleabra [sic]\nFluted and \nGadroon border\n16 ½\"\u003c/p\u003e","\u003cp\u003eTranscription: \n301/7523\nGeo. III\nDesert [sic] Set\n18 K. + 18 F.\nPrice 340.00 [lined through]; 200.00 [lined through]; 100.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nN. 2886\n[Back]\nROYAL WORCESTER\u003c/p\u003e","\u003cp\u003eTranscription: \n2002\n$20.00 (b)\nGeorgian\nMA\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 1244\nSize 8 10 x 11\nQual.\nPrice 1750.00 [lined through]; 500.00\n[Back]\nLot D1244\nX S as\nSeason R\u003c/p\u003e","\u003cp\u003eTranscription: \n[Tag 1 Front]\nNo. of Sale\nNo. of Rug 39032\nLength 20 feet 3 inches\nWidth 13 feet 4 inches\n[Tag 1 Back]\nTurfbaff\n[Tag 2 Front]\nSOLD\nName Pratt\nSalesman\nDate 2-26-32\u003c/p\u003e","\u003cp\u003eTranscription: \nS. \u0026amp; G. GUMP CO.\nSAN FRANCISCO, CAL.\u003c/p\u003e\n","\u003cp\u003eAntique French miniature musical watch and vanity box in the form of a butterfly. Exquisite variegated colored enamels have been imposed on the gold body.\nThis box was a gift from Louis XVI to the Chinese Emperor Chien Lung.\nFrom the collection of the late Mrs. Mabel L. Gump.\u003c/p\u003e\n","\u003cp\u003eS. \u0026amp; G. GUMP COMPANY\u003c/p\u003e","\u003cp\u003eThis series is comprised of the few clippings that were found in the collection. As none of these particular clippings were mentioned in the correspondence directly, it's possible that they did not originally belong to Pratt. The photographic copies of some of the articles were obviously made much later, but were retained as they may have been copies of articles Pratt once kept.\u003c/p\u003e","\u003cp\u003eTranscription: \nThalhimers cordially invite you to view this extraordinary exhibit of Royal Russian Treasures\u003c/p\u003e\n","\u003cp\u003eThis remarkable assemblage of Russian treasures were collected by two intrepid young Americans, Dr. Armand Hammer and his brother, Mr. Victor Hammer. It's the first important collection to come out of Russia since the Revolution. Be sure to see it. \u003c/p\u003e\n","\u003cp\u003eAll Articles are for Sale\nRoyal Crown Jeweled Objects\nIcons from the 15th Century\nAntique Fabrics and Brocades\nCopes and Chasubles\nSilver, Porcelain and Glassware\u003c/p\u003e\n","\u003cp\u003eFIFTH FLOOR\u003c/p\u003e\n","\u003cp\u003eThalhimers\u003c/p\u003e","\u003cp\u003eTranscription: \nCzarist Treasures to Be Seen In the Lobby of Jefferson Hotel\u003c/p\u003e\n","\u003cp\u003ePart of $500,000 Collection Is Removed From Thalhimer's Store Under Heavy Police Guard; Interesting Relics Attract Attention\u003c/p\u003e\n","\u003cp\u003eCzarist treasures, including personal possessions of Catherine the Great, a bracelet of \"Titiana,\" the young grand duchess murdered by the Bolshevists, and pictures of the Grand Duke Boris, \"handsomest officer of the Imperial Russian Army,\" were taken yesterday from the main collection at Thalhimer's and placed on exhibit in the lobby of the Jefferson Hotel. Although only a small portion of the 500,000 collections, which has been on exhibit at the store during the past week, and may be seen there through Thursdays, was moved to the hotel. Miss Alva Lowry, who is traveling with the exhibit, was provided police protection to ensure the safety of the relics.\n[...]\nThese, however, pale into insignificance beside the main collection, reigned over by the diamond-mounted miniatures of the last Czarevitch in its lapis lazuli Easter egg. The gold-mounted diamond-studded egg wtih its contents was the $50,000 Easter gift of the last Czar to the Czarina on Easter, 1912. \u003c/p\u003e\n","\u003cp\u003eWhen brought to The Times-Dispatch to be photographed, the $50,000 egg was guarded by Patrolman William H. Southward, who acted as escort for Miss Lowry on the trip to the Jefferson.\n[...]\u003c/p\u003e","\u003cp\u003eTranscription: \nNEW YORK EVENING POST. TUESDAY, JANUARY 3, 1933\nRomanoff Jewels Exhibited Here\nArt treasures of former rulers of Russias on display today. (Picture on left is by Parade Studios, Inc.)\nROMANOFF GEMS, ART SHOWN HERE\nCollection of Dr. Armand Hammer Includes Ikons of 14th Century Russia\nBy AARON MARC STEIN\nThe largest collection of jewels and other personal possessions of the Romanoffs, formerly rulers of all the Russias, ever to be shown in America, has been placed on exhibition in the Georgian Room at Lord \u0026amp; Taylor's. The collection will have its private showing this afternoon and will be opened to the public tomorrow. \nIkons dating back to the fourteenth century, other sacred images in which each nimbus is incrusted with gems, furniture, porcelains, brocades and the fabulous jewels that were one of the oriental or medieval characteristics of the Russian Imperial Court, are included in the collection, formed by a young American doctor who searched village market places for relics of imperial glory. \nThe doctor was Armand Hammer, M.D. It was a very new M.D. conferred on him by the College of Physicians and Surgeons of Columbia University, and the young physician set out on an errand of adventure and mercy. He organized a relief expedition which reached Russia in 1921. Civil war had hardly ended, and in the Urals Dr. Hammer found famine sweeping the country.\n[…]\nAnother of these eggs is of lapis lazuli covered with an elaborate gold filligree. Approximately the size of an ostrich egg, it is lavishly jeweled and set with a square flat diamond into which is cut the monogram of the Empress and the date. This egg was the gift of the late Czar to his wife. When opened this egg contains a double eagle set with diamonds and a miniature portrait of the Czarevitch, done in the full round. The bust portrait of the little Prince in his sailor suit is handled in a naturalistically life-like manner. \n[…]\u003c/p\u003e","\u003cp\u003eTranscription: \nNEW YORK HERALD TRIBUNE, TUESDAY, MARCH 3, 1936\nGrand Duchess Victoria Dead; Lived as the 'Empress of Russia'\nSister of Queen Marie and Cousin of George V, Victim of Stroke Near Munich \nBy The United Press\nMUNICH, Germany, March 2.— Grand Duchess Victoria Feodorovna, wife of Grand Duke Cyril of Russia, head of the Romanoff family and self-described Czar of All the Russias, died today of an apoplectic stroke at the castle of her daughter, Princess Maria von Leiningen, in Amorbach, Lower Franconia. She was fifty-nine years old.\nThe Grand Duchess, a sister or Dowager Queen Marie of Rumania and a first cousin of the late King George V of England, will be buried in Coburg, Germany, where she and the Grand Duke have maintained a court since 1924. King Carol of Rumania and representatives of King Edward VIII and of Marie, the Queen Mother of Jugoslavia, will attend.\nTen days ago the Grand Duchess was stricken with pneumonia when she went to the bedside of her daughter, who had just given birth to a son. As soon as her condition became grave her three sisters, the Dowager Queen Marie; the Princess of Hohenlohe-Langenburg, and the Infanta Beatriz of Bourbon-Orleans, hastened to Amorbach.\nThe Grand Duke Cyril, a cousin of the late Czar Nicholas II, who was on a holiday in his retreat in Brittany, also rushed back to Germany, arriving soon before his wife's death. He telegraphed the news to the various courts of Europe. Today the court of Jugoslavia, by decree of King Peter II, ordered a month of mourning.\n[…]\u003c/p\u003e","\u003cp\u003eTranscription: \nTHE NEW YORK SUN, SATURDAY, OCTOBER 16, 1937\nANTIQUES\nFaberge Royal Craftsman\nExamples of His Work Include Silver Service and Translucent Enamels.\nBy ETHEL WALTON EVERETT.\nA sumptuous silver tea and coffee service by Carl G. Faberge, the Russian Court jeweler, made for the Grand Duchess Alexandra Josephovna, has just been put on exhibition in the Schaffer Collection of Russia Imperial Art Treasures.\nCommissioned as a silver-wedding anniversary present, it bears the initials \"A. J.\" of the Grand Duchess and engraved facsimile auto graphs, \"Olga,\" \"Vera\" and \"Dmitri.\" In addition to samovar, drip bowl and rounded, rectangular tray; coffee and tea urns, sugar container and creamer, with large oval tray; matching items include one dozen spoons, tea strainer, lemon fork, tea scoop and sugar tongs. Every piece is of extreme grace and beauty, difficult to achieve with the classical design used.\nThe collection has a comprehensive showing of Faberge's translucent enamels, with examples of his delicate tones of palest almond green, claire de lune, lustrous \"pearly white,\" lavender, and a pale, bright color exactly like the polished birchwood for which Russia is famous. The enamel is combined with chased and chiseled gold and silver, in photograph frames of various shapes, cigarette boxes, candlesticks and other pieces, many set with jewels, and the majority having his signature.\nOne of the last named is a cigarette box of heavy polished gold, with translucent enamel of pale peacock blue, having narrow gold borders, ornamented with a delicate leaf and flower design in gem-like emerald green and ruby red. Deep royal blue and pale salmon pink are used for other cigarette boxes.\nAmong the larger enameled pieces are a pair of candlesticks claire de lune, on silver, with gold tops, bases and feet, richly chiseled, and with delicate gold swags, set with jewels. The same claire de lune enamel and harmonizing swag design appear on the handle of gold seal with the crown and monogram \"TH\" of the Grand Duchess Tatiana, with six diamonds set in the green and yellow gold decoration.\nThe seals are varied in character. Bearing the crown and \"AH\" monograms of the Czar, is one with handle of plain, polished ivory, with a very simple design in the gold band which holds the dark gray agate seal. Another is an attractive little cylinder of pure white polished crystal, with engraved crown and \"NB\" initials. The ornamentation is like a guard ring, a band of small, square rubies, between two bands of tiny diamonds. \n[Image of candlestick with enamel and gold mountings. Caption:]\nOne of a pair of candlesticks by Faberge of pale blue translucent enamel on silver with gold mountings shown by Schaffer Galleries.\n[Image of silver samovar]\u003c/p\u003e","\u003cp\u003eThis series is comprised of items related to the Pratt collection that were transferred from the Curatorial department. Items found in the object records include early photographs of items from both Hammer Galleries and the Schaffer Collection, photographs of the Russian imperial family, as well as a statement of account from Hammer and the first complete list of the collection after its arrival at the museum in 1947.\u003c/p\u003e","\u003cp\u003eDescription: \nIn a publicity shot that was circulated to newspapers, Rosamond Fulmer leans on a counter behind ten imperial Easter eggs on display at Hammer Galleries. Several icons can be seen hanging on the wall to the right behind Fulmer.\u003c/p\u003e","\u003cp\u003eDescription: \nBack of silver triptych icon with an engraved inscription within a laurel crown. Translated from the Russian, it reads: \"Blessing of the Preobrazhenskii Regiment. June 3rd, 1884. A new commandment I give unto you the ye love one another as I loved you. (St. John, Chapter 13, Verse 34)\".\u003c/p\u003e","\u003cp\u003eDescription: \nCover of silver triptych icon with a Greek cross surrounded by finely detailed leaves.\u003c/p\u003e","\u003cp\u003eDescription: \nSilver triptych icon featuring paintings of the Transfiguration in the center, St. Elizabeth standing in the left side panel, and St. Sergius of Radonezh standing in the right side panel. Each panel is surrounded by an elaborate patterned border.\u003c/p\u003e","\u003cp\u003eDescription: \nTriangular silver picture frame with geometric enamel background. Central circular cut-out is bordered in pearls and features an image of Alexandra Feodorovna.\u003c/p\u003e","\u003cp\u003eDescription: \nBack of silver diptych icon. One side has an engraved inscription that indicates that it was presented to Nicholas II and Empress Alexandra by courtiers. The other side features an elaborate scroll work design and studded with ten turquoise, garnets, and pearls.\u003c/p\u003e","\u003cp\u003eDescription: \nSilver diptych icon featuring paintings of Princess St. Alexandra on the left and St. Nicholas the Miracle Worker on the right. Each painting is bordered with pearls and the top of the icon is curved like an arch.\u003c/p\u003e","\u003cp\u003eDescription: \nRock crystal parasol handle with the head of a dog etched and enameled inside the crystal ball. The base of the handle is studded with small gemstones.\u003c/p\u003e","\u003cp\u003eTranscription: \nAKRON STUDIOS\n232 EAST 42nd STREET\nNEW YORK CITY\u003c/p\u003e\n","\u003cp\u003eTO Russian Imperial Treasures\n15 W 50th St\nAtt Mr Schaefer [sic]\u003c/p\u003e\n","\u003cp\u003ePhotographs - Do Not Bend\u003c/p\u003e","\u003cp\u003eDescription: \nSmall pencil drawing of a decorative stand for the Red Cross Easter Egg. It is unknown who the artist is, but the drawing does resemble the gold stand currently used by the museum to hold the egg. The rusted imprint from a paperclip can be seen at the top left.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eDescription: \nBlack-and-white postcard featuring a single image of the Rock Crystal Easter Egg.\u003c/p\u003e","\u003cp\u003eDescription: \nGroup portrait of 29 members of the Russian Imperial Romanov family and royal relatives from Denmark, Sweden, Norway, England, and Greece on the steps of the palace at Fredensborg, Denmark. Seven children, all dressed in white, appear in the first row, with 22 adults behind them.\u003c/p\u003e","\u003cp\u003eTranscription: \nFamily Group taken in Bernstorff, Denmark, after the death of Queen Louisa of Denmark, in 1898.\u003c/p\u003e\n","\u003cp\u003e1. Louise Princess of Sweden and Norway, wife of Crown Prince Frederick of Denmark\n2. Crown Prince Frederick of Denmark, later King Frederick VIII.\n3. Princess Ingeborg of Denmark.\n4. Queen Alexandra of England.\n5. King George of Greece.\n6. King Christian IX of Denmark.\n7. Princess Thyra of Denmark.\n8. Dowager Empress Maria Feodorovna of Russia.\n9. Prince Johann of Glucksburg (Uncle Hans).\n10. Grand Duchess Olga Alexandrovna, sister of Nicholas II.\n11. Prince Peter of Oldenburg, husband of Duchess Olga.\n12. Prince Nicholas of Greece.\n13. Empress Alexandra Feodorovna.\u003c/p\u003e\n","\u003cp\u003e[Hand drawn and numbered outlines of the heads of all the people in the photograph]\u003c/p\u003e\n","\u003cp\u003e14. Princess Victoria of England.\n15. Grand Duke Michael, brother of Nicholas II.\n16. Emperor Nicholas II of Russia.\n17. Prince Harold of Denmark.\n18. King Edward VII of England.\n19. Queen Maud of Norway.\n20. King Haakon VII of Norway.\n21. Princess Alexandrina, nee Princess of Mecklenbourg (Present Queen of Denmark).\n22. Christian, son of the Crown Prince of Denmark. (Present King of Denmark).\n23. \n24. \n25. Grand Duchess Tatiana Nlcolaievna\n26. Grand Duchess Olga Nicolaievna.\n28. Prince Aag of Denmark.\n29. Princess Dagmara of Denmark.\u003c/p\u003e","\u003cp\u003eDescription: \nGroup portrait of the Russian Imperial Romanov family on the desk of their royal yacht \"Standart\". Empress Alexandra Feodorovna sits in the center with Prince Alexei on her lap. Her four daughers, Grand Duchesses Olga, Tatiana, Maria, and Anastasia, and her husband, Emperor Nicholas II, stand behind her.\u003c/p\u003e","\u003cp\u003eDescription: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits in a high-backed chair outdoors in a garden-like setting. Wearing a large hat and formal dress, she looks at the camera directly, with one hand in her lap and the other with elbow bent and fingers touching her right cheek.\u003c/p\u003e","\u003cp\u003eDescription: \nPortait of the Emperor Nicholas II and Prince Alexei seated next to each other on the deck of the royal yacht \"Standart\". Nicholas holds a newspaper in his lap as Alexei seems to squint into the sun.\u003c/p\u003e","\u003cp\u003eDescription: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits on a sofa indoors. Wearing a high-necked shirt and long skirt, she looks away from the camera towards the floor, with her hands clasped in her lap. Behind her, she is surrounded by picture frames, small vases, and flowers, on shelves that continue well above her head.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nMuseum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young boy stares at Fabergé's Imperial Easter Egg with Revolving Miniatures, which is set on a table right in front of him. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl opens an egg-shaped ring box which contains a jewelled ring within it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nMuseum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c04_c01_c40"}},{"id":"virmu_repositories_2_resources_8_c01_c05_c02_c12","type":"Item","attributes":{"title":"1661","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c02_c12#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTranscription: [double-headed eagle] The Schaffer Collection of Russian Imperial Art Treasures ROCKEFELLER CENTER, NEW YORK August 18, 1937 #1661 Small solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler. It is executed in his classic style with three shades of gold employed. The shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette. About it, a delicately carved green-gold wreath design is chased. From the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c02_c12#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_8_c01_c05_c02_c12","ref_ssm":["virmu_repositories_2_resources_8_c01_c05_c02_c12"],"id":"virmu_repositories_2_resources_8_c01_c05_c02_c12","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8_c01_c05_c02","parent_ssi":"virmu_repositories_2_resources_8_c01_c05_c02","parent_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c02"],"parent_ids_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c02"],"parent_unittitles_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 6"],"parent_unittitles_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 6"],"text":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 6","1661","Paper","Schaffer Collection","New York (N.Y.)","English","box SC-07 Box 1","folder 6","Item SC07.01.5.106","American--1","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","47.20.185","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"title_filing_ssi":"1661","title_ssm":["1661"],"title_tesim":["1661"],"unitdate_other_ssim":["Aug. 18, 1937"],"normalized_date_ssm":["1937"],"normalized_title_ssm":["1661"],"component_level_isim":[4],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"physdesc_tesim":["Paper"],"extent_ssm":["1 page"],"extent_tesim":["1 page"],"physfacet_tesim":["Sales records"],"creator_ssim":["Schaffer Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":296,"parent_access_restrict_tesm":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website. "],"parent_access_terms_tesm":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"date_range_isim":[1937],"names_ssim":["Schaffer Collection"],"corpname_ssim":["Schaffer Collection"],"geogname_ssim":["New York (N.Y.)"],"geogname_ssm":["New York (N.Y.)"],"places_ssim":["New York (N.Y.)"],"acqinfo_ssim":["Gift of Lillian Thomas Pratt."],"language_ssim":["English"],"containers_ssim":["box SC-07 Box 1","folder 6","Item SC07.01.5.106"],"bioghist_html_tesm":["\u003cp\u003eAmerican--1\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["American--1"],"odd_html_tesm":["\u003cp\u003eSchaffer Collection, Russian Imperial Art Treasures, Rockefeller Center\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e47.20.185\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["47.20.185"],"scopecontent_html_tesm":["\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt"],"userestrict_html_tesm":["\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"_nest_path_":"/components#0/components#4/components#1/components#11","timestamp":"2026-05-21T03:30:55.910Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_8","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_8.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/8","title_filing_ssi":"Pratt, Lillian Thomas (SC-07)","title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"unitdate_ssm":["1901-1947"],"unitdate_inclusive_ssm":["1901-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-07","/repositories/2/resources/8"],"text":["SC-07","/repositories/2/resources/8","Lillian Thomas Pratt Personal Papers (SC-07)","Art objects, Russian","Easter eggs","Fabergé eggs","The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . ","The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated","The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine 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can--1","American--1","American--1","American--1","American--1","American--1","American--1","American--1","American--1","The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Neue Palais Darmstadt Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Wolfsgarten near Darmstadt Hesse\" and \"Windsor Palace?\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Winter Palace\" and \"Anichkov Palace\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Kranichstein Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Wide World Photos, Inc. (NY-33541), Copyright 1937.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.","47.20.412, 47.20.333, 47.20.312","47.20.14, 47.20.284, 47.20.338","47.20.30, 47.20.26, 47.20.28, 47.20.214, 47.20.341, 47.20.363, 47.20.404, 47.20.309","47.20.167, 47.20.72, 47.20.287, 47.20.166, 47.20.346, 47.20.296, 47.20.90, 47.20.95, 47.20.420, 47.20.421, 47.20.85, 47.20.94, 47.20.77, 47.20.74, 47.20.78, 47.20.75, 47.20.61, 47.20.73, 47.20.89, 47.20.79, 47.20.62, 47.20.84, 47.20.86, 47.20.82, 47.20.91, 47.20.87, 47.20.115, 47.20.63, 47.20.83, 47.20.54, 47.20.88, 47.20.130, 47.20.93, 47.20.59, 47.20.56, 47.20.58, 47.20.92, 47.20.96","47.20.4, 47.20.71, 47.20.81, 47.20.70, 47.20.55, 47.20.80, 47.20.76, 47.20.332, 47.20.336, 47.20.397, 47.20.140, 47.20.342, 47.20.281, 47.20.304, 47.20.157","47.20.416, 47.20.349, 47.20.317, 47.20.197","47.20.314, 47.20.313, 47.20.322, 47.20.290, 47.20.251, 47.20.12, 47.20.319, 47.20.184, 47.20.169, 47.20.358, 47.20.350, 47.20.183, 47.20.187, 47.20.141, 47.20.162, 47.20.417, 47.20.329","47.20.173, 47.20.195","47.20.173, 47.20.195","47.20.31, 47.20.291, 47.20.193, 47.20.275, 47.20.181, 47.20.164, 47.20.168, 47.20.27, 47.20.182, 47.20.177, 47.20.196, 47.20.396, 47.20.315, 47.20.337, 47.20.413, 47.20.320","47.20.263, 47.20.353","47.20.310, 47.20.339, 47.20.19, 47.20.282, 47.20.286, 47.20.45, 47.20.348, 47.20.142, 47.20.143, 47.20.128, 47.20.185, 47.20.190, 47.20.180, 47.20.276, 47.20.127","47.20.255, 47.20.294, 47.20.314, 47.20.356, 47.20.414, 47.20.299, 47.20.210,","47.20.22, 47.20.13, 47.20.151, 47.20.279, 47.20.191, 47.20.252, 47.20.7, 47.20.21","47.20.51, 47.20.64, 47.20.493, 47.20.52, 47.20.126, 47.20.278, 47.20.208","47.20.29, 47.20.17","47.20.221, 47.20.265, 47.20.308","47.20.240, 47.20.257, 47.20.256","47.20.306","47.20.292, 47.20.288, 47.20.267","47.20.259, 47.20.311, 47.20.138","47.20.20, 47.20.297, 47.20.351, 47.20.163, 47.20.144, 47.20.220","47.20.215, 47.20.394","47.20.374, 47.20.216, 47.20.110, 47.20.136, 47.20.113, 47.20.118, 47.20.112, 47.20.122, 47.20.119, 47.20.114, 27.40.120, 47.20.125, 47.20.121, 47.20.117","47.20.374, 47.20.216, 47.20.110, 47.20.136, 47.20.113, 47.20.118, 47.20.112, 47.20.122, 47.20.119, 47.20.114, 27.40.120, 47.20.125, 47.20.121, 47.20.117","47.20.131","47.20.13","47.20.33","47.20.33","47.20.248, 47.20.249, 47.20.132, 47.20.30, 47.20.403, 47.20.402","47.20.373","47.20.209, 47.20.334, 47.20.318, 47.20.102, 47.20.100, 47.20.101","47.20.343, 47.20.344, 47.20.340, 47.20.46, 47.20.148","47.20.495, 47.20.273","47.20.233, 47.20.395","47.20.16","47.20.13","47.20.154, 47.20.205","47.20.379","47.20.383","47.20.310","47.20.339","47.20.19","47.20.282","47.20.286","47.20.45","47.20.284","47.20.312","47.20.338","47.20.333","47.20.412","47.20.14","47.20.13","47.20.177","47.20.196","47.20.168","47.20.181","47.20.193","47.20.164","47.20.182","47.20.169","47.20.27","47.20.275","47.20.291","47.20.320","47.20.337","47.20.413","47.20.31","47.20.315","47.20.396","47.20.348","47.20.142","47.20.143","47.20.128","47.20.279","47.20.185","47.20.190","47.20.180","47.20.276","47.20.127","47.20.131","47.20.167","47.20.139","47.20.312","47.20.312","47.20.333","47.20.412","47.20.39","47.20.14","47.20.284","47.20.338","47.20.30","47.20.26","47.20.28","47.20.214","47.20.404","47.20.386","47.20.145","47.20.287","47.20.72","47.20.166","47.20.346","47.20.296","47.20.90","47.20.37","47.20.95, 47.20.85, 47.20.94, 47.20.77, 47.20.59","47.20.74, 47.20.78, 47.20.75, 47.20.63, 47.20.83","47.20.61, 47.20.73, 47.20.89, 47.20.79, 47.20.62","47.20.84, 47.20.86, 47.20.82, 47.20.91, 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47.20.117","47.20.288","47.20.292","47.20.383.1-6","47.20.343","47.20.273","47.20.46, 47.20.148","47.20.495","47.20.344","47.20.394","47.20.215","47.20.209","47.20.373","47.20.131","47.20.334","47.20.102","47.20.100","47.20.101","47.20.318","47.20.132, 47.20.30, 47.20.403, 47.20.402","47.20.306","47.20.351","47.20.270","47.20.18, 47.20.8","47.20.323","47.20.345","47.20.10","47.20.18","47.20.419","47.20.355","47.20.392","47.20.40","47.20.357","47.20.8","47.20.384","47.20.9","47.20.427","47.20.382","47.20.419","47.20.1","47.20.2","47.20.2","47.20.11","47.20.391","47.20.389","47.20.393","47.20.378","47.20.25,47.20.419, 47.20.10, 47.20.11","47.20.392","47.20.398","47.20.381","47.20.419","47.20.355","47.20.391","47.20.9a","47.20.384.1-13","47.20.378","47.20.427","47.20.382","47.20.18","47.20.8","47.20.409","47.20.398","47.20.405","47.20.357","47.20.392","47.20.390","47.20.388.1, 47.20.388.2","47.20.36","47.20.389","47.20.393","47.20.393","47.20.387","47.20.3","47.20.425","47.20.303, 47.20.367","47.20.426","47.20.146","47.20.5","47.20.6","47.20.40","47.20.345","47.20.222","47.20.213","47.20.69","47.20.137","47.20.272","47.20.38","47.20.179","47.20.277a-b","47.20.330","47.20.326","47.20.53","47.20.305","47.20.323","47.20.376.1-42","47.20.271","47.20.269","47.20.244","47.20.268","47.20.152","47.20.15","47.20.165","47.20.327","47.20.328","47.20.41","47.20.293","47.20.47","47.20.48","47.20.49","47.20.50","47.20.65","47.20.66","47.20.67","47.20.68","47.20.98","47.20.250","47.20.161","47.20.325","47.20.227","47.20.235","47.20.231","47.20.211","47.20.207","47.20.202","47.20.324","47.20.228","47.20.241, 47.20.242","47.20.170","47.20.203","47.20.225","47.20.217","47.20.218","47.20.221","47.20.224","47.20.230","47.20.229","47.20.232","47.20.261","47.20.260","47.20.155","47.20.60","47.20.171","47.20.239","47.20.244","47.20.247","47.20.262","47.20.266","47.20.300","47.20.133","47.20.134","47.20.289","47.20.57","47.20.99","47.20.111","47.20.116","47.20.123","47.20.124","47.20.385","47.20.301","47.20.156","47.20.172","47.20.186","47.20.246","47.20.199","47.20.198","47.20.178","47.20.285","47.20.309","47.20.234","47.20.226","47.20.223","47.20.220","47.20.219","47.20.212","47.20.245","47.20.109","47.20.43","47.20.238","47.20.103","47.20.108","47.20.354","47.20.375","47.20.335","47.20.331","47.20.321","47.20.298","47.20.254","47.20.105","47.20.104","47.20.106","47.20.107","47.20.135","47.20.359, 47.20.365","47.20.35","42.19.1","47.20.1, 47.20.2","47.20.11","47.20.25","47.20.10","47.20.419","47.20.32","47.20.32","47.20.32","47.20.32","47.20.32","47.20.357","47.20.409","47.20.303, 47.20.367","47.20.387","47.20.3","47.20.425","47.20.34","47.20.34","47.20.36, 47.20.32, 47.20.34","47.20.17","47.20.17","47.20.17","47.20.348","47.20.21","47.20.21","47.20.176","47.20.36","47.20.32","11061-1, 47.20.33, 47.20.34","11912-2, 47.20.34, 47.20.35, 47.20.32","11912-3, 47.20.34, 47.20.44, 47.20.148","1651, 47.20.235, 47.20.217, 47.20.222","4471, 47.20.214","490M, 47.20.32, 47.20.33","490M-6, 47.20.32","491M-19, 47.20.36, 47.20.231","491M-29, 47.20.148, 47.20.46","544M, 47.20.222, 47.20.217","7852M-10, 47.20.126","7852M-12, 47.20.34, 47.20.17, 47.20.18","7853M-4, 47.20.34, 47.20.32, 47.20.148, 47.20.46","The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","This series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.","The invoices are often annotated with check numbers as balances were paid off, and dates given often refer to the handwritten notes on the invoice detailing payment history. Similarly, price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and often the date purchased. Many of the Schaffer descriptions are not dated, and while most of them can be cross-referenced with dates on the invoices, Schaffer often invoiced Pratt much later than the original purchase date, and in some cases, many years later. Finally, most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers.","The series is divided into five subseries: Series 1.1: Alexander Schaffer Correspondence, 1934-1947; Series 1.2: Ray Schaffer Correspondence, 1937-1947; Series 1.3: Invoices, 1934-1945, undated; Series 1.4: Price Tags, undated; Series 1.5: Item Descriptions, 1934-1945, undated.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nApril 14, 1934","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","My dear Mrs. Pratt,","Please forgive me for the delay in answering your kind letter of the 12th, but I was trying to trace the cause of wrong delivery, as I note that the envelope was properly addressed by you. The Mr. Schaeffer in the building should have indeed had the courtesy to forward it to me. ","I have received your note and also the book, and am sorry that you have had this unpleasantness.","I hope that my letter finds you in the best of health, and remain, with best wishes, and kindest personal regards, in which Mrs. Schaffer joins me, ","Yours very sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nNovember 19, 1935","Mrs. John L. Pratt\n\"Chatham\" Box 118\nFredericksburg, Virginia","My dear Mrs. Pratt,","I am most disappointed to hear that the cabinet is not the size that you should have. It is a pity that all your lovely objects could not be displayed without being crowded.","I will try my very best to get another cabinet for you, the size you want, and exchange it for the one you have now. Of course I cannot tell just how soon I could get one, but in the meantime you can use the one you have.","Or maybe you could find room for another cabinet which would give you a chance to display all of your lovely things without crowding them, regardless of their size. This would really be the best solution.","I am sorry you had to be annoyed paying","[page 2]","the freight for the cabinet. I gave specific instructions to send it prepaid. I have also spoken to them about packing, and I am only glad that at least it arrived safely. It is so hard to make people understand sometimes, or have them do what you want them to do.","With best wishes and kindest regards, in which Mrs. Schaffer joins me, I am","Yours most sincerely, \nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 3, 1936","Dear Mrs. Pratt,","Thank you for your check on account and your kind inquiry about Mrs. Schaffer. She is feeling fine and is at the seashore at the present. I have given her your regards and she wishes to be remembered to you. She is getting along very nicely, but of course is anxiously awaiting the great event. ","Sorry to hear about the trouble you have with your servants and hope you will be able to solve it to your satisfaction.","I have designed something myself for the little stand and am taking the liberty of going ahead with it, hoping that you will approve of it. It will be made of 14 karat gold, and will be larger than the one you had and entirely different, and will cost approximately $150.00. The only thing I am not certain about is the size, not having the egg here. I have to guess more or less from the old stand, and therefore would like very much to have the egg to take measurements. ","On second thought I don't think this will be necessary, as I expect to be in Washington next Tuesday, the 11th, when I would like to go out to your place for an hour or so, to see ","(over please)","[page 2]","your things, and at the same time I could measure the egg.","I think I could be in Fredericksburg around 2:00 P.M. and then take a train about 5:00 P.M. back to New York, unless it is necessary for me to stop over at Washington until Wednesday. ","The heat is terrific in New York, and I am so glad that Mrs. Schaffer consented to go away. ","Hoping that my letter finds you in the best of health, with kindest regards from Mrs. Schaffer and myself,","Sincerely yours,\nAlexanders S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 7, 1936","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","Dear Mrs. Pratt,","Just a line to let you know that I am planning to have an exhibit at my galleries, beginning November first, of the work of CARL FABERGE, and I thought you may be willing to loan me some of the lovely things you own. Although I really hate to put you to all this trouble, but maybe you could just have someone pack the things that you want to lend to me, and send them railway express, insured, at my expense. ","So far I have only borrowed the big Easter egg, but I do not know whether I will have anything else outside of my own things.","Believe it or not, Paul is asking about you and sends his love, in which Mrs. Schaffer joins him. ","With kindest regards and best wishes,","Cordially,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 27, 1936","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I was so glad to receive your letter, as I was worried already that you may be ill, and that this was the reason that you did not come to New York as you planned. And judging from your letter, I was almost right, but I am glad to know that it isn't anything serious, and I hope that by the time this note reaches you, you will be in perfect condition again. ","I would not think of letting you make that trip to Washington. I would much rather wait until the 3d and then you could bring the things with you. ","Regarding the Egg, you have apparently forgotten that in one of my letters I have definitely promised it to you for September, and which I meant. Although it is now October, as you see I kept my promise, except for being late, which was beyond my control. I am sorry to learn that you cannot find a way of getting it at present. However, I must tell you this – should I be successful in making a substantial sale, I shall buy it back myself and then, needless to say, I will let you have it regardless of when you could pay for it. I only hope that they do not change their minds in the meanwhile. ","I could not buy it myself presently, because I have just paid a huge amount in duties for some fine things I have bought about a year ago. If not for ","[page 2]","this, I would have probably settled the whole affair with them without even writing to you about it, because to get it back is my one ambition, and I would not worry about selling it again. I shouldn't have done it in the first place. ","With kindest regards and best wishes, and love from the family, ","Cordially,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 17, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I am very sorry you didn't have a chance to come in while you were in New York, as I have some very beautiful pieces that I know you would have greatly enjoyed seeing.","I am going abroad on Wednesday, the 23d, and will take some of them with me for a client in London. I don't know who long I will be. I hate to leave Mrs. Schaffer and the baby, but I guess I will have to.","I am carefully packing and shipping the things to you, as I have them all photographed now. I am enclosing the photographs and the histories in the package. ","With kindest regards and best wishes,","Sincerely yours,\nAlexander S. Schaffer [signed]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 21, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","It was quite a shock to learn of your illness, but we are happy to read that the danger is over, and I can't tell you how glad we are that you are back home. We do hope that you will take good care of yourself so that you will get well and strong again, and never get ill again, ever.","If I weren't going to Europe, I would pay you a visit to cheer you up by showing you some of the things, but as it is, it will have to wait. However, I will keep the choicest [underlined] for you.","Mrs. Schaffer sends her love. Paul too made some sound, whatever he meant by it. Please do cheer us up as soon as possible, to tell us that you are better as we are still worried. ","With kindest regards and wishes for your speedy recovery,","Sincerely,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: ","Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 10, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt, ","It is good to know that someone else thinks as much of the baby as we do. I was glad to see that you have noticed how much he changed. It is quite true he is not a doll any more, but a boy, and does not look like either of us especially. ","I am glad you kept the two pins. The one in question is a spinel ruby and not a garnet. I received the pink one today. ","I am sending to you today by railway express, insured, a few very choice pieces, of which I am enclosing the tags. I know that you will have great pleasure in seeing them and sincerely hope that you can manage to keep some.","Trusting that my letter finds you greatly improved (you didn't say anything about it in your letter), with kindest regards and best wishes from the whole family,","Sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","September 1, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your letter and check which I have received today.","I was glad to read that you like the photos of the baby.  He is a little imp but he is adorable.  I know you will like him. He does look like his mother I think.  Both send their love.","The raspberry red gold mounted box that you mention, you already have in your collection.  I have sold it to you before you went to Egypt and had it repaired during your absence.  That is the only one I can think of.  At any rate, I only have three Faberge pieces in raspberry red enamel in my whole collection.  One is a little match case.  One is a little perfume bottle and one is a seal.","However, I am glad that we had this little confusion about the boxes, because at least it gave you an opportunity to see the little yellow enamel box which you decided to keep.","I am looking forward to seeing you soon.  With kindest regards and best wishes, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","October 7, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","We are very much relieved that you have found the box.  I would have felt miserable otherwise.","I am enclosing the bill and the histories of the objects you have taken with you.  In this bill is included the yellow enamel box which I have sent to you previously, and the two presentation icons that I am sending to you today by Railway Express, insured against all risks.  Please let me know whether they reach you in good condition.","I hope that the trip to New York did not tire you too much, and that I will have the pleasure of seeing you very soon again.  I was sort of hoping that you could find time to see Paul, but I guess you just could not manage.","Trusting that my letter finds you in the best of spirits, with kindest regards and best wishes from both of us, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","P.S.  Mrs. Schaffer seems to think that you wanted the panagia with the jasper cameo of Christ.  Please let me know whether I should keep it for you, as I myself am not certain.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","May 11, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia ","Dear Mrs. Pratt,","I am sorry for not answering your letter before this, but a freak accident kept me away for a few days.  While moving furniture around at home, I dropped a small but heavy table full of books on one of my toes.  It was quite painful, but I am glad to say that I think nothing serious will develop now.","I am so sorry to read that you also have not been very well.  I know it is not as easy to do as to say, but one should try not to let things upset one.  Ones health is more important than anything else.  At least I am trying to practice what I preach even if I do not always succeed.","I sincerely hope that conditions will improve very soon now, which would make it so much easier for all of us.  This depression did hit everybody I think.  It's worse than in 1932, because now one cannot buy anything, yet it is very hard to sell or to collect money. At least in 1932, even if it was hard to sell, one could buy fine things at reasonable prices, and eventually good things always find a market.","Of course I would not dream of taking interest from you for the money you owe me.  I am convinced that if you could pay more than $500 a month, you would, and if you cannot, I certainly will wait rather than let you sacrifice any of the things that I know you love so much.","Looking forward to the pleasure of seeing you soon, with kindest regards, I am","Very sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","August 1, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","I was most sorry to hear that you were ill, and I am glad to know that you are up and around again. Please do take care of yourself. Remember, we need your help for Paul's wedding. ","It is remarkable how time flies! He is growing every day and you will find that he is not the little baby you have seen. Of course, we still think he's very sweet and lovable. ","We are on the beach and would enjoy it very much except that there's a plague of mosquitoes which is not very pleasant, but we hope that they'll disappear soon.","With kindest regards and love from the family,","Sincerely,\nAlexander S. Schaffer \n[signature]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","November 2, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\n \nDear Mrs. Pratt,","Thank you for your letter of the 1st and check on account.  I am glad that business is on the upswing.  It's about time – we all need it, and with the war scare behind us, we may be looking forward to better times.","Have you seen on page 219 of the October Connoisseur the editorial about my topaz Fabergé vase?  I know you will be thrilled to see it, but the description will give you some idea of its beauty.  If you haven't this copy, I have an extra one and will be glad to send it to you.","Paul and Mrs. Schaffer send their love.  You should hear him talking – a mile a minute – and most of the time we don't know what he's talking about.","I hope the weather there has been just as nice as it has been in New York, although I think it might be better for business if the cold weather would set in.","With kindest regards,\nSincerely yours,\nA.S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 15, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I have just received your letter of the 14th, and hasten to let you know that the egg arrived safely.  Before I forget, my home address is: \n117-01 Park Lane South\nKew Gardens, L. I., N. Y.\nBuilding A, Apartment 2-B.","I am sorry you cannot afford to keep the red and emerald egg.  Would you kindly return the parchment #2753?  I must have misunderstood about the jade chest egg.  I am enclosing an itemized bill as requested.","The silver tray will be packed and shipped to you as soon as possible, and if I haven't sold the necklaces before the end of the year, I will return them to you.  I think I told you that I sold the bracelet and the icon.","With kindest regards and very best wishes for a happy Christmas and New Year, in which the family joins me,","Sincerely,\nAlexander S. Schaffer [signed]","ASS:RS\nP. S.  The parchment just arrived.  Thank you.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 30, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","We have just finished packing and will be out by tomorrow.  Let's hope it is all for the best!","We both want to thank you for your good wishes, and to express our sincere gratitude for having had the good fortune to acquire a friend like you.","We do hope to be able to see you every now and then.  If we go down south, we might even surprise you for a short visit.  (should we decide to drive).","With kindest regards, and very best wishes for the truly happiest New Year you have ever had, and with love from the family,","Sincerely,\nAlexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:RS","Transcription: \n[In process]","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","\nNovember 21, 1945","Mrs. John Lee Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","Please forgive me for not answering your letter of the 14th at once, but I wanted to receive the articles before writing to you.","I am enclosing a receipt for them.  They all arrived in good condition including the flower.","Regarding the Globe Flowers, there was one stem without jade leaves. That is the way it was made.  It is all complete so you needn't worry about it.","I am glad you like the little blue velvet stand.  I am indeed sorry that you could not manage to visit us during your last visit.  I do hope you can do so when you come again.","With kindest regards and best wishes, I am,\nCordially yours,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ENC.\nASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","June 4, 1946","Mrs. John L. Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","The man who bought the Faberge Easter Egg which you always said you should have bought and which you didn't because I discouraged you, was in today.  He wants to sell the Egg for $12,000.00, federal tax included.","He claims that someone else also wants to buy the Egg, so I decided to let you know at once in case you are interested.  He is not in need of money so I think you could have about six months in which to pay for it.","Please do not misunderstand me - I don't want to be a salesman in this case but you did mention several times how sorry you were that you didn't buy it.  Therefore, I do want you to have a chance to do so if you are still interested.","With kindest regards and best wishes, I am,\nSincerely,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, L.I.\nNew York","February 3, 1942","Dear Mrs. Pratt,","Many thanks for your very kind letter and check on account.","Well, we still haven't left New York, but if all goes well, should be on the way in a few days.  Unless I write in the meantime, I think it would be best to send your next check to Kew Gardens.","Alex has been away for a few days rest.  He should be back very shortly, but I didn't want to delay writing to you.","The children are very well.  I have a new governess for them, and that's one of the reasons it's taken us longer to get away.  I didn't want to take them with us, as it would have been too much for them, and no rest for anybody, and I couldn't leave them until I was absolutely sure that everything was running smoothly at home.","I hope that we'll be seeing you soon.","Peter and Paul send their love, as do I.","Sincerely,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, N. Y.","April 24, 1942","Dear Mrs. Pratt,","Thank you very much for your check and letter.  I do appreciate it.","My husband just went away for a few days to recuperate, as he is still not up to par.","Yes, the place that you saw near the Sherry-Netherland is where we have given our collection for sale, but so far they have sold few of our things.  People seem to think however, that things will improve.  Let's hope it will be soon.","Love from us all,","Cordially,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","July 5, 1942","Dear Mrs. Pratt,","Many thanks for your nice letter and check on account.","We just moved last Monday so I'm sure you can visualize how busy I've been and will forgive me for not having written before.  Please overlook the stationery too, as I'm not even all unpacked!","The children love it here and are thriving.  I hope it will do Alex lots of good too, as he certainly needs it.  He's still been very jumpy!  As for me, I love it.","I hope you are taking good care of yourself and keeping well.","Love from us all,","Ray Schaffer","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","Copy","Dec. 4th '45","My dear Mrs. Schaffer – ","Herewith my check for two hundred eighty-five dollars in full payment of account.  When you acknowledge please mention the amount, and that it is in full payment for my files.  Thank you and Mr. Schaffer for your kindness.  A great weight is off my shoulders.","Tell Mr. Schaffer I will pay for the Globe Flower and paper-cutter as soon as I can.  My Income Tax on the 15th will leave me a very small balance for December.","Kindest regards, Sincerely yours,","(Signed) Lillian T. Pratt","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00","Transcription: \n[double-headed eagle] G. 3.\nRectangular miniature picture frame by CARL G. FABERGE, the Russian Court\njeweler.\nIt is executed in gold on silver bearing a ground of rose colored enamel.\nBorders of wreath design frame the enameled ground and around the opening for a picture is enclosed with beadwork.\nBears a piece of beveled plate glass to cover the picture and is paneled with ivory.\nSigned \"FABERGE\".\n$300.00\nFrom the Youssapoff Collection.  Originally it was presented to the Princess Youssapoff by the Empress Maria Feodorovna.","Transcription: \n[double-headed eagle] G. 5.\nMiniature picture frame by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.\nConcentric fluted gold rims separate these areas.  The jade is of a dark spotted green and in contrast to it a pale mauve enamel is employed everlaid [sic] by an interweaving green-gold wreath.\nAt top a ribbon with bow and loose ends is fixed bearing a ruby in the center.  It is mounted with a gold easel.\n$275.00","Transcription: \n[double-headed eagle]\n#G. 8.\nA miniature icon by CARL G. FABERGE, the Russian court jeweler. \nIt is in the form of triptych and very simply on the exterior is paneled with a dark wood bearing a four-petaled catch centered by an emerald.\nIt opens to disclose a solid gold interior. The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls. The yellow-gold ground bears arabesques of the filigree and studded at significant points in the design are emeralds, rubies, sapphires, and diamonds. \nThe central panel frames \"The Resurrection\". Against a dark background the figure of Christ appears holding aloft a pennant. His form radiates light and in the foreground two angels kneel. It is an extremely small painting even for a miniature but is complete in every detail. \nAt top there is the Russian cross studded with emeralds and rubies. \n$1500.00\nThe inscription is as follows: \nLeft panel: \"Resurrection of Thine, O Christ, Savior, about which the Angels sing in Heaven.\nRight panel: and we on Earth try to be worthy to glorify Thee.\"","Transcription: \n[double-headed eagle] #G. 13.\nDome-shaped jade push button by CARL G. FABERGE, the Russian Court jeweler.\nIn the classic French style adapted by Faberge, the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut ruby set in a nine-petaled mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and following in this style is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three short feet in the form of rococo scrolls.\n$650.00","Transcription: \n[double-headed eagle] #G. 14.\nGold-mounted jade calendar device by CARL G. FABERGE, the Russian Court jeweler.\nIn the form of a rectangular piece of dark translucent green jade it is designed in his classic manner and mounted with gold-gilt back and easel.\nAt the top swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center two oval openins [sic] bear red enameled mounts which have the numbers for the day of the month and these are changeable each day by clicking the buttons on either side. \nBelow on a set of gold gilt plaques the months are engraved and held in place by red enamel and moonstone mounts.\nSigned \"Faberge\".\n$1200.00","Transcription: \n[double-headed eagle] #G. 16\nLarge jade Easter egg mounted in gold gilt silver by CARL G. FABERGE, the Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold gilt silver, and bearing ruby catches with which to open it.\n$450.00","Transcription: \n[double-headed eagle] #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #23\nVery fine gold and silver frame beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth.  Signed and dated 1909.  (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is designed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\n$240.00","Transcription: \n[double-headed eagle] #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana, her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler, \"Fabergé\", by whom it is signed.  The back is of ivory.\nFrom the personal belongings of Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 2354.\n$240.00","Transcription: \n[double-headed eagle] #38\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.  \nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 1955.\n$60.00","Transcription: \n[double-headed eagle] #73/44\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n$120.00","Transcription: \n[doubleheaded eagle] #75.WM\nCream leather frame with beautiful gold tooling and crown, top center, containing a photograph of the Grand Duchesses Olga and Tatiana. [from \"containing\" on, words are scratched through]\nThe frame was made by A. Peterson at St. Petersburg, by appointment to the Czar of Russia.\nFrom the Winter Palace, where it was catalogued under #430/2.\n$36.00","Transcription: \n[double-headed eagle] #86\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and siver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n \"Blessing from the Monastery of St. Martyr and Healer Panteleimon on the Sacred Mount Athos.  To His Imperial Highness Heir Apparent and Czarevitch Grand Duke Alexis Nicholaievitch for Divine Assistance and Protection.  October 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\n$1,000.00","Transcription: \n[double-headed eagle] #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and 9 saints in miniature as follows:\n1 - St. Peter – Metropolitan of Moscow\n2 – St. Alexis -     \"                 \"          \"\n3 – St. Ivann -      \"                 \"          \"\n4 - St. Prince Michael\n5 – St. Boyard Theodor\n6 – St. Dimitry the Blessed\n7 – St. Vasily the Blessed (In whose name the famous church in Moscow was built by Ivann the Terrible.  The church upon completion was so beautiful, that the Czar, fearing that it might be duplicated, had the architect blinded.)\n8 – St. Michael the Martyr\n9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears a nameplate which reads as follows:\n\"To His Imperial Highness Czarevitch and Grand Duke Alexis Nicholaievitch from the Nobility of Nijni Novgorod.\"  It was made by \"Chlebnikoff\" (By Appointment to the Russian Royal family.)  It is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\n$3,500.00","Transcription: \n[double-headed eagle] #477\nVery lovely cane holder, of crystal, with fine enameling, and gold mounting, and studded with diamonds.\nMade by the famous court jeweler \"Faberge\" (By Appointment to the Czar of Russia.)\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Czar Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #479\nVery beautiful rock crystal parasol handle mounted in beautifully chased gold and enameled in soft shades of blue and studded with two rows of oriental pearls.\nMade by the famous court jeweler \"Carl Faberge\" (By Appointment to the Czar of Russia), who was often referred to as the Cellini of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$350.00","Transcription: \n[double-headed eagle] #480\nVery fine cane handle enameled in white.  With gold striped and two Roman tens (X), enameled in orange.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the Cellini of the 19th century.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #481\nVery fine cane handle made of Russian nephrite (jade), mounted in gold and enameled in a beautiful red translucent enamel, in spiral design.  With two rows of diamonds.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the \"Cellini of the 19th century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #509\nVery fine parasol handle of amethyst, carved with a spiral design.  Gold mounting and two rows of diamonds.  Enameled in a lovely shade of translucent pink in a woven effect.\nIt is the creation of the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia.  He was often referred to as the Cellini of the 19th century because of his unusually fine craftsmanship.  \nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$200.00","Transcription: \n[double-headed eagle] #534\nVery fine parasol handle made of a solid piece of amethyst, with most unusual gold and silver mounting.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #536\nVery fine cane handle made of Russian nephrite (jade), with gold mounting, very finely chased and hammered.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #538\nUnusual parasol handle made of Russian nephrite (jade), with very fine gold mounting in the shape of a serpent coiled around the handle.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"  \nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$150.00","Transcription: \n[double-headed eagle] #539\nUnusual red/Russian nephrite cane handle, in the shape of duck's head.  With gold mounting, enameled in green and white, and set with diamonds.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as \"The Cellini of the 19th century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in center beautifully painted portrait of \"Madonna and Child\" in enamel, and framed with filigree work which is filled with shaded enamel showing tulips and other flowers, in the center of each of which topazes and garnets alternate.\nSurmounted by crown which has two aquamarines one topaz and one garnet.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family.) Moscow.\nFrom the private belongings of Czarina Alexendra [sic] Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$325.00","Transcription: \n[double-headed eagle] #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.  The craftsmanship displayed in this piece adequately shows the reason why Carl Faberge is often referred to as the \"Cellini of the 19th century.\"\nFrom the Collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00","Transcription: \n[double-headed eagle] #1073\nExceptionally beautiful and rare [scratched out \"graphite\" and ?] jade (handwritten) frame mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frame the picture (handwritten), while on the [nephrite scratched out] jade (handwritten) margin green gold festoons are attached to reddish gold rosettes.\nA superb example of the fastidious workmanship lavished upon the small creations of Carl Faberge, celebrated court Jeweler to the Court of Russia.\nThis example aptly illustrates Faberge's unique use of the rare semi-precious stons [sic] which were found in the Russian Impire [sic].\n[Scratched through: In original Hollywood case]  From the Alexander Palace at Tsarskoye Selo.\n$750.00","Transcription: \n[double-headed eagle] #1075\nCircular gold picture frame of the most exquisite and delicate workmanship chased with a shimmering \"guilloche\" pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\n[In original case - scratched through]\nSigned by Carl G. Faberge, famous jeweler to the Imperial Court of Russia, [and who has so often been referred to as the \"Cellini of the 19th century.\" – scratched through]\nFrom the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #1078\nExceptionally beautiful gold and silver picture frame of most unusual size enameled in translucent sky-blue over a scintillating chased (guilloche) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At top laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  \n[crossed out: The frame contains a photograph portraying Czar Nicholas II and King George V of England, his cousin, and the two heirs to the throne, the Prince of Wales of England and the Czarevitch Alexis of Russia.]\nThe fine craftsmanship displayed in this example typifies the work of Carl G. Faberge, celebrated court Jeweler to the Imperial Russian Family.\nFrom the Alexander Palace at Tsarskoye Selo.\n[$600.00 scratched through] 450 handwritten","Transcription: \n[double-headed eagle] #1101\nExceptionally beautiful and rare gold (handwritten) miniature icon depicting the \"Holy Virgin and Child Enthroned\" set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top an interesting attachment is mounted with a blue sapphire while from the bottom hang a pink ruby an emerald and a pearl [last phrase handwritten].\nMounted in a beautifully designed triptych of \"Old Russian\" design. [Scratched through: lined with an ancient piece of brocade].  Hinges conform to the design of the case and are in solid silver intricately chased.\n[An \"X\" appears here, referring to where the last paragraph at the end of the text should be inserted]\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\n\"X\" - The icon bears an inscription meaning \"Save and Protect\".  It is signed by the artist: \"M. Chuknovsky\".","Transcription: \n[double-headed eagle] #1315\nVery fine miniature picture frame delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface enameled brilliant orange.  \nAt the corners of the actual opening for the picture pearls are set in while on the enamel circular wreaths are mounted together with crossed arrows.\nBy \"Carl (G) Faberge,\" celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the 19th century.\"\n$180.00","Transcription: \n[double-headed eagle] #1350\nPaper knife of richly grained tortoise shell of unusual personal interest mounted with a solid gold facsimile reproduction of the inscription: \"For Dear Alix (the Czarina Alexandra Feodorovna) from Misha.\" (Grand Duke Michael, brother of Nicholas II, the late Czar of Russia).\nFrom the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #1556\nSmall silver triangle frame by CARL G. FABERGE the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased guilloche surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a bevelled [sic] glass with the outside border in beadwork.\nBack with ivory and signed and in the original hollywood case bearing FABERGE'S name and the Russian eagle. [Last sentence crossed through]\n$350.00","Transcription: \n[double-headed eagle} #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides a diamond is inset and in the very center surrounded by a laurel wreath the Roman number \"ten\" in diamonds signifies a tenth anniversary.\nSigned by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #1576\nA pin by CARL G. FABERGE in the Egyptian style formed of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$1200.00","Transcription: \n[double-headed eagle] #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE, executed in solid gold in his French classic style.  It follows in technique the French 18th century gold snuff boxes with a ground of cobalt translucent enamel.  Unlike most of Fabergé's surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes, and is merely visible as faint rays on the enamel surface.\nAround the center there is a broad vari-colored gold band carved in a minute serpentine pattern together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg circular caps bear ten-pointed rosettes enameled in green.  The three divisions are further enhanced by the addition of 3 bands of white matte enamel dots, one of which in the center row is a tiny diamond catch.  As one opens the egg, the inscription may be seen: \"Christ is Risen\".  In the original case bearing the name \"Faberge\".\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$450.00","Transcription: \n[double-headed eagle] #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface and opens with a small pearl bordered lid having a ruby catch.\nDecorated on top with a diamond and ruby six-petaled flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #1736\nJade parasol top mounted in gold by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.  On the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #1737\nJade parasol top mounted in gold, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.  A green gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #2237\nTiny solid gold oval box, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with exerpts [sic] from the Koran.  It is surrounded by a row of diamonds.\nLike all of Fabergé's boxes, the fit of cover to box is a notable example of his craftsmanship.  Here also he has employed the hinges which appear on the finest 18th century gold snuff boxes.\n$850.00","Transcription: \n[double-headed eagle] #2238\nRare miniature Easter egg, by CARL G. FABERGE, the Russian court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise, and entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a brilliant cabochon-cut ruby.\n$250.00","Transcription: \n[double-headed eagle, no identification number]\nMiniature gold and platinum charm in the form of a bulldog.\nThe collar is gold, and the eyes are rubies, while the body is set with ten large diamonds and many smaller ones.\n$250.00","Transcription: \nRockefeller Ce [ripped] ekly\nFOR IMMEDIATE [ripped] O","Alexander S. Schaffe [ripped]\n15 West 50th Street [ripped]","Center Publications, Inc. \nNEW YORK N Y","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\n #572.\nExceptionally fine \"Fabergé\" handle, made of an unusually formed beautiful green jade, enclosed in two gold gilt bands which are chased in a simple design.  The top of the handle is studded with sixty-five various sized blue sapphires in a triangular setting.  Set on a stick of very fine tortoise shell.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934","A most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth, (Countess Brassov, morganatic wife of Grand Duke Michael.)  Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth. Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #38.\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master, \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.\nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #73/44.\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, the Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n[handwritten: 12 1/8\" hegl (?) x 14 5/8\"]","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1934\n #315.\nPorcelain Easter egg, bearing on one side the gold monogram and crown of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, and on the other, a small red cross.\nIt was the custom of the Czarina to present these eggs to wounded officers, while she served as a nurse during the World War, as a token of Easter greetings.\nFrom the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nApril 2, 1934\n #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses [sic] uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo where it was catalogued under number 1955.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nImperial Russian Art Treasures\nRockefeller Center, New York\nApril 30, 1934\n #86.\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and silver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n\"Blessing from the Monastery\nof St. Martyr and Healer\nPanteleimon on the Sacred\nMount Athos.  To His Imperial\n Highness Heir Apparent and\nCzarevitch Grand Duke Alexis\nNicholaievitch for Divine\nAssistance and Protection.\nOctober 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana [name underlined in pencil with ? following name], her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler \"Fabergé\", by whom it is signed.  The back is ivory.\nFrom the personal belongings of the Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under the number 2354.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #461\nMost exceptionally fine miniature icon (panagia), painted in enamel in very beautiful soft tones which produce a most pleasing effect.  Signed in the lower left corner.  The icon portrays \"St. George Slaying the Dragon\", the Insignia of the Romanoff family.  It is set in very fine gold and silver filigree work and is studded with rubies.\nIt is mounted in highly polished holly wood, similar to the original fitted case which is lined with satin and bears the gold stamp of the House of Fabergé, typical of the beautiful boxes that Fabergé made for his creations.  The icon is a fine example of the work of \"Carl Fabergé\", who was often referred to as the \"Cellini\" of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #462\nA most unusual enamel miniature icon (panagia), portraying \"Madonna and Child\".  It is mounted in a very beautiful gold and silver frame surmounted by crown and studded with turquoises and pearls of very good quality.\nFrom the private collection of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nJuly 28, 1934\n #463\nA most unusual enamel miniature icon (panagia), portraying the \"Madonna and Child\".  It is set in a very fine gold and silver frame inlaid with vari-colored enamel in very fine filigree work.  Surmounted by crown and studded with pearls and garnets of very good quality.\nFrom the private collection of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nSeptember 28, 1934\n #558\nA most exceptionally fine silver bunny made from life by the well-known Russian jeweler, \"Carl Fabergé\", who was often referred to as the Cellini of the 19th century.  It is made up of two sections; the head opens on a hinge, and the hollow inside was probably used for bonbons.  The eyes of are Ural rubies.\nIt is a very good example of this type of work that was made by this master craftsman.  The life-like effect and charm, as well as the characteristically fine detail, will win one over readily to the many admirers that he already has all over the world, in both royal houses and humble alike.\nThe bunny bears on the bottom a most exceptionally clear hallmark and signature \"K. Fabergé,\" surmounted by Russian Imperial eagle, the date \"1894\", and the St. Petersburg hallmark.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #150\nA most exceptional blue and silver brocade cope, with an all-over \"Baroque\" floral and leaf design woven in silver threads which will never tarnish, as they were treated with an unknown process which is today a lost art.  It is bordered with a very fine hand-made silver lace of the period.\nRussian, 18th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #309\nVery interesting gold gilt silver ice pail in the shape of a basket, executed in very fine detail, true to the fine workmanship of the well-known court silversmith, \"Ovchinnikov\", who made so many outstanding pieces for the Russian Royal family.\nIt is signed and dated 1873.  Originally in the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nChristmas, 1934\n #597\nA most unusual gold pin in the shape of a tree trunk, showing a snake coiled around the tree, hypnotizing a bird which is perched directly above.  It is chased in very fine detail of vari-colored gold which is typical of Fabergé.\nOriginally in the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJanuary 2, 1935\n #504\nVery important gold and silver vase enameled in beautiful, rich coloring, which can hardly be described.  One can scarcely distinguish the enamel from the various precious stones, such as emeralds, rubies, sapphires, pearls, etc., with which it is embellished, true to the splendor of a jewelled [sic] crown, which is incorporated in the design of the vase.\nIt is the work of that outstanding master \"Carl Fabergé\", court jeweler to the Czar of Russia, and who was often referred to as the \"Cellini\" of the 19th century.  It is one of his most outstanding creations and is signed on the bottom of the vase.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nFebruary 26, 1935\n #438\nVery fine miniature Easter egg, enameled in a translucent pink and studded with one large and two smaller sapphires and two diamonds mounted in gold.\nThe work of Carl Faberge [sic], famous craftsman of the 19th century who was often referred to as the Cellini of the 19th century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #571\nExceptionally beautiful parasol handle by Carl Faberge [sic], Court Jeweler of the Czar of Russia, often referred to as the Cellini of the 19th century.\nThis fine specimen of Faberge's [sic] art shows the ingenuity and artistry of this master craftsman.\nThe curved part of the handle, formed of a single piece of jade, is finely incised and mounted with rubies.  The main body of it, a single piece of tortoise shell, polished and tapered, is connected by a fine gold and enamel mounting.  This gold mounting, so typical of Faberge's [sic] art, is chased and enameled in a lovely translucent red, and ornamented by a fine design of festoons in yellow gold.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #760\nVery fine gold gilt silver frame beautifully enameled in a rich cobalt and decorated with a wreath.  Top surmounted by beautifully designed gold ribbon.  The back is covered with Russian birch, finished to simulate ivory.\nFrame contains well-painted miniature portraying wife of Alexander II, grandfather of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #774\nA most exceptionally fine gold gilt silver ash tray, beautifully chased and enameled in a very fine shade of canary yellow transparent enamel, supported by three ball feet; studded in the front with a beautiful round moonstone and an oval moonstone at the top of the handle.\nA fine example of the creations of the famous Russian Court Jeweler, Carl Faberge [sic], who was often referred to as the Cellini of the 19th Century.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #780\nVery fine miniature carnelian Easter Egg, studded with three small rubies and diamonds mounted in gold.  \nThe work of Carl Faberge [sic], the famous craftsman of the 19th century who was often referred to as the Cellini of the 19th Century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1935\n #818\nVery interesting white porcelain Easter egg with floral design, bearing monogram \"A.F.\" surmounted by crown, standing for Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nMade in the Russian Imperial Porcelain Factory at St. Petersburg.\nThe decoration of this porcelain Easter Egg is beautifully composed of a handsome wreath of roses going around the middle of the egg from one side of the monogram to the other.  The roses, exquisitely painted in varying shades of magenta, together with the leaves, are bound about by a blue ribbon recurring at different intervals throughout the wreath.\nThe monogram of the Czarina is finely rendered in gold laurel leaves, and with the crown, is placed in the center of an oval from which start symetrical [sic] borders in gold going around the egg.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#417.  Exceptionally fine miniature Easter egg made of lapis.\n#419.  Miniature gold Easter egg, composed of three Russian semi-precious stones mounted in gold and set with three tiny rubies.\n#420.  Miniature gold Easter egg in the shape of a cage, set with a turquoise.\n#421.  Miniature gold Easter egg engraved in a spiral design and set with a band of blue sapphires.\n#639.  Very interesting miniature Easter egg carved from a dark blue lapis lazuli\n with a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#422.  Miniature gold Easter egg, beautifully enameled in white, and bearing the red cross.\n#423.  Miniature Easter egg, made of a gray Russian semi-precious stone set on \nthe bottom with a ruby and on the top mounted with a gold leaf.\n#424.  Miniature Easter egg made of Russian pink agate.\n#445.  Miniature gold Easter egg, beautifully enameled in green, white, and red, with tiny red enamel dots on the green enamel, and decorated with gold wreath.\n#447.  Very interesting miniature gold Easter egg enameled in turquoise blue and and placed in a gold cone which is suspended from a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Maria, the third daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#425.  Gold and silver miniature Easter egg set with blue transparent enamel.  \nOpening on a hinge.\n#426.  Miniature gold Easter egg decorated with tiny bell shaped flowers, each studded with a diamond, and on the bottom a blue sapphire.\n#427.  Miniature Easter egg made of pale blue Russian semi-precious stone, mounted in beautifully chased various colored gold.\n#428.  Miniature gold Easter egg in the shape of a perfume bottle hanging from a\n chain, the lid opening and studded with an amethyst.\n#429.  Miniature Easter egg in the shape of a Russian icon lamp (lampadka), with\ngarnet in the gold lamp, which hangs from three chains.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#430.  Miniature Easter egg, made of a gray semi-precious Russian stone mounted in various colored beautifully chased gold, and studded with four rubies.\n#431.  Miniature gold Easter egg enameled in white, the upper part studded with rubies and one diamond, and in the center, beautifully chased gold\nwreath.\n#432.  Miniature Easter egg made of Russian agate mounted in various colored beautifully chased gold. \n#435.  Miniature Easter egg of Siberian jade (nephrite), decorated with a gold leaf design studded with rose diamonds and two rubies.\n#436.  Miniature gold Easter egg set with five rubies and various rose diamonds.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#437.  Miniature gold Easter egg beautifully enameled in red and white, and inlaid with gold leaves.\n#458.  Very interesting egg-shaped pearl supporting a beautifully chased gold cock which is suspended from a ring.\n#459.  Very fine miniature gold Easter egg studded with pearls and turquoises, stones divided in four sections.\n#673.  Very interesting gold gilt silver miniature Easter egg in the shape of a bee hive, studded with a green Ural stone.\n#676.  Very fine gold gilt silver miniature Easter egg enameled in soft shades of\n Russian enamel set in filigree work.","Made by the famous court jeweler \"Carl Fabergé.\"  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures \nRockefeller Center, New York\nMay 2, 1935\n#449.  Very beautiful miniature gold Easter egg nicely chased and enameled in \ntranslucent red on top and bottom; in center small squares of yellow and green enclosed in two white bands of opaque enamel.\n#450.  Very fine miniature gold Easter egg beautifully enameled in a soft shade of turquoise translucent enamel encircled with an engraved wreath which is enameled in emerald green.\n#779.  Most unusual miniature Easter egg composed of rock crystal and garnets divided in various sections with many rows of small diamonds mounted in\ngold.\n#779A. A very fine miniature Easter egg composed of an unusual star sapphire colored agate mounted in gold which is finely chased and enameled in [sic] soft shade of green and decorated with a row of diamonds.","Made by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 27, 1935 \n  #110\nExceptionally fine gold and silver Russian icon portraying the \"Holy Virgin of Iverskaya with the Child\".  The trappings, consisting of the exquisitely chased and modelled robes of the Virgin, together with the frame and borders of ancient Byzantine design, are a superb contrast to the magnificent haloes done in all the brilliant shades of the Russian enamel.  In a lovely design of filigree, the enamel combines rare shades of turquoise blue, ruby red and deep greens interspersed with white.\nWithin the recessed panel of the icon there is inscribed at top in old Russian characters: \"The Mother of God\", while within the halo of the Child, there is in the form of an abbreviation: \"From the Father Proceeds\".\nThe back of the icon is mounted with a plaque which is inscribed \"To Her Imperial Highness the Grand Duchess Tatiana Nicholaievna from the Nobility of Moscow.\"  This icon, notable alike for the beauty of characterization of the \"Virgin and Child\", together with its technical perfection in the use of gold, silver and enamel, was from her personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #888\nVery unusual penholder of the Dowager Empress Maria Feodorovna, constructed of a brilliant shaft of lapis lazuli mounted in gold and picked out with a conventionalized chasing.\nThe top is set with the seal of the Empress, consisting of her monogram \"MF\" surmounted by crown, and is engraved in a round, milky-colored agate.\nIt is a fine example of the work of \"Carl Fabergé\", the famous court jeweler to the Russian Imperial family, and who is often referred to as the \"Cellini\" of the 19th century.\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n   #893\nSmall round gold picture frame of more than ordinary beauty and quality by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family.\nThe ground of this piece chased with a shimmering pattern, is enameled translucent white and bordered with a minutely detailed wreath design in green gold on the outside.  The inside is bordered with pearls while the enameled surface is painted with conventionalized trees.\nThe back is of ivory, and it contains a photograph of Czarevitch Alexei Nicholaievitch, son and heir apparent of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #894\nSmall oval picture frame made of a deep ultramarine piece of lapis lazuli mounted on the outside with a chaste wreath design in two shades of gold.  On the inside, a border of pearls lends an air of rare quality and refinement.\nThe back is of ivory, and it contains a photograph of Maria Nicholaievna, the third daughter of Nicholas II, the late Czar of Russia.  \nIt is by \"Carl Fabergé\", famous court jeweler to the Russian Imperial family, who is often termed the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #901\nPerfectly square small silver gilt frame finely fluted and enameled in pale translucent blue.  It contains a photograph of the Grand Duchess Tatiana Nicholaiovna [sic], the second daughter of Nicholas II, the late Czar of Russia.\nIt is signed by \"Carl Fabergé\", court jeweler to the Russian Imperial family, often referred to as the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #905\nVery beautiful miniature gold Easter egg.  Chased and translucently enameled in deep Russian blue, it is finely festooned with ribbons and wreath in two shades of gold, which is so typical of the work of \"Carl Fabergé\", court jeweler to the Russian Imperial family.\nFrom the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#907, #908]\n#907.  Very lovely miniature gold Easter egg chased and enameled translucent\nwhite and studded with a beautiful yellow and a white diamond.\n#908.  Very beautiful miniature Easter egg of pink quartz.  It is encircled by a gold ring having two diamonds and two sapphires in the form of leaves attached to it.\nBoth of these eggs were made by \"Carl Fabergé\", well-known court jeweler to the Russian Imperial family, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#909, #904, #911]\n#909.  Very fine miniature Easter egg made of an unusual green Ural stone. Mounted in gold with a conventionalized flower design, it is set with three groups of three diamonds, three sapphires and three rubies.\n#904.  Very lovely gold miniature Easter egg. The upper half is chased and  enameled in translucent white.  The lower half is of gold wire.  It is mounted with a large oval sapphire and two sprigs of gold leaves.\n#911.  Most unusual miniature Easter egg made of red porphyry.  (This stone was so rare that whenever found it was always presented to the Imperial family.)  It is mounted in a beautiful gold ropework design. ","These eggs were made by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who was so often termed the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Tatiana, second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n #912\nDiamond-shaped gold pin, ornamented with the Russian Imperial Eagle, against a translucent mauve enamel ground in a chased sun-ray design.  The eagle, studded with various sized diamonds, is of very fine craftsmanship.  \nFrom the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1017\nUnusually beautiful solid gold cigarette case, elegantly embossed with sprays of leaves into which are mounted cabochon-cut rubies of beautiful color.  A ruby of the same color, mounted in gold, serves as the catch which opens the case.\nIt is signed by \"Carl Fabergé\", famous jeweler to the Russian Imperial family, who, because of his excellent craftsmanship and artistry, has often been termed the \"Cellini\" of the nineteenth century.\nFrom the belongings of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1041\nBeautifully conceived and executed miniature frame of the supreme quality achieved by \"Carl Fabergé\".  Mounted on a nephrite pedestal of pure classical inspiration, it is encircled at the top with a gold wreath mounted with rubies.  From it hang festoons of leaves minutely chased and carved out of green and yellow gold.  The gold enrichment of the base is also in two shades of gold and here is finely wrought with acanthus leaves.  The frame which is double to hold two miniatures, is enclosed with a round wreath, carved out of greenish gold and at the top is mounted with a ribbon, rubies and an oval terminal pearl.\nIt was made by the celebrated court jeweler to the Russian Imperial Court, \"Carl Fabergé\", who has often been termed the \"Cellini\" of the nineteenth century.\nFrom the Alexander Palace at Tsarskoye Seloe.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1049\nExceptionally fine and long lapis lazuli necklace composed of one hundred and ninety graduated Siberian lapis beads of an exceptionally beautiful blue.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #92\nExceptionally beautiful and rare Imperial triptych icon, designed and executed by the celebrated Russian Court silversmith, \"Ovchinnikov\", and presented by the Nobility of the City of Charcoff to the Czar and Czarina, Alexander III [sic] and Maria Feodorovna, in celebration of the twenty-fifth anniversary of their marriage.  In this example, all the ingenuity and resources of the artist were concentrated upon the workmanship of so important a piece, created to celebrate so momentous an occasion.\nOpening the icon, the central panel of sumptuous Russian design frames the exquisite portrait of the Blessed Virgin, clad in golden robes finely chased and patterned.  The Virgin is wearing a crown sparkling with the brilliance of diamonds, rubies and emeralds, against a halo of filigree and enamel mounted with ovular-shaped pearls.  The faces of the Virgin and Child are painted in miniature, and it is remarkable with what perfection the characterization and the details are rendered.  Necklaces of diamonds and rubies appear around their necks, and on the cuff of the Virgin's sleeve, a diamond star with ruby center is mounted.  The Child is also portrayed wearing the diadem of diamonds against the small halo, on which appears in Old Russian the inscription in the form of an abbreviation: \"From God Proceeds\".  The background of the panel, filling in the serpentine-shaped Russian arch, is of sky-blue and forms a superb color contrast to the yellow gold of the Virgin's robes.  Over this background, a vinelike design is entwined, studded here and there with rosette-like stars.  Magnificently framing the large central panel, as well as the side ones, borders ingeniously wrought in all different types of chasing and filigree work are set with a variety of rubies, emeralds and sapphires, interspersed with rectangular panels done in soft shades of blue and red matte enamel.\nThe side panels appropriately depict in fine relief, left, \"St. Alexander Nevsky\" (the patron saint of Alexander III [sic]), in armor and wearing ermine robes wrought in virgin silver, and on the right, \"St. Maria Magdalene\", (the patron saint of Maria Feodorovna).  Above each at left and right, guardian angels kneel in the clouds in an attitude of devotion.\nClosed, the icon presents the fine filigree exterior framed in enamel, in the center of which there is a large Greek Catholic cross studded with rubies and sapphires.\nThe reverse is inscribed as follows: \"To Their Imperial Majesties from the Nobility of Charcoff.  1866-1891. October 28.\"\nIt is signed by the artist \"Ovchinnikov\" and dated \"1891\", the year of its presentation to the Emperor and Empress of Russia.  It is considered the finest jeweled icon ever created in Russia, and is the best witness to the mastery of this great artist.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #972\nSmall gold picture frame of outstanding beauty, by \"Carl Fabergé\", famous court jeweler to the Czar of Russia.  Of rounded, triangular shape, it has as its main area the chased guilloche surface enameled in light translucent blue, in a very graceful drape design.\n\"Fabergé\" was greatly renowned for this type of enameling and in this example, the enameling is further set off by a gold border chased with a wreath design of great delicacy.  The actual opening for the picture is surrounded with a row of diamonds and surmounted by a ribbon bow.  The back of the frame is paneled with ivory.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #982\nParticularly beautiful icon depicting the \"Transfiguration\", showing \"Christ\" in an aura of light with (left), Elias, and (right), The Prophet Moses.  Below Him are James, Peter and John, (lower left, center and right, respectively).\nOf the most exquisite workmanship, both for its very expressive quality and perfection of detail, it is painted in an almost monochromatic color scheme, relieved by the touches of purple, green and blue in the gowns of the saints.  It is framed in translucent pale gray enamel with leaf and tendril design mountings, which are further [sic] enhanced by sapphires, emeralds and rubies.\nIt is by \"Carl Fabergé\", celebrated court jeweler to the Czar of Russia, and is a superb example of his genius.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #1006\nExtremely interesting water color luncheon menu of the 21st of June, 1896, in the domain \"\"Eleenskole\", which belonged to the Grand Duke Sergei Alexandrovich, uncle of Nicholas II, the late Czar of Russia.\nThis menu was written and designed by the Grand Duchess Victoria Mellita of Hesse, wife of the Empress' brother, Grand Duke Ernst-Ludvig of Hesse, and who later became the wife of the Grand Duke Cyril Vladimirovich under the name of Victoria Feodorovna.\nThe menu bears the following original signatures: Czar Nicholas II; Czarina Alexandra Feodorovna; Grand Duke Sergei Alexandrovich; Grand Duchess Elizabeth Feodorovna, sister of the Czarina and wife of the Grand Duke Sergei; Grand Duke Ernst-Ludwig of Hesse, brother of the Czarina; Victoria Mellita, his wife; and Victoria, Princess of Battenberg, sister of the Czarina.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 17, 1936\n  #1043\nExceptionally beautiful gold and silver picture frame containing a photograph of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.\nThis frame of very imposing character with a large Imperial Crown and ribbons at the top, is enameled in a raspberry red, the shade which immediately became so popular upon its creation by \"Carl Faberge [sic]\".\nSurrounding the enameled guilloche surface, leaf design borders of green gold are finely accented with ribbons of reddish-gold.  Also the enameled surface is picked out with formally placed rosettes and leaves, in this same combination so skillfully employed by \"Carl Faberge [sic]\".  The back is paneled with ivory and is signed by this famous master.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 1, 1936\n  #1176\nA most interesting umbrella handle in the form of an Easter egg sculptured of very fine dark green jade.  On the bottom it is mounted in gold gilt silver which is exquisitely chased and enameled in translucent mauve.\nIt is a good example of the work of the outstanding master \"Carl Faberge [sic]\", who was so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #37\nMost intimate and rare photograph of the late Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  It is set in an unusually fine frame of lapis lazuli.\nThe photograph was taken by her husband, the Czar, on their private yacht, and is from the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.  It bears the original catalogue number 2004.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1088\nVery fine gold and silver calendar frame beautifully chased with translucent lavender enamel.  Finely carved borders of beadwork and closely set anthemions enhance the beauty of the design.\nIt is signed by \"Carl Fabergé\", the outstanding Russian Court jeweler, who has so often been termed the \"Cellini of the nineteenth century\", because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1097\nExceptionally fine gold and silver picture frame of outstanding beauty.  It is enameled over a chased (guilloche) pattern in translucent pink, the edges bordered with finely carved wreath design terminated with rosettes.  The small oval opening for the picture, attached at the top to swags of laurel leaves, is bordered with pearls.\nIt is signed by \"Carl Faberge[sic]\", the celebrated court jeweler to the Czar of Russia, and who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1179\nMost unusual and rare miniature ivory Easter egg by \"Carl Fabergé\", the celebrated court jeweler to the Czar of Russia.\nIt opens on a hinged cover to disclose the surprise feature within, - a pale nephrite egg set in the white satin lining.  It is an ingenious creation which is typical of \"Fabergé's\" work.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1306\nA most exceptionally fine dark green jade elephant very sensitively modelled, with upturned trunk and diamonds for eyes.  It is a magnificent specimen of the fine sculptures which were created by the master \"Carl Fabergé\", and shows very beautifully his singularly perfect craftsmanship.\nIt is rendered in most complete detail.  Ears, trunk, tusks, legs, etc., are all carefully cut and polished.\nIt is one of the rare examples of miniature sculpture executed in stone by \"Carl Fabergé\", and for which he is today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #476\nA most unusually fine handle of nephrite, pale green in color, mounted with a cobra naturalistically carved out of yellow gold and entwined about the handle.  The scales and small details are meticulously rendered, while on top of the snake's head, a pink cabochon-cut ruby is mounted as the eye of the cobra.\nMade by \"Carl Fabergé\", celebrated court jeweler to the Imperial family of Russia.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #478\nVery beautifully designed parasol handle in the shape of a fin, made of nephrite.  It is mounted with gold and finely enameled in an unusual shade of pink, and is studded with four pearls and two rows of diamonds.\nIt was made by the famous court jeweler \"Carl Fabergé\" (By Appointment to the Czar of Russia), and is a fine example of his craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #482\nVery fine parasol handle made of nephrite, in the shape of a duck's head, with rubies for eyes and a most unusual green enamel band.  At the base it is mounted in gold and set with two rows of diamonds.  It is exceptionally finely enameled in translucent pink, giving the effect of trees in sunshine, which is enclosed in borders of white matte enamel, with translucent green enamel dots completing the design.\nIt is the creation of the famous Russian court jeweler \"Carl Fabergé\", who has so justly been termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #537\nExceptionally fine cane handle of pale green nephrite, exquisitely designed with an open-work gold mounting of rococco [sic] scrolls and tiny flowers in two shades of gold.  The rim is studded with a row of diamonds.\nMade by the famous artist and court jeweler \"Carl Fabergé\", who is today so often referred to as the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #986\nA particularly beautiful and rare solid gold picture frame of a graceful, oriental shape, designed with entwining leaf tendrils set with the richest shades of the transparent enamel, which has today become a lost art and cannot be duplicated.\nIt is a fine example of the work of the famous court jeweler \"Hahn\", who created some of the most prized specimens of the Russian Court Jewels.  The superb workmanship of this master is evident in such details as the execution of the panel of ivory which holds the picture, also the gold easel supporting the frame.  It is seldom indeed that one has the privilege of seeing a piece created by this great artist.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #987\nRectangular gold picture frame of exceptional quality and refinement, by \"Carl Fabergé\", court jeweler to the Czar of Russia.\nIn this specimen, \"Fabergé's\" unique enamel, a translucent mauve is set off by a border wreath design of minute workmanship in two shades of gold.  The opening for the picture, a tiny oval, is enclosed with beadwork attached at the top to festoons and ribbons of classical inspiration.  The back is paneled with ivory.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1035\nMost unusual gold and silver picture frame enameled in brilliant emerald green over a finely chased surface.  Designed in a five-petal arrangement, the center bears a photograph of Nicholas II, the late Czar of Russia, enclosed in beadwork, while in each of the five sectors, oval panels frame the portraits of the five children of the Czar: the Czarevitch Alexis, and the Grand Duchesses Olga, Tatiana, Maria and Anastasia.\nThe borders of this very rare example are embellished with wreaths, rosettes and bows of classical derivation.  The back is paneled with ivory.\nExecuted by \"Carl Fabergé\", court jeweler to the Russian Imperial family, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1166\nVery fine silver triptych frame of translucent white enamel applied over a chased (guilloché) surface, framed in a conventionalized leaf border of meticulous carving.\nThe actual openings for the portraits, two rectangular ones in the outer panels and octagonal one in the center, are placed with the formalized precision of the classic taste.  Exquisite borders, festoons with ribbons, together with rosettes and beadwork, complete the ensemble.\nSigned by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who is today referred to as the \"Cellini of the nineteenth century\" because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1189\nA very lovely handle of pale green nephrite, gracefully curved and tapered.  It is mounted with a gold cylindrical band chased and enameled in translucent white over a shimmering surface.  Rubies are placed over it and are incorporated with a design of green-gold festoons.\nThis example typifies the fastidious craftsmanship of \"Carl Fabergé\", celebrated Russian Court jeweler, who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #804\nA very beautiful brooch in the shape of a laurel wreath exquisitely cut out of green and a reddish gold and studded with many small diamonds which form a part of the design.\nThe center bears the monogram \"M\" and crown, in diamonds, of the Grand Duchess Maria, executed with two cabochon-cut rubies with the Cross on top.\nIt is a very good example of the superb workmanship of \"Carl Fabergé,\" celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth Century.\"\nFrom the personal belongings of Maria Nicholaiovna, third daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #1291\nAn unusually fine gold and silver seal of the round fluted type, mounted on the top with an exquisitely modelled monkey holding in its hands a human skull.  The monkey is contemplating the skull and in its animated attitude is a rare example of the silversmith's art.\nIn the base is set a white agate which is engraved with the monogram of Alexander Alexandrovitch, or Alexander III, father of Nicholas II, the late Czar of Russia.\nMade by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #980\nMagnificently conceived and executed Imperial Russian seal made with gold and silver stem, supporting a perfectly carved and polished agate Easter egg.  The setting holding the egg is of the most unusual and finely detailed workmanship.  It is in the form of garlands of roses carved out of several shades of gold, as well as silver, and is bordered with beadwork.  The stem likewise, is finely chased and consists of a polka dotted surface bound with a green gold wreath which flares out at the bottom into a circular base, the underside of which is minutely incised with the Russian Imperial double-headed Eagle.\nIt is one of the creations of \"Carl Fabergé, and fittingly illustrates his unique use of gold and rare semi-precious stones.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #1085\nA most unusual egg shaped, gold mounted nephrite bookmark, encrusted with diamonds and rubies in the form of the initials \"XB\", which is an abbreviation for the Russian \"Christ is Risen\".\nA good example of the work of the celebrated court jeweler \"Carl Fabergé\", showing his rare ability to combine beauty with utility.  In the original Faberge [sic] case.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533 duplicate\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535 duplicate\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #539\nA very unusual and rare red Russian nephrite cane handle carved in the shape of a duck's head.  It is mounted in vari-colored gold which is partly chased and enameled in beautiful translucent green and matte white and set with small diamonds.\nMade by the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #1101\nExceptionally beautiful and rare miniature gold icon depicting \"The Holy Virgin and Child Enthroned\", set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top, an interesting attachment is mounted with a blue sapphire, while from the bottom hang a pink ruby, an emerald and a pearl.\nThe icon bears an inscription meaning \"Save and Protect\", and is signed by the artist \"M. Chuknovsky\".\nIt is mounted in a beautifully designed triptych case of \"Old Russian\" design.  Hinges conform to the design of the case and are in solid silver intricately chased.\nFrom the personal belongings of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 26, 1936\n  #509\nExceptionally beautiful handle carved of a single amethyst set in a gold mounting and forming an exquisite terminal to a parasol.  The amethyst, beautifully carved, consists of two shells placed together on a Russian capital.  The gold mounting, so typical of \"Fabergé's\" workmanship, is intricately embellished with a repeating design punctuated all over with diamonds and enameled a lovely translucent pink.  The piece, combining as it does two shades of gold, is exquisitely bordered with two rows of diamonds superbly demonstrating the infinite amount of craftsmanship employed in a \"Fabergé\" creation.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who was so often termed the \"Cellini of the nineteenth century\" because of his unusually fine craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #477\nSmall handle of exquisite delicacy and refinement composed in its miniature dimensions of a \"T\"-shaped piece of rock crystal set in a gold mounting finely bordered with a bead edge of yellow gold.  Between these borders in incredibly small scale, the gold is chased into a design of waving lines, enameled in light blue and set with three rows of diamonds alternately placed.\nThis is a specimen typical of the unsurpassed craftsmanship of \"Carl Fabergé\", and worthy of the most discriminating taste.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #479\nParticularly beautiful handle, exquisitely wrought and decorated in a most beautiful manner.  The handle proper, a piece of rock crystal, is set in a cylindrical gold mounting embellished with various gold and enamel borders.  At the top and bottom there are green gold wreaths against a deeper shade of gold.  The enameled decoration is formed of three gold bands exquisitely enameled in a light shade of blue.  Each one is minutely chased with a scale design which imparts a shimmering quality.  Over the central band of a very pale shade of blue, there is a fine gold double wreath.  On each side of this middle portion two rows of pearls enhance the superlative quality of this \"Fabergé\" creation.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #480\nBeautiful handle perfectly illustrating the artistry of \"Carl Fabergé\". \nThis handle, a combination of a well-cut and polished piece of milky-green nephrite, is set off by the complementary shade of orange in its gold and enameled mounting.  This mounting, connecting the handle proper with the main body of the cane, is wrought with great delicacy and refinement.  Against a curved surface of white matte enamel, minutely striped with gold, there are superimposed two crossed ribbons chased of greenish-gold and enameled with translucent orange.  Above and below there is a tiny row of diamonds effectively set in quite another shade of gold.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #481\nVery fine handle made of nephrite of a pale golden greenish shade, symmetrically curved and mounted in brilliantly enameled gold.  The main part of the mounting is chased with a design of many short curves and enameled raspberry red.  Curving around it in a ribbon effect there are four bands of leaves exquisitely worked in two shades of gold, namely, yellow gold and green gold.  Above and below, there are two rows of diamonds.\nIt is a good example of the fine workmanship of the celebrated court jeweler \"Carl Fabergé\".  \nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #536\nVery fine handle of attractive simplicity composed of a beautifully shaped and polished piece of nephrite in a gold mounting.  This mount, which forms the connection between the handle proper and the body of the cane is of hand-hammered yellow gold and is bordered at top and bottom with two green gold wreaths.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who is often termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #538\n\"Fabergé\" handle executed in a most unusual manner of soft green nephrite in the shape of an egg affixed to a hand-hammered cylindrical gold mounting.  Starting from this mount and entwined over the egg-shaped surface, there is a golden snake, chased in all the precision of its naturalistic details.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in the center a beautifully painted portrait of the \"Madonna and Child\" in enamel, and framed with filigree work which is filled with unusually fine shaded enamel, showing tulips and other flowers, in the center of each of which topazes alternate with garnets.  The icon is surmounted by a large crown which is studded with a topaz, a garnet and two aquamarines.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family).  Moscow.\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #75\nCream leather frame with beautiful gold tooling, and crown in top center, made by \"A. Peterson\" at St. Petersburg (By Appointment to the Czar of Russia.)\nFrom the Winter Palace, where it was catalogued under the number 430/2.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and nine saints in miniature as follows:\n 1 – St. Peter – Metropolitan of Moscow\n 2 – St. Alexis – Metropolitan of Moscow\n 3 – St. Ivann – Metropolitan of Moscow\n 4 – St. Prince Michael\n 5 – St. Boyard Theodor\n 6 – St. Dimitry the Blessed\n 7 – St. Vasily the Blessed (In whose name the famous church in Moscow\n  was built by Ivan the Terrible.  The church upon completion was such\n  a beautiful example of Russian architecture that the Czar, fearing\n  that the church might be duplicated, had the architect blinded.)\n 8 – St. Michael the Martyr\n 9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears the nameplate of Alexei Nicholaievitch, to whom it was presented by the Nobility of Nijni Novgorod.  The plate reads as follows: \"To His Imperial Highness Czarevitch and Grand Duke Alexei Nicholaievitch from the Nobility of Nijni Novgorod.\"\nIt was made by \"Chlebnikoff\" (By Appointment to the Russian Royal Family).  It is a remarkable example of the work of this fine Russian silversmith, who has made many outstanding objects for the Imperial family.\nIt is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #906\nMiniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler cut out of a brilliant cerise-colored Ural stone set in a delicate open-work gold mounting.\nFrom the collection of the Grand Duchess Maria Nicholaievna, third daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1073\nExceptionally beautiful and rare jade frame, mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside, and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frames the picture, while on the jade margin green gold festoons are attached to reddish gold rosettes.\nIt is a superb example of the fastidious workmanship lavished upon his creations by \"Carl G. Fabergé\", the celebrated Court Jeweler to the Czar of Russia, and aptly illustrates his unique use of the rare semi-precious stones which were found throughout the Russian Empire.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1075\nCircular gold picture frame of the most exquisite and delicate workmanship, chased with a shimmering guilloche pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls, while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\nIt is in the original case and is signed by \"Carl G. Fabergé\", the famous jeweler to the Imperial Court of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1078\nExceptionally beautiful gold and silver picture frame of most unusual size, enameled in translucent sky-blue over a scintillating chased (guilloché) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At the top, laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  The back is paneled by hollywood.\nThe fine craftsmanship displayed in this example typifies the work of \"Carl G. Fabergé\", the celebrated Court Jeweler to the Russian Imperial family.\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #1182, #1183, #778\n#1182. Miniature solid gold Easter egg signed with the initials of \"Carl G. Fabergé\", the celebrated Russian Court jeweler chased with the \"guilloche\" all-over pattern enameled brilliant emerald green.  Serving as complement to the green enamel a gold circle and stripes are set with a small ruby.\n#1183. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler.  Of a yellow gold it is chased and set with nine cabochon-cut rubies.\n#778. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler executed in yellow gold with green gold wreath design and filigree volutes set with two small diamonds.\nFrom the collection of the Grand Duchess Tatiana Nicholaievna, second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1315\nVery fine miniature picture frame, delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface, enameled brilliant orange.\nAt the corners of the actual opening for the picture, pearls are set in, while on the enamel, circular wreaths are mounted, together with crossed arrows.  \nBy \"Carl G. Fabergé\", the celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1350\nPaper knife of richly grained tortoise shell, of unusual personal interest.  It is mounted with a solid gold facsimile reproduction of the inscription \"For Dear Alix\" (the Czarina Alexandra Feodorovna) \"from Misha\" (the Grand Duke Michael, brother of Nicholas II, the late Czar of Russia.)\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle] \nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1343\nVery fine Easter egg cut out of a blue agate and decorated with a continuous motif of sprigs of four-pointed flowers and leaves cut out of silver and set with a myriad of tiny diamonds.\nIt is a signed piece by \"Carl G. Fabergé\", the celebrated Russian court jeweler who is today so often referred to as the \"Cellini of the 19th century.\"","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1364\nAn exceptionally choice fantaisie by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nSigned and in the original case, this unique tray of gold gilt silver is mounted with a stand to which is attached an ivory swing on which perches a paraquet [sic] cut directly out of a rare brilliantly colored agate, the natural markings of which delineate the feathers in the minutest detail.\nEmeralds are set in for the eyes and the whole presents an astonishingly life-like aspect.  On either side of the swing tiny containers hold the golden kernels of birdseed.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1367\nA circular gold box signed by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nIt is enameled brilliant red over a broad guilloche line pattern, and mounted with intricate little vari-colored gold motifs of interlaced wreaths and rosettes having diamond centers.\nFive wreaths ornament the cover and frame a portrait of Catherine the Great which is dated 1773.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1464\nMiniature picture frame by CARL G. FABERGE cut from lapis lazuli in a quaint design, the bright blue surface overlaid with a vine-like wreath of tiny flowers executed in the greatest delicacy from green, reddish and yellow gold.\nIt is set with three diamonds.  The actual opening for the picture is bordered with pearls.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1537\nA most important miniature sculpture of a horned owl by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is rather larger than many of his famous bird and animal sculptures and is cut entirely from a moss agate, the green and gray markings creating a superb sense of the texture of feathers which are finely incised all over.  The claws are of gold and beautifully chased, and, together with the gold-mounted diamond eyes, the whole creates an astonishingly life-like aspect.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1546\nSilver gold-gilt buzzer for the table, of conical beehive shape with a large cabochon-cut ural stone in the center. \nIt is a device with clock-like movement, to be wound up, and when used gives a quiet, low, buzzing sound.\nCut into the silver by hand, a collar of long leaves surrounds the stone button.  The sides are decorated with chased garlands and around the base there is a beadwork border.\nBears the hallmark and signature of CARL G. FABERGÉ, the celebrated Russian Court jeweler.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1578\nGold chain bracelet of large heavy links, by CARL G. FABERGÉ, the celebrated Russian Court jeweler.\nIt is mounted with an Imperial Crown studded with diamonds and two cabochon-cut sapphires, and is mounted also with a small safety catch chain arrangement.\nFrom the personal belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1556\nGold gilt silver triangle frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased (guilloche) surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a beveled glass with the outside border in beadwork.\nThe back is paneled with ivory, while the easel is of gold gilt silver.  In the original hollywood case.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides, a diamond is inset and in the very center, surrounded by a laurel wreath, is the Roman number \"ten\" in diamonds.\nSigned by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1576\nA pin by CARL G. FABERGÉ in the Egyptian style, in the form of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE [sic], celebrated Russian Court jeweler, executed in solid gold in his French classic style.\nIt follows in technique the French eighteenth century gold snuff boxes with a ground of cobalt blue translucent enamel.  Unlike most of FABERGE'S [sic] surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes and is merely visible as faint rays on the enamel surface.\nAround the center, there is a broad vari-colored gold band carved in a minute serpentine pattern, together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg, circular caps bear ten-pointed rosettes enameled in green.\nThe three divisions are further elaborated by the addition of three bands of white matte enamel dots, one of which in the center row, is a tiny diamond catch.\nBears the inscription which may be seen as one opens the egg \"Christ Has Risen.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1736\nJade parasol top mounted in gold by CARL G. FABERGE [sic], the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.\nOn the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1737\nJade parasol top mounted in gold, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.\nA green-gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2237\nTiny solid gold oval box by CARL G. FABERGÉ, the celebrated Russian Court jeweler.  \nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with excerpts from the Koran.  It is surrounded by a row of diamonds.\nLike all of FABERGÉ's boxes, the fit of cover to box is a notable instance of his technique.  Here also he has employed the hinges which appear on the finest eighteenth century gold snuff boxes.\nIt is one of the best examples of his craftsmanship.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2238\nRare miniature Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise and, entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a cabochon-cut ruby.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-3\nRectangular miniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed from gold-gilt silver and is enameled over a chased (guilloche) surface in a very beautiful shade of rose.  Borders of wreath design frame the enameled ground, while the opening for the picture is enclosed with beadwork.  The back is paneled [sic] with ivory.\nFrom the Youssoupoff collection.  Originally it was presented to the Princess Youssoupoff by the Empress Maria Feodorovna.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-5\nMiniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.  Concentric fluted gold rims separate these areas.\nThe jade is of a dark, spotted green and in contrast to it, a pale mauve enamel is employed overlaid by an interweaving green-gold wreath.\nAt top, a ribbon with bow and loose ends is fixed, bearing a ruby in the center.  It is mounted with a gold easel.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-8\nA miniature icon by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is in the form of a triptych and is very simply panelled [sic] on the exterior with a dark wood bearing a four-petaled [sic] catch centered by an emerald.  It opens to disclose a solid gold interior.  The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls.  The yellow-gold ground bears arabesques of filigree and is studded at significant points in the design with emeralds, rubies, sapphires, and diamonds.\nThe central panel frames \"The Resurrection.\"  Against a dark background, the figure of Christ appears holding aloft a pennant.  His form radiates light and in the foreground, two angels kneel.\nIt is an extremely fine painting for a miniature and is complete in every detail.  It is surmounted by a Russian Cross studded with emeralds and rubies.\nThe inscription on the left panel reads as follows: \"Resurrection of Thine, O Christ, Saviour, about which the Angels sing in Heaven.\"  And on the right panel: \"And we on Earth try to be worthy to glorify Thee.\"\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-13\nDome-shaped jade push-button by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the classic French style adapted by FABERGE [sic], the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut star ruby set in a nine-petaled [sic] mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and, following in this style, is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three gold feet in the form of rococo scrolls.\nOriginally in the collection of Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-14\nGold-mounted jade calendar by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the form of a rectangular piece of dark, translucent green jade, it is designed in his classic manner and mounted with gold-gilt back and easel.  At the top, swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center, two oval openings bear red enameled mounts which have the numbers for the day of the month, and these are changeable each day by clicking the buttons on either side.  Below, on a set of gold-gilt plaques, the names of the months are engraved and held in place by red enamel and moonstone mounts.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-16\nLarge jade Easter egg mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold-gilt silver and bearing ruby catches with which to open it.\nIt originally served as a jewel case.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1509\n\"The Cathedral\", a most important nineteenth century Russian icon painted in the miniature technique on gold over silver.  Against a ground of geometrical chasing, the various figures are painted with flowing gowns of white, purple, red, and bluish-green, with their haloes inscribed in the Old Slavonic.\nIn the clouds, the Holy Virgin stands, her halo emanating rays of light, with kneeling saints and angels on either side.  Below Her, appear, left; Czar Lev, and St. Czarina Zoia; center, St. Roman; right, St. Epiphanie, St. Andrew, St. Martyr Lubov (the small figure in white), and the Archangel Michael.\nIt is in the original frame of filigree, inset with the Russian enamel in jewel-like colors.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1568\nCross cut out of a fine rich blue piece of lapis lazuli.\nIt is mounted in gold and has a moveable diamond and pearl studded link.  The center of the cross is overlaid with a diamond studded rosette which has a pearl center.\nFrom the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface, and opens with a small pearl-bordered lid having a ruby catch.  It is decorated on top with a diamond and ruby six-petaled [sic] flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2136\nJade parasol top mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is cut from the jade in a very curious manner with tapering, bulbous areas up the sides, flaring outwards to the top which is designed in a four-petaled [sic] manner.  In this specimen, the jade is of a soft but brilliant green coloring.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2243\nAn example of the miniature sculpture of CARL G. FABERGE [sic]: a pig cut out of lapis lazuli.\nIn this example of the Russian master's work, the lapis selected is a brilliant blue with rich markings and flecks of gold.\nIt is executed in an extremely naturalistic manner with such details as hooves, ears, and mouth minutely detailed.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #G-22\nVery unusual miniature diptych icon of solid gold by GRATCHOV, by Appointment to the Russian Imperial Family.\nIts design is perfectly plain on the exterior, and on opening it discloses miniatures of Jesus Christ on one panel and the Holy Virgin of Kazan on the other.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #798\nVery unusual panagia portraying \"Christ Blessing the Universe\".\nIt is carved out of green jasper in a two-colored effect, and mounted in a very interesting hand-made silver frame surmounted by crown [sic] and studded with amethysts, rubies and aquamarines. Attached to it is a gold gilt silver chain cut out by hand.\nRussian, early nineteenth century.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #1205\nExceptionally fine solid silver triptych icon designed with serpentine pointed top, and overlaid on the front with gold leaves and tendrils molded and chased to perfectly simulate the gold bullion work motifs to be found on the finest Russian brocades.\nOpening the side panels of the icon, which bear in the center the Greek Catholic cross, the central panel is painted with the \"Transfiguration\", against a pure gold ground.  Christ stands in the center with Elias on the left and Moses on the right, while below there are: left, \"John\"; middle, \"James\"; and right, \"Peter\".  The side panels frame at the left, \"St. Elizabeth\", and on the right, \"St. Sergius of Randanezh\".\nAll of the individual paintings are equally notable for a beauty of characterization as well as for the unusual finish of details.  A narrow border frame in emerald green, gold, red and black completes the design.\nThe icon bears on the reverse the dedication to Grand Duke Serge as follows: \"Blessing of the Preobrajensky Regiment, June 3d, 1884\".  \"A new commandment I give unto you, that ye love one another as I have loved you\".  \"From the New Testament, St. John, Chapter 13, Verse 34).\nThe names of the donors are inscribed (etched in the silver) over the sides of the icon.  They are as follows:\n Middle lower: Baron Medem, Kovansky, Count Murafief, Amursky, Neidhart, Kornileff, Count Titischoff. \n Right wing lower: Martinoff, Count Von Preil, Penherzhevsky, Gadon.\n Left wing lower: Belgard, Martinoff, Obahoff, Dolgoff II.\n Right top dome (front): Hartons, Belhart, Domerishkov, Veltzin, Kazin, Zhehacheff;\n         (back): Chekmareff, Komaroff, Palivin, Muravieff, Shipoff,  Schmitt.\n Left top dome (front): General Major Prince Obolensky, \n Left top dome (front) continued: Evreinoff (meaning in Russian \"Son of the Jew\"), Korniloff, Ladishensky, Dolhoff.\n   (back): Second Lieutenant Shemiakin, Bakalin, Lt. Peshkoff, Baron Medem.\nRight side (top): Admiral Ozeroff, Novisitzogg, Kasherinoff, Under Captain Haller, Heirot, Epanchin, Baliasny, Forselles, Vosnesensky, Surelius.\nRight side (bottom): Kashneff, Malahoff, Bashiloff, Mescherinoff, Merder, Neidhart II, Prince Troubetskoy, Loshhereff, Delsal, Count Loris-Melikoff.\nLeft side (top and bottom): Pensky, Kushkovsky, Adjutant Reiters, Count Stenbok, Captain A.G. Korostovitz, Kakoshkin; Schlitter, Delsal, Janetzky, Mirkuloff, Veimarn, Gardenin, Navrotsky.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","#2443","Golden flowers in a rock crystal pot. Three (3) gold \"TROLLIUS EUROPAEUS\" (Globe Flowers) are made of solid gold, the actual blooms being enamelled (sic) in a clear translucent yellow. The petals are all finely chased underneath the enamelling (sic), emphasizing the translucency of the enamel. The stem, which is also of gold, is grooved with hair-like stripes and is lightly colored in the palest of green tints. The leaves which are very realistically carved from a dark green jade are veined and folded in an accurate duplication of nature's own. Each stem is signed, K. FABERGE, in Russian characters and bears the Russian Imperial Eagle. The conical pot in which these removable flowers stand, is carved from a solid block of rock crystal in such manner as to suggest a natural water-line which is as true to life as the actual would be. On the underside of the pot appear the Russian characters for K. FABERGE.","This very beautiful object was made by the celebrated Russian Court Jeweler, KARL FABERGE and the piece is extremely rare in that seldom were objects of this type marked with his full name.","MRS. JOHN L. PRATT","November, 1945","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","November, 1945\n#2891\nLapis-Lazuli combination seal and letter-opener. The handle is a long, bulbous-shaped piece of Lapis-Lazuli, beautifully curved in symmetrical pattern with a gold, hand-chased, ferrule. The blade and the seal, which are interchangeable, are of silver-gilt.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#181\nVery fine enamel miniature portrait of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.\nIt is painted on silver and is enclosed in a gold and silver frame of beautiful bead design, surmounted by crown. Both the frame and the miniature are exceptional in quality.\nFrom the personal belongings of her father, Nicholas II. From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#540\nVery unusual and rare rock crystal cane handle, with the head of a dog etched and enameled inside of the crystal ball in amazingly realistic fashion. It is a superb example of the artistry and craftsmanship of the famous court jeweler to the Czar of Russia, \"CARL G. FABERGE\", by whom it was made, and who was often referred to as the \"Cellini of the nineteenth century.\" \nThe globe of crystal, bound about by gold, is affixed to a wide stippled mounting studded at intervals with diamonds, rubies, emeralds, and sapphires.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York.\n#598\nPair of superb Wedgwood medallions, one portraying Czar Nicholas II, the late Czar of Russia, the other, his wife Czarine Alexandra Feodorovna. \nThese rare masterpieces of Wedgwood ware, the greatest of all ceramics, are exquisitely executed in white low relief on a soft green ground. In the perfection of the details and the characterization of the personages represented, they show the painstaking craftsmanship and distinctive elegance of this art.\nOn the back of each of the medallions there is the mark \"Wedgwood\" and in script \"The Czar of Russia\" and \"The Czarina of Russia\", respectively.\nThey were purchased from Madame Anna Viroubova, former lady-in-waiting and personal friend of the Empress Alexandra Feodorovna.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1022\nMost artistically conceived and executed miniature triptych icon sculptured out of solid gold, and signed by K. HAHN, who made some of the Crown Jewels of Russia. \nOf tiny proportions, this triptych is of a most exquisite design. Shown with the two side panels closed, it exhibits the pierced work border which frames panels with cherubs enameled blue and red. At the top, these doors are surmounted with a sunburst, in the center of which is a dove with outspread wings.\nOn opening the icon, one sees \"Christ Blessing the Universe\". On the left is \"St. Nicholas\", the patron saint of Nicholas II, and on the right is \"St. Alexander Nevsky\", the patron saint of Czar Alexander III. It was presented by Alexander III to his son and successor Nicholas II, with his blessings. At top, the Almighty is depicted with surrounding inscription which reads \"Save O Lord Thy People\". Placed over the hinges and crowning the top of the central panel, three fluted Russian domes are placed, each surmounted by the Greek Catholic Cross.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1044\nCircular gold picture frame of unusually small proportions by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased (guilloche) surface in sky-blue. The border and the inner round opening for the picture are enameled in matte white, bordered with gold. It is surmounted by a gold bow and ribbon enrichment.\nIt contains an original miniature of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1291\nGold gilt silver pencil bearing at its summit a tiny, finely formed mongoose, also of gold gilt silver. \nIt was part of a complete writing set of Czar Alexander III, made by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1326\nTo celebrate the two hundredth anniversary of the founding of the capital-city St. Petersburg, the late Czar, Nicholas II, commissioned the court jeweler CARL G. FABERGE, to execute an Easter egg to be presented to the Czarina in honor of the occasion. CARL G. FABERGE, jeweler to Czar Nicholas II and to his father Alexander III, had since 1885 executed an Easter egg yearly to be presented by the sovereign to his wife. However, to celebrate so great an occasion in the annals of the Romanoff family, this egg was planned many years before the date of the anniversary and was ready in 1903. When completed, it proved to be the most sumptuous and magnificent of any ever constructed.\nAt the highest point, the egg measures almost six inches, and at the widest four inches, and is constructed entirely of solid gold. (It is marked \"72\", the equivalent of eighteen karat gold). Covering its surface, an elaborate rococo design forms in its many curves, panels and areas perfectly suited to the particular type of workmanship which Fabergé excelled in designing and his workmaster M. Perchin in executing. The rococo curves are perfectly suited to the egg-shape, and are studded with hundreds of diamonds and scores of rubies. Intertwined bullrushes [sic] arising from the lower part of the egg are done in green gold, against the yellow gold surface, and show Perchin's superb chasing and minute detail. Cat-tails of square cut rubies give the touch of color which is so significant a feature of the egg, and are entwined with garlands of roses contrasting various shades of gold with platinum. On the top of the egg, the diamond monogram of the Czar is enclosed in a wreath enameled in white and emerald green. Around the upper and lower part of the egg are white enameled ribbons, explaining in Russian the significance of the occasion for which the egg was created.\nTwo miniatures around the middle bear portraits of Peter the Great, founder of St. Petersburg (in 1703), and Nicholas II, during whose reign the bicentenary was celebrated (in 1903). Emphasizing the evolution of St. Petersburg during these two hundred years, two other miniatures frame views of the cottage which Peter built on the low-lying ground by the sea, and which was to be the Russian capital, in contrast to the Winter Palace with its grounds as it was under Nicholas II. In the distance of the latter can be seen the Fortress of Peter and Paul with its spire. These four paintings are by VASSILY ZOUEV, with whom Faberge collaborated. He was the most celebrated miniaturist in Russia and was as well miniature painter to the court. Rock crystal was employed instead of glass to cover these paintings and it exactly fits the many-sided panels. The egg bears at the top the monogram and crown of Czar Nicholas II done in diamonds and the date 1703 when St. Petersburg was founded, as well as the date 1903, when the egg was made in celebration of that event. At the bottom, the double-headed Eagle, insignia of the Imperial family, is enameled in black surmounted by the Imperial crown set with diamonds. Over its breast a portrait diamond covers a tiny crest of \"St. George and the Dragon\" enameled in color.\nThe greatest feature of all, however, is concealed within the egg. On opening it, the mechanism within raises a miniature statue of Peter the Great from the interior. It is executed in solid gold by the Russian Court sculptor G. MALYSHEW, and stands on a sapphire pedestal. It is an exact replica of the colossus representing Peter which to this day stands on a square in St. Petersburg, and which was created on the order of Catherine the Great by Falconet.\nIt is interesting to note that besides the usual hallmarks that were always used, the egg bears the engraved signature \"K. Fabergé\" and the date 1903. This egg is considered to be the chef d'oeuvre of this great master.\nIt was illustrated on page 3 of the Russian magazine \"Stolitza et Usadba\" in the April 1, 1916 issue, which was devoted to a description of the Imperial Easter eggs. They were reproduced by special permission of the Czar, and the Peter the Great egg is the first illustrated. It was also reproduced and described in the November, 1936 issue of \"The Connoisseur\" on page 284, as well as in the \"Art News\", in its issue of November 7, 1936, on page 16, and in \"The New York Sun\" of October 31, 1936, page 17.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1479\nA good example of the miniature sculpture of CARL G. FABERGE, the Russian Court jeweler; a baby vulture carved from obsidian and shown seated in a most natural attitude. \nIn its small dimensions every detail of the anatomy is correctly and precisely cut even to a chasing of the individual feathers. The sheen of light within the stone running through front to back creates a varying surface texture as the piece is moved in the light, shifting from a downy grayness to jet black.\nDiamonds are set in for the eyes.\nSigned \"C. Fabergé.\"\nFrom the Alexander Palace at Tsarskoye Selo.\nMRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1524\nCovered jade vase in a brilliant gold gilt silver mounting.\nIt is designed as a small covered chalice cup, the deep green jade forming the cup part, and mounted on a narrow stem flaring out into a circular base. The jade body is slightly tapered and curves out by means of concentric flutings into a rounded underside. The upper part bears a fluted gold rim and above it the cover is fitted. This is slightly domed and bears on its summit a high, cabochon-cut pink tourmaline as a knob.\nSigned by FABERGE, the well-known Russian Court jeweler, who is today referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1543\nMiniature picture frame enameled in mauve, signed by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed in his French classical manner with a narrow mauve-enameled ground bordered by the motifs associated with this style. \nAround the beveled glass there is an edge of white matte enamel separated from the mauve surface by a tiny fluted border crossed with ribbons.\nAn outer border of beadwork encloses the frame and over the enameled surface rosettes with short swags are mounted.\nBears a hinged easel with the name \"Victoria\" lettered in openwork.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1569\nA large Imperial Russian Crown in gold and silver, and designed with leaves, tendrils and flower forms set with numerous cabochon rubies, cabochon sapphires and diamonds.\nIt is mounted at the top with a diamond-set Greek cross, and a diamond-encircled sapphire.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1735\nGold-gilt silver triptych picture frame by CARL G. FABERGE, the Russian Court jeweler, containing an exquisite drawing.\nThe entire frame is paneled with the ivory-like hollywood and the triptych doors are clasped in the middle by a Greek Catholic cross.\nOpening the doors, he drawing is seen to be set into an oval opening covered with beveled glass and surrounded by a row of pearls.\nThe ground surrounding the drawing is in Faberge's white enamel, given a great brilliance by the chased undersurface. At the corners winged cherubs are placed.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1749\nUmbrella handle in the form of an eagle's head, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe head is carved in a highly stylised (sic) manner out of a light green jade, with the eyes fashioned of two large beautiful red Ural stones mounted in gold. The white translucent enamel of the mounting is the type which Fabergé perfected and its sheen is further heightened by the guilloche under-surface. At the top and bottom it is bounded by bands of wreaths in vari-colored gold.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1763/2723\nVery rare miniature animal studies of an elephant by CARL G. FABERGE, the celebrated Russian Court jeweler.\nOne is in silver, and is fully signed by the master, while the second, in gold, is unmarked. This was most likely made as a mate to the silver one. Presumably, they were silver and golden wedding anniversary gifts.\nThey are both modelled in an extremely naturalistic manner, with all the characteristics of the animal carried out with great fidelity to nature.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2122\nAn original photograph from the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nIt shows a whole group of photographs of the Czar, Czarina and their children. A large photograph of the Czar himself, is in the center, flanked by smaller ones showing the Czarina with the Grand Duchesses Olga, Tatiana and Maria. \nFrom the Hermitage Museum. Originally in the Winter Palace.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2247\nGold mounted sapphire-studded rock crystal perfume vial by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed in a cylindrical manner banded about the opening with gold, and bears a gold cover enameled in a translucent white. The whole bottle is studded all over in a polka-dot arrangement with cabochon-cut sapphires and bears about the opening a Greek fret chased in the gold.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2278\nA charming fantaisie by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn a solid gold cage perched on a golden bar on which rest two tiny golden containers for seed, is a parrot cut out of a single piece of pink quart with ruby gold-mounted eyes and gold claws.\nIt is a very fine example of Fabergé's animal sculpture. In its life-like presentation, all the details of feathers, wing and attitude are faithfully rendered and, most naturalistic in aspect on one side of the cage, is a tiny door of fine construction which is typical of the work of this master.\nThe cage rests on a slab of red nephrite highly polished and harmonizing so beautifully in color with the red gold cage and the pink color of the parrot.\nIt is a signed piece by this celebrated artist and is indeed a creation making him worthy of the title \"Cellini of the 19th century.\"","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2279\nKovsh by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of rock crystal into which is etched a highly conventionalized all-over leaf pattern. The shape is exquisite, being wide and flat.\nIt stands on a gold base with four feet each extending from a leaf. Around the rim is a gold mounting which comes to a point at the front and bears on its summit a pear-shaped pearl in an open-work gold mounting. The handle also, is carved out of gold into the form of a female head surrounded by leaves and flowers, and is embellished with nine small and one larger ruby and two rows of diamonds, one of which serves as a necklace for the figure.\nThe piece, elaborate as it is in its sumptuous decoration, somehow give the feeling of utter simplicity because of the harmony of the movement of line. It is a specimen of Fabergé's work which amply earns for him the title \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2281\nInteresting miniature Easter egg carved out of opal. It combines most beautifully a rich brown with iridescent shades of greens and blues.\nBy CARL G. FABERGE, the celebrated Russian Court jeweler.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2297\nSolid gold pin in the shape of a wild rose, very beautifully enameled in a soft shade of pink and giving a most delightful and lifelike effect.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2299\nA most unusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler, who is often referred to today as the \"Cellini of the nineteenth century\".\nBeautifully conceived and executed, it represents a spray of lilies-of-the valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade. The spray stands in what appears to be a red clay flower [underlined] pot filled with moss, but the pot actually is of silver and enameled in a matte brick red, the color of the natural clay, while the moss is of gold, so artfully employed  that one can scarcely believe that it is not actually moss.\nSo ingeniously is the entire object executed that it gives a most lifelike and naturalistic effect. One feels that the flower is planted in the pot, and only upon closer examination does one realize that the whole is created from such precious materials as gold, silver, pearls, diamonds and jade.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2300\nUnusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler.\nBeautifully conceived and executed, it represents a spray of lilies-of-the-valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade.\nThe spray stands in what seems to be a glass of water, but what is actually a rock crystal vase so created as to give the perfect illusion of water.\nSo ingeniously is the entire object executed that it gives a most lifelike effect. One actually feels that the lily-of-the-valley is standing in the water and only on close examination does one realize that the whole is created from gold, pearls, jade, crystal, etc.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2322\nAn exceptionally fine miniature sculpture of a blood hound by the celebrated Russian Court jeweler CARL G. FABERGE.\nThe animal is carved from a single piece of vari-colored agate ranging in shade from a light gray to a reddish brown. He is shown in the attitude of following the scent, and most noteworthy in this specimen is the impression one gains of his great strength and power. The lowered head, the sniffing nose, the upcurled tail, and long ears almost touching the ground, are all most remarkable, and most life-like. One actually seems to feel that the dog is following one, so realistic is the whole creation.\nIn its small dimensions every detail of the anatomy is correctly and precisely carved, even to the chasing of the individual markings on the dog. Diamonds are set in for the eyes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2323\nMiniature sculpture by CARL G. FABERGE, of an eagle, carved from vari-colored brown and gray agate, and with feet of gold.\nIt is an exceptionally fine example by this great Russian artist, and every portion of the bird's anatomy has been minutely carved with the greatest attention to detail.\nThe bird is shown standing in repose with wings folded in, and head slightly turned to one side. The beak is carved to almost knife-like sharpness, and diamonds are set in for the eyes, giving a most naturalistic expression. Adding to the impression one has of the great strength and ferocity of this bird, are the highly polished and sharp claws which are rendered with the highest degree of precision.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nMiniature rooster carved out of transparent carnelian, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn its small dimensions, every detail of the anatomy is correctly and precisely cut, even to the chasing of the individual feathers. The legs are of gold with the paws minutely chased and with sharp claws, while diamonds are set in for the eyes. \nIt is a fine example of the miniature sculptures in semi-precious stones for which Fabergé was famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nUnique sculpture of a hornbill by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThis exotic bird with its exceptionally long curved beak, is shown in a seated position, with its head upraised. It is carved from flawless smoky topaz, beautiful in color.\nThe rendition of the bird is executed with broad, sweeping lines, yet with great attention and fidelity to detail. Diamonds mounted in yellow gold are set in for the eyes. It is in every respect an example typical of the fine animal sculptures by Fabergé.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2340\nA magnificent specimen of the animal sculpture of CARL G. FABERGE, the celebrated Russian Court jeweler, is this large owl carved out of a single piece of obsidian.\nThis rare and excessively brittle stone is here used to the greatest advantage. It is so carved and polished as to bring out all the hidden lights.\nThe model for the sculpture was apparently an old bird, who sits looking at us sideways in a most quizzical fashion. His large eyes are set with tiger eyes, mounted in each corner with tiny diamonds, all set in gold. The roving quality of the tiger eyes is in admirable harmony with the nature of the obsidian, which changes and gives such an unusual silvery-gray sheen when light strikes it at various angles.\nThe fine carving and imbricated plumage are most typical of the genius of Fabergé. The wings are an interesting feature, being irregular in their foldings (sic), in conformity with the position of the bird, slightly turned.\nIn the original Fabergé hollywood case.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2353\nVery unusual gold pendant in the form of a lozenge, by BOLIN, the well-known Russian jeweler, who made many outstanding objects for members of the Russian Imperial family, as well as for other important personages.\nIn the center is a large diamond surrounded by four smaller ones. At the top is set a star cabochon-cut ruby of unusual color, while on the other three points are large cabochon-cut star sapphires.\nBordering the piece on both sides, are finely chased gold ropes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2373\nRare Russian silver tray of the early nineteenth century, made in St. Petersburg circa 1815 during the reign of Czar Alexander I (1801-1825).\nIt is a plain rectangular tray standing on four ball feet, and bordered with a pierced and beaded gallery, and baring two gracefully shaped handles, also beaded.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2376\nGold link bracelet by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThe center bears a shield-shaped plaque which is translucently enameled over a chased (guilloché) surface in a rich red, and against this background is mounted the Russian Imperial double-headed Eagle, beautifully chased. The breast bears a diamond and the crown surmounting it is likewise set with a diamond.\nOf exquisite refinement and delicacy it is a piece typical of the work of this great artist.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2419\nRectangular gold gilt silver frame by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe opening for the picture is large and square and the border rather narrow, which gives a most unusual effect.\nThe border, is enameled over a chased \"guilloché\" surface in a rich translucent red, over which is appliqued formal scrollwork in gold gilt silver. Pilasters enameled in fine shades of green and white complete the decoration, and blend beautifully with the entire composition. The back is paneled with hollywood.","MRS. JOHN. L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2421\nExceptionally fine rectangular gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in an extremely pale blue.\nBoth the inner rectangular border for the picture and the outer border are perfectly plain. Surmounting the frame is a gold riband from which are suspended pendant festoons of berried laurel, and in each corner are rosettes inset with tiny diamonds.\nThe back is paneled with ivory and bears a fancifully designed easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2445\nAn exceptional piece by the celebrated Russian Court jeweler, CARL G. FABERGE, is this large ash tray fashioned of gold.\nThe shape is most graceful and unusual, being of trefoil design. From each of the three points thus formed, a gold handle extends, each handle being set with a gold coin of Catherine the Great, and dated 1766, 1773, and 1783. Fabergé was very fond of using these old Russian coins in completing his designs and they are here used to perfection. The coins are of green gold and are a fine contrast to the interior of the tray, which is a highly polished red gold.\nThe exterior is a surprise feature, as it is finely fluted, with typical Fabergé precision and painstaking craftsmanship.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2453\nA large goose carved out of a piece of rock crystal by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe goose is shown in a standing position with the long neck gracefully lifted, and the head turned slightly to one side. Tiny gold-mounted diamonds are set in for the eyes.\nThe imbricated plumage is finely rendered, and so life-like is the creation, that one feels that at any moment the goose will begin to waddle along. Fabergé was a great genius in the field of animal sculpture, and has here captured the charm of this bird, and given life to this finely carved stone.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2454\nAmethystine owl by CARL G. FABERGE, the celebrated Russian Court jeweler. Carved out of a single piece of this stone, which was especially chosen for its unusual color and shading, the owl is finely chased in great detail. Tiny gold-mounted olivenes (sic) are set in for the eyes, and such a choice was a happy inspiration, as they add greatly to the character of the bird.\nHe is shown with his meticulously chased gold feet perched on an ivory stand which has sapphire tips. The whole rests on a base which is composed of a single slap (sic) of lapis lazuli.\nA typical Fabergé nicety is added near the base: - two tiny enameled bands, one in white matte enamel, and the other in a lovely shade of translucent pink enamel, complete the color harmony, and are a charming surprise.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2455. Miniature gold Easter egg, with four sections finely enameled a deep blue, and set in each corner with a gold star and in the center with a cabochon ruby. In between these sections, the gold surfaces are beautifully fluted.\n#2456. Tiny Easter rabbit mounted in an egg-shaped gold ring. The bunny is beautifully carved out of a single piece of amethyst. Around his neck is a gold collar from which is suspended a gold-mounted olivene (sic), while olivenes (sic) are also set in for the eyes.\nBoth of these are by the famous Russian Court jeweler, CARL G. FABERGE, and are from the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2457. Miniature Easter egg of rock crystal, finely etched with four four-leaf clovers, in the center of each of which is a ruby or an emerald.\n#2461. Miniature gold Easter egg enameled over a chased (guilloché) surface in a rich red, with a gold band running around its side.\n#2467. Miniature gold Easter egg enameled over a chased (guilloché) surface in a pale apple green. Superimposed are two white matte enameled lilies with leaves.\n#2474. Miniature gold Easter egg, very simple in design. Its sole decoration consists of a calyx outlined at the top in deep ultramarine blue enamel.\nThey are by CARL G. FABERGE, the well-known Russian Court jeweler, and are from the belongings of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2460. Miniature gold Easter egg, beautifully decorated with alternating panels of red and white translucent enamel. The white portions are further embellished with overlaid tiny blue flowers and green leaves.\n#2465. Miniature gold Easter egg fashioned as a gold egg-shaped ring enameled over a chased surface in a shimmering white. From its center is suspended a gold-mounted ruby.\n#2470. Miniature gold Easter egg fashioned as a gold egg-shaped ring, in which stands a gold-mounted egg-shaped aquamarine.\n#2472. Miniature Easter egg carved out of a single piece of the rare Russian semi-precious stone, orletz. Wound about the egg is a gold serpent, exquisitely chased, its head set with an emerald.\nThese are by CARL G. FABERGE, the celebrated Russian Court jeweler, and are from the belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2464. Miniature Easter egg carved out of a single piece of dark green jade, mounted in a gold wreath which divides the egg into three portions. Two points of the wreath are set with rubies.\n#2468. Miniature gold Easter egg finely enameled over a chased (guilloché) surface in a rich red. One side is set with a . (sic) pearl, while the other bears abbreviations in gold letters, which stand for the traditional Easter greeting \"Christ is Risen\".\nThese are by the celebrated Russian Court jeweler CARL G. FABERGE, and are from the belongings of the Grand Duchess Anastasia Nicholaiovna, the youngest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2496\nTiny vase with two small handles, beautifully carved out of rock crystal. The entire surface is cut with a basketwork design, while the top is mounted with a gold rim which is set with alternating diamonds and rubies.\nIt is by the celebrated Russian Court jeweler CARL G. FABERGE, who is today often referred to as the \"Cellini of the nineteenth century\".\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2497\nSmall gold cup by CARL G. FABERGE, the celebrated Russian Court jeweler. It is tapering in shape, and stands on a very short round base. On one side is a curiously formed openwork handle.\nThe most engaging feature is the decoration around the side of the cup. The lower portion is so chased as to look like water, in which are swimming two fishes, the tails and heads of which are blue sapphires. So cleverly chased are the sapphires and the gold, that the bodies of the fishes seem to be submerged in the water. The artifice is so well executed, that one actually thinks the fishes are playfully swimming in the water.\nIt is a piece typical of the fantaisies (sic) which Fabergé delighted in creating for members of the Imperial family, as well as for other important personages throughout the world.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2498\nExquisite brooch by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed as a horizontal figure eight, with a large cabochon emerald of lovely color set in each side. Each is surrounded by diamonds mounted in openwork gold setting.\nIt is a piece typical of the craftsmanship of this great artist, and of his fine, discriminating taste.\nFrom the personal belongings of Czarina Alexandria Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2512\nUnusual set of six large silver spoons, very simple both in design and in ornamentation.\nThe bowl of each is sharply pointed, while the handle is of shield shape, and on which is chased a shield surmounted by crown, and which bears the date \"1770\" as well as the words: \"Concordia et Laetitia\". The center of the shield shows two hands clasped in a handshake. The reverse is dated 1850 and bears the initials \"A.C.\".\nThe set was made in 1850 in St. Petersburg by the well-known firm \"Nichols and Plinke\", who made many outstanding objects for members of the Imperial family.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2524\nGold ring mounted with an exceptional emerald of over five carats and of remarkable brilliance and color.\nThe mounting was designed with the greatest simplicity in order to fully bring out the beauty of the stone.\nOriginally in the personal belongings of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2525\nA most exceptional star ruby of thirty carats, unusual for its size, shape and color of great intensity and richness.\nIt is mounted into an exquisite yellow gold ring, which consists of a broad band pierced throughout its entire surface, and chased with foliations and flowers which show exceedingly fine craftsmanship. The mounting for the stone is in the form of a collar of laurel leaves.\nThe general composition of the ring, with its fine material and excellent workmanship, combined with its exquisite lightness and grace, mark it as an important example of the jeweler's art.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2568\nExquisite miniature gold frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the fine quality and discriminating taste associated with the work of this master craftsman.\nIts surface is chased (guilloché) in a sunburst pattern enameled pale green [underlined]. The inner border, enclosing photograph, is set with pearls, while the outer border is beautifully chased with an oak leaf motif of green gold, crossed at intervals with bands of red gold. The back is of ivory and bears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2651\nFine Russian lapis lazuli and gold snuff box.\nIt is of cartouche form and is carved out of superb blue Russian lapis with the hinge and rims mounted in gold.\nThe cover bears in the center the gold and diamond studded monogram and crown of Empress Maria Feodorovna, mother of Nicholas II, the late Czar of Russia, and wife of Czar Alexander III.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2657\nSmall eighteen carat gold Easter egg by CARL G. FABERGE, the celebrated Russian court jeweler.\nIt opens through the center on a hinge and its entire surface is divided into four horizontal panels, each richly chased in typical FABERGE craftsmanship with interweaving foliations which stand out in bold relief against the finely stippled background. The top is set with a faceted ruby and upon opening the egg, one finds within, embedded in a lovely antique fabric, a small diamond and ruby ring. The central diamond is a golden color and this is surrounded by a circlet of six faceted rubies.\nIt is an exquisite example of the discriminating taste and precise craftsmanship of this great artist. This piece, for quality and for beauty, is in a class with the Russian Imperial Master eggs which are today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2675\nCircular ash tray by CARL G. FABERGE, the celebrated Russian Court jeweler. \nIt was executed during the World War from material captured at the front and melted.\nIt is of copper and bears in the center a large Russian Imperial double-headed Eagle. At the top are the words \"War 1914\", and at the bottom is the signature \"K. FABERGE\" in large letters.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2680\nExceptionally fine miniature gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in a scintillating white.\nIt is a small oval frame and the inner oval opening for the picture is bordered with pearls while the outer border is finely chased in typical FABERGE fashion with oak leaves in two shades of gold and set at intervals with lovely rubies in square gold mountings. At the top is a highly polished ribbon box attachment.\nThe back is paneled with ivory and bears a beautifully fashioned gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2691\nPaper knife with gold and topaz handle by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe stone is of a rich golden color and is so shaped that it may be easily grasped. Around its collar is a gold band chased in typical FABERGE classical style.\nIt is a good example of the fine craftsmanship and excellent taste of this great artist, who is today often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2692\nMiniature owl by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of a single piece of opal especially chosen for its fine color and shading.\nThe bird, which is of exceptionally small proportions, is shown standing on a gold perch which rests on an agate base. In its small dimensions, the details of the anatomy are correctly and precisely rendered. Two rubies are set in for the eyes.\nA charming example of the work of this great artist, who made so many important objets d'art for members of the Russian Imperial family, as well as for other important personages throughout the world.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2722\nCharming \"fantaisie\" by CARL G. FABERGE, the celebrated Russian Court jeweler, a tourmaline parrot of soft rose-color shading into a pale green tail and with emerald eyes, diamond collar and gold feet, perches on a swinging ivory bar which carries silver gilt pails on either end, filled with seed.\nIngeniously contrived, the swing is suspended from a silver gilt stand mounted on a round tray in typical Fabergé classical inspiration.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2786\nGold kovsh by CARL G. FABERGE, the celebrated Russian court jeweler, designed in the ancient Byzantine manner.\nThe round full bowl is decorated with eight spade-shaped panels bearing alternating leaf patterns with four Russian Imperial double-headed Eagles, all in bold relief. The eagles are chased with amazingly fine precision, and show the ball and scepter of sovereignty, the three crowns, St. George Slaying the Dragon, and the tiny shields, all in wonderful clarity and detail.\nThe kovsh stands on a short outflaring [sic] fluted foot, while the shoulder is absolutely plain. The most exotic feature is the handle which springs up from the base in the form of a horn, and which is surmounted by a finial consisting of a single large emerald.\nAn outstanding work of this great artist, often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2821\nMiniature gold and platinum charm in the form of a bull dog. \nThe collar is gold, the eyes are rubies, and the body is set with ten large diamonds and many smaller ones.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2859\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased guilloche surface in a most interesting pattern combining areas of various sizes in red, white, and blue enamel, the colors of the Imperial Standard.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2868\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler. It is enameled over a chased guilloché surface in a rich green. The top is decorated with classical fluted mounting and with chased gold garlands crossed at intervals with ribbons and from which are suspended pendant festoons. These are carried out in vari-colored gold, typical of the work of this master craftsman.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2869\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased guilloché surface in a raspberry red. One side of the egg is decorated with an applied miniature sculpture in gold of an elephant with up-turned trunk. This is outlined by a band of white matte enamel separated from the red by narrow gold bands.\n \nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2870\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is set around the center with a faceted emerald, a faceted ruby, and two faceted sapphires.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2881\nCircular silver tray by Nichols \u0026 Plinke, outstanding silversmiths of English origin who settled and worked in Russia at the request of the Imperial family.\nDesigned with the greatest simplicity the center bears an oval-shaped decoration suitable for monogramming, while the border is heavily chased and engraved with a classical pattern.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2882\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler. In typical Fabergé design, the rectangular opening for the picture is bordered by bead and dash pattern, while the outside border is likewise designed with a classical pattern, set in each corner with a rosette. \nIn between these, the area is overlaid with a chased guilloché surface enameled a most unusual shade of greyish blue and this is overlaid with rich gold festoons and shell motifs.\nBears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#JZ-1, 2, 3, 4.\nGroup of gold animal charms, of fine quality.\nOne represents a gold bear standing on a pearl [underlined]; one is a bulldog [underlined] with diamond collar and tail; another is a dog with ruby [underlined] eyes and diamond collar [underlined]; and the fourth is a dog carved in Chinese fashion [underlined].","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#L-14\nMost unusual and rare split Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today often referred to as the \"Cellini of the nineteenth century\".\nIt is a particularly noteworthy example of his genius. Carved out of nephrite and beautifully polished, it is split lengthwise through the center, which is mounted in gold with a laurel leaf design. On front and back are oval openings for pictures bordered with gold chased with the classic dart and triple dot motif. The surprise feature however, is discovered upon opening the egg. Each portion bears on the back a beautifully fashioned gold easel, so that when the egg is open, it can easily stand upon its easels, enabling one to see both pictures at the same time.\nIt is a very beautiful piece, and in every detail is typical of the fine taste and exacting craftsmanship of this great master.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#G.25\nDiamond-shaped rock crystal frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the utmost delicacy and refinement.\nThe round opening for the picture is bordered with emeralds, and through the center on top and bottom runs a golden stem bearing three gold tulips, each with four tiny gold-mounted rubies. The border is finely fluted and is crossed at intervals with leaves of a contrasting shade of gold, while in each corner is set a diamond.\nThe opening for the picture is backed with ivory, while the frame is supported by a gold easel exquisite in shape.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures","GOLD PRESENTATION BOX OF NICHOLAS II OF RUSSIA\nBY FABERGE\nThis exquisite example of the incomparable artistry of Fabergé is circular in shape. The top is enamelled [sic] in a lovely shade of rich iridescent blue over a guilloché surface. In the center is a raised oval reserve bordered by a row of pearls, a band of gold filigree and gracefully curved diamond set volutes extending to the outer rim.\nIn this reserve is found the Russian Imperial Eagle, entirely set with diamonds and surmounted by the crown set with two rubies. In the eagle's center is placed a finely chased shield showing \"St. George Slaying the Dragon\".\nUpon opening the box, the bottom of the inside is found to be enameled in the same deep blue as the top. In the center is the coat-of-arms of the Romanoff's, completely surrounded by a rayed sunburst design.\nPresented to Nicholas II by his wife Alexandra Feodorovna, upon the occasion of the three hundredth anniversary of the founding of the Romanoff dynasty, 1613-1913. \nFully signed by CARL G. FABERGE, jeweler to the Imperial Court, and bears the rare gold mark 72.","MRS. JOHN L. PRATT","This series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).","Price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and the date purchased. Most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers. A note in Pratt's hand is written on the item description for a traveling clock (item number 5253, purchased June 16, 1933) and says \"Given to H.R.H. Princess Margaret Rose of England May 1939.\" She received a letter of acknowledgment and appreciation back from Lady Constance Harriet Stuart Gaskell, a Woman of the Bedchamber to Queen Mary.","Finally, the few exhibition labels were used in the Hammer Collection's \"Russian Imperial Exhibit\" at Lord and Taylor. Four are still mounted on the original gold colored panels.","The series is divided into five subseries: Series 2.1: Lord and Taylor Invoices, [1933]; Series 2.2: Price Tags, undated; Series 2.3: Item Descriptions, 1933-1945, undated; Series 2.4: Exhibition Labels, 1933-1934, undated; Series 2.5: Correspondence, 1939.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. X 4110\nRunner made of 18th century brocade in a striped design of gold and various colors. From a portion of a Priest's robe woven and worn in Russia.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y. ","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 D\nKnife of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Polish, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 C\nFork of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Russian, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H-4098\nSilver Hand Mirror bearing the initials \"AN\" under the Imperial Crown, for Grand Duchess Anastasia, who was the youngest daughter of Nicholai II, the last Czar of Russia.","\nMrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5054\nA small modern Icon of \"St. George the Conqueror.\" Painted on metal and framed by the well-known Klebnikov of St. Petersburg. The frame is decorated in beautiful enamel work and bears the Russian hallmark \"84\" denoting the finest quality silver; also bears the stamp of the Imperial Double-headed Eagle, showing that it was made especially for a member of the Russian Royal Family.\nFrom the collection belonging to Nicholai II and his wife Alexandra, in the Winter and Alexander Palaces.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5358\nLarge Serving Spoon of gold on silver. On the handle appear the Imperial coat-of-arms, crown and monogram of Grand Duchess Elizabeth Mauvriekovna, wife of Grand Duke Konstantin. It was made by Hunt and Roskell of England.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4108\nPhotograph in a silver frame of Serge Alexandrovitch, who was the brother of Alexander III, and his wife, Elizaveta Feodorovna, who was the sister of Czarina Alexandra. On one side is engraved a crown and the inscription: \"Serge;\" on the other side, a crown and the inscription: \"Elizaveta.\" At the bottom, the dates \"1891-1904;\" at the top, a small crown and an enamel plaque of St. George Slaying the Dragon. Made by Faberge, the famous jeweler of the last Court of the Romanoffs.","From the Collection in the Winter Palace, St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4809\nFruit Spoon of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of this spoon is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg \nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. X 6101\nSquare of red velvet richly embroidered with gold stars of passementerie, also a design worked in beads and various colored stones. Finished with gold Gothic galoon. Part of a chasuble. Russian, Circa 1880.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut (sic) velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4830\nIcon, \"The Twelve Apostles.\" Seventeenth century, Northern School. Gold on bronze mounting. \nFrom the collection in the Winter Palace, St. Petersburg, of Nicholai II, the last Czar of Russia","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4809","Set of twelve Fruit Spoons of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, - the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of these spoons is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 1, 1933\nArticle No. 10685-B\nCup of gold on silver, with handsomely chased \"neilo\" (black enamel effect) decorations. Made in Russia and dated 1834.\nFrom the collection in the Winter Palace, St. Petersburg, Russia, of Nicholai I.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 2, 1933\nArticle No. 5253\nThin gold watch made by Leroy, Paris, for the Czarina Alexandra, whose monogram and crown in red enamel are delicately inlaid on the back. This simple but graceful time-piece was one of the last acquisitions of the Czarina. From her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 14, 1933\nArticle No. 5259\nGold on silver enameled Caviar Spoon. Russian, hallmarked \"88\" denoting the highest quality of Russian silver. Also bears the initials \"I.M.\" of the maker.\nFrom the collection in the Alexander Palace of the Czarina Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. D 1000\nSilver and enamel Tryptich, set with semi-precious stones. In the center is shown the head of Christ; on the left is Saint Nicholas; on the right, the Guardian Angel.\nFrom the collection of Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. 4580\nIcon of the early seventeenth century, Ulanov School, \"Dormition of the Virgin.\"\nBelow, among the prophets, disciples and saints, lies the Virgin while her Soul is represented as an infant in the arms of her Son, who will transport it to Paradise. On either side of Christ are Archangels; above Him, under the arch, are the Cherubim and Seraphim. At the top of the icon appears God the Father with the Holy Ghost. Immediately beneath is the Sabor of Angels awaiting Our Lady, who ascends from Earth. In the heavens, among other saints, are seen Thomas, John the Divine, Peter, Alexander, Paul, Philip and Savva. Below, in front of the bier, is Athonius, a Jew, who dared to place his hands on the bier to upset it. An Angel cut off the hands, but on Athonius saying an \"Ave,\" Peter healed him.\nFrom the collection of the Czarina Alexandra in the Winter Palace, St. Petersburg.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nGiven to R.P. H. Princess Margaret Rose of England May 1939 [handwritten]\nJune 16th, 1933.\nArticle No. 5253\nEnglish silver Traveling Clock in wooden case. Made for Queen Victoria by Dimmick, Maker to Her Majesty the Queen, Cowes, England.\nInscribed on the face: \"From Grandmama 1894\". Given by Queen Victoria to her grandchild, the Czarina Alexandra Feodorovna.\nFrom the Alexander Palace, Tsarskoye-Selo.","Mrs. John L. Pratt\nHotel McAlpin\nNew York, New York","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 3550\nWooden Wine Ladle. Beautifully inlayed with metal. Part of the Winter Palace Collection.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\n3623. Handkerchief.\nFine linen handkerchief embroidered with the crown and monogram of the Dowager Empress Maria Feodorovna, Mother of Nicholai II. The border is block printed with a series of brown and blue elephants. It is significant to the superstitious that the trunks of the elephant are turned down where is (sic) those of the lucky elephants are turned up. From the private quarters of the Dowager Empress in the Anitchkov Palace in St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\nF43. Paper Knife.\nGold on silver blade. Mounted in mother of pearl handle. Bears crown and monogram of Grand Duke Constantin Nicholaevitch.\nRussian [handwritten]","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6154\nMat. Made of green and silver brocade outlined in rose, conventional floral design.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces, consisting of hand-loomed brocades, damasks, handcut [sic] velvets and altar sets. The metal threads are of genuine silver.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 4404\nPhotograph of Olga, eldest daughter of Czar Nicholai II, Maria, the third daughter, their governess, and Titiani, the second daughter. Frame by Faberge; the blue ribbon crosses represents the order of St. Andrew, created in 1698 by Peter the Great. Only members of the Imperial Family could belong to this order. Winter Palace Collection.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5153\nSmall Runner. Made of damask woven with yellow flowers in serpentine design with gold. Trimmed with old gold lace. Russian Circa 18th Century.\nThis damask is from a collection used in the chapels of the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5096\nSquare Mat. Made of gold brocade outlined in tan trimmed with galoon. Russian Circa 1850. \nThis brocade is from a collection used in the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6396\nTwo Circular Mats. Made of white and gold brocade in conventional design. Trimmed with lace galoon. Russian Circa 1870.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces consisting of hand-loomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. 6025. Photograph of Nicholai II and his wife Alexandra as they were dressed for the Imperial Costume Ball held in the Winter Palace in 1903. The entire court at this ball were dress in Russian costumes of the seventeenth century. The Tzar and the Tzarina are here represented as Michael, First Tzar of Russia and his wife Evdokia, The photograph was made by Levitski, court photographer in St. Petersburg. On the back is a seal which reads: The artistic accurateness confirmed by the Imperial Academy of Art.\" This photograph was obtained from the elderly governess of the Grand Duchess who is still living incognito in Moscow.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. E-1000. Silver and enamel Easter Egg bearing red crosses on white iridescent enamel and an inscription which reads: Greater love hath no man than he who sacrifices his life for a friend [underlined]. At the top are the initials and monogram of dowager Empress Marie, mother of Nicholai II. Inside is a folding screen of miniatures painted on mother-of-pearl and framed in gold and enamel. The miniatures read from left to right with their respective monograms mounted in gold on the back as follows: Grand Duchess Olga Alexandrovna, sister of Nicholai II, Grand Duchess Olga Nicholaevna, daughter of Nicholai II, Czarina Alexandra Feodorovna, wife of Nicholai II, Grand Duchess Titiana, daughter of Nicholai II, and Grand Duchess Marie Pavlovna, author of the \"Education of a Princess\", and cousin of Nicholai II. This egg was made by Fabergé, the court jeweler for Nicholai II as an Easter gift, in 1915, for his mother, the dowager Empress. From the Anitchkov Palace in St. Petersburg, where it was under Inventory No. 17,550.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933\nArticle No. 6787\nMat. Made of gold brocade showing an Imperial Crown and double-headed eagle on a blue background. Made in 1913 to commemorate the three hundredth anniversary of the Romanoff regime. Bound and lined with old gold galoon.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6707\nRunner. Of vari-colored silk floral design of pussy willows. Probably used at Easter time. Circa 1780.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6794\nRunner. Of gold brocade with vari-colored silk floral design trimmed with old lace galoon. Circa 1800.","From a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4763\nA silver plaque depicting the Church of Christ the Saviour, which was given to the Dowager Empress Marie Feodorovna on the occasion of the erection of this church. It was to commemorate the miraculous escape of the Royal Family from death in a railroad wreck. The church was erected by the contributions of various workers in the government departments and private citizens of Russia in the year 1888.\nThe plaque is from the Anitchov Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 5528","An icon finely painted on wood and mounted with a silver trapping set with seed pearls in a Byzantine design on a background of green enamel. The subject of the icon is \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The commandment of the new day: Love Thy Neighbor as Thyself.\"\n \nThe icon is backed with red velvet. It was made by the court jeweler, Faberge, whose full name is marked under the Imperial double eagle. It also bears the figure \"88\" which denotes the highest quality of Russian silver. The icon is from the quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 6136\nAn unusual tea pot of exquisite silver bearing the crown and monogram of Alexander III. It is made with double spouts and a gut handle.\nThis tea pot was made in 1891 by the Royal jewelers, Michelson of Copenhagen, belonging to the Danish Court.\nIt was found in the Gatchina Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4765\nA slender gold column of exquisite workmanship, with a miniature of Nicholai II on it set with diamonds and crystals. The column is delicately chased with Icanthus leaves in green gold, a touch characteristic of Faberge who made the bibelot for the Czarina to present to Nicholai II on his birthday in 1907. It is contained in the original case and was found in the Alexander Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6111","A jewel chest made of hand-hammered silver, and lined with mulberry velvet. On the cover is the Russian Imperial Double-headed eagle adorned with the various emblems of the Romanoff family. The sides of the cover bear the repeated initial \"M\", inlaid with blue enamel, which stands for the Dowager Empress Marie, mother of Nicholai II. The key is set with a semi-precious green stone. The box is undoubtedly of Danish origin.","It is from the quarters of the Dowager Empress Marie, in the Anitchov Palace, St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6019","A jewel box made of silver. The cover is adorned with vari-colored Russian enamel, pearls and rose diamonds. It was made by the court silver-smith, Bolin, whose full name it bears. It is also marked with the initials of his assistant master and the figures \"88\", which denote the highest quality of Russian silver.","The box is from the personal quarters of the Czarina Alexandra, wife of Nicholai II, and was found in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6148","A brooch of silver modeled in a ribbon design and set with many turquoise and genuine half pearls.","It was found in the quarters of the Czarina Alexandra in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5421\nAn icon of \"St. Nicholas the Wonder Worker\", patron saint of Russia, with Christ and the Madonna. This icon was presented to Nicholai II when he was still a Czarevitch, by a peasant icon painter whose name appears on the border of the icon. The inscription on the back reads: \"From a peasant of the village of Materi, Province of Vladimir---Joseph Andrew Pankreshoff. Presented to His Imperial Highness, Czarevitch and Grand Duke Nicholai Alexandrovitch.\" Taken from the historic apartment of the Anitchkov Palace, with the inventory number #6794\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italian Primitive with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5538\nAn icon painted on wood on a background of gold with a border of rich enamel in Byzantine design. It has a brass trapping and is enclosed in original wood and velvet-lined case. \"St. Nicholas the Wonder Worker\". A painting of exquisite detail and coloring. It was presented to Nicholai II when he was still the Tsarevitch. The sticker on the back of the box reads: \"To the Grand Duke Nicholai Alexandrovitch, 19th of July, 1882.\" It has the city museum inventory number, Anitchkov Palace, 6819. From the quarters of Nicholai II in the Anitchkov Palace before he became the Tsar of Russia.\nThe fascinating history of icons dates back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italina (sic) Primitive, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMay 3rd, 1934.\nArticle No. 4122 C","A porcelain Easter egg bearing the monogram of the Czarevirch [sic] Alexis. It is drawn through with the original ribbon and was made in the Russian Imperial Porcelain Factory.","The Russian Imperial Porcelain Factory was owned and operated exclusively by the the [sic] Royal Family from the time of its beginning in 1744 (when it was founded by Elizabeth I, daughter of Peter the Great) down to the time of the last of the Romanoffs, Nicholai II (1917).","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT ","Article No. E-313\nSupple Bracelet of woven gold. The alternate links are fashioned of green and of red gold, which the Russians were so fond of. It was made by the famous court jeweler Faberge, and although the bracelet is not marked with his initials, its style and workmanship mark it as unmistakably his. The catch is marked with the number \"56\" for the finest grade of Russian gold.","From the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nArticle No. A-104\nOval Frame delicately wrought in filigree effect set with sixteen alternating sapphires and rubies. Contains an original snap-shot of the Czarevitch Alexis in a sailor suit, sitting astride an old cannon in the gardens of Peterhof, which was the Imperial summer residence in 1910. The frame is marked with figure \"88\"denoting a higher quality of Russian silver than our \"Sterling.\"\nFrom the personal quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo. She was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5547\nDainty spray of corn flowers, fashioned of gold, enamel and diamonds, supported in a small vase of rock crystal. The workmanship on the foliage and buds shows the most exclusive care in fashioning truly after nature. The enamel of deep blue is extremely clear. The stamen and pistils are each set with a small shiny diamond. The workmanship of the flower itself is by Faberge, the famous court jeweler, while the crystal vase was ground after his design in the Imperial Grinding Factory at Ekaterinburg.\nAmong the most delightful creations made by Faberge for Czar Nicholai II, was a collection of flowers and berries, made of gold, jade and precious stones. Many of the blossoms and berries were enameled in life like-colors. The small vases of rock crystal seem to be filled with water.\nThese delicate pieces brought great joy and pleasure to the Czar and it was a happy occasion when he presented them to some of the members of the Imperial Family.\nMrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5401\nElectric contact bell of artisticaly [sic] hand wrought silver in the form of a rabbit. The eyes, which make the contact, are set with garnets.\nIt was made and signed by the court jeweler Faberge, outstanding craftsman of the last fifty years. His name appears under the double-headed eagle of Royal appointment. The figures \"88\" denote the highest quality of Russian silver.\nFrom the property of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5687\nEaster Egg of Orletz or Eagle stone, decorated with gold and silver mountings, and bearing an inlaid monogram and crown of Maria Feodorovna, Dowager Empress and mother of the last czar, Nicholai II. The egg is shaped of this rare Ural stone, named after the Russian Eagle in the Imperial Grinding Factory in Ekaterinburg. Made by the famous court jeweler Faberge.\nFrom the quarters of the Grand Duchess Tatiana in the Alexander Palace, Tsarskoye Selo, to whom this gift was presented by Maria Feodorovna, her grandmother. Grand Duchess Tatiana was the second daughter of Nicholai II.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A-62","Rare Insignia of the Imperial Order of St. Andrew in the form of a pendant. The pendant is of gold, wrought with the double-headed eagle on either side in relief. Over the eagle on one side appeas [sic] the figure of St. Andrew as he was crucified on the cross. It was made in the time of Peter I, circa 1720, and is exquisitely enemaled [sic] in natural colors. The entire medallion is framed in nineteen large diamonds of contemporary cutting, the ring has six smaller diamonds.","From the quarters of the Grand Duchess Tatiana, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5570\nSnuff box of gold, period and style of Alexander II. Russian, circa 1860.\nThe design, exquisitely chased, is of oak leaves and acorns, inlaid with transparent enamel in dark blue. It is marked \"56\" the Russian equivalent of 14 Karat gold, the profile of the Government Assay Office and the impressed number \"2073.\" Very lightly cut is the original order number of the maker \"P154.\" [4 crossed out and 0 handwritten].\nFrom the Imperial snuff box collection of His Imperial Majesty the Czar in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMarch 6th, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nEaster Egg\nEach Easter, the Dowager Empress, Marie Feodorovna, would order the Russian Imperial Porcelain Factory to execute porcelain eggs which she personally distributed. This one, bearing the original ribbon, has her monogram \"MF\" and crown in green.\nThe Russian Imperial Porcelain Factory was owned and operated exclusively by the Royal Family from the time of its founding in 1744 by Elizabeth I, daughter of Peter the Great, down to the last Czar, Nicholai II in 1917. With few exceptions, all the china used at court was made in this factory. Many of the monarchs ordered gifts created here for foreign dignitaries and court favorites. Elizabeth I used a small double eagle as her mark, while Catherine the Great used her monogram without the crown. Otherwise, most pieces were marked with the crown and monogram of the ruler in whose reign the object was made, except Alexander I, whose china rarely bore a mark.","Mrs. John L. Pratt\nEaster, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. AS-1312\nExquisite parasol handle in baton design. It is of solid gold and decorated with conventional shell designs on a smooth ground. Each shell is set with a diamond, ruby, emerald or sapphire. On one side is applied a cut out double-headed eagle of Russia, adorned with the crests of all the Sovereign states, including that of Moscow in the center, showing \"St. George Slaying the Dragon.\" The handle is finished with an exceptional ball of choice flawless Siberian lapis lazuli of magnificient [sic] blue quality, set in a cup of scroll design, also set with precious stones. In all, there are eight diamonds, four rubies, four emeralds and five sapphires.\nFrom the quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. E-327\nRound powder box and cover of fine Ural [underlined] spinach jade [handwritten question mark]. The cover is rimmed in gold, chased in braided design, and has an artistically carved ivory elephant standing upon a fringed drum of gold, banded with alternating rubies and diamonds. The gold work is in the individual style of the celebrated court jeweler to Nicholai II, Karl Faberge, the creator of this lovely object.\nThe rim of the cover is marked with the full name of Faberge, the initials of his foremost workmaster [sic], Mikhail Perchin, the number \"56\", denoting Russian equivalent of 14Kt. gold, and the crossed anchors mark of the St. Petersburg Assay office.\nFrom the personal quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936.\n \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle E-451\nThe \"Queen's Birthday Book\". A volume published in London by Griffith, Farran, Okeden and Welsh in 1887, and dedicated to Victoria, Queen and Empress of Great Britain, Ireland and India, on the occasion of her Golden Jubilee. The book contains thirteen portraits of members of the Royal Families and fifty-five Royal autographs, among which are those of Queen Victoria, May 24th; her Prince Consort, Albert Edward, November 9th; Edward VII, January 8th; his wife Alexandra, December 1st; (sister of the Czarina Maria Feodorovna) and George V, June 3rd. Perhaps the most interesting autograph is that of the Czarina Alexandra Feodorovna of Russia while she was the Princess Alix of Hesse and but fifteen years old (June 6th).\nThe book contains the ex-libris of Countess Vorontsov Dashkov, who was Mistress of Robes, the highest position in the Court, and the close companion of the Czarina Maria Feodorovna, mother of Nicholai II. The fly-leaf bears the inscription of presentation: \"For dearest Etta, in remembrance of the Queen's Jubilee, 1887, from your affectionate Mary Adeliade [sic], June 1887\". Mary Adelaide was Her Highness, the Duchess of Teck. ","Mrs. John L. Pratt\nAugust 17, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/3\nHandsome frame of transparent green enamel with two oval apertures containing a photograph of Czarina Alexandra and one of the Czar, Nicholai II. Above the ovals is the double-headed eagle with wings outstretched. The crown between the heads is set with rubies and diamonds while a shield, set with the same stones, is on its breast. Underneath the photographs are three swags with rosettes and crescents in garland effect. At the top of the frame two griffins, facing each other with their paws resting on an urn, form a delightful balance to the whole. It is backed with an ivory panel, the handle and ring being of gold scroll.\nIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported from Russia into France, it also bears the assay office device of that country.\nFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/2","Gold on silver rectangular frame of rose enamel over a field of engine turning. Mounted over the oval aperture which contains the photograph of Czarina Alexandra Feodorovna, is a double-headed eagle bearing the Imperial crown, set with diamonds, between the heads. On its breast is a single sapphire. Below, a swag and crescent design forms the decoration. Encircling the whole is a conventional laurel leaf design attached with a ribbon bow-knot, the ends falling in graceful wavy effect. It is backed with an ivory panel, the handle and the ring being of gold scroll.","It was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported into France from Russia, it also bears the assay office device of that country.","From the quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle E-762/80\nCharm in the shape of an Easter Egg made of solid gold and superbly decorated with transparent enamel in tones of pearl, turquoise, and ruby. The colors are separated by gold swags which cross and are capped by four pigeon blood rubies.\nIt was created by the celebrated Karl Faberge, court jeweler to Nicholai II, and is hall-marked with the initials of his workmaster [sic], and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle -4776\nJade and gold frame on a stand. The photograph, in a heart-shaped pendant, is of Grand Duke Boris Vladimirovitch.\nIt was made by the famous court jeweler to Nicholai II, Karl Faberge.\nFrom the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\n ","Transcription: \n[double-headed eagle]\nArticle E-43\nExceptional photograph of the Czarina Alexandra in court dress, showing her great beauty. It is appropriately framed in finely chased gold on silver with a background of red iridescent enamel.\nThe frame was made by the famous court jeweler to Nicholai II, Karl Faberge, outstanding craftsman of the last fifty years. It is marked with the initials of his master and the figures \"88\" which denote the highest quality of Russian silver.\nFrom the personal quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP-1553/2\nPhotograph album containing many rare and valuable photos of the Imperial Family. It is bound in navy blue morocco (whole binding), with shield, clasp and line impress of silver. The doublures are of white moire paper, and the edges are silver. It was bound by F. Knoop, St. Petersburg. The book bears the bookplate of Nicholai II, and was found in his private study, in the Alexander Palace, Tsarskoye Selo. First inventory given is on doublure number \"26933\". Later it was inventoried on the third page as \"12415\".\nThe list of photographs is as follows:\n47.20.376.1 – Emperor Alexander II\n2 – Emperor Alexander II\n3 – Empress Marie Alexandrovna\n4 – Emperor Alexander II\n5 – Emperor Alexander II\n6 – Empress Marie Alexandrovna, wife of Alexander II.\n7 – Emperor Alexander II\n8 – Alexander III and Marie Feodorovna\n9 – Empress Marie Feodorovna and Nicholai II\n10 – Emperor Alexander III\n11 – Grand Duchess Xenia, sister of Nicholai II\n12 – Three generations of German Rulers. The infant is the present ex-crown prince\n13 – Empress Marie Feodorovna and Nicholai II\n14 – Nicholai II (Grand Duke Nicholai Alexandrovitch)\n15 – Grand Duke George Alexandrovitch (brother of N. II)\n16 – Grand Duke Vladimir Alexandrovitch\n17 – Grand Duchess Marie Pavlovna, his wife\n18 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir and her children\n19 – Grand Duke Vladimir and his sons, Kyril and Boris\n20 – Grand Duke Vladimir Alexandrovitch\n21 – Grand Duchess Marie Pavlovna, his wife\n22 – Grand Dukes Kyril and Boris Vladimirovitch\n23 – Grand Duke Kyril Vladimirovitch\n    \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","[double-headed eagle]\n-2- \n 24 – Grand Duchess Marie Alexandrovna\n 25 – Grand Duke Alexis Vladimirovitch\n 26 – Grand Duke Serge Alexandrovitch\n 27 – Grand Duke Paul Alexandrovitch\n 28 – Grand Duke Paul Alexandrovitch\n 29 – Grand Duke Alexis Alexandrovitch\n 30 – Grand Dukes Paul and Alexis and Duke of Oldenburg\n 31 – Grand Dukes Serge Alexandrovitch and Konstantin Konstantinovitch and the sister of Konstantin, Olga, later Queen of Greece\n32 – Grand Duke Nicholai Nicholaevitch\n33 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir\n34 – Grand Duke Nicholai Alexandrovitch (Nicholai II)\n35 – Grand Duchess Olga Konstantinovna, Queen of Greece\n36 – Grand Duchess Militza Nicholaevna\n37 – Duchess Alexandra of Oldenburg, 1st wife of Grand Duke Nicholai Nicholaevitch, died in 1900\n38 – Grand Duke Serge Alexandrovitch and Duchess Elizabeth Feodorovna\n39 – Grand Duke Vyacheslav Konstantinovitch\n40 – Grand Duke Dmitri Konstantinovitch\n41 – Grand Duke Konstantin Konstantinovitch\n42 – Grand Duchess Marie Alexandrovna, Duchess de Saxe- Coburg Gotha","Mrs. John L. Pratt\nJanuary 29th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. ME-1249\nRound snuffbox of spinach green Ural jade with hinged lid, mounted in gold. On the cover, set in diamonds, is the crown and monogram of Nicholai II, backed with two laurel sprays in green gold of exquisite workmanship, also set with diamonds. The top and bottom rims are engraved in delicate dot and dash design, while through the center runs a fillet of finely chased acanthus leaves in green gold and several tiny rosettes of red gold.\nThis superb example of the jeweler's art was designed by the celebrated jeweler to Nicholai II, Carl Faberge, and is hall-marked with his full name, the initials of his leading artist, Mikhail Perchin, the number \"56\" denoting the equivalent of 14 karat gold, the wreathed head of the government assay office, and the initials of the gold inspector \"YL\".\nFrom the collection of Nicholai II, last Czar of Russia, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nFebruary 8th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5571\nMagnificent gold snuffbox in oval shape with hinged lid. It is hand-wrought with a chased gold mounting. The lid has an oval gray and white cameo, masterfully carved with a mythological sea scene, signed \"W. Eissel\", outstanding German master. This is framed with fifty large diamonds and about one hundred small ones. The edge is in carved scroll design including two gargoyles over lapis blue enamel, and set with many diamonds, four of which are about one karat each. The sides are finished in the same treatment, having the crown and monogram of Kaiser Wilhelm in the front and the German imperial eagle in the back, all set in diamonds. The crown also has two rubies. At either end are small round cameos of mermen by the same master. Four kneeling cherubim, placed within shells of blue enamel and diamonds, support the cover. The bottom of the box is engraved with another sea scene showing Neptune and Venus receiving homage, while the background is again of blue enamel. This box was made for the Kaiser of Germany, and was so admired by Nicholai II, the former presented him with it.\nFrom the Snuffbox Collection of Nicholai II and his wife Alexandra, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay 11th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. JJ-5050/2\nExquisite oval icon of the \"Madonna of Kazan\". It is painted on ivory in a charming combination of water colors. The Greek symbols are for \"Mother of God\", \"Jesus Christ\" and \"Kazanski Mother of God\". The icon has a brass rim and is framed in rose velvet; it is backed with rose ribbed silk.\nAttached is the original government inventory tag, the abbreviations of which read: \"Alexander Palace Museum, Children's Apartments, Classroom of the Older Grand Duchesses Number 644/III\". These were the daughters of Nicholai II, whose palace was located in Tsarskoye Selo. This icon was undoubtedly executed by the Tsarina of Russia, a talented artist, whose work is easily recognized by her choice of colors and the fact that she invariably marked her paintings with the initials of her maiden name, Hesse.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. AV-5008/1\nOval icon medallion of solid gold. On one side is an exquisite enamel miniature of Jesus Christ dressed in blue and orange robes against a ground of brown scrolls on beige. His right hand is held in blessing, while in his left he is holding the open scripture. The Greek symbols about his shoulders are for \"Jesus Christ\", while those above the halo are for the \"Eternal Christ\". On the reverse side, on a ground of white enamel, is inscribed in black – \"Save and Protect\".\nThe gold is hall-marked with a number \"56\" denoting the Russian equivalent of 14 karat gold, and the device of the Moscow assay office.\nFound in St. Petersburg.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RB-5210/37\nDelightful charm of a German Dachshund [underlined] in seated posture. Carved from genuine topaz, he is adorned with a gold collar and suspended from a gold link. His eyes are realistically set with emeralds.\nThis excellently modeled and lifelike animal was designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his talented stone carver, Kremlev.\nMrs. J. L. Pratt\nDecember, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1815\nCharming stone figure designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his leading stone carver, Kremlev. Represented is one of the favorite sailors of Grand Duke Mikhail Alexandrovitch, brother of the last Tsar, Nicholai II. The name of the Imperial yacht \"Zarnitsa\" is inscribed in gold on the seaman's hatband.\nStanding solidly on his two feet of black onyx slightly spread apart, this sailor of courageous appearance is dressed in a spotless, freshly laundered suit of milky white jade. His piercing blue eyes, each set with a cabochon sapphire, sparkle with loyalty and sincerity. Flesh-toned aventurine makes up his interesting face, finely moulded [sic] with high cheek bones and sharp nose – typically Slavic characteristics. His sturdy hands are also of aventurine. This unusual portrayal, viewed from any angle, is singularly lifelike and attractive.\nIt is contained in the original hollywood box of the court jeweler, and is stamped with his full name beneath the double-headed eagle of royal appointment.\nThe \"Zarnitsa\" was anchored just outside of Kronstadt during the Krensky Revolution, and it is said that while the other sailors of the fleet joined the revolutionists, those on board the yacht ramined [sic] loyal to the Grand Duke Mikhail, in whose favor Nicholai II abdicated.\nMrs. J. L. Pratt \nDecember 9, 1937\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-517/4\nCross of hand-wrought silver, finished with a ball effect to represent jewels; Russian workmanship of the 18th century. On the face is the eight point Greek Orthodox cross, adorned with the crown of thorns. On either side is the spear and sponge of the Crucifixion, while below is the skull signifying that Christ conquered Death. The Slavic symbols read – \"King of Glory, Jesus Christ, son of God\". The reverse side is in scroll design.\nFrom the Imperial Chapel of the Feodorovski Cathedral, Tsarskoye Selo.","Lillian T. Pratt\nChristmas, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP- 1843/4\nRare mosaic icon of \"St. Nicholas the Wonder Worker\"; Russian workmanship, circa 1850. This portrayal of Russia's most beloved Saint is so skilfully [sic] inlaid with thousands of varicolored stones that it gives the impression of being executed in oil. It shows great character and deep religious inspiration, rarely found in mosaics.\nSet off by a gold halo, St. Nicholas is represented making the sign of Jesus Christ with one hand, while in the other he holds a gold and green Bible. His gracefully folded robes of red and blue are trimmed with gold, and his stole of silver is embroidered with gold crosses. Slavic symbols on either side of the halo are for \"St. Nicholas the Wonder Worker\". The icon has a rim of fire gilt and is framed and backed in red velvet of a later period.\nFrom the apartments of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nJanuary 8, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/4\nParasol handle of frosted rock crystal, carved to represent the head of a duck, and mounted on mohagony [sic] banded in gold. The eyes of the duck are all the more lifelike for the two deep blue sapphires set in gold. Around the neck is a gold collar, set with fifteen green tourmalines. The ring of silver gilt was added later to the base of the handle.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Faberge, for Tsarina Alexandra Feodorovna and was found in her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. A-61\nUnusual frame of rose jasper and gold-on-silver, containing a snapshot of Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, taken in Peterhof, 1907. Dome-shaped and with easel back, it is contained in the original Vyatka birch box, lined with green velvet and white silk, of the court jeweler to Nicholai II, Carl Faberge. The lining is stamped with his name beneath the double-headed eagle of royal appointment.\nThe frame is hall-marked with the initials of one of Faberge's leading workmasters [sic], Mikhail Perchin; the number \"84\" denoting the Russian standard of silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the court jeweler, \"45196\".\nFrom the quarters of the children of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-754\nCharming miniature frame containing a photograph of the Tsarina Alexandra Feodorovna. Dome-shaped, it is made of lettuce jade, delicately decorated with chased green and red gold mountings. Above the oval aperture, rimmed in laurel leaf design, is a swag motif tied with a ribbon; below are two dainty rosettes.\nThis frame was made by the celebrated court jeweler to Nicholai II, Carl Faberge, and the gold-on-silver easel back is marked with the initials of his workmaster [sic] \"IB\"; the number \"88\" denoting the quality of Russian silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the jeweler, \"0170\".\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/3\nEaster egg of green quartzite, varicolored gold and rock crystal, suspended from a chain of gold. A band of cut rock cyrstal [sic], bordered with narrow rims of gold, encircles the egg, separating the top from the lower portion. The top is surmounted with a wheel device decoratively worked in red and green gold, whose apex is a small Empirean [sic] wreath of laurel. A convex form of gold, delicately engraved in a wreath design covers the base.\nIt was created by the celebrated Russian court jeweler to Nicholai II and Alexander III, Carl Faberge.\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/1\nGraceful porte-poche of rock crystal with borders, handle and thee feet set with rubies and diamonds.  A gold border around the top is set with forty rubies and the corresponding border in the base has thirty-three rubies.  The question mark handle of gold, decorated with scroll design, is outlined with eight diamonds, set squarely.  Into each of the three ball feet are set thirty-two graduated diamonds. \nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé, and is hall-marked with his full name; the initials of one of his leading workmasters, Edward Kolin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.  It is engraved with the original order number of the court jeweler – \"40312\".  Since it was originally brought from Russia to England, it also bears the assay of the later country.\nFrom the apartments of the Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nJanuary 28, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/47\nCharm, in the form of an Easter egg, of exquisite simplicity.  It is made of spinach jade, belted with gold and a narrow fillet of diamonds, and is suspended from a gold link.\nThe egg was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé.\nFrom the apartments of Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/41\nEaster egg charm of gold, engraved in moire effect to represent clouds in the sky.  The design is based on the star and crescent motifs of Mohammedan origin.  Within the star form, outlined in relief, is set a diamond, and a large cabochon sapphire is enclosed within the crescent form.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster; the number \"56\" denoting the Russian equivalent of 14 Karat gold; and the device of the Moscow assay office, St. George slaying the dragon.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/46\nCharm of gold, purpurine and enamel, in the form of an Easter egg.  A circlet of diamonds separates the purpurine portion from the rest which is made up of alternating sections of opaque white and transparent emerald green enameling on a gold ground.  Each of the enameled sections bears a numeral of the year \"1900\", when it was presented to Grand Duchess Olga.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster.\nFrom the quarters of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nNote: purpurine is a composite stone developed by Fabergé, and reputed to be formed by a secret process of fusing gold and porcelain.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/39\nCharm of gold in the form of an Easter egg.  Palmetto leaves and the figure of an African elephant holding in his trunk a diamond, form the decoration.\nIn the style of Fabergé, the Russian court jeweler, it was created by the Kalodnikoff masters, bearing their hall-marks and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of the Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1933\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/45\nUnusually handsome Easter egg charm of gold.  A fillet of diamonds separates a petal decoration from the upper part of the egg in which a solitaire diamond is set.  A cabochon sapphire is set at the base.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked number \"56\", the Russian equivalent of 14 karat gold.  \nFrom the apartments of Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/38\nEaster egg charm of gold-on-silver, inlaid with varicolored opaque [handwritten, transparent x'ed out] enamel and bearing the Russian letters \"XB\" front and back, the abbreviation of the Easter salutation \"Christ is Risen\".\nIt was designed by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II and Alexander III, and is hall-marked with the initials of his workmaster.  \nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/33\nCharm of clove pink matte enamel, covered with a filigree of gold intricate design of conventional fleur-de-lis and braiding.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/32\nCharm of gold, in the form of an Easter egg.  It is covered with enamel in the deep blue color, beloved of the Russian people, over delicate engine turning and is set with a diamond.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the number \"56\" denoting the Russian equivalent of 14 karat gold; and the initials of his master.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/44\nEaster egg charm of topaz, with alternating sections of opaque white and translucent red enamel, banded with a circle of diamonds.\nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/9\nExquisitely modeled figure of an African elephant with upraised trunk, wrought in twenty-two karat gold.  His lifelike eyes are set with diamonds, and the tusks are carved from ivory.\nCreated by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II, it was made to the special order of his mother, the Dowager Empress Marie Feodorovna.\nFrom the quarters of the Empress, in the Anitchkov Palace, St. Petersburg.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/13\nDelightful gold chain bracelet with safety catch.  It alternates with three red gold and three green gold links.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and executed by his workmaster whose initials it bears – \"AE\", together with the wreathed head of the government assay office.\nFrom the apartments of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 2, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5209/26\nTiny, exquisite frame of lapis lazuli mounted on a rectangular base of gold-on-silver, supported by four ball feet.  The oval aperture, rimmed in gold, bears a photograph of Nicholai II.\nThis charming piece is from the quarters of Tsarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nApril 15, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSIES\nGraceful spray of pansies carved in amethyst, the centers set with brown diamonds.  Calyxes are formed in jade.  Rising on slender gold stems with leaves of Siberian nephrite, serrated and realistically modeled, the little pansy is set in rock crystal carved to represent water in a vase.\nCreated by the world-famed Russian jeweler, Karl Faberge, it is hallmarked with his name in Russian, and the initials of one of his leading masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18 karat gold.\nNumber RE5380-13\nMrs. John L. Pratt\nJanuary 9, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/2\nFlower fantasy exquisitely developed in jewels in the form of a dandelion seed ball.  Created by Carl Fabergé, illustrious jeweler to the Russian Imperial Family, this little piece typifies his finest work.  The head, with down of asbestos is developed around the seed pod and pedicels of platinum, delicately finished with tiny diamonds.  Serrated leaves carved in jade and graceful gold stalk rise from a little vase carved in rock crystal to represent a tumbler filled with water.\nFully hallmarked, it is signed with the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and with the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom a collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/10\nExtraordinary jeweled flower fantasy by Carl Fabergé, world famed court master to Tsars Alexsandr III and Nikolai II of Russia.  The blossom, carved in amethyst, opens slightly to reveal three stamens of gold, diamond set.  It surmounts a sturdy stem imbedded in gold soil within a tub-like container.  Leaves are realistically modeled of deep hued Siberian nephrite.  Encircling the container, which is fashioned of varitoned grey-brown agate, are hoops of gold pointed with small diamonds representing rivets.\nImportantly hallmarked, the stalk bears the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/16\nPair of lovebirds carved in amethyst, huddled together on an ivory perch ornamented with transparent carnelian enamel on a ground of guilloché gold and dainty rings of platinum, diamond set.  Deep cabochon topaz are set in the ends of the perch bar; two fine gold chains, linked to a foot of each bird, are attached to the pedestal base.  The delicately wrought fantasy rests on an inverted circular base, fashioned of dark green Siberian jade mounted with a simple gold border.  Four ball feet of gold complete the stand.\nCreated by Carl Fabergé, eminent Russian court jeweler, this exquisite object is hallmarked with his name; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/17\nSmall cage of appealing design wrought with slender bars of gold and suspended with a gold loop.  Mounted on a base of Siberian nephrite which rests on four ball feet, the top is finished with seven pearls and with a decorative portion of turquoise composition, encircled by diamonds.  Within this cage, on a small twig-like perch, is a diminutive bird carved in emerald, with head lifted in song and eyes set with diamonds.  \nThe gold perch bears full hallmarks including the name of Fabergé; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nMrs. John L. Pratt\nFebruary 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/29\nParasol handle of limpid clear rock crystal etched in open squared effect, pointed throughout with cabochon rubies.  The base is of solid gold and is encircled with a conventionalized laurel wreath, intermittently bound with crossed ribbons.\nDesigned by Carl Fabergé, famed jeweler not only to the Imperial family of Russia but to the crowned heads of Europe and Asia, it is fully hallmarked.  Present is the name \"Fabergé\" (indistinct); the Russian initials of one of the master's leading artists, Mikhail Perchin; the wreathed head of the government assay office; the numeral \"56\" denoting the Russian equivalent of 14kt. gold; and the initials of the government inspector \"YL\".\nOriginally a parasol handle in the possession of the Tsarina Aleksandra Feodorovna of Russia, a flat base has been applied so that the little object may be used as a seal.  From the personal effects of the Tsarina in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.CA-5364/2\nGreen jade miniature frame designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II.  Made of one piece, it has two oval receptacles containing rare, original photographs of the court jeweler and his wife.  They are rimmed with delicate fillets of silver, applied with ruby and black enamel in a design bordered by lines of white.  The photograph openings are backed with ivory to which is attached a hinged easel of graceful design.\nThe easel is hallmarked with the full name \"Fabergé\"; the initials of one of his leading workmasters, Henrik Wigstroem; and the numeral \"88\" denoting the quality of Russian silver.\nAcquired from Nikolai Fabergé, son of the renowned jeweler.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\nFebruary 17, 1939","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/3\nJeweled flower fantasy created by Carl Fabergé, eminent Russian court jeweler, signed with his name and the initials of one of his leading workmasters, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nDesigned with ingenuous artistry, this branch of English hawthorn has small fruits (\"haws) of red and white agate, cleft leaves of jade and a gold stalk imbedded in a white agate pot with soil of gold.  It is mounted on a base of white jade.\nFrom the collection of a member of the Russian Imperial Family.\nThese flower creations represent the height of Fabergé's imaginative genius.  They were the favorite possessions of the late Tsar and Tsarina, both of whom were ardent flower lovers.  Several of these were created by Fabergé for King Edward VII of England who presented them to Queen Alexandra.  Upon her passing, these jewels were left to her son, King George V of England, and to Queen Maud of Norway.  Some of these fantasies are now the prized possessions of Mary, the Queen Mother of England.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5332/7\nCompanion figures of two French bulldogs, one seated in attentive attitude – the other, a pup, in crouched position.  Beautifully carved of smoky topaz, the eyes of each are set with cabochon sapphires.  Collars finished with pendant drops, are gold, set with faceted sapphires of fine deep color.\nRealistic in every detail, these little sculptures are designed and executed with incomparable finesse.  They are creations of Carl Fabergé, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia, who was, as well, jeweler to nearly all the crowned heads of the European and Asiatic continents.  Fabergé, expert in the art of small figure sculpture, was noted for his ability to impart to the materials in his hands a convincingly living quality of form.\nThe topaz dogs are from the collection of the Tsarina Aleksandra Feodorovna, , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5389/2\nHandsome parasol handle of Siberian nephrite known as spinach jade, banded in red gold, encircled in diamonds.  The central portion has a connecting bow motif developed in diamonds and two cabochon rubies of fine color.\nIt was created by Carl Fabergé, renowned jeweler to the Russian Imperial Family.  Smoothly modeled and gracious in its simplicity, it is characteristic of the decoratively useful objects made by him for the late Tsarina Aleksandra Feodorovna and her daughters, the young Grand Duchesses.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/28\nParasol handle of lapis lazuli and gold in hexagonal form.  Narrow strips of gold connecting with the collar, pointed alternately with diamonds and gold relief pattern in diamond effect.  Finished with a flat end of gold, the handle is suitable for use as a seal.  It is contained in its original case of green hand-tooled leather.\nOf Russian workmanship, in the style of Fabergé, it bears the master's initials \"AK\".\nMrs. John L. Pratt\nFebruary 20, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/16\nRare, jeweled flower fantasy in the form of a water lily spray, set in rock crystal,  carved to simulate a rectangular vase filled with water.  Beautifully modeled, blossoms and buds are carved in chalcedony; stamen clusters of gold are set with rubies of fine color.  The leaves, liquid in appearance and with natural veinings, are carved in Siberian nephrite.  Grouped together, these are supported on slender stems of gold of which the lower portion of which the lower branch is fully hallmarked with the complete name of the master-designer, Faberge, illustrious jeweler to the Imperial court of Russia.  Present also are the initials of one of his leading artists, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 14kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 23, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/11\nIngenuous flower fantasy, finely detailed describing a Tibetian [sic] poppy.  Small buds and opening blossoms are fashioned in white chalcedony with peach tonings [sic].  The delicate stamens of gold, set with sapphires, cluster thickly in the fuller blown blossoms; centers are set with topaz.  Rhythmical stems rising from gold soil and finely worked sepals are in gold.  Carved in Siberian nephrite, the serrated leaves enclose the flower grouping.  A simulated tub carved in greyish-brown veined agate, is held with hoops of gold set with diamonds for the rivets.  \nAn extraordinary creation of Carl Fabergé, Imperial Russian master and illustrious designer in gems, the lower portion of the stem is hallmarked with his name in Russian; the initials of his able artist, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/4\nJeweled opium poppy, represented growing in a tub, designed by Carl Fabergé, Imperial Russia's greatest creator in gems.  Rising on sturdily modeled stalk of gold with blossom head full blown, it is delicately carved in amethyst.  A large cabochon Siberian amethyst, set in gold and red platinum, forms the heart of the blossom.  Surrounding this is a cluster of fine gold stamens pointed with diamonds.  The leaves are of extraordinary artistry.  Carved in Siberian nephrite, they follow the natural feeling of the growing plant.  The tub container is fashioned in brown-toned, striped agate.  Within this is soil of gold, and two gold hoops encircle the exterior.  Simulated rivets are diamond set.  \nThe stem is fully hallmarked with the complete name \"Fabergé\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/5\nLilies of the Valley\nEthereal flower creation developed in gems by Imperial Russia's foremost jeweler.  Tiny blossoms are delicately fashioned in quartz, with centers of gold.  Imbedded within gold soil in a container of brown veined agate, the blossoms and bands encircling the little tub are of 18kt. gold.  To this fact full hallmarks attest.  Present is the master's name \"Fabergé\"; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian [Imperial] Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/14\nDainty jeweled fantasy of a small hyacinth plant set in a little tub carved in white agate.  From the centers of the miniature blossoms of blue chalcedony appear gold stamens set with tiny emeralds.  Calyxes and leaves in realistic manner are of Siberian nephrite, and the stem isof [sic] 18kt. gold.\nThe lower portion of the stem, rising above the gold soil within a little tub, is hallmarked with the name of the master-designer, Carl Fabergé.  Present also are the initials of one of his ablest masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/12\nStalk of small asters, the blossoms carved in polished chalcedony, with gold centers, emerald set.  Calyxes are of green chalcedony, toning with the serrated leaves fashioned in Siberian nephrite.  The branch and extending short stems, joined irregularly with tiny leaflets, rise from a pot of jasper.  Wide gold bands encircle top and bottom of the container, the material of which, predominately brick-toned, shows platinum grains, throughout.  It may be noted that jasper and lapis lazuli from the Ural mountains frequently carried particles of precious metals.\nThe lower portion of the stem is fully hallmarked with the name, in Russian, of the master-creator of this little fantasy, \"Fabergé\".  Present also are the initials of one of his outstanding artists Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/11\nMiniature jeweled flower fantasy representing a rose plant imbedded in gold soil within a pot of grey-brown agate, banded in gold.  Bud-like blossoms of quartz surmount slender stalks of gold, realistically modeled in detail with thorns along their length.  Myriad small leaves in Siberian nephrite point upwards or cluster on drooping stems at the top of the container.\nThe little jeweled object, created by Carl Fabergé, eminent jeweler at the court of St. Petersburg, is fully hallmarked with his name; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/3\nRare, jeweled flower, fantasy, representing a branch of Queen Anne's Lace, imbedded within gold soil in a pot fashioned of dark red jasper, inclining gracefully to one side, the flower head is developed in platinum, pointed with diamonds on sturdy pedicels of gold.  The flower calyx is in chalcedony.  Gold stems bear small serrated leaves carved in nephrite, designed in perfect complement to the natural species.\nThe lower portion of the stem is fully hallmarked with the name \"Fabergé; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nOrange Blossom\nArticle No. RH-5380/10\nDelicately wrought flower fantasy created by Carl Fabergé, world famed court jeweler to the last two Tsars of Russia, Aleksandr III and Nikolai II.  Fashioned with consummated [sic] artistry, the buds and blossoms in chalcedony surmount a slender, curved stem of gold on which startingly [sic] realistic leaves appear, carved in Siberian nephrite.  Five of these cluster at the top and a large one is joined near the base of the stem, at the point where it is immersed in simulated water.  The little vase is ingeniously fashioned of rock crystal.\nFull hallmarks include the name \"Fabergé\"; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/5\nFigure of a heron carved in blue-gray smoky agate, with legs and splayed feet of red gold.  The eyes are set with diamonds.\nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it was executed by one of his foremost artists, Henrik Wigstroem.  The bird shown upright, in resting position, carries one wing slightly higher than the other.  Sensitively modeled, fine detail of feathers and general form is evident.  Rhythmic in line, the little sculpture is a particularly beautiful example of the designer's individuality of expression.\nFully hallmarked, it bears the full name, \"Fabergé\"; initials of his workmaster Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/4\nFigure of a \"Teterev\", wood grouse carved in black obsidian with eyes of diamonds, legs and claws fashioned in red gold.  The plump body is modeled smoothly and realistically described by restrained carving which suggests the feathered formation.  The bird is posed looking alertly to one side, with head inclined attentively and tail feathers raised.  \nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it is hallmarked with his name and initials of his leading master, Henrik Wigstroem.  Present also is the numeral \"72\", denoting the Russian standard of 18kt. gold.\nFrom the personal quarters of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/16\nFigure of a Russian bear, smoothly carved in rock crystal, in standing posture.  Modeled with rare fluency of form and subtly detailed the little animal is shown with four [sic?] paws upraised and head turned to one side.  A striking feature of this beautiful sculpture is its perfect equilibrium notwithstanding the fact that the heavy body inclines forward.\nIt was designed by that master-creator in gems, Carl Fabergé, jeweler at the court of St. Petersburg during the reigns of the last two Tsars of Russia, Aleksandr III and Nikolai II.\nMrs. John L. Pratt\nMarch 3, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH845/1\nLocket and chain of solid gold.  The locket, oval in shape, encloses a plaque of pearl-white transparent enamel inlaid on a ground in sunburst and star design, framed within a scrolled pattern.  Applied to the enamel is a raised flower of gold, the petals of which are set with three rubies and three diamonds.\nIt was designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II, and is hallmarked with the initials of his workmaster; the wreathed head of the government assay office; the initials of the silver inspector and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.  The chain of alternating smooth and etched oblong links, fashioned also by the court jeweler, is hallmarked with the initials of his workmaster \"H(?)V\".\nFrom the apartments of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Alexsandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 15, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.3531\nNineteenth century mahogany cabinet in French classic style, carved and ornamented with bronze mountings.  \"Espagnolettes\" form decorative motifs on portions of the frameworks.  Gracefully proportioned, it is fitted with removable glass shelves.\nDuring the twenty years previous to the Revolution, the style of French furniture reached a high standard of artistic excellence, both in design and execution.  This phase continued and produced a fine influence on the furniture of the next period, extending itself, as well, to the development of gracious furniture types in other countries.\nMrs. John L. Pratt\nMarch 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5454/3\nIntriguingly designed pendant in the form of a Russian Easter egg, suspended by two chains from a large loop.  Of solid gold, and fashioned to open midway on a small hinge, the six-pointed star ornamenting the top is set with a ruby and eighteen rose diamonds.\nDesigned by Carl Fabergé, Imperial Russia's greatest court jeweler, this little pendant charm was made for one of the young Grand Duchesses, daughters of the late Tsar Nikolai II.  It was found in the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5448\nUnusual, small parasol handle designed by Carl Fabergé, executed in his finest manner.  The ball top is fashioned in jade, the handle stick of gold is overlaid with blush-pink transparent enamel on a ground tooled in swag effect.  Two delicate fillets of gold, set with finely matched pearls, frame this portion.\nIt is contained in the original box of hollywood, stamped with the master's insignia beneath the double-headed eagle of royal appointment.\nOf great charm and simplicity, the little object was made for one of the daughters of the late Tsar Nikolai II.  It is from the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/12\nFigure of a polar bear carved in white granite, the eyes set with faceted emeralds of brilliant hue.  With teeth bared and head thrust forward, the animal seems to present a resistant front to some invisible enemy.  Heavy legs and paws and cumbersome body are well delineated, and the fur subtly handled.\nDesigned by Carl Fabergé, famous jeweler to the late Russian Imperial family, it was executed by one of his most talented stone carvers, Kremlev the Younger.\nFrom the apartments of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.5449\nFigure of a Dachshund carved in black Ural agate, lightly veined in red.  The little sculpture, smoothly executed and rhythmic in line, is shown in seated posture.  The eyes, set with diamonds, glisten in the finely modeled head and convey an expression of keen awareness, as well as that of patient watchfulness.  An appealing note is found in the left forepaw: the deep hued agate in which the entire body is carved, assumes a definite toning here, and the forefoot, consequently, is of grayish-tan color.\nDesigned by Carl Fabergé, Old Russia's illustrious jeweler for Tsars Aleksandr III and Nikolai II, and made for the Dowager Empress Marie Feodorovna, this is one of his exceptional animal sculptures.  It is contained in the original box of hollywood, velvet and satin lined, and stamped with the insignia of the royal jeweler beneath the double-headed eagle of royal appointment.\nFrom the apartments of the Dowager Empress in the Anitchkov Palace.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/8\nCrouched figure of a cat gracefully carved in white transparent Ural stone, the eyes set with faceted sapphires.  There is a feeling of concentrated watchfulness in the rhythm of the body.\nIt was designed by the celebrated jeweler to the late Tsar's family, Carl Fabergé, and was executed by his able stone carver, Kremlev the Younger.\nFrom the collection of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5409/25\nGraceful figure of an ostrich, realistically carved in Siberian striated [sic] brown agate, with eyes set with emeralds and legs modeled in gold.  It stands on a plinth of giallo marble.  The body is beautifully executed in full detail.  Feather formation follow [sic] the natural veinings in the stone and the neck, rising arched, developed in the lighter-toned portion, is etched to show the smallest feather form.  \nIt was created by Carl Fabergé, world-famed jeweler to the Imperial family of Russia, court jeweler and designer in precious substances to nearly all the royal houses in Europe and Asia.\nMrs. John L. Pratt\nJune 1, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nROOSTER\nTiny, exquisite figure of a Rhode Island Red rooster, carved from a piece of veined gray and brown agate.  The natural coloring of the stone is admirably suited to representing the coloring of this famous chicken.  Each of its eyes is set with a sparkling diamond, and its feet are delicately fashioned in solid gold.\nThe rooster was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented young sculptor, Kremlov.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nJADE COUPE\nMagnificent cylindrical coupe wrought from a single piece of spinach jade.  The vessel is supported on a tripod base formed by three powerful sea horses [sic], superbly modeled in gold and silver.  A pierced gold band, displaying a design of dolphins and set with cabochon rubies and sapphires, rims the top.  Surmounting the domed cover of jade is a gold trident, beneath which is the head of Neptune, two female heads and a cabochon ruby and sapphire.\nThis distinguished objet d'art was designed by Carl Faberge, celebrated court jeweler to Nikolai II and is hallmarked in Russian with his full name; the initials of his workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; the number \"88\" indicating a fine quality of Russian silver; the device of the St. Petersburg assay office, crossed anchors and scepter; and the original order number of the court jeweler, 2017.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm in the form of a bear, carved from real opal, suspended from a gold link.  He is standing on four paws and his eyes are set with cabochon rubies.\nThis little animal was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm of a bear exquisitely carved from real amethyst and suspended from a gold link.  He is standing on his hind legs, and his eyes are set with small cabochon rubies.  \nThis charm was designed by the celebrated court jeweler to Nikolai II, and executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVASE\nSmall, oval vase carved in brown and white veined Ural agate.  The bowl is separated from the skirted foot by a band of finely matched turquoise set between two fillets of repousse [sic] gold.\nThis exquisitely graceful object was made in the Imperial Grinding Factory in Peterhof.  This factory was owned and operated exclusively by the court.\nFrom the quarters of Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold decorated with vertical sections of transparent ruby enamel, separated by fillets of transparent pearl enamel.  Each section has a dainty leaf design, giving the decoration a Persian feeling.\nIt is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nCharm in the form of three tiny Easter Eggs, suspended from a bar.  The eggs are of chrysophrase, agate, and reconstructed turquoise, while the gold bar is set with three cabochon rose tourmalines, alternating with two pearls.\nIt was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and is hallmarked with \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head of the government assay office (indistinct).\nFrom the quarters of the Grand Duchess Anastasia Nikolaevna, youngest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual charm in the form of an Easter Egg.  It is made up of two halves of Siberian amethyst, separated by a band of faceted rock crystal and held together on an axis of gold.\nIt was created by the celebrated court jeweler to Nikolai II, Carl Faberge, and the gold link is hallmarked with the initials of his assistant master \"PK\", and the number \"56\" denoting the equivalent of 14 kt. gold.  Since it was originally brought from Russia into France, it bears the French inscription mark \"ET\".\nFrom the apartments of the Grand Duchess Tatiana Nikolaevna, second daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nMiniature Easter Egg designed as a pendant charm, of gold-on-silver, the surface hand-tooled.  The swam motif modeled in relief, encircled within a modeled form, ornaments one side.\nLoops from which it is suspended are hallmarked, but the devices through years of wear have become less distinct.\nDesigned by Carl Faberge, court jeweler to the last two Tsars of the Romanov Dynasty, it is fashioned like those which he made expressly for the young Grand Duchesses, daughters of Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg pendant of gold, set with sapphires and diamonds in a connecting design resembling three medallions suspended from triangular ribbon pieces.\nIt is surmounted by two loops, one of which is hallmarked (indistinctly).\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold, decorated with transparent sapphire blue enamel over a field of delicate guilloche [sic] work.  It is set with a large diamond on one side and a small one at the bottom.\nThe loop is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nSILVER VASE\nVase of hand-wrought silver in Empire style, designed by the celebrated court jeweler to Nikolai II, Carl Faberge.  Standing on three claw feet, its sides are decorated with as many antique Russian coins, one of Empress Anna, dated 1712, one of Peter III, dated 1762 (he was the husband of Catherine the Great and ruled only one year), and one of Catherine the Great, dated 1764.  The bowl is outlined with a tiny twisted motif, while the upper rim is in acanthus leaf design.\nIt is hallmarked with the full name of the court jeweler, \"2K. Faberge\" beneath the double-headed eagle of royal appointment; the initials of his assistant workmaster \"AW\"; the number 88 denoting the quality of Russian silver; and the wreathed head device of the government assay office.  It also bears the jeweler's original order number #24066.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nINK WELL\nMagnificent inkwell of spinach jade, gold, silver and transparent enamel in the classic Empire style characteristic of many of the finest works of Carl Faberge, Russian court jeweler.  The base of Siberian nephrite is smoothly modeled down straight sides and under surface.  The collar of champ-leve [sic: champlevé] pearl -white enamel on a guilloche field designed in undulating effect is rimmed in gold motif.  Heavy gold swags in in the same feeling depend from this over the top surface of the bowl.  The hinged lid is vibrant with champ-leve [sic: champlevé] amethyst and pearl-white enamel in alternating bands, on guilloche fields identically designed with the collar.\nWithin the lid of gold-on-silver appear the hallmarks which include the Russian name of the master creator, Faberge; the Russian initials of his workmaster, F. Afanasaiev, the number \"88\" denoting the quality of Russian silver; and the wreathed head device of the government assay office.\nThe object is from the famous jade collection of Agathon Faberge, illustrious son of the jeweler, known throughout Europe during the Imperial regime as one of the greatest gem experts of the world.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOCKET\nUnusual ball-like locket made from choice Siberian lapis lazuli and mounted with corded lattice work in gold.  Opening in half on a hinged lid, one side is equipped with a hinged glass miniature frame.\nThis locket was acquired from the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold and enamel created by Carl Faberge[sic], eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  The egg-shaped top has a field of guilloche work applied with mauve champ-leve [sic: champlevé] enamel, favorite color of the Tsarina Aleksandr Feodorovna.  This is decorated with a spiral effect of diamonds, terminating in a large diamond at the top.  The wide neck of yellow champ-leve [sic: champlevé] enamel is banded by two fillets of diamonds and is mounted with swags of green and red gold tied with diamonds.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold in graceful tapering shape, created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II, Carl Faberge.  The sides and top are divided into five sections of rose champ-leve [sic: champlevé] enamel, with moss agate effects, over a field of guilloche work, and outlined in white enamel, each centered with a diamond.  The crown of the handle is rimmed with diamonds, and the top is set with a large diamond surrounded by small ones.  The neck, also of rose enamel banded with diamonds, is applied with criss-cross leaf motifs, each set with a diamond.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBULLDOG\nFigure of a bulldog cared in obsidian and designed by Carl Faberge, eminent jeweler to the Imperial Court of Tsars Aleksandr III and Nikolai II of Russia.  The dog's brilliant eyes, each set with a diamond, and his life-like expression, are a lasting tribute to the genius of Faberge.  Around his neck is a white enameled, gold collar from which is suspended a tiny bell.\nThe loop on the collar is hallmarked with the initials of Heinrich Wigstroen, successor to Mikhail Perchin as Faberge's [sic] leading master.  It also bears the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head device of the assay office.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle fashioned in 18 kt. gold, applied on a guilloche ground with long panels in champ-leve blue enamel.  Separations between these, and collars circumscribed top and base, are patterned in small flower and leaf effect, the motifs executed in transparent ruby and emerald enamel.  A faceted diamond is set in the circular top and this is enclosed within the three tones of transparent enamel bordered in gold.\nThe object was created by Russia's eminent court jeweler, Karl Faberge, famous throughout the world as the greatest creator in gems of modern times.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest masters, Henrik Wigstroem; the numeral \"72\" denoting the Russian standard of 18 kt. gold; wreathed head device of the government assay office; and the Russian initials \"YL\" of the government inspector.  Present also is another assay device, nearly obliterated through wear.\nFrom the Imperial Russian Collection.\nNumber 5450-6\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nLong parasol handle of spinach jade, gold, and enamel.  The smoothly formed top is finished with a wide collar of red and green gold applied with opaque white enamel and red-carnelian champ-leve enamel on a guilloche undersurface.  This is rimmed in fluent wreath effect in the characteristically classic manner of its maker, Karl Faberge, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.\nThe object is hallmarked with the Russian initials of one of the master's artist-assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nNumber 5625-11\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nRhythmically shaped parasol handle of finely carved jade, mounted in solid gold and set with numerous diamonds in leaf-veining effect following the movement of the carving.\nIt was made by the Court Jeweler to Tsar Nikolai II, Karl Faberge, outstanding craftsman of the last fifty years, and illustrious court master to the late sovereign and his father, Aleksandr III.  His full name appears on the object, together with the initials of one of his foremost masters, Mikhail Perchin.  It is also marked with Faberge's original order number, #1225.  The handle is contained in the original white hollywood box.\nFrom the apartments of the Tsarina Alexandra Feodorovna, wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber #E23\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nGLOBE\nTerrestrial globe fashioned of remarkably clear topaz, intricately carved with a map of the Earth and its great divisions.\nIt rests on a solid gold tripod, nested in the base of which is a compass.  The frame-stand is encircled with a wide gold rim band engraved to show the units of longitude reckoned 180 degrees East to West or 15 degrees to the hour, the months of the year inscribed in Russian, and the corresponding signs of the Zodiac.  \nPoles are represented by small gold markers engraved with the hours of the day, and these attach to the latitude indicator measuring the distance on the earth's surface northward and southward from the Equator.  Hinged to this is the terrestrial Meridian index.\nA rarity even among the exceptional objects of fantasy and the bibelots created by Karl Faberge, illustrious Court Jeweler to Tsars Aleksandr III and Nikolai II of Russia, the piece is hallmarked with the initials \"EK\" of the master's leading goldsmith, Edward Kollin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre, device of the St. Petersburg assay office.\nFrom the Imperial Russian Collection.\nNumber 5550-1\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nDainty, rectangular frame of gold-on-silver with mauve champ-leve [sic: champ levé] enamel on a guilloche field, in basket weave design.  The oval aperture is rimmed in a fillet of gold set with pearls.\nThe frame, bordered with a continuous laurel leaf design in green gold, and delicately enhanced by the subtle color it encloses, is wrought in the finely characteristic style of the master.\nThe object is signed with the full name, in Russian, of Karl Faberge, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  Frequent also is the number \"88\" for the Russian quality of silver; the Russian initials of Faberge's assistant master, Mikhail Perchin; device of the St. Petersburg assay office, crossed anchors and sceptre; and the jeweler's original order number #57700.\nThe object is backed with ivory and has an easel as well as a hook for hanging.\nFrom the apartments of the Tsarina Alexandra Feodorovna , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber RH1698-100\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSY\nBeautifully composed spray of pansies, featured in rock crystal, fashioned to represent a small vase filled with water.  On a single stem of gold, three branchlets [sic] divide, each topped with a blossom carved in golden-hued and carnelian agate.  Petals, engraved with simulated veinings,[sic] curl realistically, held by calyxes of gold, and centers are set, each with a diamond.  Nephrite leaves group mainly along one long branchlet,[sic] reaching toward the light in their ascent.\nKarl Faberge, Russian court jeweler to the last two sovereigns of the Old Empire, created the little fantasy.  It bears his name in Russian; initials of one of his ablest assistants, Henrik Wigstroem; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and an assay device, in all likelihood that of St. Petersburg, now obscured.\nNumber 5509\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVERBENA\nDainty flower form created by Karl Faberge, Imperial Russia's most illustrious designer in gems.  Fashioned as a small verbena plant, the tiny blossoms are carved in chalcedony and white quartz, the centers pointed with diamonds.  These are joined to the gold stem by pedicels of gold.  Leaves are in Siberian nephrite.  The little tub, within which the plant is imbedded in gold soil, is of brown veined agate.\nLower portion of the stem is fully hallmarked with the complete name of the master in Russian, \"Faberge\"; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-6\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBUTTERCUP\nJeweled flower fantasy of buttercups with three blossoms fashioned in translucent yellow agate, with stamen centers, diamond set.  Rising on graceful, slender stalks of gold, their serrated leaves, carved in Siberian nephrite, thrust upward through the gold soil in a container of Siberian lapis lazuli.  This rests on a square plinth of white jade.\nThe lower portion of the stem is hallmarked in full with the complete name, \"Faberge\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the number \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLILIES-OF-THE-VALLEY\nDelicately wrought lilies-of-the-valley with blossoms in translucent white chalcedony with gold centers, drooped on long stems of gold, from the base of which rise leaves in nephrite.  The little fantasy rests within rock crystal fashioned to represent a vase filled with water.\nThe object was created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  It is fully hallmarked at the base of the stem with the master's full name in Russian, \"K. [struck through] Faberge\"; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and the initials \"HW\" for Henrik Wigstroem, one of Faberge's ablest workmasters.\nNumber RH5380-9\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPRIMROSE\nGraceful flowering primrose branch rising from a rectangular vase carved in rock crystal.  The container is designed in such a manner that it has the appearance of being filled with water.  Full blown flowers are in carnelian-toned agate, stamen clusters of gold surrounding brilliant centers set with diamonds.  The leaves, carved with rare finesse are in Siberian nephrite, and stems are made of 18 kt. gold.\nKarl Faberge, Imperial Russia's greatest court jeweler, designed the extraordinary fantasy.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nRH5413-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nHUMMING BIRD\nExquisitely carved figure of a humming bird with extended wing, resting on a high perch.  It was created by Karl Faberge, world-famed court jeweler to Aleksandr III and Nikolai II of Russia.\nFormed in smoky-toned translucent agate, the little figure is modeled with simplicity and fine attention to necessary detail of feathers and expression.  The eyes are set with diamonds.  The perch on which it rests is of 18 kt. gold, the horizontal bar being finished at either end with a cabochon sapphire and a circlet of diamonds.  Where the verticle [sic] rod joins purpurine base, banded and footed in gold in characteristic style of the master, it is encompassed by a collar of opaque and transparent enamel in white and pale tangerine.\nRendered indistinct through the years, are the hallmarks which appear on the under rim of the base.  These include the numeral \"72\" denoting the Russian standard of 18 kt. gold; and the initials \"HW\" for the Court Jeweler's notable workmaster, Henrik Wigstroem.\nThe composition known as purpurine is associated, if not entirely, at least most closely with the work of Faberge.  It was he who discovered the process whereby the fusing of porcelain and glass resulted in the extraordinary rich, red color.  The substance results, more often than not, although in a few of the rarest pieces, such as the one described above, the composition is smooth.\nNumber RH5408-14\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nDACHSUND [sic]\nBeautiful, detailed figure of a dachshund, created by Karl Faberge, illustrious court jeweler to the monarchs of Europe and Asia, and especially to the last two Tsars of Russia.  It is carved in fine, brown agate.\nEach movement of the little body, subtly expressed, contributes to the whole rhythmical form.  The eyes are set with cabochon rubies.\nNumber 5478-5\nMrs. John L. Pratt\nJanuary 10, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG PENDANT\nImperial Russian Easter Egg pendant carved of pink orletz, known as eaglestone, found in the Ural mountains.  It is mounted in gold with an abruptly bent loop pinioned to either side of the top.  Through this passes a second large loop for hanging.\nCreated by Karl Faberge, illustrious court jeweler to the last two Tsars of Russia, it is hallmarked with the initials \"AD\" of one of his workmasters, and with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nIt is from the collection of the Grand Duchess Marie Nikolaevna, third daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5625-3\nMrs. John L. Pratt\nJanuary 24, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCOIN\nLarge commemorative medallion heavily wrought in silver, featuring Queen Victoria of the British Empire on its cover with the inscription \"Victoria Regina Imperatrix\" – Victoria, Queen and Empress.  The back is modeled in relief with figures of Greek mythology, and with shields of the continents massed on the lower edge entitled \"Asia\", \"America\", \"Europe\", \"Austral-Asia\", and \"Africa\".  Marvelously fashioned to conceal all but a vestige of the device by which the hinged lid opens, the piece contains two oval miniatures of Queen Alexandra and King Edward VII of England as Princess and Prince of Wales, hand-painted on ivory and framed with elaborate mounts of gold.  These include the plumed crown of the Prince of Wales and ribbons bearing the inscription \"Ich Dien\" – I Serve, motto significant of the Hanoverian line of the British Royal House.  \nThe cover of the piece is marked with the initials of the artist, \"JEB\".  It is of English workmanship and was made by the firm of \"George Edward \u0026 Sons\", Silversmiths by Appointment to the British Court.  It is contained in the original red velvet case.\nNumber 5450-17\nMrs. John L. Pratt\nJanuary 31, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG\nImperial Easter Egg of rose quartz.  It was polished in the Imperial Grinding Factory in Peterhof which was founded by the Empress Elizaveta Petrovna.  At the larger end is found a magnificent star similar to that of a star sapphire.\nIn Imperial Russia the Easter Egg was of the greatest significance, symbolizing as it did the Resurrection and beginning of life and hopefulness.  During the festival of Easter, the year's greatest elaborate and simple eggs were given by all orthodox believers.\nThis egg of rose quartz was the property of Grand Duchess Olga Nikolaevna, oldest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye, [sic] Selo.\nNumber RH-5332-17\nMrs. John L. Pratt\nFebruary 6, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVIOLET\nJeweled violet fashioned in 18 kt. gold, the diamond-centered blossom naturalistically textured with an overlay of matte enamel, leaves wrought in Siberian nephrite.  Resting in its vase of rock crystal carved to represent a tiny tumbler filled with water, the flowerette [sic] inclines gracefully on its slender stem as if borne to one side by the weight of its petals. \nMady [sic] by Karl Faberge, illustrious court jeweler and in the master's best style, the little fantasy bears the assay mark of London in which city it was found.\nNumber 5756-19\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nPendant charm in the form of an Imperial Easter Egg of gold, applied with champ-leve [sic: champ-levé] ruby enamel on a surface tooled to represent a leaf form, and alternating sections in ultramarine blue enamel.  The four portions are banded with diamonds crossing at the underside and fashioned at the top with a double loop for hanging.\nMade by Karl Faberge, the larger of the loops is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and initials \"BF\" of one of the master's assistants.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent the most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-4\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nDelicately worked Imperial Easte[r] Egg charm of fete-ui mounted in gold and set with diamonds and rubies.  Describing a shower of tiny flower blossoms, small traceries in the precious metal depend rhythmically from a central repousse form at the top.\nTwo loops for hanging are hallmarked with the device of the workmaster \"MP\" for Mikhail Perchin, assistant of the illustrious court jeweler, Karl Faberge; and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nExquisitely hand-wrought small double picture frame of a thin solid slab of Siberian nephrite mounted with motifs of the Empire period.  Above the rectangularly cut apertures, enframed in pearls, is a long floral swag developed in several tones of gold and set with cabochon rubies.  The central design shows a graceful  flower basket which depends from a triple bowknot.  A similarly fashioned classical design with long pole terminating with the traditional pineapple suggestion, is centered with a flowing ribbon.  The squared openings are backed in mother-of-pearl, and the little piece rests on an easel wrought in gold-on-silver.\nCreated by Karl Faberge, it is fully hallmarked with the master's name in Russian; with the numeral \"88\" denoting the standard of Russian silver; the wreathed head device of the government assay office; and Russian initials \"YA\" of the official inspector.\nNumber 5777-8\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nTABLE BELL\nSmall table bell of red gold, designed in cupola form with tapering oval handle.  \nSole ornamentation consists of horizontal ridges which encircle the entire piece.  Producing a musical note as it strikes the side of the bell, the clacker is modeled as an elongated drop.  \nThe little piece was fashioned by Karl Faberge, jeweler to the last two sovereigns of Old Russia, and is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and with the initials of one of the master's assistant goldsmiths.\nNumber 5839-12\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame of a solid slab of translucent jade, mounted in two tones of gold with ornamental border and radiating stripes from an inner oval framework.  Containing the photograph of the small daughter Ireene of Prince Felix Youssopoff, it is exquisitely worked in the best style of the great court jeweler, Karl Faberge.  Mount designs include small four-petaled open blossoms, a twisted cabling and an alternating concantenate [sic] border within the outer edge.  \nDesigned with an ivory and gold back for resting on a table or hanging, the piece is hallmarked with the initials of one of the master's leading assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.\nNumber 5839-9\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nTiny double, gold frame, hand-wrought with incised stylized borders and a tooled ground on which is applied transparent pearl-white enamel.  It contains portraits of Tsar Nikolai I of Russia in uniform, decorated with various orders of knighthood, and his wife, the Tsarina Aleksandra Feodorovna who also wears one of the star orders of the Empire.  Each of the sovereigns is portrayed wearing the blue ribbon of the Order of St. Andrew.  Finely executed, these are set off by interior oval frames in the manner of the border.\nThe object rests on a gold easel and is backed in ivory.\nNumber 5840-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame fashioned to contain a miniature.  Hand-wrought in gold and applied on a guilloche field with transparent enamel in rich cobalt blue, the outer frame is developed in two tones of gold with a running border of leaves, and the inner fillet is bordered in pearls.\nThe piece, made by Karl Faberge, jeweler to the last two Tsars of Russia, is finely hallmarked with the master's full name in Russian; with the initials \"MP\" of one of Faberge's ablest associates, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of St. Petersburg.  The object bears as well the original order number, 58898.\nIt is backed in ivory and provided with a gold easel rest and a loop for hanging.\nNumber 5808-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nKOVSH\nCommemorative kovsh, smoothly modeled in red gold, featuring the Imperial double-headed eagle in diamonds on the prow.  Engraved within the border, fine old Russian stylized motifs are incised on the highly polished surface.  In the base, engraved within a heavy laurel wreath in repousse, a five ruble yellow-gold coin of Catherine the Great bears the Empress' portrait and, on the underside, the date \"1776\".  \nThis rare objet d'art was created by Karl Faberge and executed by his leading gold master, Edward Kolin.  Underside of the prow [lined through] handle bears, together with the jeweler's original order number #4297, the following hallmarks: the initials of the workmaster; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.  \nNumber 5756-18\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCHICK\nBaby chick, skilfully [sic] carved in richly-toned rose jasper with feet modeled in 18 kt. gold.  The eyes are set with cabochon rubies.\nCreated by Karl Faberge with fine expression of form and subtle line, this little object exemplifies the perfection of detail and ingenuous appeal which the master brought to the art of stone cutting.  \nFully hallmarked, it bears the number \"72\" denoting the Russian equivalent of 18 kt. gold; wreathed head of the government assay office; initials \"TL\" of the government inspector; and initials of the workmaster \"HW\" for Henrik Wigstroem.\nPresent also is the original blue enameled number, G21632, under which it was inventoried in the Gatchina Palace.\nNumber 5791-10\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg finely wrought in gold, hand-tooled and overlaid with orchid-pink champ-leve[sic: champ-levé] enamel and set with diamonds and a cabochon emerald.  Fashioned in panelled [sic] form, with diamond bands separating the enameled portions enhanced each by a stylized spray of gold laurel, the cabochon gem stone is featured in the based enframed [sic] in diamonds.\nIt was designed by the celebrated court jeweler, Karl Faberge.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nHandsome Easter Egg pendant of gold designed with oval medallions mounted with minute flower forms.  These, pointed with pearls and diamonds, are enhanced by vibrant enamelling [sic] in grotto green and old red.  Opaque white borders each of the four medallions.  The base is finished with a tiny pearl and the top with two loops for hanging.\nMade by Karl Faberge, both of these bear hallmarks including the numeral \"56\" denoting the Russian equivalent of 14 kt. gold and insignia, obscured, of the workmaster.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-5\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg charm designed as a locket to open by means of pressure on the tiny diamond thumb piece set in the base.  Of gold, overlaid with opaque white enamel streaked with swirls of pink to represent a rosebud, brilliant green enamel on a guilloche ground forms intricate patterns in repousse over the bud form to suggest the tendrils of a wild rose.\nIt was created by Karl Faberge, Russian court jeweler, and executed by one of his most illustrious assistants, Mikhail Perchin, who initials, in Russian, appear on the larger of the two loops.  Present also, but nearly obliterated through wear, is the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg charm of gold and sky-blue enamel set with a piece of rose quartz cut en cabochon.  Girdled with a fine gold band, the upper portion, terminating in a point, is hand-tooled beneath the enameled surface in delicate basket weave pattern.\nSurmounted with loops for hanging, the larger of the two is hallmarked with [in right margin a circle with slash through it and capital \"A\"; next text up to semi-colon appears to be lined through] the name of the Russian court jeweler Karl Faberge; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and certain other marks, partly obliterated through wear.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 6201-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOBSTER CHARM\nUnique charm modeled in gold and applied with transparent lacquer-red enamel on a tooled field, in the form of a lobster claw.  Characteristically jointed, the pincer end holds a faceted diamond in a prong setting.  It is surmounted by double loops for hanging.\nOriginally designed as a stick pin, this interesting charm was made by Karl Faberge, jeweler to the late sovereigns of Russia.\nNumber 5870-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK","LOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\nLOT #505 – ART. 6\nMARINE PAINTING ON CANVAS\n\"THE AMERICAN PACKET SHIP 'DREADNOUGHT'\nOF NEW YORK\".\nBy: James Wilson Carmichael\nENGLISH-1800-1868\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg, Va.\nFebruary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nMINIATURE IN FRAME\nSmall, round, gold frame by Faberge, wrought in exquisitely delicate form and ornamented with haut-relief floral swags, a spray of laurel and a graceful bowknot.  It contains a beautifully painted miniature on ivory of the late Queen Alexandra of England, sister of the Dowager Empress, Marie Feodorovna of Russia.  This is immediately enframed [sic] within a rim of red cisele [sic] gold, and an outer gold rim is finely engraved to finish the piece.\nProvided with a modeled gold easel and with a loop for hanging, the little bibelot of backed in ivory held by gold screws.\nIt is one of the characteristically superior works of the famed Russian court jeweler, Karl Faberge.\nFrom the collection of Prince Youssopoff.\nMrs. John L. Pratt\nFebruary 26, 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nFLORENTINE RENAISSANCE BUST\nLorenzo the Magnificent gave to the period of the Renaissance such impetus and encouragement that they served as the brush [??] which [??] the renewed interest in Classical Art.\nLorenzo had his faults, but his love for gems and jewels was less a fault than a talent, for he gathered together one of the finest collections of carved stones and exquisite jewelry ever to be owned by one man, and because he was a collector of Classical Art, others imitated him and followed his example, thus creating a market for the lapidary and goldsmith's work which has never been equalled. [sic]\nA development from this effort to create unusual pieces of jewelry and decorative objects was the use of large baroque pearls in their natural form.  The jeweler eagerly bought these pearls and after recognizing in one the body of a swan, in another the torso of a man, or, as in the figure of the warrior, a well-molded [?] helmet, he proceeded to make a design that completed the picture which his imagination visuallized [sic] with the pearl.\nIt is interesting, therefore, in contemplating the beautiful statuette of the warrior, that the helmet-shaped pearl was in all possibility the inspiration for the subject.\nWe do not know for what aristocrat it was made; we simply know that only a man of fine taste and great wealth could have commanded such a piece from his artisans and that the latter were among the best of the Renaissance period.\nThe best is that of a bearded Greek warrior carved from a large matrix emerald, showing fine detail in portrayal and in execution; on the head the warrior wears a gold helmet covered with the pearl and topped with a winged dragon; the bust stands on four golden snails [??] and is brightened about the [??] with rose diamonds.  The plinth is of topaz quartz carved in cameo [??] with heads of warriors and a philosopher.\nThis piece was formerly a part of the well-known Henry Walters Collection.\nLillian Pratt\nJanuary, 1945","Transcription: \n[double-headed eagle]\nArticle #5324\nA nine-paneled, hinged screen closes to form this exquisite egg of solid gold.  Surmounting it is the symbol of Christianity, a pelican feeding her blood to her young, rising gracefully from a golden nest.  The pelican is enameled in pastel tones – the wings and eyes being set with diamonds.  On each panel is a painting by Zehngraf, on ivory, showing various institutes of which the Dowager Empress Marie Feodorovna was the patroness.  A fillet of gold, with an inner rim of pearls, frames each scene.  On the reverse side, reading from left to right, the panels are inscribed as follows:\n1 – \"Zenia Institute, founded in 1894\".\n\"Nicholai Orphanage, founded 1837\".\n2 – \"Patriotic Institute, founded 1827\".\n3 – \"Smolni Institute, founded 1764\".\n4 – \"Ekaterina Institute, founded 1798\".\n5 – \"Pavlov Institute, founded 1798\".\n6 – \"St. Petersburg Orphanage of Nicholai, founded 1837\".\n\"Elizabeth Institute, founded 1808\".\nA center panel which serves as an easel for the egg when opened is chased on one side with a grouping symbolic of the arts; and on the other side with a motif suggesting knowledge.  When closed, the egg shows an elaborate design in Empire style and bears the inscription \"Visit the vineyard and you will also live, 1797-1897\".\nThe gold stand has four columns surmounted with crowned eagle heads and finished with claw feet.  Between the columns is an interesting design made up of crossed arrows and laurel leaves.  This gift, contained in its original red velvet case, was created by the celebrated court jeweler to Nicholai II, Carl Faberge, and hallmarked with his full name; the initials of his leading workmaster Michael Perchin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the government assay office.\nIt was presented to the Dowager Empress by her son, Nicholai II, Easter 1897.\nMrs. J. L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nTABLE\nOval tea table of mahogany with mirror and fine silver chased mountings.  A small oval tray, with pierced marquetry can be raised or lowered by regulating a latch beneath the table.\nThe silver mountings were made by the celebrated court jeweler to Nikolai II, Karl Faberge, and are designed in his typical Roman staff and ribbon motif.  The table itself was made in Paris by Escalier De Cristal, whose name is burned in the bottom.\nFrom the personal quarters of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5454","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle Nos. 5523-5524\nPair of icons depicting Saint Savior and \"Our Lady of Iberia.\"  They are painted on wood in warm coloring with artistically wrought trappings of gold on silver, set with Ural stones.  The Greek symbols on either side of the halos signify Jesus Christ and Mother of God respectively.\nThey were made by the court jeweler, Karl Faberge, master craftsman and designer and are all marked with his full name beneath the Double-headed Eagle of Royal Appointment, and the figures \"88\" which denote a very high quality of Russian silver.  The icons are backed with cerise velvet and are contained in the original boxes of Holly wood, lined with silk and velvet and are also marked with the name of the court jeweler.\nThese icons were made for the last Czar, Nicholai II, and were found in his quarters in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5846\nIcon of hand-hammered gold on silver depicting Saint Maria, Saint Nicholas, the Wonder Worker, and Saint Alexander Nevsky.  God the Father is represented in the Heavens above.  The oval frame is mounted at the top with the Holy Dove.\nThe icon was presented to the Czarevitch Nicholai Alexandrovitch, eldest son of Alexander II, who died before his father, thus permitting his younger brother, Alexander III, to succeed to the throne.  On the back of the icon is engraved: \"To His Imperial Highness, The Sovereign Heir, Czarevitch Nicholai Alexandrovitch, in honor of his confirmation, 1859.  8th of September.  This heartfelt offering from the Master of Silversmiths, Vasily Fedotov Ilyia, made by his own hand.\"\nFrom the quarters of the Dowager Empress Marie Feodorovna.  Bears the Alexander Palace inventory no. ADM 94735 A.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A68\nExtremely rare icon pendant with gold on silver mounting.  The medallion is very delicately hand-hammered and inlaid with richly colored enamel representing the Saint Savior Enthroned.  The Greek symbol of Jesus Christ appears on either side of the halo and the opened book bears the invitation \"Come Unto Me etc.\"  The frame is composed of hundreds of pearls. On a separate medallion above is engraved the Holy Vernicle.  The back of the pendant is engraved with the symbols of Jesus Christ.\nFrom the Prie-Dieu of the Czarina Alexandra Feodorovna, wife of the last Czar, Nicholai II, in the Imperial Chapel of Feodorovna at Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A105\nIcon of unusual shape, hand-hammered, chased silver.  Represented are Saint Nicholas in the center, Saint Alexander on the left and Saint Alexis on the right.  These were the patron saints of the last Czar, Nicholai II, his wife, Alexandra, and his son, Alexis.  In the mounting are represented two Guardian Angels holding the crown, surrounded by lovely garland effects and set with green Ural stones.\nThis icon was made by the Court Silversmith, Klebnikov, and bears his full name below the double-headed eagle of Royal Appointment.  The figures \"84\" denote the Russian equivalent of Sterling silver.\nFrom the cabinet of Nicholai II in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. H3825\nUnique cheese spoon of gold on silver in grapevine design, while a crown in relief forms the end of the handle.  Below this crown appears the coat-of-arms of Prince Yousoupoff on one side and his family monograph on the other.  It was made in England, circa 1847.  From the Yousoupoff Palace on Moika Canal in St. Petersburg.  \nThis Prince will be remembered for the prominent part he played in the assassination of Rasputin, the monk who wielded such influence over the last royal family of Russia.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nEaster Eggs\n1. Emerald enameled egg, presented by Czar Nicolai II to his mother, The Dowager Empress Maria Feodorovna, in 1912.  The Empire design of the egg was to commemorate the 100th anniversary of the war of the fatherland against Napoleon.  The folding screen of miniatures, which fits into the egg, shows the regiments of which she was honorary Colonel-in-Chief, which regiments were active in War of 1812.  \nHeight including stand, 7\".\nDiameter, 4 ½\"\nScreen opened measures 2 ½\" x 12 ¾\"\n2. Ruby enameled egg presented by Czar Alexander III to his wife Czarina Maria Feodorovna in 1893.  Has four miniature views of the Caucasian mountainside, and their son, Grand Duke George who had to live in high altitudes due to his ill health.  \nHeight 6\" including stand\nDiameter 3 ½\"","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nIMPERIAL RUSSIAN EASTER EGG\n*1896*\nPresented by the Tsar Nikolai II to his wife, the Tsarina Aleksandra Feodorovna, at Eastertide in the year of their Coronation in Moscow, the magnificent Imperial Easter Egg is rock crystal and gold inlaid with rare champleve enamel and set with gems is one of the monumental works of the illustrious Russian Court Jeweler, Karl Faberge.  One of the fabulous forty-nine jeweled Easter gifts in the form of eggs symbolic of New Life, Resurrection and Hopefulness, received by the Empresses Maria Feodorovna and Aleksandra Feodorovna at the height of the Easter Festivals, the rock crystal egg is surpassed by no other one of the artist's creations, and it is said that neither is it equaled in purity of form and adroit workmanship by any of the other jeweled eggs.\nFashioned in a block of rock crystal hollowed to remarkable thinness, banded in diamonds and translucent emerald enamel, it is surmounted with a twenty-seven carat Siberian emerald cut en cabochon and pointed.  It is mounted on a pedestal of gold inlaid with brilliant varicolored enamel wrought in a series of monograms of the recipient as the Princess Alix of Hesse-Darmstadt before her marriage, and later as Aleksandra Feodorovna, Empress of Russia.  Above these appear diamond crowns of the respective royal houses, and narrow diamond borders enframe the spheroidic steps of the pedestal which rises from a circular stepped base in rock crystal.\nWithin the egg, twelve handpainted miniatures on ivory, signed, by Zehngraf, framed in gold and controlled by the emerald at the apex, revolve on a gold columnar axis.  These, of the royal residences in Germany, England and Russia associated with the life of the Tsarina, include views of palaces in and near Darmstadt, Hesse, such as the Neue Palais at Darmstadt and Kranichstein in Hesse; Rosenau, Coburg; Balmoral and Windsor Castles and Osborne House in the British Isles; the Winter, Anitchkov and Aleksandr Palaces of Russia.\nFully hallmarked, the object bears the master's name in Russian, the Russian initials \"MP\" for Mikhail Perchin, one of Faberge's chief assistants – himself a creative artist in precious metals and a person of singular ability; the numeral \"56\" which is the Russian equivalent of fourteen karat gold, and the crossed anchors and sceptre device of the St. Petersburg assay office.\nThe overall height of the rock crystal Easter egg is 9 ¾ inches.  It is contained in the original case of velvet, lined in satin and stamped with Faberge's insignia.\nLillian T. Pratt\n[Small typescript note attached]\nNOTE: SEE PHOTOGRAPHS OF MINIATURES IN INSIDE OF CRYSTAL BALL OF RUSSIAN IMPERIAL EASTER EGG.  THE WRITING ON THE BACK OF THE PHOTOGRAPHS WHICH GIVES LOCATION OF THE RESIDENCES IS SAID TO BE THE HANDWRITING OF QUEEN MARY.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Osborne House, Isle of Wight, England, and on the right is Neues Palais, Darmstadt, Germany.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Schloss Wolfsgarten, near Darmstadt, Germany, and on the right is Windsor Castle, near London, England.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Anichkov Palace, St. Petersburg, Russia, and on the right is Winter Palace, St. Petersburg, Russia.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Jagdschloss Kranichstein, Darmstadt, Germany, and on the right is Fortress Coburg (Veste Coburg), Germany.","Transcription: \nPhotograph of the daughters of the Czar Nicholai II in a silver frame made by Faberge, the court jeweler. The blue cross signifies the order of St. Andrew. From the Alexander Palace.","Transcription: \nLinen handkerchief with wide border of brown and blue elephants. Hemstitched and embroidered with monogram of Marie Feodorovna, Dowager Empress of Russia. From the Anitchkov Palace.","Transcription: \nSolid gold column. Decorated with a fine wreath design in green gold with a laurel wreath carrying the suspended miniature of Nicholai II surmounted by a crown set with diamonds. Presented to the Czarina Alexandra Feodorovna on her birthday in 1907 by Nicholai the Second. Made by court jeweler Fabergé.","Transcription: \nSilver plaque presented to the Dowager Empress Marie upon completion of a church built to commemorate the miraculous escape of the entire Royal Family, when the royal train was wrecked. Inventory no. 23677","Transcription: \nIcon delicately painted on wood and mounted with a silver trapping set with seed pearls in Byzantine design, on a background of green enamel. \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The Commandment of the New Day - \"Love Thy Neighbor as Thyself\". It is backed with red velvet. It was made by the court jeweler Fabergé whose name it bears. It is marked with the figures \"88\" which denotes the highest quality of Russian silver. From the quarters of Nicholai II in the Alex. Palace, Tsarskoye Selo. Inventory no. 12-31-33.","Transcription: \nSilver Teapot, bears the crown and monogram of Alexander III. Made in 1891 by Michelson of Copenhagen, Danish court jeweler. From the Gatchince Palace. No. 6136","Transcription: \nHeart-shaped box, made by the famous court jeweller - Fabergé -","Transcription: \n[Crown]\nMARLBOROUGH HOUSE\nS.W.1.\nDear Mrs. Pratt\nI am commanded by Queen Mary to convey to you Her Majesty's grateful thanks for the travelling clock which was a gift from Queen Victoria to Princess Alix.  The Queen very much interested to have it and touched that you should have given it to Her.  The Clock will be put among family relics.\nYou will have read of the terrible motor accident Her Majesty has been in.  I am thankful to say she is getting over the effects wonderfully well, it is amazing that the Queen was not seriously injured and indeed that no one was badly hurt.\nYrs sincerely \nConstance [?] Gaskell\nMay 27 39","This series is comprised of information about Pratt's estate after her death on July 21, 1947. The estate tax return outlines the extent of her entire estate, including the varied philanthropic bequests and funds she had arranged. Detailed inventories of the estate list her belongings by category. One of the paintings lists was annotated by a local appraiser, Virginia Clarke Taylor, denoting which paintings were \"antiques\" or not. Finally, there are many price tags from other non-Faberge purchases she made over the years. Most are from the New York department store B. Altman and Company, and detail her acquisitions of silver, lamps, fabric, vases, paintings, and other decorative items.","The series is divided into three subseries: Series 3.1: Tax Information, 1947; Series 3.2: Inventory, 1947, undated; Series 3.3: Other Furnishings, 1932, undated.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nSpecial Order\nDept. 93\nOrder 26583\nTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO \nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 149322","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 159619","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nB. ALTMAN \u0026 CO.\nSALON of Antique Furniture\nAnd Works of Art\n#101/4062/D\nAntique Cork\nCut Glass\nComport [sic: Compote]\n$155.00","Transcription: \nGallery of Antiques\nAnd Collectors Pieces\n#353/13122\nDescription\nSilhouette Painting on\nGlass\nPrice $65.00 [crossed through, replaced with $35.00]\nB. Altman \u0026 Co.\nFifth Avenue New York","Transcription: \nB. Altman \u0026 Co.\nS 1108\nFinest Milanese\n17th Century\n1 yd 31 in\nfor\n95.00 [crossed through]\n78.00 [crossed through]","45 00","Transcription: \n[Front]\nTreasure Trove\nNo 16/640\nTerracotta Urn\nPrice 150.00 [crossed through]\n85.00\nB. Altman \u0026 Co.\nNew York","[Back]\nB. Altman \u0026 Co. New York\n60\n25.00\nOver Treasure Trove tag","Transcription: \n[Front]\nNo. 94/203\nBRONZE URN\nPrice 395.00 [crossed through]\n300.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] \nBack of Treasure Trove tag with B. Altman \u0026 Co. New York tag \n45.00","Transcription: \n[Front]\nNo. 94/407\nBRONZE BUCKET\nPrice 350.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag with sticker B. Altman \u0026 Co. New York\n50.00","Transcription: \n[Front]\nNo. 100/14\nJADE LAMP W/ SHADE\nPrice 225.00 [crossed through]\n165 –\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 100/101\nLAPIS LAZULI LAMP \u0026 SHADE\nPrice 375.00 COMPLETE [crossed through]\n225.00 [crossed through]\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 139/10211\nPOMPEIIAN BRONZE TRYPOD [sic]\nPrice 265.00 [crossed through]\n180.00 [crossed through]\n35.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag, Sale","Transcription: \n[Front]\nNo. 139/12015\nPOMPEIIAN BRONZE VASE\nPrice 275.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag [$45.00?]","Transcription: \n[Front]\nBloor Darby Long Tom Vase over 100 years old\nB. Altman \u0026 Col. New York\n[Back] Altman Lamps tag","Transcription: \n[Front]\nOld Colebrookdale Vase made in England\nB. Altman \u0026 Co. New York\n[Back] Altman lamps tag","Transcription: \nT 52\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. 13 /B – Odd\nPrice 14.00","Transcription: \nT 52A\nM 98\nB. ALTMAN \u0026 CO.\n63/2398\n[Sheff Repe ?] Candlesticks 1 Pr\nPrice [46.00?] P R","Transcription: \nT 52-A\nB. ALTMAN \u0026 CO.\nS 93C\n191\n16\"\n11.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nS93C\n191\n16\"\n11.00","Transcription: \nT52\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 97/5043\nColor\nPrice 82.50","Transcription: \nT52\nA4 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 2127\nPrice 70.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nW5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor Special\nPrice 40.00","Transcription: \nT52\nA 93\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 44718\nColor TL\nPrice 50.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52-A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/034F\nMade in London\nYear\nBy  Mug\nPrice 145.00 [lined through], 95.00 [lined through], 50.00","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7514\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 150.00 [lined through], 85.00, 42.50\n[Back]\nDEPT 75 X B","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7515\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 110.00 [lined through], 65.00 [lined through], 32.50\n[Back]\nDEPT 75 XB","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7524\nMade In London\nYear 1813\nBy\nTea Pot\nPrice 130.00 [lined through], 90.00 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7545\nMade in 1776\nYear Geo III\nBy\nBasket\nPrice 150.00 [lined through], 80.00 [?], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7547\nMade in London\nYear 1773\nBy\nSugar Basin\nPrice 120.00 [lined through], 75 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7555\nMade in\nYear Geo III\nBy 1767\nPr. Candlesticks\nPrice 200.00 pr. [lined through], 120.00 [lined through], 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 319/2182\nMade in\nYear\nBy Pair\nSheffield [lined through] Candlesticks\nPrice 275.00 [lined through], 200.00 [lined through], 100.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld English Sheffield Plate\nNo. 321/140\nArticle Pr Adam Candlestks [sic]\nPeriod Sheffield\nPrice 425.00 [lined through], 210.00 [lined through], 100.00","Transcription: \n[Front]\nNo. 12/953\nLustre\nPrice 225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 written over \"B\"; 725 in margin]\n[Back]\nTreasure Trove","Transcription: \n[Front]\nNo. 12/953\nLustre\n225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 and 725 written on front as well]\n[Back]\nTreasure Trove","Transcription: \nNo. 12/989\nCrystals\n$650.00 Pr.\nB. Altman \u0026 Co.\nNew York\n[Back]\nTreasure Trove","Transcription: \nTreasure Trove\nNo. 97/5043\nCIG. BOX\nPrice 225.00 [lined through]\nB. Altman \u0026 Co.\nNew York\n[R829 written over company name at bottom]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n5203\n25.00 [lined through]; 5.40 [?] 2 Doz. [?]\nCluny \u0026 Bohemian Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n[company name written over with 1 Doz. [?]]\n10346\n85.00 [lined through]; 30.00\n[?]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n1 Doz.\n10640\n28.00 [lined through]; 15.00 [?]\nBruges Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11370\n¬all\n85.00 [lined through]; 30.00","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11696 1/2\n65.00 Dz. [lined through]; 24.00 Doz. [?]\nRt [?] Milan Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n12875\n55.00 Dz. [lined through]; 18.00\nPt. [?] Milan","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n13698\n145.00 [lined through] all; 42.00","Transcription: \nB. Altman \u0026 Co.\nNew York\n165.00 [lined through]","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 150.00","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 145.00","Transcription: \n[Front] Miller \u0026 Rhoads\nRICHMOND, VA.\nNo. 393B2\nMfr. C1004 – C3004\nArticle Junior\nPrice Lamp Complete\n17.95\n[Back] W. \u0026 J. Sloane\n47th \u0026 5th Ave\nN. Y. City","Transcription: \n[Front] Antiques\nReproductions\nDecoration\nLord \u0026 Taylor\nFIFTH AVENUE, NEW YORK\n[Back] CLASS E-10  \nSEA 0 \nLOT 2212\nFramed English Sampler\nPRICE $95.\nLength – Width – Height","Transcription: \nOld Silver\nTray\nHall Marked\nLondon 1817\nWm. Elliott\nJ.E. CALDWELL \u0026 CO.\nPHILADELPHIA","Transcription: \nSauce Boat\nHall Mark\nLondon 1763\nMakers\nJ. Parker \u0026 E. Wakelin","Transcription: \nM106\nMcCutcheon's\nUpholstery Dept.\nS91\n35.00 [lined through]; 14.50\n37 over 5502over T.A.C.M.","Transcription: \n[Front]\nPatt. 236\nSize 2 7[?] x 5 \nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 236\nSize as \nSeason S","Transcription: \n[Front]\nPatt. 237-E\nSize 2  9 x 5  4\nQual.\nPrice 86.00 [lined through]\n[Back]\nLot 237-E\nXS as \nSeason K","Transcription: \n[Front]\nPatt. 243\nSize 2 10 x 5 6\nQual.\nPrice 235.00 [lined through]\n[Back]\nLot 243\nX S as \nSeason H [?]","Transcription: \n[Front]\nPatt 286\nSize 3 4 x 5 10\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 286\nX S as \nSeason S","Transcription: \n[Front]\nPatt. 295\nSize 2 2 x 5\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 295\nX S as\nSeason K","Transcription: \n[Front]\nPatt. D1215\nSize 9 x 11\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D. 1215\nSize as\nSeason M","Transcription: \n[Front]\nPatt. D.1234\nSize 9 x 11 5\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D.1234\nX S as\nSeason P","Transcription: \n[Front]\nPatt. D. 1361\nSize 2 6 x 4\nQual.\nPrice 250.00 [lined through]\n[Back]\nLot D. 1361\nX S as\nSeason T","Transcription: \n[Front]\nPatt. D. 1369\nSize 2 7 x 6 8\nQual.\nPrice 675.00 [lined through]\n[Back]\nLot D. 1369\nX S\nSeason W","Transcription: \n1353\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\nand Richard Sibley\nEM9","Transcription: \n1353B\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\n\u0026 Richard\nSibley\nRRM","Transcription: \n4537\nPair\nOld Sheffield\nwine coolers\ncirca 1800\nRGG","Transcription: \n[Front]\n307\nColor\nWidth\nPrice $28.50\n[Back]\n#427","Transcription: \nKEA\nOld English\nSheffield Plate\nArticle pr. Candlesticks\nNumber 2398/L\nPeriod Circa\n1850","Transcription: \n[Front]\n10679\nGeo. III\n[lion \u0026 unicorn]\nAntique Sheffield Plate\nMade in\nENGLAND\nA.D. 1800\nBy\nWeight\n[Back]\n#10679\npr. three-light\nCandleabra [sic]\nFluted and \nGadroon border\n16 ½\"","Transcription: \n301/7523\nGeo. III\nDesert [sic] Set\n18 K. + 18 F.\nPrice 340.00 [lined through]; 200.00 [lined through]; 100.00","Transcription: \n[Front]\nN. 2886\n[Back]\nROYAL WORCESTER","Transcription: \n2002\n$20.00 (b)\nGeorgian\nMA","Transcription: \n[Front]\nPatt. 1244\nSize 8 10 x 11\nQual.\nPrice 1750.00 [lined through]; 500.00\n[Back]\nLot D1244\nX S as\nSeason R","Transcription: \n[Tag 1 Front]\nNo. of Sale\nNo. of Rug 39032\nLength 20 feet 3 inches\nWidth 13 feet 4 inches\n[Tag 1 Back]\nTurfbaff\n[Tag 2 Front]\nSOLD\nName Pratt\nSalesman\nDate 2-26-32","Transcription: \nS. \u0026 G. GUMP CO.\nSAN FRANCISCO, CAL.","Antique French miniature musical watch and vanity box in the form of a butterfly. Exquisite variegated colored enamels have been imposed on the gold body.\nThis box was a gift from Louis XVI to the Chinese Emperor Chien Lung.\nFrom the collection of the late Mrs. Mabel L. Gump.","S. \u0026 G. GUMP COMPANY","This series is comprised of the few clippings that were found in the collection. As none of these particular clippings were mentioned in the correspondence directly, it's possible that they did not originally belong to Pratt. The photographic copies of some of the articles were obviously made much later, but were retained as they may have been copies of articles Pratt once kept.","Transcription: \nThalhimers cordially invite you to view this extraordinary exhibit of Royal Russian Treasures","This remarkable assemblage of Russian treasures were collected by two intrepid young Americans, Dr. Armand Hammer and his brother, Mr. Victor Hammer. It's the first important collection to come out of Russia since the Revolution. Be sure to see it. ","All Articles are for Sale\nRoyal Crown Jeweled Objects\nIcons from the 15th Century\nAntique Fabrics and Brocades\nCopes and Chasubles\nSilver, Porcelain and Glassware","FIFTH FLOOR","Thalhimers","Transcription: \nCzarist Treasures to Be Seen In the Lobby of Jefferson Hotel","Part of $500,000 Collection Is Removed From Thalhimer's Store Under Heavy Police Guard; Interesting Relics Attract Attention","Czarist treasures, including personal possessions of Catherine the Great, a bracelet of \"Titiana,\" the young grand duchess murdered by the Bolshevists, and pictures of the Grand Duke Boris, \"handsomest officer of the Imperial Russian Army,\" were taken yesterday from the main collection at Thalhimer's and placed on exhibit in the lobby of the Jefferson Hotel. Although only a small portion of the 500,000 collections, which has been on exhibit at the store during the past week, and may be seen there through Thursdays, was moved to the hotel. Miss Alva Lowry, who is traveling with the exhibit, was provided police protection to ensure the safety of the relics.\n[...]\nThese, however, pale into insignificance beside the main collection, reigned over by the diamond-mounted miniatures of the last Czarevitch in its lapis lazuli Easter egg. The gold-mounted diamond-studded egg wtih its contents was the $50,000 Easter gift of the last Czar to the Czarina on Easter, 1912. ","When brought to The Times-Dispatch to be photographed, the $50,000 egg was guarded by Patrolman William H. Southward, who acted as escort for Miss Lowry on the trip to the Jefferson.\n[...]","Transcription: \nNEW YORK EVENING POST. TUESDAY, JANUARY 3, 1933\nRomanoff Jewels Exhibited Here\nArt treasures of former rulers of Russias on display today. (Picture on left is by Parade Studios, Inc.)\nROMANOFF GEMS, ART SHOWN HERE\nCollection of Dr. Armand Hammer Includes Ikons of 14th Century Russia\nBy AARON MARC STEIN\nThe largest collection of jewels and other personal possessions of the Romanoffs, formerly rulers of all the Russias, ever to be shown in America, has been placed on exhibition in the Georgian Room at Lord \u0026 Taylor's. The collection will have its private showing this afternoon and will be opened to the public tomorrow. \nIkons dating back to the fourteenth century, other sacred images in which each nimbus is incrusted with gems, furniture, porcelains, brocades and the fabulous jewels that were one of the oriental or medieval characteristics of the Russian Imperial Court, are included in the collection, formed by a young American doctor who searched village market places for relics of imperial glory. \nThe doctor was Armand Hammer, M.D. It was a very new M.D. conferred on him by the College of Physicians and Surgeons of Columbia University, and the young physician set out on an errand of adventure and mercy. He organized a relief expedition which reached Russia in 1921. Civil war had hardly ended, and in the Urals Dr. Hammer found famine sweeping the country.\n[…]\nAnother of these eggs is of lapis lazuli covered with an elaborate gold filligree. Approximately the size of an ostrich egg, it is lavishly jeweled and set with a square flat diamond into which is cut the monogram of the Empress and the date. This egg was the gift of the late Czar to his wife. When opened this egg contains a double eagle set with diamonds and a miniature portrait of the Czarevitch, done in the full round. The bust portrait of the little Prince in his sailor suit is handled in a naturalistically life-like manner. \n[…]","Transcription: \nNEW YORK HERALD TRIBUNE, TUESDAY, MARCH 3, 1936\nGrand Duchess Victoria Dead; Lived as the 'Empress of Russia'\nSister of Queen Marie and Cousin of George V, Victim of Stroke Near Munich \nBy The United Press\nMUNICH, Germany, March 2.— Grand Duchess Victoria Feodorovna, wife of Grand Duke Cyril of Russia, head of the Romanoff family and self-described Czar of All the Russias, died today of an apoplectic stroke at the castle of her daughter, Princess Maria von Leiningen, in Amorbach, Lower Franconia. She was fifty-nine years old.\nThe Grand Duchess, a sister or Dowager Queen Marie of Rumania and a first cousin of the late King George V of England, will be buried in Coburg, Germany, where she and the Grand Duke have maintained a court since 1924. King Carol of Rumania and representatives of King Edward VIII and of Marie, the Queen Mother of Jugoslavia, will attend.\nTen days ago the Grand Duchess was stricken with pneumonia when she went to the bedside of her daughter, who had just given birth to a son. As soon as her condition became grave her three sisters, the Dowager Queen Marie; the Princess of Hohenlohe-Langenburg, and the Infanta Beatriz of Bourbon-Orleans, hastened to Amorbach.\nThe Grand Duke Cyril, a cousin of the late Czar Nicholas II, who was on a holiday in his retreat in Brittany, also rushed back to Germany, arriving soon before his wife's death. He telegraphed the news to the various courts of Europe. Today the court of Jugoslavia, by decree of King Peter II, ordered a month of mourning.\n[…]","Transcription: \nTHE NEW YORK SUN, SATURDAY, OCTOBER 16, 1937\nANTIQUES\nFaberge Royal Craftsman\nExamples of His Work Include Silver Service and Translucent Enamels.\nBy ETHEL WALTON EVERETT.\nA sumptuous silver tea and coffee service by Carl G. Faberge, the Russian Court jeweler, made for the Grand Duchess Alexandra Josephovna, has just been put on exhibition in the Schaffer Collection of Russia Imperial Art Treasures.\nCommissioned as a silver-wedding anniversary present, it bears the initials \"A. J.\" of the Grand Duchess and engraved facsimile auto graphs, \"Olga,\" \"Vera\" and \"Dmitri.\" In addition to samovar, drip bowl and rounded, rectangular tray; coffee and tea urns, sugar container and creamer, with large oval tray; matching items include one dozen spoons, tea strainer, lemon fork, tea scoop and sugar tongs. Every piece is of extreme grace and beauty, difficult to achieve with the classical design used.\nThe collection has a comprehensive showing of Faberge's translucent enamels, with examples of his delicate tones of palest almond green, claire de lune, lustrous \"pearly white,\" lavender, and a pale, bright color exactly like the polished birchwood for which Russia is famous. The enamel is combined with chased and chiseled gold and silver, in photograph frames of various shapes, cigarette boxes, candlesticks and other pieces, many set with jewels, and the majority having his signature.\nOne of the last named is a cigarette box of heavy polished gold, with translucent enamel of pale peacock blue, having narrow gold borders, ornamented with a delicate leaf and flower design in gem-like emerald green and ruby red. Deep royal blue and pale salmon pink are used for other cigarette boxes.\nAmong the larger enameled pieces are a pair of candlesticks claire de lune, on silver, with gold tops, bases and feet, richly chiseled, and with delicate gold swags, set with jewels. The same claire de lune enamel and harmonizing swag design appear on the handle of gold seal with the crown and monogram \"TH\" of the Grand Duchess Tatiana, with six diamonds set in the green and yellow gold decoration.\nThe seals are varied in character. Bearing the crown and \"AH\" monograms of the Czar, is one with handle of plain, polished ivory, with a very simple design in the gold band which holds the dark gray agate seal. Another is an attractive little cylinder of pure white polished crystal, with engraved crown and \"NB\" initials. The ornamentation is like a guard ring, a band of small, square rubies, between two bands of tiny diamonds. \n[Image of candlestick with enamel and gold mountings. Caption:]\nOne of a pair of candlesticks by Faberge of pale blue translucent enamel on silver with gold mountings shown by Schaffer Galleries.\n[Image of silver samovar]","This series is comprised of items related to the Pratt collection that were transferred from the Curatorial department. Items found in the object records include early photographs of items from both Hammer Galleries and the Schaffer Collection, photographs of the Russian imperial family, as well as a statement of account from Hammer and the first complete list of the collection after its arrival at the museum in 1947.","Description: \nIn a publicity shot that was circulated to newspapers, Rosamond Fulmer leans on a counter behind ten imperial Easter eggs on display at Hammer Galleries. Several icons can be seen hanging on the wall to the right behind Fulmer.","Description: \nBack of silver triptych icon with an engraved inscription within a laurel crown. Translated from the Russian, it reads: \"Blessing of the Preobrazhenskii Regiment. June 3rd, 1884. A new commandment I give unto you the ye love one another as I loved you. (St. John, Chapter 13, Verse 34)\".","Description: \nCover of silver triptych icon with a Greek cross surrounded by finely detailed leaves.","Description: \nSilver triptych icon featuring paintings of the Transfiguration in the center, St. Elizabeth standing in the left side panel, and St. Sergius of Radonezh standing in the right side panel. Each panel is surrounded by an elaborate patterned border.","Description: \nTriangular silver picture frame with geometric enamel background. Central circular cut-out is bordered in pearls and features an image of Alexandra Feodorovna.","Description: \nBack of silver diptych icon. One side has an engraved inscription that indicates that it was presented to Nicholas II and Empress Alexandra by courtiers. The other side features an elaborate scroll work design and studded with ten turquoise, garnets, and pearls.","Description: \nSilver diptych icon featuring paintings of Princess St. Alexandra on the left and St. Nicholas the Miracle Worker on the right. Each painting is bordered with pearls and the top of the icon is curved like an arch.","Description: \nRock crystal parasol handle with the head of a dog etched and enameled inside the crystal ball. The base of the handle is studded with small gemstones.","Transcription: \nAKRON STUDIOS\n232 EAST 42nd STREET\nNEW YORK CITY","TO Russian Imperial Treasures\n15 W 50th St\nAtt Mr Schaefer [sic]","Photographs - Do Not Bend","Description: \nSmall pencil drawing of a decorative stand for the Red Cross Easter Egg. It is unknown who the artist is, but the drawing does resemble the gold stand currently used by the museum to hold the egg. The rusted imprint from a paperclip can be seen at the top left.","Transcription: \n[In process]","Transcription: \n[In process]","Description: \nBlack-and-white postcard featuring a single image of the Rock Crystal Easter Egg.","Description: \nGroup portrait of 29 members of the Russian Imperial Romanov family and royal relatives from Denmark, Sweden, Norway, England, and Greece on the steps of the palace at Fredensborg, Denmark. Seven children, all dressed in white, appear in the first row, with 22 adults behind them.","Transcription: \nFamily Group taken in Bernstorff, Denmark, after the death of Queen Louisa of Denmark, in 1898.","1. Louise Princess of Sweden and Norway, wife of Crown Prince Frederick of Denmark\n2. Crown Prince Frederick of Denmark, later King Frederick VIII.\n3. Princess Ingeborg of Denmark.\n4. Queen Alexandra of England.\n5. King George of Greece.\n6. King Christian IX of Denmark.\n7. Princess Thyra of Denmark.\n8. Dowager Empress Maria Feodorovna of Russia.\n9. Prince Johann of Glucksburg (Uncle Hans).\n10. Grand Duchess Olga Alexandrovna, sister of Nicholas II.\n11. Prince Peter of Oldenburg, husband of Duchess Olga.\n12. Prince Nicholas of Greece.\n13. Empress Alexandra Feodorovna.","[Hand drawn and numbered outlines of the heads of all the people in the photograph]","14. Princess Victoria of England.\n15. Grand Duke Michael, brother of Nicholas II.\n16. Emperor Nicholas II of Russia.\n17. Prince Harold of Denmark.\n18. King Edward VII of England.\n19. Queen Maud of Norway.\n20. King Haakon VII of Norway.\n21. Princess Alexandrina, nee Princess of Mecklenbourg (Present Queen of Denmark).\n22. Christian, son of the Crown Prince of Denmark. (Present King of Denmark).\n23. \n24. \n25. Grand Duchess Tatiana Nlcolaievna\n26. Grand Duchess Olga Nicolaievna.\n28. Prince Aag of Denmark.\n29. Princess Dagmara of Denmark.","Description: \nGroup portrait of the Russian Imperial Romanov family on the desk of their royal yacht \"Standart\". Empress Alexandra Feodorovna sits in the center with Prince Alexei on her lap. Her four daughers, Grand Duchesses Olga, Tatiana, Maria, and Anastasia, and her husband, Emperor Nicholas II, stand behind her.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits in a high-backed chair outdoors in a garden-like setting. Wearing a large hat and formal dress, she looks at the camera directly, with one hand in her lap and the other with elbow bent and fingers touching her right cheek.","Description: \nPortait of the Emperor Nicholas II and Prince Alexei seated next to each other on the deck of the royal yacht \"Standart\". Nicholas holds a newspaper in his lap as Alexei seems to squint into the sun.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits on a sofa indoors. Wearing a high-necked shirt and long skirt, she looks away from the camera towards the floor, with her hands clasped in her lap. Behind her, she is surrounded by picture frames, small vases, and flowers, on shelves that continue well above her head.","Description: \nTwo young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.","Description: \nA young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young boy stares at Fabergé's Imperial Easter Egg with Revolving Miniatures, which is set on a table right in front of him. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl opens an egg-shaped ring box which contains a jewelled ring within it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.","Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918","English \n.    "],"unitid_tesim":["SC-07","/repositories/2/resources/8"],"normalized_title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray"],"creator_corpname_ssim":["Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creators_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art objects, Russian","Easter eggs","Fabergé eggs"],"access_subjects_ssm":["Art objects, Russian","Easter eggs","Fabergé eggs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"extent_tesim":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"physfacet_tesim":["723 items"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eDigitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/archives/lillian-thomas-pratt-personal-papers-sc-07/\"\u003eVMFA Collections Search website\u003c/a\u003e. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSchaffer Collection, 1934-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eHammer Galleries, 1933-1945, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eEstate, 1932-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eClippings, 1932-1937, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMuseum Records, 1936-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated"],"bibliography_html_tesm":["\u003cbibref\u003eThe Fall of the Romanoffs: How the Ex-Empress \u0026amp; Rasputine Caused the Russian Revolution, 1917\u003c/bibref\u003e","\u003cbibref\u003eConfessions of the Czarina, 1918\u003c/bibref\u003e","\u003cbibref\u003eMother Dear: The Empress Marie of Russia and Her Times, 1926\u003c/bibref\u003e","\u003cbibref\u003eThe Tragic Bride: The Story of the Empress Alexandra of Russia, 1927\u003c/bibref\u003e","\u003cbibref\u003eThe Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Intimate Life of the Last Tzarina, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931\u003c/bibref\u003e","\u003cbibref\u003eRussia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931\u003c/bibref\u003e","\u003cbibref\u003eEducation of a Princess: A Memoir, 1931\u003c/bibref\u003e","\u003cbibref\u003eA Princess in Exile, 1932\u003c/bibref\u003e","\u003cbibref\u003eTwice Seven, 1937\u003c/bibref\u003e","\u003cbibref\u003eRussian Imperial Treasures: Collection of Lillian T. Pratt, undated\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940\u003c/bibref\u003e","\u003cbibref\u003eHandbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960\u003c/bibref\u003e","\u003cbibref\u003eFabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976\u003c/bibref\u003e","\u003cbibref\u003eFabergé: Virginia Museum of Fine Arts, 1995\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed: At the Virginia Museum of Fine Arts, 2011\u003c/bibref\u003e","\u003cbibref\u003eLillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996\u003c/bibref\u003e","\u003cbibref\u003eSelections from the Lillian Thomas Pratt Collection of Jewels, 1947\u003c/bibref\u003e","\u003cbibref\u003e12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1949\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1950\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1951\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1952\u003c/bibref\u003e","\u003cbibref\u003eJewelry by Fabergé, 1953\u003c/bibref\u003e","\u003cbibref\u003eJewels by Fabergé, 1954\u003c/bibref\u003e","\u003cbibref\u003eFabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed, 2011\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Decorative Arts: Metalwork: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Pratt, John Lee and Lillian Thomas\u003c/bibref\u003e","\u003cbibref\u003eVMFA Gallery Design: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Pratt's Personal Library","Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Video","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia"],"bibliography_tesim":["The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eTwo months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.\u003c/p\u003e\n","\u003cp\u003ePratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=6519%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eFabergé: Virginia Museum of Fine 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Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine 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collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. 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Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Neue Palais Darmstadt Hesse\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Wolfsgarten near Darmstadt Hesse\" and \"Windsor Palace?\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Winter Palace\" and \"Anichkov Palace\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Kranichstein Hesse\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eThalhimer's, Richmond\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eThalhimer's, Richmond\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eWide World Photos, Inc. (NY-33541), Copyright 1937.\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eFound in file for 47.20.376\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eFound in file for 47.20.376\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","Ge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Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Neue Palais Darmstadt Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Wolfsgarten near Darmstadt Hesse\" and \"Windsor Palace?\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Winter Palace\" and \"Anichkov Palace\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Kranichstein Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Wide World Photos, Inc. (NY-33541), Copyright 1937.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). 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VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). 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VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives."],"processinfo_html_tesm":["\u003cp\u003eA large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. 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The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","This series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.","The invoices are often annotated with check numbers as balances were paid off, and dates given often refer to the handwritten notes on the invoice detailing payment history. Similarly, price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and often the date purchased. Many of the Schaffer descriptions are not dated, and while most of them can be cross-referenced with dates on the invoices, Schaffer often invoiced Pratt much later than the original purchase date, and in some cases, many years later. Finally, most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers.","The series is divided into five subseries: Series 1.1: Alexander Schaffer Correspondence, 1934-1947; Series 1.2: Ray Schaffer Correspondence, 1937-1947; Series 1.3: Invoices, 1934-1945, undated; Series 1.4: Price Tags, undated; Series 1.5: Item Descriptions, 1934-1945, undated.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nApril 14, 1934","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","My dear Mrs. Pratt,","Please forgive me for the delay in answering your kind letter of the 12th, but I was trying to trace the cause of wrong delivery, as I note that the envelope was properly addressed by you. The Mr. Schaeffer in the building should have indeed had the courtesy to forward it to me. ","I have received your note and also the book, and am sorry that you have had this unpleasantness.","I hope that my letter finds you in the best of health, and remain, with best wishes, and kindest personal regards, in which Mrs. Schaffer joins me, ","Yours very sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nNovember 19, 1935","Mrs. John L. Pratt\n\"Chatham\" Box 118\nFredericksburg, Virginia","My dear Mrs. Pratt,","I am most disappointed to hear that the cabinet is not the size that you should have. It is a pity that all your lovely objects could not be displayed without being crowded.","I will try my very best to get another cabinet for you, the size you want, and exchange it for the one you have now. Of course I cannot tell just how soon I could get one, but in the meantime you can use the one you have.","Or maybe you could find room for another cabinet which would give you a chance to display all of your lovely things without crowding them, regardless of their size. This would really be the best solution.","I am sorry you had to be annoyed paying","[page 2]","the freight for the cabinet. I gave specific instructions to send it prepaid. I have also spoken to them about packing, and I am only glad that at least it arrived safely. It is so hard to make people understand sometimes, or have them do what you want them to do.","With best wishes and kindest regards, in which Mrs. Schaffer joins me, I am","Yours most sincerely, \nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 3, 1936","Dear Mrs. Pratt,","Thank you for your check on account and your kind inquiry about Mrs. Schaffer. She is feeling fine and is at the seashore at the present. I have given her your regards and she wishes to be remembered to you. She is getting along very nicely, but of course is anxiously awaiting the great event. ","Sorry to hear about the trouble you have with your servants and hope you will be able to solve it to your satisfaction.","I have designed something myself for the little stand and am taking the liberty of going ahead with it, hoping that you will approve of it. It will be made of 14 karat gold, and will be larger than the one you had and entirely different, and will cost approximately $150.00. The only thing I am not certain about is the size, not having the egg here. I have to guess more or less from the old stand, and therefore would like very much to have the egg to take measurements. ","On second thought I don't think this will be necessary, as I expect to be in Washington next Tuesday, the 11th, when I would like to go out to your place for an hour or so, to see ","(over please)","[page 2]","your things, and at the same time I could measure the egg.","I think I could be in Fredericksburg around 2:00 P.M. and then take a train about 5:00 P.M. back to New York, unless it is necessary for me to stop over at Washington until Wednesday. ","The heat is terrific in New York, and I am so glad that Mrs. Schaffer consented to go away. ","Hoping that my letter finds you in the best of health, with kindest regards from Mrs. Schaffer and myself,","Sincerely yours,\nAlexanders S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 7, 1936","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","Dear Mrs. Pratt,","Just a line to let you know that I am planning to have an exhibit at my galleries, beginning November first, of the work of CARL FABERGE, and I thought you may be willing to loan me some of the lovely things you own. Although I really hate to put you to all this trouble, but maybe you could just have someone pack the things that you want to lend to me, and send them railway express, insured, at my expense. ","So far I have only borrowed the big Easter egg, but I do not know whether I will have anything else outside of my own things.","Believe it or not, Paul is asking about you and sends his love, in which Mrs. Schaffer joins him. ","With kindest regards and best wishes,","Cordially,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 27, 1936","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I was so glad to receive your letter, as I was worried already that you may be ill, and that this was the reason that you did not come to New York as you planned. And judging from your letter, I was almost right, but I am glad to know that it isn't anything serious, and I hope that by the time this note reaches you, you will be in perfect condition again. ","I would not think of letting you make that trip to Washington. I would much rather wait until the 3d and then you could bring the things with you. ","Regarding the Egg, you have apparently forgotten that in one of my letters I have definitely promised it to you for September, and which I meant. Although it is now October, as you see I kept my promise, except for being late, which was beyond my control. I am sorry to learn that you cannot find a way of getting it at present. However, I must tell you this – should I be successful in making a substantial sale, I shall buy it back myself and then, needless to say, I will let you have it regardless of when you could pay for it. I only hope that they do not change their minds in the meanwhile. ","I could not buy it myself presently, because I have just paid a huge amount in duties for some fine things I have bought about a year ago. If not for ","[page 2]","this, I would have probably settled the whole affair with them without even writing to you about it, because to get it back is my one ambition, and I would not worry about selling it again. I shouldn't have done it in the first place. ","With kindest regards and best wishes, and love from the family, ","Cordially,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 17, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I am very sorry you didn't have a chance to come in while you were in New York, as I have some very beautiful pieces that I know you would have greatly enjoyed seeing.","I am going abroad on Wednesday, the 23d, and will take some of them with me for a client in London. I don't know who long I will be. I hate to leave Mrs. Schaffer and the baby, but I guess I will have to.","I am carefully packing and shipping the things to you, as I have them all photographed now. I am enclosing the photographs and the histories in the package. ","With kindest regards and best wishes,","Sincerely yours,\nAlexander S. Schaffer [signed]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 21, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","It was quite a shock to learn of your illness, but we are happy to read that the danger is over, and I can't tell you how glad we are that you are back home. We do hope that you will take good care of yourself so that you will get well and strong again, and never get ill again, ever.","If I weren't going to Europe, I would pay you a visit to cheer you up by showing you some of the things, but as it is, it will have to wait. However, I will keep the choicest [underlined] for you.","Mrs. Schaffer sends her love. Paul too made some sound, whatever he meant by it. Please do cheer us up as soon as possible, to tell us that you are better as we are still worried. ","With kindest regards and wishes for your speedy recovery,","Sincerely,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: ","Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 10, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt, ","It is good to know that someone else thinks as much of the baby as we do. I was glad to see that you have noticed how much he changed. It is quite true he is not a doll any more, but a boy, and does not look like either of us especially. ","I am glad you kept the two pins. The one in question is a spinel ruby and not a garnet. I received the pink one today. ","I am sending to you today by railway express, insured, a few very choice pieces, of which I am enclosing the tags. I know that you will have great pleasure in seeing them and sincerely hope that you can manage to keep some.","Trusting that my letter finds you greatly improved (you didn't say anything about it in your letter), with kindest regards and best wishes from the whole family,","Sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","September 1, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your letter and check which I have received today.","I was glad to read that you like the photos of the baby.  He is a little imp but he is adorable.  I know you will like him. He does look like his mother I think.  Both send their love.","The raspberry red gold mounted box that you mention, you already have in your collection.  I have sold it to you before you went to Egypt and had it repaired during your absence.  That is the only one I can think of.  At any rate, I only have three Faberge pieces in raspberry red enamel in my whole collection.  One is a little match case.  One is a little perfume bottle and one is a seal.","However, I am glad that we had this little confusion about the boxes, because at least it gave you an opportunity to see the little yellow enamel box which you decided to keep.","I am looking forward to seeing you soon.  With kindest regards and best wishes, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","October 7, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","We are very much relieved that you have found the box.  I would have felt miserable otherwise.","I am enclosing the bill and the histories of the objects you have taken with you.  In this bill is included the yellow enamel box which I have sent to you previously, and the two presentation icons that I am sending to you today by Railway Express, insured against all risks.  Please let me know whether they reach you in good condition.","I hope that the trip to New York did not tire you too much, and that I will have the pleasure of seeing you very soon again.  I was sort of hoping that you could find time to see Paul, but I guess you just could not manage.","Trusting that my letter finds you in the best of spirits, with kindest regards and best wishes from both of us, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","P.S.  Mrs. Schaffer seems to think that you wanted the panagia with the jasper cameo of Christ.  Please let me know whether I should keep it for you, as I myself am not certain.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","May 11, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia ","Dear Mrs. Pratt,","I am sorry for not answering your letter before this, but a freak accident kept me away for a few days.  While moving furniture around at home, I dropped a small but heavy table full of books on one of my toes.  It was quite painful, but I am glad to say that I think nothing serious will develop now.","I am so sorry to read that you also have not been very well.  I know it is not as easy to do as to say, but one should try not to let things upset one.  Ones health is more important than anything else.  At least I am trying to practice what I preach even if I do not always succeed.","I sincerely hope that conditions will improve very soon now, which would make it so much easier for all of us.  This depression did hit everybody I think.  It's worse than in 1932, because now one cannot buy anything, yet it is very hard to sell or to collect money. At least in 1932, even if it was hard to sell, one could buy fine things at reasonable prices, and eventually good things always find a market.","Of course I would not dream of taking interest from you for the money you owe me.  I am convinced that if you could pay more than $500 a month, you would, and if you cannot, I certainly will wait rather than let you sacrifice any of the things that I know you love so much.","Looking forward to the pleasure of seeing you soon, with kindest regards, I am","Very sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","August 1, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","I was most sorry to hear that you were ill, and I am glad to know that you are up and around again. Please do take care of yourself. Remember, we need your help for Paul's wedding. ","It is remarkable how time flies! He is growing every day and you will find that he is not the little baby you have seen. Of course, we still think he's very sweet and lovable. ","We are on the beach and would enjoy it very much except that there's a plague of mosquitoes which is not very pleasant, but we hope that they'll disappear soon.","With kindest regards and love from the family,","Sincerely,\nAlexander S. Schaffer \n[signature]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","November 2, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\n \nDear Mrs. Pratt,","Thank you for your letter of the 1st and check on account.  I am glad that business is on the upswing.  It's about time – we all need it, and with the war scare behind us, we may be looking forward to better times.","Have you seen on page 219 of the October Connoisseur the editorial about my topaz Fabergé vase?  I know you will be thrilled to see it, but the description will give you some idea of its beauty.  If you haven't this copy, I have an extra one and will be glad to send it to you.","Paul and Mrs. Schaffer send their love.  You should hear him talking – a mile a minute – and most of the time we don't know what he's talking about.","I hope the weather there has been just as nice as it has been in New York, although I think it might be better for business if the cold weather would set in.","With kindest regards,\nSincerely yours,\nA.S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 15, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I have just received your letter of the 14th, and hasten to let you know that the egg arrived safely.  Before I forget, my home address is: \n117-01 Park Lane South\nKew Gardens, L. I., N. Y.\nBuilding A, Apartment 2-B.","I am sorry you cannot afford to keep the red and emerald egg.  Would you kindly return the parchment #2753?  I must have misunderstood about the jade chest egg.  I am enclosing an itemized bill as requested.","The silver tray will be packed and shipped to you as soon as possible, and if I haven't sold the necklaces before the end of the year, I will return them to you.  I think I told you that I sold the bracelet and the icon.","With kindest regards and very best wishes for a happy Christmas and New Year, in which the family joins me,","Sincerely,\nAlexander S. Schaffer [signed]","ASS:RS\nP. S.  The parchment just arrived.  Thank you.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 30, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","We have just finished packing and will be out by tomorrow.  Let's hope it is all for the best!","We both want to thank you for your good wishes, and to express our sincere gratitude for having had the good fortune to acquire a friend like you.","We do hope to be able to see you every now and then.  If we go down south, we might even surprise you for a short visit.  (should we decide to drive).","With kindest regards, and very best wishes for the truly happiest New Year you have ever had, and with love from the family,","Sincerely,\nAlexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:RS","Transcription: \n[In process]","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","\nNovember 21, 1945","Mrs. John Lee Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","Please forgive me for not answering your letter of the 14th at once, but I wanted to receive the articles before writing to you.","I am enclosing a receipt for them.  They all arrived in good condition including the flower.","Regarding the Globe Flowers, there was one stem without jade leaves. That is the way it was made.  It is all complete so you needn't worry about it.","I am glad you like the little blue velvet stand.  I am indeed sorry that you could not manage to visit us during your last visit.  I do hope you can do so when you come again.","With kindest regards and best wishes, I am,\nCordially yours,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ENC.\nASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","June 4, 1946","Mrs. John L. Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","The man who bought the Faberge Easter Egg which you always said you should have bought and which you didn't because I discouraged you, was in today.  He wants to sell the Egg for $12,000.00, federal tax included.","He claims that someone else also wants to buy the Egg, so I decided to let you know at once in case you are interested.  He is not in need of money so I think you could have about six months in which to pay for it.","Please do not misunderstand me - I don't want to be a salesman in this case but you did mention several times how sorry you were that you didn't buy it.  Therefore, I do want you to have a chance to do so if you are still interested.","With kindest regards and best wishes, I am,\nSincerely,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, L.I.\nNew York","February 3, 1942","Dear Mrs. Pratt,","Many thanks for your very kind letter and check on account.","Well, we still haven't left New York, but if all goes well, should be on the way in a few days.  Unless I write in the meantime, I think it would be best to send your next check to Kew Gardens.","Alex has been away for a few days rest.  He should be back very shortly, but I didn't want to delay writing to you.","The children are very well.  I have a new governess for them, and that's one of the reasons it's taken us longer to get away.  I didn't want to take them with us, as it would have been too much for them, and no rest for anybody, and I couldn't leave them until I was absolutely sure that everything was running smoothly at home.","I hope that we'll be seeing you soon.","Peter and Paul send their love, as do I.","Sincerely,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, N. Y.","April 24, 1942","Dear Mrs. Pratt,","Thank you very much for your check and letter.  I do appreciate it.","My husband just went away for a few days to recuperate, as he is still not up to par.","Yes, the place that you saw near the Sherry-Netherland is where we have given our collection for sale, but so far they have sold few of our things.  People seem to think however, that things will improve.  Let's hope it will be soon.","Love from us all,","Cordially,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","July 5, 1942","Dear Mrs. Pratt,","Many thanks for your nice letter and check on account.","We just moved last Monday so I'm sure you can visualize how busy I've been and will forgive me for not having written before.  Please overlook the stationery too, as I'm not even all unpacked!","The children love it here and are thriving.  I hope it will do Alex lots of good too, as he certainly needs it.  He's still been very jumpy!  As for me, I love it.","I hope you are taking good care of yourself and keeping well.","Love from us all,","Ray Schaffer","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","Copy","Dec. 4th '45","My dear Mrs. Schaffer – ","Herewith my check for two hundred eighty-five dollars in full payment of account.  When you acknowledge please mention the amount, and that it is in full payment for my files.  Thank you and Mr. Schaffer for your kindness.  A great weight is off my shoulders.","Tell Mr. Schaffer I will pay for the Globe Flower and paper-cutter as soon as I can.  My Income Tax on the 15th will leave me a very small balance for December.","Kindest regards, Sincerely yours,","(Signed) Lillian T. Pratt","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00","Transcription: \n[double-headed eagle] G. 3.\nRectangular miniature picture frame by CARL G. FABERGE, the Russian Court\njeweler.\nIt is executed in gold on silver bearing a ground of rose colored enamel.\nBorders of wreath design frame the enameled ground and around the opening for a picture is enclosed with beadwork.\nBears a piece of beveled plate glass to cover the picture and is paneled with ivory.\nSigned \"FABERGE\".\n$300.00\nFrom the Youssapoff Collection.  Originally it was presented to the Princess Youssapoff by the Empress Maria Feodorovna.","Transcription: \n[double-headed eagle] G. 5.\nMiniature picture frame by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.\nConcentric fluted gold rims separate these areas.  The jade is of a dark spotted green and in contrast to it a pale mauve enamel is employed everlaid [sic] by an interweaving green-gold wreath.\nAt top a ribbon with bow and loose ends is fixed bearing a ruby in the center.  It is mounted with a gold easel.\n$275.00","Transcription: \n[double-headed eagle]\n#G. 8.\nA miniature icon by CARL G. FABERGE, the Russian court jeweler. \nIt is in the form of triptych and very simply on the exterior is paneled with a dark wood bearing a four-petaled catch centered by an emerald.\nIt opens to disclose a solid gold interior. The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls. The yellow-gold ground bears arabesques of the filigree and studded at significant points in the design are emeralds, rubies, sapphires, and diamonds. \nThe central panel frames \"The Resurrection\". Against a dark background the figure of Christ appears holding aloft a pennant. His form radiates light and in the foreground two angels kneel. It is an extremely small painting even for a miniature but is complete in every detail. \nAt top there is the Russian cross studded with emeralds and rubies. \n$1500.00\nThe inscription is as follows: \nLeft panel: \"Resurrection of Thine, O Christ, Savior, about which the Angels sing in Heaven.\nRight panel: and we on Earth try to be worthy to glorify Thee.\"","Transcription: \n[double-headed eagle] #G. 13.\nDome-shaped jade push button by CARL G. FABERGE, the Russian Court jeweler.\nIn the classic French style adapted by Faberge, the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut ruby set in a nine-petaled mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and following in this style is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three short feet in the form of rococo scrolls.\n$650.00","Transcription: \n[double-headed eagle] #G. 14.\nGold-mounted jade calendar device by CARL G. FABERGE, the Russian Court jeweler.\nIn the form of a rectangular piece of dark translucent green jade it is designed in his classic manner and mounted with gold-gilt back and easel.\nAt the top swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center two oval openins [sic] bear red enameled mounts which have the numbers for the day of the month and these are changeable each day by clicking the buttons on either side. \nBelow on a set of gold gilt plaques the months are engraved and held in place by red enamel and moonstone mounts.\nSigned \"Faberge\".\n$1200.00","Transcription: \n[double-headed eagle] #G. 16\nLarge jade Easter egg mounted in gold gilt silver by CARL G. FABERGE, the Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold gilt silver, and bearing ruby catches with which to open it.\n$450.00","Transcription: \n[double-headed eagle] #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #23\nVery fine gold and silver frame beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth.  Signed and dated 1909.  (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is designed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\n$240.00","Transcription: \n[double-headed eagle] #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana, her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler, \"Fabergé\", by whom it is signed.  The back is of ivory.\nFrom the personal belongings of Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 2354.\n$240.00","Transcription: \n[double-headed eagle] #38\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.  \nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 1955.\n$60.00","Transcription: \n[double-headed eagle] #73/44\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n$120.00","Transcription: \n[doubleheaded eagle] #75.WM\nCream leather frame with beautiful gold tooling and crown, top center, containing a photograph of the Grand Duchesses Olga and Tatiana. [from \"containing\" on, words are scratched through]\nThe frame was made by A. Peterson at St. Petersburg, by appointment to the Czar of Russia.\nFrom the Winter Palace, where it was catalogued under #430/2.\n$36.00","Transcription: \n[double-headed eagle] #86\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and siver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n \"Blessing from the Monastery of St. Martyr and Healer Panteleimon on the Sacred Mount Athos.  To His Imperial Highness Heir Apparent and Czarevitch Grand Duke Alexis Nicholaievitch for Divine Assistance and Protection.  October 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\n$1,000.00","Transcription: \n[double-headed eagle] #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and 9 saints in miniature as follows:\n1 - St. Peter – Metropolitan of Moscow\n2 – St. Alexis -     \"                 \"          \"\n3 – St. Ivann -      \"                 \"          \"\n4 - St. Prince Michael\n5 – St. Boyard Theodor\n6 – St. Dimitry the Blessed\n7 – St. Vasily the Blessed (In whose name the famous church in Moscow was built by Ivann the Terrible.  The church upon completion was so beautiful, that the Czar, fearing that it might be duplicated, had the architect blinded.)\n8 – St. Michael the Martyr\n9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears a nameplate which reads as follows:\n\"To His Imperial Highness Czarevitch and Grand Duke Alexis Nicholaievitch from the Nobility of Nijni Novgorod.\"  It was made by \"Chlebnikoff\" (By Appointment to the Russian Royal family.)  It is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\n$3,500.00","Transcription: \n[double-headed eagle] #477\nVery lovely cane holder, of crystal, with fine enameling, and gold mounting, and studded with diamonds.\nMade by the famous court jeweler \"Faberge\" (By Appointment to the Czar of Russia.)\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Czar Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #479\nVery beautiful rock crystal parasol handle mounted in beautifully chased gold and enameled in soft shades of blue and studded with two rows of oriental pearls.\nMade by the famous court jeweler \"Carl Faberge\" (By Appointment to the Czar of Russia), who was often referred to as the Cellini of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$350.00","Transcription: \n[double-headed eagle] #480\nVery fine cane handle enameled in white.  With gold striped and two Roman tens (X), enameled in orange.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the Cellini of the 19th century.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #481\nVery fine cane handle made of Russian nephrite (jade), mounted in gold and enameled in a beautiful red translucent enamel, in spiral design.  With two rows of diamonds.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the \"Cellini of the 19th century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #509\nVery fine parasol handle of amethyst, carved with a spiral design.  Gold mounting and two rows of diamonds.  Enameled in a lovely shade of translucent pink in a woven effect.\nIt is the creation of the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia.  He was often referred to as the Cellini of the 19th century because of his unusually fine craftsmanship.  \nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$200.00","Transcription: \n[double-headed eagle] #534\nVery fine parasol handle made of a solid piece of amethyst, with most unusual gold and silver mounting.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #536\nVery fine cane handle made of Russian nephrite (jade), with gold mounting, very finely chased and hammered.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #538\nUnusual parasol handle made of Russian nephrite (jade), with very fine gold mounting in the shape of a serpent coiled around the handle.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"  \nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$150.00","Transcription: \n[double-headed eagle] #539\nUnusual red/Russian nephrite cane handle, in the shape of duck's head.  With gold mounting, enameled in green and white, and set with diamonds.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as \"The Cellini of the 19th century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in center beautifully painted portrait of \"Madonna and Child\" in enamel, and framed with filigree work which is filled with shaded enamel showing tulips and other flowers, in the center of each of which topazes and garnets alternate.\nSurmounted by crown which has two aquamarines one topaz and one garnet.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family.) Moscow.\nFrom the private belongings of Czarina Alexendra [sic] Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$325.00","Transcription: \n[double-headed eagle] #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.  The craftsmanship displayed in this piece adequately shows the reason why Carl Faberge is often referred to as the \"Cellini of the 19th century.\"\nFrom the Collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00","Transcription: \n[double-headed eagle] #1073\nExceptionally beautiful and rare [scratched out \"graphite\" and ?] jade (handwritten) frame mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frame the picture (handwritten), while on the [nephrite scratched out] jade (handwritten) margin green gold festoons are attached to reddish gold rosettes.\nA superb example of the fastidious workmanship lavished upon the small creations of Carl Faberge, celebrated court Jeweler to the Court of Russia.\nThis example aptly illustrates Faberge's unique use of the rare semi-precious stons [sic] which were found in the Russian Impire [sic].\n[Scratched through: In original Hollywood case]  From the Alexander Palace at Tsarskoye Selo.\n$750.00","Transcription: \n[double-headed eagle] #1075\nCircular gold picture frame of the most exquisite and delicate workmanship chased with a shimmering \"guilloche\" pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\n[In original case - scratched through]\nSigned by Carl G. Faberge, famous jeweler to the Imperial Court of Russia, [and who has so often been referred to as the \"Cellini of the 19th century.\" – scratched through]\nFrom the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #1078\nExceptionally beautiful gold and silver picture frame of most unusual size enameled in translucent sky-blue over a scintillating chased (guilloche) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At top laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  \n[crossed out: The frame contains a photograph portraying Czar Nicholas II and King George V of England, his cousin, and the two heirs to the throne, the Prince of Wales of England and the Czarevitch Alexis of Russia.]\nThe fine craftsmanship displayed in this example typifies the work of Carl G. Faberge, celebrated court Jeweler to the Imperial Russian Family.\nFrom the Alexander Palace at Tsarskoye Selo.\n[$600.00 scratched through] 450 handwritten","Transcription: \n[double-headed eagle] #1101\nExceptionally beautiful and rare gold (handwritten) miniature icon depicting the \"Holy Virgin and Child Enthroned\" set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top an interesting attachment is mounted with a blue sapphire while from the bottom hang a pink ruby an emerald and a pearl [last phrase handwritten].\nMounted in a beautifully designed triptych of \"Old Russian\" design. [Scratched through: lined with an ancient piece of brocade].  Hinges conform to the design of the case and are in solid silver intricately chased.\n[An \"X\" appears here, referring to where the last paragraph at the end of the text should be inserted]\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\n\"X\" - The icon bears an inscription meaning \"Save and Protect\".  It is signed by the artist: \"M. Chuknovsky\".","Transcription: \n[double-headed eagle] #1315\nVery fine miniature picture frame delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface enameled brilliant orange.  \nAt the corners of the actual opening for the picture pearls are set in while on the enamel circular wreaths are mounted together with crossed arrows.\nBy \"Carl (G) Faberge,\" celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the 19th century.\"\n$180.00","Transcription: \n[double-headed eagle] #1350\nPaper knife of richly grained tortoise shell of unusual personal interest mounted with a solid gold facsimile reproduction of the inscription: \"For Dear Alix (the Czarina Alexandra Feodorovna) from Misha.\" (Grand Duke Michael, brother of Nicholas II, the late Czar of Russia).\nFrom the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #1556\nSmall silver triangle frame by CARL G. FABERGE the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased guilloche surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a bevelled [sic] glass with the outside border in beadwork.\nBack with ivory and signed and in the original hollywood case bearing FABERGE'S name and the Russian eagle. [Last sentence crossed through]\n$350.00","Transcription: \n[double-headed eagle} #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides a diamond is inset and in the very center surrounded by a laurel wreath the Roman number \"ten\" in diamonds signifies a tenth anniversary.\nSigned by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #1576\nA pin by CARL G. FABERGE in the Egyptian style formed of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$1200.00","Transcription: \n[double-headed eagle] #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE, executed in solid gold in his French classic style.  It follows in technique the French 18th century gold snuff boxes with a ground of cobalt translucent enamel.  Unlike most of Fabergé's surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes, and is merely visible as faint rays on the enamel surface.\nAround the center there is a broad vari-colored gold band carved in a minute serpentine pattern together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg circular caps bear ten-pointed rosettes enameled in green.  The three divisions are further enhanced by the addition of 3 bands of white matte enamel dots, one of which in the center row is a tiny diamond catch.  As one opens the egg, the inscription may be seen: \"Christ is Risen\".  In the original case bearing the name \"Faberge\".\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$450.00","Transcription: \n[double-headed eagle] #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface and opens with a small pearl bordered lid having a ruby catch.\nDecorated on top with a diamond and ruby six-petaled flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #1736\nJade parasol top mounted in gold by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.  On the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #1737\nJade parasol top mounted in gold, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.  A green gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #2237\nTiny solid gold oval box, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with exerpts [sic] from the Koran.  It is surrounded by a row of diamonds.\nLike all of Fabergé's boxes, the fit of cover to box is a notable example of his craftsmanship.  Here also he has employed the hinges which appear on the finest 18th century gold snuff boxes.\n$850.00","Transcription: \n[double-headed eagle] #2238\nRare miniature Easter egg, by CARL G. FABERGE, the Russian court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise, and entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a brilliant cabochon-cut ruby.\n$250.00","Transcription: \n[double-headed eagle, no identification number]\nMiniature gold and platinum charm in the form of a bulldog.\nThe collar is gold, and the eyes are rubies, while the body is set with ten large diamonds and many smaller ones.\n$250.00","Transcription: \nRockefeller Ce [ripped] ekly\nFOR IMMEDIATE [ripped] O","Alexander S. Schaffe [ripped]\n15 West 50th Street [ripped]","Center Publications, Inc. \nNEW YORK N Y","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\n #572.\nExceptionally fine \"Fabergé\" handle, made of an unusually formed beautiful green jade, enclosed in two gold gilt bands which are chased in a simple design.  The top of the handle is studded with sixty-five various sized blue sapphires in a triangular setting.  Set on a stick of very fine tortoise shell.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934","A most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth, (Countess Brassov, morganatic wife of Grand Duke Michael.)  Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth. Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #38.\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master, \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.\nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #73/44.\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, the Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n[handwritten: 12 1/8\" hegl (?) x 14 5/8\"]","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1934\n #315.\nPorcelain Easter egg, bearing on one side the gold monogram and crown of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, and on the other, a small red cross.\nIt was the custom of the Czarina to present these eggs to wounded officers, while she served as a nurse during the World War, as a token of Easter greetings.\nFrom the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nApril 2, 1934\n #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses [sic] uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo where it was catalogued under number 1955.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nImperial Russian Art Treasures\nRockefeller Center, New York\nApril 30, 1934\n #86.\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and silver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n\"Blessing from the Monastery\nof St. Martyr and Healer\nPanteleimon on the Sacred\nMount Athos.  To His Imperial\n Highness Heir Apparent and\nCzarevitch Grand Duke Alexis\nNicholaievitch for Divine\nAssistance and Protection.\nOctober 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana [name underlined in pencil with ? following name], her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler \"Fabergé\", by whom it is signed.  The back is ivory.\nFrom the personal belongings of the Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under the number 2354.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #461\nMost exceptionally fine miniature icon (panagia), painted in enamel in very beautiful soft tones which produce a most pleasing effect.  Signed in the lower left corner.  The icon portrays \"St. George Slaying the Dragon\", the Insignia of the Romanoff family.  It is set in very fine gold and silver filigree work and is studded with rubies.\nIt is mounted in highly polished holly wood, similar to the original fitted case which is lined with satin and bears the gold stamp of the House of Fabergé, typical of the beautiful boxes that Fabergé made for his creations.  The icon is a fine example of the work of \"Carl Fabergé\", who was often referred to as the \"Cellini\" of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #462\nA most unusual enamel miniature icon (panagia), portraying \"Madonna and Child\".  It is mounted in a very beautiful gold and silver frame surmounted by crown and studded with turquoises and pearls of very good quality.\nFrom the private collection of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nJuly 28, 1934\n #463\nA most unusual enamel miniature icon (panagia), portraying the \"Madonna and Child\".  It is set in a very fine gold and silver frame inlaid with vari-colored enamel in very fine filigree work.  Surmounted by crown and studded with pearls and garnets of very good quality.\nFrom the private collection of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nSeptember 28, 1934\n #558\nA most exceptionally fine silver bunny made from life by the well-known Russian jeweler, \"Carl Fabergé\", who was often referred to as the Cellini of the 19th century.  It is made up of two sections; the head opens on a hinge, and the hollow inside was probably used for bonbons.  The eyes of are Ural rubies.\nIt is a very good example of this type of work that was made by this master craftsman.  The life-like effect and charm, as well as the characteristically fine detail, will win one over readily to the many admirers that he already has all over the world, in both royal houses and humble alike.\nThe bunny bears on the bottom a most exceptionally clear hallmark and signature \"K. Fabergé,\" surmounted by Russian Imperial eagle, the date \"1894\", and the St. Petersburg hallmark.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #150\nA most exceptional blue and silver brocade cope, with an all-over \"Baroque\" floral and leaf design woven in silver threads which will never tarnish, as they were treated with an unknown process which is today a lost art.  It is bordered with a very fine hand-made silver lace of the period.\nRussian, 18th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #309\nVery interesting gold gilt silver ice pail in the shape of a basket, executed in very fine detail, true to the fine workmanship of the well-known court silversmith, \"Ovchinnikov\", who made so many outstanding pieces for the Russian Royal family.\nIt is signed and dated 1873.  Originally in the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nChristmas, 1934\n #597\nA most unusual gold pin in the shape of a tree trunk, showing a snake coiled around the tree, hypnotizing a bird which is perched directly above.  It is chased in very fine detail of vari-colored gold which is typical of Fabergé.\nOriginally in the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJanuary 2, 1935\n #504\nVery important gold and silver vase enameled in beautiful, rich coloring, which can hardly be described.  One can scarcely distinguish the enamel from the various precious stones, such as emeralds, rubies, sapphires, pearls, etc., with which it is embellished, true to the splendor of a jewelled [sic] crown, which is incorporated in the design of the vase.\nIt is the work of that outstanding master \"Carl Fabergé\", court jeweler to the Czar of Russia, and who was often referred to as the \"Cellini\" of the 19th century.  It is one of his most outstanding creations and is signed on the bottom of the vase.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nFebruary 26, 1935\n #438\nVery fine miniature Easter egg, enameled in a translucent pink and studded with one large and two smaller sapphires and two diamonds mounted in gold.\nThe work of Carl Faberge [sic], famous craftsman of the 19th century who was often referred to as the Cellini of the 19th century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #571\nExceptionally beautiful parasol handle by Carl Faberge [sic], Court Jeweler of the Czar of Russia, often referred to as the Cellini of the 19th century.\nThis fine specimen of Faberge's [sic] art shows the ingenuity and artistry of this master craftsman.\nThe curved part of the handle, formed of a single piece of jade, is finely incised and mounted with rubies.  The main body of it, a single piece of tortoise shell, polished and tapered, is connected by a fine gold and enamel mounting.  This gold mounting, so typical of Faberge's [sic] art, is chased and enameled in a lovely translucent red, and ornamented by a fine design of festoons in yellow gold.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #760\nVery fine gold gilt silver frame beautifully enameled in a rich cobalt and decorated with a wreath.  Top surmounted by beautifully designed gold ribbon.  The back is covered with Russian birch, finished to simulate ivory.\nFrame contains well-painted miniature portraying wife of Alexander II, grandfather of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #774\nA most exceptionally fine gold gilt silver ash tray, beautifully chased and enameled in a very fine shade of canary yellow transparent enamel, supported by three ball feet; studded in the front with a beautiful round moonstone and an oval moonstone at the top of the handle.\nA fine example of the creations of the famous Russian Court Jeweler, Carl Faberge [sic], who was often referred to as the Cellini of the 19th Century.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #780\nVery fine miniature carnelian Easter Egg, studded with three small rubies and diamonds mounted in gold.  \nThe work of Carl Faberge [sic], the famous craftsman of the 19th century who was often referred to as the Cellini of the 19th Century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1935\n #818\nVery interesting white porcelain Easter egg with floral design, bearing monogram \"A.F.\" surmounted by crown, standing for Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nMade in the Russian Imperial Porcelain Factory at St. Petersburg.\nThe decoration of this porcelain Easter Egg is beautifully composed of a handsome wreath of roses going around the middle of the egg from one side of the monogram to the other.  The roses, exquisitely painted in varying shades of magenta, together with the leaves, are bound about by a blue ribbon recurring at different intervals throughout the wreath.\nThe monogram of the Czarina is finely rendered in gold laurel leaves, and with the crown, is placed in the center of an oval from which start symetrical [sic] borders in gold going around the egg.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#417.  Exceptionally fine miniature Easter egg made of lapis.\n#419.  Miniature gold Easter egg, composed of three Russian semi-precious stones mounted in gold and set with three tiny rubies.\n#420.  Miniature gold Easter egg in the shape of a cage, set with a turquoise.\n#421.  Miniature gold Easter egg engraved in a spiral design and set with a band of blue sapphires.\n#639.  Very interesting miniature Easter egg carved from a dark blue lapis lazuli\n with a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#422.  Miniature gold Easter egg, beautifully enameled in white, and bearing the red cross.\n#423.  Miniature Easter egg, made of a gray Russian semi-precious stone set on \nthe bottom with a ruby and on the top mounted with a gold leaf.\n#424.  Miniature Easter egg made of Russian pink agate.\n#445.  Miniature gold Easter egg, beautifully enameled in green, white, and red, with tiny red enamel dots on the green enamel, and decorated with gold wreath.\n#447.  Very interesting miniature gold Easter egg enameled in turquoise blue and and placed in a gold cone which is suspended from a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Maria, the third daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#425.  Gold and silver miniature Easter egg set with blue transparent enamel.  \nOpening on a hinge.\n#426.  Miniature gold Easter egg decorated with tiny bell shaped flowers, each studded with a diamond, and on the bottom a blue sapphire.\n#427.  Miniature Easter egg made of pale blue Russian semi-precious stone, mounted in beautifully chased various colored gold.\n#428.  Miniature gold Easter egg in the shape of a perfume bottle hanging from a\n chain, the lid opening and studded with an amethyst.\n#429.  Miniature Easter egg in the shape of a Russian icon lamp (lampadka), with\ngarnet in the gold lamp, which hangs from three chains.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#430.  Miniature Easter egg, made of a gray semi-precious Russian stone mounted in various colored beautifully chased gold, and studded with four rubies.\n#431.  Miniature gold Easter egg enameled in white, the upper part studded with rubies and one diamond, and in the center, beautifully chased gold\nwreath.\n#432.  Miniature Easter egg made of Russian agate mounted in various colored beautifully chased gold. \n#435.  Miniature Easter egg of Siberian jade (nephrite), decorated with a gold leaf design studded with rose diamonds and two rubies.\n#436.  Miniature gold Easter egg set with five rubies and various rose diamonds.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#437.  Miniature gold Easter egg beautifully enameled in red and white, and inlaid with gold leaves.\n#458.  Very interesting egg-shaped pearl supporting a beautifully chased gold cock which is suspended from a ring.\n#459.  Very fine miniature gold Easter egg studded with pearls and turquoises, stones divided in four sections.\n#673.  Very interesting gold gilt silver miniature Easter egg in the shape of a bee hive, studded with a green Ural stone.\n#676.  Very fine gold gilt silver miniature Easter egg enameled in soft shades of\n Russian enamel set in filigree work.","Made by the famous court jeweler \"Carl Fabergé.\"  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures \nRockefeller Center, New York\nMay 2, 1935\n#449.  Very beautiful miniature gold Easter egg nicely chased and enameled in \ntranslucent red on top and bottom; in center small squares of yellow and green enclosed in two white bands of opaque enamel.\n#450.  Very fine miniature gold Easter egg beautifully enameled in a soft shade of turquoise translucent enamel encircled with an engraved wreath which is enameled in emerald green.\n#779.  Most unusual miniature Easter egg composed of rock crystal and garnets divided in various sections with many rows of small diamonds mounted in\ngold.\n#779A. A very fine miniature Easter egg composed of an unusual star sapphire colored agate mounted in gold which is finely chased and enameled in [sic] soft shade of green and decorated with a row of diamonds.","Made by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 27, 1935 \n  #110\nExceptionally fine gold and silver Russian icon portraying the \"Holy Virgin of Iverskaya with the Child\".  The trappings, consisting of the exquisitely chased and modelled robes of the Virgin, together with the frame and borders of ancient Byzantine design, are a superb contrast to the magnificent haloes done in all the brilliant shades of the Russian enamel.  In a lovely design of filigree, the enamel combines rare shades of turquoise blue, ruby red and deep greens interspersed with white.\nWithin the recessed panel of the icon there is inscribed at top in old Russian characters: \"The Mother of God\", while within the halo of the Child, there is in the form of an abbreviation: \"From the Father Proceeds\".\nThe back of the icon is mounted with a plaque which is inscribed \"To Her Imperial Highness the Grand Duchess Tatiana Nicholaievna from the Nobility of Moscow.\"  This icon, notable alike for the beauty of characterization of the \"Virgin and Child\", together with its technical perfection in the use of gold, silver and enamel, was from her personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #888\nVery unusual penholder of the Dowager Empress Maria Feodorovna, constructed of a brilliant shaft of lapis lazuli mounted in gold and picked out with a conventionalized chasing.\nThe top is set with the seal of the Empress, consisting of her monogram \"MF\" surmounted by crown, and is engraved in a round, milky-colored agate.\nIt is a fine example of the work of \"Carl Fabergé\", the famous court jeweler to the Russian Imperial family, and who is often referred to as the \"Cellini\" of the 19th century.\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n   #893\nSmall round gold picture frame of more than ordinary beauty and quality by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family.\nThe ground of this piece chased with a shimmering pattern, is enameled translucent white and bordered with a minutely detailed wreath design in green gold on the outside.  The inside is bordered with pearls while the enameled surface is painted with conventionalized trees.\nThe back is of ivory, and it contains a photograph of Czarevitch Alexei Nicholaievitch, son and heir apparent of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #894\nSmall oval picture frame made of a deep ultramarine piece of lapis lazuli mounted on the outside with a chaste wreath design in two shades of gold.  On the inside, a border of pearls lends an air of rare quality and refinement.\nThe back is of ivory, and it contains a photograph of Maria Nicholaievna, the third daughter of Nicholas II, the late Czar of Russia.  \nIt is by \"Carl Fabergé\", famous court jeweler to the Russian Imperial family, who is often termed the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #901\nPerfectly square small silver gilt frame finely fluted and enameled in pale translucent blue.  It contains a photograph of the Grand Duchess Tatiana Nicholaiovna [sic], the second daughter of Nicholas II, the late Czar of Russia.\nIt is signed by \"Carl Fabergé\", court jeweler to the Russian Imperial family, often referred to as the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #905\nVery beautiful miniature gold Easter egg.  Chased and translucently enameled in deep Russian blue, it is finely festooned with ribbons and wreath in two shades of gold, which is so typical of the work of \"Carl Fabergé\", court jeweler to the Russian Imperial family.\nFrom the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#907, #908]\n#907.  Very lovely miniature gold Easter egg chased and enameled translucent\nwhite and studded with a beautiful yellow and a white diamond.\n#908.  Very beautiful miniature Easter egg of pink quartz.  It is encircled by a gold ring having two diamonds and two sapphires in the form of leaves attached to it.\nBoth of these eggs were made by \"Carl Fabergé\", well-known court jeweler to the Russian Imperial family, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#909, #904, #911]\n#909.  Very fine miniature Easter egg made of an unusual green Ural stone. Mounted in gold with a conventionalized flower design, it is set with three groups of three diamonds, three sapphires and three rubies.\n#904.  Very lovely gold miniature Easter egg. The upper half is chased and  enameled in translucent white.  The lower half is of gold wire.  It is mounted with a large oval sapphire and two sprigs of gold leaves.\n#911.  Most unusual miniature Easter egg made of red porphyry.  (This stone was so rare that whenever found it was always presented to the Imperial family.)  It is mounted in a beautiful gold ropework design. ","These eggs were made by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who was so often termed the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Tatiana, second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n #912\nDiamond-shaped gold pin, ornamented with the Russian Imperial Eagle, against a translucent mauve enamel ground in a chased sun-ray design.  The eagle, studded with various sized diamonds, is of very fine craftsmanship.  \nFrom the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1017\nUnusually beautiful solid gold cigarette case, elegantly embossed with sprays of leaves into which are mounted cabochon-cut rubies of beautiful color.  A ruby of the same color, mounted in gold, serves as the catch which opens the case.\nIt is signed by \"Carl Fabergé\", famous jeweler to the Russian Imperial family, who, because of his excellent craftsmanship and artistry, has often been termed the \"Cellini\" of the nineteenth century.\nFrom the belongings of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1041\nBeautifully conceived and executed miniature frame of the supreme quality achieved by \"Carl Fabergé\".  Mounted on a nephrite pedestal of pure classical inspiration, it is encircled at the top with a gold wreath mounted with rubies.  From it hang festoons of leaves minutely chased and carved out of green and yellow gold.  The gold enrichment of the base is also in two shades of gold and here is finely wrought with acanthus leaves.  The frame which is double to hold two miniatures, is enclosed with a round wreath, carved out of greenish gold and at the top is mounted with a ribbon, rubies and an oval terminal pearl.\nIt was made by the celebrated court jeweler to the Russian Imperial Court, \"Carl Fabergé\", who has often been termed the \"Cellini\" of the nineteenth century.\nFrom the Alexander Palace at Tsarskoye Seloe.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1049\nExceptionally fine and long lapis lazuli necklace composed of one hundred and ninety graduated Siberian lapis beads of an exceptionally beautiful blue.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #92\nExceptionally beautiful and rare Imperial triptych icon, designed and executed by the celebrated Russian Court silversmith, \"Ovchinnikov\", and presented by the Nobility of the City of Charcoff to the Czar and Czarina, Alexander III [sic] and Maria Feodorovna, in celebration of the twenty-fifth anniversary of their marriage.  In this example, all the ingenuity and resources of the artist were concentrated upon the workmanship of so important a piece, created to celebrate so momentous an occasion.\nOpening the icon, the central panel of sumptuous Russian design frames the exquisite portrait of the Blessed Virgin, clad in golden robes finely chased and patterned.  The Virgin is wearing a crown sparkling with the brilliance of diamonds, rubies and emeralds, against a halo of filigree and enamel mounted with ovular-shaped pearls.  The faces of the Virgin and Child are painted in miniature, and it is remarkable with what perfection the characterization and the details are rendered.  Necklaces of diamonds and rubies appear around their necks, and on the cuff of the Virgin's sleeve, a diamond star with ruby center is mounted.  The Child is also portrayed wearing the diadem of diamonds against the small halo, on which appears in Old Russian the inscription in the form of an abbreviation: \"From God Proceeds\".  The background of the panel, filling in the serpentine-shaped Russian arch, is of sky-blue and forms a superb color contrast to the yellow gold of the Virgin's robes.  Over this background, a vinelike design is entwined, studded here and there with rosette-like stars.  Magnificently framing the large central panel, as well as the side ones, borders ingeniously wrought in all different types of chasing and filigree work are set with a variety of rubies, emeralds and sapphires, interspersed with rectangular panels done in soft shades of blue and red matte enamel.\nThe side panels appropriately depict in fine relief, left, \"St. Alexander Nevsky\" (the patron saint of Alexander III [sic]), in armor and wearing ermine robes wrought in virgin silver, and on the right, \"St. Maria Magdalene\", (the patron saint of Maria Feodorovna).  Above each at left and right, guardian angels kneel in the clouds in an attitude of devotion.\nClosed, the icon presents the fine filigree exterior framed in enamel, in the center of which there is a large Greek Catholic cross studded with rubies and sapphires.\nThe reverse is inscribed as follows: \"To Their Imperial Majesties from the Nobility of Charcoff.  1866-1891. October 28.\"\nIt is signed by the artist \"Ovchinnikov\" and dated \"1891\", the year of its presentation to the Emperor and Empress of Russia.  It is considered the finest jeweled icon ever created in Russia, and is the best witness to the mastery of this great artist.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #972\nSmall gold picture frame of outstanding beauty, by \"Carl Fabergé\", famous court jeweler to the Czar of Russia.  Of rounded, triangular shape, it has as its main area the chased guilloche surface enameled in light translucent blue, in a very graceful drape design.\n\"Fabergé\" was greatly renowned for this type of enameling and in this example, the enameling is further set off by a gold border chased with a wreath design of great delicacy.  The actual opening for the picture is surrounded with a row of diamonds and surmounted by a ribbon bow.  The back of the frame is paneled with ivory.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #982\nParticularly beautiful icon depicting the \"Transfiguration\", showing \"Christ\" in an aura of light with (left), Elias, and (right), The Prophet Moses.  Below Him are James, Peter and John, (lower left, center and right, respectively).\nOf the most exquisite workmanship, both for its very expressive quality and perfection of detail, it is painted in an almost monochromatic color scheme, relieved by the touches of purple, green and blue in the gowns of the saints.  It is framed in translucent pale gray enamel with leaf and tendril design mountings, which are further [sic] enhanced by sapphires, emeralds and rubies.\nIt is by \"Carl Fabergé\", celebrated court jeweler to the Czar of Russia, and is a superb example of his genius.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #1006\nExtremely interesting water color luncheon menu of the 21st of June, 1896, in the domain \"\"Eleenskole\", which belonged to the Grand Duke Sergei Alexandrovich, uncle of Nicholas II, the late Czar of Russia.\nThis menu was written and designed by the Grand Duchess Victoria Mellita of Hesse, wife of the Empress' brother, Grand Duke Ernst-Ludvig of Hesse, and who later became the wife of the Grand Duke Cyril Vladimirovich under the name of Victoria Feodorovna.\nThe menu bears the following original signatures: Czar Nicholas II; Czarina Alexandra Feodorovna; Grand Duke Sergei Alexandrovich; Grand Duchess Elizabeth Feodorovna, sister of the Czarina and wife of the Grand Duke Sergei; Grand Duke Ernst-Ludwig of Hesse, brother of the Czarina; Victoria Mellita, his wife; and Victoria, Princess of Battenberg, sister of the Czarina.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 17, 1936\n  #1043\nExceptionally beautiful gold and silver picture frame containing a photograph of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.\nThis frame of very imposing character with a large Imperial Crown and ribbons at the top, is enameled in a raspberry red, the shade which immediately became so popular upon its creation by \"Carl Faberge [sic]\".\nSurrounding the enameled guilloche surface, leaf design borders of green gold are finely accented with ribbons of reddish-gold.  Also the enameled surface is picked out with formally placed rosettes and leaves, in this same combination so skillfully employed by \"Carl Faberge [sic]\".  The back is paneled with ivory and is signed by this famous master.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 1, 1936\n  #1176\nA most interesting umbrella handle in the form of an Easter egg sculptured of very fine dark green jade.  On the bottom it is mounted in gold gilt silver which is exquisitely chased and enameled in translucent mauve.\nIt is a good example of the work of the outstanding master \"Carl Faberge [sic]\", who was so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #37\nMost intimate and rare photograph of the late Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  It is set in an unusually fine frame of lapis lazuli.\nThe photograph was taken by her husband, the Czar, on their private yacht, and is from the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.  It bears the original catalogue number 2004.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1088\nVery fine gold and silver calendar frame beautifully chased with translucent lavender enamel.  Finely carved borders of beadwork and closely set anthemions enhance the beauty of the design.\nIt is signed by \"Carl Fabergé\", the outstanding Russian Court jeweler, who has so often been termed the \"Cellini of the nineteenth century\", because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1097\nExceptionally fine gold and silver picture frame of outstanding beauty.  It is enameled over a chased (guilloche) pattern in translucent pink, the edges bordered with finely carved wreath design terminated with rosettes.  The small oval opening for the picture, attached at the top to swags of laurel leaves, is bordered with pearls.\nIt is signed by \"Carl Faberge[sic]\", the celebrated court jeweler to the Czar of Russia, and who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1179\nMost unusual and rare miniature ivory Easter egg by \"Carl Fabergé\", the celebrated court jeweler to the Czar of Russia.\nIt opens on a hinged cover to disclose the surprise feature within, - a pale nephrite egg set in the white satin lining.  It is an ingenious creation which is typical of \"Fabergé's\" work.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1306\nA most exceptionally fine dark green jade elephant very sensitively modelled, with upturned trunk and diamonds for eyes.  It is a magnificent specimen of the fine sculptures which were created by the master \"Carl Fabergé\", and shows very beautifully his singularly perfect craftsmanship.\nIt is rendered in most complete detail.  Ears, trunk, tusks, legs, etc., are all carefully cut and polished.\nIt is one of the rare examples of miniature sculpture executed in stone by \"Carl Fabergé\", and for which he is today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #476\nA most unusually fine handle of nephrite, pale green in color, mounted with a cobra naturalistically carved out of yellow gold and entwined about the handle.  The scales and small details are meticulously rendered, while on top of the snake's head, a pink cabochon-cut ruby is mounted as the eye of the cobra.\nMade by \"Carl Fabergé\", celebrated court jeweler to the Imperial family of Russia.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #478\nVery beautifully designed parasol handle in the shape of a fin, made of nephrite.  It is mounted with gold and finely enameled in an unusual shade of pink, and is studded with four pearls and two rows of diamonds.\nIt was made by the famous court jeweler \"Carl Fabergé\" (By Appointment to the Czar of Russia), and is a fine example of his craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #482\nVery fine parasol handle made of nephrite, in the shape of a duck's head, with rubies for eyes and a most unusual green enamel band.  At the base it is mounted in gold and set with two rows of diamonds.  It is exceptionally finely enameled in translucent pink, giving the effect of trees in sunshine, which is enclosed in borders of white matte enamel, with translucent green enamel dots completing the design.\nIt is the creation of the famous Russian court jeweler \"Carl Fabergé\", who has so justly been termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #537\nExceptionally fine cane handle of pale green nephrite, exquisitely designed with an open-work gold mounting of rococco [sic] scrolls and tiny flowers in two shades of gold.  The rim is studded with a row of diamonds.\nMade by the famous artist and court jeweler \"Carl Fabergé\", who is today so often referred to as the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #986\nA particularly beautiful and rare solid gold picture frame of a graceful, oriental shape, designed with entwining leaf tendrils set with the richest shades of the transparent enamel, which has today become a lost art and cannot be duplicated.\nIt is a fine example of the work of the famous court jeweler \"Hahn\", who created some of the most prized specimens of the Russian Court Jewels.  The superb workmanship of this master is evident in such details as the execution of the panel of ivory which holds the picture, also the gold easel supporting the frame.  It is seldom indeed that one has the privilege of seeing a piece created by this great artist.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #987\nRectangular gold picture frame of exceptional quality and refinement, by \"Carl Fabergé\", court jeweler to the Czar of Russia.\nIn this specimen, \"Fabergé's\" unique enamel, a translucent mauve is set off by a border wreath design of minute workmanship in two shades of gold.  The opening for the picture, a tiny oval, is enclosed with beadwork attached at the top to festoons and ribbons of classical inspiration.  The back is paneled with ivory.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1035\nMost unusual gold and silver picture frame enameled in brilliant emerald green over a finely chased surface.  Designed in a five-petal arrangement, the center bears a photograph of Nicholas II, the late Czar of Russia, enclosed in beadwork, while in each of the five sectors, oval panels frame the portraits of the five children of the Czar: the Czarevitch Alexis, and the Grand Duchesses Olga, Tatiana, Maria and Anastasia.\nThe borders of this very rare example are embellished with wreaths, rosettes and bows of classical derivation.  The back is paneled with ivory.\nExecuted by \"Carl Fabergé\", court jeweler to the Russian Imperial family, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1166\nVery fine silver triptych frame of translucent white enamel applied over a chased (guilloché) surface, framed in a conventionalized leaf border of meticulous carving.\nThe actual openings for the portraits, two rectangular ones in the outer panels and octagonal one in the center, are placed with the formalized precision of the classic taste.  Exquisite borders, festoons with ribbons, together with rosettes and beadwork, complete the ensemble.\nSigned by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who is today referred to as the \"Cellini of the nineteenth century\" because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1189\nA very lovely handle of pale green nephrite, gracefully curved and tapered.  It is mounted with a gold cylindrical band chased and enameled in translucent white over a shimmering surface.  Rubies are placed over it and are incorporated with a design of green-gold festoons.\nThis example typifies the fastidious craftsmanship of \"Carl Fabergé\", celebrated Russian Court jeweler, who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #804\nA very beautiful brooch in the shape of a laurel wreath exquisitely cut out of green and a reddish gold and studded with many small diamonds which form a part of the design.\nThe center bears the monogram \"M\" and crown, in diamonds, of the Grand Duchess Maria, executed with two cabochon-cut rubies with the Cross on top.\nIt is a very good example of the superb workmanship of \"Carl Fabergé,\" celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth Century.\"\nFrom the personal belongings of Maria Nicholaiovna, third daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #1291\nAn unusually fine gold and silver seal of the round fluted type, mounted on the top with an exquisitely modelled monkey holding in its hands a human skull.  The monkey is contemplating the skull and in its animated attitude is a rare example of the silversmith's art.\nIn the base is set a white agate which is engraved with the monogram of Alexander Alexandrovitch, or Alexander III, father of Nicholas II, the late Czar of Russia.\nMade by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #980\nMagnificently conceived and executed Imperial Russian seal made with gold and silver stem, supporting a perfectly carved and polished agate Easter egg.  The setting holding the egg is of the most unusual and finely detailed workmanship.  It is in the form of garlands of roses carved out of several shades of gold, as well as silver, and is bordered with beadwork.  The stem likewise, is finely chased and consists of a polka dotted surface bound with a green gold wreath which flares out at the bottom into a circular base, the underside of which is minutely incised with the Russian Imperial double-headed Eagle.\nIt is one of the creations of \"Carl Fabergé, and fittingly illustrates his unique use of gold and rare semi-precious stones.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #1085\nA most unusual egg shaped, gold mounted nephrite bookmark, encrusted with diamonds and rubies in the form of the initials \"XB\", which is an abbreviation for the Russian \"Christ is Risen\".\nA good example of the work of the celebrated court jeweler \"Carl Fabergé\", showing his rare ability to combine beauty with utility.  In the original Faberge [sic] case.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533 duplicate\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535 duplicate\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #539\nA very unusual and rare red Russian nephrite cane handle carved in the shape of a duck's head.  It is mounted in vari-colored gold which is partly chased and enameled in beautiful translucent green and matte white and set with small diamonds.\nMade by the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #1101\nExceptionally beautiful and rare miniature gold icon depicting \"The Holy Virgin and Child Enthroned\", set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top, an interesting attachment is mounted with a blue sapphire, while from the bottom hang a pink ruby, an emerald and a pearl.\nThe icon bears an inscription meaning \"Save and Protect\", and is signed by the artist \"M. Chuknovsky\".\nIt is mounted in a beautifully designed triptych case of \"Old Russian\" design.  Hinges conform to the design of the case and are in solid silver intricately chased.\nFrom the personal belongings of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 26, 1936\n  #509\nExceptionally beautiful handle carved of a single amethyst set in a gold mounting and forming an exquisite terminal to a parasol.  The amethyst, beautifully carved, consists of two shells placed together on a Russian capital.  The gold mounting, so typical of \"Fabergé's\" workmanship, is intricately embellished with a repeating design punctuated all over with diamonds and enameled a lovely translucent pink.  The piece, combining as it does two shades of gold, is exquisitely bordered with two rows of diamonds superbly demonstrating the infinite amount of craftsmanship employed in a \"Fabergé\" creation.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who was so often termed the \"Cellini of the nineteenth century\" because of his unusually fine craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #477\nSmall handle of exquisite delicacy and refinement composed in its miniature dimensions of a \"T\"-shaped piece of rock crystal set in a gold mounting finely bordered with a bead edge of yellow gold.  Between these borders in incredibly small scale, the gold is chased into a design of waving lines, enameled in light blue and set with three rows of diamonds alternately placed.\nThis is a specimen typical of the unsurpassed craftsmanship of \"Carl Fabergé\", and worthy of the most discriminating taste.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #479\nParticularly beautiful handle, exquisitely wrought and decorated in a most beautiful manner.  The handle proper, a piece of rock crystal, is set in a cylindrical gold mounting embellished with various gold and enamel borders.  At the top and bottom there are green gold wreaths against a deeper shade of gold.  The enameled decoration is formed of three gold bands exquisitely enameled in a light shade of blue.  Each one is minutely chased with a scale design which imparts a shimmering quality.  Over the central band of a very pale shade of blue, there is a fine gold double wreath.  On each side of this middle portion two rows of pearls enhance the superlative quality of this \"Fabergé\" creation.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #480\nBeautiful handle perfectly illustrating the artistry of \"Carl Fabergé\". \nThis handle, a combination of a well-cut and polished piece of milky-green nephrite, is set off by the complementary shade of orange in its gold and enameled mounting.  This mounting, connecting the handle proper with the main body of the cane, is wrought with great delicacy and refinement.  Against a curved surface of white matte enamel, minutely striped with gold, there are superimposed two crossed ribbons chased of greenish-gold and enameled with translucent orange.  Above and below there is a tiny row of diamonds effectively set in quite another shade of gold.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #481\nVery fine handle made of nephrite of a pale golden greenish shade, symmetrically curved and mounted in brilliantly enameled gold.  The main part of the mounting is chased with a design of many short curves and enameled raspberry red.  Curving around it in a ribbon effect there are four bands of leaves exquisitely worked in two shades of gold, namely, yellow gold and green gold.  Above and below, there are two rows of diamonds.\nIt is a good example of the fine workmanship of the celebrated court jeweler \"Carl Fabergé\".  \nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #536\nVery fine handle of attractive simplicity composed of a beautifully shaped and polished piece of nephrite in a gold mounting.  This mount, which forms the connection between the handle proper and the body of the cane is of hand-hammered yellow gold and is bordered at top and bottom with two green gold wreaths.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who is often termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #538\n\"Fabergé\" handle executed in a most unusual manner of soft green nephrite in the shape of an egg affixed to a hand-hammered cylindrical gold mounting.  Starting from this mount and entwined over the egg-shaped surface, there is a golden snake, chased in all the precision of its naturalistic details.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in the center a beautifully painted portrait of the \"Madonna and Child\" in enamel, and framed with filigree work which is filled with unusually fine shaded enamel, showing tulips and other flowers, in the center of each of which topazes alternate with garnets.  The icon is surmounted by a large crown which is studded with a topaz, a garnet and two aquamarines.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family).  Moscow.\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #75\nCream leather frame with beautiful gold tooling, and crown in top center, made by \"A. Peterson\" at St. Petersburg (By Appointment to the Czar of Russia.)\nFrom the Winter Palace, where it was catalogued under the number 430/2.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and nine saints in miniature as follows:\n 1 – St. Peter – Metropolitan of Moscow\n 2 – St. Alexis – Metropolitan of Moscow\n 3 – St. Ivann – Metropolitan of Moscow\n 4 – St. Prince Michael\n 5 – St. Boyard Theodor\n 6 – St. Dimitry the Blessed\n 7 – St. Vasily the Blessed (In whose name the famous church in Moscow\n  was built by Ivan the Terrible.  The church upon completion was such\n  a beautiful example of Russian architecture that the Czar, fearing\n  that the church might be duplicated, had the architect blinded.)\n 8 – St. Michael the Martyr\n 9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears the nameplate of Alexei Nicholaievitch, to whom it was presented by the Nobility of Nijni Novgorod.  The plate reads as follows: \"To His Imperial Highness Czarevitch and Grand Duke Alexei Nicholaievitch from the Nobility of Nijni Novgorod.\"\nIt was made by \"Chlebnikoff\" (By Appointment to the Russian Royal Family).  It is a remarkable example of the work of this fine Russian silversmith, who has made many outstanding objects for the Imperial family.\nIt is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #906\nMiniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler cut out of a brilliant cerise-colored Ural stone set in a delicate open-work gold mounting.\nFrom the collection of the Grand Duchess Maria Nicholaievna, third daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1073\nExceptionally beautiful and rare jade frame, mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside, and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frames the picture, while on the jade margin green gold festoons are attached to reddish gold rosettes.\nIt is a superb example of the fastidious workmanship lavished upon his creations by \"Carl G. Fabergé\", the celebrated Court Jeweler to the Czar of Russia, and aptly illustrates his unique use of the rare semi-precious stones which were found throughout the Russian Empire.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1075\nCircular gold picture frame of the most exquisite and delicate workmanship, chased with a shimmering guilloche pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls, while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\nIt is in the original case and is signed by \"Carl G. Fabergé\", the famous jeweler to the Imperial Court of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1078\nExceptionally beautiful gold and silver picture frame of most unusual size, enameled in translucent sky-blue over a scintillating chased (guilloché) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At the top, laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  The back is paneled by hollywood.\nThe fine craftsmanship displayed in this example typifies the work of \"Carl G. Fabergé\", the celebrated Court Jeweler to the Russian Imperial family.\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #1182, #1183, #778\n#1182. Miniature solid gold Easter egg signed with the initials of \"Carl G. Fabergé\", the celebrated Russian Court jeweler chased with the \"guilloche\" all-over pattern enameled brilliant emerald green.  Serving as complement to the green enamel a gold circle and stripes are set with a small ruby.\n#1183. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler.  Of a yellow gold it is chased and set with nine cabochon-cut rubies.\n#778. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler executed in yellow gold with green gold wreath design and filigree volutes set with two small diamonds.\nFrom the collection of the Grand Duchess Tatiana Nicholaievna, second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1315\nVery fine miniature picture frame, delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface, enameled brilliant orange.\nAt the corners of the actual opening for the picture, pearls are set in, while on the enamel, circular wreaths are mounted, together with crossed arrows.  \nBy \"Carl G. Fabergé\", the celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1350\nPaper knife of richly grained tortoise shell, of unusual personal interest.  It is mounted with a solid gold facsimile reproduction of the inscription \"For Dear Alix\" (the Czarina Alexandra Feodorovna) \"from Misha\" (the Grand Duke Michael, brother of Nicholas II, the late Czar of Russia.)\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle] \nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1343\nVery fine Easter egg cut out of a blue agate and decorated with a continuous motif of sprigs of four-pointed flowers and leaves cut out of silver and set with a myriad of tiny diamonds.\nIt is a signed piece by \"Carl G. Fabergé\", the celebrated Russian court jeweler who is today so often referred to as the \"Cellini of the 19th century.\"","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1364\nAn exceptionally choice fantaisie by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nSigned and in the original case, this unique tray of gold gilt silver is mounted with a stand to which is attached an ivory swing on which perches a paraquet [sic] cut directly out of a rare brilliantly colored agate, the natural markings of which delineate the feathers in the minutest detail.\nEmeralds are set in for the eyes and the whole presents an astonishingly life-like aspect.  On either side of the swing tiny containers hold the golden kernels of birdseed.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1367\nA circular gold box signed by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nIt is enameled brilliant red over a broad guilloche line pattern, and mounted with intricate little vari-colored gold motifs of interlaced wreaths and rosettes having diamond centers.\nFive wreaths ornament the cover and frame a portrait of Catherine the Great which is dated 1773.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1464\nMiniature picture frame by CARL G. FABERGE cut from lapis lazuli in a quaint design, the bright blue surface overlaid with a vine-like wreath of tiny flowers executed in the greatest delicacy from green, reddish and yellow gold.\nIt is set with three diamonds.  The actual opening for the picture is bordered with pearls.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1537\nA most important miniature sculpture of a horned owl by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is rather larger than many of his famous bird and animal sculptures and is cut entirely from a moss agate, the green and gray markings creating a superb sense of the texture of feathers which are finely incised all over.  The claws are of gold and beautifully chased, and, together with the gold-mounted diamond eyes, the whole creates an astonishingly life-like aspect.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1546\nSilver gold-gilt buzzer for the table, of conical beehive shape with a large cabochon-cut ural stone in the center. \nIt is a device with clock-like movement, to be wound up, and when used gives a quiet, low, buzzing sound.\nCut into the silver by hand, a collar of long leaves surrounds the stone button.  The sides are decorated with chased garlands and around the base there is a beadwork border.\nBears the hallmark and signature of CARL G. FABERGÉ, the celebrated Russian Court jeweler.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1578\nGold chain bracelet of large heavy links, by CARL G. FABERGÉ, the celebrated Russian Court jeweler.\nIt is mounted with an Imperial Crown studded with diamonds and two cabochon-cut sapphires, and is mounted also with a small safety catch chain arrangement.\nFrom the personal belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1556\nGold gilt silver triangle frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased (guilloche) surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a beveled glass with the outside border in beadwork.\nThe back is paneled with ivory, while the easel is of gold gilt silver.  In the original hollywood case.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides, a diamond is inset and in the very center, surrounded by a laurel wreath, is the Roman number \"ten\" in diamonds.\nSigned by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1576\nA pin by CARL G. FABERGÉ in the Egyptian style, in the form of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE [sic], celebrated Russian Court jeweler, executed in solid gold in his French classic style.\nIt follows in technique the French eighteenth century gold snuff boxes with a ground of cobalt blue translucent enamel.  Unlike most of FABERGE'S [sic] surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes and is merely visible as faint rays on the enamel surface.\nAround the center, there is a broad vari-colored gold band carved in a minute serpentine pattern, together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg, circular caps bear ten-pointed rosettes enameled in green.\nThe three divisions are further elaborated by the addition of three bands of white matte enamel dots, one of which in the center row, is a tiny diamond catch.\nBears the inscription which may be seen as one opens the egg \"Christ Has Risen.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1736\nJade parasol top mounted in gold by CARL G. FABERGE [sic], the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.\nOn the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1737\nJade parasol top mounted in gold, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.\nA green-gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2237\nTiny solid gold oval box by CARL G. FABERGÉ, the celebrated Russian Court jeweler.  \nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with excerpts from the Koran.  It is surrounded by a row of diamonds.\nLike all of FABERGÉ's boxes, the fit of cover to box is a notable instance of his technique.  Here also he has employed the hinges which appear on the finest eighteenth century gold snuff boxes.\nIt is one of the best examples of his craftsmanship.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2238\nRare miniature Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise and, entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a cabochon-cut ruby.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-3\nRectangular miniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed from gold-gilt silver and is enameled over a chased (guilloche) surface in a very beautiful shade of rose.  Borders of wreath design frame the enameled ground, while the opening for the picture is enclosed with beadwork.  The back is paneled [sic] with ivory.\nFrom the Youssoupoff collection.  Originally it was presented to the Princess Youssoupoff by the Empress Maria Feodorovna.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-5\nMiniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.  Concentric fluted gold rims separate these areas.\nThe jade is of a dark, spotted green and in contrast to it, a pale mauve enamel is employed overlaid by an interweaving green-gold wreath.\nAt top, a ribbon with bow and loose ends is fixed, bearing a ruby in the center.  It is mounted with a gold easel.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-8\nA miniature icon by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is in the form of a triptych and is very simply panelled [sic] on the exterior with a dark wood bearing a four-petaled [sic] catch centered by an emerald.  It opens to disclose a solid gold interior.  The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls.  The yellow-gold ground bears arabesques of filigree and is studded at significant points in the design with emeralds, rubies, sapphires, and diamonds.\nThe central panel frames \"The Resurrection.\"  Against a dark background, the figure of Christ appears holding aloft a pennant.  His form radiates light and in the foreground, two angels kneel.\nIt is an extremely fine painting for a miniature and is complete in every detail.  It is surmounted by a Russian Cross studded with emeralds and rubies.\nThe inscription on the left panel reads as follows: \"Resurrection of Thine, O Christ, Saviour, about which the Angels sing in Heaven.\"  And on the right panel: \"And we on Earth try to be worthy to glorify Thee.\"\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-13\nDome-shaped jade push-button by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the classic French style adapted by FABERGE [sic], the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut star ruby set in a nine-petaled [sic] mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and, following in this style, is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three gold feet in the form of rococo scrolls.\nOriginally in the collection of Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-14\nGold-mounted jade calendar by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the form of a rectangular piece of dark, translucent green jade, it is designed in his classic manner and mounted with gold-gilt back and easel.  At the top, swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center, two oval openings bear red enameled mounts which have the numbers for the day of the month, and these are changeable each day by clicking the buttons on either side.  Below, on a set of gold-gilt plaques, the names of the months are engraved and held in place by red enamel and moonstone mounts.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-16\nLarge jade Easter egg mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold-gilt silver and bearing ruby catches with which to open it.\nIt originally served as a jewel case.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1509\n\"The Cathedral\", a most important nineteenth century Russian icon painted in the miniature technique on gold over silver.  Against a ground of geometrical chasing, the various figures are painted with flowing gowns of white, purple, red, and bluish-green, with their haloes inscribed in the Old Slavonic.\nIn the clouds, the Holy Virgin stands, her halo emanating rays of light, with kneeling saints and angels on either side.  Below Her, appear, left; Czar Lev, and St. Czarina Zoia; center, St. Roman; right, St. Epiphanie, St. Andrew, St. Martyr Lubov (the small figure in white), and the Archangel Michael.\nIt is in the original frame of filigree, inset with the Russian enamel in jewel-like colors.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1568\nCross cut out of a fine rich blue piece of lapis lazuli.\nIt is mounted in gold and has a moveable diamond and pearl studded link.  The center of the cross is overlaid with a diamond studded rosette which has a pearl center.\nFrom the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface, and opens with a small pearl-bordered lid having a ruby catch.  It is decorated on top with a diamond and ruby six-petaled [sic] flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2136\nJade parasol top mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is cut from the jade in a very curious manner with tapering, bulbous areas up the sides, flaring outwards to the top which is designed in a four-petaled [sic] manner.  In this specimen, the jade is of a soft but brilliant green coloring.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2243\nAn example of the miniature sculpture of CARL G. FABERGE [sic]: a pig cut out of lapis lazuli.\nIn this example of the Russian master's work, the lapis selected is a brilliant blue with rich markings and flecks of gold.\nIt is executed in an extremely naturalistic manner with such details as hooves, ears, and mouth minutely detailed.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #G-22\nVery unusual miniature diptych icon of solid gold by GRATCHOV, by Appointment to the Russian Imperial Family.\nIts design is perfectly plain on the exterior, and on opening it discloses miniatures of Jesus Christ on one panel and the Holy Virgin of Kazan on the other.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #798\nVery unusual panagia portraying \"Christ Blessing the Universe\".\nIt is carved out of green jasper in a two-colored effect, and mounted in a very interesting hand-made silver frame surmounted by crown [sic] and studded with amethysts, rubies and aquamarines. Attached to it is a gold gilt silver chain cut out by hand.\nRussian, early nineteenth century.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #1205\nExceptionally fine solid silver triptych icon designed with serpentine pointed top, and overlaid on the front with gold leaves and tendrils molded and chased to perfectly simulate the gold bullion work motifs to be found on the finest Russian brocades.\nOpening the side panels of the icon, which bear in the center the Greek Catholic cross, the central panel is painted with the \"Transfiguration\", against a pure gold ground.  Christ stands in the center with Elias on the left and Moses on the right, while below there are: left, \"John\"; middle, \"James\"; and right, \"Peter\".  The side panels frame at the left, \"St. Elizabeth\", and on the right, \"St. Sergius of Randanezh\".\nAll of the individual paintings are equally notable for a beauty of characterization as well as for the unusual finish of details.  A narrow border frame in emerald green, gold, red and black completes the design.\nThe icon bears on the reverse the dedication to Grand Duke Serge as follows: \"Blessing of the Preobrajensky Regiment, June 3d, 1884\".  \"A new commandment I give unto you, that ye love one another as I have loved you\".  \"From the New Testament, St. John, Chapter 13, Verse 34).\nThe names of the donors are inscribed (etched in the silver) over the sides of the icon.  They are as follows:\n Middle lower: Baron Medem, Kovansky, Count Murafief, Amursky, Neidhart, Kornileff, Count Titischoff. \n Right wing lower: Martinoff, Count Von Preil, Penherzhevsky, Gadon.\n Left wing lower: Belgard, Martinoff, Obahoff, Dolgoff II.\n Right top dome (front): Hartons, Belhart, Domerishkov, Veltzin, Kazin, Zhehacheff;\n         (back): Chekmareff, Komaroff, Palivin, Muravieff, Shipoff,  Schmitt.\n Left top dome (front): General Major Prince Obolensky, \n Left top dome (front) continued: Evreinoff (meaning in Russian \"Son of the Jew\"), Korniloff, Ladishensky, Dolhoff.\n   (back): Second Lieutenant Shemiakin, Bakalin, Lt. Peshkoff, Baron Medem.\nRight side (top): Admiral Ozeroff, Novisitzogg, Kasherinoff, Under Captain Haller, Heirot, Epanchin, Baliasny, Forselles, Vosnesensky, Surelius.\nRight side (bottom): Kashneff, Malahoff, Bashiloff, Mescherinoff, Merder, Neidhart II, Prince Troubetskoy, Loshhereff, Delsal, Count Loris-Melikoff.\nLeft side (top and bottom): Pensky, Kushkovsky, Adjutant Reiters, Count Stenbok, Captain A.G. Korostovitz, Kakoshkin; Schlitter, Delsal, Janetzky, Mirkuloff, Veimarn, Gardenin, Navrotsky.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","#2443","Golden flowers in a rock crystal pot. Three (3) gold \"TROLLIUS EUROPAEUS\" (Globe Flowers) are made of solid gold, the actual blooms being enamelled (sic) in a clear translucent yellow. The petals are all finely chased underneath the enamelling (sic), emphasizing the translucency of the enamel. The stem, which is also of gold, is grooved with hair-like stripes and is lightly colored in the palest of green tints. The leaves which are very realistically carved from a dark green jade are veined and folded in an accurate duplication of nature's own. Each stem is signed, K. FABERGE, in Russian characters and bears the Russian Imperial Eagle. The conical pot in which these removable flowers stand, is carved from a solid block of rock crystal in such manner as to suggest a natural water-line which is as true to life as the actual would be. On the underside of the pot appear the Russian characters for K. FABERGE.","This very beautiful object was made by the celebrated Russian Court Jeweler, KARL FABERGE and the piece is extremely rare in that seldom were objects of this type marked with his full name.","MRS. JOHN L. PRATT","November, 1945","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","November, 1945\n#2891\nLapis-Lazuli combination seal and letter-opener. The handle is a long, bulbous-shaped piece of Lapis-Lazuli, beautifully curved in symmetrical pattern with a gold, hand-chased, ferrule. The blade and the seal, which are interchangeable, are of silver-gilt.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#181\nVery fine enamel miniature portrait of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.\nIt is painted on silver and is enclosed in a gold and silver frame of beautiful bead design, surmounted by crown. Both the frame and the miniature are exceptional in quality.\nFrom the personal belongings of her father, Nicholas II. From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#540\nVery unusual and rare rock crystal cane handle, with the head of a dog etched and enameled inside of the crystal ball in amazingly realistic fashion. It is a superb example of the artistry and craftsmanship of the famous court jeweler to the Czar of Russia, \"CARL G. FABERGE\", by whom it was made, and who was often referred to as the \"Cellini of the nineteenth century.\" \nThe globe of crystal, bound about by gold, is affixed to a wide stippled mounting studded at intervals with diamonds, rubies, emeralds, and sapphires.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York.\n#598\nPair of superb Wedgwood medallions, one portraying Czar Nicholas II, the late Czar of Russia, the other, his wife Czarine Alexandra Feodorovna. \nThese rare masterpieces of Wedgwood ware, the greatest of all ceramics, are exquisitely executed in white low relief on a soft green ground. In the perfection of the details and the characterization of the personages represented, they show the painstaking craftsmanship and distinctive elegance of this art.\nOn the back of each of the medallions there is the mark \"Wedgwood\" and in script \"The Czar of Russia\" and \"The Czarina of Russia\", respectively.\nThey were purchased from Madame Anna Viroubova, former lady-in-waiting and personal friend of the Empress Alexandra Feodorovna.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1022\nMost artistically conceived and executed miniature triptych icon sculptured out of solid gold, and signed by K. HAHN, who made some of the Crown Jewels of Russia. \nOf tiny proportions, this triptych is of a most exquisite design. Shown with the two side panels closed, it exhibits the pierced work border which frames panels with cherubs enameled blue and red. At the top, these doors are surmounted with a sunburst, in the center of which is a dove with outspread wings.\nOn opening the icon, one sees \"Christ Blessing the Universe\". On the left is \"St. Nicholas\", the patron saint of Nicholas II, and on the right is \"St. Alexander Nevsky\", the patron saint of Czar Alexander III. It was presented by Alexander III to his son and successor Nicholas II, with his blessings. At top, the Almighty is depicted with surrounding inscription which reads \"Save O Lord Thy People\". Placed over the hinges and crowning the top of the central panel, three fluted Russian domes are placed, each surmounted by the Greek Catholic Cross.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1044\nCircular gold picture frame of unusually small proportions by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased (guilloche) surface in sky-blue. The border and the inner round opening for the picture are enameled in matte white, bordered with gold. It is surmounted by a gold bow and ribbon enrichment.\nIt contains an original miniature of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1291\nGold gilt silver pencil bearing at its summit a tiny, finely formed mongoose, also of gold gilt silver. \nIt was part of a complete writing set of Czar Alexander III, made by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1326\nTo celebrate the two hundredth anniversary of the founding of the capital-city St. Petersburg, the late Czar, Nicholas II, commissioned the court jeweler CARL G. FABERGE, to execute an Easter egg to be presented to the Czarina in honor of the occasion. CARL G. FABERGE, jeweler to Czar Nicholas II and to his father Alexander III, had since 1885 executed an Easter egg yearly to be presented by the sovereign to his wife. However, to celebrate so great an occasion in the annals of the Romanoff family, this egg was planned many years before the date of the anniversary and was ready in 1903. When completed, it proved to be the most sumptuous and magnificent of any ever constructed.\nAt the highest point, the egg measures almost six inches, and at the widest four inches, and is constructed entirely of solid gold. (It is marked \"72\", the equivalent of eighteen karat gold). Covering its surface, an elaborate rococo design forms in its many curves, panels and areas perfectly suited to the particular type of workmanship which Fabergé excelled in designing and his workmaster M. Perchin in executing. The rococo curves are perfectly suited to the egg-shape, and are studded with hundreds of diamonds and scores of rubies. Intertwined bullrushes [sic] arising from the lower part of the egg are done in green gold, against the yellow gold surface, and show Perchin's superb chasing and minute detail. Cat-tails of square cut rubies give the touch of color which is so significant a feature of the egg, and are entwined with garlands of roses contrasting various shades of gold with platinum. On the top of the egg, the diamond monogram of the Czar is enclosed in a wreath enameled in white and emerald green. Around the upper and lower part of the egg are white enameled ribbons, explaining in Russian the significance of the occasion for which the egg was created.\nTwo miniatures around the middle bear portraits of Peter the Great, founder of St. Petersburg (in 1703), and Nicholas II, during whose reign the bicentenary was celebrated (in 1903). Emphasizing the evolution of St. Petersburg during these two hundred years, two other miniatures frame views of the cottage which Peter built on the low-lying ground by the sea, and which was to be the Russian capital, in contrast to the Winter Palace with its grounds as it was under Nicholas II. In the distance of the latter can be seen the Fortress of Peter and Paul with its spire. These four paintings are by VASSILY ZOUEV, with whom Faberge collaborated. He was the most celebrated miniaturist in Russia and was as well miniature painter to the court. Rock crystal was employed instead of glass to cover these paintings and it exactly fits the many-sided panels. The egg bears at the top the monogram and crown of Czar Nicholas II done in diamonds and the date 1703 when St. Petersburg was founded, as well as the date 1903, when the egg was made in celebration of that event. At the bottom, the double-headed Eagle, insignia of the Imperial family, is enameled in black surmounted by the Imperial crown set with diamonds. Over its breast a portrait diamond covers a tiny crest of \"St. George and the Dragon\" enameled in color.\nThe greatest feature of all, however, is concealed within the egg. On opening it, the mechanism within raises a miniature statue of Peter the Great from the interior. It is executed in solid gold by the Russian Court sculptor G. MALYSHEW, and stands on a sapphire pedestal. It is an exact replica of the colossus representing Peter which to this day stands on a square in St. Petersburg, and which was created on the order of Catherine the Great by Falconet.\nIt is interesting to note that besides the usual hallmarks that were always used, the egg bears the engraved signature \"K. Fabergé\" and the date 1903. This egg is considered to be the chef d'oeuvre of this great master.\nIt was illustrated on page 3 of the Russian magazine \"Stolitza et Usadba\" in the April 1, 1916 issue, which was devoted to a description of the Imperial Easter eggs. They were reproduced by special permission of the Czar, and the Peter the Great egg is the first illustrated. It was also reproduced and described in the November, 1936 issue of \"The Connoisseur\" on page 284, as well as in the \"Art News\", in its issue of November 7, 1936, on page 16, and in \"The New York Sun\" of October 31, 1936, page 17.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1479\nA good example of the miniature sculpture of CARL G. FABERGE, the Russian Court jeweler; a baby vulture carved from obsidian and shown seated in a most natural attitude. \nIn its small dimensions every detail of the anatomy is correctly and precisely cut even to a chasing of the individual feathers. The sheen of light within the stone running through front to back creates a varying surface texture as the piece is moved in the light, shifting from a downy grayness to jet black.\nDiamonds are set in for the eyes.\nSigned \"C. Fabergé.\"\nFrom the Alexander Palace at Tsarskoye Selo.\nMRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1524\nCovered jade vase in a brilliant gold gilt silver mounting.\nIt is designed as a small covered chalice cup, the deep green jade forming the cup part, and mounted on a narrow stem flaring out into a circular base. The jade body is slightly tapered and curves out by means of concentric flutings into a rounded underside. The upper part bears a fluted gold rim and above it the cover is fitted. This is slightly domed and bears on its summit a high, cabochon-cut pink tourmaline as a knob.\nSigned by FABERGE, the well-known Russian Court jeweler, who is today referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1543\nMiniature picture frame enameled in mauve, signed by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed in his French classical manner with a narrow mauve-enameled ground bordered by the motifs associated with this style. \nAround the beveled glass there is an edge of white matte enamel separated from the mauve surface by a tiny fluted border crossed with ribbons.\nAn outer border of beadwork encloses the frame and over the enameled surface rosettes with short swags are mounted.\nBears a hinged easel with the name \"Victoria\" lettered in openwork.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1569\nA large Imperial Russian Crown in gold and silver, and designed with leaves, tendrils and flower forms set with numerous cabochon rubies, cabochon sapphires and diamonds.\nIt is mounted at the top with a diamond-set Greek cross, and a diamond-encircled sapphire.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1735\nGold-gilt silver triptych picture frame by CARL G. FABERGE, the Russian Court jeweler, containing an exquisite drawing.\nThe entire frame is paneled with the ivory-like hollywood and the triptych doors are clasped in the middle by a Greek Catholic cross.\nOpening the doors, he drawing is seen to be set into an oval opening covered with beveled glass and surrounded by a row of pearls.\nThe ground surrounding the drawing is in Faberge's white enamel, given a great brilliance by the chased undersurface. At the corners winged cherubs are placed.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1749\nUmbrella handle in the form of an eagle's head, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe head is carved in a highly stylised (sic) manner out of a light green jade, with the eyes fashioned of two large beautiful red Ural stones mounted in gold. The white translucent enamel of the mounting is the type which Fabergé perfected and its sheen is further heightened by the guilloche under-surface. At the top and bottom it is bounded by bands of wreaths in vari-colored gold.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1763/2723\nVery rare miniature animal studies of an elephant by CARL G. FABERGE, the celebrated Russian Court jeweler.\nOne is in silver, and is fully signed by the master, while the second, in gold, is unmarked. This was most likely made as a mate to the silver one. Presumably, they were silver and golden wedding anniversary gifts.\nThey are both modelled in an extremely naturalistic manner, with all the characteristics of the animal carried out with great fidelity to nature.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2122\nAn original photograph from the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nIt shows a whole group of photographs of the Czar, Czarina and their children. A large photograph of the Czar himself, is in the center, flanked by smaller ones showing the Czarina with the Grand Duchesses Olga, Tatiana and Maria. \nFrom the Hermitage Museum. Originally in the Winter Palace.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2247\nGold mounted sapphire-studded rock crystal perfume vial by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed in a cylindrical manner banded about the opening with gold, and bears a gold cover enameled in a translucent white. The whole bottle is studded all over in a polka-dot arrangement with cabochon-cut sapphires and bears about the opening a Greek fret chased in the gold.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2278\nA charming fantaisie by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn a solid gold cage perched on a golden bar on which rest two tiny golden containers for seed, is a parrot cut out of a single piece of pink quart with ruby gold-mounted eyes and gold claws.\nIt is a very fine example of Fabergé's animal sculpture. In its life-like presentation, all the details of feathers, wing and attitude are faithfully rendered and, most naturalistic in aspect on one side of the cage, is a tiny door of fine construction which is typical of the work of this master.\nThe cage rests on a slab of red nephrite highly polished and harmonizing so beautifully in color with the red gold cage and the pink color of the parrot.\nIt is a signed piece by this celebrated artist and is indeed a creation making him worthy of the title \"Cellini of the 19th century.\"","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2279\nKovsh by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of rock crystal into which is etched a highly conventionalized all-over leaf pattern. The shape is exquisite, being wide and flat.\nIt stands on a gold base with four feet each extending from a leaf. Around the rim is a gold mounting which comes to a point at the front and bears on its summit a pear-shaped pearl in an open-work gold mounting. The handle also, is carved out of gold into the form of a female head surrounded by leaves and flowers, and is embellished with nine small and one larger ruby and two rows of diamonds, one of which serves as a necklace for the figure.\nThe piece, elaborate as it is in its sumptuous decoration, somehow give the feeling of utter simplicity because of the harmony of the movement of line. It is a specimen of Fabergé's work which amply earns for him the title \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2281\nInteresting miniature Easter egg carved out of opal. It combines most beautifully a rich brown with iridescent shades of greens and blues.\nBy CARL G. FABERGE, the celebrated Russian Court jeweler.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2297\nSolid gold pin in the shape of a wild rose, very beautifully enameled in a soft shade of pink and giving a most delightful and lifelike effect.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2299\nA most unusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler, who is often referred to today as the \"Cellini of the nineteenth century\".\nBeautifully conceived and executed, it represents a spray of lilies-of-the valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade. The spray stands in what appears to be a red clay flower [underlined] pot filled with moss, but the pot actually is of silver and enameled in a matte brick red, the color of the natural clay, while the moss is of gold, so artfully employed  that one can scarcely believe that it is not actually moss.\nSo ingeniously is the entire object executed that it gives a most lifelike and naturalistic effect. One feels that the flower is planted in the pot, and only upon closer examination does one realize that the whole is created from such precious materials as gold, silver, pearls, diamonds and jade.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2300\nUnusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler.\nBeautifully conceived and executed, it represents a spray of lilies-of-the-valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade.\nThe spray stands in what seems to be a glass of water, but what is actually a rock crystal vase so created as to give the perfect illusion of water.\nSo ingeniously is the entire object executed that it gives a most lifelike effect. One actually feels that the lily-of-the-valley is standing in the water and only on close examination does one realize that the whole is created from gold, pearls, jade, crystal, etc.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2322\nAn exceptionally fine miniature sculpture of a blood hound by the celebrated Russian Court jeweler CARL G. FABERGE.\nThe animal is carved from a single piece of vari-colored agate ranging in shade from a light gray to a reddish brown. He is shown in the attitude of following the scent, and most noteworthy in this specimen is the impression one gains of his great strength and power. The lowered head, the sniffing nose, the upcurled tail, and long ears almost touching the ground, are all most remarkable, and most life-like. One actually seems to feel that the dog is following one, so realistic is the whole creation.\nIn its small dimensions every detail of the anatomy is correctly and precisely carved, even to the chasing of the individual markings on the dog. Diamonds are set in for the eyes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2323\nMiniature sculpture by CARL G. FABERGE, of an eagle, carved from vari-colored brown and gray agate, and with feet of gold.\nIt is an exceptionally fine example by this great Russian artist, and every portion of the bird's anatomy has been minutely carved with the greatest attention to detail.\nThe bird is shown standing in repose with wings folded in, and head slightly turned to one side. The beak is carved to almost knife-like sharpness, and diamonds are set in for the eyes, giving a most naturalistic expression. Adding to the impression one has of the great strength and ferocity of this bird, are the highly polished and sharp claws which are rendered with the highest degree of precision.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nMiniature rooster carved out of transparent carnelian, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn its small dimensions, every detail of the anatomy is correctly and precisely cut, even to the chasing of the individual feathers. The legs are of gold with the paws minutely chased and with sharp claws, while diamonds are set in for the eyes. \nIt is a fine example of the miniature sculptures in semi-precious stones for which Fabergé was famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nUnique sculpture of a hornbill by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThis exotic bird with its exceptionally long curved beak, is shown in a seated position, with its head upraised. It is carved from flawless smoky topaz, beautiful in color.\nThe rendition of the bird is executed with broad, sweeping lines, yet with great attention and fidelity to detail. Diamonds mounted in yellow gold are set in for the eyes. It is in every respect an example typical of the fine animal sculptures by Fabergé.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2340\nA magnificent specimen of the animal sculpture of CARL G. FABERGE, the celebrated Russian Court jeweler, is this large owl carved out of a single piece of obsidian.\nThis rare and excessively brittle stone is here used to the greatest advantage. It is so carved and polished as to bring out all the hidden lights.\nThe model for the sculpture was apparently an old bird, who sits looking at us sideways in a most quizzical fashion. His large eyes are set with tiger eyes, mounted in each corner with tiny diamonds, all set in gold. The roving quality of the tiger eyes is in admirable harmony with the nature of the obsidian, which changes and gives such an unusual silvery-gray sheen when light strikes it at various angles.\nThe fine carving and imbricated plumage are most typical of the genius of Fabergé. The wings are an interesting feature, being irregular in their foldings (sic), in conformity with the position of the bird, slightly turned.\nIn the original Fabergé hollywood case.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2353\nVery unusual gold pendant in the form of a lozenge, by BOLIN, the well-known Russian jeweler, who made many outstanding objects for members of the Russian Imperial family, as well as for other important personages.\nIn the center is a large diamond surrounded by four smaller ones. At the top is set a star cabochon-cut ruby of unusual color, while on the other three points are large cabochon-cut star sapphires.\nBordering the piece on both sides, are finely chased gold ropes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2373\nRare Russian silver tray of the early nineteenth century, made in St. Petersburg circa 1815 during the reign of Czar Alexander I (1801-1825).\nIt is a plain rectangular tray standing on four ball feet, and bordered with a pierced and beaded gallery, and baring two gracefully shaped handles, also beaded.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2376\nGold link bracelet by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThe center bears a shield-shaped plaque which is translucently enameled over a chased (guilloché) surface in a rich red, and against this background is mounted the Russian Imperial double-headed Eagle, beautifully chased. The breast bears a diamond and the crown surmounting it is likewise set with a diamond.\nOf exquisite refinement and delicacy it is a piece typical of the work of this great artist.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2419\nRectangular gold gilt silver frame by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe opening for the picture is large and square and the border rather narrow, which gives a most unusual effect.\nThe border, is enameled over a chased \"guilloché\" surface in a rich translucent red, over which is appliqued formal scrollwork in gold gilt silver. Pilasters enameled in fine shades of green and white complete the decoration, and blend beautifully with the entire composition. The back is paneled with hollywood.","MRS. JOHN. L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2421\nExceptionally fine rectangular gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in an extremely pale blue.\nBoth the inner rectangular border for the picture and the outer border are perfectly plain. Surmounting the frame is a gold riband from which are suspended pendant festoons of berried laurel, and in each corner are rosettes inset with tiny diamonds.\nThe back is paneled with ivory and bears a fancifully designed easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2445\nAn exceptional piece by the celebrated Russian Court jeweler, CARL G. FABERGE, is this large ash tray fashioned of gold.\nThe shape is most graceful and unusual, being of trefoil design. From each of the three points thus formed, a gold handle extends, each handle being set with a gold coin of Catherine the Great, and dated 1766, 1773, and 1783. Fabergé was very fond of using these old Russian coins in completing his designs and they are here used to perfection. The coins are of green gold and are a fine contrast to the interior of the tray, which is a highly polished red gold.\nThe exterior is a surprise feature, as it is finely fluted, with typical Fabergé precision and painstaking craftsmanship.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2453\nA large goose carved out of a piece of rock crystal by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe goose is shown in a standing position with the long neck gracefully lifted, and the head turned slightly to one side. Tiny gold-mounted diamonds are set in for the eyes.\nThe imbricated plumage is finely rendered, and so life-like is the creation, that one feels that at any moment the goose will begin to waddle along. Fabergé was a great genius in the field of animal sculpture, and has here captured the charm of this bird, and given life to this finely carved stone.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2454\nAmethystine owl by CARL G. FABERGE, the celebrated Russian Court jeweler. Carved out of a single piece of this stone, which was especially chosen for its unusual color and shading, the owl is finely chased in great detail. Tiny gold-mounted olivenes (sic) are set in for the eyes, and such a choice was a happy inspiration, as they add greatly to the character of the bird.\nHe is shown with his meticulously chased gold feet perched on an ivory stand which has sapphire tips. The whole rests on a base which is composed of a single slap (sic) of lapis lazuli.\nA typical Fabergé nicety is added near the base: - two tiny enameled bands, one in white matte enamel, and the other in a lovely shade of translucent pink enamel, complete the color harmony, and are a charming surprise.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2455. Miniature gold Easter egg, with four sections finely enameled a deep blue, and set in each corner with a gold star and in the center with a cabochon ruby. In between these sections, the gold surfaces are beautifully fluted.\n#2456. Tiny Easter rabbit mounted in an egg-shaped gold ring. The bunny is beautifully carved out of a single piece of amethyst. Around his neck is a gold collar from which is suspended a gold-mounted olivene (sic), while olivenes (sic) are also set in for the eyes.\nBoth of these are by the famous Russian Court jeweler, CARL G. FABERGE, and are from the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2457. Miniature Easter egg of rock crystal, finely etched with four four-leaf clovers, in the center of each of which is a ruby or an emerald.\n#2461. Miniature gold Easter egg enameled over a chased (guilloché) surface in a rich red, with a gold band running around its side.\n#2467. Miniature gold Easter egg enameled over a chased (guilloché) surface in a pale apple green. Superimposed are two white matte enameled lilies with leaves.\n#2474. Miniature gold Easter egg, very simple in design. Its sole decoration consists of a calyx outlined at the top in deep ultramarine blue enamel.\nThey are by CARL G. FABERGE, the well-known Russian Court jeweler, and are from the belongings of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2460. Miniature gold Easter egg, beautifully decorated with alternating panels of red and white translucent enamel. The white portions are further embellished with overlaid tiny blue flowers and green leaves.\n#2465. Miniature gold Easter egg fashioned as a gold egg-shaped ring enameled over a chased surface in a shimmering white. From its center is suspended a gold-mounted ruby.\n#2470. Miniature gold Easter egg fashioned as a gold egg-shaped ring, in which stands a gold-mounted egg-shaped aquamarine.\n#2472. Miniature Easter egg carved out of a single piece of the rare Russian semi-precious stone, orletz. Wound about the egg is a gold serpent, exquisitely chased, its head set with an emerald.\nThese are by CARL G. FABERGE, the celebrated Russian Court jeweler, and are from the belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2464. Miniature Easter egg carved out of a single piece of dark green jade, mounted in a gold wreath which divides the egg into three portions. Two points of the wreath are set with rubies.\n#2468. Miniature gold Easter egg finely enameled over a chased (guilloché) surface in a rich red. One side is set with a . (sic) pearl, while the other bears abbreviations in gold letters, which stand for the traditional Easter greeting \"Christ is Risen\".\nThese are by the celebrated Russian Court jeweler CARL G. FABERGE, and are from the belongings of the Grand Duchess Anastasia Nicholaiovna, the youngest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2496\nTiny vase with two small handles, beautifully carved out of rock crystal. The entire surface is cut with a basketwork design, while the top is mounted with a gold rim which is set with alternating diamonds and rubies.\nIt is by the celebrated Russian Court jeweler CARL G. FABERGE, who is today often referred to as the \"Cellini of the nineteenth century\".\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2497\nSmall gold cup by CARL G. FABERGE, the celebrated Russian Court jeweler. It is tapering in shape, and stands on a very short round base. On one side is a curiously formed openwork handle.\nThe most engaging feature is the decoration around the side of the cup. The lower portion is so chased as to look like water, in which are swimming two fishes, the tails and heads of which are blue sapphires. So cleverly chased are the sapphires and the gold, that the bodies of the fishes seem to be submerged in the water. The artifice is so well executed, that one actually thinks the fishes are playfully swimming in the water.\nIt is a piece typical of the fantaisies (sic) which Fabergé delighted in creating for members of the Imperial family, as well as for other important personages throughout the world.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2498\nExquisite brooch by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed as a horizontal figure eight, with a large cabochon emerald of lovely color set in each side. Each is surrounded by diamonds mounted in openwork gold setting.\nIt is a piece typical of the craftsmanship of this great artist, and of his fine, discriminating taste.\nFrom the personal belongings of Czarina Alexandria Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2512\nUnusual set of six large silver spoons, very simple both in design and in ornamentation.\nThe bowl of each is sharply pointed, while the handle is of shield shape, and on which is chased a shield surmounted by crown, and which bears the date \"1770\" as well as the words: \"Concordia et Laetitia\". The center of the shield shows two hands clasped in a handshake. The reverse is dated 1850 and bears the initials \"A.C.\".\nThe set was made in 1850 in St. Petersburg by the well-known firm \"Nichols and Plinke\", who made many outstanding objects for members of the Imperial family.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2524\nGold ring mounted with an exceptional emerald of over five carats and of remarkable brilliance and color.\nThe mounting was designed with the greatest simplicity in order to fully bring out the beauty of the stone.\nOriginally in the personal belongings of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2525\nA most exceptional star ruby of thirty carats, unusual for its size, shape and color of great intensity and richness.\nIt is mounted into an exquisite yellow gold ring, which consists of a broad band pierced throughout its entire surface, and chased with foliations and flowers which show exceedingly fine craftsmanship. The mounting for the stone is in the form of a collar of laurel leaves.\nThe general composition of the ring, with its fine material and excellent workmanship, combined with its exquisite lightness and grace, mark it as an important example of the jeweler's art.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2568\nExquisite miniature gold frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the fine quality and discriminating taste associated with the work of this master craftsman.\nIts surface is chased (guilloché) in a sunburst pattern enameled pale green [underlined]. The inner border, enclosing photograph, is set with pearls, while the outer border is beautifully chased with an oak leaf motif of green gold, crossed at intervals with bands of red gold. The back is of ivory and bears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2651\nFine Russian lapis lazuli and gold snuff box.\nIt is of cartouche form and is carved out of superb blue Russian lapis with the hinge and rims mounted in gold.\nThe cover bears in the center the gold and diamond studded monogram and crown of Empress Maria Feodorovna, mother of Nicholas II, the late Czar of Russia, and wife of Czar Alexander III.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2657\nSmall eighteen carat gold Easter egg by CARL G. FABERGE, the celebrated Russian court jeweler.\nIt opens through the center on a hinge and its entire surface is divided into four horizontal panels, each richly chased in typical FABERGE craftsmanship with interweaving foliations which stand out in bold relief against the finely stippled background. The top is set with a faceted ruby and upon opening the egg, one finds within, embedded in a lovely antique fabric, a small diamond and ruby ring. The central diamond is a golden color and this is surrounded by a circlet of six faceted rubies.\nIt is an exquisite example of the discriminating taste and precise craftsmanship of this great artist. This piece, for quality and for beauty, is in a class with the Russian Imperial Master eggs which are today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2675\nCircular ash tray by CARL G. FABERGE, the celebrated Russian Court jeweler. \nIt was executed during the World War from material captured at the front and melted.\nIt is of copper and bears in the center a large Russian Imperial double-headed Eagle. At the top are the words \"War 1914\", and at the bottom is the signature \"K. FABERGE\" in large letters.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2680\nExceptionally fine miniature gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in a scintillating white.\nIt is a small oval frame and the inner oval opening for the picture is bordered with pearls while the outer border is finely chased in typical FABERGE fashion with oak leaves in two shades of gold and set at intervals with lovely rubies in square gold mountings. At the top is a highly polished ribbon box attachment.\nThe back is paneled with ivory and bears a beautifully fashioned gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2691\nPaper knife with gold and topaz handle by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe stone is of a rich golden color and is so shaped that it may be easily grasped. Around its collar is a gold band chased in typical FABERGE classical style.\nIt is a good example of the fine craftsmanship and excellent taste of this great artist, who is today often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2692\nMiniature owl by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of a single piece of opal especially chosen for its fine color and shading.\nThe bird, which is of exceptionally small proportions, is shown standing on a gold perch which rests on an agate base. In its small dimensions, the details of the anatomy are correctly and precisely rendered. Two rubies are set in for the eyes.\nA charming example of the work of this great artist, who made so many important objets d'art for members of the Russian Imperial family, as well as for other important personages throughout the world.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2722\nCharming \"fantaisie\" by CARL G. FABERGE, the celebrated Russian Court jeweler, a tourmaline parrot of soft rose-color shading into a pale green tail and with emerald eyes, diamond collar and gold feet, perches on a swinging ivory bar which carries silver gilt pails on either end, filled with seed.\nIngeniously contrived, the swing is suspended from a silver gilt stand mounted on a round tray in typical Fabergé classical inspiration.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2786\nGold kovsh by CARL G. FABERGE, the celebrated Russian court jeweler, designed in the ancient Byzantine manner.\nThe round full bowl is decorated with eight spade-shaped panels bearing alternating leaf patterns with four Russian Imperial double-headed Eagles, all in bold relief. The eagles are chased with amazingly fine precision, and show the ball and scepter of sovereignty, the three crowns, St. George Slaying the Dragon, and the tiny shields, all in wonderful clarity and detail.\nThe kovsh stands on a short outflaring [sic] fluted foot, while the shoulder is absolutely plain. The most exotic feature is the handle which springs up from the base in the form of a horn, and which is surmounted by a finial consisting of a single large emerald.\nAn outstanding work of this great artist, often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2821\nMiniature gold and platinum charm in the form of a bull dog. \nThe collar is gold, the eyes are rubies, and the body is set with ten large diamonds and many smaller ones.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2859\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased guilloche surface in a most interesting pattern combining areas of various sizes in red, white, and blue enamel, the colors of the Imperial Standard.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2868\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler. It is enameled over a chased guilloché surface in a rich green. The top is decorated with classical fluted mounting and with chased gold garlands crossed at intervals with ribbons and from which are suspended pendant festoons. These are carried out in vari-colored gold, typical of the work of this master craftsman.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2869\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased guilloché surface in a raspberry red. One side of the egg is decorated with an applied miniature sculpture in gold of an elephant with up-turned trunk. This is outlined by a band of white matte enamel separated from the red by narrow gold bands.\n \nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2870\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is set around the center with a faceted emerald, a faceted ruby, and two faceted sapphires.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2881\nCircular silver tray by Nichols \u0026 Plinke, outstanding silversmiths of English origin who settled and worked in Russia at the request of the Imperial family.\nDesigned with the greatest simplicity the center bears an oval-shaped decoration suitable for monogramming, while the border is heavily chased and engraved with a classical pattern.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2882\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler. In typical Fabergé design, the rectangular opening for the picture is bordered by bead and dash pattern, while the outside border is likewise designed with a classical pattern, set in each corner with a rosette. \nIn between these, the area is overlaid with a chased guilloché surface enameled a most unusual shade of greyish blue and this is overlaid with rich gold festoons and shell motifs.\nBears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#JZ-1, 2, 3, 4.\nGroup of gold animal charms, of fine quality.\nOne represents a gold bear standing on a pearl [underlined]; one is a bulldog [underlined] with diamond collar and tail; another is a dog with ruby [underlined] eyes and diamond collar [underlined]; and the fourth is a dog carved in Chinese fashion [underlined].","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#L-14\nMost unusual and rare split Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today often referred to as the \"Cellini of the nineteenth century\".\nIt is a particularly noteworthy example of his genius. Carved out of nephrite and beautifully polished, it is split lengthwise through the center, which is mounted in gold with a laurel leaf design. On front and back are oval openings for pictures bordered with gold chased with the classic dart and triple dot motif. The surprise feature however, is discovered upon opening the egg. Each portion bears on the back a beautifully fashioned gold easel, so that when the egg is open, it can easily stand upon its easels, enabling one to see both pictures at the same time.\nIt is a very beautiful piece, and in every detail is typical of the fine taste and exacting craftsmanship of this great master.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#G.25\nDiamond-shaped rock crystal frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the utmost delicacy and refinement.\nThe round opening for the picture is bordered with emeralds, and through the center on top and bottom runs a golden stem bearing three gold tulips, each with four tiny gold-mounted rubies. The border is finely fluted and is crossed at intervals with leaves of a contrasting shade of gold, while in each corner is set a diamond.\nThe opening for the picture is backed with ivory, while the frame is supported by a gold easel exquisite in shape.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures","GOLD PRESENTATION BOX OF NICHOLAS II OF RUSSIA\nBY FABERGE\nThis exquisite example of the incomparable artistry of Fabergé is circular in shape. The top is enamelled [sic] in a lovely shade of rich iridescent blue over a guilloché surface. In the center is a raised oval reserve bordered by a row of pearls, a band of gold filigree and gracefully curved diamond set volutes extending to the outer rim.\nIn this reserve is found the Russian Imperial Eagle, entirely set with diamonds and surmounted by the crown set with two rubies. In the eagle's center is placed a finely chased shield showing \"St. George Slaying the Dragon\".\nUpon opening the box, the bottom of the inside is found to be enameled in the same deep blue as the top. In the center is the coat-of-arms of the Romanoff's, completely surrounded by a rayed sunburst design.\nPresented to Nicholas II by his wife Alexandra Feodorovna, upon the occasion of the three hundredth anniversary of the founding of the Romanoff dynasty, 1613-1913. \nFully signed by CARL G. FABERGE, jeweler to the Imperial Court, and bears the rare gold mark 72.","MRS. JOHN L. PRATT","This series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).","Price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and the date purchased. Most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers. A note in Pratt's hand is written on the item description for a traveling clock (item number 5253, purchased June 16, 1933) and says \"Given to H.R.H. Princess Margaret Rose of England May 1939.\" She received a letter of acknowledgment and appreciation back from Lady Constance Harriet Stuart Gaskell, a Woman of the Bedchamber to Queen Mary.","Finally, the few exhibition labels were used in the Hammer Collection's \"Russian Imperial Exhibit\" at Lord and Taylor. Four are still mounted on the original gold colored panels.","The series is divided into five subseries: Series 2.1: Lord and Taylor Invoices, [1933]; Series 2.2: Price Tags, undated; Series 2.3: Item Descriptions, 1933-1945, undated; Series 2.4: Exhibition Labels, 1933-1934, undated; Series 2.5: Correspondence, 1939.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. X 4110\nRunner made of 18th century brocade in a striped design of gold and various colors. From a portion of a Priest's robe woven and worn in Russia.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y. ","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 D\nKnife of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Polish, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 C\nFork of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Russian, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H-4098\nSilver Hand Mirror bearing the initials \"AN\" under the Imperial Crown, for Grand Duchess Anastasia, who was the youngest daughter of Nicholai II, the last Czar of Russia.","\nMrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5054\nA small modern Icon of \"St. George the Conqueror.\" Painted on metal and framed by the well-known Klebnikov of St. Petersburg. The frame is decorated in beautiful enamel work and bears the Russian hallmark \"84\" denoting the finest quality silver; also bears the stamp of the Imperial Double-headed Eagle, showing that it was made especially for a member of the Russian Royal Family.\nFrom the collection belonging to Nicholai II and his wife Alexandra, in the Winter and Alexander Palaces.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5358\nLarge Serving Spoon of gold on silver. On the handle appear the Imperial coat-of-arms, crown and monogram of Grand Duchess Elizabeth Mauvriekovna, wife of Grand Duke Konstantin. It was made by Hunt and Roskell of England.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4108\nPhotograph in a silver frame of Serge Alexandrovitch, who was the brother of Alexander III, and his wife, Elizaveta Feodorovna, who was the sister of Czarina Alexandra. On one side is engraved a crown and the inscription: \"Serge;\" on the other side, a crown and the inscription: \"Elizaveta.\" At the bottom, the dates \"1891-1904;\" at the top, a small crown and an enamel plaque of St. George Slaying the Dragon. Made by Faberge, the famous jeweler of the last Court of the Romanoffs.","From the Collection in the Winter Palace, St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4809\nFruit Spoon of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of this spoon is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg \nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. X 6101\nSquare of red velvet richly embroidered with gold stars of passementerie, also a design worked in beads and various colored stones. Finished with gold Gothic galoon. Part of a chasuble. Russian, Circa 1880.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut (sic) velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4830\nIcon, \"The Twelve Apostles.\" Seventeenth century, Northern School. Gold on bronze mounting. \nFrom the collection in the Winter Palace, St. Petersburg, of Nicholai II, the last Czar of Russia","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4809","Set of twelve Fruit Spoons of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, - the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of these spoons is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 1, 1933\nArticle No. 10685-B\nCup of gold on silver, with handsomely chased \"neilo\" (black enamel effect) decorations. Made in Russia and dated 1834.\nFrom the collection in the Winter Palace, St. Petersburg, Russia, of Nicholai I.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 2, 1933\nArticle No. 5253\nThin gold watch made by Leroy, Paris, for the Czarina Alexandra, whose monogram and crown in red enamel are delicately inlaid on the back. This simple but graceful time-piece was one of the last acquisitions of the Czarina. From her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 14, 1933\nArticle No. 5259\nGold on silver enameled Caviar Spoon. Russian, hallmarked \"88\" denoting the highest quality of Russian silver. Also bears the initials \"I.M.\" of the maker.\nFrom the collection in the Alexander Palace of the Czarina Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. D 1000\nSilver and enamel Tryptich, set with semi-precious stones. In the center is shown the head of Christ; on the left is Saint Nicholas; on the right, the Guardian Angel.\nFrom the collection of Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. 4580\nIcon of the early seventeenth century, Ulanov School, \"Dormition of the Virgin.\"\nBelow, among the prophets, disciples and saints, lies the Virgin while her Soul is represented as an infant in the arms of her Son, who will transport it to Paradise. On either side of Christ are Archangels; above Him, under the arch, are the Cherubim and Seraphim. At the top of the icon appears God the Father with the Holy Ghost. Immediately beneath is the Sabor of Angels awaiting Our Lady, who ascends from Earth. In the heavens, among other saints, are seen Thomas, John the Divine, Peter, Alexander, Paul, Philip and Savva. Below, in front of the bier, is Athonius, a Jew, who dared to place his hands on the bier to upset it. An Angel cut off the hands, but on Athonius saying an \"Ave,\" Peter healed him.\nFrom the collection of the Czarina Alexandra in the Winter Palace, St. Petersburg.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nGiven to R.P. H. Princess Margaret Rose of England May 1939 [handwritten]\nJune 16th, 1933.\nArticle No. 5253\nEnglish silver Traveling Clock in wooden case. Made for Queen Victoria by Dimmick, Maker to Her Majesty the Queen, Cowes, England.\nInscribed on the face: \"From Grandmama 1894\". Given by Queen Victoria to her grandchild, the Czarina Alexandra Feodorovna.\nFrom the Alexander Palace, Tsarskoye-Selo.","Mrs. John L. Pratt\nHotel McAlpin\nNew York, New York","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 3550\nWooden Wine Ladle. Beautifully inlayed with metal. Part of the Winter Palace Collection.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\n3623. Handkerchief.\nFine linen handkerchief embroidered with the crown and monogram of the Dowager Empress Maria Feodorovna, Mother of Nicholai II. The border is block printed with a series of brown and blue elephants. It is significant to the superstitious that the trunks of the elephant are turned down where is (sic) those of the lucky elephants are turned up. From the private quarters of the Dowager Empress in the Anitchkov Palace in St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\nF43. Paper Knife.\nGold on silver blade. Mounted in mother of pearl handle. Bears crown and monogram of Grand Duke Constantin Nicholaevitch.\nRussian [handwritten]","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6154\nMat. Made of green and silver brocade outlined in rose, conventional floral design.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces, consisting of hand-loomed brocades, damasks, handcut [sic] velvets and altar sets. The metal threads are of genuine silver.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 4404\nPhotograph of Olga, eldest daughter of Czar Nicholai II, Maria, the third daughter, their governess, and Titiani, the second daughter. Frame by Faberge; the blue ribbon crosses represents the order of St. Andrew, created in 1698 by Peter the Great. Only members of the Imperial Family could belong to this order. Winter Palace Collection.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5153\nSmall Runner. Made of damask woven with yellow flowers in serpentine design with gold. Trimmed with old gold lace. Russian Circa 18th Century.\nThis damask is from a collection used in the chapels of the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5096\nSquare Mat. Made of gold brocade outlined in tan trimmed with galoon. Russian Circa 1850. \nThis brocade is from a collection used in the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6396\nTwo Circular Mats. Made of white and gold brocade in conventional design. Trimmed with lace galoon. Russian Circa 1870.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces consisting of hand-loomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. 6025. Photograph of Nicholai II and his wife Alexandra as they were dressed for the Imperial Costume Ball held in the Winter Palace in 1903. The entire court at this ball were dress in Russian costumes of the seventeenth century. The Tzar and the Tzarina are here represented as Michael, First Tzar of Russia and his wife Evdokia, The photograph was made by Levitski, court photographer in St. Petersburg. On the back is a seal which reads: The artistic accurateness confirmed by the Imperial Academy of Art.\" This photograph was obtained from the elderly governess of the Grand Duchess who is still living incognito in Moscow.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. E-1000. Silver and enamel Easter Egg bearing red crosses on white iridescent enamel and an inscription which reads: Greater love hath no man than he who sacrifices his life for a friend [underlined]. At the top are the initials and monogram of dowager Empress Marie, mother of Nicholai II. Inside is a folding screen of miniatures painted on mother-of-pearl and framed in gold and enamel. The miniatures read from left to right with their respective monograms mounted in gold on the back as follows: Grand Duchess Olga Alexandrovna, sister of Nicholai II, Grand Duchess Olga Nicholaevna, daughter of Nicholai II, Czarina Alexandra Feodorovna, wife of Nicholai II, Grand Duchess Titiana, daughter of Nicholai II, and Grand Duchess Marie Pavlovna, author of the \"Education of a Princess\", and cousin of Nicholai II. This egg was made by Fabergé, the court jeweler for Nicholai II as an Easter gift, in 1915, for his mother, the dowager Empress. From the Anitchkov Palace in St. Petersburg, where it was under Inventory No. 17,550.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933\nArticle No. 6787\nMat. Made of gold brocade showing an Imperial Crown and double-headed eagle on a blue background. Made in 1913 to commemorate the three hundredth anniversary of the Romanoff regime. Bound and lined with old gold galoon.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6707\nRunner. Of vari-colored silk floral design of pussy willows. Probably used at Easter time. Circa 1780.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6794\nRunner. Of gold brocade with vari-colored silk floral design trimmed with old lace galoon. Circa 1800.","From a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4763\nA silver plaque depicting the Church of Christ the Saviour, which was given to the Dowager Empress Marie Feodorovna on the occasion of the erection of this church. It was to commemorate the miraculous escape of the Royal Family from death in a railroad wreck. The church was erected by the contributions of various workers in the government departments and private citizens of Russia in the year 1888.\nThe plaque is from the Anitchov Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 5528","An icon finely painted on wood and mounted with a silver trapping set with seed pearls in a Byzantine design on a background of green enamel. The subject of the icon is \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The commandment of the new day: Love Thy Neighbor as Thyself.\"\n \nThe icon is backed with red velvet. It was made by the court jeweler, Faberge, whose full name is marked under the Imperial double eagle. It also bears the figure \"88\" which denotes the highest quality of Russian silver. The icon is from the quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 6136\nAn unusual tea pot of exquisite silver bearing the crown and monogram of Alexander III. It is made with double spouts and a gut handle.\nThis tea pot was made in 1891 by the Royal jewelers, Michelson of Copenhagen, belonging to the Danish Court.\nIt was found in the Gatchina Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4765\nA slender gold column of exquisite workmanship, with a miniature of Nicholai II on it set with diamonds and crystals. The column is delicately chased with Icanthus leaves in green gold, a touch characteristic of Faberge who made the bibelot for the Czarina to present to Nicholai II on his birthday in 1907. It is contained in the original case and was found in the Alexander Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6111","A jewel chest made of hand-hammered silver, and lined with mulberry velvet. On the cover is the Russian Imperial Double-headed eagle adorned with the various emblems of the Romanoff family. The sides of the cover bear the repeated initial \"M\", inlaid with blue enamel, which stands for the Dowager Empress Marie, mother of Nicholai II. The key is set with a semi-precious green stone. The box is undoubtedly of Danish origin.","It is from the quarters of the Dowager Empress Marie, in the Anitchov Palace, St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6019","A jewel box made of silver. The cover is adorned with vari-colored Russian enamel, pearls and rose diamonds. It was made by the court silver-smith, Bolin, whose full name it bears. It is also marked with the initials of his assistant master and the figures \"88\", which denote the highest quality of Russian silver.","The box is from the personal quarters of the Czarina Alexandra, wife of Nicholai II, and was found in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6148","A brooch of silver modeled in a ribbon design and set with many turquoise and genuine half pearls.","It was found in the quarters of the Czarina Alexandra in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5421\nAn icon of \"St. Nicholas the Wonder Worker\", patron saint of Russia, with Christ and the Madonna. This icon was presented to Nicholai II when he was still a Czarevitch, by a peasant icon painter whose name appears on the border of the icon. The inscription on the back reads: \"From a peasant of the village of Materi, Province of Vladimir---Joseph Andrew Pankreshoff. Presented to His Imperial Highness, Czarevitch and Grand Duke Nicholai Alexandrovitch.\" Taken from the historic apartment of the Anitchkov Palace, with the inventory number #6794\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italian Primitive with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5538\nAn icon painted on wood on a background of gold with a border of rich enamel in Byzantine design. It has a brass trapping and is enclosed in original wood and velvet-lined case. \"St. Nicholas the Wonder Worker\". A painting of exquisite detail and coloring. It was presented to Nicholai II when he was still the Tsarevitch. The sticker on the back of the box reads: \"To the Grand Duke Nicholai Alexandrovitch, 19th of July, 1882.\" It has the city museum inventory number, Anitchkov Palace, 6819. From the quarters of Nicholai II in the Anitchkov Palace before he became the Tsar of Russia.\nThe fascinating history of icons dates back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italina (sic) Primitive, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMay 3rd, 1934.\nArticle No. 4122 C","A porcelain Easter egg bearing the monogram of the Czarevirch [sic] Alexis. It is drawn through with the original ribbon and was made in the Russian Imperial Porcelain Factory.","The Russian Imperial Porcelain Factory was owned and operated exclusively by the the [sic] Royal Family from the time of its beginning in 1744 (when it was founded by Elizabeth I, daughter of Peter the Great) down to the time of the last of the Romanoffs, Nicholai II (1917).","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT ","Article No. E-313\nSupple Bracelet of woven gold. The alternate links are fashioned of green and of red gold, which the Russians were so fond of. It was made by the famous court jeweler Faberge, and although the bracelet is not marked with his initials, its style and workmanship mark it as unmistakably his. The catch is marked with the number \"56\" for the finest grade of Russian gold.","From the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nArticle No. A-104\nOval Frame delicately wrought in filigree effect set with sixteen alternating sapphires and rubies. Contains an original snap-shot of the Czarevitch Alexis in a sailor suit, sitting astride an old cannon in the gardens of Peterhof, which was the Imperial summer residence in 1910. The frame is marked with figure \"88\"denoting a higher quality of Russian silver than our \"Sterling.\"\nFrom the personal quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo. She was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5547\nDainty spray of corn flowers, fashioned of gold, enamel and diamonds, supported in a small vase of rock crystal. The workmanship on the foliage and buds shows the most exclusive care in fashioning truly after nature. The enamel of deep blue is extremely clear. The stamen and pistils are each set with a small shiny diamond. The workmanship of the flower itself is by Faberge, the famous court jeweler, while the crystal vase was ground after his design in the Imperial Grinding Factory at Ekaterinburg.\nAmong the most delightful creations made by Faberge for Czar Nicholai II, was a collection of flowers and berries, made of gold, jade and precious stones. Many of the blossoms and berries were enameled in life like-colors. The small vases of rock crystal seem to be filled with water.\nThese delicate pieces brought great joy and pleasure to the Czar and it was a happy occasion when he presented them to some of the members of the Imperial Family.\nMrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5401\nElectric contact bell of artisticaly [sic] hand wrought silver in the form of a rabbit. The eyes, which make the contact, are set with garnets.\nIt was made and signed by the court jeweler Faberge, outstanding craftsman of the last fifty years. His name appears under the double-headed eagle of Royal appointment. The figures \"88\" denote the highest quality of Russian silver.\nFrom the property of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5687\nEaster Egg of Orletz or Eagle stone, decorated with gold and silver mountings, and bearing an inlaid monogram and crown of Maria Feodorovna, Dowager Empress and mother of the last czar, Nicholai II. The egg is shaped of this rare Ural stone, named after the Russian Eagle in the Imperial Grinding Factory in Ekaterinburg. Made by the famous court jeweler Faberge.\nFrom the quarters of the Grand Duchess Tatiana in the Alexander Palace, Tsarskoye Selo, to whom this gift was presented by Maria Feodorovna, her grandmother. Grand Duchess Tatiana was the second daughter of Nicholai II.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A-62","Rare Insignia of the Imperial Order of St. Andrew in the form of a pendant. The pendant is of gold, wrought with the double-headed eagle on either side in relief. Over the eagle on one side appeas [sic] the figure of St. Andrew as he was crucified on the cross. It was made in the time of Peter I, circa 1720, and is exquisitely enemaled [sic] in natural colors. The entire medallion is framed in nineteen large diamonds of contemporary cutting, the ring has six smaller diamonds.","From the quarters of the Grand Duchess Tatiana, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5570\nSnuff box of gold, period and style of Alexander II. Russian, circa 1860.\nThe design, exquisitely chased, is of oak leaves and acorns, inlaid with transparent enamel in dark blue. It is marked \"56\" the Russian equivalent of 14 Karat gold, the profile of the Government Assay Office and the impressed number \"2073.\" Very lightly cut is the original order number of the maker \"P154.\" [4 crossed out and 0 handwritten].\nFrom the Imperial snuff box collection of His Imperial Majesty the Czar in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMarch 6th, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nEaster Egg\nEach Easter, the Dowager Empress, Marie Feodorovna, would order the Russian Imperial Porcelain Factory to execute porcelain eggs which she personally distributed. This one, bearing the original ribbon, has her monogram \"MF\" and crown in green.\nThe Russian Imperial Porcelain Factory was owned and operated exclusively by the Royal Family from the time of its founding in 1744 by Elizabeth I, daughter of Peter the Great, down to the last Czar, Nicholai II in 1917. With few exceptions, all the china used at court was made in this factory. Many of the monarchs ordered gifts created here for foreign dignitaries and court favorites. Elizabeth I used a small double eagle as her mark, while Catherine the Great used her monogram without the crown. Otherwise, most pieces were marked with the crown and monogram of the ruler in whose reign the object was made, except Alexander I, whose china rarely bore a mark.","Mrs. John L. Pratt\nEaster, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. AS-1312\nExquisite parasol handle in baton design. It is of solid gold and decorated with conventional shell designs on a smooth ground. Each shell is set with a diamond, ruby, emerald or sapphire. On one side is applied a cut out double-headed eagle of Russia, adorned with the crests of all the Sovereign states, including that of Moscow in the center, showing \"St. George Slaying the Dragon.\" The handle is finished with an exceptional ball of choice flawless Siberian lapis lazuli of magnificient [sic] blue quality, set in a cup of scroll design, also set with precious stones. In all, there are eight diamonds, four rubies, four emeralds and five sapphires.\nFrom the quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. E-327\nRound powder box and cover of fine Ural [underlined] spinach jade [handwritten question mark]. The cover is rimmed in gold, chased in braided design, and has an artistically carved ivory elephant standing upon a fringed drum of gold, banded with alternating rubies and diamonds. The gold work is in the individual style of the celebrated court jeweler to Nicholai II, Karl Faberge, the creator of this lovely object.\nThe rim of the cover is marked with the full name of Faberge, the initials of his foremost workmaster [sic], Mikhail Perchin, the number \"56\", denoting Russian equivalent of 14Kt. gold, and the crossed anchors mark of the St. Petersburg Assay office.\nFrom the personal quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936.\n \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle E-451\nThe \"Queen's Birthday Book\". A volume published in London by Griffith, Farran, Okeden and Welsh in 1887, and dedicated to Victoria, Queen and Empress of Great Britain, Ireland and India, on the occasion of her Golden Jubilee. The book contains thirteen portraits of members of the Royal Families and fifty-five Royal autographs, among which are those of Queen Victoria, May 24th; her Prince Consort, Albert Edward, November 9th; Edward VII, January 8th; his wife Alexandra, December 1st; (sister of the Czarina Maria Feodorovna) and George V, June 3rd. Perhaps the most interesting autograph is that of the Czarina Alexandra Feodorovna of Russia while she was the Princess Alix of Hesse and but fifteen years old (June 6th).\nThe book contains the ex-libris of Countess Vorontsov Dashkov, who was Mistress of Robes, the highest position in the Court, and the close companion of the Czarina Maria Feodorovna, mother of Nicholai II. The fly-leaf bears the inscription of presentation: \"For dearest Etta, in remembrance of the Queen's Jubilee, 1887, from your affectionate Mary Adeliade [sic], June 1887\". Mary Adelaide was Her Highness, the Duchess of Teck. ","Mrs. John L. Pratt\nAugust 17, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/3\nHandsome frame of transparent green enamel with two oval apertures containing a photograph of Czarina Alexandra and one of the Czar, Nicholai II. Above the ovals is the double-headed eagle with wings outstretched. The crown between the heads is set with rubies and diamonds while a shield, set with the same stones, is on its breast. Underneath the photographs are three swags with rosettes and crescents in garland effect. At the top of the frame two griffins, facing each other with their paws resting on an urn, form a delightful balance to the whole. It is backed with an ivory panel, the handle and ring being of gold scroll.\nIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported from Russia into France, it also bears the assay office device of that country.\nFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/2","Gold on silver rectangular frame of rose enamel over a field of engine turning. Mounted over the oval aperture which contains the photograph of Czarina Alexandra Feodorovna, is a double-headed eagle bearing the Imperial crown, set with diamonds, between the heads. On its breast is a single sapphire. Below, a swag and crescent design forms the decoration. Encircling the whole is a conventional laurel leaf design attached with a ribbon bow-knot, the ends falling in graceful wavy effect. It is backed with an ivory panel, the handle and the ring being of gold scroll.","It was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported into France from Russia, it also bears the assay office device of that country.","From the quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle E-762/80\nCharm in the shape of an Easter Egg made of solid gold and superbly decorated with transparent enamel in tones of pearl, turquoise, and ruby. The colors are separated by gold swags which cross and are capped by four pigeon blood rubies.\nIt was created by the celebrated Karl Faberge, court jeweler to Nicholai II, and is hall-marked with the initials of his workmaster [sic], and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle -4776\nJade and gold frame on a stand. The photograph, in a heart-shaped pendant, is of Grand Duke Boris Vladimirovitch.\nIt was made by the famous court jeweler to Nicholai II, Karl Faberge.\nFrom the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\n ","Transcription: \n[double-headed eagle]\nArticle E-43\nExceptional photograph of the Czarina Alexandra in court dress, showing her great beauty. It is appropriately framed in finely chased gold on silver with a background of red iridescent enamel.\nThe frame was made by the famous court jeweler to Nicholai II, Karl Faberge, outstanding craftsman of the last fifty years. It is marked with the initials of his master and the figures \"88\" which denote the highest quality of Russian silver.\nFrom the personal quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP-1553/2\nPhotograph album containing many rare and valuable photos of the Imperial Family. It is bound in navy blue morocco (whole binding), with shield, clasp and line impress of silver. The doublures are of white moire paper, and the edges are silver. It was bound by F. Knoop, St. Petersburg. The book bears the bookplate of Nicholai II, and was found in his private study, in the Alexander Palace, Tsarskoye Selo. First inventory given is on doublure number \"26933\". Later it was inventoried on the third page as \"12415\".\nThe list of photographs is as follows:\n47.20.376.1 – Emperor Alexander II\n2 – Emperor Alexander II\n3 – Empress Marie Alexandrovna\n4 – Emperor Alexander II\n5 – Emperor Alexander II\n6 – Empress Marie Alexandrovna, wife of Alexander II.\n7 – Emperor Alexander II\n8 – Alexander III and Marie Feodorovna\n9 – Empress Marie Feodorovna and Nicholai II\n10 – Emperor Alexander III\n11 – Grand Duchess Xenia, sister of Nicholai II\n12 – Three generations of German Rulers. The infant is the present ex-crown prince\n13 – Empress Marie Feodorovna and Nicholai II\n14 – Nicholai II (Grand Duke Nicholai Alexandrovitch)\n15 – Grand Duke George Alexandrovitch (brother of N. II)\n16 – Grand Duke Vladimir Alexandrovitch\n17 – Grand Duchess Marie Pavlovna, his wife\n18 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir and her children\n19 – Grand Duke Vladimir and his sons, Kyril and Boris\n20 – Grand Duke Vladimir Alexandrovitch\n21 – Grand Duchess Marie Pavlovna, his wife\n22 – Grand Dukes Kyril and Boris Vladimirovitch\n23 – Grand Duke Kyril Vladimirovitch\n    \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","[double-headed eagle]\n-2- \n 24 – Grand Duchess Marie Alexandrovna\n 25 – Grand Duke Alexis Vladimirovitch\n 26 – Grand Duke Serge Alexandrovitch\n 27 – Grand Duke Paul Alexandrovitch\n 28 – Grand Duke Paul Alexandrovitch\n 29 – Grand Duke Alexis Alexandrovitch\n 30 – Grand Dukes Paul and Alexis and Duke of Oldenburg\n 31 – Grand Dukes Serge Alexandrovitch and Konstantin Konstantinovitch and the sister of Konstantin, Olga, later Queen of Greece\n32 – Grand Duke Nicholai Nicholaevitch\n33 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir\n34 – Grand Duke Nicholai Alexandrovitch (Nicholai II)\n35 – Grand Duchess Olga Konstantinovna, Queen of Greece\n36 – Grand Duchess Militza Nicholaevna\n37 – Duchess Alexandra of Oldenburg, 1st wife of Grand Duke Nicholai Nicholaevitch, died in 1900\n38 – Grand Duke Serge Alexandrovitch and Duchess Elizabeth Feodorovna\n39 – Grand Duke Vyacheslav Konstantinovitch\n40 – Grand Duke Dmitri Konstantinovitch\n41 – Grand Duke Konstantin Konstantinovitch\n42 – Grand Duchess Marie Alexandrovna, Duchess de Saxe- Coburg Gotha","Mrs. John L. Pratt\nJanuary 29th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. ME-1249\nRound snuffbox of spinach green Ural jade with hinged lid, mounted in gold. On the cover, set in diamonds, is the crown and monogram of Nicholai II, backed with two laurel sprays in green gold of exquisite workmanship, also set with diamonds. The top and bottom rims are engraved in delicate dot and dash design, while through the center runs a fillet of finely chased acanthus leaves in green gold and several tiny rosettes of red gold.\nThis superb example of the jeweler's art was designed by the celebrated jeweler to Nicholai II, Carl Faberge, and is hall-marked with his full name, the initials of his leading artist, Mikhail Perchin, the number \"56\" denoting the equivalent of 14 karat gold, the wreathed head of the government assay office, and the initials of the gold inspector \"YL\".\nFrom the collection of Nicholai II, last Czar of Russia, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nFebruary 8th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5571\nMagnificent gold snuffbox in oval shape with hinged lid. It is hand-wrought with a chased gold mounting. The lid has an oval gray and white cameo, masterfully carved with a mythological sea scene, signed \"W. Eissel\", outstanding German master. This is framed with fifty large diamonds and about one hundred small ones. The edge is in carved scroll design including two gargoyles over lapis blue enamel, and set with many diamonds, four of which are about one karat each. The sides are finished in the same treatment, having the crown and monogram of Kaiser Wilhelm in the front and the German imperial eagle in the back, all set in diamonds. The crown also has two rubies. At either end are small round cameos of mermen by the same master. Four kneeling cherubim, placed within shells of blue enamel and diamonds, support the cover. The bottom of the box is engraved with another sea scene showing Neptune and Venus receiving homage, while the background is again of blue enamel. This box was made for the Kaiser of Germany, and was so admired by Nicholai II, the former presented him with it.\nFrom the Snuffbox Collection of Nicholai II and his wife Alexandra, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay 11th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. JJ-5050/2\nExquisite oval icon of the \"Madonna of Kazan\". It is painted on ivory in a charming combination of water colors. The Greek symbols are for \"Mother of God\", \"Jesus Christ\" and \"Kazanski Mother of God\". The icon has a brass rim and is framed in rose velvet; it is backed with rose ribbed silk.\nAttached is the original government inventory tag, the abbreviations of which read: \"Alexander Palace Museum, Children's Apartments, Classroom of the Older Grand Duchesses Number 644/III\". These were the daughters of Nicholai II, whose palace was located in Tsarskoye Selo. This icon was undoubtedly executed by the Tsarina of Russia, a talented artist, whose work is easily recognized by her choice of colors and the fact that she invariably marked her paintings with the initials of her maiden name, Hesse.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. AV-5008/1\nOval icon medallion of solid gold. On one side is an exquisite enamel miniature of Jesus Christ dressed in blue and orange robes against a ground of brown scrolls on beige. His right hand is held in blessing, while in his left he is holding the open scripture. The Greek symbols about his shoulders are for \"Jesus Christ\", while those above the halo are for the \"Eternal Christ\". On the reverse side, on a ground of white enamel, is inscribed in black – \"Save and Protect\".\nThe gold is hall-marked with a number \"56\" denoting the Russian equivalent of 14 karat gold, and the device of the Moscow assay office.\nFound in St. Petersburg.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RB-5210/37\nDelightful charm of a German Dachshund [underlined] in seated posture. Carved from genuine topaz, he is adorned with a gold collar and suspended from a gold link. His eyes are realistically set with emeralds.\nThis excellently modeled and lifelike animal was designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his talented stone carver, Kremlev.\nMrs. J. L. Pratt\nDecember, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1815\nCharming stone figure designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his leading stone carver, Kremlev. Represented is one of the favorite sailors of Grand Duke Mikhail Alexandrovitch, brother of the last Tsar, Nicholai II. The name of the Imperial yacht \"Zarnitsa\" is inscribed in gold on the seaman's hatband.\nStanding solidly on his two feet of black onyx slightly spread apart, this sailor of courageous appearance is dressed in a spotless, freshly laundered suit of milky white jade. His piercing blue eyes, each set with a cabochon sapphire, sparkle with loyalty and sincerity. Flesh-toned aventurine makes up his interesting face, finely moulded [sic] with high cheek bones and sharp nose – typically Slavic characteristics. His sturdy hands are also of aventurine. This unusual portrayal, viewed from any angle, is singularly lifelike and attractive.\nIt is contained in the original hollywood box of the court jeweler, and is stamped with his full name beneath the double-headed eagle of royal appointment.\nThe \"Zarnitsa\" was anchored just outside of Kronstadt during the Krensky Revolution, and it is said that while the other sailors of the fleet joined the revolutionists, those on board the yacht ramined [sic] loyal to the Grand Duke Mikhail, in whose favor Nicholai II abdicated.\nMrs. J. L. Pratt \nDecember 9, 1937\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-517/4\nCross of hand-wrought silver, finished with a ball effect to represent jewels; Russian workmanship of the 18th century. On the face is the eight point Greek Orthodox cross, adorned with the crown of thorns. On either side is the spear and sponge of the Crucifixion, while below is the skull signifying that Christ conquered Death. The Slavic symbols read – \"King of Glory, Jesus Christ, son of God\". The reverse side is in scroll design.\nFrom the Imperial Chapel of the Feodorovski Cathedral, Tsarskoye Selo.","Lillian T. Pratt\nChristmas, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP- 1843/4\nRare mosaic icon of \"St. Nicholas the Wonder Worker\"; Russian workmanship, circa 1850. This portrayal of Russia's most beloved Saint is so skilfully [sic] inlaid with thousands of varicolored stones that it gives the impression of being executed in oil. It shows great character and deep religious inspiration, rarely found in mosaics.\nSet off by a gold halo, St. Nicholas is represented making the sign of Jesus Christ with one hand, while in the other he holds a gold and green Bible. His gracefully folded robes of red and blue are trimmed with gold, and his stole of silver is embroidered with gold crosses. Slavic symbols on either side of the halo are for \"St. Nicholas the Wonder Worker\". The icon has a rim of fire gilt and is framed and backed in red velvet of a later period.\nFrom the apartments of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nJanuary 8, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/4\nParasol handle of frosted rock crystal, carved to represent the head of a duck, and mounted on mohagony [sic] banded in gold. The eyes of the duck are all the more lifelike for the two deep blue sapphires set in gold. Around the neck is a gold collar, set with fifteen green tourmalines. The ring of silver gilt was added later to the base of the handle.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Faberge, for Tsarina Alexandra Feodorovna and was found in her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. A-61\nUnusual frame of rose jasper and gold-on-silver, containing a snapshot of Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, taken in Peterhof, 1907. Dome-shaped and with easel back, it is contained in the original Vyatka birch box, lined with green velvet and white silk, of the court jeweler to Nicholai II, Carl Faberge. The lining is stamped with his name beneath the double-headed eagle of royal appointment.\nThe frame is hall-marked with the initials of one of Faberge's leading workmasters [sic], Mikhail Perchin; the number \"84\" denoting the Russian standard of silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the court jeweler, \"45196\".\nFrom the quarters of the children of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-754\nCharming miniature frame containing a photograph of the Tsarina Alexandra Feodorovna. Dome-shaped, it is made of lettuce jade, delicately decorated with chased green and red gold mountings. Above the oval aperture, rimmed in laurel leaf design, is a swag motif tied with a ribbon; below are two dainty rosettes.\nThis frame was made by the celebrated court jeweler to Nicholai II, Carl Faberge, and the gold-on-silver easel back is marked with the initials of his workmaster [sic] \"IB\"; the number \"88\" denoting the quality of Russian silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the jeweler, \"0170\".\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/3\nEaster egg of green quartzite, varicolored gold and rock crystal, suspended from a chain of gold. A band of cut rock cyrstal [sic], bordered with narrow rims of gold, encircles the egg, separating the top from the lower portion. The top is surmounted with a wheel device decoratively worked in red and green gold, whose apex is a small Empirean [sic] wreath of laurel. A convex form of gold, delicately engraved in a wreath design covers the base.\nIt was created by the celebrated Russian court jeweler to Nicholai II and Alexander III, Carl Faberge.\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/1\nGraceful porte-poche of rock crystal with borders, handle and thee feet set with rubies and diamonds.  A gold border around the top is set with forty rubies and the corresponding border in the base has thirty-three rubies.  The question mark handle of gold, decorated with scroll design, is outlined with eight diamonds, set squarely.  Into each of the three ball feet are set thirty-two graduated diamonds. \nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé, and is hall-marked with his full name; the initials of one of his leading workmasters, Edward Kolin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.  It is engraved with the original order number of the court jeweler – \"40312\".  Since it was originally brought from Russia to England, it also bears the assay of the later country.\nFrom the apartments of the Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nJanuary 28, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/47\nCharm, in the form of an Easter egg, of exquisite simplicity.  It is made of spinach jade, belted with gold and a narrow fillet of diamonds, and is suspended from a gold link.\nThe egg was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé.\nFrom the apartments of Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/41\nEaster egg charm of gold, engraved in moire effect to represent clouds in the sky.  The design is based on the star and crescent motifs of Mohammedan origin.  Within the star form, outlined in relief, is set a diamond, and a large cabochon sapphire is enclosed within the crescent form.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster; the number \"56\" denoting the Russian equivalent of 14 Karat gold; and the device of the Moscow assay office, St. George slaying the dragon.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/46\nCharm of gold, purpurine and enamel, in the form of an Easter egg.  A circlet of diamonds separates the purpurine portion from the rest which is made up of alternating sections of opaque white and transparent emerald green enameling on a gold ground.  Each of the enameled sections bears a numeral of the year \"1900\", when it was presented to Grand Duchess Olga.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster.\nFrom the quarters of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nNote: purpurine is a composite stone developed by Fabergé, and reputed to be formed by a secret process of fusing gold and porcelain.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/39\nCharm of gold in the form of an Easter egg.  Palmetto leaves and the figure of an African elephant holding in his trunk a diamond, form the decoration.\nIn the style of Fabergé, the Russian court jeweler, it was created by the Kalodnikoff masters, bearing their hall-marks and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of the Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1933\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/45\nUnusually handsome Easter egg charm of gold.  A fillet of diamonds separates a petal decoration from the upper part of the egg in which a solitaire diamond is set.  A cabochon sapphire is set at the base.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked number \"56\", the Russian equivalent of 14 karat gold.  \nFrom the apartments of Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/38\nEaster egg charm of gold-on-silver, inlaid with varicolored opaque [handwritten, transparent x'ed out] enamel and bearing the Russian letters \"XB\" front and back, the abbreviation of the Easter salutation \"Christ is Risen\".\nIt was designed by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II and Alexander III, and is hall-marked with the initials of his workmaster.  \nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/33\nCharm of clove pink matte enamel, covered with a filigree of gold intricate design of conventional fleur-de-lis and braiding.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/32\nCharm of gold, in the form of an Easter egg.  It is covered with enamel in the deep blue color, beloved of the Russian people, over delicate engine turning and is set with a diamond.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the number \"56\" denoting the Russian equivalent of 14 karat gold; and the initials of his master.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/44\nEaster egg charm of topaz, with alternating sections of opaque white and translucent red enamel, banded with a circle of diamonds.\nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/9\nExquisitely modeled figure of an African elephant with upraised trunk, wrought in twenty-two karat gold.  His lifelike eyes are set with diamonds, and the tusks are carved from ivory.\nCreated by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II, it was made to the special order of his mother, the Dowager Empress Marie Feodorovna.\nFrom the quarters of the Empress, in the Anitchkov Palace, St. Petersburg.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/13\nDelightful gold chain bracelet with safety catch.  It alternates with three red gold and three green gold links.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and executed by his workmaster whose initials it bears – \"AE\", together with the wreathed head of the government assay office.\nFrom the apartments of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 2, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5209/26\nTiny, exquisite frame of lapis lazuli mounted on a rectangular base of gold-on-silver, supported by four ball feet.  The oval aperture, rimmed in gold, bears a photograph of Nicholai II.\nThis charming piece is from the quarters of Tsarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nApril 15, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSIES\nGraceful spray of pansies carved in amethyst, the centers set with brown diamonds.  Calyxes are formed in jade.  Rising on slender gold stems with leaves of Siberian nephrite, serrated and realistically modeled, the little pansy is set in rock crystal carved to represent water in a vase.\nCreated by the world-famed Russian jeweler, Karl Faberge, it is hallmarked with his name in Russian, and the initials of one of his leading masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18 karat gold.\nNumber RE5380-13\nMrs. John L. Pratt\nJanuary 9, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/2\nFlower fantasy exquisitely developed in jewels in the form of a dandelion seed ball.  Created by Carl Fabergé, illustrious jeweler to the Russian Imperial Family, this little piece typifies his finest work.  The head, with down of asbestos is developed around the seed pod and pedicels of platinum, delicately finished with tiny diamonds.  Serrated leaves carved in jade and graceful gold stalk rise from a little vase carved in rock crystal to represent a tumbler filled with water.\nFully hallmarked, it is signed with the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and with the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom a collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/10\nExtraordinary jeweled flower fantasy by Carl Fabergé, world famed court master to Tsars Alexsandr III and Nikolai II of Russia.  The blossom, carved in amethyst, opens slightly to reveal three stamens of gold, diamond set.  It surmounts a sturdy stem imbedded in gold soil within a tub-like container.  Leaves are realistically modeled of deep hued Siberian nephrite.  Encircling the container, which is fashioned of varitoned grey-brown agate, are hoops of gold pointed with small diamonds representing rivets.\nImportantly hallmarked, the stalk bears the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/16\nPair of lovebirds carved in amethyst, huddled together on an ivory perch ornamented with transparent carnelian enamel on a ground of guilloché gold and dainty rings of platinum, diamond set.  Deep cabochon topaz are set in the ends of the perch bar; two fine gold chains, linked to a foot of each bird, are attached to the pedestal base.  The delicately wrought fantasy rests on an inverted circular base, fashioned of dark green Siberian jade mounted with a simple gold border.  Four ball feet of gold complete the stand.\nCreated by Carl Fabergé, eminent Russian court jeweler, this exquisite object is hallmarked with his name; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/17\nSmall cage of appealing design wrought with slender bars of gold and suspended with a gold loop.  Mounted on a base of Siberian nephrite which rests on four ball feet, the top is finished with seven pearls and with a decorative portion of turquoise composition, encircled by diamonds.  Within this cage, on a small twig-like perch, is a diminutive bird carved in emerald, with head lifted in song and eyes set with diamonds.  \nThe gold perch bears full hallmarks including the name of Fabergé; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nMrs. John L. Pratt\nFebruary 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/29\nParasol handle of limpid clear rock crystal etched in open squared effect, pointed throughout with cabochon rubies.  The base is of solid gold and is encircled with a conventionalized laurel wreath, intermittently bound with crossed ribbons.\nDesigned by Carl Fabergé, famed jeweler not only to the Imperial family of Russia but to the crowned heads of Europe and Asia, it is fully hallmarked.  Present is the name \"Fabergé\" (indistinct); the Russian initials of one of the master's leading artists, Mikhail Perchin; the wreathed head of the government assay office; the numeral \"56\" denoting the Russian equivalent of 14kt. gold; and the initials of the government inspector \"YL\".\nOriginally a parasol handle in the possession of the Tsarina Aleksandra Feodorovna of Russia, a flat base has been applied so that the little object may be used as a seal.  From the personal effects of the Tsarina in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.CA-5364/2\nGreen jade miniature frame designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II.  Made of one piece, it has two oval receptacles containing rare, original photographs of the court jeweler and his wife.  They are rimmed with delicate fillets of silver, applied with ruby and black enamel in a design bordered by lines of white.  The photograph openings are backed with ivory to which is attached a hinged easel of graceful design.\nThe easel is hallmarked with the full name \"Fabergé\"; the initials of one of his leading workmasters, Henrik Wigstroem; and the numeral \"88\" denoting the quality of Russian silver.\nAcquired from Nikolai Fabergé, son of the renowned jeweler.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\nFebruary 17, 1939","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/3\nJeweled flower fantasy created by Carl Fabergé, eminent Russian court jeweler, signed with his name and the initials of one of his leading workmasters, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nDesigned with ingenuous artistry, this branch of English hawthorn has small fruits (\"haws) of red and white agate, cleft leaves of jade and a gold stalk imbedded in a white agate pot with soil of gold.  It is mounted on a base of white jade.\nFrom the collection of a member of the Russian Imperial Family.\nThese flower creations represent the height of Fabergé's imaginative genius.  They were the favorite possessions of the late Tsar and Tsarina, both of whom were ardent flower lovers.  Several of these were created by Fabergé for King Edward VII of England who presented them to Queen Alexandra.  Upon her passing, these jewels were left to her son, King George V of England, and to Queen Maud of Norway.  Some of these fantasies are now the prized possessions of Mary, the Queen Mother of England.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5332/7\nCompanion figures of two French bulldogs, one seated in attentive attitude – the other, a pup, in crouched position.  Beautifully carved of smoky topaz, the eyes of each are set with cabochon sapphires.  Collars finished with pendant drops, are gold, set with faceted sapphires of fine deep color.\nRealistic in every detail, these little sculptures are designed and executed with incomparable finesse.  They are creations of Carl Fabergé, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia, who was, as well, jeweler to nearly all the crowned heads of the European and Asiatic continents.  Fabergé, expert in the art of small figure sculpture, was noted for his ability to impart to the materials in his hands a convincingly living quality of form.\nThe topaz dogs are from the collection of the Tsarina Aleksandra Feodorovna, , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5389/2\nHandsome parasol handle of Siberian nephrite known as spinach jade, banded in red gold, encircled in diamonds.  The central portion has a connecting bow motif developed in diamonds and two cabochon rubies of fine color.\nIt was created by Carl Fabergé, renowned jeweler to the Russian Imperial Family.  Smoothly modeled and gracious in its simplicity, it is characteristic of the decoratively useful objects made by him for the late Tsarina Aleksandra Feodorovna and her daughters, the young Grand Duchesses.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/28\nParasol handle of lapis lazuli and gold in hexagonal form.  Narrow strips of gold connecting with the collar, pointed alternately with diamonds and gold relief pattern in diamond effect.  Finished with a flat end of gold, the handle is suitable for use as a seal.  It is contained in its original case of green hand-tooled leather.\nOf Russian workmanship, in the style of Fabergé, it bears the master's initials \"AK\".\nMrs. John L. Pratt\nFebruary 20, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/16\nRare, jeweled flower fantasy in the form of a water lily spray, set in rock crystal,  carved to simulate a rectangular vase filled with water.  Beautifully modeled, blossoms and buds are carved in chalcedony; stamen clusters of gold are set with rubies of fine color.  The leaves, liquid in appearance and with natural veinings, are carved in Siberian nephrite.  Grouped together, these are supported on slender stems of gold of which the lower portion of which the lower branch is fully hallmarked with the complete name of the master-designer, Faberge, illustrious jeweler to the Imperial court of Russia.  Present also are the initials of one of his leading artists, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 14kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 23, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/11\nIngenuous flower fantasy, finely detailed describing a Tibetian [sic] poppy.  Small buds and opening blossoms are fashioned in white chalcedony with peach tonings [sic].  The delicate stamens of gold, set with sapphires, cluster thickly in the fuller blown blossoms; centers are set with topaz.  Rhythmical stems rising from gold soil and finely worked sepals are in gold.  Carved in Siberian nephrite, the serrated leaves enclose the flower grouping.  A simulated tub carved in greyish-brown veined agate, is held with hoops of gold set with diamonds for the rivets.  \nAn extraordinary creation of Carl Fabergé, Imperial Russian master and illustrious designer in gems, the lower portion of the stem is hallmarked with his name in Russian; the initials of his able artist, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/4\nJeweled opium poppy, represented growing in a tub, designed by Carl Fabergé, Imperial Russia's greatest creator in gems.  Rising on sturdily modeled stalk of gold with blossom head full blown, it is delicately carved in amethyst.  A large cabochon Siberian amethyst, set in gold and red platinum, forms the heart of the blossom.  Surrounding this is a cluster of fine gold stamens pointed with diamonds.  The leaves are of extraordinary artistry.  Carved in Siberian nephrite, they follow the natural feeling of the growing plant.  The tub container is fashioned in brown-toned, striped agate.  Within this is soil of gold, and two gold hoops encircle the exterior.  Simulated rivets are diamond set.  \nThe stem is fully hallmarked with the complete name \"Fabergé\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/5\nLilies of the Valley\nEthereal flower creation developed in gems by Imperial Russia's foremost jeweler.  Tiny blossoms are delicately fashioned in quartz, with centers of gold.  Imbedded within gold soil in a container of brown veined agate, the blossoms and bands encircling the little tub are of 18kt. gold.  To this fact full hallmarks attest.  Present is the master's name \"Fabergé\"; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian [Imperial] Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/14\nDainty jeweled fantasy of a small hyacinth plant set in a little tub carved in white agate.  From the centers of the miniature blossoms of blue chalcedony appear gold stamens set with tiny emeralds.  Calyxes and leaves in realistic manner are of Siberian nephrite, and the stem isof [sic] 18kt. gold.\nThe lower portion of the stem, rising above the gold soil within a little tub, is hallmarked with the name of the master-designer, Carl Fabergé.  Present also are the initials of one of his ablest masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/12\nStalk of small asters, the blossoms carved in polished chalcedony, with gold centers, emerald set.  Calyxes are of green chalcedony, toning with the serrated leaves fashioned in Siberian nephrite.  The branch and extending short stems, joined irregularly with tiny leaflets, rise from a pot of jasper.  Wide gold bands encircle top and bottom of the container, the material of which, predominately brick-toned, shows platinum grains, throughout.  It may be noted that jasper and lapis lazuli from the Ural mountains frequently carried particles of precious metals.\nThe lower portion of the stem is fully hallmarked with the name, in Russian, of the master-creator of this little fantasy, \"Fabergé\".  Present also are the initials of one of his outstanding artists Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/11\nMiniature jeweled flower fantasy representing a rose plant imbedded in gold soil within a pot of grey-brown agate, banded in gold.  Bud-like blossoms of quartz surmount slender stalks of gold, realistically modeled in detail with thorns along their length.  Myriad small leaves in Siberian nephrite point upwards or cluster on drooping stems at the top of the container.\nThe little jeweled object, created by Carl Fabergé, eminent jeweler at the court of St. Petersburg, is fully hallmarked with his name; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/3\nRare, jeweled flower, fantasy, representing a branch of Queen Anne's Lace, imbedded within gold soil in a pot fashioned of dark red jasper, inclining gracefully to one side, the flower head is developed in platinum, pointed with diamonds on sturdy pedicels of gold.  The flower calyx is in chalcedony.  Gold stems bear small serrated leaves carved in nephrite, designed in perfect complement to the natural species.\nThe lower portion of the stem is fully hallmarked with the name \"Fabergé; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nOrange Blossom\nArticle No. RH-5380/10\nDelicately wrought flower fantasy created by Carl Fabergé, world famed court jeweler to the last two Tsars of Russia, Aleksandr III and Nikolai II.  Fashioned with consummated [sic] artistry, the buds and blossoms in chalcedony surmount a slender, curved stem of gold on which startingly [sic] realistic leaves appear, carved in Siberian nephrite.  Five of these cluster at the top and a large one is joined near the base of the stem, at the point where it is immersed in simulated water.  The little vase is ingeniously fashioned of rock crystal.\nFull hallmarks include the name \"Fabergé\"; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/5\nFigure of a heron carved in blue-gray smoky agate, with legs and splayed feet of red gold.  The eyes are set with diamonds.\nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it was executed by one of his foremost artists, Henrik Wigstroem.  The bird shown upright, in resting position, carries one wing slightly higher than the other.  Sensitively modeled, fine detail of feathers and general form is evident.  Rhythmic in line, the little sculpture is a particularly beautiful example of the designer's individuality of expression.\nFully hallmarked, it bears the full name, \"Fabergé\"; initials of his workmaster Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/4\nFigure of a \"Teterev\", wood grouse carved in black obsidian with eyes of diamonds, legs and claws fashioned in red gold.  The plump body is modeled smoothly and realistically described by restrained carving which suggests the feathered formation.  The bird is posed looking alertly to one side, with head inclined attentively and tail feathers raised.  \nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it is hallmarked with his name and initials of his leading master, Henrik Wigstroem.  Present also is the numeral \"72\", denoting the Russian standard of 18kt. gold.\nFrom the personal quarters of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/16\nFigure of a Russian bear, smoothly carved in rock crystal, in standing posture.  Modeled with rare fluency of form and subtly detailed the little animal is shown with four [sic?] paws upraised and head turned to one side.  A striking feature of this beautiful sculpture is its perfect equilibrium notwithstanding the fact that the heavy body inclines forward.\nIt was designed by that master-creator in gems, Carl Fabergé, jeweler at the court of St. Petersburg during the reigns of the last two Tsars of Russia, Aleksandr III and Nikolai II.\nMrs. John L. Pratt\nMarch 3, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH845/1\nLocket and chain of solid gold.  The locket, oval in shape, encloses a plaque of pearl-white transparent enamel inlaid on a ground in sunburst and star design, framed within a scrolled pattern.  Applied to the enamel is a raised flower of gold, the petals of which are set with three rubies and three diamonds.\nIt was designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II, and is hallmarked with the initials of his workmaster; the wreathed head of the government assay office; the initials of the silver inspector and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.  The chain of alternating smooth and etched oblong links, fashioned also by the court jeweler, is hallmarked with the initials of his workmaster \"H(?)V\".\nFrom the apartments of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Alexsandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 15, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.3531\nNineteenth century mahogany cabinet in French classic style, carved and ornamented with bronze mountings.  \"Espagnolettes\" form decorative motifs on portions of the frameworks.  Gracefully proportioned, it is fitted with removable glass shelves.\nDuring the twenty years previous to the Revolution, the style of French furniture reached a high standard of artistic excellence, both in design and execution.  This phase continued and produced a fine influence on the furniture of the next period, extending itself, as well, to the development of gracious furniture types in other countries.\nMrs. John L. Pratt\nMarch 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5454/3\nIntriguingly designed pendant in the form of a Russian Easter egg, suspended by two chains from a large loop.  Of solid gold, and fashioned to open midway on a small hinge, the six-pointed star ornamenting the top is set with a ruby and eighteen rose diamonds.\nDesigned by Carl Fabergé, Imperial Russia's greatest court jeweler, this little pendant charm was made for one of the young Grand Duchesses, daughters of the late Tsar Nikolai II.  It was found in the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5448\nUnusual, small parasol handle designed by Carl Fabergé, executed in his finest manner.  The ball top is fashioned in jade, the handle stick of gold is overlaid with blush-pink transparent enamel on a ground tooled in swag effect.  Two delicate fillets of gold, set with finely matched pearls, frame this portion.\nIt is contained in the original box of hollywood, stamped with the master's insignia beneath the double-headed eagle of royal appointment.\nOf great charm and simplicity, the little object was made for one of the daughters of the late Tsar Nikolai II.  It is from the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/12\nFigure of a polar bear carved in white granite, the eyes set with faceted emeralds of brilliant hue.  With teeth bared and head thrust forward, the animal seems to present a resistant front to some invisible enemy.  Heavy legs and paws and cumbersome body are well delineated, and the fur subtly handled.\nDesigned by Carl Fabergé, famous jeweler to the late Russian Imperial family, it was executed by one of his most talented stone carvers, Kremlev the Younger.\nFrom the apartments of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.5449\nFigure of a Dachshund carved in black Ural agate, lightly veined in red.  The little sculpture, smoothly executed and rhythmic in line, is shown in seated posture.  The eyes, set with diamonds, glisten in the finely modeled head and convey an expression of keen awareness, as well as that of patient watchfulness.  An appealing note is found in the left forepaw: the deep hued agate in which the entire body is carved, assumes a definite toning here, and the forefoot, consequently, is of grayish-tan color.\nDesigned by Carl Fabergé, Old Russia's illustrious jeweler for Tsars Aleksandr III and Nikolai II, and made for the Dowager Empress Marie Feodorovna, this is one of his exceptional animal sculptures.  It is contained in the original box of hollywood, velvet and satin lined, and stamped with the insignia of the royal jeweler beneath the double-headed eagle of royal appointment.\nFrom the apartments of the Dowager Empress in the Anitchkov Palace.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/8\nCrouched figure of a cat gracefully carved in white transparent Ural stone, the eyes set with faceted sapphires.  There is a feeling of concentrated watchfulness in the rhythm of the body.\nIt was designed by the celebrated jeweler to the late Tsar's family, Carl Fabergé, and was executed by his able stone carver, Kremlev the Younger.\nFrom the collection of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5409/25\nGraceful figure of an ostrich, realistically carved in Siberian striated [sic] brown agate, with eyes set with emeralds and legs modeled in gold.  It stands on a plinth of giallo marble.  The body is beautifully executed in full detail.  Feather formation follow [sic] the natural veinings in the stone and the neck, rising arched, developed in the lighter-toned portion, is etched to show the smallest feather form.  \nIt was created by Carl Fabergé, world-famed jeweler to the Imperial family of Russia, court jeweler and designer in precious substances to nearly all the royal houses in Europe and Asia.\nMrs. John L. Pratt\nJune 1, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nROOSTER\nTiny, exquisite figure of a Rhode Island Red rooster, carved from a piece of veined gray and brown agate.  The natural coloring of the stone is admirably suited to representing the coloring of this famous chicken.  Each of its eyes is set with a sparkling diamond, and its feet are delicately fashioned in solid gold.\nThe rooster was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented young sculptor, Kremlov.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nJADE COUPE\nMagnificent cylindrical coupe wrought from a single piece of spinach jade.  The vessel is supported on a tripod base formed by three powerful sea horses [sic], superbly modeled in gold and silver.  A pierced gold band, displaying a design of dolphins and set with cabochon rubies and sapphires, rims the top.  Surmounting the domed cover of jade is a gold trident, beneath which is the head of Neptune, two female heads and a cabochon ruby and sapphire.\nThis distinguished objet d'art was designed by Carl Faberge, celebrated court jeweler to Nikolai II and is hallmarked in Russian with his full name; the initials of his workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; the number \"88\" indicating a fine quality of Russian silver; the device of the St. Petersburg assay office, crossed anchors and scepter; and the original order number of the court jeweler, 2017.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm in the form of a bear, carved from real opal, suspended from a gold link.  He is standing on four paws and his eyes are set with cabochon rubies.\nThis little animal was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm of a bear exquisitely carved from real amethyst and suspended from a gold link.  He is standing on his hind legs, and his eyes are set with small cabochon rubies.  \nThis charm was designed by the celebrated court jeweler to Nikolai II, and executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVASE\nSmall, oval vase carved in brown and white veined Ural agate.  The bowl is separated from the skirted foot by a band of finely matched turquoise set between two fillets of repousse [sic] gold.\nThis exquisitely graceful object was made in the Imperial Grinding Factory in Peterhof.  This factory was owned and operated exclusively by the court.\nFrom the quarters of Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold decorated with vertical sections of transparent ruby enamel, separated by fillets of transparent pearl enamel.  Each section has a dainty leaf design, giving the decoration a Persian feeling.\nIt is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nCharm in the form of three tiny Easter Eggs, suspended from a bar.  The eggs are of chrysophrase, agate, and reconstructed turquoise, while the gold bar is set with three cabochon rose tourmalines, alternating with two pearls.\nIt was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and is hallmarked with \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head of the government assay office (indistinct).\nFrom the quarters of the Grand Duchess Anastasia Nikolaevna, youngest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual charm in the form of an Easter Egg.  It is made up of two halves of Siberian amethyst, separated by a band of faceted rock crystal and held together on an axis of gold.\nIt was created by the celebrated court jeweler to Nikolai II, Carl Faberge, and the gold link is hallmarked with the initials of his assistant master \"PK\", and the number \"56\" denoting the equivalent of 14 kt. gold.  Since it was originally brought from Russia into France, it bears the French inscription mark \"ET\".\nFrom the apartments of the Grand Duchess Tatiana Nikolaevna, second daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nMiniature Easter Egg designed as a pendant charm, of gold-on-silver, the surface hand-tooled.  The swam motif modeled in relief, encircled within a modeled form, ornaments one side.\nLoops from which it is suspended are hallmarked, but the devices through years of wear have become less distinct.\nDesigned by Carl Faberge, court jeweler to the last two Tsars of the Romanov Dynasty, it is fashioned like those which he made expressly for the young Grand Duchesses, daughters of Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg pendant of gold, set with sapphires and diamonds in a connecting design resembling three medallions suspended from triangular ribbon pieces.\nIt is surmounted by two loops, one of which is hallmarked (indistinctly).\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold, decorated with transparent sapphire blue enamel over a field of delicate guilloche [sic] work.  It is set with a large diamond on one side and a small one at the bottom.\nThe loop is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nSILVER VASE\nVase of hand-wrought silver in Empire style, designed by the celebrated court jeweler to Nikolai II, Carl Faberge.  Standing on three claw feet, its sides are decorated with as many antique Russian coins, one of Empress Anna, dated 1712, one of Peter III, dated 1762 (he was the husband of Catherine the Great and ruled only one year), and one of Catherine the Great, dated 1764.  The bowl is outlined with a tiny twisted motif, while the upper rim is in acanthus leaf design.\nIt is hallmarked with the full name of the court jeweler, \"2K. Faberge\" beneath the double-headed eagle of royal appointment; the initials of his assistant workmaster \"AW\"; the number 88 denoting the quality of Russian silver; and the wreathed head device of the government assay office.  It also bears the jeweler's original order number #24066.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nINK WELL\nMagnificent inkwell of spinach jade, gold, silver and transparent enamel in the classic Empire style characteristic of many of the finest works of Carl Faberge, Russian court jeweler.  The base of Siberian nephrite is smoothly modeled down straight sides and under surface.  The collar of champ-leve [sic: champlevé] pearl -white enamel on a guilloche field designed in undulating effect is rimmed in gold motif.  Heavy gold swags in in the same feeling depend from this over the top surface of the bowl.  The hinged lid is vibrant with champ-leve [sic: champlevé] amethyst and pearl-white enamel in alternating bands, on guilloche fields identically designed with the collar.\nWithin the lid of gold-on-silver appear the hallmarks which include the Russian name of the master creator, Faberge; the Russian initials of his workmaster, F. Afanasaiev, the number \"88\" denoting the quality of Russian silver; and the wreathed head device of the government assay office.\nThe object is from the famous jade collection of Agathon Faberge, illustrious son of the jeweler, known throughout Europe during the Imperial regime as one of the greatest gem experts of the world.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOCKET\nUnusual ball-like locket made from choice Siberian lapis lazuli and mounted with corded lattice work in gold.  Opening in half on a hinged lid, one side is equipped with a hinged glass miniature frame.\nThis locket was acquired from the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold and enamel created by Carl Faberge[sic], eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  The egg-shaped top has a field of guilloche work applied with mauve champ-leve [sic: champlevé] enamel, favorite color of the Tsarina Aleksandr Feodorovna.  This is decorated with a spiral effect of diamonds, terminating in a large diamond at the top.  The wide neck of yellow champ-leve [sic: champlevé] enamel is banded by two fillets of diamonds and is mounted with swags of green and red gold tied with diamonds.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold in graceful tapering shape, created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II, Carl Faberge.  The sides and top are divided into five sections of rose champ-leve [sic: champlevé] enamel, with moss agate effects, over a field of guilloche work, and outlined in white enamel, each centered with a diamond.  The crown of the handle is rimmed with diamonds, and the top is set with a large diamond surrounded by small ones.  The neck, also of rose enamel banded with diamonds, is applied with criss-cross leaf motifs, each set with a diamond.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBULLDOG\nFigure of a bulldog cared in obsidian and designed by Carl Faberge, eminent jeweler to the Imperial Court of Tsars Aleksandr III and Nikolai II of Russia.  The dog's brilliant eyes, each set with a diamond, and his life-like expression, are a lasting tribute to the genius of Faberge.  Around his neck is a white enameled, gold collar from which is suspended a tiny bell.\nThe loop on the collar is hallmarked with the initials of Heinrich Wigstroen, successor to Mikhail Perchin as Faberge's [sic] leading master.  It also bears the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head device of the assay office.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle fashioned in 18 kt. gold, applied on a guilloche ground with long panels in champ-leve blue enamel.  Separations between these, and collars circumscribed top and base, are patterned in small flower and leaf effect, the motifs executed in transparent ruby and emerald enamel.  A faceted diamond is set in the circular top and this is enclosed within the three tones of transparent enamel bordered in gold.\nThe object was created by Russia's eminent court jeweler, Karl Faberge, famous throughout the world as the greatest creator in gems of modern times.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest masters, Henrik Wigstroem; the numeral \"72\" denoting the Russian standard of 18 kt. gold; wreathed head device of the government assay office; and the Russian initials \"YL\" of the government inspector.  Present also is another assay device, nearly obliterated through wear.\nFrom the Imperial Russian Collection.\nNumber 5450-6\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nLong parasol handle of spinach jade, gold, and enamel.  The smoothly formed top is finished with a wide collar of red and green gold applied with opaque white enamel and red-carnelian champ-leve enamel on a guilloche undersurface.  This is rimmed in fluent wreath effect in the characteristically classic manner of its maker, Karl Faberge, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.\nThe object is hallmarked with the Russian initials of one of the master's artist-assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nNumber 5625-11\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nRhythmically shaped parasol handle of finely carved jade, mounted in solid gold and set with numerous diamonds in leaf-veining effect following the movement of the carving.\nIt was made by the Court Jeweler to Tsar Nikolai II, Karl Faberge, outstanding craftsman of the last fifty years, and illustrious court master to the late sovereign and his father, Aleksandr III.  His full name appears on the object, together with the initials of one of his foremost masters, Mikhail Perchin.  It is also marked with Faberge's original order number, #1225.  The handle is contained in the original white hollywood box.\nFrom the apartments of the Tsarina Alexandra Feodorovna, wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber #E23\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nGLOBE\nTerrestrial globe fashioned of remarkably clear topaz, intricately carved with a map of the Earth and its great divisions.\nIt rests on a solid gold tripod, nested in the base of which is a compass.  The frame-stand is encircled with a wide gold rim band engraved to show the units of longitude reckoned 180 degrees East to West or 15 degrees to the hour, the months of the year inscribed in Russian, and the corresponding signs of the Zodiac.  \nPoles are represented by small gold markers engraved with the hours of the day, and these attach to the latitude indicator measuring the distance on the earth's surface northward and southward from the Equator.  Hinged to this is the terrestrial Meridian index.\nA rarity even among the exceptional objects of fantasy and the bibelots created by Karl Faberge, illustrious Court Jeweler to Tsars Aleksandr III and Nikolai II of Russia, the piece is hallmarked with the initials \"EK\" of the master's leading goldsmith, Edward Kollin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre, device of the St. Petersburg assay office.\nFrom the Imperial Russian Collection.\nNumber 5550-1\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nDainty, rectangular frame of gold-on-silver with mauve champ-leve [sic: champ levé] enamel on a guilloche field, in basket weave design.  The oval aperture is rimmed in a fillet of gold set with pearls.\nThe frame, bordered with a continuous laurel leaf design in green gold, and delicately enhanced by the subtle color it encloses, is wrought in the finely characteristic style of the master.\nThe object is signed with the full name, in Russian, of Karl Faberge, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  Frequent also is the number \"88\" for the Russian quality of silver; the Russian initials of Faberge's assistant master, Mikhail Perchin; device of the St. Petersburg assay office, crossed anchors and sceptre; and the jeweler's original order number #57700.\nThe object is backed with ivory and has an easel as well as a hook for hanging.\nFrom the apartments of the Tsarina Alexandra Feodorovna , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber RH1698-100\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSY\nBeautifully composed spray of pansies, featured in rock crystal, fashioned to represent a small vase filled with water.  On a single stem of gold, three branchlets [sic] divide, each topped with a blossom carved in golden-hued and carnelian agate.  Petals, engraved with simulated veinings,[sic] curl realistically, held by calyxes of gold, and centers are set, each with a diamond.  Nephrite leaves group mainly along one long branchlet,[sic] reaching toward the light in their ascent.\nKarl Faberge, Russian court jeweler to the last two sovereigns of the Old Empire, created the little fantasy.  It bears his name in Russian; initials of one of his ablest assistants, Henrik Wigstroem; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and an assay device, in all likelihood that of St. Petersburg, now obscured.\nNumber 5509\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVERBENA\nDainty flower form created by Karl Faberge, Imperial Russia's most illustrious designer in gems.  Fashioned as a small verbena plant, the tiny blossoms are carved in chalcedony and white quartz, the centers pointed with diamonds.  These are joined to the gold stem by pedicels of gold.  Leaves are in Siberian nephrite.  The little tub, within which the plant is imbedded in gold soil, is of brown veined agate.\nLower portion of the stem is fully hallmarked with the complete name of the master in Russian, \"Faberge\"; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-6\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBUTTERCUP\nJeweled flower fantasy of buttercups with three blossoms fashioned in translucent yellow agate, with stamen centers, diamond set.  Rising on graceful, slender stalks of gold, their serrated leaves, carved in Siberian nephrite, thrust upward through the gold soil in a container of Siberian lapis lazuli.  This rests on a square plinth of white jade.\nThe lower portion of the stem is hallmarked in full with the complete name, \"Faberge\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the number \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLILIES-OF-THE-VALLEY\nDelicately wrought lilies-of-the-valley with blossoms in translucent white chalcedony with gold centers, drooped on long stems of gold, from the base of which rise leaves in nephrite.  The little fantasy rests within rock crystal fashioned to represent a vase filled with water.\nThe object was created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  It is fully hallmarked at the base of the stem with the master's full name in Russian, \"K. [struck through] Faberge\"; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and the initials \"HW\" for Henrik Wigstroem, one of Faberge's ablest workmasters.\nNumber RH5380-9\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPRIMROSE\nGraceful flowering primrose branch rising from a rectangular vase carved in rock crystal.  The container is designed in such a manner that it has the appearance of being filled with water.  Full blown flowers are in carnelian-toned agate, stamen clusters of gold surrounding brilliant centers set with diamonds.  The leaves, carved with rare finesse are in Siberian nephrite, and stems are made of 18 kt. gold.\nKarl Faberge, Imperial Russia's greatest court jeweler, designed the extraordinary fantasy.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nRH5413-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nHUMMING BIRD\nExquisitely carved figure of a humming bird with extended wing, resting on a high perch.  It was created by Karl Faberge, world-famed court jeweler to Aleksandr III and Nikolai II of Russia.\nFormed in smoky-toned translucent agate, the little figure is modeled with simplicity and fine attention to necessary detail of feathers and expression.  The eyes are set with diamonds.  The perch on which it rests is of 18 kt. gold, the horizontal bar being finished at either end with a cabochon sapphire and a circlet of diamonds.  Where the verticle [sic] rod joins purpurine base, banded and footed in gold in characteristic style of the master, it is encompassed by a collar of opaque and transparent enamel in white and pale tangerine.\nRendered indistinct through the years, are the hallmarks which appear on the under rim of the base.  These include the numeral \"72\" denoting the Russian standard of 18 kt. gold; and the initials \"HW\" for the Court Jeweler's notable workmaster, Henrik Wigstroem.\nThe composition known as purpurine is associated, if not entirely, at least most closely with the work of Faberge.  It was he who discovered the process whereby the fusing of porcelain and glass resulted in the extraordinary rich, red color.  The substance results, more often than not, although in a few of the rarest pieces, such as the one described above, the composition is smooth.\nNumber RH5408-14\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nDACHSUND [sic]\nBeautiful, detailed figure of a dachshund, created by Karl Faberge, illustrious court jeweler to the monarchs of Europe and Asia, and especially to the last two Tsars of Russia.  It is carved in fine, brown agate.\nEach movement of the little body, subtly expressed, contributes to the whole rhythmical form.  The eyes are set with cabochon rubies.\nNumber 5478-5\nMrs. John L. Pratt\nJanuary 10, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG PENDANT\nImperial Russian Easter Egg pendant carved of pink orletz, known as eaglestone, found in the Ural mountains.  It is mounted in gold with an abruptly bent loop pinioned to either side of the top.  Through this passes a second large loop for hanging.\nCreated by Karl Faberge, illustrious court jeweler to the last two Tsars of Russia, it is hallmarked with the initials \"AD\" of one of his workmasters, and with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nIt is from the collection of the Grand Duchess Marie Nikolaevna, third daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5625-3\nMrs. John L. Pratt\nJanuary 24, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCOIN\nLarge commemorative medallion heavily wrought in silver, featuring Queen Victoria of the British Empire on its cover with the inscription \"Victoria Regina Imperatrix\" – Victoria, Queen and Empress.  The back is modeled in relief with figures of Greek mythology, and with shields of the continents massed on the lower edge entitled \"Asia\", \"America\", \"Europe\", \"Austral-Asia\", and \"Africa\".  Marvelously fashioned to conceal all but a vestige of the device by which the hinged lid opens, the piece contains two oval miniatures of Queen Alexandra and King Edward VII of England as Princess and Prince of Wales, hand-painted on ivory and framed with elaborate mounts of gold.  These include the plumed crown of the Prince of Wales and ribbons bearing the inscription \"Ich Dien\" – I Serve, motto significant of the Hanoverian line of the British Royal House.  \nThe cover of the piece is marked with the initials of the artist, \"JEB\".  It is of English workmanship and was made by the firm of \"George Edward \u0026 Sons\", Silversmiths by Appointment to the British Court.  It is contained in the original red velvet case.\nNumber 5450-17\nMrs. John L. Pratt\nJanuary 31, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG\nImperial Easter Egg of rose quartz.  It was polished in the Imperial Grinding Factory in Peterhof which was founded by the Empress Elizaveta Petrovna.  At the larger end is found a magnificent star similar to that of a star sapphire.\nIn Imperial Russia the Easter Egg was of the greatest significance, symbolizing as it did the Resurrection and beginning of life and hopefulness.  During the festival of Easter, the year's greatest elaborate and simple eggs were given by all orthodox believers.\nThis egg of rose quartz was the property of Grand Duchess Olga Nikolaevna, oldest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye, [sic] Selo.\nNumber RH-5332-17\nMrs. John L. Pratt\nFebruary 6, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVIOLET\nJeweled violet fashioned in 18 kt. gold, the diamond-centered blossom naturalistically textured with an overlay of matte enamel, leaves wrought in Siberian nephrite.  Resting in its vase of rock crystal carved to represent a tiny tumbler filled with water, the flowerette [sic] inclines gracefully on its slender stem as if borne to one side by the weight of its petals. \nMady [sic] by Karl Faberge, illustrious court jeweler and in the master's best style, the little fantasy bears the assay mark of London in which city it was found.\nNumber 5756-19\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nPendant charm in the form of an Imperial Easter Egg of gold, applied with champ-leve [sic: champ-levé] ruby enamel on a surface tooled to represent a leaf form, and alternating sections in ultramarine blue enamel.  The four portions are banded with diamonds crossing at the underside and fashioned at the top with a double loop for hanging.\nMade by Karl Faberge, the larger of the loops is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and initials \"BF\" of one of the master's assistants.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent the most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-4\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nDelicately worked Imperial Easte[r] Egg charm of fete-ui mounted in gold and set with diamonds and rubies.  Describing a shower of tiny flower blossoms, small traceries in the precious metal depend rhythmically from a central repousse form at the top.\nTwo loops for hanging are hallmarked with the device of the workmaster \"MP\" for Mikhail Perchin, assistant of the illustrious court jeweler, Karl Faberge; and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nExquisitely hand-wrought small double picture frame of a thin solid slab of Siberian nephrite mounted with motifs of the Empire period.  Above the rectangularly cut apertures, enframed in pearls, is a long floral swag developed in several tones of gold and set with cabochon rubies.  The central design shows a graceful  flower basket which depends from a triple bowknot.  A similarly fashioned classical design with long pole terminating with the traditional pineapple suggestion, is centered with a flowing ribbon.  The squared openings are backed in mother-of-pearl, and the little piece rests on an easel wrought in gold-on-silver.\nCreated by Karl Faberge, it is fully hallmarked with the master's name in Russian; with the numeral \"88\" denoting the standard of Russian silver; the wreathed head device of the government assay office; and Russian initials \"YA\" of the official inspector.\nNumber 5777-8\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nTABLE BELL\nSmall table bell of red gold, designed in cupola form with tapering oval handle.  \nSole ornamentation consists of horizontal ridges which encircle the entire piece.  Producing a musical note as it strikes the side of the bell, the clacker is modeled as an elongated drop.  \nThe little piece was fashioned by Karl Faberge, jeweler to the last two sovereigns of Old Russia, and is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and with the initials of one of the master's assistant goldsmiths.\nNumber 5839-12\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame of a solid slab of translucent jade, mounted in two tones of gold with ornamental border and radiating stripes from an inner oval framework.  Containing the photograph of the small daughter Ireene of Prince Felix Youssopoff, it is exquisitely worked in the best style of the great court jeweler, Karl Faberge.  Mount designs include small four-petaled open blossoms, a twisted cabling and an alternating concantenate [sic] border within the outer edge.  \nDesigned with an ivory and gold back for resting on a table or hanging, the piece is hallmarked with the initials of one of the master's leading assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.\nNumber 5839-9\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nTiny double, gold frame, hand-wrought with incised stylized borders and a tooled ground on which is applied transparent pearl-white enamel.  It contains portraits of Tsar Nikolai I of Russia in uniform, decorated with various orders of knighthood, and his wife, the Tsarina Aleksandra Feodorovna who also wears one of the star orders of the Empire.  Each of the sovereigns is portrayed wearing the blue ribbon of the Order of St. Andrew.  Finely executed, these are set off by interior oval frames in the manner of the border.\nThe object rests on a gold easel and is backed in ivory.\nNumber 5840-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame fashioned to contain a miniature.  Hand-wrought in gold and applied on a guilloche field with transparent enamel in rich cobalt blue, the outer frame is developed in two tones of gold with a running border of leaves, and the inner fillet is bordered in pearls.\nThe piece, made by Karl Faberge, jeweler to the last two Tsars of Russia, is finely hallmarked with the master's full name in Russian; with the initials \"MP\" of one of Faberge's ablest associates, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of St. Petersburg.  The object bears as well the original order number, 58898.\nIt is backed in ivory and provided with a gold easel rest and a loop for hanging.\nNumber 5808-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nKOVSH\nCommemorative kovsh, smoothly modeled in red gold, featuring the Imperial double-headed eagle in diamonds on the prow.  Engraved within the border, fine old Russian stylized motifs are incised on the highly polished surface.  In the base, engraved within a heavy laurel wreath in repousse, a five ruble yellow-gold coin of Catherine the Great bears the Empress' portrait and, on the underside, the date \"1776\".  \nThis rare objet d'art was created by Karl Faberge and executed by his leading gold master, Edward Kolin.  Underside of the prow [lined through] handle bears, together with the jeweler's original order number #4297, the following hallmarks: the initials of the workmaster; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.  \nNumber 5756-18\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCHICK\nBaby chick, skilfully [sic] carved in richly-toned rose jasper with feet modeled in 18 kt. gold.  The eyes are set with cabochon rubies.\nCreated by Karl Faberge with fine expression of form and subtle line, this little object exemplifies the perfection of detail and ingenuous appeal which the master brought to the art of stone cutting.  \nFully hallmarked, it bears the number \"72\" denoting the Russian equivalent of 18 kt. gold; wreathed head of the government assay office; initials \"TL\" of the government inspector; and initials of the workmaster \"HW\" for Henrik Wigstroem.\nPresent also is the original blue enameled number, G21632, under which it was inventoried in the Gatchina Palace.\nNumber 5791-10\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg finely wrought in gold, hand-tooled and overlaid with orchid-pink champ-leve[sic: champ-levé] enamel and set with diamonds and a cabochon emerald.  Fashioned in panelled [sic] form, with diamond bands separating the enameled portions enhanced each by a stylized spray of gold laurel, the cabochon gem stone is featured in the based enframed [sic] in diamonds.\nIt was designed by the celebrated court jeweler, Karl Faberge.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nHandsome Easter Egg pendant of gold designed with oval medallions mounted with minute flower forms.  These, pointed with pearls and diamonds, are enhanced by vibrant enamelling [sic] in grotto green and old red.  Opaque white borders each of the four medallions.  The base is finished with a tiny pearl and the top with two loops for hanging.\nMade by Karl Faberge, both of these bear hallmarks including the numeral \"56\" denoting the Russian equivalent of 14 kt. gold and insignia, obscured, of the workmaster.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-5\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg charm designed as a locket to open by means of pressure on the tiny diamond thumb piece set in the base.  Of gold, overlaid with opaque white enamel streaked with swirls of pink to represent a rosebud, brilliant green enamel on a guilloche ground forms intricate patterns in repousse over the bud form to suggest the tendrils of a wild rose.\nIt was created by Karl Faberge, Russian court jeweler, and executed by one of his most illustrious assistants, Mikhail Perchin, who initials, in Russian, appear on the larger of the two loops.  Present also, but nearly obliterated through wear, is the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg charm of gold and sky-blue enamel set with a piece of rose quartz cut en cabochon.  Girdled with a fine gold band, the upper portion, terminating in a point, is hand-tooled beneath the enameled surface in delicate basket weave pattern.\nSurmounted with loops for hanging, the larger of the two is hallmarked with [in right margin a circle with slash through it and capital \"A\"; next text up to semi-colon appears to be lined through] the name of the Russian court jeweler Karl Faberge; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and certain other marks, partly obliterated through wear.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 6201-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOBSTER CHARM\nUnique charm modeled in gold and applied with transparent lacquer-red enamel on a tooled field, in the form of a lobster claw.  Characteristically jointed, the pincer end holds a faceted diamond in a prong setting.  It is surmounted by double loops for hanging.\nOriginally designed as a stick pin, this interesting charm was made by Karl Faberge, jeweler to the late sovereigns of Russia.\nNumber 5870-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK","LOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\nLOT #505 – ART. 6\nMARINE PAINTING ON CANVAS\n\"THE AMERICAN PACKET SHIP 'DREADNOUGHT'\nOF NEW YORK\".\nBy: James Wilson Carmichael\nENGLISH-1800-1868\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg, Va.\nFebruary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nMINIATURE IN FRAME\nSmall, round, gold frame by Faberge, wrought in exquisitely delicate form and ornamented with haut-relief floral swags, a spray of laurel and a graceful bowknot.  It contains a beautifully painted miniature on ivory of the late Queen Alexandra of England, sister of the Dowager Empress, Marie Feodorovna of Russia.  This is immediately enframed [sic] within a rim of red cisele [sic] gold, and an outer gold rim is finely engraved to finish the piece.\nProvided with a modeled gold easel and with a loop for hanging, the little bibelot of backed in ivory held by gold screws.\nIt is one of the characteristically superior works of the famed Russian court jeweler, Karl Faberge.\nFrom the collection of Prince Youssopoff.\nMrs. John L. Pratt\nFebruary 26, 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nFLORENTINE RENAISSANCE BUST\nLorenzo the Magnificent gave to the period of the Renaissance such impetus and encouragement that they served as the brush [??] which [??] the renewed interest in Classical Art.\nLorenzo had his faults, but his love for gems and jewels was less a fault than a talent, for he gathered together one of the finest collections of carved stones and exquisite jewelry ever to be owned by one man, and because he was a collector of Classical Art, others imitated him and followed his example, thus creating a market for the lapidary and goldsmith's work which has never been equalled. [sic]\nA development from this effort to create unusual pieces of jewelry and decorative objects was the use of large baroque pearls in their natural form.  The jeweler eagerly bought these pearls and after recognizing in one the body of a swan, in another the torso of a man, or, as in the figure of the warrior, a well-molded [?] helmet, he proceeded to make a design that completed the picture which his imagination visuallized [sic] with the pearl.\nIt is interesting, therefore, in contemplating the beautiful statuette of the warrior, that the helmet-shaped pearl was in all possibility the inspiration for the subject.\nWe do not know for what aristocrat it was made; we simply know that only a man of fine taste and great wealth could have commanded such a piece from his artisans and that the latter were among the best of the Renaissance period.\nThe best is that of a bearded Greek warrior carved from a large matrix emerald, showing fine detail in portrayal and in execution; on the head the warrior wears a gold helmet covered with the pearl and topped with a winged dragon; the bust stands on four golden snails [??] and is brightened about the [??] with rose diamonds.  The plinth is of topaz quartz carved in cameo [??] with heads of warriors and a philosopher.\nThis piece was formerly a part of the well-known Henry Walters Collection.\nLillian Pratt\nJanuary, 1945","Transcription: \n[double-headed eagle]\nArticle #5324\nA nine-paneled, hinged screen closes to form this exquisite egg of solid gold.  Surmounting it is the symbol of Christianity, a pelican feeding her blood to her young, rising gracefully from a golden nest.  The pelican is enameled in pastel tones – the wings and eyes being set with diamonds.  On each panel is a painting by Zehngraf, on ivory, showing various institutes of which the Dowager Empress Marie Feodorovna was the patroness.  A fillet of gold, with an inner rim of pearls, frames each scene.  On the reverse side, reading from left to right, the panels are inscribed as follows:\n1 – \"Zenia Institute, founded in 1894\".\n\"Nicholai Orphanage, founded 1837\".\n2 – \"Patriotic Institute, founded 1827\".\n3 – \"Smolni Institute, founded 1764\".\n4 – \"Ekaterina Institute, founded 1798\".\n5 – \"Pavlov Institute, founded 1798\".\n6 – \"St. Petersburg Orphanage of Nicholai, founded 1837\".\n\"Elizabeth Institute, founded 1808\".\nA center panel which serves as an easel for the egg when opened is chased on one side with a grouping symbolic of the arts; and on the other side with a motif suggesting knowledge.  When closed, the egg shows an elaborate design in Empire style and bears the inscription \"Visit the vineyard and you will also live, 1797-1897\".\nThe gold stand has four columns surmounted with crowned eagle heads and finished with claw feet.  Between the columns is an interesting design made up of crossed arrows and laurel leaves.  This gift, contained in its original red velvet case, was created by the celebrated court jeweler to Nicholai II, Carl Faberge, and hallmarked with his full name; the initials of his leading workmaster Michael Perchin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the government assay office.\nIt was presented to the Dowager Empress by her son, Nicholai II, Easter 1897.\nMrs. J. L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nTABLE\nOval tea table of mahogany with mirror and fine silver chased mountings.  A small oval tray, with pierced marquetry can be raised or lowered by regulating a latch beneath the table.\nThe silver mountings were made by the celebrated court jeweler to Nikolai II, Karl Faberge, and are designed in his typical Roman staff and ribbon motif.  The table itself was made in Paris by Escalier De Cristal, whose name is burned in the bottom.\nFrom the personal quarters of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5454","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle Nos. 5523-5524\nPair of icons depicting Saint Savior and \"Our Lady of Iberia.\"  They are painted on wood in warm coloring with artistically wrought trappings of gold on silver, set with Ural stones.  The Greek symbols on either side of the halos signify Jesus Christ and Mother of God respectively.\nThey were made by the court jeweler, Karl Faberge, master craftsman and designer and are all marked with his full name beneath the Double-headed Eagle of Royal Appointment, and the figures \"88\" which denote a very high quality of Russian silver.  The icons are backed with cerise velvet and are contained in the original boxes of Holly wood, lined with silk and velvet and are also marked with the name of the court jeweler.\nThese icons were made for the last Czar, Nicholai II, and were found in his quarters in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5846\nIcon of hand-hammered gold on silver depicting Saint Maria, Saint Nicholas, the Wonder Worker, and Saint Alexander Nevsky.  God the Father is represented in the Heavens above.  The oval frame is mounted at the top with the Holy Dove.\nThe icon was presented to the Czarevitch Nicholai Alexandrovitch, eldest son of Alexander II, who died before his father, thus permitting his younger brother, Alexander III, to succeed to the throne.  On the back of the icon is engraved: \"To His Imperial Highness, The Sovereign Heir, Czarevitch Nicholai Alexandrovitch, in honor of his confirmation, 1859.  8th of September.  This heartfelt offering from the Master of Silversmiths, Vasily Fedotov Ilyia, made by his own hand.\"\nFrom the quarters of the Dowager Empress Marie Feodorovna.  Bears the Alexander Palace inventory no. ADM 94735 A.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A68\nExtremely rare icon pendant with gold on silver mounting.  The medallion is very delicately hand-hammered and inlaid with richly colored enamel representing the Saint Savior Enthroned.  The Greek symbol of Jesus Christ appears on either side of the halo and the opened book bears the invitation \"Come Unto Me etc.\"  The frame is composed of hundreds of pearls. On a separate medallion above is engraved the Holy Vernicle.  The back of the pendant is engraved with the symbols of Jesus Christ.\nFrom the Prie-Dieu of the Czarina Alexandra Feodorovna, wife of the last Czar, Nicholai II, in the Imperial Chapel of Feodorovna at Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A105\nIcon of unusual shape, hand-hammered, chased silver.  Represented are Saint Nicholas in the center, Saint Alexander on the left and Saint Alexis on the right.  These were the patron saints of the last Czar, Nicholai II, his wife, Alexandra, and his son, Alexis.  In the mounting are represented two Guardian Angels holding the crown, surrounded by lovely garland effects and set with green Ural stones.\nThis icon was made by the Court Silversmith, Klebnikov, and bears his full name below the double-headed eagle of Royal Appointment.  The figures \"84\" denote the Russian equivalent of Sterling silver.\nFrom the cabinet of Nicholai II in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. H3825\nUnique cheese spoon of gold on silver in grapevine design, while a crown in relief forms the end of the handle.  Below this crown appears the coat-of-arms of Prince Yousoupoff on one side and his family monograph on the other.  It was made in England, circa 1847.  From the Yousoupoff Palace on Moika Canal in St. Petersburg.  \nThis Prince will be remembered for the prominent part he played in the assassination of Rasputin, the monk who wielded such influence over the last royal family of Russia.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nEaster Eggs\n1. Emerald enameled egg, presented by Czar Nicolai II to his mother, The Dowager Empress Maria Feodorovna, in 1912.  The Empire design of the egg was to commemorate the 100th anniversary of the war of the fatherland against Napoleon.  The folding screen of miniatures, which fits into the egg, shows the regiments of which she was honorary Colonel-in-Chief, which regiments were active in War of 1812.  \nHeight including stand, 7\".\nDiameter, 4 ½\"\nScreen opened measures 2 ½\" x 12 ¾\"\n2. Ruby enameled egg presented by Czar Alexander III to his wife Czarina Maria Feodorovna in 1893.  Has four miniature views of the Caucasian mountainside, and their son, Grand Duke George who had to live in high altitudes due to his ill health.  \nHeight 6\" including stand\nDiameter 3 ½\"","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nIMPERIAL RUSSIAN EASTER EGG\n*1896*\nPresented by the Tsar Nikolai II to his wife, the Tsarina Aleksandra Feodorovna, at Eastertide in the year of their Coronation in Moscow, the magnificent Imperial Easter Egg is rock crystal and gold inlaid with rare champleve enamel and set with gems is one of the monumental works of the illustrious Russian Court Jeweler, Karl Faberge.  One of the fabulous forty-nine jeweled Easter gifts in the form of eggs symbolic of New Life, Resurrection and Hopefulness, received by the Empresses Maria Feodorovna and Aleksandra Feodorovna at the height of the Easter Festivals, the rock crystal egg is surpassed by no other one of the artist's creations, and it is said that neither is it equaled in purity of form and adroit workmanship by any of the other jeweled eggs.\nFashioned in a block of rock crystal hollowed to remarkable thinness, banded in diamonds and translucent emerald enamel, it is surmounted with a twenty-seven carat Siberian emerald cut en cabochon and pointed.  It is mounted on a pedestal of gold inlaid with brilliant varicolored enamel wrought in a series of monograms of the recipient as the Princess Alix of Hesse-Darmstadt before her marriage, and later as Aleksandra Feodorovna, Empress of Russia.  Above these appear diamond crowns of the respective royal houses, and narrow diamond borders enframe the spheroidic steps of the pedestal which rises from a circular stepped base in rock crystal.\nWithin the egg, twelve handpainted miniatures on ivory, signed, by Zehngraf, framed in gold and controlled by the emerald at the apex, revolve on a gold columnar axis.  These, of the royal residences in Germany, England and Russia associated with the life of the Tsarina, include views of palaces in and near Darmstadt, Hesse, such as the Neue Palais at Darmstadt and Kranichstein in Hesse; Rosenau, Coburg; Balmoral and Windsor Castles and Osborne House in the British Isles; the Winter, Anitchkov and Aleksandr Palaces of Russia.\nFully hallmarked, the object bears the master's name in Russian, the Russian initials \"MP\" for Mikhail Perchin, one of Faberge's chief assistants – himself a creative artist in precious metals and a person of singular ability; the numeral \"56\" which is the Russian equivalent of fourteen karat gold, and the crossed anchors and sceptre device of the St. Petersburg assay office.\nThe overall height of the rock crystal Easter egg is 9 ¾ inches.  It is contained in the original case of velvet, lined in satin and stamped with Faberge's insignia.\nLillian T. Pratt\n[Small typescript note attached]\nNOTE: SEE PHOTOGRAPHS OF MINIATURES IN INSIDE OF CRYSTAL BALL OF RUSSIAN IMPERIAL EASTER EGG.  THE WRITING ON THE BACK OF THE PHOTOGRAPHS WHICH GIVES LOCATION OF THE RESIDENCES IS SAID TO BE THE HANDWRITING OF QUEEN MARY.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Osborne House, Isle of Wight, England, and on the right is Neues Palais, Darmstadt, Germany.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Schloss Wolfsgarten, near Darmstadt, Germany, and on the right is Windsor Castle, near London, England.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Anichkov Palace, St. Petersburg, Russia, and on the right is Winter Palace, St. Petersburg, Russia.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Jagdschloss Kranichstein, Darmstadt, Germany, and on the right is Fortress Coburg (Veste Coburg), Germany.","Transcription: \nPhotograph of the daughters of the Czar Nicholai II in a silver frame made by Faberge, the court jeweler. The blue cross signifies the order of St. Andrew. From the Alexander Palace.","Transcription: \nLinen handkerchief with wide border of brown and blue elephants. Hemstitched and embroidered with monogram of Marie Feodorovna, Dowager Empress of Russia. From the Anitchkov Palace.","Transcription: \nSolid gold column. Decorated with a fine wreath design in green gold with a laurel wreath carrying the suspended miniature of Nicholai II surmounted by a crown set with diamonds. Presented to the Czarina Alexandra Feodorovna on her birthday in 1907 by Nicholai the Second. Made by court jeweler Fabergé.","Transcription: \nSilver plaque presented to the Dowager Empress Marie upon completion of a church built to commemorate the miraculous escape of the entire Royal Family, when the royal train was wrecked. Inventory no. 23677","Transcription: \nIcon delicately painted on wood and mounted with a silver trapping set with seed pearls in Byzantine design, on a background of green enamel. \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The Commandment of the New Day - \"Love Thy Neighbor as Thyself\". It is backed with red velvet. It was made by the court jeweler Fabergé whose name it bears. It is marked with the figures \"88\" which denotes the highest quality of Russian silver. From the quarters of Nicholai II in the Alex. Palace, Tsarskoye Selo. Inventory no. 12-31-33.","Transcription: \nSilver Teapot, bears the crown and monogram of Alexander III. Made in 1891 by Michelson of Copenhagen, Danish court jeweler. From the Gatchince Palace. No. 6136","Transcription: \nHeart-shaped box, made by the famous court jeweller - Fabergé -","Transcription: \n[Crown]\nMARLBOROUGH HOUSE\nS.W.1.\nDear Mrs. Pratt\nI am commanded by Queen Mary to convey to you Her Majesty's grateful thanks for the travelling clock which was a gift from Queen Victoria to Princess Alix.  The Queen very much interested to have it and touched that you should have given it to Her.  The Clock will be put among family relics.\nYou will have read of the terrible motor accident Her Majesty has been in.  I am thankful to say she is getting over the effects wonderfully well, it is amazing that the Queen was not seriously injured and indeed that no one was badly hurt.\nYrs sincerely \nConstance [?] Gaskell\nMay 27 39","This series is comprised of information about Pratt's estate after her death on July 21, 1947. The estate tax return outlines the extent of her entire estate, including the varied philanthropic bequests and funds she had arranged. Detailed inventories of the estate list her belongings by category. One of the paintings lists was annotated by a local appraiser, Virginia Clarke Taylor, denoting which paintings were \"antiques\" or not. Finally, there are many price tags from other non-Faberge purchases she made over the years. Most are from the New York department store B. Altman and Company, and detail her acquisitions of silver, lamps, fabric, vases, paintings, and other decorative items.","The series is divided into three subseries: Series 3.1: Tax Information, 1947; Series 3.2: Inventory, 1947, undated; Series 3.3: Other Furnishings, 1932, undated.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nSpecial Order\nDept. 93\nOrder 26583\nTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO \nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 149322","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 159619","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nB. ALTMAN \u0026 CO.\nSALON of Antique Furniture\nAnd Works of Art\n#101/4062/D\nAntique Cork\nCut Glass\nComport [sic: Compote]\n$155.00","Transcription: \nGallery of Antiques\nAnd Collectors Pieces\n#353/13122\nDescription\nSilhouette Painting on\nGlass\nPrice $65.00 [crossed through, replaced with $35.00]\nB. Altman \u0026 Co.\nFifth Avenue New York","Transcription: \nB. Altman \u0026 Co.\nS 1108\nFinest Milanese\n17th Century\n1 yd 31 in\nfor\n95.00 [crossed through]\n78.00 [crossed through]","45 00","Transcription: \n[Front]\nTreasure Trove\nNo 16/640\nTerracotta Urn\nPrice 150.00 [crossed through]\n85.00\nB. Altman \u0026 Co.\nNew York","[Back]\nB. Altman \u0026 Co. New York\n60\n25.00\nOver Treasure Trove tag","Transcription: \n[Front]\nNo. 94/203\nBRONZE URN\nPrice 395.00 [crossed through]\n300.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] \nBack of Treasure Trove tag with B. Altman \u0026 Co. New York tag \n45.00","Transcription: \n[Front]\nNo. 94/407\nBRONZE BUCKET\nPrice 350.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag with sticker B. Altman \u0026 Co. New York\n50.00","Transcription: \n[Front]\nNo. 100/14\nJADE LAMP W/ SHADE\nPrice 225.00 [crossed through]\n165 –\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 100/101\nLAPIS LAZULI LAMP \u0026 SHADE\nPrice 375.00 COMPLETE [crossed through]\n225.00 [crossed through]\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 139/10211\nPOMPEIIAN BRONZE TRYPOD [sic]\nPrice 265.00 [crossed through]\n180.00 [crossed through]\n35.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag, Sale","Transcription: \n[Front]\nNo. 139/12015\nPOMPEIIAN BRONZE VASE\nPrice 275.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag [$45.00?]","Transcription: \n[Front]\nBloor Darby Long Tom Vase over 100 years old\nB. Altman \u0026 Col. New York\n[Back] Altman Lamps tag","Transcription: \n[Front]\nOld Colebrookdale Vase made in England\nB. Altman \u0026 Co. New York\n[Back] Altman lamps tag","Transcription: \nT 52\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. 13 /B – Odd\nPrice 14.00","Transcription: \nT 52A\nM 98\nB. ALTMAN \u0026 CO.\n63/2398\n[Sheff Repe ?] Candlesticks 1 Pr\nPrice [46.00?] P R","Transcription: \nT 52-A\nB. ALTMAN \u0026 CO.\nS 93C\n191\n16\"\n11.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nS93C\n191\n16\"\n11.00","Transcription: \nT52\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 97/5043\nColor\nPrice 82.50","Transcription: \nT52\nA4 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 2127\nPrice 70.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nW5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor Special\nPrice 40.00","Transcription: \nT52\nA 93\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 44718\nColor TL\nPrice 50.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52-A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/034F\nMade in London\nYear\nBy  Mug\nPrice 145.00 [lined through], 95.00 [lined through], 50.00","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7514\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 150.00 [lined through], 85.00, 42.50\n[Back]\nDEPT 75 X B","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7515\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 110.00 [lined through], 65.00 [lined through], 32.50\n[Back]\nDEPT 75 XB","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7524\nMade In London\nYear 1813\nBy\nTea Pot\nPrice 130.00 [lined through], 90.00 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7545\nMade in 1776\nYear Geo III\nBy\nBasket\nPrice 150.00 [lined through], 80.00 [?], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7547\nMade in London\nYear 1773\nBy\nSugar Basin\nPrice 120.00 [lined through], 75 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7555\nMade in\nYear Geo III\nBy 1767\nPr. Candlesticks\nPrice 200.00 pr. [lined through], 120.00 [lined through], 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 319/2182\nMade in\nYear\nBy Pair\nSheffield [lined through] Candlesticks\nPrice 275.00 [lined through], 200.00 [lined through], 100.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld English Sheffield Plate\nNo. 321/140\nArticle Pr Adam Candlestks [sic]\nPeriod Sheffield\nPrice 425.00 [lined through], 210.00 [lined through], 100.00","Transcription: \n[Front]\nNo. 12/953\nLustre\nPrice 225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 written over \"B\"; 725 in margin]\n[Back]\nTreasure Trove","Transcription: \n[Front]\nNo. 12/953\nLustre\n225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 and 725 written on front as well]\n[Back]\nTreasure Trove","Transcription: \nNo. 12/989\nCrystals\n$650.00 Pr.\nB. Altman \u0026 Co.\nNew York\n[Back]\nTreasure Trove","Transcription: \nTreasure Trove\nNo. 97/5043\nCIG. BOX\nPrice 225.00 [lined through]\nB. Altman \u0026 Co.\nNew York\n[R829 written over company name at bottom]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n5203\n25.00 [lined through]; 5.40 [?] 2 Doz. [?]\nCluny \u0026 Bohemian Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n[company name written over with 1 Doz. [?]]\n10346\n85.00 [lined through]; 30.00\n[?]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n1 Doz.\n10640\n28.00 [lined through]; 15.00 [?]\nBruges Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11370\n¬all\n85.00 [lined through]; 30.00","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11696 1/2\n65.00 Dz. [lined through]; 24.00 Doz. [?]\nRt [?] Milan Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n12875\n55.00 Dz. [lined through]; 18.00\nPt. [?] Milan","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n13698\n145.00 [lined through] all; 42.00","Transcription: \nB. Altman \u0026 Co.\nNew York\n165.00 [lined through]","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 150.00","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 145.00","Transcription: \n[Front] Miller \u0026 Rhoads\nRICHMOND, VA.\nNo. 393B2\nMfr. C1004 – C3004\nArticle Junior\nPrice Lamp Complete\n17.95\n[Back] W. \u0026 J. Sloane\n47th \u0026 5th Ave\nN. Y. City","Transcription: \n[Front] Antiques\nReproductions\nDecoration\nLord \u0026 Taylor\nFIFTH AVENUE, NEW YORK\n[Back] CLASS E-10  \nSEA 0 \nLOT 2212\nFramed English Sampler\nPRICE $95.\nLength – Width – Height","Transcription: \nOld Silver\nTray\nHall Marked\nLondon 1817\nWm. Elliott\nJ.E. CALDWELL \u0026 CO.\nPHILADELPHIA","Transcription: \nSauce Boat\nHall Mark\nLondon 1763\nMakers\nJ. Parker \u0026 E. Wakelin","Transcription: \nM106\nMcCutcheon's\nUpholstery Dept.\nS91\n35.00 [lined through]; 14.50\n37 over 5502over T.A.C.M.","Transcription: \n[Front]\nPatt. 236\nSize 2 7[?] x 5 \nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 236\nSize as \nSeason S","Transcription: \n[Front]\nPatt. 237-E\nSize 2  9 x 5  4\nQual.\nPrice 86.00 [lined through]\n[Back]\nLot 237-E\nXS as \nSeason K","Transcription: \n[Front]\nPatt. 243\nSize 2 10 x 5 6\nQual.\nPrice 235.00 [lined through]\n[Back]\nLot 243\nX S as \nSeason H [?]","Transcription: \n[Front]\nPatt 286\nSize 3 4 x 5 10\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 286\nX S as \nSeason S","Transcription: \n[Front]\nPatt. 295\nSize 2 2 x 5\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 295\nX S as\nSeason K","Transcription: \n[Front]\nPatt. D1215\nSize 9 x 11\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D. 1215\nSize as\nSeason M","Transcription: \n[Front]\nPatt. D.1234\nSize 9 x 11 5\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D.1234\nX S as\nSeason P","Transcription: \n[Front]\nPatt. D. 1361\nSize 2 6 x 4\nQual.\nPrice 250.00 [lined through]\n[Back]\nLot D. 1361\nX S as\nSeason T","Transcription: \n[Front]\nPatt. D. 1369\nSize 2 7 x 6 8\nQual.\nPrice 675.00 [lined through]\n[Back]\nLot D. 1369\nX S\nSeason W","Transcription: \n1353\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\nand Richard Sibley\nEM9","Transcription: \n1353B\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\n\u0026 Richard\nSibley\nRRM","Transcription: \n4537\nPair\nOld Sheffield\nwine coolers\ncirca 1800\nRGG","Transcription: \n[Front]\n307\nColor\nWidth\nPrice $28.50\n[Back]\n#427","Transcription: \nKEA\nOld English\nSheffield Plate\nArticle pr. Candlesticks\nNumber 2398/L\nPeriod Circa\n1850","Transcription: \n[Front]\n10679\nGeo. III\n[lion \u0026 unicorn]\nAntique Sheffield Plate\nMade in\nENGLAND\nA.D. 1800\nBy\nWeight\n[Back]\n#10679\npr. three-light\nCandleabra [sic]\nFluted and \nGadroon border\n16 ½\"","Transcription: \n301/7523\nGeo. III\nDesert [sic] Set\n18 K. + 18 F.\nPrice 340.00 [lined through]; 200.00 [lined through]; 100.00","Transcription: \n[Front]\nN. 2886\n[Back]\nROYAL WORCESTER","Transcription: \n2002\n$20.00 (b)\nGeorgian\nMA","Transcription: \n[Front]\nPatt. 1244\nSize 8 10 x 11\nQual.\nPrice 1750.00 [lined through]; 500.00\n[Back]\nLot D1244\nX S as\nSeason R","Transcription: \n[Tag 1 Front]\nNo. of Sale\nNo. of Rug 39032\nLength 20 feet 3 inches\nWidth 13 feet 4 inches\n[Tag 1 Back]\nTurfbaff\n[Tag 2 Front]\nSOLD\nName Pratt\nSalesman\nDate 2-26-32","Transcription: \nS. \u0026 G. GUMP CO.\nSAN FRANCISCO, CAL.","Antique French miniature musical watch and vanity box in the form of a butterfly. Exquisite variegated colored enamels have been imposed on the gold body.\nThis box was a gift from Louis XVI to the Chinese Emperor Chien Lung.\nFrom the collection of the late Mrs. Mabel L. Gump.","S. \u0026 G. GUMP COMPANY","This series is comprised of the few clippings that were found in the collection. As none of these particular clippings were mentioned in the correspondence directly, it's possible that they did not originally belong to Pratt. The photographic copies of some of the articles were obviously made much later, but were retained as they may have been copies of articles Pratt once kept.","Transcription: \nThalhimers cordially invite you to view this extraordinary exhibit of Royal Russian Treasures","This remarkable assemblage of Russian treasures were collected by two intrepid young Americans, Dr. Armand Hammer and his brother, Mr. Victor Hammer. It's the first important collection to come out of Russia since the Revolution. Be sure to see it. ","All Articles are for Sale\nRoyal Crown Jeweled Objects\nIcons from the 15th Century\nAntique Fabrics and Brocades\nCopes and Chasubles\nSilver, Porcelain and Glassware","FIFTH FLOOR","Thalhimers","Transcription: \nCzarist Treasures to Be Seen In the Lobby of Jefferson Hotel","Part of $500,000 Collection Is Removed From Thalhimer's Store Under Heavy Police Guard; Interesting Relics Attract Attention","Czarist treasures, including personal possessions of Catherine the Great, a bracelet of \"Titiana,\" the young grand duchess murdered by the Bolshevists, and pictures of the Grand Duke Boris, \"handsomest officer of the Imperial Russian Army,\" were taken yesterday from the main collection at Thalhimer's and placed on exhibit in the lobby of the Jefferson Hotel. Although only a small portion of the 500,000 collections, which has been on exhibit at the store during the past week, and may be seen there through Thursdays, was moved to the hotel. Miss Alva Lowry, who is traveling with the exhibit, was provided police protection to ensure the safety of the relics.\n[...]\nThese, however, pale into insignificance beside the main collection, reigned over by the diamond-mounted miniatures of the last Czarevitch in its lapis lazuli Easter egg. The gold-mounted diamond-studded egg wtih its contents was the $50,000 Easter gift of the last Czar to the Czarina on Easter, 1912. ","When brought to The Times-Dispatch to be photographed, the $50,000 egg was guarded by Patrolman William H. Southward, who acted as escort for Miss Lowry on the trip to the Jefferson.\n[...]","Transcription: \nNEW YORK EVENING POST. TUESDAY, JANUARY 3, 1933\nRomanoff Jewels Exhibited Here\nArt treasures of former rulers of Russias on display today. (Picture on left is by Parade Studios, Inc.)\nROMANOFF GEMS, ART SHOWN HERE\nCollection of Dr. Armand Hammer Includes Ikons of 14th Century Russia\nBy AARON MARC STEIN\nThe largest collection of jewels and other personal possessions of the Romanoffs, formerly rulers of all the Russias, ever to be shown in America, has been placed on exhibition in the Georgian Room at Lord \u0026 Taylor's. The collection will have its private showing this afternoon and will be opened to the public tomorrow. \nIkons dating back to the fourteenth century, other sacred images in which each nimbus is incrusted with gems, furniture, porcelains, brocades and the fabulous jewels that were one of the oriental or medieval characteristics of the Russian Imperial Court, are included in the collection, formed by a young American doctor who searched village market places for relics of imperial glory. \nThe doctor was Armand Hammer, M.D. It was a very new M.D. conferred on him by the College of Physicians and Surgeons of Columbia University, and the young physician set out on an errand of adventure and mercy. He organized a relief expedition which reached Russia in 1921. Civil war had hardly ended, and in the Urals Dr. Hammer found famine sweeping the country.\n[…]\nAnother of these eggs is of lapis lazuli covered with an elaborate gold filligree. Approximately the size of an ostrich egg, it is lavishly jeweled and set with a square flat diamond into which is cut the monogram of the Empress and the date. This egg was the gift of the late Czar to his wife. When opened this egg contains a double eagle set with diamonds and a miniature portrait of the Czarevitch, done in the full round. The bust portrait of the little Prince in his sailor suit is handled in a naturalistically life-like manner. \n[…]","Transcription: \nNEW YORK HERALD TRIBUNE, TUESDAY, MARCH 3, 1936\nGrand Duchess Victoria Dead; Lived as the 'Empress of Russia'\nSister of Queen Marie and Cousin of George V, Victim of Stroke Near Munich \nBy The United Press\nMUNICH, Germany, March 2.— Grand Duchess Victoria Feodorovna, wife of Grand Duke Cyril of Russia, head of the Romanoff family and self-described Czar of All the Russias, died today of an apoplectic stroke at the castle of her daughter, Princess Maria von Leiningen, in Amorbach, Lower Franconia. She was fifty-nine years old.\nThe Grand Duchess, a sister or Dowager Queen Marie of Rumania and a first cousin of the late King George V of England, will be buried in Coburg, Germany, where she and the Grand Duke have maintained a court since 1924. King Carol of Rumania and representatives of King Edward VIII and of Marie, the Queen Mother of Jugoslavia, will attend.\nTen days ago the Grand Duchess was stricken with pneumonia when she went to the bedside of her daughter, who had just given birth to a son. As soon as her condition became grave her three sisters, the Dowager Queen Marie; the Princess of Hohenlohe-Langenburg, and the Infanta Beatriz of Bourbon-Orleans, hastened to Amorbach.\nThe Grand Duke Cyril, a cousin of the late Czar Nicholas II, who was on a holiday in his retreat in Brittany, also rushed back to Germany, arriving soon before his wife's death. He telegraphed the news to the various courts of Europe. Today the court of Jugoslavia, by decree of King Peter II, ordered a month of mourning.\n[…]","Transcription: \nTHE NEW YORK SUN, SATURDAY, OCTOBER 16, 1937\nANTIQUES\nFaberge Royal Craftsman\nExamples of His Work Include Silver Service and Translucent Enamels.\nBy ETHEL WALTON EVERETT.\nA sumptuous silver tea and coffee service by Carl G. Faberge, the Russian Court jeweler, made for the Grand Duchess Alexandra Josephovna, has just been put on exhibition in the Schaffer Collection of Russia Imperial Art Treasures.\nCommissioned as a silver-wedding anniversary present, it bears the initials \"A. J.\" of the Grand Duchess and engraved facsimile auto graphs, \"Olga,\" \"Vera\" and \"Dmitri.\" In addition to samovar, drip bowl and rounded, rectangular tray; coffee and tea urns, sugar container and creamer, with large oval tray; matching items include one dozen spoons, tea strainer, lemon fork, tea scoop and sugar tongs. Every piece is of extreme grace and beauty, difficult to achieve with the classical design used.\nThe collection has a comprehensive showing of Faberge's translucent enamels, with examples of his delicate tones of palest almond green, claire de lune, lustrous \"pearly white,\" lavender, and a pale, bright color exactly like the polished birchwood for which Russia is famous. The enamel is combined with chased and chiseled gold and silver, in photograph frames of various shapes, cigarette boxes, candlesticks and other pieces, many set with jewels, and the majority having his signature.\nOne of the last named is a cigarette box of heavy polished gold, with translucent enamel of pale peacock blue, having narrow gold borders, ornamented with a delicate leaf and flower design in gem-like emerald green and ruby red. Deep royal blue and pale salmon pink are used for other cigarette boxes.\nAmong the larger enameled pieces are a pair of candlesticks claire de lune, on silver, with gold tops, bases and feet, richly chiseled, and with delicate gold swags, set with jewels. The same claire de lune enamel and harmonizing swag design appear on the handle of gold seal with the crown and monogram \"TH\" of the Grand Duchess Tatiana, with six diamonds set in the green and yellow gold decoration.\nThe seals are varied in character. Bearing the crown and \"AH\" monograms of the Czar, is one with handle of plain, polished ivory, with a very simple design in the gold band which holds the dark gray agate seal. Another is an attractive little cylinder of pure white polished crystal, with engraved crown and \"NB\" initials. The ornamentation is like a guard ring, a band of small, square rubies, between two bands of tiny diamonds. \n[Image of candlestick with enamel and gold mountings. Caption:]\nOne of a pair of candlesticks by Faberge of pale blue translucent enamel on silver with gold mountings shown by Schaffer Galleries.\n[Image of silver samovar]","This series is comprised of items related to the Pratt collection that were transferred from the Curatorial department. Items found in the object records include early photographs of items from both Hammer Galleries and the Schaffer Collection, photographs of the Russian imperial family, as well as a statement of account from Hammer and the first complete list of the collection after its arrival at the museum in 1947.","Description: \nIn a publicity shot that was circulated to newspapers, Rosamond Fulmer leans on a counter behind ten imperial Easter eggs on display at Hammer Galleries. Several icons can be seen hanging on the wall to the right behind Fulmer.","Description: \nBack of silver triptych icon with an engraved inscription within a laurel crown. Translated from the Russian, it reads: \"Blessing of the Preobrazhenskii Regiment. June 3rd, 1884. A new commandment I give unto you the ye love one another as I loved you. (St. John, Chapter 13, Verse 34)\".","Description: \nCover of silver triptych icon with a Greek cross surrounded by finely detailed leaves.","Description: \nSilver triptych icon featuring paintings of the Transfiguration in the center, St. Elizabeth standing in the left side panel, and St. Sergius of Radonezh standing in the right side panel. Each panel is surrounded by an elaborate patterned border.","Description: \nTriangular silver picture frame with geometric enamel background. Central circular cut-out is bordered in pearls and features an image of Alexandra Feodorovna.","Description: \nBack of silver diptych icon. One side has an engraved inscription that indicates that it was presented to Nicholas II and Empress Alexandra by courtiers. The other side features an elaborate scroll work design and studded with ten turquoise, garnets, and pearls.","Description: \nSilver diptych icon featuring paintings of Princess St. Alexandra on the left and St. Nicholas the Miracle Worker on the right. Each painting is bordered with pearls and the top of the icon is curved like an arch.","Description: \nRock crystal parasol handle with the head of a dog etched and enameled inside the crystal ball. The base of the handle is studded with small gemstones.","Transcription: \nAKRON STUDIOS\n232 EAST 42nd STREET\nNEW YORK CITY","TO Russian Imperial Treasures\n15 W 50th St\nAtt Mr Schaefer [sic]","Photographs - Do Not Bend","Description: \nSmall pencil drawing of a decorative stand for the Red Cross Easter Egg. It is unknown who the artist is, but the drawing does resemble the gold stand currently used by the museum to hold the egg. The rusted imprint from a paperclip can be seen at the top left.","Transcription: \n[In process]","Transcription: \n[In process]","Description: \nBlack-and-white postcard featuring a single image of the Rock Crystal Easter Egg.","Description: \nGroup portrait of 29 members of the Russian Imperial Romanov family and royal relatives from Denmark, Sweden, Norway, England, and Greece on the steps of the palace at Fredensborg, Denmark. Seven children, all dressed in white, appear in the first row, with 22 adults behind them.","Transcription: \nFamily Group taken in Bernstorff, Denmark, after the death of Queen Louisa of Denmark, in 1898.","1. Louise Princess of Sweden and Norway, wife of Crown Prince Frederick of Denmark\n2. Crown Prince Frederick of Denmark, later King Frederick VIII.\n3. Princess Ingeborg of Denmark.\n4. Queen Alexandra of England.\n5. King George of Greece.\n6. King Christian IX of Denmark.\n7. Princess Thyra of Denmark.\n8. Dowager Empress Maria Feodorovna of Russia.\n9. Prince Johann of Glucksburg (Uncle Hans).\n10. Grand Duchess Olga Alexandrovna, sister of Nicholas II.\n11. Prince Peter of Oldenburg, husband of Duchess Olga.\n12. Prince Nicholas of Greece.\n13. Empress Alexandra Feodorovna.","[Hand drawn and numbered outlines of the heads of all the people in the photograph]","14. Princess Victoria of England.\n15. Grand Duke Michael, brother of Nicholas II.\n16. Emperor Nicholas II of Russia.\n17. Prince Harold of Denmark.\n18. King Edward VII of England.\n19. Queen Maud of Norway.\n20. King Haakon VII of Norway.\n21. Princess Alexandrina, nee Princess of Mecklenbourg (Present Queen of Denmark).\n22. Christian, son of the Crown Prince of Denmark. (Present King of Denmark).\n23. \n24. \n25. Grand Duchess Tatiana Nlcolaievna\n26. Grand Duchess Olga Nicolaievna.\n28. Prince Aag of Denmark.\n29. Princess Dagmara of Denmark.","Description: \nGroup portrait of the Russian Imperial Romanov family on the desk of their royal yacht \"Standart\". Empress Alexandra Feodorovna sits in the center with Prince Alexei on her lap. Her four daughers, Grand Duchesses Olga, Tatiana, Maria, and Anastasia, and her husband, Emperor Nicholas II, stand behind her.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits in a high-backed chair outdoors in a garden-like setting. Wearing a large hat and formal dress, she looks at the camera directly, with one hand in her lap and the other with elbow bent and fingers touching her right cheek.","Description: \nPortait of the Emperor Nicholas II and Prince Alexei seated next to each other on the deck of the royal yacht \"Standart\". Nicholas holds a newspaper in his lap as Alexei seems to squint into the sun.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits on a sofa indoors. Wearing a high-necked shirt and long skirt, she looks away from the camera towards the floor, with her hands clasped in her lap. Behind her, she is surrounded by picture frames, small vases, and flowers, on shelves that continue well above her head.","Description: \nTwo young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.","Description: \nA young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young boy stares at Fabergé's Imperial Easter Egg with Revolving Miniatures, which is set on a table right in front of him. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl opens an egg-shaped ring box which contains a jewelled ring within it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: 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Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb5f9a7488efeca094913bc14bf01383\"\u003eThe collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget"],"persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"language_ssim":["English \n.    "],"total_component_count_is":762,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:30:55.910Z","scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.\u003c/p\u003e\n","\u003cp\u003eThe invoices are often annotated with check numbers as balances were paid off, and dates given often refer to the handwritten notes on the invoice detailing payment history. Similarly, price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and often the date purchased. Many of the Schaffer descriptions are not dated, and while most of them can be cross-referenced with dates on the invoices, Schaffer often invoiced Pratt much later than the original purchase date, and in some cases, many years later. Finally, most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers.\u003c/p\u003e\n","\u003cp\u003eThe series is divided into five subseries: Series 1.1: Alexander Schaffer Correspondence, 1934-1947; Series 1.2: Ray Schaffer Correspondence, 1937-1947; Series 1.3: Invoices, 1934-1945, undated; Series 1.4: Price Tags, undated; Series 1.5: Item Descriptions, 1934-1945, undated.\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nApril 14, 1934\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eMy dear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003ePlease forgive me for the delay in answering your kind letter of the 12th, but I was trying to trace the cause of wrong delivery, as I note that the envelope was properly addressed by you. The Mr. Schaeffer in the building should have indeed had the courtesy to forward it to me. \u003c/p\u003e\n","\u003cp\u003eI have received your note and also the book, and am sorry that you have had this unpleasantness.\u003c/p\u003e\n","\u003cp\u003eI hope that my letter finds you in the best of health, and remain, with best wishes, and kindest personal regards, in which Mrs. Schaffer joins me, \u003c/p\u003e\n","\u003cp\u003eYours very sincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nNovember 19, 1935\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\n\"Chatham\" Box 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eMy dear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI am most disappointed to hear that the cabinet is not the size that you should have. It is a pity that all your lovely objects could not be displayed without being crowded.\u003c/p\u003e\n","\u003cp\u003eI will try my very best to get another cabinet for you, the size you want, and exchange it for the one you have now. Of course I cannot tell just how soon I could get one, but in the meantime you can use the one you have.\u003c/p\u003e\n","\u003cp\u003eOr maybe you could find room for another cabinet which would give you a chance to display all of your lovely things without crowding them, regardless of their size. This would really be the best solution.\u003c/p\u003e\n","\u003cp\u003eI am sorry you had to be annoyed paying\u003c/p\u003e\n","\u003cp\u003e[page 2]\u003c/p\u003e\n","\u003cp\u003ethe freight for the cabinet. I gave specific instructions to send it prepaid. I have also spoken to them about packing, and I am only glad that at least it arrived safely. It is so hard to make people understand sometimes, or have them do what you want them to do.\u003c/p\u003e\n","\u003cp\u003eWith best wishes and kindest regards, in which Mrs. Schaffer joins me, I am\u003c/p\u003e\n","\u003cp\u003eYours most sincerely, \nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 3, 1936\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your check on account and your kind inquiry about Mrs. Schaffer. She is feeling fine and is at the seashore at the present. I have given her your regards and she wishes to be remembered to you. She is getting along very nicely, but of course is anxiously awaiting the great event. \u003c/p\u003e\n","\u003cp\u003eSorry to hear about the trouble you have with your servants and hope you will be able to solve it to your satisfaction.\u003c/p\u003e\n","\u003cp\u003eI have designed something myself for the little stand and am taking the liberty of going ahead with it, hoping that you will approve of it. It will be made of 14 karat gold, and will be larger than the one you had and entirely different, and will cost approximately $150.00. The only thing I am not certain about is the size, not having the egg here. I have to guess more or less from the old stand, and therefore would like very much to have the egg to take measurements. \u003c/p\u003e\n","\u003cp\u003eOn second thought I don't think this will be necessary, as I expect to be in Washington next Tuesday, the 11th, when I would like to go out to your place for an hour or so, to see \u003c/p\u003e\n","\u003cp\u003e(over please)\u003c/p\u003e\n","\u003cp\u003e[page 2]\u003c/p\u003e\n","\u003cp\u003eyour things, and at the same time I could measure the egg.\u003c/p\u003e\n","\u003cp\u003eI think I could be in Fredericksburg around 2:00 P.M. and then take a train about 5:00 P.M. back to New York, unless it is necessary for me to stop over at Washington until Wednesday. \u003c/p\u003e\n","\u003cp\u003eThe heat is terrific in New York, and I am so glad that Mrs. Schaffer consented to go away. \u003c/p\u003e\n","\u003cp\u003eHoping that my letter finds you in the best of health, with kindest regards from Mrs. Schaffer and myself,\u003c/p\u003e\n","\u003cp\u003eSincerely yours,\nAlexanders S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 7, 1936\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eJust a line to let you know that I am planning to have an exhibit at my galleries, beginning November first, of the work of CARL FABERGE, and I thought you may be willing to loan me some of the lovely things you own. Although I really hate to put you to all this trouble, but maybe you could just have someone pack the things that you want to lend to me, and send them railway express, insured, at my expense. \u003c/p\u003e\n","\u003cp\u003eSo far I have only borrowed the big Easter egg, but I do not know whether I will have anything else outside of my own things.\u003c/p\u003e\n","\u003cp\u003eBelieve it or not, Paul is asking about you and sends his love, in which Mrs. Schaffer joins him. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes,\u003c/p\u003e\n","\u003cp\u003eCordially,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 27, 1936\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI was so glad to receive your letter, as I was worried already that you may be ill, and that this was the reason that you did not come to New York as you planned. And judging from your letter, I was almost right, but I am glad to know that it isn't anything serious, and I hope that by the time this note reaches you, you will be in perfect condition again. \u003c/p\u003e\n","\u003cp\u003eI would not think of letting you make that trip to Washington. I would much rather wait until the 3d and then you could bring the things with you. \u003c/p\u003e\n","\u003cp\u003eRegarding the Egg, you have apparently forgotten that in one of my letters I have definitely promised it to you for September, and which I meant. Although it is now October, as you see I kept my promise, except for being late, which was beyond my control. I am sorry to learn that you cannot find a way of getting it at present. However, I must tell you this – should I be successful in making a substantial sale, I shall buy it back myself and then, needless to say, I will let you have it regardless of when you could pay for it. I only hope that they do not change their minds in the meanwhile. \u003c/p\u003e\n","\u003cp\u003eI could not buy it myself presently, because I have just paid a huge amount in duties for some fine things I have bought about a year ago. If not for \u003c/p\u003e\n","\u003cp\u003e[page 2]\u003c/p\u003e\n","\u003cp\u003ethis, I would have probably settled the whole affair with them without even writing to you about it, because to get it back is my one ambition, and I would not worry about selling it again. I shouldn't have done it in the first place. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes, and love from the family, \u003c/p\u003e\n","\u003cp\u003eCordially,\nAlexander S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 17, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI am very sorry you didn't have a chance to come in while you were in New York, as I have some very beautiful pieces that I know you would have greatly enjoyed seeing.\u003c/p\u003e\n","\u003cp\u003eI am going abroad on Wednesday, the 23d, and will take some of them with me for a client in London. I don't know who long I will be. I hate to leave Mrs. Schaffer and the baby, but I guess I will have to.\u003c/p\u003e\n","\u003cp\u003eI am carefully packing and shipping the things to you, as I have them all photographed now. I am enclosing the photographs and the histories in the package. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes,\u003c/p\u003e\n","\u003cp\u003eSincerely yours,\nAlexander S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 21, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eIt was quite a shock to learn of your illness, but we are happy to read that the danger is over, and I can't tell you how glad we are that you are back home. We do hope that you will take good care of yourself so that you will get well and strong again, and never get ill again, ever.\u003c/p\u003e\n","\u003cp\u003eIf I weren't going to Europe, I would pay you a visit to cheer you up by showing you some of the things, but as it is, it will have to wait. However, I will keep the choicest [underlined] for you.\u003c/p\u003e\n","\u003cp\u003eMrs. Schaffer sends her love. Paul too made some sound, whatever he meant by it. Please do cheer us up as soon as possible, to tell us that you are better as we are still worried. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and wishes for your speedy recovery,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \u003c/p\u003e\n","\u003cp\u003eTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 10, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt, \u003c/p\u003e\n","\u003cp\u003eIt is good to know that someone else thinks as much of the baby as we do. I was glad to see that you have noticed how much he changed. It is quite true he is not a doll any more, but a boy, and does not look like either of us especially. \u003c/p\u003e\n","\u003cp\u003eI am glad you kept the two pins. The one in question is a spinel ruby and not a garnet. I received the pink one today. \u003c/p\u003e\n","\u003cp\u003eI am sending to you today by railway express, insured, a few very choice pieces, of which I am enclosing the tags. I know that you will have great pleasure in seeing them and sincerely hope that you can manage to keep some.\u003c/p\u003e\n","\u003cp\u003eTrusting that my letter finds you greatly improved (you didn't say anything about it in your letter), with kindest regards and best wishes from the whole family,\u003c/p\u003e\n","\u003cp\u003eSincerely yours,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eSeptember 1, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your letter and check which I have received today.\u003c/p\u003e\n","\u003cp\u003eI was glad to read that you like the photos of the baby.  He is a little imp but he is adorable.  I know you will like him. He does look like his mother I think.  Both send their love.\u003c/p\u003e\n","\u003cp\u003eThe raspberry red gold mounted box that you mention, you already have in your collection.  I have sold it to you before you went to Egypt and had it repaired during your absence.  That is the only one I can think of.  At any rate, I only have three Faberge pieces in raspberry red enamel in my whole collection.  One is a little match case.  One is a little perfume bottle and one is a seal.\u003c/p\u003e\n","\u003cp\u003eHowever, I am glad that we had this little confusion about the boxes, because at least it gave you an opportunity to see the little yellow enamel box which you decided to keep.\u003c/p\u003e\n","\u003cp\u003eI am looking forward to seeing you soon.  With kindest regards and best wishes, I am\u003c/p\u003e\n","\u003cp\u003eYours sincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eOctober 7, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eWe are very much relieved that you have found the box.  I would have felt miserable otherwise.\u003c/p\u003e\n","\u003cp\u003eI am enclosing the bill and the histories of the objects you have taken with you.  In this bill is included the yellow enamel box which I have sent to you previously, and the two presentation icons that I am sending to you today by Railway Express, insured against all risks.  Please let me know whether they reach you in good condition.\u003c/p\u003e\n","\u003cp\u003eI hope that the trip to New York did not tire you too much, and that I will have the pleasure of seeing you very soon again.  I was sort of hoping that you could find time to see Paul, but I guess you just could not manage.\u003c/p\u003e\n","\u003cp\u003eTrusting that my letter finds you in the best of spirits, with kindest regards and best wishes from both of us, I am\u003c/p\u003e\n","\u003cp\u003eYours sincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eP.S.  Mrs. Schaffer seems to think that you wanted the panagia with the jasper cameo of Christ.  Please let me know whether I should keep it for you, as I myself am not certain.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eMay 11, 1938\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia \u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI am sorry for not answering your letter before this, but a freak accident kept me away for a few days.  While moving furniture around at home, I dropped a small but heavy table full of books on one of my toes.  It was quite painful, but I am glad to say that I think nothing serious will develop now.\u003c/p\u003e\n","\u003cp\u003eI am so sorry to read that you also have not been very well.  I know it is not as easy to do as to say, but one should try not to let things upset one.  Ones health is more important than anything else.  At least I am trying to practice what I preach even if I do not always succeed.\u003c/p\u003e\n","\u003cp\u003eI sincerely hope that conditions will improve very soon now, which would make it so much easier for all of us.  This depression did hit everybody I think.  It's worse than in 1932, because now one cannot buy anything, yet it is very hard to sell or to collect money. At least in 1932, even if it was hard to sell, one could buy fine things at reasonable prices, and eventually good things always find a market.\u003c/p\u003e\n","\u003cp\u003eOf course I would not dream of taking interest from you for the money you owe me.  I am convinced that if you could pay more than $500 a month, you would, and if you cannot, I certainly will wait rather than let you sacrifice any of the things that I know you love so much.\u003c/p\u003e\n","\u003cp\u003eLooking forward to the pleasure of seeing you soon, with kindest regards, I am\u003c/p\u003e\n","\u003cp\u003eVery sincerely yours,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: Telephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eAugust 1, 1938\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your kind letter and check on account.\u003c/p\u003e\n","\u003cp\u003eI was most sorry to hear that you were ill, and I am glad to know that you are up and around again. Please do take care of yourself. Remember, we need your help for Paul's wedding. \u003c/p\u003e\n","\u003cp\u003eIt is remarkable how time flies! He is growing every day and you will find that he is not the little baby you have seen. Of course, we still think he's very sweet and lovable. \u003c/p\u003e\n","\u003cp\u003eWe are on the beach and would enjoy it very much except that there's a plague of mosquitoes which is not very pleasant, but we hope that they'll disappear soon.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and love from the family,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer \n[signature]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eNovember 2, 1938\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\n \nDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your letter of the 1st and check on account.  I am glad that business is on the upswing.  It's about time – we all need it, and with the war scare behind us, we may be looking forward to better times.\u003c/p\u003e\n","\u003cp\u003eHave you seen on page 219 of the October Connoisseur the editorial about my topaz Fabergé vase?  I know you will be thrilled to see it, but the description will give you some idea of its beauty.  If you haven't this copy, I have an extra one and will be glad to send it to you.\u003c/p\u003e\n","\u003cp\u003ePaul and Mrs. Schaffer send their love.  You should hear him talking – a mile a minute – and most of the time we don't know what he's talking about.\u003c/p\u003e\n","\u003cp\u003eI hope the weather there has been just as nice as it has been in New York, although I think it might be better for business if the cold weather would set in.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards,\nSincerely yours,\nA.S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eDecember 15, 1941\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI have just received your letter of the 14th, and hasten to let you know that the egg arrived safely.  Before I forget, my home address is: \n117-01 Park Lane South\nKew Gardens, L. I., N. Y.\nBuilding A, Apartment 2-B.\u003c/p\u003e\n","\u003cp\u003eI am sorry you cannot afford to keep the red and emerald egg.  Would you kindly return the parchment #2753?  I must have misunderstood about the jade chest egg.  I am enclosing an itemized bill as requested.\u003c/p\u003e\n","\u003cp\u003eThe silver tray will be packed and shipped to you as soon as possible, and if I haven't sold the necklaces before the end of the year, I will return them to you.  I think I told you that I sold the bracelet and the icon.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and very best wishes for a happy Christmas and New Year, in which the family joins me,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\nP. S.  The parchment just arrived.  Thank you.\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eDecember 30, 1941\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your kind letter and check on account.\u003c/p\u003e\n","\u003cp\u003eWe have just finished packing and will be out by tomorrow.  Let's hope it is all for the best!\u003c/p\u003e\n","\u003cp\u003eWe both want to thank you for your good wishes, and to express our sincere gratitude for having had the good fortune to acquire a friend like you.\u003c/p\u003e\n","\u003cp\u003eWe do hope to be able to see you every now and then.  If we go down south, we might even surprise you for a short visit.  (should we decide to drive).\u003c/p\u003e\n","\u003cp\u003eWith kindest regards, and very best wishes for the truly happiest New Year you have ever had, and with love from the family,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer [signed]\nAlexander S. Schaffer\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"\u003c/p\u003e\n","\u003cp\u003e[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"\u003c/p\u003e\n","\u003cp\u003eA La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889\u003c/p\u003e\n","\u003cp\u003e\nNovember 21, 1945\u003c/p\u003e\n","\u003cp\u003eMrs. John Lee Pratt\nP. O. Box 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt:\u003c/p\u003e\n","\u003cp\u003ePlease forgive me for not answering your letter of the 14th at once, but I wanted to receive the articles before writing to you.\u003c/p\u003e\n","\u003cp\u003eI am enclosing a receipt for them.  They all arrived in good condition including the flower.\u003c/p\u003e\n","\u003cp\u003eRegarding the Globe Flowers, there was one stem without jade leaves. That is the way it was made.  It is all complete so you needn't worry about it.\u003c/p\u003e\n","\u003cp\u003eI am glad you like the little blue velvet stand.  I am indeed sorry that you could not manage to visit us during your last visit.  I do hope you can do so when you come again.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes, I am,\nCordially yours,\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer [signed]\nAlexander S. Schaffer\u003c/p\u003e\n","\u003cp\u003eENC.\nASS:GMD\u003c/p\u003e\n","\u003cp\u003eCable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris\u003c/p\u003e","\u003cp\u003eTranscription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"\u003c/p\u003e\n","\u003cp\u003e[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"\u003c/p\u003e\n","\u003cp\u003eA La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889\u003c/p\u003e\n","\u003cp\u003eJune 4, 1946\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nP. O. Box 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt:\u003c/p\u003e\n","\u003cp\u003eThe man who bought the Faberge Easter Egg which you always said you should have bought and which you didn't because I discouraged you, was in today.  He wants to sell the Egg for $12,000.00, federal tax included.\u003c/p\u003e\n","\u003cp\u003eHe claims that someone else also wants to buy the Egg, so I decided to let you know at once in case you are interested.  He is not in need of money so I think you could have about six months in which to pay for it.\u003c/p\u003e\n","\u003cp\u003ePlease do not misunderstand me - I don't want to be a salesman in this case but you did mention several times how sorry you were that you didn't buy it.  Therefore, I do want you to have a chance to do so if you are still interested.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes, I am,\nSincerely,\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer [signed]\nAlexander S. Schaffer\u003c/p\u003e\n","\u003cp\u003eASS:GMD\u003c/p\u003e\n","\u003cp\u003eCable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747  \u003c/p\u003e\n","\u003cp\u003eCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, L.I.\nNew York\u003c/p\u003e\n","\u003cp\u003eFebruary 3, 1942\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eMany thanks for your very kind letter and check on account.\u003c/p\u003e\n","\u003cp\u003eWell, we still haven't left New York, but if all goes well, should be on the way in a few days.  Unless I write in the meantime, I think it would be best to send your next check to Kew Gardens.\u003c/p\u003e\n","\u003cp\u003eAlex has been away for a few days rest.  He should be back very shortly, but I didn't want to delay writing to you.\u003c/p\u003e\n","\u003cp\u003eThe children are very well.  I have a new governess for them, and that's one of the reasons it's taken us longer to get away.  I didn't want to take them with us, as it would have been too much for them, and no rest for anybody, and I couldn't leave them until I was absolutely sure that everything was running smoothly at home.\u003c/p\u003e\n","\u003cp\u003eI hope that we'll be seeing you soon.\u003c/p\u003e\n","\u003cp\u003ePeter and Paul send their love, as do I.\u003c/p\u003e\n","\u003cp\u003eSincerely,\nRay Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747  \u003c/p\u003e\n","\u003cp\u003eCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, N. Y.\u003c/p\u003e\n","\u003cp\u003eApril 24, 1942\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you very much for your check and letter.  I do appreciate it.\u003c/p\u003e\n","\u003cp\u003eMy husband just went away for a few days to recuperate, as he is still not up to par.\u003c/p\u003e\n","\u003cp\u003eYes, the place that you saw near the Sherry-Netherland is where we have given our collection for sale, but so far they have sold few of our things.  People seem to think however, that things will improve.  Let's hope it will be soon.\u003c/p\u003e\n","\u003cp\u003eLove from us all,\u003c/p\u003e\n","\u003cp\u003eCordially,\nRay Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Handwritten letter]\u003c/p\u003e\n","\u003cp\u003eJuly 5, 1942\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eMany thanks for your nice letter and check on account.\u003c/p\u003e\n","\u003cp\u003eWe just moved last Monday so I'm sure you can visualize how busy I've been and will forgive me for not having written before.  Please overlook the stationery too, as I'm not even all unpacked!\u003c/p\u003e\n","\u003cp\u003eThe children love it here and are thriving.  I hope it will do Alex lots of good too, as he certainly needs it.  He's still been very jumpy!  As for me, I love it.\u003c/p\u003e\n","\u003cp\u003eI hope you are taking good care of yourself and keeping well.\u003c/p\u003e\n","\u003cp\u003eLove from us all,\u003c/p\u003e\n","\u003cp\u003eRay Schaffer\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Handwritten letter]\u003c/p\u003e\n","\u003cp\u003eCopy\u003c/p\u003e\n","\u003cp\u003eDec. 4th '45\u003c/p\u003e\n","\u003cp\u003eMy dear Mrs. Schaffer – \u003c/p\u003e\n","\u003cp\u003eHerewith my check for two hundred eighty-five dollars in full payment of account.  When you acknowledge please mention the amount, and that it is in full payment for my files.  Thank you and Mr. Schaffer for your kindness.  A great weight is off my shoulders.\u003c/p\u003e\n","\u003cp\u003eTell Mr. Schaffer I will pay for the Globe Flower and paper-cutter as soon as I can.  My Income Tax on the 15th will leave me a very small balance for December.\u003c/p\u003e\n","\u003cp\u003eKindest regards, Sincerely yours,\u003c/p\u003e\n","\u003cp\u003e(Signed) Lillian T. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] G. 3.\nRectangular miniature picture frame by CARL G. FABERGE, the Russian Court\njeweler.\nIt is executed in gold on silver bearing a ground of rose colored enamel.\nBorders of wreath design frame the enameled ground and around the opening for a picture is enclosed with beadwork.\nBears a piece of beveled plate glass to cover the picture and is paneled with ivory.\nSigned \"FABERGE\".\n$300.00\nFrom the Youssapoff Collection.  Originally it was presented to the Princess Youssapoff by the Empress Maria Feodorovna.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] G. 5.\nMiniature picture frame by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.\nConcentric fluted gold rims separate these areas.  The jade is of a dark spotted green and in contrast to it a pale mauve enamel is employed everlaid [sic] by an interweaving green-gold wreath.\nAt top a ribbon with bow and loose ends is fixed bearing a ruby in the center.  It is mounted with a gold easel.\n$275.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\n#G. 8.\nA miniature icon by CARL G. FABERGE, the Russian court jeweler. \nIt is in the form of triptych and very simply on the exterior is paneled with a dark wood bearing a four-petaled catch centered by an emerald.\nIt opens to disclose a solid gold interior. The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls. The yellow-gold ground bears arabesques of the filigree and studded at significant points in the design are emeralds, rubies, sapphires, and diamonds. \nThe central panel frames \"The Resurrection\". Against a dark background the figure of Christ appears holding aloft a pennant. His form radiates light and in the foreground two angels kneel. It is an extremely small painting even for a miniature but is complete in every detail. \nAt top there is the Russian cross studded with emeralds and rubies. \n$1500.00\nThe inscription is as follows: \nLeft panel: \"Resurrection of Thine, O Christ, Savior, about which the Angels sing in Heaven.\nRight panel: and we on Earth try to be worthy to glorify Thee.\"\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #G. 13.\nDome-shaped jade push button by CARL G. FABERGE, the Russian Court jeweler.\nIn the classic French style adapted by Faberge, the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut ruby set in a nine-petaled mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and following in this style is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three short feet in the form of rococo scrolls.\n$650.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #G. 14.\nGold-mounted jade calendar device by CARL G. FABERGE, the Russian Court jeweler.\nIn the form of a rectangular piece of dark translucent green jade it is designed in his classic manner and mounted with gold-gilt back and easel.\nAt the top swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center two oval openins [sic] bear red enameled mounts which have the numbers for the day of the month and these are changeable each day by clicking the buttons on either side. \nBelow on a set of gold gilt plaques the months are engraved and held in place by red enamel and moonstone mounts.\nSigned \"Faberge\".\n$1200.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #G. 16\nLarge jade Easter egg mounted in gold gilt silver by CARL G. FABERGE, the Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold gilt silver, and bearing ruby catches with which to open it.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #23\nVery fine gold and silver frame beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth.  Signed and dated 1909.  (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is designed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\n$240.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana, her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler, \"Fabergé\", by whom it is signed.  The back is of ivory.\nFrom the personal belongings of Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 2354.\n$240.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #38\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.  \nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 1955.\n$60.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #73/44\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n$120.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[doubleheaded eagle] #75.WM\nCream leather frame with beautiful gold tooling and crown, top center, containing a photograph of the Grand Duchesses Olga and Tatiana. [from \"containing\" on, words are scratched through]\nThe frame was made by A. Peterson at St. Petersburg, by appointment to the Czar of Russia.\nFrom the Winter Palace, where it was catalogued under #430/2.\n$36.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #86\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and siver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n \"Blessing from the Monastery of St. Martyr and Healer Panteleimon on the Sacred Mount Athos.  To His Imperial Highness Heir Apparent and Czarevitch Grand Duke Alexis Nicholaievitch for Divine Assistance and Protection.  October 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\n$1,000.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and 9 saints in miniature as follows:\n1 - St. Peter – Metropolitan of Moscow\n2 – St. Alexis -     \"                 \"          \"\n3 – St. Ivann -      \"                 \"          \"\n4 - St. Prince Michael\n5 – St. Boyard Theodor\n6 – St. Dimitry the Blessed\n7 – St. Vasily the Blessed (In whose name the famous church in Moscow was built by Ivann the Terrible.  The church upon completion was so beautiful, that the Czar, fearing that it might be duplicated, had the architect blinded.)\n8 – St. Michael the Martyr\n9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears a nameplate which reads as follows:\n\"To His Imperial Highness Czarevitch and Grand Duke Alexis Nicholaievitch from the Nobility of Nijni Novgorod.\"  It was made by \"Chlebnikoff\" (By Appointment to the Russian Royal family.)  It is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\n$3,500.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #477\nVery lovely cane holder, of crystal, with fine enameling, and gold mounting, and studded with diamonds.\nMade by the famous court jeweler \"Faberge\" (By Appointment to the Czar of Russia.)\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Czar Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #479\nVery beautiful rock crystal parasol handle mounted in beautifully chased gold and enameled in soft shades of blue and studded with two rows of oriental pearls.\nMade by the famous court jeweler \"Carl Faberge\" (By Appointment to the Czar of Russia), who was often referred to as the Cellini of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #480\nVery fine cane handle enameled in white.  With gold striped and two Roman tens (X), enameled in orange.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the Cellini of the 19th century.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #481\nVery fine cane handle made of Russian nephrite (jade), mounted in gold and enameled in a beautiful red translucent enamel, in spiral design.  With two rows of diamonds.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the \"Cellini of the 19th century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #509\nVery fine parasol handle of amethyst, carved with a spiral design.  Gold mounting and two rows of diamonds.  Enameled in a lovely shade of translucent pink in a woven effect.\nIt is the creation of the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia.  He was often referred to as the Cellini of the 19th century because of his unusually fine craftsmanship.  \nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$200.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #534\nVery fine parasol handle made of a solid piece of amethyst, with most unusual gold and silver mounting.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #536\nVery fine cane handle made of Russian nephrite (jade), with gold mounting, very finely chased and hammered.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #538\nUnusual parasol handle made of Russian nephrite (jade), with very fine gold mounting in the shape of a serpent coiled around the handle.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"  \nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #539\nUnusual red/Russian nephrite cane handle, in the shape of duck's head.  With gold mounting, enameled in green and white, and set with diamonds.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as \"The Cellini of the 19th century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in center beautifully painted portrait of \"Madonna and Child\" in enamel, and framed with filigree work which is filled with shaded enamel showing tulips and other flowers, in the center of each of which topazes and garnets alternate.\nSurmounted by crown which has two aquamarines one topaz and one garnet.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family.) Moscow.\nFrom the private belongings of Czarina Alexendra [sic] Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$325.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.  The craftsmanship displayed in this piece adequately shows the reason why Carl Faberge is often referred to as the \"Cellini of the 19th century.\"\nFrom the Collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1073\nExceptionally beautiful and rare [scratched out \"graphite\" and ?] jade (handwritten) frame mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frame the picture (handwritten), while on the [nephrite scratched out] jade (handwritten) margin green gold festoons are attached to reddish gold rosettes.\nA superb example of the fastidious workmanship lavished upon the small creations of Carl Faberge, celebrated court Jeweler to the Court of Russia.\nThis example aptly illustrates Faberge's unique use of the rare semi-precious stons [sic] which were found in the Russian Impire [sic].\n[Scratched through: In original Hollywood case]  From the Alexander Palace at Tsarskoye Selo.\n$750.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1075\nCircular gold picture frame of the most exquisite and delicate workmanship chased with a shimmering \"guilloche\" pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\n[In original case - scratched through]\nSigned by Carl G. Faberge, famous jeweler to the Imperial Court of Russia, [and who has so often been referred to as the \"Cellini of the 19th century.\" – scratched through]\nFrom the Alexander Palace at Tsarskoye Selo.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1078\nExceptionally beautiful gold and silver picture frame of most unusual size enameled in translucent sky-blue over a scintillating chased (guilloche) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At top laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  \n[crossed out: The frame contains a photograph portraying Czar Nicholas II and King George V of England, his cousin, and the two heirs to the throne, the Prince of Wales of England and the Czarevitch Alexis of Russia.]\nThe fine craftsmanship displayed in this example typifies the work of Carl G. Faberge, celebrated court Jeweler to the Imperial Russian Family.\nFrom the Alexander Palace at Tsarskoye Selo.\n[$600.00 scratched through] 450 handwritten\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1101\nExceptionally beautiful and rare gold (handwritten) miniature icon depicting the \"Holy Virgin and Child Enthroned\" set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top an interesting attachment is mounted with a blue sapphire while from the bottom hang a pink ruby an emerald and a pearl [last phrase handwritten].\nMounted in a beautifully designed triptych of \"Old Russian\" design. [Scratched through: lined with an ancient piece of brocade].  Hinges conform to the design of the case and are in solid silver intricately chased.\n[An \"X\" appears here, referring to where the last paragraph at the end of the text should be inserted]\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\n\"X\" - The icon bears an inscription meaning \"Save and Protect\".  It is signed by the artist: \"M. Chuknovsky\".\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1315\nVery fine miniature picture frame delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface enameled brilliant orange.  \nAt the corners of the actual opening for the picture pearls are set in while on the enamel circular wreaths are mounted together with crossed arrows.\nBy \"Carl (G) Faberge,\" celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the 19th century.\"\n$180.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1350\nPaper knife of richly grained tortoise shell of unusual personal interest mounted with a solid gold facsimile reproduction of the inscription: \"For Dear Alix (the Czarina Alexandra Feodorovna) from Misha.\" (Grand Duke Michael, brother of Nicholas II, the late Czar of Russia).\nFrom the Alexander Palace at Tsarskoye Selo.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1556\nSmall silver triangle frame by CARL G. FABERGE the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased guilloche surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a bevelled [sic] glass with the outside border in beadwork.\nBack with ivory and signed and in the original hollywood case bearing FABERGE'S name and the Russian eagle. [Last sentence crossed through]\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle} #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides a diamond is inset and in the very center surrounded by a laurel wreath the Roman number \"ten\" in diamonds signifies a tenth anniversary.\nSigned by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1576\nA pin by CARL G. FABERGE in the Egyptian style formed of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$1200.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE, executed in solid gold in his French classic style.  It follows in technique the French 18th century gold snuff boxes with a ground of cobalt translucent enamel.  Unlike most of Fabergé's surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes, and is merely visible as faint rays on the enamel surface.\nAround the center there is a broad vari-colored gold band carved in a minute serpentine pattern together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg circular caps bear ten-pointed rosettes enameled in green.  The three divisions are further enhanced by the addition of 3 bands of white matte enamel dots, one of which in the center row is a tiny diamond catch.  As one opens the egg, the inscription may be seen: \"Christ is Risen\".  In the original case bearing the name \"Faberge\".\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface and opens with a small pearl bordered lid having a ruby catch.\nDecorated on top with a diamond and ruby six-petaled flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1736\nJade parasol top mounted in gold by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.  On the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1737\nJade parasol top mounted in gold, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.  A green gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #2237\nTiny solid gold oval box, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with exerpts [sic] from the Koran.  It is surrounded by a row of diamonds.\nLike all of Fabergé's boxes, the fit of cover to box is a notable example of his craftsmanship.  Here also he has employed the hinges which appear on the finest 18th century gold snuff boxes.\n$850.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #2238\nRare miniature Easter egg, by CARL G. FABERGE, the Russian court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise, and entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a brilliant cabochon-cut ruby.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle, no identification number]\nMiniature gold and platinum charm in the form of a bulldog.\nThe collar is gold, and the eyes are rubies, while the body is set with ten large diamonds and many smaller ones.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \nRockefeller Ce [ripped] ekly\nFOR IMMEDIATE [ripped] O\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffe [ripped]\n15 West 50th Street [ripped]\u003c/p\u003e\n","\u003cp\u003eCenter Publications, Inc. \nNEW YORK N Y\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\n #572.\nExceptionally fine \"Fabergé\" handle, made of an unusually formed beautiful green jade, enclosed in two gold gilt bands which are chased in a simple design.  The top of the handle is studded with sixty-five various sized blue sapphires in a triangular setting.  Set on a stick of very fine tortoise shell.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003e\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\u003c/p\u003e\n","\u003cp\u003eA most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth, (Countess Brassov, morganatic wife of Grand Duke Michael.)  Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth. Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #38.\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master, \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.\nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #73/44.\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, the Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n[handwritten: 12 1/8\" hegl (?) x 14 5/8\"]\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1934\n #315.\nPorcelain Easter egg, bearing on one side the gold monogram and crown of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, and on the other, a small red cross.\nIt was the custom of the Czarina to present these eggs to wounded officers, while she served as a nurse during the World War, as a token of Easter greetings.\nFrom the Winter Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nApril 2, 1934\n #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses [sic] uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo where it was catalogued under number 1955.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nImperial Russian Art Treasures\nRockefeller Center, New York\nApril 30, 1934\n #86.\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and silver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n\"Blessing from the Monastery\nof St. Martyr and Healer\nPanteleimon on the Sacred\nMount Athos.  To His Imperial\n Highness Heir Apparent and\nCzarevitch Grand Duke Alexis\nNicholaievitch for Divine\nAssistance and Protection.\nOctober 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana [name underlined in pencil with ? following name], her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler \"Fabergé\", by whom it is signed.  The back is ivory.\nFrom the personal belongings of the Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under the number 2354.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #461\nMost exceptionally fine miniature icon (panagia), painted in enamel in very beautiful soft tones which produce a most pleasing effect.  Signed in the lower left corner.  The icon portrays \"St. George Slaying the Dragon\", the Insignia of the Romanoff family.  It is set in very fine gold and silver filigree work and is studded with rubies.\nIt is mounted in highly polished holly wood, similar to the original fitted case which is lined with satin and bears the gold stamp of the House of Fabergé, typical of the beautiful boxes that Fabergé made for his creations.  The icon is a fine example of the work of \"Carl Fabergé\", who was often referred to as the \"Cellini\" of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #462\nA most unusual enamel miniature icon (panagia), portraying \"Madonna and Child\".  It is mounted in a very beautiful gold and silver frame surmounted by crown and studded with turquoises and pearls of very good quality.\nFrom the private collection of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nJuly 28, 1934\n #463\nA most unusual enamel miniature icon (panagia), portraying the \"Madonna and Child\".  It is set in a very fine gold and silver frame inlaid with vari-colored enamel in very fine filigree work.  Surmounted by crown and studded with pearls and garnets of very good quality.\nFrom the private collection of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nSeptember 28, 1934\n #558\nA most exceptionally fine silver bunny made from life by the well-known Russian jeweler, \"Carl Fabergé\", who was often referred to as the Cellini of the 19th century.  It is made up of two sections; the head opens on a hinge, and the hollow inside was probably used for bonbons.  The eyes of are Ural rubies.\nIt is a very good example of this type of work that was made by this master craftsman.  The life-like effect and charm, as well as the characteristically fine detail, will win one over readily to the many admirers that he already has all over the world, in both royal houses and humble alike.\nThe bunny bears on the bottom a most exceptionally clear hallmark and signature \"K. Fabergé,\" surmounted by Russian Imperial eagle, the date \"1894\", and the St. Petersburg hallmark.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #150\nA most exceptional blue and silver brocade cope, with an all-over \"Baroque\" floral and leaf design woven in silver threads which will never tarnish, as they were treated with an unknown process which is today a lost art.  It is bordered with a very fine hand-made silver lace of the period.\nRussian, 18th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #309\nVery interesting gold gilt silver ice pail in the shape of a basket, executed in very fine detail, true to the fine workmanship of the well-known court silversmith, \"Ovchinnikov\", who made so many outstanding pieces for the Russian Royal family.\nIt is signed and dated 1873.  Originally in the Winter Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nChristmas, 1934\n #597\nA most unusual gold pin in the shape of a tree trunk, showing a snake coiled around the tree, hypnotizing a bird which is perched directly above.  It is chased in very fine detail of vari-colored gold which is typical of Fabergé.\nOriginally in the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJanuary 2, 1935\n #504\nVery important gold and silver vase enameled in beautiful, rich coloring, which can hardly be described.  One can scarcely distinguish the enamel from the various precious stones, such as emeralds, rubies, sapphires, pearls, etc., with which it is embellished, true to the splendor of a jewelled [sic] crown, which is incorporated in the design of the vase.\nIt is the work of that outstanding master \"Carl Fabergé\", court jeweler to the Czar of Russia, and who was often referred to as the \"Cellini\" of the 19th century.  It is one of his most outstanding creations and is signed on the bottom of the vase.\nFrom the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nFebruary 26, 1935\n #438\nVery fine miniature Easter egg, enameled in a translucent pink and studded with one large and two smaller sapphires and two diamonds mounted in gold.\nThe work of Carl Faberge [sic], famous craftsman of the 19th century who was often referred to as the Cellini of the 19th century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #571\nExceptionally beautiful parasol handle by Carl Faberge [sic], Court Jeweler of the Czar of Russia, often referred to as the Cellini of the 19th century.\nThis fine specimen of Faberge's [sic] art shows the ingenuity and artistry of this master craftsman.\nThe curved part of the handle, formed of a single piece of jade, is finely incised and mounted with rubies.  The main body of it, a single piece of tortoise shell, polished and tapered, is connected by a fine gold and enamel mounting.  This gold mounting, so typical of Faberge's [sic] art, is chased and enameled in a lovely translucent red, and ornamented by a fine design of festoons in yellow gold.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #760\nVery fine gold gilt silver frame beautifully enameled in a rich cobalt and decorated with a wreath.  Top surmounted by beautifully designed gold ribbon.  The back is covered with Russian birch, finished to simulate ivory.\nFrame contains well-painted miniature portraying wife of Alexander II, grandfather of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #774\nA most exceptionally fine gold gilt silver ash tray, beautifully chased and enameled in a very fine shade of canary yellow transparent enamel, supported by three ball feet; studded in the front with a beautiful round moonstone and an oval moonstone at the top of the handle.\nA fine example of the creations of the famous Russian Court Jeweler, Carl Faberge [sic], who was often referred to as the Cellini of the 19th Century.\nFrom the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #780\nVery fine miniature carnelian Easter Egg, studded with three small rubies and diamonds mounted in gold.  \nThe work of Carl Faberge [sic], the famous craftsman of the 19th century who was often referred to as the Cellini of the 19th Century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1935\n #818\nVery interesting white porcelain Easter egg with floral design, bearing monogram \"A.F.\" surmounted by crown, standing for Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nMade in the Russian Imperial Porcelain Factory at St. Petersburg.\nThe decoration of this porcelain Easter Egg is beautifully composed of a handsome wreath of roses going around the middle of the egg from one side of the monogram to the other.  The roses, exquisitely painted in varying shades of magenta, together with the leaves, are bound about by a blue ribbon recurring at different intervals throughout the wreath.\nThe monogram of the Czarina is finely rendered in gold laurel leaves, and with the crown, is placed in the center of an oval from which start symetrical [sic] borders in gold going around the egg.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\u003c/p\u003e\n","\u003cp\u003e#417.  Exceptionally fine miniature Easter egg made of lapis.\n#419.  Miniature gold Easter egg, composed of three Russian semi-precious stones mounted in gold and set with three tiny rubies.\n#420.  Miniature gold Easter egg in the shape of a cage, set with a turquoise.\n#421.  Miniature gold Easter egg engraved in a spiral design and set with a band of blue sapphires.\n#639.  Very interesting miniature Easter egg carved from a dark blue lapis lazuli\n with a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\u003c/p\u003e\n","\u003cp\u003e#422.  Miniature gold Easter egg, beautifully enameled in white, and bearing the red cross.\n#423.  Miniature Easter egg, made of a gray Russian semi-precious stone set on \nthe bottom with a ruby and on the top mounted with a gold leaf.\n#424.  Miniature Easter egg made of Russian pink agate.\n#445.  Miniature gold Easter egg, beautifully enameled in green, white, and red, with tiny red enamel dots on the green enamel, and decorated with gold wreath.\n#447.  Very interesting miniature gold Easter egg enameled in turquoise blue and and placed in a gold cone which is suspended from a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Maria, the third daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#425.  Gold and silver miniature Easter egg set with blue transparent enamel.  \nOpening on a hinge.\n#426.  Miniature gold Easter egg decorated with tiny bell shaped flowers, each studded with a diamond, and on the bottom a blue sapphire.\n#427.  Miniature Easter egg made of pale blue Russian semi-precious stone, mounted in beautifully chased various colored gold.\n#428.  Miniature gold Easter egg in the shape of a perfume bottle hanging from a\n chain, the lid opening and studded with an amethyst.\n#429.  Miniature Easter egg in the shape of a Russian icon lamp (lampadka), with\ngarnet in the gold lamp, which hangs from three chains.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#430.  Miniature Easter egg, made of a gray semi-precious Russian stone mounted in various colored beautifully chased gold, and studded with four rubies.\n#431.  Miniature gold Easter egg enameled in white, the upper part studded with rubies and one diamond, and in the center, beautifully chased gold\nwreath.\n#432.  Miniature Easter egg made of Russian agate mounted in various colored beautifully chased gold. \n#435.  Miniature Easter egg of Siberian jade (nephrite), decorated with a gold leaf design studded with rose diamonds and two rubies.\n#436.  Miniature gold Easter egg set with five rubies and various rose diamonds.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#437.  Miniature gold Easter egg beautifully enameled in red and white, and inlaid with gold leaves.\n#458.  Very interesting egg-shaped pearl supporting a beautifully chased gold cock which is suspended from a ring.\n#459.  Very fine miniature gold Easter egg studded with pearls and turquoises, stones divided in four sections.\n#673.  Very interesting gold gilt silver miniature Easter egg in the shape of a bee hive, studded with a green Ural stone.\n#676.  Very fine gold gilt silver miniature Easter egg enameled in soft shades of\n Russian enamel set in filigree work.\u003c/p\u003e\n","\u003cp\u003eMade by the famous court jeweler \"Carl Fabergé.\"  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures \nRockefeller Center, New York\nMay 2, 1935\n#449.  Very beautiful miniature gold Easter egg nicely chased and enameled in \ntranslucent red on top and bottom; in center small squares of yellow and green enclosed in two white bands of opaque enamel.\n#450.  Very fine miniature gold Easter egg beautifully enameled in a soft shade of turquoise translucent enamel encircled with an engraved wreath which is enameled in emerald green.\n#779.  Most unusual miniature Easter egg composed of rock crystal and garnets divided in various sections with many rows of small diamonds mounted in\ngold.\n#779A. A very fine miniature Easter egg composed of an unusual star sapphire colored agate mounted in gold which is finely chased and enameled in [sic] soft shade of green and decorated with a row of diamonds.\u003c/p\u003e\n","\u003cp\u003eMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 27, 1935 \n  #110\nExceptionally fine gold and silver Russian icon portraying the \"Holy Virgin of Iverskaya with the Child\".  The trappings, consisting of the exquisitely chased and modelled robes of the Virgin, together with the frame and borders of ancient Byzantine design, are a superb contrast to the magnificent haloes done in all the brilliant shades of the Russian enamel.  In a lovely design of filigree, the enamel combines rare shades of turquoise blue, ruby red and deep greens interspersed with white.\nWithin the recessed panel of the icon there is inscribed at top in old Russian characters: \"The Mother of God\", while within the halo of the Child, there is in the form of an abbreviation: \"From the Father Proceeds\".\nThe back of the icon is mounted with a plaque which is inscribed \"To Her Imperial Highness the Grand Duchess Tatiana Nicholaievna from the Nobility of Moscow.\"  This icon, notable alike for the beauty of characterization of the \"Virgin and Child\", together with its technical perfection in the use of gold, silver and enamel, was from her personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #888\nVery unusual penholder of the Dowager Empress Maria Feodorovna, constructed of a brilliant shaft of lapis lazuli mounted in gold and picked out with a conventionalized chasing.\nThe top is set with the seal of the Empress, consisting of her monogram \"MF\" surmounted by crown, and is engraved in a round, milky-colored agate.\nIt is a fine example of the work of \"Carl Fabergé\", the famous court jeweler to the Russian Imperial family, and who is often referred to as the \"Cellini\" of the 19th century.\nFrom the Winter Palace.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n   #893\nSmall round gold picture frame of more than ordinary beauty and quality by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family.\nThe ground of this piece chased with a shimmering pattern, is enameled translucent white and bordered with a minutely detailed wreath design in green gold on the outside.  The inside is bordered with pearls while the enameled surface is painted with conventionalized trees.\nThe back is of ivory, and it contains a photograph of Czarevitch Alexei Nicholaievitch, son and heir apparent of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #894\nSmall oval picture frame made of a deep ultramarine piece of lapis lazuli mounted on the outside with a chaste wreath design in two shades of gold.  On the inside, a border of pearls lends an air of rare quality and refinement.\nThe back is of ivory, and it contains a photograph of Maria Nicholaievna, the third daughter of Nicholas II, the late Czar of Russia.  \nIt is by \"Carl Fabergé\", famous court jeweler to the Russian Imperial family, who is often termed the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #901\nPerfectly square small silver gilt frame finely fluted and enameled in pale translucent blue.  It contains a photograph of the Grand Duchess Tatiana Nicholaiovna [sic], the second daughter of Nicholas II, the late Czar of Russia.\nIt is signed by \"Carl Fabergé\", court jeweler to the Russian Imperial family, often referred to as the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #905\nVery beautiful miniature gold Easter egg.  Chased and translucently enameled in deep Russian blue, it is finely festooned with ribbons and wreath in two shades of gold, which is so typical of the work of \"Carl Fabergé\", court jeweler to the Russian Imperial family.\nFrom the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#907, #908]\n#907.  Very lovely miniature gold Easter egg chased and enameled translucent\nwhite and studded with a beautiful yellow and a white diamond.\n#908.  Very beautiful miniature Easter egg of pink quartz.  It is encircled by a gold ring having two diamonds and two sapphires in the form of leaves attached to it.\nBoth of these eggs were made by \"Carl Fabergé\", well-known court jeweler to the Russian Imperial family, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#909, #904, #911]\n#909.  Very fine miniature Easter egg made of an unusual green Ural stone. Mounted in gold with a conventionalized flower design, it is set with three groups of three diamonds, three sapphires and three rubies.\n#904.  Very lovely gold miniature Easter egg. The upper half is chased and  enameled in translucent white.  The lower half is of gold wire.  It is mounted with a large oval sapphire and two sprigs of gold leaves.\n#911.  Most unusual miniature Easter egg made of red porphyry.  (This stone was so rare that whenever found it was always presented to the Imperial family.)  It is mounted in a beautiful gold ropework design. \u003c/p\u003e\n","\u003cp\u003eThese eggs were made by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who was so often termed the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Tatiana, second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n #912\nDiamond-shaped gold pin, ornamented with the Russian Imperial Eagle, against a translucent mauve enamel ground in a chased sun-ray design.  The eagle, studded with various sized diamonds, is of very fine craftsmanship.  \nFrom the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1017\nUnusually beautiful solid gold cigarette case, elegantly embossed with sprays of leaves into which are mounted cabochon-cut rubies of beautiful color.  A ruby of the same color, mounted in gold, serves as the catch which opens the case.\nIt is signed by \"Carl Fabergé\", famous jeweler to the Russian Imperial family, who, because of his excellent craftsmanship and artistry, has often been termed the \"Cellini\" of the nineteenth century.\nFrom the belongings of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1041\nBeautifully conceived and executed miniature frame of the supreme quality achieved by \"Carl Fabergé\".  Mounted on a nephrite pedestal of pure classical inspiration, it is encircled at the top with a gold wreath mounted with rubies.  From it hang festoons of leaves minutely chased and carved out of green and yellow gold.  The gold enrichment of the base is also in two shades of gold and here is finely wrought with acanthus leaves.  The frame which is double to hold two miniatures, is enclosed with a round wreath, carved out of greenish gold and at the top is mounted with a ribbon, rubies and an oval terminal pearl.\nIt was made by the celebrated court jeweler to the Russian Imperial Court, \"Carl Fabergé\", who has often been termed the \"Cellini\" of the nineteenth century.\nFrom the Alexander Palace at Tsarskoye Seloe.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1049\nExceptionally fine and long lapis lazuli necklace composed of one hundred and ninety graduated Siberian lapis beads of an exceptionally beautiful blue.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #92\nExceptionally beautiful and rare Imperial triptych icon, designed and executed by the celebrated Russian Court silversmith, \"Ovchinnikov\", and presented by the Nobility of the City of Charcoff to the Czar and Czarina, Alexander III [sic] and Maria Feodorovna, in celebration of the twenty-fifth anniversary of their marriage.  In this example, all the ingenuity and resources of the artist were concentrated upon the workmanship of so important a piece, created to celebrate so momentous an occasion.\nOpening the icon, the central panel of sumptuous Russian design frames the exquisite portrait of the Blessed Virgin, clad in golden robes finely chased and patterned.  The Virgin is wearing a crown sparkling with the brilliance of diamonds, rubies and emeralds, against a halo of filigree and enamel mounted with ovular-shaped pearls.  The faces of the Virgin and Child are painted in miniature, and it is remarkable with what perfection the characterization and the details are rendered.  Necklaces of diamonds and rubies appear around their necks, and on the cuff of the Virgin's sleeve, a diamond star with ruby center is mounted.  The Child is also portrayed wearing the diadem of diamonds against the small halo, on which appears in Old Russian the inscription in the form of an abbreviation: \"From God Proceeds\".  The background of the panel, filling in the serpentine-shaped Russian arch, is of sky-blue and forms a superb color contrast to the yellow gold of the Virgin's robes.  Over this background, a vinelike design is entwined, studded here and there with rosette-like stars.  Magnificently framing the large central panel, as well as the side ones, borders ingeniously wrought in all different types of chasing and filigree work are set with a variety of rubies, emeralds and sapphires, interspersed with rectangular panels done in soft shades of blue and red matte enamel.\nThe side panels appropriately depict in fine relief, left, \"St. Alexander Nevsky\" (the patron saint of Alexander III [sic]), in armor and wearing ermine robes wrought in virgin silver, and on the right, \"St. Maria Magdalene\", (the patron saint of Maria Feodorovna).  Above each at left and right, guardian angels kneel in the clouds in an attitude of devotion.\nClosed, the icon presents the fine filigree exterior framed in enamel, in the center of which there is a large Greek Catholic cross studded with rubies and sapphires.\nThe reverse is inscribed as follows: \"To Their Imperial Majesties from the Nobility of Charcoff.  1866-1891. October 28.\"\nIt is signed by the artist \"Ovchinnikov\" and dated \"1891\", the year of its presentation to the Emperor and Empress of Russia.  It is considered the finest jeweled icon ever created in Russia, and is the best witness to the mastery of this great artist.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #972\nSmall gold picture frame of outstanding beauty, by \"Carl Fabergé\", famous court jeweler to the Czar of Russia.  Of rounded, triangular shape, it has as its main area the chased guilloche surface enameled in light translucent blue, in a very graceful drape design.\n\"Fabergé\" was greatly renowned for this type of enameling and in this example, the enameling is further set off by a gold border chased with a wreath design of great delicacy.  The actual opening for the picture is surrounded with a row of diamonds and surmounted by a ribbon bow.  The back of the frame is paneled with ivory.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #982\nParticularly beautiful icon depicting the \"Transfiguration\", showing \"Christ\" in an aura of light with (left), Elias, and (right), The Prophet Moses.  Below Him are James, Peter and John, (lower left, center and right, respectively).\nOf the most exquisite workmanship, both for its very expressive quality and perfection of detail, it is painted in an almost monochromatic color scheme, relieved by the touches of purple, green and blue in the gowns of the saints.  It is framed in translucent pale gray enamel with leaf and tendril design mountings, which are further [sic] enhanced by sapphires, emeralds and rubies.\nIt is by \"Carl Fabergé\", celebrated court jeweler to the Czar of Russia, and is a superb example of his genius.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #1006\nExtremely interesting water color luncheon menu of the 21st of June, 1896, in the domain \"\"Eleenskole\", which belonged to the Grand Duke Sergei Alexandrovich, uncle of Nicholas II, the late Czar of Russia.\nThis menu was written and designed by the Grand Duchess Victoria Mellita of Hesse, wife of the Empress' brother, Grand Duke Ernst-Ludvig of Hesse, and who later became the wife of the Grand Duke Cyril Vladimirovich under the name of Victoria Feodorovna.\nThe menu bears the following original signatures: Czar Nicholas II; Czarina Alexandra Feodorovna; Grand Duke Sergei Alexandrovich; Grand Duchess Elizabeth Feodorovna, sister of the Czarina and wife of the Grand Duke Sergei; Grand Duke Ernst-Ludwig of Hesse, brother of the Czarina; Victoria Mellita, his wife; and Victoria, Princess of Battenberg, sister of the Czarina.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 17, 1936\n  #1043\nExceptionally beautiful gold and silver picture frame containing a photograph of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.\nThis frame of very imposing character with a large Imperial Crown and ribbons at the top, is enameled in a raspberry red, the shade which immediately became so popular upon its creation by \"Carl Faberge [sic]\".\nSurrounding the enameled guilloche surface, leaf design borders of green gold are finely accented with ribbons of reddish-gold.  Also the enameled surface is picked out with formally placed rosettes and leaves, in this same combination so skillfully employed by \"Carl Faberge [sic]\".  The back is paneled with ivory and is signed by this famous master.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 1, 1936\n  #1176\nA most interesting umbrella handle in the form of an Easter egg sculptured of very fine dark green jade.  On the bottom it is mounted in gold gilt silver which is exquisitely chased and enameled in translucent mauve.\nIt is a good example of the work of the outstanding master \"Carl Faberge [sic]\", who was so often referred to as the \"Cellini of the nineteenth century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #37\nMost intimate and rare photograph of the late Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  It is set in an unusually fine frame of lapis lazuli.\nThe photograph was taken by her husband, the Czar, on their private yacht, and is from the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.  It bears the original catalogue number 2004.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1088\nVery fine gold and silver calendar frame beautifully chased with translucent lavender enamel.  Finely carved borders of beadwork and closely set anthemions enhance the beauty of the design.\nIt is signed by \"Carl Fabergé\", the outstanding Russian Court jeweler, who has so often been termed the \"Cellini of the nineteenth century\", because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1097\nExceptionally fine gold and silver picture frame of outstanding beauty.  It is enameled over a chased (guilloche) pattern in translucent pink, the edges bordered with finely carved wreath design terminated with rosettes.  The small oval opening for the picture, attached at the top to swags of laurel leaves, is bordered with pearls.\nIt is signed by \"Carl Faberge[sic]\", the celebrated court jeweler to the Czar of Russia, and who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1179\nMost unusual and rare miniature ivory Easter egg by \"Carl Fabergé\", the celebrated court jeweler to the Czar of Russia.\nIt opens on a hinged cover to disclose the surprise feature within, - a pale nephrite egg set in the white satin lining.  It is an ingenious creation which is typical of \"Fabergé's\" work.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1306\nA most exceptionally fine dark green jade elephant very sensitively modelled, with upturned trunk and diamonds for eyes.  It is a magnificent specimen of the fine sculptures which were created by the master \"Carl Fabergé\", and shows very beautifully his singularly perfect craftsmanship.\nIt is rendered in most complete detail.  Ears, trunk, tusks, legs, etc., are all carefully cut and polished.\nIt is one of the rare examples of miniature sculpture executed in stone by \"Carl Fabergé\", and for which he is today so justly famous.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #476\nA most unusually fine handle of nephrite, pale green in color, mounted with a cobra naturalistically carved out of yellow gold and entwined about the handle.  The scales and small details are meticulously rendered, while on top of the snake's head, a pink cabochon-cut ruby is mounted as the eye of the cobra.\nMade by \"Carl Fabergé\", celebrated court jeweler to the Imperial family of Russia.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #478\nVery beautifully designed parasol handle in the shape of a fin, made of nephrite.  It is mounted with gold and finely enameled in an unusual shade of pink, and is studded with four pearls and two rows of diamonds.\nIt was made by the famous court jeweler \"Carl Fabergé\" (By Appointment to the Czar of Russia), and is a fine example of his craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #482\nVery fine parasol handle made of nephrite, in the shape of a duck's head, with rubies for eyes and a most unusual green enamel band.  At the base it is mounted in gold and set with two rows of diamonds.  It is exceptionally finely enameled in translucent pink, giving the effect of trees in sunshine, which is enclosed in borders of white matte enamel, with translucent green enamel dots completing the design.\nIt is the creation of the famous Russian court jeweler \"Carl Fabergé\", who has so justly been termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #537\nExceptionally fine cane handle of pale green nephrite, exquisitely designed with an open-work gold mounting of rococco [sic] scrolls and tiny flowers in two shades of gold.  The rim is studded with a row of diamonds.\nMade by the famous artist and court jeweler \"Carl Fabergé\", who is today so often referred to as the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #986\nA particularly beautiful and rare solid gold picture frame of a graceful, oriental shape, designed with entwining leaf tendrils set with the richest shades of the transparent enamel, which has today become a lost art and cannot be duplicated.\nIt is a fine example of the work of the famous court jeweler \"Hahn\", who created some of the most prized specimens of the Russian Court Jewels.  The superb workmanship of this master is evident in such details as the execution of the panel of ivory which holds the picture, also the gold easel supporting the frame.  It is seldom indeed that one has the privilege of seeing a piece created by this great artist.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #987\nRectangular gold picture frame of exceptional quality and refinement, by \"Carl Fabergé\", court jeweler to the Czar of Russia.\nIn this specimen, \"Fabergé's\" unique enamel, a translucent mauve is set off by a border wreath design of minute workmanship in two shades of gold.  The opening for the picture, a tiny oval, is enclosed with beadwork attached at the top to festoons and ribbons of classical inspiration.  The back is paneled with ivory.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1035\nMost unusual gold and silver picture frame enameled in brilliant emerald green over a finely chased surface.  Designed in a five-petal arrangement, the center bears a photograph of Nicholas II, the late Czar of Russia, enclosed in beadwork, while in each of the five sectors, oval panels frame the portraits of the five children of the Czar: the Czarevitch Alexis, and the Grand Duchesses Olga, Tatiana, Maria and Anastasia.\nThe borders of this very rare example are embellished with wreaths, rosettes and bows of classical derivation.  The back is paneled with ivory.\nExecuted by \"Carl Fabergé\", court jeweler to the Russian Imperial family, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1166\nVery fine silver triptych frame of translucent white enamel applied over a chased (guilloché) surface, framed in a conventionalized leaf border of meticulous carving.\nThe actual openings for the portraits, two rectangular ones in the outer panels and octagonal one in the center, are placed with the formalized precision of the classic taste.  Exquisite borders, festoons with ribbons, together with rosettes and beadwork, complete the ensemble.\nSigned by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who is today referred to as the \"Cellini of the nineteenth century\" because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1189\nA very lovely handle of pale green nephrite, gracefully curved and tapered.  It is mounted with a gold cylindrical band chased and enameled in translucent white over a shimmering surface.  Rubies are placed over it and are incorporated with a design of green-gold festoons.\nThis example typifies the fastidious craftsmanship of \"Carl Fabergé\", celebrated Russian Court jeweler, who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #804\nA very beautiful brooch in the shape of a laurel wreath exquisitely cut out of green and a reddish gold and studded with many small diamonds which form a part of the design.\nThe center bears the monogram \"M\" and crown, in diamonds, of the Grand Duchess Maria, executed with two cabochon-cut rubies with the Cross on top.\nIt is a very good example of the superb workmanship of \"Carl Fabergé,\" celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth Century.\"\nFrom the personal belongings of Maria Nicholaiovna, third daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #1291\nAn unusually fine gold and silver seal of the round fluted type, mounted on the top with an exquisitely modelled monkey holding in its hands a human skull.  The monkey is contemplating the skull and in its animated attitude is a rare example of the silversmith's art.\nIn the base is set a white agate which is engraved with the monogram of Alexander Alexandrovitch, or Alexander III, father of Nicholas II, the late Czar of Russia.\nMade by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #980\nMagnificently conceived and executed Imperial Russian seal made with gold and silver stem, supporting a perfectly carved and polished agate Easter egg.  The setting holding the egg is of the most unusual and finely detailed workmanship.  It is in the form of garlands of roses carved out of several shades of gold, as well as silver, and is bordered with beadwork.  The stem likewise, is finely chased and consists of a polka dotted surface bound with a green gold wreath which flares out at the bottom into a circular base, the underside of which is minutely incised with the Russian Imperial double-headed Eagle.\nIt is one of the creations of \"Carl Fabergé, and fittingly illustrates his unique use of gold and rare semi-precious stones.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #1085\nA most unusual egg shaped, gold mounted nephrite bookmark, encrusted with diamonds and rubies in the form of the initials \"XB\", which is an abbreviation for the Russian \"Christ is Risen\".\nA good example of the work of the celebrated court jeweler \"Carl Fabergé\", showing his rare ability to combine beauty with utility.  In the original Faberge [sic] case.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533 duplicate\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535 duplicate\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #539\nA very unusual and rare red Russian nephrite cane handle carved in the shape of a duck's head.  It is mounted in vari-colored gold which is partly chased and enameled in beautiful translucent green and matte white and set with small diamonds.\nMade by the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #1101\nExceptionally beautiful and rare miniature gold icon depicting \"The Holy Virgin and Child Enthroned\", set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top, an interesting attachment is mounted with a blue sapphire, while from the bottom hang a pink ruby, an emerald and a pearl.\nThe icon bears an inscription meaning \"Save and Protect\", and is signed by the artist \"M. Chuknovsky\".\nIt is mounted in a beautifully designed triptych case of \"Old Russian\" design.  Hinges conform to the design of the case and are in solid silver intricately chased.\nFrom the personal belongings of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 26, 1936\n  #509\nExceptionally beautiful handle carved of a single amethyst set in a gold mounting and forming an exquisite terminal to a parasol.  The amethyst, beautifully carved, consists of two shells placed together on a Russian capital.  The gold mounting, so typical of \"Fabergé's\" workmanship, is intricately embellished with a repeating design punctuated all over with diamonds and enameled a lovely translucent pink.  The piece, combining as it does two shades of gold, is exquisitely bordered with two rows of diamonds superbly demonstrating the infinite amount of craftsmanship employed in a \"Fabergé\" creation.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who was so often termed the \"Cellini of the nineteenth century\" because of his unusually fine craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #477\nSmall handle of exquisite delicacy and refinement composed in its miniature dimensions of a \"T\"-shaped piece of rock crystal set in a gold mounting finely bordered with a bead edge of yellow gold.  Between these borders in incredibly small scale, the gold is chased into a design of waving lines, enameled in light blue and set with three rows of diamonds alternately placed.\nThis is a specimen typical of the unsurpassed craftsmanship of \"Carl Fabergé\", and worthy of the most discriminating taste.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #479\nParticularly beautiful handle, exquisitely wrought and decorated in a most beautiful manner.  The handle proper, a piece of rock crystal, is set in a cylindrical gold mounting embellished with various gold and enamel borders.  At the top and bottom there are green gold wreaths against a deeper shade of gold.  The enameled decoration is formed of three gold bands exquisitely enameled in a light shade of blue.  Each one is minutely chased with a scale design which imparts a shimmering quality.  Over the central band of a very pale shade of blue, there is a fine gold double wreath.  On each side of this middle portion two rows of pearls enhance the superlative quality of this \"Fabergé\" creation.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #480\nBeautiful handle perfectly illustrating the artistry of \"Carl Fabergé\". \nThis handle, a combination of a well-cut and polished piece of milky-green nephrite, is set off by the complementary shade of orange in its gold and enameled mounting.  This mounting, connecting the handle proper with the main body of the cane, is wrought with great delicacy and refinement.  Against a curved surface of white matte enamel, minutely striped with gold, there are superimposed two crossed ribbons chased of greenish-gold and enameled with translucent orange.  Above and below there is a tiny row of diamonds effectively set in quite another shade of gold.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #481\nVery fine handle made of nephrite of a pale golden greenish shade, symmetrically curved and mounted in brilliantly enameled gold.  The main part of the mounting is chased with a design of many short curves and enameled raspberry red.  Curving around it in a ribbon effect there are four bands of leaves exquisitely worked in two shades of gold, namely, yellow gold and green gold.  Above and below, there are two rows of diamonds.\nIt is a good example of the fine workmanship of the celebrated court jeweler \"Carl Fabergé\".  \nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #536\nVery fine handle of attractive simplicity composed of a beautifully shaped and polished piece of nephrite in a gold mounting.  This mount, which forms the connection between the handle proper and the body of the cane is of hand-hammered yellow gold and is bordered at top and bottom with two green gold wreaths.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who is often termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #538\n\"Fabergé\" handle executed in a most unusual manner of soft green nephrite in the shape of an egg affixed to a hand-hammered cylindrical gold mounting.  Starting from this mount and entwined over the egg-shaped surface, there is a golden snake, chased in all the precision of its naturalistic details.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in the center a beautifully painted portrait of the \"Madonna and Child\" in enamel, and framed with filigree work which is filled with unusually fine shaded enamel, showing tulips and other flowers, in the center of each of which topazes alternate with garnets.  The icon is surmounted by a large crown which is studded with a topaz, a garnet and two aquamarines.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family).  Moscow.\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #75\nCream leather frame with beautiful gold tooling, and crown in top center, made by \"A. Peterson\" at St. Petersburg (By Appointment to the Czar of Russia.)\nFrom the Winter Palace, where it was catalogued under the number 430/2.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and nine saints in miniature as follows:\n 1 – St. Peter – Metropolitan of Moscow\n 2 – St. Alexis – Metropolitan of Moscow\n 3 – St. Ivann – Metropolitan of Moscow\n 4 – St. Prince Michael\n 5 – St. Boyard Theodor\n 6 – St. Dimitry the Blessed\n 7 – St. Vasily the Blessed (In whose name the famous church in Moscow\n  was built by Ivan the Terrible.  The church upon completion was such\n  a beautiful example of Russian architecture that the Czar, fearing\n  that the church might be duplicated, had the architect blinded.)\n 8 – St. Michael the Martyr\n 9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears the nameplate of Alexei Nicholaievitch, to whom it was presented by the Nobility of Nijni Novgorod.  The plate reads as follows: \"To His Imperial Highness Czarevitch and Grand Duke Alexei Nicholaievitch from the Nobility of Nijni Novgorod.\"\nIt was made by \"Chlebnikoff\" (By Appointment to the Russian Royal Family).  It is a remarkable example of the work of this fine Russian silversmith, who has made many outstanding objects for the Imperial family.\nIt is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #906\nMiniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler cut out of a brilliant cerise-colored Ural stone set in a delicate open-work gold mounting.\nFrom the collection of the Grand Duchess Maria Nicholaievna, third daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1073\nExceptionally beautiful and rare jade frame, mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside, and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frames the picture, while on the jade margin green gold festoons are attached to reddish gold rosettes.\nIt is a superb example of the fastidious workmanship lavished upon his creations by \"Carl G. Fabergé\", the celebrated Court Jeweler to the Czar of Russia, and aptly illustrates his unique use of the rare semi-precious stones which were found throughout the Russian Empire.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1075\nCircular gold picture frame of the most exquisite and delicate workmanship, chased with a shimmering guilloche pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls, while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\nIt is in the original case and is signed by \"Carl G. Fabergé\", the famous jeweler to the Imperial Court of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1078\nExceptionally beautiful gold and silver picture frame of most unusual size, enameled in translucent sky-blue over a scintillating chased (guilloché) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At the top, laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  The back is paneled by hollywood.\nThe fine craftsmanship displayed in this example typifies the work of \"Carl G. Fabergé\", the celebrated Court Jeweler to the Russian Imperial family.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #1182, #1183, #778\n#1182. Miniature solid gold Easter egg signed with the initials of \"Carl G. Fabergé\", the celebrated Russian Court jeweler chased with the \"guilloche\" all-over pattern enameled brilliant emerald green.  Serving as complement to the green enamel a gold circle and stripes are set with a small ruby.\n#1183. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler.  Of a yellow gold it is chased and set with nine cabochon-cut rubies.\n#778. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler executed in yellow gold with green gold wreath design and filigree volutes set with two small diamonds.\nFrom the collection of the Grand Duchess Tatiana Nicholaievna, second daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1315\nVery fine miniature picture frame, delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface, enameled brilliant orange.\nAt the corners of the actual opening for the picture, pearls are set in, while on the enamel, circular wreaths are mounted, together with crossed arrows.  \nBy \"Carl G. Fabergé\", the celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the nineteenth century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1350\nPaper knife of richly grained tortoise shell, of unusual personal interest.  It is mounted with a solid gold facsimile reproduction of the inscription \"For Dear Alix\" (the Czarina Alexandra Feodorovna) \"from Misha\" (the Grand Duke Michael, brother of Nicholas II, the late Czar of Russia.)\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] \nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1343\nVery fine Easter egg cut out of a blue agate and decorated with a continuous motif of sprigs of four-pointed flowers and leaves cut out of silver and set with a myriad of tiny diamonds.\nIt is a signed piece by \"Carl G. Fabergé\", the celebrated Russian court jeweler who is today so often referred to as the \"Cellini of the 19th century.\"\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1364\nAn exceptionally choice fantaisie by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nSigned and in the original case, this unique tray of gold gilt silver is mounted with a stand to which is attached an ivory swing on which perches a paraquet [sic] cut directly out of a rare brilliantly colored agate, the natural markings of which delineate the feathers in the minutest detail.\nEmeralds are set in for the eyes and the whole presents an astonishingly life-like aspect.  On either side of the swing tiny containers hold the golden kernels of birdseed.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1367\nA circular gold box signed by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nIt is enameled brilliant red over a broad guilloche line pattern, and mounted with intricate little vari-colored gold motifs of interlaced wreaths and rosettes having diamond centers.\nFive wreaths ornament the cover and frame a portrait of Catherine the Great which is dated 1773.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1464\nMiniature picture frame by CARL G. FABERGE cut from lapis lazuli in a quaint design, the bright blue surface overlaid with a vine-like wreath of tiny flowers executed in the greatest delicacy from green, reddish and yellow gold.\nIt is set with three diamonds.  The actual opening for the picture is bordered with pearls.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1537\nA most important miniature sculpture of a horned owl by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is rather larger than many of his famous bird and animal sculptures and is cut entirely from a moss agate, the green and gray markings creating a superb sense of the texture of feathers which are finely incised all over.  The claws are of gold and beautifully chased, and, together with the gold-mounted diamond eyes, the whole creates an astonishingly life-like aspect.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1546\nSilver gold-gilt buzzer for the table, of conical beehive shape with a large cabochon-cut ural stone in the center. \nIt is a device with clock-like movement, to be wound up, and when used gives a quiet, low, buzzing sound.\nCut into the silver by hand, a collar of long leaves surrounds the stone button.  The sides are decorated with chased garlands and around the base there is a beadwork border.\nBears the hallmark and signature of CARL G. FABERGÉ, the celebrated Russian Court jeweler.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1578\nGold chain bracelet of large heavy links, by CARL G. FABERGÉ, the celebrated Russian Court jeweler.\nIt is mounted with an Imperial Crown studded with diamonds and two cabochon-cut sapphires, and is mounted also with a small safety catch chain arrangement.\nFrom the personal belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1556\nGold gilt silver triangle frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased (guilloche) surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a beveled glass with the outside border in beadwork.\nThe back is paneled with ivory, while the easel is of gold gilt silver.  In the original hollywood case.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides, a diamond is inset and in the very center, surrounded by a laurel wreath, is the Roman number \"ten\" in diamonds.\nSigned by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1576\nA pin by CARL G. FABERGÉ in the Egyptian style, in the form of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE [sic], celebrated Russian Court jeweler, executed in solid gold in his French classic style.\nIt follows in technique the French eighteenth century gold snuff boxes with a ground of cobalt blue translucent enamel.  Unlike most of FABERGE'S [sic] surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes and is merely visible as faint rays on the enamel surface.\nAround the center, there is a broad vari-colored gold band carved in a minute serpentine pattern, together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg, circular caps bear ten-pointed rosettes enameled in green.\nThe three divisions are further elaborated by the addition of three bands of white matte enamel dots, one of which in the center row, is a tiny diamond catch.\nBears the inscription which may be seen as one opens the egg \"Christ Has Risen.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1736\nJade parasol top mounted in gold by CARL G. FABERGE [sic], the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.\nOn the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1737\nJade parasol top mounted in gold, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.\nA green-gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2237\nTiny solid gold oval box by CARL G. FABERGÉ, the celebrated Russian Court jeweler.  \nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with excerpts from the Koran.  It is surrounded by a row of diamonds.\nLike all of FABERGÉ's boxes, the fit of cover to box is a notable instance of his technique.  Here also he has employed the hinges which appear on the finest eighteenth century gold snuff boxes.\nIt is one of the best examples of his craftsmanship.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2238\nRare miniature Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise and, entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a cabochon-cut ruby.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-3\nRectangular miniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed from gold-gilt silver and is enameled over a chased (guilloche) surface in a very beautiful shade of rose.  Borders of wreath design frame the enameled ground, while the opening for the picture is enclosed with beadwork.  The back is paneled [sic] with ivory.\nFrom the Youssoupoff collection.  Originally it was presented to the Princess Youssoupoff by the Empress Maria Feodorovna.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-5\nMiniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.  Concentric fluted gold rims separate these areas.\nThe jade is of a dark, spotted green and in contrast to it, a pale mauve enamel is employed overlaid by an interweaving green-gold wreath.\nAt top, a ribbon with bow and loose ends is fixed, bearing a ruby in the center.  It is mounted with a gold easel.\nOriginally in the collection of the Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-8\nA miniature icon by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is in the form of a triptych and is very simply panelled [sic] on the exterior with a dark wood bearing a four-petaled [sic] catch centered by an emerald.  It opens to disclose a solid gold interior.  The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls.  The yellow-gold ground bears arabesques of filigree and is studded at significant points in the design with emeralds, rubies, sapphires, and diamonds.\nThe central panel frames \"The Resurrection.\"  Against a dark background, the figure of Christ appears holding aloft a pennant.  His form radiates light and in the foreground, two angels kneel.\nIt is an extremely fine painting for a miniature and is complete in every detail.  It is surmounted by a Russian Cross studded with emeralds and rubies.\nThe inscription on the left panel reads as follows: \"Resurrection of Thine, O Christ, Saviour, about which the Angels sing in Heaven.\"  And on the right panel: \"And we on Earth try to be worthy to glorify Thee.\"\nOriginally in the collection of the Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-13\nDome-shaped jade push-button by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the classic French style adapted by FABERGE [sic], the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut star ruby set in a nine-petaled [sic] mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and, following in this style, is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three gold feet in the form of rococo scrolls.\nOriginally in the collection of Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-14\nGold-mounted jade calendar by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the form of a rectangular piece of dark, translucent green jade, it is designed in his classic manner and mounted with gold-gilt back and easel.  At the top, swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center, two oval openings bear red enameled mounts which have the numbers for the day of the month, and these are changeable each day by clicking the buttons on either side.  Below, on a set of gold-gilt plaques, the names of the months are engraved and held in place by red enamel and moonstone mounts.\nOriginally in the collection of the Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-16\nLarge jade Easter egg mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold-gilt silver and bearing ruby catches with which to open it.\nIt originally served as a jewel case.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1509\n\"The Cathedral\", a most important nineteenth century Russian icon painted in the miniature technique on gold over silver.  Against a ground of geometrical chasing, the various figures are painted with flowing gowns of white, purple, red, and bluish-green, with their haloes inscribed in the Old Slavonic.\nIn the clouds, the Holy Virgin stands, her halo emanating rays of light, with kneeling saints and angels on either side.  Below Her, appear, left; Czar Lev, and St. Czarina Zoia; center, St. Roman; right, St. Epiphanie, St. Andrew, St. Martyr Lubov (the small figure in white), and the Archangel Michael.\nIt is in the original frame of filigree, inset with the Russian enamel in jewel-like colors.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1568\nCross cut out of a fine rich blue piece of lapis lazuli.\nIt is mounted in gold and has a moveable diamond and pearl studded link.  The center of the cross is overlaid with a diamond studded rosette which has a pearl center.\nFrom the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface, and opens with a small pearl-bordered lid having a ruby catch.  It is decorated on top with a diamond and ruby six-petaled [sic] flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2136\nJade parasol top mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is cut from the jade in a very curious manner with tapering, bulbous areas up the sides, flaring outwards to the top which is designed in a four-petaled [sic] manner.  In this specimen, the jade is of a soft but brilliant green coloring.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2243\nAn example of the miniature sculpture of CARL G. FABERGE [sic]: a pig cut out of lapis lazuli.\nIn this example of the Russian master's work, the lapis selected is a brilliant blue with rich markings and flecks of gold.\nIt is executed in an extremely naturalistic manner with such details as hooves, ears, and mouth minutely detailed.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #G-22\nVery unusual miniature diptych icon of solid gold by GRATCHOV, by Appointment to the Russian Imperial Family.\nIts design is perfectly plain on the exterior, and on opening it discloses miniatures of Jesus Christ on one panel and the Holy Virgin of Kazan on the other.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #798\nVery unusual panagia portraying \"Christ Blessing the Universe\".\nIt is carved out of green jasper in a two-colored effect, and mounted in a very interesting hand-made silver frame surmounted by crown [sic] and studded with amethysts, rubies and aquamarines. Attached to it is a gold gilt silver chain cut out by hand.\nRussian, early nineteenth century.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #1205\nExceptionally fine solid silver triptych icon designed with serpentine pointed top, and overlaid on the front with gold leaves and tendrils molded and chased to perfectly simulate the gold bullion work motifs to be found on the finest Russian brocades.\nOpening the side panels of the icon, which bear in the center the Greek Catholic cross, the central panel is painted with the \"Transfiguration\", against a pure gold ground.  Christ stands in the center with Elias on the left and Moses on the right, while below there are: left, \"John\"; middle, \"James\"; and right, \"Peter\".  The side panels frame at the left, \"St. Elizabeth\", and on the right, \"St. Sergius of Randanezh\".\nAll of the individual paintings are equally notable for a beauty of characterization as well as for the unusual finish of details.  A narrow border frame in emerald green, gold, red and black completes the design.\nThe icon bears on the reverse the dedication to Grand Duke Serge as follows: \"Blessing of the Preobrajensky Regiment, June 3d, 1884\".  \"A new commandment I give unto you, that ye love one another as I have loved you\".  \"From the New Testament, St. John, Chapter 13, Verse 34).\nThe names of the donors are inscribed (etched in the silver) over the sides of the icon.  They are as follows:\n Middle lower: Baron Medem, Kovansky, Count Murafief, Amursky, Neidhart, Kornileff, Count Titischoff. \n Right wing lower: Martinoff, Count Von Preil, Penherzhevsky, Gadon.\n Left wing lower: Belgard, Martinoff, Obahoff, Dolgoff II.\n Right top dome (front): Hartons, Belhart, Domerishkov, Veltzin, Kazin, Zhehacheff;\n         (back): Chekmareff, Komaroff, Palivin, Muravieff, Shipoff,  Schmitt.\n Left top dome (front): General Major Prince Obolensky, \n Left top dome (front) continued: Evreinoff (meaning in Russian \"Son of the Jew\"), Korniloff, Ladishensky, Dolhoff.\n   (back): Second Lieutenant Shemiakin, Bakalin, Lt. Peshkoff, Baron Medem.\nRight side (top): Admiral Ozeroff, Novisitzogg, Kasherinoff, Under Captain Haller, Heirot, Epanchin, Baliasny, Forselles, Vosnesensky, Surelius.\nRight side (bottom): Kashneff, Malahoff, Bashiloff, Mescherinoff, Merder, Neidhart II, Prince Troubetskoy, Loshhereff, Delsal, Count Loris-Melikoff.\nLeft side (top and bottom): Pensky, Kushkovsky, Adjutant Reiters, Count Stenbok, Captain A.G. Korostovitz, Kakoshkin; Schlitter, Delsal, Janetzky, Mirkuloff, Veimarn, Gardenin, Navrotsky.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2443\u003c/p\u003e\n","\u003cp\u003eGolden flowers in a rock crystal pot. Three (3) gold \"TROLLIUS EUROPAEUS\" (Globe Flowers) are made of solid gold, the actual blooms being enamelled (sic) in a clear translucent yellow. The petals are all finely chased underneath the enamelling (sic), emphasizing the translucency of the enamel. The stem, which is also of gold, is grooved with hair-like stripes and is lightly colored in the palest of green tints. The leaves which are very realistically carved from a dark green jade are veined and folded in an accurate duplication of nature's own. Each stem is signed, K. FABERGE, in Russian characters and bears the Russian Imperial Eagle. The conical pot in which these removable flowers stand, is carved from a solid block of rock crystal in such manner as to suggest a natural water-line which is as true to life as the actual would be. On the underside of the pot appear the Russian characters for K. FABERGE.\u003c/p\u003e\n","\u003cp\u003eThis very beautiful object was made by the celebrated Russian Court Jeweler, KARL FABERGE and the piece is extremely rare in that seldom were objects of this type marked with his full name.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e\n","\u003cp\u003eNovember, 1945\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK\u003c/p\u003e\n","\u003cp\u003eNovember, 1945\n#2891\nLapis-Lazuli combination seal and letter-opener. The handle is a long, bulbous-shaped piece of Lapis-Lazuli, beautifully curved in symmetrical pattern with a gold, hand-chased, ferrule. The blade and the seal, which are interchangeable, are of silver-gilt.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#181\nVery fine enamel miniature portrait of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.\nIt is painted on silver and is enclosed in a gold and silver frame of beautiful bead design, surmounted by crown. Both the frame and the miniature are exceptional in quality.\nFrom the personal belongings of her father, Nicholas II. From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#540\nVery unusual and rare rock crystal cane handle, with the head of a dog etched and enameled inside of the crystal ball in amazingly realistic fashion. It is a superb example of the artistry and craftsmanship of the famous court jeweler to the Czar of Russia, \"CARL G. FABERGE\", by whom it was made, and who was often referred to as the \"Cellini of the nineteenth century.\" \nThe globe of crystal, bound about by gold, is affixed to a wide stippled mounting studded at intervals with diamonds, rubies, emeralds, and sapphires.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York.\n#598\nPair of superb Wedgwood medallions, one portraying Czar Nicholas II, the late Czar of Russia, the other, his wife Czarine Alexandra Feodorovna. \nThese rare masterpieces of Wedgwood ware, the greatest of all ceramics, are exquisitely executed in white low relief on a soft green ground. In the perfection of the details and the characterization of the personages represented, they show the painstaking craftsmanship and distinctive elegance of this art.\nOn the back of each of the medallions there is the mark \"Wedgwood\" and in script \"The Czar of Russia\" and \"The Czarina of Russia\", respectively.\nThey were purchased from Madame Anna Viroubova, former lady-in-waiting and personal friend of the Empress Alexandra Feodorovna.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1022\nMost artistically conceived and executed miniature triptych icon sculptured out of solid gold, and signed by K. HAHN, who made some of the Crown Jewels of Russia. \nOf tiny proportions, this triptych is of a most exquisite design. Shown with the two side panels closed, it exhibits the pierced work border which frames panels with cherubs enameled blue and red. At the top, these doors are surmounted with a sunburst, in the center of which is a dove with outspread wings.\nOn opening the icon, one sees \"Christ Blessing the Universe\". On the left is \"St. Nicholas\", the patron saint of Nicholas II, and on the right is \"St. Alexander Nevsky\", the patron saint of Czar Alexander III. It was presented by Alexander III to his son and successor Nicholas II, with his blessings. At top, the Almighty is depicted with surrounding inscription which reads \"Save O Lord Thy People\". Placed over the hinges and crowning the top of the central panel, three fluted Russian domes are placed, each surmounted by the Greek Catholic Cross.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1044\nCircular gold picture frame of unusually small proportions by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased (guilloche) surface in sky-blue. The border and the inner round opening for the picture are enameled in matte white, bordered with gold. It is surmounted by a gold bow and ribbon enrichment.\nIt contains an original miniature of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1291\nGold gilt silver pencil bearing at its summit a tiny, finely formed mongoose, also of gold gilt silver. \nIt was part of a complete writing set of Czar Alexander III, made by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1326\nTo celebrate the two hundredth anniversary of the founding of the capital-city St. Petersburg, the late Czar, Nicholas II, commissioned the court jeweler CARL G. FABERGE, to execute an Easter egg to be presented to the Czarina in honor of the occasion. CARL G. FABERGE, jeweler to Czar Nicholas II and to his father Alexander III, had since 1885 executed an Easter egg yearly to be presented by the sovereign to his wife. However, to celebrate so great an occasion in the annals of the Romanoff family, this egg was planned many years before the date of the anniversary and was ready in 1903. When completed, it proved to be the most sumptuous and magnificent of any ever constructed.\nAt the highest point, the egg measures almost six inches, and at the widest four inches, and is constructed entirely of solid gold. (It is marked \"72\", the equivalent of eighteen karat gold). Covering its surface, an elaborate rococo design forms in its many curves, panels and areas perfectly suited to the particular type of workmanship which Fabergé excelled in designing and his workmaster M. Perchin in executing. The rococo curves are perfectly suited to the egg-shape, and are studded with hundreds of diamonds and scores of rubies. Intertwined bullrushes [sic] arising from the lower part of the egg are done in green gold, against the yellow gold surface, and show Perchin's superb chasing and minute detail. Cat-tails of square cut rubies give the touch of color which is so significant a feature of the egg, and are entwined with garlands of roses contrasting various shades of gold with platinum. On the top of the egg, the diamond monogram of the Czar is enclosed in a wreath enameled in white and emerald green. Around the upper and lower part of the egg are white enameled ribbons, explaining in Russian the significance of the occasion for which the egg was created.\nTwo miniatures around the middle bear portraits of Peter the Great, founder of St. Petersburg (in 1703), and Nicholas II, during whose reign the bicentenary was celebrated (in 1903). Emphasizing the evolution of St. Petersburg during these two hundred years, two other miniatures frame views of the cottage which Peter built on the low-lying ground by the sea, and which was to be the Russian capital, in contrast to the Winter Palace with its grounds as it was under Nicholas II. In the distance of the latter can be seen the Fortress of Peter and Paul with its spire. These four paintings are by VASSILY ZOUEV, with whom Faberge collaborated. He was the most celebrated miniaturist in Russia and was as well miniature painter to the court. Rock crystal was employed instead of glass to cover these paintings and it exactly fits the many-sided panels. The egg bears at the top the monogram and crown of Czar Nicholas II done in diamonds and the date 1703 when St. Petersburg was founded, as well as the date 1903, when the egg was made in celebration of that event. At the bottom, the double-headed Eagle, insignia of the Imperial family, is enameled in black surmounted by the Imperial crown set with diamonds. Over its breast a portrait diamond covers a tiny crest of \"St. George and the Dragon\" enameled in color.\nThe greatest feature of all, however, is concealed within the egg. On opening it, the mechanism within raises a miniature statue of Peter the Great from the interior. It is executed in solid gold by the Russian Court sculptor G. MALYSHEW, and stands on a sapphire pedestal. It is an exact replica of the colossus representing Peter which to this day stands on a square in St. Petersburg, and which was created on the order of Catherine the Great by Falconet.\nIt is interesting to note that besides the usual hallmarks that were always used, the egg bears the engraved signature \"K. Fabergé\" and the date 1903. This egg is considered to be the chef d'oeuvre of this great master.\nIt was illustrated on page 3 of the Russian magazine \"Stolitza et Usadba\" in the April 1, 1916 issue, which was devoted to a description of the Imperial Easter eggs. They were reproduced by special permission of the Czar, and the Peter the Great egg is the first illustrated. It was also reproduced and described in the November, 1936 issue of \"The Connoisseur\" on page 284, as well as in the \"Art News\", in its issue of November 7, 1936, on page 16, and in \"The New York Sun\" of October 31, 1936, page 17.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1479\nA good example of the miniature sculpture of CARL G. FABERGE, the Russian Court jeweler; a baby vulture carved from obsidian and shown seated in a most natural attitude. \nIn its small dimensions every detail of the anatomy is correctly and precisely cut even to a chasing of the individual feathers. The sheen of light within the stone running through front to back creates a varying surface texture as the piece is moved in the light, shifting from a downy grayness to jet black.\nDiamonds are set in for the eyes.\nSigned \"C. Fabergé.\"\nFrom the Alexander Palace at Tsarskoye Selo.\nMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1524\nCovered jade vase in a brilliant gold gilt silver mounting.\nIt is designed as a small covered chalice cup, the deep green jade forming the cup part, and mounted on a narrow stem flaring out into a circular base. The jade body is slightly tapered and curves out by means of concentric flutings into a rounded underside. The upper part bears a fluted gold rim and above it the cover is fitted. This is slightly domed and bears on its summit a high, cabochon-cut pink tourmaline as a knob.\nSigned by FABERGE, the well-known Russian Court jeweler, who is today referred to as the \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1543\nMiniature picture frame enameled in mauve, signed by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed in his French classical manner with a narrow mauve-enameled ground bordered by the motifs associated with this style. \nAround the beveled glass there is an edge of white matte enamel separated from the mauve surface by a tiny fluted border crossed with ribbons.\nAn outer border of beadwork encloses the frame and over the enameled surface rosettes with short swags are mounted.\nBears a hinged easel with the name \"Victoria\" lettered in openwork.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1569\nA large Imperial Russian Crown in gold and silver, and designed with leaves, tendrils and flower forms set with numerous cabochon rubies, cabochon sapphires and diamonds.\nIt is mounted at the top with a diamond-set Greek cross, and a diamond-encircled sapphire.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1735\nGold-gilt silver triptych picture frame by CARL G. FABERGE, the Russian Court jeweler, containing an exquisite drawing.\nThe entire frame is paneled with the ivory-like hollywood and the triptych doors are clasped in the middle by a Greek Catholic cross.\nOpening the doors, he drawing is seen to be set into an oval opening covered with beveled glass and surrounded by a row of pearls.\nThe ground surrounding the drawing is in Faberge's white enamel, given a great brilliance by the chased undersurface. At the corners winged cherubs are placed.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1749\nUmbrella handle in the form of an eagle's head, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe head is carved in a highly stylised (sic) manner out of a light green jade, with the eyes fashioned of two large beautiful red Ural stones mounted in gold. The white translucent enamel of the mounting is the type which Fabergé perfected and its sheen is further heightened by the guilloche under-surface. At the top and bottom it is bounded by bands of wreaths in vari-colored gold.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1763/2723\nVery rare miniature animal studies of an elephant by CARL G. FABERGE, the celebrated Russian Court jeweler.\nOne is in silver, and is fully signed by the master, while the second, in gold, is unmarked. This was most likely made as a mate to the silver one. Presumably, they were silver and golden wedding anniversary gifts.\nThey are both modelled in an extremely naturalistic manner, with all the characteristics of the animal carried out with great fidelity to nature.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2122\nAn original photograph from the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nIt shows a whole group of photographs of the Czar, Czarina and their children. A large photograph of the Czar himself, is in the center, flanked by smaller ones showing the Czarina with the Grand Duchesses Olga, Tatiana and Maria. \nFrom the Hermitage Museum. Originally in the Winter Palace.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2247\nGold mounted sapphire-studded rock crystal perfume vial by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed in a cylindrical manner banded about the opening with gold, and bears a gold cover enameled in a translucent white. The whole bottle is studded all over in a polka-dot arrangement with cabochon-cut sapphires and bears about the opening a Greek fret chased in the gold.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2278\nA charming fantaisie by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn a solid gold cage perched on a golden bar on which rest two tiny golden containers for seed, is a parrot cut out of a single piece of pink quart with ruby gold-mounted eyes and gold claws.\nIt is a very fine example of Fabergé's animal sculpture. In its life-like presentation, all the details of feathers, wing and attitude are faithfully rendered and, most naturalistic in aspect on one side of the cage, is a tiny door of fine construction which is typical of the work of this master.\nThe cage rests on a slab of red nephrite highly polished and harmonizing so beautifully in color with the red gold cage and the pink color of the parrot.\nIt is a signed piece by this celebrated artist and is indeed a creation making him worthy of the title \"Cellini of the 19th century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2279\nKovsh by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of rock crystal into which is etched a highly conventionalized all-over leaf pattern. The shape is exquisite, being wide and flat.\nIt stands on a gold base with four feet each extending from a leaf. Around the rim is a gold mounting which comes to a point at the front and bears on its summit a pear-shaped pearl in an open-work gold mounting. The handle also, is carved out of gold into the form of a female head surrounded by leaves and flowers, and is embellished with nine small and one larger ruby and two rows of diamonds, one of which serves as a necklace for the figure.\nThe piece, elaborate as it is in its sumptuous decoration, somehow give the feeling of utter simplicity because of the harmony of the movement of line. It is a specimen of Fabergé's work which amply earns for him the title \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2281\nInteresting miniature Easter egg carved out of opal. It combines most beautifully a rich brown with iridescent shades of greens and blues.\nBy CARL G. FABERGE, the celebrated Russian Court jeweler.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2297\nSolid gold pin in the shape of a wild rose, very beautifully enameled in a soft shade of pink and giving a most delightful and lifelike effect.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2299\nA most unusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler, who is often referred to today as the \"Cellini of the nineteenth century\".\nBeautifully conceived and executed, it represents a spray of lilies-of-the valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade. The spray stands in what appears to be a red clay flower [underlined] pot filled with moss, but the pot actually is of silver and enameled in a matte brick red, the color of the natural clay, while the moss is of gold, so artfully employed  that one can scarcely believe that it is not actually moss.\nSo ingeniously is the entire object executed that it gives a most lifelike and naturalistic effect. One feels that the flower is planted in the pot, and only upon closer examination does one realize that the whole is created from such precious materials as gold, silver, pearls, diamonds and jade.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2300\nUnusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler.\nBeautifully conceived and executed, it represents a spray of lilies-of-the-valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade.\nThe spray stands in what seems to be a glass of water, but what is actually a rock crystal vase so created as to give the perfect illusion of water.\nSo ingeniously is the entire object executed that it gives a most lifelike effect. One actually feels that the lily-of-the-valley is standing in the water and only on close examination does one realize that the whole is created from gold, pearls, jade, crystal, etc.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2322\nAn exceptionally fine miniature sculpture of a blood hound by the celebrated Russian Court jeweler CARL G. FABERGE.\nThe animal is carved from a single piece of vari-colored agate ranging in shade from a light gray to a reddish brown. He is shown in the attitude of following the scent, and most noteworthy in this specimen is the impression one gains of his great strength and power. The lowered head, the sniffing nose, the upcurled tail, and long ears almost touching the ground, are all most remarkable, and most life-like. One actually seems to feel that the dog is following one, so realistic is the whole creation.\nIn its small dimensions every detail of the anatomy is correctly and precisely carved, even to the chasing of the individual markings on the dog. Diamonds are set in for the eyes.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2323\nMiniature sculpture by CARL G. FABERGE, of an eagle, carved from vari-colored brown and gray agate, and with feet of gold.\nIt is an exceptionally fine example by this great Russian artist, and every portion of the bird's anatomy has been minutely carved with the greatest attention to detail.\nThe bird is shown standing in repose with wings folded in, and head slightly turned to one side. The beak is carved to almost knife-like sharpness, and diamonds are set in for the eyes, giving a most naturalistic expression. Adding to the impression one has of the great strength and ferocity of this bird, are the highly polished and sharp claws which are rendered with the highest degree of precision.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2325\nMiniature rooster carved out of transparent carnelian, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn its small dimensions, every detail of the anatomy is correctly and precisely cut, even to the chasing of the individual feathers. The legs are of gold with the paws minutely chased and with sharp claws, while diamonds are set in for the eyes. \nIt is a fine example of the miniature sculptures in semi-precious stones for which Fabergé was famous.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2325\nUnique sculpture of a hornbill by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThis exotic bird with its exceptionally long curved beak, is shown in a seated position, with its head upraised. It is carved from flawless smoky topaz, beautiful in color.\nThe rendition of the bird is executed with broad, sweeping lines, yet with great attention and fidelity to detail. Diamonds mounted in yellow gold are set in for the eyes. It is in every respect an example typical of the fine animal sculptures by Fabergé.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2340\nA magnificent specimen of the animal sculpture of CARL G. FABERGE, the celebrated Russian Court jeweler, is this large owl carved out of a single piece of obsidian.\nThis rare and excessively brittle stone is here used to the greatest advantage. It is so carved and polished as to bring out all the hidden lights.\nThe model for the sculpture was apparently an old bird, who sits looking at us sideways in a most quizzical fashion. His large eyes are set with tiger eyes, mounted in each corner with tiny diamonds, all set in gold. The roving quality of the tiger eyes is in admirable harmony with the nature of the obsidian, which changes and gives such an unusual silvery-gray sheen when light strikes it at various angles.\nThe fine carving and imbricated plumage are most typical of the genius of Fabergé. The wings are an interesting feature, being irregular in their foldings (sic), in conformity with the position of the bird, slightly turned.\nIn the original Fabergé hollywood case.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2353\nVery unusual gold pendant in the form of a lozenge, by BOLIN, the well-known Russian jeweler, who made many outstanding objects for members of the Russian Imperial family, as well as for other important personages.\nIn the center is a large diamond surrounded by four smaller ones. At the top is set a star cabochon-cut ruby of unusual color, while on the other three points are large cabochon-cut star sapphires.\nBordering the piece on both sides, are finely chased gold ropes.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2373\nRare Russian silver tray of the early nineteenth century, made in St. Petersburg circa 1815 during the reign of Czar Alexander I (1801-1825).\nIt is a plain rectangular tray standing on four ball feet, and bordered with a pierced and beaded gallery, and baring two gracefully shaped handles, also beaded.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2376\nGold link bracelet by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThe center bears a shield-shaped plaque which is translucently enameled over a chased (guilloché) surface in a rich red, and against this background is mounted the Russian Imperial double-headed Eagle, beautifully chased. The breast bears a diamond and the crown surmounting it is likewise set with a diamond.\nOf exquisite refinement and delicacy it is a piece typical of the work of this great artist.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2419\nRectangular gold gilt silver frame by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe opening for the picture is large and square and the border rather narrow, which gives a most unusual effect.\nThe border, is enameled over a chased \"guilloché\" surface in a rich translucent red, over which is appliqued formal scrollwork in gold gilt silver. Pilasters enameled in fine shades of green and white complete the decoration, and blend beautifully with the entire composition. The back is paneled with hollywood.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN. L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2421\nExceptionally fine rectangular gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in an extremely pale blue.\nBoth the inner rectangular border for the picture and the outer border are perfectly plain. Surmounting the frame is a gold riband from which are suspended pendant festoons of berried laurel, and in each corner are rosettes inset with tiny diamonds.\nThe back is paneled with ivory and bears a fancifully designed easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2445\nAn exceptional piece by the celebrated Russian Court jeweler, CARL G. FABERGE, is this large ash tray fashioned of gold.\nThe shape is most graceful and unusual, being of trefoil design. From each of the three points thus formed, a gold handle extends, each handle being set with a gold coin of Catherine the Great, and dated 1766, 1773, and 1783. Fabergé was very fond of using these old Russian coins in completing his designs and they are here used to perfection. The coins are of green gold and are a fine contrast to the interior of the tray, which is a highly polished red gold.\nThe exterior is a surprise feature, as it is finely fluted, with typical Fabergé precision and painstaking craftsmanship.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2453\nA large goose carved out of a piece of rock crystal by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe goose is shown in a standing position with the long neck gracefully lifted, and the head turned slightly to one side. Tiny gold-mounted diamonds are set in for the eyes.\nThe imbricated plumage is finely rendered, and so life-like is the creation, that one feels that at any moment the goose will begin to waddle along. Fabergé was a great genius in the field of animal sculpture, and has here captured the charm of this bird, and given life to this finely carved stone.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2454\nAmethystine owl by CARL G. FABERGE, the celebrated Russian Court jeweler. Carved out of a single piece of this stone, which was especially chosen for its unusual color and shading, the owl is finely chased in great detail. Tiny gold-mounted olivenes (sic) are set in for the eyes, and such a choice was a happy inspiration, as they add greatly to the character of the bird.\nHe is shown with his meticulously chased gold feet perched on an ivory stand which has sapphire tips. The whole rests on a base which is composed of a single slap (sic) of lapis lazuli.\nA typical Fabergé nicety is added near the base: - two tiny enameled bands, one in white matte enamel, and the other in a lovely shade of translucent pink enamel, complete the color harmony, and are a charming surprise.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2455. Miniature gold Easter egg, with four sections finely enameled a deep blue, and set in each corner with a gold star and in the center with a cabochon ruby. In between these sections, the gold surfaces are beautifully fluted.\n#2456. Tiny Easter rabbit mounted in an egg-shaped gold ring. The bunny is beautifully carved out of a single piece of amethyst. Around his neck is a gold collar from which is suspended a gold-mounted olivene (sic), while olivenes (sic) are also set in for the eyes.\nBoth of these are by the famous Russian Court jeweler, CARL G. FABERGE, and are from the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2457. Miniature Easter egg of rock crystal, finely etched with four four-leaf clovers, in the center of each of which is a ruby or an emerald.\n#2461. Miniature gold Easter egg enameled over a chased (guilloché) surface in a rich red, with a gold band running around its side.\n#2467. Miniature gold Easter egg enameled over a chased (guilloché) surface in a pale apple green. Superimposed are two white matte enameled lilies with leaves.\n#2474. Miniature gold Easter egg, very simple in design. Its sole decoration consists of a calyx outlined at the top in deep ultramarine blue enamel.\nThey are by CARL G. FABERGE, the well-known Russian Court jeweler, and are from the belongings of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2460. Miniature gold Easter egg, beautifully decorated with alternating panels of red and white translucent enamel. The white portions are further embellished with overlaid tiny blue flowers and green leaves.\n#2465. Miniature gold Easter egg fashioned as a gold egg-shaped ring enameled over a chased surface in a shimmering white. From its center is suspended a gold-mounted ruby.\n#2470. Miniature gold Easter egg fashioned as a gold egg-shaped ring, in which stands a gold-mounted egg-shaped aquamarine.\n#2472. Miniature Easter egg carved out of a single piece of the rare Russian semi-precious stone, orletz. Wound about the egg is a gold serpent, exquisitely chased, its head set with an emerald.\nThese are by CARL G. FABERGE, the celebrated Russian Court jeweler, and are from the belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2464. Miniature Easter egg carved out of a single piece of dark green jade, mounted in a gold wreath which divides the egg into three portions. Two points of the wreath are set with rubies.\n#2468. Miniature gold Easter egg finely enameled over a chased (guilloché) surface in a rich red. One side is set with a . (sic) pearl, while the other bears abbreviations in gold letters, which stand for the traditional Easter greeting \"Christ is Risen\".\nThese are by the celebrated Russian Court jeweler CARL G. FABERGE, and are from the belongings of the Grand Duchess Anastasia Nicholaiovna, the youngest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2496\nTiny vase with two small handles, beautifully carved out of rock crystal. The entire surface is cut with a basketwork design, while the top is mounted with a gold rim which is set with alternating diamonds and rubies.\nIt is by the celebrated Russian Court jeweler CARL G. FABERGE, who is today often referred to as the \"Cellini of the nineteenth century\".\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2497\nSmall gold cup by CARL G. FABERGE, the celebrated Russian Court jeweler. It is tapering in shape, and stands on a very short round base. On one side is a curiously formed openwork handle.\nThe most engaging feature is the decoration around the side of the cup. The lower portion is so chased as to look like water, in which are swimming two fishes, the tails and heads of which are blue sapphires. So cleverly chased are the sapphires and the gold, that the bodies of the fishes seem to be submerged in the water. The artifice is so well executed, that one actually thinks the fishes are playfully swimming in the water.\nIt is a piece typical of the fantaisies (sic) which Fabergé delighted in creating for members of the Imperial family, as well as for other important personages throughout the world.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2498\nExquisite brooch by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed as a horizontal figure eight, with a large cabochon emerald of lovely color set in each side. Each is surrounded by diamonds mounted in openwork gold setting.\nIt is a piece typical of the craftsmanship of this great artist, and of his fine, discriminating taste.\nFrom the personal belongings of Czarina Alexandria Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2512\nUnusual set of six large silver spoons, very simple both in design and in ornamentation.\nThe bowl of each is sharply pointed, while the handle is of shield shape, and on which is chased a shield surmounted by crown, and which bears the date \"1770\" as well as the words: \"Concordia et Laetitia\". The center of the shield shows two hands clasped in a handshake. The reverse is dated 1850 and bears the initials \"A.C.\".\nThe set was made in 1850 in St. Petersburg by the well-known firm \"Nichols and Plinke\", who made many outstanding objects for members of the Imperial family.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2524\nGold ring mounted with an exceptional emerald of over five carats and of remarkable brilliance and color.\nThe mounting was designed with the greatest simplicity in order to fully bring out the beauty of the stone.\nOriginally in the personal belongings of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2525\nA most exceptional star ruby of thirty carats, unusual for its size, shape and color of great intensity and richness.\nIt is mounted into an exquisite yellow gold ring, which consists of a broad band pierced throughout its entire surface, and chased with foliations and flowers which show exceedingly fine craftsmanship. The mounting for the stone is in the form of a collar of laurel leaves.\nThe general composition of the ring, with its fine material and excellent workmanship, combined with its exquisite lightness and grace, mark it as an important example of the jeweler's art.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2568\nExquisite miniature gold frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the fine quality and discriminating taste associated with the work of this master craftsman.\nIts surface is chased (guilloché) in a sunburst pattern enameled pale green [underlined]. The inner border, enclosing photograph, is set with pearls, while the outer border is beautifully chased with an oak leaf motif of green gold, crossed at intervals with bands of red gold. The back is of ivory and bears a fancifully designed gold easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2651\nFine Russian lapis lazuli and gold snuff box.\nIt is of cartouche form and is carved out of superb blue Russian lapis with the hinge and rims mounted in gold.\nThe cover bears in the center the gold and diamond studded monogram and crown of Empress Maria Feodorovna, mother of Nicholas II, the late Czar of Russia, and wife of Czar Alexander III.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2657\nSmall eighteen carat gold Easter egg by CARL G. FABERGE, the celebrated Russian court jeweler.\nIt opens through the center on a hinge and its entire surface is divided into four horizontal panels, each richly chased in typical FABERGE craftsmanship with interweaving foliations which stand out in bold relief against the finely stippled background. The top is set with a faceted ruby and upon opening the egg, one finds within, embedded in a lovely antique fabric, a small diamond and ruby ring. The central diamond is a golden color and this is surrounded by a circlet of six faceted rubies.\nIt is an exquisite example of the discriminating taste and precise craftsmanship of this great artist. This piece, for quality and for beauty, is in a class with the Russian Imperial Master eggs which are today so justly famous.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2675\nCircular ash tray by CARL G. FABERGE, the celebrated Russian Court jeweler. \nIt was executed during the World War from material captured at the front and melted.\nIt is of copper and bears in the center a large Russian Imperial double-headed Eagle. At the top are the words \"War 1914\", and at the bottom is the signature \"K. FABERGE\" in large letters.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2680\nExceptionally fine miniature gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in a scintillating white.\nIt is a small oval frame and the inner oval opening for the picture is bordered with pearls while the outer border is finely chased in typical FABERGE fashion with oak leaves in two shades of gold and set at intervals with lovely rubies in square gold mountings. At the top is a highly polished ribbon box attachment.\nThe back is paneled with ivory and bears a beautifully fashioned gold easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2691\nPaper knife with gold and topaz handle by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe stone is of a rich golden color and is so shaped that it may be easily grasped. Around its collar is a gold band chased in typical FABERGE classical style.\nIt is a good example of the fine craftsmanship and excellent taste of this great artist, who is today often referred to as the \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2692\nMiniature owl by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of a single piece of opal especially chosen for its fine color and shading.\nThe bird, which is of exceptionally small proportions, is shown standing on a gold perch which rests on an agate base. In its small dimensions, the details of the anatomy are correctly and precisely rendered. Two rubies are set in for the eyes.\nA charming example of the work of this great artist, who made so many important objets d'art for members of the Russian Imperial family, as well as for other important personages throughout the world.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2722\nCharming \"fantaisie\" by CARL G. FABERGE, the celebrated Russian Court jeweler, a tourmaline parrot of soft rose-color shading into a pale green tail and with emerald eyes, diamond collar and gold feet, perches on a swinging ivory bar which carries silver gilt pails on either end, filled with seed.\nIngeniously contrived, the swing is suspended from a silver gilt stand mounted on a round tray in typical Fabergé classical inspiration.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2786\nGold kovsh by CARL G. FABERGE, the celebrated Russian court jeweler, designed in the ancient Byzantine manner.\nThe round full bowl is decorated with eight spade-shaped panels bearing alternating leaf patterns with four Russian Imperial double-headed Eagles, all in bold relief. The eagles are chased with amazingly fine precision, and show the ball and scepter of sovereignty, the three crowns, St. George Slaying the Dragon, and the tiny shields, all in wonderful clarity and detail.\nThe kovsh stands on a short outflaring [sic] fluted foot, while the shoulder is absolutely plain. The most exotic feature is the handle which springs up from the base in the form of a horn, and which is surmounted by a finial consisting of a single large emerald.\nAn outstanding work of this great artist, often referred to as the \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2821\nMiniature gold and platinum charm in the form of a bull dog. \nThe collar is gold, the eyes are rubies, and the body is set with ten large diamonds and many smaller ones.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2859\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased guilloche surface in a most interesting pattern combining areas of various sizes in red, white, and blue enamel, the colors of the Imperial Standard.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2868\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler. It is enameled over a chased guilloché surface in a rich green. The top is decorated with classical fluted mounting and with chased gold garlands crossed at intervals with ribbons and from which are suspended pendant festoons. These are carried out in vari-colored gold, typical of the work of this master craftsman.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2869\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased guilloché surface in a raspberry red. One side of the egg is decorated with an applied miniature sculpture in gold of an elephant with up-turned trunk. This is outlined by a band of white matte enamel separated from the red by narrow gold bands.\n \nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2870\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is set around the center with a faceted emerald, a faceted ruby, and two faceted sapphires.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2881\nCircular silver tray by Nichols \u0026amp; Plinke, outstanding silversmiths of English origin who settled and worked in Russia at the request of the Imperial family.\nDesigned with the greatest simplicity the center bears an oval-shaped decoration suitable for monogramming, while the border is heavily chased and engraved with a classical pattern.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2882\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler. In typical Fabergé design, the rectangular opening for the picture is bordered by bead and dash pattern, while the outside border is likewise designed with a classical pattern, set in each corner with a rosette. \nIn between these, the area is overlaid with a chased guilloché surface enameled a most unusual shade of greyish blue and this is overlaid with rich gold festoons and shell motifs.\nBears a fancifully designed gold easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#JZ-1, 2, 3, 4.\nGroup of gold animal charms, of fine quality.\nOne represents a gold bear standing on a pearl [underlined]; one is a bulldog [underlined] with diamond collar and tail; another is a dog with ruby [underlined] eyes and diamond collar [underlined]; and the fourth is a dog carved in Chinese fashion [underlined].\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#L-14\nMost unusual and rare split Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today often referred to as the \"Cellini of the nineteenth century\".\nIt is a particularly noteworthy example of his genius. Carved out of nephrite and beautifully polished, it is split lengthwise through the center, which is mounted in gold with a laurel leaf design. On front and back are oval openings for pictures bordered with gold chased with the classic dart and triple dot motif. The surprise feature however, is discovered upon opening the egg. Each portion bears on the back a beautifully fashioned gold easel, so that when the egg is open, it can easily stand upon its easels, enabling one to see both pictures at the same time.\nIt is a very beautiful piece, and in every detail is typical of the fine taste and exacting craftsmanship of this great master.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#G.25\nDiamond-shaped rock crystal frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the utmost delicacy and refinement.\nThe round opening for the picture is bordered with emeralds, and through the center on top and bottom runs a golden stem bearing three gold tulips, each with four tiny gold-mounted rubies. The border is finely fluted and is crossed at intervals with leaves of a contrasting shade of gold, while in each corner is set a diamond.\nThe opening for the picture is backed with ivory, while the frame is supported by a gold easel exquisite in shape.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\u003c/p\u003e\n","\u003cp\u003eGOLD PRESENTATION BOX OF NICHOLAS II OF RUSSIA\nBY FABERGE\nThis exquisite example of the incomparable artistry of Fabergé is circular in shape. The top is enamelled [sic] in a lovely shade of rich iridescent blue over a guilloché surface. In the center is a raised oval reserve bordered by a row of pearls, a band of gold filigree and gracefully curved diamond set volutes extending to the outer rim.\nIn this reserve is found the Russian Imperial Eagle, entirely set with diamonds and surmounted by the crown set with two rubies. In the eagle's center is placed a finely chased shield showing \"St. George Slaying the Dragon\".\nUpon opening the box, the bottom of the inside is found to be enameled in the same deep blue as the top. In the center is the coat-of-arms of the Romanoff's, completely surrounded by a rayed sunburst design.\nPresented to Nicholas II by his wife Alexandra Feodorovna, upon the occasion of the three hundredth anniversary of the founding of the Romanoff dynasty, 1613-1913. \nFully signed by CARL G. FABERGE, jeweler to the Imperial Court, and bears the rare gold mark 72.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eThis series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).\u003c/p\u003e\n","\u003cp\u003ePrice tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and the date purchased. Most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers. A note in Pratt's hand is written on the item description for a traveling clock (item number 5253, purchased June 16, 1933) and says \"Given to H.R.H. Princess Margaret Rose of England May 1939.\" She received a letter of acknowledgment and appreciation back from Lady Constance Harriet Stuart Gaskell, a Woman of the Bedchamber to Queen Mary.\u003c/p\u003e\n","\u003cp\u003eFinally, the few exhibition labels were used in the Hammer Collection's \"Russian Imperial Exhibit\" at Lord and Taylor. Four are still mounted on the original gold colored panels.\u003c/p\u003e\n","\u003cp\u003eThe series is divided into five subseries: Series 2.1: Lord and Taylor Invoices, [1933]; Series 2.2: Price Tags, undated; Series 2.3: Item Descriptions, 1933-1945, undated; Series 2.4: Exhibition Labels, 1933-1934, undated; Series 2.5: Correspondence, 1939.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. X 4110\nRunner made of 18th century brocade in a striped design of gold and various colors. From a portion of a Priest's robe woven and worn in Russia.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y. \u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 D\nKnife of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Polish, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 C\nFork of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Russian, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H-4098\nSilver Hand Mirror bearing the initials \"AN\" under the Imperial Crown, for Grand Duchess Anastasia, who was the youngest daughter of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003e\nMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5054\nA small modern Icon of \"St. George the Conqueror.\" Painted on metal and framed by the well-known Klebnikov of St. Petersburg. The frame is decorated in beautiful enamel work and bears the Russian hallmark \"84\" denoting the finest quality silver; also bears the stamp of the Imperial Double-headed Eagle, showing that it was made especially for a member of the Russian Royal Family.\nFrom the collection belonging to Nicholai II and his wife Alexandra, in the Winter and Alexander Palaces.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5358\nLarge Serving Spoon of gold on silver. On the handle appear the Imperial coat-of-arms, crown and monogram of Grand Duchess Elizabeth Mauvriekovna, wife of Grand Duke Konstantin. It was made by Hunt and Roskell of England.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4108\nPhotograph in a silver frame of Serge Alexandrovitch, who was the brother of Alexander III, and his wife, Elizaveta Feodorovna, who was the sister of Czarina Alexandra. On one side is engraved a crown and the inscription: \"Serge;\" on the other side, a crown and the inscription: \"Elizaveta.\" At the bottom, the dates \"1891-1904;\" at the top, a small crown and an enamel plaque of St. George Slaying the Dragon. Made by Faberge, the famous jeweler of the last Court of the Romanoffs.\u003c/p\u003e\n","\u003cp\u003eFrom the Collection in the Winter Palace, St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4809\nFruit Spoon of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of this spoon is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg \nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. X 6101\nSquare of red velvet richly embroidered with gold stars of passementerie, also a design worked in beads and various colored stones. Finished with gold Gothic galoon. Part of a chasuble. Russian, Circa 1880.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut (sic) velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4830\nIcon, \"The Twelve Apostles.\" Seventeenth century, Northern School. Gold on bronze mounting. \nFrom the collection in the Winter Palace, St. Petersburg, of Nicholai II, the last Czar of Russia\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4809\u003c/p\u003e\n","\u003cp\u003eSet of twelve Fruit Spoons of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, - the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of these spoons is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 1, 1933\nArticle No. 10685-B\nCup of gold on silver, with handsomely chased \"neilo\" (black enamel effect) decorations. Made in Russia and dated 1834.\nFrom the collection in the Winter Palace, St. Petersburg, Russia, of Nicholai I.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 2, 1933\nArticle No. 5253\nThin gold watch made by Leroy, Paris, for the Czarina Alexandra, whose monogram and crown in red enamel are delicately inlaid on the back. This simple but graceful time-piece was one of the last acquisitions of the Czarina. From her personal quarters in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 14, 1933\nArticle No. 5259\nGold on silver enameled Caviar Spoon. Russian, hallmarked \"88\" denoting the highest quality of Russian silver. Also bears the initials \"I.M.\" of the maker.\nFrom the collection in the Alexander Palace of the Czarina Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. D 1000\nSilver and enamel Tryptich, set with semi-precious stones. In the center is shown the head of Christ; on the left is Saint Nicholas; on the right, the Guardian Angel.\nFrom the collection of Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. 4580\nIcon of the early seventeenth century, Ulanov School, \"Dormition of the Virgin.\"\nBelow, among the prophets, disciples and saints, lies the Virgin while her Soul is represented as an infant in the arms of her Son, who will transport it to Paradise. On either side of Christ are Archangels; above Him, under the arch, are the Cherubim and Seraphim. At the top of the icon appears God the Father with the Holy Ghost. Immediately beneath is the Sabor of Angels awaiting Our Lady, who ascends from Earth. In the heavens, among other saints, are seen Thomas, John the Divine, Peter, Alexander, Paul, Philip and Savva. Below, in front of the bier, is Athonius, a Jew, who dared to place his hands on the bier to upset it. An Angel cut off the hands, but on Athonius saying an \"Ave,\" Peter healed him.\nFrom the collection of the Czarina Alexandra in the Winter Palace, St. Petersburg.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nGiven to R.P. H. Princess Margaret Rose of England May 1939 [handwritten]\nJune 16th, 1933.\nArticle No. 5253\nEnglish silver Traveling Clock in wooden case. Made for Queen Victoria by Dimmick, Maker to Her Majesty the Queen, Cowes, England.\nInscribed on the face: \"From Grandmama 1894\". Given by Queen Victoria to her grandchild, the Czarina Alexandra Feodorovna.\nFrom the Alexander Palace, Tsarskoye-Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nHotel McAlpin\nNew York, New York\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 3550\nWooden Wine Ladle. Beautifully inlayed with metal. Part of the Winter Palace Collection.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\n3623. Handkerchief.\nFine linen handkerchief embroidered with the crown and monogram of the Dowager Empress Maria Feodorovna, Mother of Nicholai II. The border is block printed with a series of brown and blue elephants. It is significant to the superstitious that the trunks of the elephant are turned down where is (sic) those of the lucky elephants are turned up. From the private quarters of the Dowager Empress in the Anitchkov Palace in St. Petersburg.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\nF43. Paper Knife.\nGold on silver blade. Mounted in mother of pearl handle. Bears crown and monogram of Grand Duke Constantin Nicholaevitch.\nRussian [handwritten]\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6154\nMat. Made of green and silver brocade outlined in rose, conventional floral design.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces, consisting of hand-loomed brocades, damasks, handcut [sic] velvets and altar sets. The metal threads are of genuine silver.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 4404\nPhotograph of Olga, eldest daughter of Czar Nicholai II, Maria, the third daughter, their governess, and Titiani, the second daughter. Frame by Faberge; the blue ribbon crosses represents the order of St. Andrew, created in 1698 by Peter the Great. Only members of the Imperial Family could belong to this order. Winter Palace Collection.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5153\nSmall Runner. Made of damask woven with yellow flowers in serpentine design with gold. Trimmed with old gold lace. Russian Circa 18th Century.\nThis damask is from a collection used in the chapels of the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5096\nSquare Mat. Made of gold brocade outlined in tan trimmed with galoon. Russian Circa 1850. \nThis brocade is from a collection used in the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6396\nTwo Circular Mats. Made of white and gold brocade in conventional design. Trimmed with lace galoon. Russian Circa 1870.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces consisting of hand-loomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. 6025. Photograph of Nicholai II and his wife Alexandra as they were dressed for the Imperial Costume Ball held in the Winter Palace in 1903. The entire court at this ball were dress in Russian costumes of the seventeenth century. The Tzar and the Tzarina are here represented as Michael, First Tzar of Russia and his wife Evdokia, The photograph was made by Levitski, court photographer in St. Petersburg. On the back is a seal which reads: The artistic accurateness confirmed by the Imperial Academy of Art.\" This photograph was obtained from the elderly governess of the Grand Duchess who is still living incognito in Moscow.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. E-1000. Silver and enamel Easter Egg bearing red crosses on white iridescent enamel and an inscription which reads: Greater love hath no man than he who sacrifices his life for a friend [underlined]. At the top are the initials and monogram of dowager Empress Marie, mother of Nicholai II. Inside is a folding screen of miniatures painted on mother-of-pearl and framed in gold and enamel. The miniatures read from left to right with their respective monograms mounted in gold on the back as follows: Grand Duchess Olga Alexandrovna, sister of Nicholai II, Grand Duchess Olga Nicholaevna, daughter of Nicholai II, Czarina Alexandra Feodorovna, wife of Nicholai II, Grand Duchess Titiana, daughter of Nicholai II, and Grand Duchess Marie Pavlovna, author of the \"Education of a Princess\", and cousin of Nicholai II. This egg was made by Fabergé, the court jeweler for Nicholai II as an Easter gift, in 1915, for his mother, the dowager Empress. From the Anitchkov Palace in St. Petersburg, where it was under Inventory No. 17,550.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933\nArticle No. 6787\nMat. Made of gold brocade showing an Imperial Crown and double-headed eagle on a blue background. Made in 1913 to commemorate the three hundredth anniversary of the Romanoff regime. Bound and lined with old gold galoon.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6707\nRunner. Of vari-colored silk floral design of pussy willows. Probably used at Easter time. Circa 1780.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6794\nRunner. Of gold brocade with vari-colored silk floral design trimmed with old lace galoon. Circa 1800.\u003c/p\u003e\n","\u003cp\u003eFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4763\nA silver plaque depicting the Church of Christ the Saviour, which was given to the Dowager Empress Marie Feodorovna on the occasion of the erection of this church. It was to commemorate the miraculous escape of the Royal Family from death in a railroad wreck. The church was erected by the contributions of various workers in the government departments and private citizens of Russia in the year 1888.\nThe plaque is from the Anitchov Palace.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 5528\u003c/p\u003e\n","\u003cp\u003eAn icon finely painted on wood and mounted with a silver trapping set with seed pearls in a Byzantine design on a background of green enamel. The subject of the icon is \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The commandment of the new day: Love Thy Neighbor as Thyself.\"\n \nThe icon is backed with red velvet. It was made by the court jeweler, Faberge, whose full name is marked under the Imperial double eagle. It also bears the figure \"88\" which denotes the highest quality of Russian silver. The icon is from the quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 6136\nAn unusual tea pot of exquisite silver bearing the crown and monogram of Alexander III. It is made with double spouts and a gut handle.\nThis tea pot was made in 1891 by the Royal jewelers, Michelson of Copenhagen, belonging to the Danish Court.\nIt was found in the Gatchina Palace.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4765\nA slender gold column of exquisite workmanship, with a miniature of Nicholai II on it set with diamonds and crystals. The column is delicately chased with Icanthus leaves in green gold, a touch characteristic of Faberge who made the bibelot for the Czarina to present to Nicholai II on his birthday in 1907. It is contained in the original case and was found in the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6111\u003c/p\u003e\n","\u003cp\u003eA jewel chest made of hand-hammered silver, and lined with mulberry velvet. On the cover is the Russian Imperial Double-headed eagle adorned with the various emblems of the Romanoff family. The sides of the cover bear the repeated initial \"M\", inlaid with blue enamel, which stands for the Dowager Empress Marie, mother of Nicholai II. The key is set with a semi-precious green stone. The box is undoubtedly of Danish origin.\u003c/p\u003e\n","\u003cp\u003eIt is from the quarters of the Dowager Empress Marie, in the Anitchov Palace, St. Petersburg.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6019\u003c/p\u003e\n","\u003cp\u003eA jewel box made of silver. The cover is adorned with vari-colored Russian enamel, pearls and rose diamonds. It was made by the court silver-smith, Bolin, whose full name it bears. It is also marked with the initials of his assistant master and the figures \"88\", which denote the highest quality of Russian silver.\u003c/p\u003e\n","\u003cp\u003eThe box is from the personal quarters of the Czarina Alexandra, wife of Nicholai II, and was found in the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6148\u003c/p\u003e\n","\u003cp\u003eA brooch of silver modeled in a ribbon design and set with many turquoise and genuine half pearls.\u003c/p\u003e\n","\u003cp\u003eIt was found in the quarters of the Czarina Alexandra in the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5421\nAn icon of \"St. Nicholas the Wonder Worker\", patron saint of Russia, with Christ and the Madonna. This icon was presented to Nicholai II when he was still a Czarevitch, by a peasant icon painter whose name appears on the border of the icon. The inscription on the back reads: \"From a peasant of the village of Materi, Province of Vladimir---Joseph Andrew Pankreshoff. Presented to His Imperial Highness, Czarevitch and Grand Duke Nicholai Alexandrovitch.\" Taken from the historic apartment of the Anitchkov Palace, with the inventory number #6794\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italian Primitive with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5538\nAn icon painted on wood on a background of gold with a border of rich enamel in Byzantine design. It has a brass trapping and is enclosed in original wood and velvet-lined case. \"St. Nicholas the Wonder Worker\". A painting of exquisite detail and coloring. It was presented to Nicholai II when he was still the Tsarevitch. The sticker on the back of the box reads: \"To the Grand Duke Nicholai Alexandrovitch, 19th of July, 1882.\" It has the city museum inventory number, Anitchkov Palace, 6819. From the quarters of Nicholai II in the Anitchkov Palace before he became the Tsar of Russia.\nThe fascinating history of icons dates back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italina (sic) Primitive, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMay 3rd, 1934.\nArticle No. 4122 C\u003c/p\u003e\n","\u003cp\u003eA porcelain Easter egg bearing the monogram of the Czarevirch [sic] Alexis. It is drawn through with the original ribbon and was made in the Russian Imperial Porcelain Factory.\u003c/p\u003e\n","\u003cp\u003eThe Russian Imperial Porcelain Factory was owned and operated exclusively by the the [sic] Royal Family from the time of its beginning in 1744 (when it was founded by Elizabeth I, daughter of Peter the Great) down to the time of the last of the Romanoffs, Nicholai II (1917).\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \u003c/p\u003e\n","\u003cp\u003eArticle No. E-313\nSupple Bracelet of woven gold. The alternate links are fashioned of green and of red gold, which the Russians were so fond of. It was made by the famous court jeweler Faberge, and although the bracelet is not marked with his initials, its style and workmanship mark it as unmistakably his. The catch is marked with the number \"56\" for the finest grade of Russian gold.\u003c/p\u003e\n","\u003cp\u003eFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nJanuary 31, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nArticle No. A-104\nOval Frame delicately wrought in filigree effect set with sixteen alternating sapphires and rubies. Contains an original snap-shot of the Czarevitch Alexis in a sailor suit, sitting astride an old cannon in the gardens of Peterhof, which was the Imperial summer residence in 1910. The frame is marked with figure \"88\"denoting a higher quality of Russian silver than our \"Sterling.\"\nFrom the personal quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo. She was the wife of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nJanuary 31, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5547\nDainty spray of corn flowers, fashioned of gold, enamel and diamonds, supported in a small vase of rock crystal. The workmanship on the foliage and buds shows the most exclusive care in fashioning truly after nature. The enamel of deep blue is extremely clear. The stamen and pistils are each set with a small shiny diamond. The workmanship of the flower itself is by Faberge, the famous court jeweler, while the crystal vase was ground after his design in the Imperial Grinding Factory at Ekaterinburg.\nAmong the most delightful creations made by Faberge for Czar Nicholai II, was a collection of flowers and berries, made of gold, jade and precious stones. Many of the blossoms and berries were enameled in life like-colors. The small vases of rock crystal seem to be filled with water.\nThese delicate pieces brought great joy and pleasure to the Czar and it was a happy occasion when he presented them to some of the members of the Imperial Family.\nMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5401\nElectric contact bell of artisticaly [sic] hand wrought silver in the form of a rabbit. The eyes, which make the contact, are set with garnets.\nIt was made and signed by the court jeweler Faberge, outstanding craftsman of the last fifty years. His name appears under the double-headed eagle of Royal appointment. The figures \"88\" denote the highest quality of Russian silver.\nFrom the property of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5687\nEaster Egg of Orletz or Eagle stone, decorated with gold and silver mountings, and bearing an inlaid monogram and crown of Maria Feodorovna, Dowager Empress and mother of the last czar, Nicholai II. The egg is shaped of this rare Ural stone, named after the Russian Eagle in the Imperial Grinding Factory in Ekaterinburg. Made by the famous court jeweler Faberge.\nFrom the quarters of the Grand Duchess Tatiana in the Alexander Palace, Tsarskoye Selo, to whom this gift was presented by Maria Feodorovna, her grandmother. Grand Duchess Tatiana was the second daughter of Nicholai II.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A-62\u003c/p\u003e\n","\u003cp\u003eRare Insignia of the Imperial Order of St. Andrew in the form of a pendant. The pendant is of gold, wrought with the double-headed eagle on either side in relief. Over the eagle on one side appeas [sic] the figure of St. Andrew as he was crucified on the cross. It was made in the time of Peter I, circa 1720, and is exquisitely enemaled [sic] in natural colors. The entire medallion is framed in nineteen large diamonds of contemporary cutting, the ring has six smaller diamonds.\u003c/p\u003e\n","\u003cp\u003eFrom the quarters of the Grand Duchess Tatiana, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5570\nSnuff box of gold, period and style of Alexander II. Russian, circa 1860.\nThe design, exquisitely chased, is of oak leaves and acorns, inlaid with transparent enamel in dark blue. It is marked \"56\" the Russian equivalent of 14 Karat gold, the profile of the Government Assay Office and the impressed number \"2073.\" Very lightly cut is the original order number of the maker \"P154.\" [4 crossed out and 0 handwritten].\nFrom the Imperial snuff box collection of His Imperial Majesty the Czar in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMarch 6th, 1936.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nEaster Egg\nEach Easter, the Dowager Empress, Marie Feodorovna, would order the Russian Imperial Porcelain Factory to execute porcelain eggs which she personally distributed. This one, bearing the original ribbon, has her monogram \"MF\" and crown in green.\nThe Russian Imperial Porcelain Factory was owned and operated exclusively by the Royal Family from the time of its founding in 1744 by Elizabeth I, daughter of Peter the Great, down to the last Czar, Nicholai II in 1917. With few exceptions, all the china used at court was made in this factory. Many of the monarchs ordered gifts created here for foreign dignitaries and court favorites. Elizabeth I used a small double eagle as her mark, while Catherine the Great used her monogram without the crown. Otherwise, most pieces were marked with the crown and monogram of the ruler in whose reign the object was made, except Alexander I, whose china rarely bore a mark.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nEaster, 1936.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. AS-1312\nExquisite parasol handle in baton design. It is of solid gold and decorated with conventional shell designs on a smooth ground. Each shell is set with a diamond, ruby, emerald or sapphire. On one side is applied a cut out double-headed eagle of Russia, adorned with the crests of all the Sovereign states, including that of Moscow in the center, showing \"St. George Slaying the Dragon.\" The handle is finished with an exceptional ball of choice flawless Siberian lapis lazuli of magnificient [sic] blue quality, set in a cup of scroll design, also set with precious stones. In all, there are eight diamonds, four rubies, four emeralds and five sapphires.\nFrom the quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMay, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. E-327\nRound powder box and cover of fine Ural [underlined] spinach jade [handwritten question mark]. The cover is rimmed in gold, chased in braided design, and has an artistically carved ivory elephant standing upon a fringed drum of gold, banded with alternating rubies and diamonds. The gold work is in the individual style of the celebrated court jeweler to Nicholai II, Karl Faberge, the creator of this lovely object.\nThe rim of the cover is marked with the full name of Faberge, the initials of his foremost workmaster [sic], Mikhail Perchin, the number \"56\", denoting Russian equivalent of 14Kt. gold, and the crossed anchors mark of the St. Petersburg Assay office.\nFrom the personal quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMay, 1936.\n \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle E-451\nThe \"Queen's Birthday Book\". A volume published in London by Griffith, Farran, Okeden and Welsh in 1887, and dedicated to Victoria, Queen and Empress of Great Britain, Ireland and India, on the occasion of her Golden Jubilee. The book contains thirteen portraits of members of the Royal Families and fifty-five Royal autographs, among which are those of Queen Victoria, May 24th; her Prince Consort, Albert Edward, November 9th; Edward VII, January 8th; his wife Alexandra, December 1st; (sister of the Czarina Maria Feodorovna) and George V, June 3rd. Perhaps the most interesting autograph is that of the Czarina Alexandra Feodorovna of Russia while she was the Princess Alix of Hesse and but fifteen years old (June 6th).\nThe book contains the ex-libris of Countess Vorontsov Dashkov, who was Mistress of Robes, the highest position in the Court, and the close companion of the Czarina Maria Feodorovna, mother of Nicholai II. The fly-leaf bears the inscription of presentation: \"For dearest Etta, in remembrance of the Queen's Jubilee, 1887, from your affectionate Mary Adeliade [sic], June 1887\". Mary Adelaide was Her Highness, the Duchess of Teck. \u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nAugust 17, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle GT-1530/3\nHandsome frame of transparent green enamel with two oval apertures containing a photograph of Czarina Alexandra and one of the Czar, Nicholai II. Above the ovals is the double-headed eagle with wings outstretched. The crown between the heads is set with rubies and diamonds while a shield, set with the same stones, is on its breast. Underneath the photographs are three swags with rosettes and crescents in garland effect. At the top of the frame two griffins, facing each other with their paws resting on an urn, form a delightful balance to the whole. It is backed with an ivory panel, the handle and ring being of gold scroll.\nIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported from Russia into France, it also bears the assay office device of that country.\nFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nNovember 9th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle GT-1530/2\u003c/p\u003e\n","\u003cp\u003eGold on silver rectangular frame of rose enamel over a field of engine turning. Mounted over the oval aperture which contains the photograph of Czarina Alexandra Feodorovna, is a double-headed eagle bearing the Imperial crown, set with diamonds, between the heads. On its breast is a single sapphire. Below, a swag and crescent design forms the decoration. Encircling the whole is a conventional laurel leaf design attached with a ribbon bow-knot, the ends falling in graceful wavy effect. It is backed with an ivory panel, the handle and the ring being of gold scroll.\u003c/p\u003e\n","\u003cp\u003eIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported into France from Russia, it also bears the assay office device of that country.\u003c/p\u003e\n","\u003cp\u003eFrom the quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 9th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle E-762/80\nCharm in the shape of an Easter Egg made of solid gold and superbly decorated with transparent enamel in tones of pearl, turquoise, and ruby. The colors are separated by gold swags which cross and are capped by four pigeon blood rubies.\nIt was created by the celebrated Karl Faberge, court jeweler to Nicholai II, and is hall-marked with the initials of his workmaster [sic], and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 9th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle -4776\nJade and gold frame on a stand. The photograph, in a heart-shaped pendant, is of Grand Duke Boris Vladimirovitch.\nIt was made by the famous court jeweler to Nicholai II, Karl Faberge.\nFrom the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 12th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\n \u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle E-43\nExceptional photograph of the Czarina Alexandra in court dress, showing her great beauty. It is appropriately framed in finely chased gold on silver with a background of red iridescent enamel.\nThe frame was made by the famous court jeweler to Nicholai II, Karl Faberge, outstanding craftsman of the last fifty years. It is marked with the initials of his master and the figures \"88\" which denote the highest quality of Russian silver.\nFrom the personal quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 12th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. IP-1553/2\nPhotograph album containing many rare and valuable photos of the Imperial Family. It is bound in navy blue morocco (whole binding), with shield, clasp and line impress of silver. The doublures are of white moire paper, and the edges are silver. It was bound by F. Knoop, St. Petersburg. The book bears the bookplate of Nicholai II, and was found in his private study, in the Alexander Palace, Tsarskoye Selo. First inventory given is on doublure number \"26933\". Later it was inventoried on the third page as \"12415\".\nThe list of photographs is as follows:\n47.20.376.1 – Emperor Alexander II\n2 – Emperor Alexander II\n3 – Empress Marie Alexandrovna\n4 – Emperor Alexander II\n5 – Emperor Alexander II\n6 – Empress Marie Alexandrovna, wife of Alexander II.\n7 – Emperor Alexander II\n8 – Alexander III and Marie Feodorovna\n9 – Empress Marie Feodorovna and Nicholai II\n10 – Emperor Alexander III\n11 – Grand Duchess Xenia, sister of Nicholai II\n12 – Three generations of German Rulers. The infant is the present ex-crown prince\n13 – Empress Marie Feodorovna and Nicholai II\n14 – Nicholai II (Grand Duke Nicholai Alexandrovitch)\n15 – Grand Duke George Alexandrovitch (brother of N. II)\n16 – Grand Duke Vladimir Alexandrovitch\n17 – Grand Duchess Marie Pavlovna, his wife\n18 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir and her children\n19 – Grand Duke Vladimir and his sons, Kyril and Boris\n20 – Grand Duke Vladimir Alexandrovitch\n21 – Grand Duchess Marie Pavlovna, his wife\n22 – Grand Dukes Kyril and Boris Vladimirovitch\n23 – Grand Duke Kyril Vladimirovitch\n    \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle]\n-2- \n 24 – Grand Duchess Marie Alexandrovna\n 25 – Grand Duke Alexis Vladimirovitch\n 26 – Grand Duke Serge Alexandrovitch\n 27 – Grand Duke Paul Alexandrovitch\n 28 – Grand Duke Paul Alexandrovitch\n 29 – Grand Duke Alexis Alexandrovitch\n 30 – Grand Dukes Paul and Alexis and Duke of Oldenburg\n 31 – Grand Dukes Serge Alexandrovitch and Konstantin Konstantinovitch and the sister of Konstantin, Olga, later Queen of Greece\n32 – Grand Duke Nicholai Nicholaevitch\n33 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir\n34 – Grand Duke Nicholai Alexandrovitch (Nicholai II)\n35 – Grand Duchess Olga Konstantinovna, Queen of Greece\n36 – Grand Duchess Militza Nicholaevna\n37 – Duchess Alexandra of Oldenburg, 1st wife of Grand Duke Nicholai Nicholaevitch, died in 1900\n38 – Grand Duke Serge Alexandrovitch and Duchess Elizabeth Feodorovna\n39 – Grand Duke Vyacheslav Konstantinovitch\n40 – Grand Duke Dmitri Konstantinovitch\n41 – Grand Duke Konstantin Konstantinovitch\n42 – Grand Duchess Marie Alexandrovna, Duchess de Saxe- Coburg Gotha\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nJanuary 29th, 1937.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. ME-1249\nRound snuffbox of spinach green Ural jade with hinged lid, mounted in gold. On the cover, set in diamonds, is the crown and monogram of Nicholai II, backed with two laurel sprays in green gold of exquisite workmanship, also set with diamonds. The top and bottom rims are engraved in delicate dot and dash design, while through the center runs a fillet of finely chased acanthus leaves in green gold and several tiny rosettes of red gold.\nThis superb example of the jeweler's art was designed by the celebrated jeweler to Nicholai II, Carl Faberge, and is hall-marked with his full name, the initials of his leading artist, Mikhail Perchin, the number \"56\" denoting the equivalent of 14 karat gold, the wreathed head of the government assay office, and the initials of the gold inspector \"YL\".\nFrom the collection of Nicholai II, last Czar of Russia, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nFebruary 8th, 1937.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. 5571\nMagnificent gold snuffbox in oval shape with hinged lid. It is hand-wrought with a chased gold mounting. The lid has an oval gray and white cameo, masterfully carved with a mythological sea scene, signed \"W. Eissel\", outstanding German master. This is framed with fifty large diamonds and about one hundred small ones. The edge is in carved scroll design including two gargoyles over lapis blue enamel, and set with many diamonds, four of which are about one karat each. The sides are finished in the same treatment, having the crown and monogram of Kaiser Wilhelm in the front and the German imperial eagle in the back, all set in diamonds. The crown also has two rubies. At either end are small round cameos of mermen by the same master. Four kneeling cherubim, placed within shells of blue enamel and diamonds, support the cover. The bottom of the box is engraved with another sea scene showing Neptune and Venus receiving homage, while the background is again of blue enamel. This box was made for the Kaiser of Germany, and was so admired by Nicholai II, the former presented him with it.\nFrom the Snuffbox Collection of Nicholai II and his wife Alexandra, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMay 11th, 1937.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. JJ-5050/2\nExquisite oval icon of the \"Madonna of Kazan\". It is painted on ivory in a charming combination of water colors. The Greek symbols are for \"Mother of God\", \"Jesus Christ\" and \"Kazanski Mother of God\". The icon has a brass rim and is framed in rose velvet; it is backed with rose ribbed silk.\nAttached is the original government inventory tag, the abbreviations of which read: \"Alexander Palace Museum, Children's Apartments, Classroom of the Older Grand Duchesses Number 644/III\". These were the daughters of Nicholai II, whose palace was located in Tsarskoye Selo. This icon was undoubtedly executed by the Tsarina of Russia, a talented artist, whose work is easily recognized by her choice of colors and the fact that she invariably marked her paintings with the initials of her maiden name, Hesse.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nOctober 2nd, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. AV-5008/1\nOval icon medallion of solid gold. On one side is an exquisite enamel miniature of Jesus Christ dressed in blue and orange robes against a ground of brown scrolls on beige. His right hand is held in blessing, while in his left he is holding the open scripture. The Greek symbols about his shoulders are for \"Jesus Christ\", while those above the halo are for the \"Eternal Christ\". On the reverse side, on a ground of white enamel, is inscribed in black – \"Save and Protect\".\nThe gold is hall-marked with a number \"56\" denoting the Russian equivalent of 14 karat gold, and the device of the Moscow assay office.\nFound in St. Petersburg.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nOctober 2nd, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RB-5210/37\nDelightful charm of a German Dachshund [underlined] in seated posture. Carved from genuine topaz, he is adorned with a gold collar and suspended from a gold link. His eyes are realistically set with emeralds.\nThis excellently modeled and lifelike animal was designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his talented stone carver, Kremlev.\nMrs. J. L. Pratt\nDecember, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-1815\nCharming stone figure designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his leading stone carver, Kremlev. Represented is one of the favorite sailors of Grand Duke Mikhail Alexandrovitch, brother of the last Tsar, Nicholai II. The name of the Imperial yacht \"Zarnitsa\" is inscribed in gold on the seaman's hatband.\nStanding solidly on his two feet of black onyx slightly spread apart, this sailor of courageous appearance is dressed in a spotless, freshly laundered suit of milky white jade. His piercing blue eyes, each set with a cabochon sapphire, sparkle with loyalty and sincerity. Flesh-toned aventurine makes up his interesting face, finely moulded [sic] with high cheek bones and sharp nose – typically Slavic characteristics. His sturdy hands are also of aventurine. This unusual portrayal, viewed from any angle, is singularly lifelike and attractive.\nIt is contained in the original hollywood box of the court jeweler, and is stamped with his full name beneath the double-headed eagle of royal appointment.\nThe \"Zarnitsa\" was anchored just outside of Kronstadt during the Krensky Revolution, and it is said that while the other sailors of the fleet joined the revolutionists, those on board the yacht ramined [sic] loyal to the Grand Duke Mikhail, in whose favor Nicholai II abdicated.\nMrs. J. L. Pratt \nDecember 9, 1937\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. E-517/4\nCross of hand-wrought silver, finished with a ball effect to represent jewels; Russian workmanship of the 18th century. On the face is the eight point Greek Orthodox cross, adorned with the crown of thorns. On either side is the spear and sponge of the Crucifixion, while below is the skull signifying that Christ conquered Death. The Slavic symbols read – \"King of Glory, Jesus Christ, son of God\". The reverse side is in scroll design.\nFrom the Imperial Chapel of the Feodorovski Cathedral, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eLillian T. Pratt\nChristmas, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. IP- 1843/4\nRare mosaic icon of \"St. Nicholas the Wonder Worker\"; Russian workmanship, circa 1850. This portrayal of Russia's most beloved Saint is so skilfully [sic] inlaid with thousands of varicolored stones that it gives the impression of being executed in oil. It shows great character and deep religious inspiration, rarely found in mosaics.\nSet off by a gold halo, St. Nicholas is represented making the sign of Jesus Christ with one hand, while in the other he holds a gold and green Bible. His gracefully folded robes of red and blue are trimmed with gold, and his stole of silver is embroidered with gold crosses. Slavic symbols on either side of the halo are for \"St. Nicholas the Wonder Worker\". The icon has a rim of fire gilt and is framed and backed in red velvet of a later period.\nFrom the apartments of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nJanuary 8, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/4\nParasol handle of frosted rock crystal, carved to represent the head of a duck, and mounted on mohagony [sic] banded in gold. The eyes of the duck are all the more lifelike for the two deep blue sapphires set in gold. Around the neck is a gold collar, set with fifteen green tourmalines. The ring of silver gilt was added later to the base of the handle.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Faberge, for Tsarina Alexandra Feodorovna and was found in her personal quarters in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. A-61\nUnusual frame of rose jasper and gold-on-silver, containing a snapshot of Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, taken in Peterhof, 1907. Dome-shaped and with easel back, it is contained in the original Vyatka birch box, lined with green velvet and white silk, of the court jeweler to Nicholai II, Carl Faberge. The lining is stamped with his name beneath the double-headed eagle of royal appointment.\nThe frame is hall-marked with the initials of one of Faberge's leading workmasters [sic], Mikhail Perchin; the number \"84\" denoting the Russian standard of silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the court jeweler, \"45196\".\nFrom the quarters of the children of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. E-754\nCharming miniature frame containing a photograph of the Tsarina Alexandra Feodorovna. Dome-shaped, it is made of lettuce jade, delicately decorated with chased green and red gold mountings. Above the oval aperture, rimmed in laurel leaf design, is a swag motif tied with a ribbon; below are two dainty rosettes.\nThis frame was made by the celebrated court jeweler to Nicholai II, Carl Faberge, and the gold-on-silver easel back is marked with the initials of his workmaster [sic] \"IB\"; the number \"88\" denoting the quality of Russian silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the jeweler, \"0170\".\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/3\nEaster egg of green quartzite, varicolored gold and rock crystal, suspended from a chain of gold. A band of cut rock cyrstal [sic], bordered with narrow rims of gold, encircles the egg, separating the top from the lower portion. The top is surmounted with a wheel device decoratively worked in red and green gold, whose apex is a small Empirean [sic] wreath of laurel. A convex form of gold, delicately engraved in a wreath design covers the base.\nIt was created by the celebrated Russian court jeweler to Nicholai II and Alexander III, Carl Faberge.\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/1\nGraceful porte-poche of rock crystal with borders, handle and thee feet set with rubies and diamonds.  A gold border around the top is set with forty rubies and the corresponding border in the base has thirty-three rubies.  The question mark handle of gold, decorated with scroll design, is outlined with eight diamonds, set squarely.  Into each of the three ball feet are set thirty-two graduated diamonds. \nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé, and is hall-marked with his full name; the initials of one of his leading workmasters, Edward Kolin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.  It is engraved with the original order number of the court jeweler – \"40312\".  Since it was originally brought from Russia to England, it also bears the assay of the later country.\nFrom the apartments of the Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nJanuary 28, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/47\nCharm, in the form of an Easter egg, of exquisite simplicity.  It is made of spinach jade, belted with gold and a narrow fillet of diamonds, and is suspended from a gold link.\nThe egg was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé.\nFrom the apartments of Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/41\nEaster egg charm of gold, engraved in moire effect to represent clouds in the sky.  The design is based on the star and crescent motifs of Mohammedan origin.  Within the star form, outlined in relief, is set a diamond, and a large cabochon sapphire is enclosed within the crescent form.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster; the number \"56\" denoting the Russian equivalent of 14 Karat gold; and the device of the Moscow assay office, St. George slaying the dragon.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/46\nCharm of gold, purpurine and enamel, in the form of an Easter egg.  A circlet of diamonds separates the purpurine portion from the rest which is made up of alternating sections of opaque white and transparent emerald green enameling on a gold ground.  Each of the enameled sections bears a numeral of the year \"1900\", when it was presented to Grand Duchess Olga.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster.\nFrom the quarters of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nNote: purpurine is a composite stone developed by Fabergé, and reputed to be formed by a secret process of fusing gold and porcelain.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/39\nCharm of gold in the form of an Easter egg.  Palmetto leaves and the figure of an African elephant holding in his trunk a diamond, form the decoration.\nIn the style of Fabergé, the Russian court jeweler, it was created by the Kalodnikoff masters, bearing their hall-marks and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of the Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1933\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/45\nUnusually handsome Easter egg charm of gold.  A fillet of diamonds separates a petal decoration from the upper part of the egg in which a solitaire diamond is set.  A cabochon sapphire is set at the base.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked number \"56\", the Russian equivalent of 14 karat gold.  \nFrom the apartments of Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/38\nEaster egg charm of gold-on-silver, inlaid with varicolored opaque [handwritten, transparent x'ed out] enamel and bearing the Russian letters \"XB\" front and back, the abbreviation of the Easter salutation \"Christ is Risen\".\nIt was designed by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II and Alexander III, and is hall-marked with the initials of his workmaster.  \nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/33\nCharm of clove pink matte enamel, covered with a filigree of gold intricate design of conventional fleur-de-lis and braiding.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/32\nCharm of gold, in the form of an Easter egg.  It is covered with enamel in the deep blue color, beloved of the Russian people, over delicate engine turning and is set with a diamond.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the number \"56\" denoting the Russian equivalent of 14 karat gold; and the initials of his master.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/44\nEaster egg charm of topaz, with alternating sections of opaque white and translucent red enamel, banded with a circle of diamonds.\nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/9\nExquisitely modeled figure of an African elephant with upraised trunk, wrought in twenty-two karat gold.  His lifelike eyes are set with diamonds, and the tusks are carved from ivory.\nCreated by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II, it was made to the special order of his mother, the Dowager Empress Marie Feodorovna.\nFrom the quarters of the Empress, in the Anitchkov Palace, St. Petersburg.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/13\nDelightful gold chain bracelet with safety catch.  It alternates with three red gold and three green gold links.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and executed by his workmaster whose initials it bears – \"AE\", together with the wreathed head of the government assay office.\nFrom the apartments of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 2, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5209/26\nTiny, exquisite frame of lapis lazuli mounted on a rectangular base of gold-on-silver, supported by four ball feet.  The oval aperture, rimmed in gold, bears a photograph of Nicholai II.\nThis charming piece is from the quarters of Tsarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nApril 15, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPANSIES\nGraceful spray of pansies carved in amethyst, the centers set with brown diamonds.  Calyxes are formed in jade.  Rising on slender gold stems with leaves of Siberian nephrite, serrated and realistically modeled, the little pansy is set in rock crystal carved to represent water in a vase.\nCreated by the world-famed Russian jeweler, Karl Faberge, it is hallmarked with his name in Russian, and the initials of one of his leading masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18 karat gold.\nNumber RE5380-13\nMrs. John L. Pratt\nJanuary 9, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/2\nFlower fantasy exquisitely developed in jewels in the form of a dandelion seed ball.  Created by Carl Fabergé, illustrious jeweler to the Russian Imperial Family, this little piece typifies his finest work.  The head, with down of asbestos is developed around the seed pod and pedicels of platinum, delicately finished with tiny diamonds.  Serrated leaves carved in jade and graceful gold stalk rise from a little vase carved in rock crystal to represent a tumbler filled with water.\nFully hallmarked, it is signed with the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and with the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom a collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/10\nExtraordinary jeweled flower fantasy by Carl Fabergé, world famed court master to Tsars Alexsandr III and Nikolai II of Russia.  The blossom, carved in amethyst, opens slightly to reveal three stamens of gold, diamond set.  It surmounts a sturdy stem imbedded in gold soil within a tub-like container.  Leaves are realistically modeled of deep hued Siberian nephrite.  Encircling the container, which is fashioned of varitoned grey-brown agate, are hoops of gold pointed with small diamonds representing rivets.\nImportantly hallmarked, the stalk bears the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.VD-5399/16\nPair of lovebirds carved in amethyst, huddled together on an ivory perch ornamented with transparent carnelian enamel on a ground of guilloché gold and dainty rings of platinum, diamond set.  Deep cabochon topaz are set in the ends of the perch bar; two fine gold chains, linked to a foot of each bird, are attached to the pedestal base.  The delicately wrought fantasy rests on an inverted circular base, fashioned of dark green Siberian jade mounted with a simple gold border.  Four ball feet of gold complete the stand.\nCreated by Carl Fabergé, eminent Russian court jeweler, this exquisite object is hallmarked with his name; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/17\nSmall cage of appealing design wrought with slender bars of gold and suspended with a gold loop.  Mounted on a base of Siberian nephrite which rests on four ball feet, the top is finished with seven pearls and with a decorative portion of turquoise composition, encircled by diamonds.  Within this cage, on a small twig-like perch, is a diminutive bird carved in emerald, with head lifted in song and eyes set with diamonds.  \nThe gold perch bears full hallmarks including the name of Fabergé; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nMrs. John L. Pratt\nFebruary 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5416/29\nParasol handle of limpid clear rock crystal etched in open squared effect, pointed throughout with cabochon rubies.  The base is of solid gold and is encircled with a conventionalized laurel wreath, intermittently bound with crossed ribbons.\nDesigned by Carl Fabergé, famed jeweler not only to the Imperial family of Russia but to the crowned heads of Europe and Asia, it is fully hallmarked.  Present is the name \"Fabergé\" (indistinct); the Russian initials of one of the master's leading artists, Mikhail Perchin; the wreathed head of the government assay office; the numeral \"56\" denoting the Russian equivalent of 14kt. gold; and the initials of the government inspector \"YL\".\nOriginally a parasol handle in the possession of the Tsarina Aleksandra Feodorovna of Russia, a flat base has been applied so that the little object may be used as a seal.  From the personal effects of the Tsarina in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.CA-5364/2\nGreen jade miniature frame designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II.  Made of one piece, it has two oval receptacles containing rare, original photographs of the court jeweler and his wife.  They are rimmed with delicate fillets of silver, applied with ruby and black enamel in a design bordered by lines of white.  The photograph openings are backed with ivory to which is attached a hinged easel of graceful design.\nThe easel is hallmarked with the full name \"Fabergé\"; the initials of one of his leading workmasters, Henrik Wigstroem; and the numeral \"88\" denoting the quality of Russian silver.\nAcquired from Nikolai Fabergé, son of the renowned jeweler.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\nFebruary 17, 1939\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/3\nJeweled flower fantasy created by Carl Fabergé, eminent Russian court jeweler, signed with his name and the initials of one of his leading workmasters, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nDesigned with ingenuous artistry, this branch of English hawthorn has small fruits (\"haws) of red and white agate, cleft leaves of jade and a gold stalk imbedded in a white agate pot with soil of gold.  It is mounted on a base of white jade.\nFrom the collection of a member of the Russian Imperial Family.\nThese flower creations represent the height of Fabergé's imaginative genius.  They were the favorite possessions of the late Tsar and Tsarina, both of whom were ardent flower lovers.  Several of these were created by Fabergé for King Edward VII of England who presented them to Queen Alexandra.  Upon her passing, these jewels were left to her son, King George V of England, and to Queen Maud of Norway.  Some of these fantasies are now the prized possessions of Mary, the Queen Mother of England.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5332/7\nCompanion figures of two French bulldogs, one seated in attentive attitude – the other, a pup, in crouched position.  Beautifully carved of smoky topaz, the eyes of each are set with cabochon sapphires.  Collars finished with pendant drops, are gold, set with faceted sapphires of fine deep color.\nRealistic in every detail, these little sculptures are designed and executed with incomparable finesse.  They are creations of Carl Fabergé, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia, who was, as well, jeweler to nearly all the crowned heads of the European and Asiatic continents.  Fabergé, expert in the art of small figure sculpture, was noted for his ability to impart to the materials in his hands a convincingly living quality of form.\nThe topaz dogs are from the collection of the Tsarina Aleksandra Feodorovna, , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5389/2\nHandsome parasol handle of Siberian nephrite known as spinach jade, banded in red gold, encircled in diamonds.  The central portion has a connecting bow motif developed in diamonds and two cabochon rubies of fine color.\nIt was created by Carl Fabergé, renowned jeweler to the Russian Imperial Family.  Smoothly modeled and gracious in its simplicity, it is characteristic of the decoratively useful objects made by him for the late Tsarina Aleksandra Feodorovna and her daughters, the young Grand Duchesses.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5416/28\nParasol handle of lapis lazuli and gold in hexagonal form.  Narrow strips of gold connecting with the collar, pointed alternately with diamonds and gold relief pattern in diamond effect.  Finished with a flat end of gold, the handle is suitable for use as a seal.  It is contained in its original case of green hand-tooled leather.\nOf Russian workmanship, in the style of Fabergé, it bears the master's initials \"AK\".\nMrs. John L. Pratt\nFebruary 20, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/16\nRare, jeweled flower fantasy in the form of a water lily spray, set in rock crystal,  carved to simulate a rectangular vase filled with water.  Beautifully modeled, blossoms and buds are carved in chalcedony; stamen clusters of gold are set with rubies of fine color.  The leaves, liquid in appearance and with natural veinings, are carved in Siberian nephrite.  Grouped together, these are supported on slender stems of gold of which the lower portion of which the lower branch is fully hallmarked with the complete name of the master-designer, Faberge, illustrious jeweler to the Imperial court of Russia.  Present also are the initials of one of his leading artists, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 14kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 23, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/11\nIngenuous flower fantasy, finely detailed describing a Tibetian [sic] poppy.  Small buds and opening blossoms are fashioned in white chalcedony with peach tonings [sic].  The delicate stamens of gold, set with sapphires, cluster thickly in the fuller blown blossoms; centers are set with topaz.  Rhythmical stems rising from gold soil and finely worked sepals are in gold.  Carved in Siberian nephrite, the serrated leaves enclose the flower grouping.  A simulated tub carved in greyish-brown veined agate, is held with hoops of gold set with diamonds for the rivets.  \nAn extraordinary creation of Carl Fabergé, Imperial Russian master and illustrious designer in gems, the lower portion of the stem is hallmarked with his name in Russian; the initials of his able artist, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5413/4\nJeweled opium poppy, represented growing in a tub, designed by Carl Fabergé, Imperial Russia's greatest creator in gems.  Rising on sturdily modeled stalk of gold with blossom head full blown, it is delicately carved in amethyst.  A large cabochon Siberian amethyst, set in gold and red platinum, forms the heart of the blossom.  Surrounding this is a cluster of fine gold stamens pointed with diamonds.  The leaves are of extraordinary artistry.  Carved in Siberian nephrite, they follow the natural feeling of the growing plant.  The tub container is fashioned in brown-toned, striped agate.  Within this is soil of gold, and two gold hoops encircle the exterior.  Simulated rivets are diamond set.  \nThe stem is fully hallmarked with the complete name \"Fabergé\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/5\nLilies of the Valley\nEthereal flower creation developed in gems by Imperial Russia's foremost jeweler.  Tiny blossoms are delicately fashioned in quartz, with centers of gold.  Imbedded within gold soil in a container of brown veined agate, the blossoms and bands encircling the little tub are of 18kt. gold.  To this fact full hallmarks attest.  Present is the master's name \"Fabergé\"; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian [Imperial] Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/14\nDainty jeweled fantasy of a small hyacinth plant set in a little tub carved in white agate.  From the centers of the miniature blossoms of blue chalcedony appear gold stamens set with tiny emeralds.  Calyxes and leaves in realistic manner are of Siberian nephrite, and the stem isof [sic] 18kt. gold.\nThe lower portion of the stem, rising above the gold soil within a little tub, is hallmarked with the name of the master-designer, Carl Fabergé.  Present also are the initials of one of his ablest masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/12\nStalk of small asters, the blossoms carved in polished chalcedony, with gold centers, emerald set.  Calyxes are of green chalcedony, toning with the serrated leaves fashioned in Siberian nephrite.  The branch and extending short stems, joined irregularly with tiny leaflets, rise from a pot of jasper.  Wide gold bands encircle top and bottom of the container, the material of which, predominately brick-toned, shows platinum grains, throughout.  It may be noted that jasper and lapis lazuli from the Ural mountains frequently carried particles of precious metals.\nThe lower portion of the stem is fully hallmarked with the name, in Russian, of the master-creator of this little fantasy, \"Fabergé\".  Present also are the initials of one of his outstanding artists Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/11\nMiniature jeweled flower fantasy representing a rose plant imbedded in gold soil within a pot of grey-brown agate, banded in gold.  Bud-like blossoms of quartz surmount slender stalks of gold, realistically modeled in detail with thorns along their length.  Myriad small leaves in Siberian nephrite point upwards or cluster on drooping stems at the top of the container.\nThe little jeweled object, created by Carl Fabergé, eminent jeweler at the court of St. Petersburg, is fully hallmarked with his name; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5413/3\nRare, jeweled flower, fantasy, representing a branch of Queen Anne's Lace, imbedded within gold soil in a pot fashioned of dark red jasper, inclining gracefully to one side, the flower head is developed in platinum, pointed with diamonds on sturdy pedicels of gold.  The flower calyx is in chalcedony.  Gold stems bear small serrated leaves carved in nephrite, designed in perfect complement to the natural species.\nThe lower portion of the stem is fully hallmarked with the name \"Fabergé; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nOrange Blossom\nArticle No. RH-5380/10\nDelicately wrought flower fantasy created by Carl Fabergé, world famed court jeweler to the last two Tsars of Russia, Aleksandr III and Nikolai II.  Fashioned with consummated [sic] artistry, the buds and blossoms in chalcedony surmount a slender, curved stem of gold on which startingly [sic] realistic leaves appear, carved in Siberian nephrite.  Five of these cluster at the top and a large one is joined near the base of the stem, at the point where it is immersed in simulated water.  The little vase is ingeniously fashioned of rock crystal.\nFull hallmarks include the name \"Fabergé\"; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.VD-5399/5\nFigure of a heron carved in blue-gray smoky agate, with legs and splayed feet of red gold.  The eyes are set with diamonds.\nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it was executed by one of his foremost artists, Henrik Wigstroem.  The bird shown upright, in resting position, carries one wing slightly higher than the other.  Sensitively modeled, fine detail of feathers and general form is evident.  Rhythmic in line, the little sculpture is a particularly beautiful example of the designer's individuality of expression.\nFully hallmarked, it bears the full name, \"Fabergé\"; initials of his workmaster Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.VD-5399/4\nFigure of a \"Teterev\", wood grouse carved in black obsidian with eyes of diamonds, legs and claws fashioned in red gold.  The plump body is modeled smoothly and realistically described by restrained carving which suggests the feathered formation.  The bird is posed looking alertly to one side, with head inclined attentively and tail feathers raised.  \nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it is hallmarked with his name and initials of his leading master, Henrik Wigstroem.  Present also is the numeral \"72\", denoting the Russian standard of 18kt. gold.\nFrom the personal quarters of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/16\nFigure of a Russian bear, smoothly carved in rock crystal, in standing posture.  Modeled with rare fluency of form and subtly detailed the little animal is shown with four [sic?] paws upraised and head turned to one side.  A striking feature of this beautiful sculpture is its perfect equilibrium notwithstanding the fact that the heavy body inclines forward.\nIt was designed by that master-creator in gems, Carl Fabergé, jeweler at the court of St. Petersburg during the reigns of the last two Tsars of Russia, Aleksandr III and Nikolai II.\nMrs. John L. Pratt\nMarch 3, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH845/1\nLocket and chain of solid gold.  The locket, oval in shape, encloses a plaque of pearl-white transparent enamel inlaid on a ground in sunburst and star design, framed within a scrolled pattern.  Applied to the enamel is a raised flower of gold, the petals of which are set with three rubies and three diamonds.\nIt was designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II, and is hallmarked with the initials of his workmaster; the wreathed head of the government assay office; the initials of the silver inspector and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.  The chain of alternating smooth and etched oblong links, fashioned also by the court jeweler, is hallmarked with the initials of his workmaster \"H(?)V\".\nFrom the apartments of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Alexsandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 15, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.3531\nNineteenth century mahogany cabinet in French classic style, carved and ornamented with bronze mountings.  \"Espagnolettes\" form decorative motifs on portions of the frameworks.  Gracefully proportioned, it is fitted with removable glass shelves.\nDuring the twenty years previous to the Revolution, the style of French furniture reached a high standard of artistic excellence, both in design and execution.  This phase continued and produced a fine influence on the furniture of the next period, extending itself, as well, to the development of gracious furniture types in other countries.\nMrs. John L. Pratt\nMarch 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5454/3\nIntriguingly designed pendant in the form of a Russian Easter egg, suspended by two chains from a large loop.  Of solid gold, and fashioned to open midway on a small hinge, the six-pointed star ornamenting the top is set with a ruby and eighteen rose diamonds.\nDesigned by Carl Fabergé, Imperial Russia's greatest court jeweler, this little pendant charm was made for one of the young Grand Duchesses, daughters of the late Tsar Nikolai II.  It was found in the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. 5448\nUnusual, small parasol handle designed by Carl Fabergé, executed in his finest manner.  The ball top is fashioned in jade, the handle stick of gold is overlaid with blush-pink transparent enamel on a ground tooled in swag effect.  Two delicate fillets of gold, set with finely matched pearls, frame this portion.\nIt is contained in the original box of hollywood, stamped with the master's insignia beneath the double-headed eagle of royal appointment.\nOf great charm and simplicity, the little object was made for one of the daughters of the late Tsar Nikolai II.  It is from the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-1842/12\nFigure of a polar bear carved in white granite, the eyes set with faceted emeralds of brilliant hue.  With teeth bared and head thrust forward, the animal seems to present a resistant front to some invisible enemy.  Heavy legs and paws and cumbersome body are well delineated, and the fur subtly handled.\nDesigned by Carl Fabergé, famous jeweler to the late Russian Imperial family, it was executed by one of his most talented stone carvers, Kremlev the Younger.\nFrom the apartments of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.5449\nFigure of a Dachshund carved in black Ural agate, lightly veined in red.  The little sculpture, smoothly executed and rhythmic in line, is shown in seated posture.  The eyes, set with diamonds, glisten in the finely modeled head and convey an expression of keen awareness, as well as that of patient watchfulness.  An appealing note is found in the left forepaw: the deep hued agate in which the entire body is carved, assumes a definite toning here, and the forefoot, consequently, is of grayish-tan color.\nDesigned by Carl Fabergé, Old Russia's illustrious jeweler for Tsars Aleksandr III and Nikolai II, and made for the Dowager Empress Marie Feodorovna, this is one of his exceptional animal sculptures.  It is contained in the original box of hollywood, velvet and satin lined, and stamped with the insignia of the royal jeweler beneath the double-headed eagle of royal appointment.\nFrom the apartments of the Dowager Empress in the Anitchkov Palace.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-1842/8\nCrouched figure of a cat gracefully carved in white transparent Ural stone, the eyes set with faceted sapphires.  There is a feeling of concentrated watchfulness in the rhythm of the body.\nIt was designed by the celebrated jeweler to the late Tsar's family, Carl Fabergé, and was executed by his able stone carver, Kremlev the Younger.\nFrom the collection of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5409/25\nGraceful figure of an ostrich, realistically carved in Siberian striated [sic] brown agate, with eyes set with emeralds and legs modeled in gold.  It stands on a plinth of giallo marble.  The body is beautifully executed in full detail.  Feather formation follow [sic] the natural veinings in the stone and the neck, rising arched, developed in the lighter-toned portion, is etched to show the smallest feather form.  \nIt was created by Carl Fabergé, world-famed jeweler to the Imperial family of Russia, court jeweler and designer in precious substances to nearly all the royal houses in Europe and Asia.\nMrs. John L. Pratt\nJune 1, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nROOSTER\nTiny, exquisite figure of a Rhode Island Red rooster, carved from a piece of veined gray and brown agate.  The natural coloring of the stone is admirably suited to representing the coloring of this famous chicken.  Each of its eyes is set with a sparkling diamond, and its feet are delicately fashioned in solid gold.\nThe rooster was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented young sculptor, Kremlov.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nJADE COUPE\nMagnificent cylindrical coupe wrought from a single piece of spinach jade.  The vessel is supported on a tripod base formed by three powerful sea horses [sic], superbly modeled in gold and silver.  A pierced gold band, displaying a design of dolphins and set with cabochon rubies and sapphires, rims the top.  Surmounting the domed cover of jade is a gold trident, beneath which is the head of Neptune, two female heads and a cabochon ruby and sapphire.\nThis distinguished objet d'art was designed by Carl Faberge, celebrated court jeweler to Nikolai II and is hallmarked in Russian with his full name; the initials of his workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; the number \"88\" indicating a fine quality of Russian silver; the device of the St. Petersburg assay office, crossed anchors and scepter; and the original order number of the court jeweler, 2017.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm in the form of a bear, carved from real opal, suspended from a gold link.  He is standing on four paws and his eyes are set with cabochon rubies.\nThis little animal was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm of a bear exquisitely carved from real amethyst and suspended from a gold link.  He is standing on his hind legs, and his eyes are set with small cabochon rubies.  \nThis charm was designed by the celebrated court jeweler to Nikolai II, and executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nVASE\nSmall, oval vase carved in brown and white veined Ural agate.  The bowl is separated from the skirted foot by a band of finely matched turquoise set between two fillets of repousse [sic] gold.\nThis exquisitely graceful object was made in the Imperial Grinding Factory in Peterhof.  This factory was owned and operated exclusively by the court.\nFrom the quarters of Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold decorated with vertical sections of transparent ruby enamel, separated by fillets of transparent pearl enamel.  Each section has a dainty leaf design, giving the decoration a Persian feeling.\nIt is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nCharm in the form of three tiny Easter Eggs, suspended from a bar.  The eggs are of chrysophrase, agate, and reconstructed turquoise, while the gold bar is set with three cabochon rose tourmalines, alternating with two pearls.\nIt was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and is hallmarked with \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head of the government assay office (indistinct).\nFrom the quarters of the Grand Duchess Anastasia Nikolaevna, youngest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual charm in the form of an Easter Egg.  It is made up of two halves of Siberian amethyst, separated by a band of faceted rock crystal and held together on an axis of gold.\nIt was created by the celebrated court jeweler to Nikolai II, Carl Faberge, and the gold link is hallmarked with the initials of his assistant master \"PK\", and the number \"56\" denoting the equivalent of 14 kt. gold.  Since it was originally brought from Russia into France, it bears the French inscription mark \"ET\".\nFrom the apartments of the Grand Duchess Tatiana Nikolaevna, second daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nMiniature Easter Egg designed as a pendant charm, of gold-on-silver, the surface hand-tooled.  The swam motif modeled in relief, encircled within a modeled form, ornaments one side.\nLoops from which it is suspended are hallmarked, but the devices through years of wear have become less distinct.\nDesigned by Carl Faberge, court jeweler to the last two Tsars of the Romanov Dynasty, it is fashioned like those which he made expressly for the young Grand Duchesses, daughters of Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg pendant of gold, set with sapphires and diamonds in a connecting design resembling three medallions suspended from triangular ribbon pieces.\nIt is surmounted by two loops, one of which is hallmarked (indistinctly).\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold, decorated with transparent sapphire blue enamel over a field of delicate guilloche [sic] work.  It is set with a large diamond on one side and a small one at the bottom.\nThe loop is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nSILVER VASE\nVase of hand-wrought silver in Empire style, designed by the celebrated court jeweler to Nikolai II, Carl Faberge.  Standing on three claw feet, its sides are decorated with as many antique Russian coins, one of Empress Anna, dated 1712, one of Peter III, dated 1762 (he was the husband of Catherine the Great and ruled only one year), and one of Catherine the Great, dated 1764.  The bowl is outlined with a tiny twisted motif, while the upper rim is in acanthus leaf design.\nIt is hallmarked with the full name of the court jeweler, \"2K. Faberge\" beneath the double-headed eagle of royal appointment; the initials of his assistant workmaster \"AW\"; the number 88 denoting the quality of Russian silver; and the wreathed head device of the government assay office.  It also bears the jeweler's original order number #24066.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nINK WELL\nMagnificent inkwell of spinach jade, gold, silver and transparent enamel in the classic Empire style characteristic of many of the finest works of Carl Faberge, Russian court jeweler.  The base of Siberian nephrite is smoothly modeled down straight sides and under surface.  The collar of champ-leve [sic: champlevé] pearl -white enamel on a guilloche field designed in undulating effect is rimmed in gold motif.  Heavy gold swags in in the same feeling depend from this over the top surface of the bowl.  The hinged lid is vibrant with champ-leve [sic: champlevé] amethyst and pearl-white enamel in alternating bands, on guilloche fields identically designed with the collar.\nWithin the lid of gold-on-silver appear the hallmarks which include the Russian name of the master creator, Faberge; the Russian initials of his workmaster, F. Afanasaiev, the number \"88\" denoting the quality of Russian silver; and the wreathed head device of the government assay office.\nThe object is from the famous jade collection of Agathon Faberge, illustrious son of the jeweler, known throughout Europe during the Imperial regime as one of the greatest gem experts of the world.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nLOCKET\nUnusual ball-like locket made from choice Siberian lapis lazuli and mounted with corded lattice work in gold.  Opening in half on a hinged lid, one side is equipped with a hinged glass miniature frame.\nThis locket was acquired from the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold and enamel created by Carl Faberge[sic], eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  The egg-shaped top has a field of guilloche work applied with mauve champ-leve [sic: champlevé] enamel, favorite color of the Tsarina Aleksandr Feodorovna.  This is decorated with a spiral effect of diamonds, terminating in a large diamond at the top.  The wide neck of yellow champ-leve [sic: champlevé] enamel is banded by two fillets of diamonds and is mounted with swags of green and red gold tied with diamonds.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold in graceful tapering shape, created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II, Carl Faberge.  The sides and top are divided into five sections of rose champ-leve [sic: champlevé] enamel, with moss agate effects, over a field of guilloche work, and outlined in white enamel, each centered with a diamond.  The crown of the handle is rimmed with diamonds, and the top is set with a large diamond surrounded by small ones.  The neck, also of rose enamel banded with diamonds, is applied with criss-cross leaf motifs, each set with a diamond.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBULLDOG\nFigure of a bulldog cared in obsidian and designed by Carl Faberge, eminent jeweler to the Imperial Court of Tsars Aleksandr III and Nikolai II of Russia.  The dog's brilliant eyes, each set with a diamond, and his life-like expression, are a lasting tribute to the genius of Faberge.  Around his neck is a white enameled, gold collar from which is suspended a tiny bell.\nThe loop on the collar is hallmarked with the initials of Heinrich Wigstroen, successor to Mikhail Perchin as Faberge's [sic] leading master.  It also bears the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head device of the assay office.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle fashioned in 18 kt. gold, applied on a guilloche ground with long panels in champ-leve blue enamel.  Separations between these, and collars circumscribed top and base, are patterned in small flower and leaf effect, the motifs executed in transparent ruby and emerald enamel.  A faceted diamond is set in the circular top and this is enclosed within the three tones of transparent enamel bordered in gold.\nThe object was created by Russia's eminent court jeweler, Karl Faberge, famous throughout the world as the greatest creator in gems of modern times.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest masters, Henrik Wigstroem; the numeral \"72\" denoting the Russian standard of 18 kt. gold; wreathed head device of the government assay office; and the Russian initials \"YL\" of the government inspector.  Present also is another assay device, nearly obliterated through wear.\nFrom the Imperial Russian Collection.\nNumber 5450-6\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nLong parasol handle of spinach jade, gold, and enamel.  The smoothly formed top is finished with a wide collar of red and green gold applied with opaque white enamel and red-carnelian champ-leve enamel on a guilloche undersurface.  This is rimmed in fluent wreath effect in the characteristically classic manner of its maker, Karl Faberge, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.\nThe object is hallmarked with the Russian initials of one of the master's artist-assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nNumber 5625-11\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nRhythmically shaped parasol handle of finely carved jade, mounted in solid gold and set with numerous diamonds in leaf-veining effect following the movement of the carving.\nIt was made by the Court Jeweler to Tsar Nikolai II, Karl Faberge, outstanding craftsman of the last fifty years, and illustrious court master to the late sovereign and his father, Aleksandr III.  His full name appears on the object, together with the initials of one of his foremost masters, Mikhail Perchin.  It is also marked with Faberge's original order number, #1225.  The handle is contained in the original white hollywood box.\nFrom the apartments of the Tsarina Alexandra Feodorovna, wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber #E23\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nGLOBE\nTerrestrial globe fashioned of remarkably clear topaz, intricately carved with a map of the Earth and its great divisions.\nIt rests on a solid gold tripod, nested in the base of which is a compass.  The frame-stand is encircled with a wide gold rim band engraved to show the units of longitude reckoned 180 degrees East to West or 15 degrees to the hour, the months of the year inscribed in Russian, and the corresponding signs of the Zodiac.  \nPoles are represented by small gold markers engraved with the hours of the day, and these attach to the latitude indicator measuring the distance on the earth's surface northward and southward from the Equator.  Hinged to this is the terrestrial Meridian index.\nA rarity even among the exceptional objects of fantasy and the bibelots created by Karl Faberge, illustrious Court Jeweler to Tsars Aleksandr III and Nikolai II of Russia, the piece is hallmarked with the initials \"EK\" of the master's leading goldsmith, Edward Kollin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre, device of the St. Petersburg assay office.\nFrom the Imperial Russian Collection.\nNumber 5550-1\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nDainty, rectangular frame of gold-on-silver with mauve champ-leve [sic: champ levé] enamel on a guilloche field, in basket weave design.  The oval aperture is rimmed in a fillet of gold set with pearls.\nThe frame, bordered with a continuous laurel leaf design in green gold, and delicately enhanced by the subtle color it encloses, is wrought in the finely characteristic style of the master.\nThe object is signed with the full name, in Russian, of Karl Faberge, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  Frequent also is the number \"88\" for the Russian quality of silver; the Russian initials of Faberge's assistant master, Mikhail Perchin; device of the St. Petersburg assay office, crossed anchors and sceptre; and the jeweler's original order number #57700.\nThe object is backed with ivory and has an easel as well as a hook for hanging.\nFrom the apartments of the Tsarina Alexandra Feodorovna , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber RH1698-100\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPANSY\nBeautifully composed spray of pansies, featured in rock crystal, fashioned to represent a small vase filled with water.  On a single stem of gold, three branchlets [sic] divide, each topped with a blossom carved in golden-hued and carnelian agate.  Petals, engraved with simulated veinings,[sic] curl realistically, held by calyxes of gold, and centers are set, each with a diamond.  Nephrite leaves group mainly along one long branchlet,[sic] reaching toward the light in their ascent.\nKarl Faberge, Russian court jeweler to the last two sovereigns of the Old Empire, created the little fantasy.  It bears his name in Russian; initials of one of his ablest assistants, Henrik Wigstroem; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and an assay device, in all likelihood that of St. Petersburg, now obscured.\nNumber 5509\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nVERBENA\nDainty flower form created by Karl Faberge, Imperial Russia's most illustrious designer in gems.  Fashioned as a small verbena plant, the tiny blossoms are carved in chalcedony and white quartz, the centers pointed with diamonds.  These are joined to the gold stem by pedicels of gold.  Leaves are in Siberian nephrite.  The little tub, within which the plant is imbedded in gold soil, is of brown veined agate.\nLower portion of the stem is fully hallmarked with the complete name of the master in Russian, \"Faberge\"; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-6\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBUTTERCUP\nJeweled flower fantasy of buttercups with three blossoms fashioned in translucent yellow agate, with stamen centers, diamond set.  Rising on graceful, slender stalks of gold, their serrated leaves, carved in Siberian nephrite, thrust upward through the gold soil in a container of Siberian lapis lazuli.  This rests on a square plinth of white jade.\nThe lower portion of the stem is hallmarked in full with the complete name, \"Faberge\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the number \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nLILIES-OF-THE-VALLEY\nDelicately wrought lilies-of-the-valley with blossoms in translucent white chalcedony with gold centers, drooped on long stems of gold, from the base of which rise leaves in nephrite.  The little fantasy rests within rock crystal fashioned to represent a vase filled with water.\nThe object was created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  It is fully hallmarked at the base of the stem with the master's full name in Russian, \"K. [struck through] Faberge\"; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and the initials \"HW\" for Henrik Wigstroem, one of Faberge's ablest workmasters.\nNumber RH5380-9\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPRIMROSE\nGraceful flowering primrose branch rising from a rectangular vase carved in rock crystal.  The container is designed in such a manner that it has the appearance of being filled with water.  Full blown flowers are in carnelian-toned agate, stamen clusters of gold surrounding brilliant centers set with diamonds.  The leaves, carved with rare finesse are in Siberian nephrite, and stems are made of 18 kt. gold.\nKarl Faberge, Imperial Russia's greatest court jeweler, designed the extraordinary fantasy.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nRH5413-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nHUMMING BIRD\nExquisitely carved figure of a humming bird with extended wing, resting on a high perch.  It was created by Karl Faberge, world-famed court jeweler to Aleksandr III and Nikolai II of Russia.\nFormed in smoky-toned translucent agate, the little figure is modeled with simplicity and fine attention to necessary detail of feathers and expression.  The eyes are set with diamonds.  The perch on which it rests is of 18 kt. gold, the horizontal bar being finished at either end with a cabochon sapphire and a circlet of diamonds.  Where the verticle [sic] rod joins purpurine base, banded and footed in gold in characteristic style of the master, it is encompassed by a collar of opaque and transparent enamel in white and pale tangerine.\nRendered indistinct through the years, are the hallmarks which appear on the under rim of the base.  These include the numeral \"72\" denoting the Russian standard of 18 kt. gold; and the initials \"HW\" for the Court Jeweler's notable workmaster, Henrik Wigstroem.\nThe composition known as purpurine is associated, if not entirely, at least most closely with the work of Faberge.  It was he who discovered the process whereby the fusing of porcelain and glass resulted in the extraordinary rich, red color.  The substance results, more often than not, although in a few of the rarest pieces, such as the one described above, the composition is smooth.\nNumber RH5408-14\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nDACHSUND [sic]\nBeautiful, detailed figure of a dachshund, created by Karl Faberge, illustrious court jeweler to the monarchs of Europe and Asia, and especially to the last two Tsars of Russia.  It is carved in fine, brown agate.\nEach movement of the little body, subtly expressed, contributes to the whole rhythmical form.  The eyes are set with cabochon rubies.\nNumber 5478-5\nMrs. John L. Pratt\nJanuary 10, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG PENDANT\nImperial Russian Easter Egg pendant carved of pink orletz, known as eaglestone, found in the Ural mountains.  It is mounted in gold with an abruptly bent loop pinioned to either side of the top.  Through this passes a second large loop for hanging.\nCreated by Karl Faberge, illustrious court jeweler to the last two Tsars of Russia, it is hallmarked with the initials \"AD\" of one of his workmasters, and with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nIt is from the collection of the Grand Duchess Marie Nikolaevna, third daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5625-3\nMrs. John L. Pratt\nJanuary 24, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nCOIN\nLarge commemorative medallion heavily wrought in silver, featuring Queen Victoria of the British Empire on its cover with the inscription \"Victoria Regina Imperatrix\" – Victoria, Queen and Empress.  The back is modeled in relief with figures of Greek mythology, and with shields of the continents massed on the lower edge entitled \"Asia\", \"America\", \"Europe\", \"Austral-Asia\", and \"Africa\".  Marvelously fashioned to conceal all but a vestige of the device by which the hinged lid opens, the piece contains two oval miniatures of Queen Alexandra and King Edward VII of England as Princess and Prince of Wales, hand-painted on ivory and framed with elaborate mounts of gold.  These include the plumed crown of the Prince of Wales and ribbons bearing the inscription \"Ich Dien\" – I Serve, motto significant of the Hanoverian line of the British Royal House.  \nThe cover of the piece is marked with the initials of the artist, \"JEB\".  It is of English workmanship and was made by the firm of \"George Edward \u0026amp; Sons\", Silversmiths by Appointment to the British Court.  It is contained in the original red velvet case.\nNumber 5450-17\nMrs. John L. Pratt\nJanuary 31, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG\nImperial Easter Egg of rose quartz.  It was polished in the Imperial Grinding Factory in Peterhof which was founded by the Empress Elizaveta Petrovna.  At the larger end is found a magnificent star similar to that of a star sapphire.\nIn Imperial Russia the Easter Egg was of the greatest significance, symbolizing as it did the Resurrection and beginning of life and hopefulness.  During the festival of Easter, the year's greatest elaborate and simple eggs were given by all orthodox believers.\nThis egg of rose quartz was the property of Grand Duchess Olga Nikolaevna, oldest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye, [sic] Selo.\nNumber RH-5332-17\nMrs. John L. Pratt\nFebruary 6, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nVIOLET\nJeweled violet fashioned in 18 kt. gold, the diamond-centered blossom naturalistically textured with an overlay of matte enamel, leaves wrought in Siberian nephrite.  Resting in its vase of rock crystal carved to represent a tiny tumbler filled with water, the flowerette [sic] inclines gracefully on its slender stem as if borne to one side by the weight of its petals. \nMady [sic] by Karl Faberge, illustrious court jeweler and in the master's best style, the little fantasy bears the assay mark of London in which city it was found.\nNumber 5756-19\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nPendant charm in the form of an Imperial Easter Egg of gold, applied with champ-leve [sic: champ-levé] ruby enamel on a surface tooled to represent a leaf form, and alternating sections in ultramarine blue enamel.  The four portions are banded with diamonds crossing at the underside and fashioned at the top with a double loop for hanging.\nMade by Karl Faberge, the larger of the loops is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and initials \"BF\" of one of the master's assistants.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent the most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-4\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nDelicately worked Imperial Easte[r] Egg charm of fete-ui mounted in gold and set with diamonds and rubies.  Describing a shower of tiny flower blossoms, small traceries in the precious metal depend rhythmically from a central repousse form at the top.\nTwo loops for hanging are hallmarked with the device of the workmaster \"MP\" for Mikhail Perchin, assistant of the illustrious court jeweler, Karl Faberge; and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nExquisitely hand-wrought small double picture frame of a thin solid slab of Siberian nephrite mounted with motifs of the Empire period.  Above the rectangularly cut apertures, enframed in pearls, is a long floral swag developed in several tones of gold and set with cabochon rubies.  The central design shows a graceful  flower basket which depends from a triple bowknot.  A similarly fashioned classical design with long pole terminating with the traditional pineapple suggestion, is centered with a flowing ribbon.  The squared openings are backed in mother-of-pearl, and the little piece rests on an easel wrought in gold-on-silver.\nCreated by Karl Faberge, it is fully hallmarked with the master's name in Russian; with the numeral \"88\" denoting the standard of Russian silver; the wreathed head device of the government assay office; and Russian initials \"YA\" of the official inspector.\nNumber 5777-8\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nTABLE BELL\nSmall table bell of red gold, designed in cupola form with tapering oval handle.  \nSole ornamentation consists of horizontal ridges which encircle the entire piece.  Producing a musical note as it strikes the side of the bell, the clacker is modeled as an elongated drop.  \nThe little piece was fashioned by Karl Faberge, jeweler to the last two sovereigns of Old Russia, and is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and with the initials of one of the master's assistant goldsmiths.\nNumber 5839-12\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nSquare picture frame of a solid slab of translucent jade, mounted in two tones of gold with ornamental border and radiating stripes from an inner oval framework.  Containing the photograph of the small daughter Ireene of Prince Felix Youssopoff, it is exquisitely worked in the best style of the great court jeweler, Karl Faberge.  Mount designs include small four-petaled open blossoms, a twisted cabling and an alternating concantenate [sic] border within the outer edge.  \nDesigned with an ivory and gold back for resting on a table or hanging, the piece is hallmarked with the initials of one of the master's leading assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.\nNumber 5839-9\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nTiny double, gold frame, hand-wrought with incised stylized borders and a tooled ground on which is applied transparent pearl-white enamel.  It contains portraits of Tsar Nikolai I of Russia in uniform, decorated with various orders of knighthood, and his wife, the Tsarina Aleksandra Feodorovna who also wears one of the star orders of the Empire.  Each of the sovereigns is portrayed wearing the blue ribbon of the Order of St. Andrew.  Finely executed, these are set off by interior oval frames in the manner of the border.\nThe object rests on a gold easel and is backed in ivory.\nNumber 5840-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nSquare picture frame fashioned to contain a miniature.  Hand-wrought in gold and applied on a guilloche field with transparent enamel in rich cobalt blue, the outer frame is developed in two tones of gold with a running border of leaves, and the inner fillet is bordered in pearls.\nThe piece, made by Karl Faberge, jeweler to the last two Tsars of Russia, is finely hallmarked with the master's full name in Russian; with the initials \"MP\" of one of Faberge's ablest associates, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of St. Petersburg.  The object bears as well the original order number, 58898.\nIt is backed in ivory and provided with a gold easel rest and a loop for hanging.\nNumber 5808-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nKOVSH\nCommemorative kovsh, smoothly modeled in red gold, featuring the Imperial double-headed eagle in diamonds on the prow.  Engraved within the border, fine old Russian stylized motifs are incised on the highly polished surface.  In the base, engraved within a heavy laurel wreath in repousse, a five ruble yellow-gold coin of Catherine the Great bears the Empress' portrait and, on the underside, the date \"1776\".  \nThis rare objet d'art was created by Karl Faberge and executed by his leading gold master, Edward Kolin.  Underside of the prow [lined through] handle bears, together with the jeweler's original order number #4297, the following hallmarks: the initials of the workmaster; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.  \nNumber 5756-18\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nCHICK\nBaby chick, skilfully [sic] carved in richly-toned rose jasper with feet modeled in 18 kt. gold.  The eyes are set with cabochon rubies.\nCreated by Karl Faberge with fine expression of form and subtle line, this little object exemplifies the perfection of detail and ingenuous appeal which the master brought to the art of stone cutting.  \nFully hallmarked, it bears the number \"72\" denoting the Russian equivalent of 18 kt. gold; wreathed head of the government assay office; initials \"TL\" of the government inspector; and initials of the workmaster \"HW\" for Henrik Wigstroem.\nPresent also is the original blue enameled number, G21632, under which it was inventoried in the Gatchina Palace.\nNumber 5791-10\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg finely wrought in gold, hand-tooled and overlaid with orchid-pink champ-leve[sic: champ-levé] enamel and set with diamonds and a cabochon emerald.  Fashioned in panelled [sic] form, with diamond bands separating the enameled portions enhanced each by a stylized spray of gold laurel, the cabochon gem stone is featured in the based enframed [sic] in diamonds.\nIt was designed by the celebrated court jeweler, Karl Faberge.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nHandsome Easter Egg pendant of gold designed with oval medallions mounted with minute flower forms.  These, pointed with pearls and diamonds, are enhanced by vibrant enamelling [sic] in grotto green and old red.  Opaque white borders each of the four medallions.  The base is finished with a tiny pearl and the top with two loops for hanging.\nMade by Karl Faberge, both of these bear hallmarks including the numeral \"56\" denoting the Russian equivalent of 14 kt. gold and insignia, obscured, of the workmaster.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-5\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg charm designed as a locket to open by means of pressure on the tiny diamond thumb piece set in the base.  Of gold, overlaid with opaque white enamel streaked with swirls of pink to represent a rosebud, brilliant green enamel on a guilloche ground forms intricate patterns in repousse over the bud form to suggest the tendrils of a wild rose.\nIt was created by Karl Faberge, Russian court jeweler, and executed by one of his most illustrious assistants, Mikhail Perchin, who initials, in Russian, appear on the larger of the two loops.  Present also, but nearly obliterated through wear, is the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg charm of gold and sky-blue enamel set with a piece of rose quartz cut en cabochon.  Girdled with a fine gold band, the upper portion, terminating in a point, is hand-tooled beneath the enameled surface in delicate basket weave pattern.\nSurmounted with loops for hanging, the larger of the two is hallmarked with [in right margin a circle with slash through it and capital \"A\"; next text up to semi-colon appears to be lined through] the name of the Russian court jeweler Karl Faberge; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and certain other marks, partly obliterated through wear.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 6201-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nLOBSTER CHARM\nUnique charm modeled in gold and applied with transparent lacquer-red enamel on a tooled field, in the form of a lobster claw.  Characteristically jointed, the pincer end holds a faceted diamond in a prong setting.  It is surmounted by double loops for hanging.\nOriginally designed as a stick pin, this interesting charm was made by Karl Faberge, jeweler to the late sovereigns of Russia.\nNumber 5870-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\u003c/p\u003e\n","\u003cp\u003eLOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\nLOT #505 – ART. 6\nMARINE PAINTING ON CANVAS\n\"THE AMERICAN PACKET SHIP 'DREADNOUGHT'\nOF NEW YORK\".\nBy: James Wilson Carmichael\nENGLISH-1800-1868\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg, Va.\nFebruary 1941\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nMINIATURE IN FRAME\nSmall, round, gold frame by Faberge, wrought in exquisitely delicate form and ornamented with haut-relief floral swags, a spray of laurel and a graceful bowknot.  It contains a beautifully painted miniature on ivory of the late Queen Alexandra of England, sister of the Dowager Empress, Marie Feodorovna of Russia.  This is immediately enframed [sic] within a rim of red cisele [sic] gold, and an outer gold rim is finely engraved to finish the piece.\nProvided with a modeled gold easel and with a loop for hanging, the little bibelot of backed in ivory held by gold screws.\nIt is one of the characteristically superior works of the famed Russian court jeweler, Karl Faberge.\nFrom the collection of Prince Youssopoff.\nMrs. John L. Pratt\nFebruary 26, 1941\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nFLORENTINE RENAISSANCE BUST\nLorenzo the Magnificent gave to the period of the Renaissance such impetus and encouragement that they served as the brush [??] which [??] the renewed interest in Classical Art.\nLorenzo had his faults, but his love for gems and jewels was less a fault than a talent, for he gathered together one of the finest collections of carved stones and exquisite jewelry ever to be owned by one man, and because he was a collector of Classical Art, others imitated him and followed his example, thus creating a market for the lapidary and goldsmith's work which has never been equalled. [sic]\nA development from this effort to create unusual pieces of jewelry and decorative objects was the use of large baroque pearls in their natural form.  The jeweler eagerly bought these pearls and after recognizing in one the body of a swan, in another the torso of a man, or, as in the figure of the warrior, a well-molded [?] helmet, he proceeded to make a design that completed the picture which his imagination visuallized [sic] with the pearl.\nIt is interesting, therefore, in contemplating the beautiful statuette of the warrior, that the helmet-shaped pearl was in all possibility the inspiration for the subject.\nWe do not know for what aristocrat it was made; we simply know that only a man of fine taste and great wealth could have commanded such a piece from his artisans and that the latter were among the best of the Renaissance period.\nThe best is that of a bearded Greek warrior carved from a large matrix emerald, showing fine detail in portrayal and in execution; on the head the warrior wears a gold helmet covered with the pearl and topped with a winged dragon; the bust stands on four golden snails [??] and is brightened about the [??] with rose diamonds.  The plinth is of topaz quartz carved in cameo [??] with heads of warriors and a philosopher.\nThis piece was formerly a part of the well-known Henry Walters Collection.\nLillian Pratt\nJanuary, 1945\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle #5324\nA nine-paneled, hinged screen closes to form this exquisite egg of solid gold.  Surmounting it is the symbol of Christianity, a pelican feeding her blood to her young, rising gracefully from a golden nest.  The pelican is enameled in pastel tones – the wings and eyes being set with diamonds.  On each panel is a painting by Zehngraf, on ivory, showing various institutes of which the Dowager Empress Marie Feodorovna was the patroness.  A fillet of gold, with an inner rim of pearls, frames each scene.  On the reverse side, reading from left to right, the panels are inscribed as follows:\n1 – \"Zenia Institute, founded in 1894\".\n\"Nicholai Orphanage, founded 1837\".\n2 – \"Patriotic Institute, founded 1827\".\n3 – \"Smolni Institute, founded 1764\".\n4 – \"Ekaterina Institute, founded 1798\".\n5 – \"Pavlov Institute, founded 1798\".\n6 – \"St. Petersburg Orphanage of Nicholai, founded 1837\".\n\"Elizabeth Institute, founded 1808\".\nA center panel which serves as an easel for the egg when opened is chased on one side with a grouping symbolic of the arts; and on the other side with a motif suggesting knowledge.  When closed, the egg shows an elaborate design in Empire style and bears the inscription \"Visit the vineyard and you will also live, 1797-1897\".\nThe gold stand has four columns surmounted with crowned eagle heads and finished with claw feet.  Between the columns is an interesting design made up of crossed arrows and laurel leaves.  This gift, contained in its original red velvet case, was created by the celebrated court jeweler to Nicholai II, Carl Faberge, and hallmarked with his full name; the initials of his leading workmaster Michael Perchin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the government assay office.\nIt was presented to the Dowager Empress by her son, Nicholai II, Easter 1897.\nMrs. J. L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nTABLE\nOval tea table of mahogany with mirror and fine silver chased mountings.  A small oval tray, with pierced marquetry can be raised or lowered by regulating a latch beneath the table.\nThe silver mountings were made by the celebrated court jeweler to Nikolai II, Karl Faberge, and are designed in his typical Roman staff and ribbon motif.  The table itself was made in Paris by Escalier De Cristal, whose name is burned in the bottom.\nFrom the personal quarters of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5454\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle Nos. 5523-5524\nPair of icons depicting Saint Savior and \"Our Lady of Iberia.\"  They are painted on wood in warm coloring with artistically wrought trappings of gold on silver, set with Ural stones.  The Greek symbols on either side of the halos signify Jesus Christ and Mother of God respectively.\nThey were made by the court jeweler, Karl Faberge, master craftsman and designer and are all marked with his full name beneath the Double-headed Eagle of Royal Appointment, and the figures \"88\" which denote a very high quality of Russian silver.  The icons are backed with cerise velvet and are contained in the original boxes of Holly wood, lined with silk and velvet and are also marked with the name of the court jeweler.\nThese icons were made for the last Czar, Nicholai II, and were found in his quarters in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5846\nIcon of hand-hammered gold on silver depicting Saint Maria, Saint Nicholas, the Wonder Worker, and Saint Alexander Nevsky.  God the Father is represented in the Heavens above.  The oval frame is mounted at the top with the Holy Dove.\nThe icon was presented to the Czarevitch Nicholai Alexandrovitch, eldest son of Alexander II, who died before his father, thus permitting his younger brother, Alexander III, to succeed to the throne.  On the back of the icon is engraved: \"To His Imperial Highness, The Sovereign Heir, Czarevitch Nicholai Alexandrovitch, in honor of his confirmation, 1859.  8th of September.  This heartfelt offering from the Master of Silversmiths, Vasily Fedotov Ilyia, made by his own hand.\"\nFrom the quarters of the Dowager Empress Marie Feodorovna.  Bears the Alexander Palace inventory no. ADM 94735 A.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A68\nExtremely rare icon pendant with gold on silver mounting.  The medallion is very delicately hand-hammered and inlaid with richly colored enamel representing the Saint Savior Enthroned.  The Greek symbol of Jesus Christ appears on either side of the halo and the opened book bears the invitation \"Come Unto Me etc.\"  The frame is composed of hundreds of pearls. On a separate medallion above is engraved the Holy Vernicle.  The back of the pendant is engraved with the symbols of Jesus Christ.\nFrom the Prie-Dieu of the Czarina Alexandra Feodorovna, wife of the last Czar, Nicholai II, in the Imperial Chapel of Feodorovna at Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A105\nIcon of unusual shape, hand-hammered, chased silver.  Represented are Saint Nicholas in the center, Saint Alexander on the left and Saint Alexis on the right.  These were the patron saints of the last Czar, Nicholai II, his wife, Alexandra, and his son, Alexis.  In the mounting are represented two Guardian Angels holding the crown, surrounded by lovely garland effects and set with green Ural stones.\nThis icon was made by the Court Silversmith, Klebnikov, and bears his full name below the double-headed eagle of Royal Appointment.  The figures \"84\" denote the Russian equivalent of Sterling silver.\nFrom the cabinet of Nicholai II in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. H3825\nUnique cheese spoon of gold on silver in grapevine design, while a crown in relief forms the end of the handle.  Below this crown appears the coat-of-arms of Prince Yousoupoff on one side and his family monograph on the other.  It was made in England, circa 1847.  From the Yousoupoff Palace on Moika Canal in St. Petersburg.  \nThis Prince will be remembered for the prominent part he played in the assassination of Rasputin, the monk who wielded such influence over the last royal family of Russia.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nEaster Eggs\n1. Emerald enameled egg, presented by Czar Nicolai II to his mother, The Dowager Empress Maria Feodorovna, in 1912.  The Empire design of the egg was to commemorate the 100th anniversary of the war of the fatherland against Napoleon.  The folding screen of miniatures, which fits into the egg, shows the regiments of which she was honorary Colonel-in-Chief, which regiments were active in War of 1812.  \nHeight including stand, 7\".\nDiameter, 4 ½\"\nScreen opened measures 2 ½\" x 12 ¾\"\n2. Ruby enameled egg presented by Czar Alexander III to his wife Czarina Maria Feodorovna in 1893.  Has four miniature views of the Caucasian mountainside, and their son, Grand Duke George who had to live in high altitudes due to his ill health.  \nHeight 6\" including stand\nDiameter 3 ½\"\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nIMPERIAL RUSSIAN EASTER EGG\n*1896*\nPresented by the Tsar Nikolai II to his wife, the Tsarina Aleksandra Feodorovna, at Eastertide in the year of their Coronation in Moscow, the magnificent Imperial Easter Egg is rock crystal and gold inlaid with rare champleve enamel and set with gems is one of the monumental works of the illustrious Russian Court Jeweler, Karl Faberge.  One of the fabulous forty-nine jeweled Easter gifts in the form of eggs symbolic of New Life, Resurrection and Hopefulness, received by the Empresses Maria Feodorovna and Aleksandra Feodorovna at the height of the Easter Festivals, the rock crystal egg is surpassed by no other one of the artist's creations, and it is said that neither is it equaled in purity of form and adroit workmanship by any of the other jeweled eggs.\nFashioned in a block of rock crystal hollowed to remarkable thinness, banded in diamonds and translucent emerald enamel, it is surmounted with a twenty-seven carat Siberian emerald cut en cabochon and pointed.  It is mounted on a pedestal of gold inlaid with brilliant varicolored enamel wrought in a series of monograms of the recipient as the Princess Alix of Hesse-Darmstadt before her marriage, and later as Aleksandra Feodorovna, Empress of Russia.  Above these appear diamond crowns of the respective royal houses, and narrow diamond borders enframe the spheroidic steps of the pedestal which rises from a circular stepped base in rock crystal.\nWithin the egg, twelve handpainted miniatures on ivory, signed, by Zehngraf, framed in gold and controlled by the emerald at the apex, revolve on a gold columnar axis.  These, of the royal residences in Germany, England and Russia associated with the life of the Tsarina, include views of palaces in and near Darmstadt, Hesse, such as the Neue Palais at Darmstadt and Kranichstein in Hesse; Rosenau, Coburg; Balmoral and Windsor Castles and Osborne House in the British Isles; the Winter, Anitchkov and Aleksandr Palaces of Russia.\nFully hallmarked, the object bears the master's name in Russian, the Russian initials \"MP\" for Mikhail Perchin, one of Faberge's chief assistants – himself a creative artist in precious metals and a person of singular ability; the numeral \"56\" which is the Russian equivalent of fourteen karat gold, and the crossed anchors and sceptre device of the St. Petersburg assay office.\nThe overall height of the rock crystal Easter egg is 9 ¾ inches.  It is contained in the original case of velvet, lined in satin and stamped with Faberge's insignia.\nLillian T. Pratt\n[Small typescript note attached]\nNOTE: SEE PHOTOGRAPHS OF MINIATURES IN INSIDE OF CRYSTAL BALL OF RUSSIAN IMPERIAL EASTER EGG.  THE WRITING ON THE BACK OF THE PHOTOGRAPHS WHICH GIVES LOCATION OF THE RESIDENCES IS SAID TO BE THE HANDWRITING OF QUEEN MARY.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Osborne House, Isle of Wight, England, and on the right is Neues Palais, Darmstadt, Germany.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Schloss Wolfsgarten, near Darmstadt, Germany, and on the right is Windsor Castle, near London, England.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Anichkov Palace, St. Petersburg, Russia, and on the right is Winter Palace, St. Petersburg, Russia.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Jagdschloss Kranichstein, Darmstadt, Germany, and on the right is Fortress Coburg (Veste Coburg), Germany.\u003c/p\u003e","\u003cp\u003eTranscription: \nPhotograph of the daughters of the Czar Nicholai II in a silver frame made by Faberge, the court jeweler. The blue cross signifies the order of St. Andrew. From the Alexander Palace.\u003c/p\u003e","\u003cp\u003eTranscription: \nLinen handkerchief with wide border of brown and blue elephants. Hemstitched and embroidered with monogram of Marie Feodorovna, Dowager Empress of Russia. From the Anitchkov Palace.\u003c/p\u003e","\u003cp\u003eTranscription: \nSolid gold column. Decorated with a fine wreath design in green gold with a laurel wreath carrying the suspended miniature of Nicholai II surmounted by a crown set with diamonds. Presented to the Czarina Alexandra Feodorovna on her birthday in 1907 by Nicholai the Second. Made by court jeweler Fabergé.\u003c/p\u003e","\u003cp\u003eTranscription: \nSilver plaque presented to the Dowager Empress Marie upon completion of a church built to commemorate the miraculous escape of the entire Royal Family, when the royal train was wrecked. Inventory no. 23677\u003c/p\u003e","\u003cp\u003eTranscription: \nIcon delicately painted on wood and mounted with a silver trapping set with seed pearls in Byzantine design, on a background of green enamel. \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The Commandment of the New Day - \"Love Thy Neighbor as Thyself\". It is backed with red velvet. It was made by the court jeweler Fabergé whose name it bears. It is marked with the figures \"88\" which denotes the highest quality of Russian silver. From the quarters of Nicholai II in the Alex. Palace, Tsarskoye Selo. Inventory no. 12-31-33.\u003c/p\u003e","\u003cp\u003eTranscription: \nSilver Teapot, bears the crown and monogram of Alexander III. Made in 1891 by Michelson of Copenhagen, Danish court jeweler. From the Gatchince Palace. No. 6136\u003c/p\u003e","\u003cp\u003eTranscription: \nHeart-shaped box, made by the famous court jeweller - Fabergé -\u003c/p\u003e","\u003cp\u003eTranscription: \n[Crown]\nMARLBOROUGH HOUSE\nS.W.1.\nDear Mrs. Pratt\nI am commanded by Queen Mary to convey to you Her Majesty's grateful thanks for the travelling clock which was a gift from Queen Victoria to Princess Alix.  The Queen very much interested to have it and touched that you should have given it to Her.  The Clock will be put among family relics.\nYou will have read of the terrible motor accident Her Majesty has been in.  I am thankful to say she is getting over the effects wonderfully well, it is amazing that the Queen was not seriously injured and indeed that no one was badly hurt.\nYrs sincerely \nConstance [?] Gaskell\nMay 27 39\u003c/p\u003e","\u003cp\u003eThis series is comprised of information about Pratt's estate after her death on July 21, 1947. The estate tax return outlines the extent of her entire estate, including the varied philanthropic bequests and funds she had arranged. Detailed inventories of the estate list her belongings by category. One of the paintings lists was annotated by a local appraiser, Virginia Clarke Taylor, denoting which paintings were \"antiques\" or not. Finally, there are many price tags from other non-Faberge purchases she made over the years. Most are from the New York department store B. Altman and Company, and detail her acquisitions of silver, lamps, fabric, vases, paintings, and other decorative items.\u003c/p\u003e\n","\u003cp\u003eThe series is divided into three subseries: Series 3.1: Tax Information, 1947; Series 3.2: Inventory, 1947, undated; Series 3.3: Other Furnishings, 1932, undated.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nSpecial Order\nDept. 93\nOrder 26583\nTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO \nB. ALTMAN \u0026amp; CO.\u003c/p\u003e","\u003cp\u003eTranscription: \nSpecial Order\nDept. 93\nOrder No. 149322\u003c/p\u003e\n","\u003cp\u003eTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026amp; CO.\u003c/p\u003e","\u003cp\u003eTranscription: \nSpecial Order\nDept. 93\nOrder No. 159619\u003c/p\u003e\n","\u003cp\u003eTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026amp; CO.\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nSALON of Antique Furniture\nAnd Works of Art\n#101/4062/D\nAntique Cork\nCut Glass\nComport [sic: Compote]\n$155.00\u003c/p\u003e","\u003cp\u003eTranscription: \nGallery of Antiques\nAnd Collectors Pieces\n#353/13122\nDescription\nSilhouette Painting on\nGlass\nPrice $65.00 [crossed through, replaced with $35.00]\nB. Altman \u0026amp; Co.\nFifth Avenue New York\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nS 1108\nFinest Milanese\n17th Century\n1 yd 31 in\nfor\n95.00 [crossed through]\n78.00 [crossed through]\u003c/p\u003e\n","\u003cp\u003e45 00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nTreasure Trove\nNo 16/640\nTerracotta Urn\nPrice 150.00 [crossed through]\n85.00\nB. Altman \u0026amp; Co.\nNew York\u003c/p\u003e\n","\u003cp\u003e[Back]\nB. Altman \u0026amp; Co. New York\n60\n25.00\nOver Treasure Trove tag\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 94/203\nBRONZE URN\nPrice 395.00 [crossed through]\n300.00 [crossed through]\n175.00\nB. Altman \u0026amp; Co. New York\n[Back] \nBack of Treasure Trove tag with B. Altman \u0026amp; Co. New York tag \n45.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 94/407\nBRONZE BUCKET\nPrice 350.00 [crossed through]\n175.00\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag with sticker B. Altman \u0026amp; Co. New York\n50.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 100/14\nJADE LAMP W/ SHADE\nPrice 225.00 [crossed through]\n165 –\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag no new price sticker\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 100/101\nLAPIS LAZULI LAMP \u0026amp; SHADE\nPrice 375.00 COMPLETE [crossed through]\n225.00 [crossed through]\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag no new price sticker\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 139/10211\nPOMPEIIAN BRONZE TRYPOD [sic]\nPrice 265.00 [crossed through]\n180.00 [crossed through]\n35.00\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag, Sale\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 139/12015\nPOMPEIIAN BRONZE VASE\nPrice 275.00 [crossed through]\n175.00\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag [$45.00?]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nBloor Darby Long Tom Vase over 100 years old\nB. Altman \u0026amp; Col. New York\n[Back] Altman Lamps tag\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nOld Colebrookdale Vase made in England\nB. Altman \u0026amp; Co. New York\n[Back] Altman lamps tag\u003c/p\u003e","\u003cp\u003eTranscription: \nT 52\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. 13 /B – Odd\nPrice 14.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT 52A\nM 98\nB. ALTMAN \u0026amp; CO.\n63/2398\n[Sheff Repe ?] Candlesticks 1 Pr\nPrice [46.00?] P R\u003c/p\u003e","\u003cp\u003eTranscription: \nT 52-A\nB. ALTMAN \u0026amp; CO.\nS 93C\n191\n16\"\n11.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT-52A\nB. ALTMAN \u0026amp; CO.\nS93C\n191\n16\"\n11.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nB. ALTMAN \u0026amp; CO. NEW YORK\nNo. 97/5043\nColor\nPrice 82.50\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA4 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt [?] No. 191\nColor 2127\nPrice 70.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA5 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt [?] No. 191\nColor 1745\nPrice 30.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA5 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt. [?] No. 191\nColor 1745\nPrice 30.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nW5 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt. [?] No. 191\nColor Special\nPrice 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nNo. 44718\nColor TL\nPrice 50.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52-A\nB. ALTMAN \u0026amp; CO.\nC3 93\n896 TL\nD6199\nPrice 60.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT-52A\nB. ALTMAN \u0026amp; CO.\nC3 93\n896 TL\nD6199\nPrice 60.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/034F\nMade in London\nYear\nBy  Mug\nPrice 145.00 [lined through], 95.00 [lined through], 50.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7514\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 150.00 [lined through], 85.00, 42.50\n[Back]\nDEPT 75 X B\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7515\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 110.00 [lined through], 65.00 [lined through], 32.50\n[Back]\nDEPT 75 XB\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7524\nMade In London\nYear 1813\nBy\nTea Pot\nPrice 130.00 [lined through], 90.00 [lined through], 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7545\nMade in 1776\nYear Geo III\nBy\nBasket\nPrice 150.00 [lined through], 80.00 [?], 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7547\nMade in London\nYear 1773\nBy\nSugar Basin\nPrice 120.00 [lined through], 75 [lined through], 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7555\nMade in\nYear Geo III\nBy 1767\nPr. Candlesticks\nPrice 200.00 pr. [lined through], 120.00 [lined through], 60.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 319/2182\nMade in\nYear\nBy Pair\nSheffield [lined through] Candlesticks\nPrice 275.00 [lined through], 200.00 [lined through], 100.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld English Sheffield Plate\nNo. 321/140\nArticle Pr Adam Candlestks [sic]\nPeriod Sheffield\nPrice 425.00 [lined through], 210.00 [lined through], 100.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 12/953\nLustre\nPrice 225.00 Pr.\nB. Altman \u0026amp; Co.\nNew York [7 written over \"B\"; 725 in margin]\n[Back]\nTreasure Trove\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 12/953\nLustre\n225.00 Pr.\nB. Altman \u0026amp; Co.\nNew York [7 and 725 written on front as well]\n[Back]\nTreasure Trove\u003c/p\u003e","\u003cp\u003eTranscription: \nNo. 12/989\nCrystals\n$650.00 Pr.\nB. Altman \u0026amp; Co.\nNew York\n[Back]\nTreasure Trove\u003c/p\u003e","\u003cp\u003eTranscription: \nTreasure Trove\nNo. 97/5043\nCIG. BOX\nPrice 225.00 [lined through]\nB. Altman \u0026amp; Co.\nNew York\n[R829 written over company name at bottom]\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n5203\n25.00 [lined through]; 5.40 [?] 2 Doz. [?]\nCluny \u0026amp; Bohemian Lace\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n[company name written over with 1 Doz. [?]]\n10346\n85.00 [lined through]; 30.00\n[?]\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n1 Doz.\n10640\n28.00 [lined through]; 15.00 [?]\nBruges Lace\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK \n11370\n¬all\n85.00 [lined through]; 30.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK \n11696 1/2\n65.00 Dz. [lined through]; 24.00 Doz. [?]\nRt [?] Milan Lace\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK \n12875\n55.00 Dz. [lined through]; 18.00\nPt. [?] Milan\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n13698\n145.00 [lined through] all; 42.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNew York\n165.00 [lined through]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] B. Altman \u0026amp; Co.\nStyle\nColor\nSize\nPrice\n[Back] 150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] B. Altman \u0026amp; Co.\nStyle\nColor\nSize\nPrice\n[Back] 145.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] Miller \u0026amp; Rhoads\nRICHMOND, VA.\nNo. 393B2\nMfr. C1004 – C3004\nArticle Junior\nPrice Lamp Complete\n17.95\n[Back] W. \u0026amp; J. Sloane\n47th \u0026amp; 5th Ave\nN. Y. City\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] Antiques\nReproductions\nDecoration\nLord \u0026amp; Taylor\nFIFTH AVENUE, NEW YORK\n[Back] CLASS E-10  \nSEA 0 \nLOT 2212\nFramed English Sampler\nPRICE $95.\nLength – Width – Height\u003c/p\u003e","\u003cp\u003eTranscription: \nOld Silver\nTray\nHall Marked\nLondon 1817\nWm. Elliott\nJ.E. CALDWELL \u0026amp; CO.\nPHILADELPHIA\u003c/p\u003e","\u003cp\u003eTranscription: \nSauce Boat\nHall Mark\nLondon 1763\nMakers\nJ. Parker \u0026amp; E. Wakelin\u003c/p\u003e","\u003cp\u003eTranscription: \nM106\nMcCutcheon's\nUpholstery Dept.\nS91\n35.00 [lined through]; 14.50\n37 over 5502over T.A.C.M.\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 236\nSize 2 7[?] x 5 \nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 236\nSize as \nSeason S\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 237-E\nSize 2  9 x 5  4\nQual.\nPrice 86.00 [lined through]\n[Back]\nLot 237-E\nXS as \nSeason K\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 243\nSize 2 10 x 5 6\nQual.\nPrice 235.00 [lined through]\n[Back]\nLot 243\nX S as \nSeason H [?]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt 286\nSize 3 4 x 5 10\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 286\nX S as \nSeason S\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 295\nSize 2 2 x 5\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 295\nX S as\nSeason K\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D1215\nSize 9 x 11\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D. 1215\nSize as\nSeason M\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D.1234\nSize 9 x 11 5\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D.1234\nX S as\nSeason P\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D. 1361\nSize 2 6 x 4\nQual.\nPrice 250.00 [lined through]\n[Back]\nLot D. 1361\nX S as\nSeason T\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D. 1369\nSize 2 7 x 6 8\nQual.\nPrice 675.00 [lined through]\n[Back]\nLot D. 1369\nX S\nSeason W\u003c/p\u003e","\u003cp\u003eTranscription: \n1353\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\nand Richard Sibley\nEM9\u003c/p\u003e","\u003cp\u003eTranscription: \n1353B\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\n\u0026amp; Richard\nSibley\nRRM\u003c/p\u003e","\u003cp\u003eTranscription: \n4537\nPair\nOld Sheffield\nwine coolers\ncirca 1800\nRGG\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\n307\nColor\nWidth\nPrice $28.50\n[Back]\n#427\u003c/p\u003e","\u003cp\u003eTranscription: \nKEA\nOld English\nSheffield Plate\nArticle pr. Candlesticks\nNumber 2398/L\nPeriod Circa\n1850\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\n10679\nGeo. III\n[lion \u0026amp; unicorn]\nAntique Sheffield Plate\nMade in\nENGLAND\nA.D. 1800\nBy\nWeight\n[Back]\n#10679\npr. three-light\nCandleabra [sic]\nFluted and \nGadroon border\n16 ½\"\u003c/p\u003e","\u003cp\u003eTranscription: \n301/7523\nGeo. III\nDesert [sic] Set\n18 K. + 18 F.\nPrice 340.00 [lined through]; 200.00 [lined through]; 100.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nN. 2886\n[Back]\nROYAL WORCESTER\u003c/p\u003e","\u003cp\u003eTranscription: \n2002\n$20.00 (b)\nGeorgian\nMA\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 1244\nSize 8 10 x 11\nQual.\nPrice 1750.00 [lined through]; 500.00\n[Back]\nLot D1244\nX S as\nSeason R\u003c/p\u003e","\u003cp\u003eTranscription: \n[Tag 1 Front]\nNo. of Sale\nNo. of Rug 39032\nLength 20 feet 3 inches\nWidth 13 feet 4 inches\n[Tag 1 Back]\nTurfbaff\n[Tag 2 Front]\nSOLD\nName Pratt\nSalesman\nDate 2-26-32\u003c/p\u003e","\u003cp\u003eTranscription: \nS. \u0026amp; G. GUMP CO.\nSAN FRANCISCO, CAL.\u003c/p\u003e\n","\u003cp\u003eAntique French miniature musical watch and vanity box in the form of a butterfly. Exquisite variegated colored enamels have been imposed on the gold body.\nThis box was a gift from Louis XVI to the Chinese Emperor Chien Lung.\nFrom the collection of the late Mrs. Mabel L. Gump.\u003c/p\u003e\n","\u003cp\u003eS. \u0026amp; G. GUMP COMPANY\u003c/p\u003e","\u003cp\u003eThis series is comprised of the few clippings that were found in the collection. As none of these particular clippings were mentioned in the correspondence directly, it's possible that they did not originally belong to Pratt. The photographic copies of some of the articles were obviously made much later, but were retained as they may have been copies of articles Pratt once kept.\u003c/p\u003e","\u003cp\u003eTranscription: \nThalhimers cordially invite you to view this extraordinary exhibit of Royal Russian Treasures\u003c/p\u003e\n","\u003cp\u003eThis remarkable assemblage of Russian treasures were collected by two intrepid young Americans, Dr. Armand Hammer and his brother, Mr. Victor Hammer. It's the first important collection to come out of Russia since the Revolution. Be sure to see it. \u003c/p\u003e\n","\u003cp\u003eAll Articles are for Sale\nRoyal Crown Jeweled Objects\nIcons from the 15th Century\nAntique Fabrics and Brocades\nCopes and Chasubles\nSilver, Porcelain and Glassware\u003c/p\u003e\n","\u003cp\u003eFIFTH FLOOR\u003c/p\u003e\n","\u003cp\u003eThalhimers\u003c/p\u003e","\u003cp\u003eTranscription: \nCzarist Treasures to Be Seen In the Lobby of Jefferson Hotel\u003c/p\u003e\n","\u003cp\u003ePart of $500,000 Collection Is Removed From Thalhimer's Store Under Heavy Police Guard; Interesting Relics Attract Attention\u003c/p\u003e\n","\u003cp\u003eCzarist treasures, including personal possessions of Catherine the Great, a bracelet of \"Titiana,\" the young grand duchess murdered by the Bolshevists, and pictures of the Grand Duke Boris, \"handsomest officer of the Imperial Russian Army,\" were taken yesterday from the main collection at Thalhimer's and placed on exhibit in the lobby of the Jefferson Hotel. Although only a small portion of the 500,000 collections, which has been on exhibit at the store during the past week, and may be seen there through Thursdays, was moved to the hotel. Miss Alva Lowry, who is traveling with the exhibit, was provided police protection to ensure the safety of the relics.\n[...]\nThese, however, pale into insignificance beside the main collection, reigned over by the diamond-mounted miniatures of the last Czarevitch in its lapis lazuli Easter egg. The gold-mounted diamond-studded egg wtih its contents was the $50,000 Easter gift of the last Czar to the Czarina on Easter, 1912. \u003c/p\u003e\n","\u003cp\u003eWhen brought to The Times-Dispatch to be photographed, the $50,000 egg was guarded by Patrolman William H. Southward, who acted as escort for Miss Lowry on the trip to the Jefferson.\n[...]\u003c/p\u003e","\u003cp\u003eTranscription: \nNEW YORK EVENING POST. TUESDAY, JANUARY 3, 1933\nRomanoff Jewels Exhibited Here\nArt treasures of former rulers of Russias on display today. (Picture on left is by Parade Studios, Inc.)\nROMANOFF GEMS, ART SHOWN HERE\nCollection of Dr. Armand Hammer Includes Ikons of 14th Century Russia\nBy AARON MARC STEIN\nThe largest collection of jewels and other personal possessions of the Romanoffs, formerly rulers of all the Russias, ever to be shown in America, has been placed on exhibition in the Georgian Room at Lord \u0026amp; Taylor's. The collection will have its private showing this afternoon and will be opened to the public tomorrow. \nIkons dating back to the fourteenth century, other sacred images in which each nimbus is incrusted with gems, furniture, porcelains, brocades and the fabulous jewels that were one of the oriental or medieval characteristics of the Russian Imperial Court, are included in the collection, formed by a young American doctor who searched village market places for relics of imperial glory. \nThe doctor was Armand Hammer, M.D. It was a very new M.D. conferred on him by the College of Physicians and Surgeons of Columbia University, and the young physician set out on an errand of adventure and mercy. He organized a relief expedition which reached Russia in 1921. Civil war had hardly ended, and in the Urals Dr. Hammer found famine sweeping the country.\n[…]\nAnother of these eggs is of lapis lazuli covered with an elaborate gold filligree. Approximately the size of an ostrich egg, it is lavishly jeweled and set with a square flat diamond into which is cut the monogram of the Empress and the date. This egg was the gift of the late Czar to his wife. When opened this egg contains a double eagle set with diamonds and a miniature portrait of the Czarevitch, done in the full round. The bust portrait of the little Prince in his sailor suit is handled in a naturalistically life-like manner. \n[…]\u003c/p\u003e","\u003cp\u003eTranscription: \nNEW YORK HERALD TRIBUNE, TUESDAY, MARCH 3, 1936\nGrand Duchess Victoria Dead; Lived as the 'Empress of Russia'\nSister of Queen Marie and Cousin of George V, Victim of Stroke Near Munich \nBy The United Press\nMUNICH, Germany, March 2.— Grand Duchess Victoria Feodorovna, wife of Grand Duke Cyril of Russia, head of the Romanoff family and self-described Czar of All the Russias, died today of an apoplectic stroke at the castle of her daughter, Princess Maria von Leiningen, in Amorbach, Lower Franconia. She was fifty-nine years old.\nThe Grand Duchess, a sister or Dowager Queen Marie of Rumania and a first cousin of the late King George V of England, will be buried in Coburg, Germany, where she and the Grand Duke have maintained a court since 1924. King Carol of Rumania and representatives of King Edward VIII and of Marie, the Queen Mother of Jugoslavia, will attend.\nTen days ago the Grand Duchess was stricken with pneumonia when she went to the bedside of her daughter, who had just given birth to a son. As soon as her condition became grave her three sisters, the Dowager Queen Marie; the Princess of Hohenlohe-Langenburg, and the Infanta Beatriz of Bourbon-Orleans, hastened to Amorbach.\nThe Grand Duke Cyril, a cousin of the late Czar Nicholas II, who was on a holiday in his retreat in Brittany, also rushed back to Germany, arriving soon before his wife's death. He telegraphed the news to the various courts of Europe. Today the court of Jugoslavia, by decree of King Peter II, ordered a month of mourning.\n[…]\u003c/p\u003e","\u003cp\u003eTranscription: \nTHE NEW YORK SUN, SATURDAY, OCTOBER 16, 1937\nANTIQUES\nFaberge Royal Craftsman\nExamples of His Work Include Silver Service and Translucent Enamels.\nBy ETHEL WALTON EVERETT.\nA sumptuous silver tea and coffee service by Carl G. Faberge, the Russian Court jeweler, made for the Grand Duchess Alexandra Josephovna, has just been put on exhibition in the Schaffer Collection of Russia Imperial Art Treasures.\nCommissioned as a silver-wedding anniversary present, it bears the initials \"A. J.\" of the Grand Duchess and engraved facsimile auto graphs, \"Olga,\" \"Vera\" and \"Dmitri.\" In addition to samovar, drip bowl and rounded, rectangular tray; coffee and tea urns, sugar container and creamer, with large oval tray; matching items include one dozen spoons, tea strainer, lemon fork, tea scoop and sugar tongs. Every piece is of extreme grace and beauty, difficult to achieve with the classical design used.\nThe collection has a comprehensive showing of Faberge's translucent enamels, with examples of his delicate tones of palest almond green, claire de lune, lustrous \"pearly white,\" lavender, and a pale, bright color exactly like the polished birchwood for which Russia is famous. The enamel is combined with chased and chiseled gold and silver, in photograph frames of various shapes, cigarette boxes, candlesticks and other pieces, many set with jewels, and the majority having his signature.\nOne of the last named is a cigarette box of heavy polished gold, with translucent enamel of pale peacock blue, having narrow gold borders, ornamented with a delicate leaf and flower design in gem-like emerald green and ruby red. Deep royal blue and pale salmon pink are used for other cigarette boxes.\nAmong the larger enameled pieces are a pair of candlesticks claire de lune, on silver, with gold tops, bases and feet, richly chiseled, and with delicate gold swags, set with jewels. The same claire de lune enamel and harmonizing swag design appear on the handle of gold seal with the crown and monogram \"TH\" of the Grand Duchess Tatiana, with six diamonds set in the green and yellow gold decoration.\nThe seals are varied in character. Bearing the crown and \"AH\" monograms of the Czar, is one with handle of plain, polished ivory, with a very simple design in the gold band which holds the dark gray agate seal. Another is an attractive little cylinder of pure white polished crystal, with engraved crown and \"NB\" initials. The ornamentation is like a guard ring, a band of small, square rubies, between two bands of tiny diamonds. \n[Image of candlestick with enamel and gold mountings. Caption:]\nOne of a pair of candlesticks by Faberge of pale blue translucent enamel on silver with gold mountings shown by Schaffer Galleries.\n[Image of silver samovar]\u003c/p\u003e","\u003cp\u003eThis series is comprised of items related to the Pratt collection that were transferred from the Curatorial department. Items found in the object records include early photographs of items from both Hammer Galleries and the Schaffer Collection, photographs of the Russian imperial family, as well as a statement of account from Hammer and the first complete list of the collection after its arrival at the museum in 1947.\u003c/p\u003e","\u003cp\u003eDescription: \nIn a publicity shot that was circulated to newspapers, Rosamond Fulmer leans on a counter behind ten imperial Easter eggs on display at Hammer Galleries. Several icons can be seen hanging on the wall to the right behind Fulmer.\u003c/p\u003e","\u003cp\u003eDescription: \nBack of silver triptych icon with an engraved inscription within a laurel crown. Translated from the Russian, it reads: \"Blessing of the Preobrazhenskii Regiment. June 3rd, 1884. A new commandment I give unto you the ye love one another as I loved you. (St. John, Chapter 13, Verse 34)\".\u003c/p\u003e","\u003cp\u003eDescription: \nCover of silver triptych icon with a Greek cross surrounded by finely detailed leaves.\u003c/p\u003e","\u003cp\u003eDescription: \nSilver triptych icon featuring paintings of the Transfiguration in the center, St. Elizabeth standing in the left side panel, and St. Sergius of Radonezh standing in the right side panel. Each panel is surrounded by an elaborate patterned border.\u003c/p\u003e","\u003cp\u003eDescription: \nTriangular silver picture frame with geometric enamel background. Central circular cut-out is bordered in pearls and features an image of Alexandra Feodorovna.\u003c/p\u003e","\u003cp\u003eDescription: \nBack of silver diptych icon. One side has an engraved inscription that indicates that it was presented to Nicholas II and Empress Alexandra by courtiers. The other side features an elaborate scroll work design and studded with ten turquoise, garnets, and pearls.\u003c/p\u003e","\u003cp\u003eDescription: \nSilver diptych icon featuring paintings of Princess St. Alexandra on the left and St. Nicholas the Miracle Worker on the right. Each painting is bordered with pearls and the top of the icon is curved like an arch.\u003c/p\u003e","\u003cp\u003eDescription: \nRock crystal parasol handle with the head of a dog etched and enameled inside the crystal ball. The base of the handle is studded with small gemstones.\u003c/p\u003e","\u003cp\u003eTranscription: \nAKRON STUDIOS\n232 EAST 42nd STREET\nNEW YORK CITY\u003c/p\u003e\n","\u003cp\u003eTO Russian Imperial Treasures\n15 W 50th St\nAtt Mr Schaefer [sic]\u003c/p\u003e\n","\u003cp\u003ePhotographs - Do Not Bend\u003c/p\u003e","\u003cp\u003eDescription: \nSmall pencil drawing of a decorative stand for the Red Cross Easter Egg. It is unknown who the artist is, but the drawing does resemble the gold stand currently used by the museum to hold the egg. The rusted imprint from a paperclip can be seen at the top left.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eDescription: \nBlack-and-white postcard featuring a single image of the Rock Crystal Easter Egg.\u003c/p\u003e","\u003cp\u003eDescription: \nGroup portrait of 29 members of the Russian Imperial Romanov family and royal relatives from Denmark, Sweden, Norway, England, and Greece on the steps of the palace at Fredensborg, Denmark. Seven children, all dressed in white, appear in the first row, with 22 adults behind them.\u003c/p\u003e","\u003cp\u003eTranscription: \nFamily Group taken in Bernstorff, Denmark, after the death of Queen Louisa of Denmark, in 1898.\u003c/p\u003e\n","\u003cp\u003e1. Louise Princess of Sweden and Norway, wife of Crown Prince Frederick of Denmark\n2. Crown Prince Frederick of Denmark, later King Frederick VIII.\n3. Princess Ingeborg of Denmark.\n4. Queen Alexandra of England.\n5. King George of Greece.\n6. King Christian IX of Denmark.\n7. Princess Thyra of Denmark.\n8. Dowager Empress Maria Feodorovna of Russia.\n9. Prince Johann of Glucksburg (Uncle Hans).\n10. Grand Duchess Olga Alexandrovna, sister of Nicholas II.\n11. Prince Peter of Oldenburg, husband of Duchess Olga.\n12. Prince Nicholas of Greece.\n13. Empress Alexandra Feodorovna.\u003c/p\u003e\n","\u003cp\u003e[Hand drawn and numbered outlines of the heads of all the people in the photograph]\u003c/p\u003e\n","\u003cp\u003e14. Princess Victoria of England.\n15. Grand Duke Michael, brother of Nicholas II.\n16. Emperor Nicholas II of Russia.\n17. Prince Harold of Denmark.\n18. King Edward VII of England.\n19. Queen Maud of Norway.\n20. King Haakon VII of Norway.\n21. Princess Alexandrina, nee Princess of Mecklenbourg (Present Queen of Denmark).\n22. Christian, son of the Crown Prince of Denmark. (Present King of Denmark).\n23. \n24. \n25. Grand Duchess Tatiana Nlcolaievna\n26. Grand Duchess Olga Nicolaievna.\n28. Prince Aag of Denmark.\n29. Princess Dagmara of Denmark.\u003c/p\u003e","\u003cp\u003eDescription: \nGroup portrait of the Russian Imperial Romanov family on the desk of their royal yacht \"Standart\". Empress Alexandra Feodorovna sits in the center with Prince Alexei on her lap. Her four daughers, Grand Duchesses Olga, Tatiana, Maria, and Anastasia, and her husband, Emperor Nicholas II, stand behind her.\u003c/p\u003e","\u003cp\u003eDescription: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits in a high-backed chair outdoors in a garden-like setting. Wearing a large hat and formal dress, she looks at the camera directly, with one hand in her lap and the other with elbow bent and fingers touching her right cheek.\u003c/p\u003e","\u003cp\u003eDescription: \nPortait of the Emperor Nicholas II and Prince Alexei seated next to each other on the deck of the royal yacht \"Standart\". Nicholas holds a newspaper in his lap as Alexei seems to squint into the sun.\u003c/p\u003e","\u003cp\u003eDescription: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits on a sofa indoors. Wearing a high-necked shirt and long skirt, she looks away from the camera towards the floor, with her hands clasped in her lap. Behind her, she is surrounded by picture frames, small vases, and flowers, on shelves that continue well above her head.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nMuseum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young boy stares at Fabergé's Imperial Easter Egg with Revolving Miniatures, which is set on a table right in front of him. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl opens an egg-shaped ring box which contains a jewelled ring within it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nMuseum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c02_c12"}},{"id":"virmu_repositories_2_resources_28_c01_c633","type":"File","attributes":{"title":"1690-175 – F/F Series Ad: Version #2","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_28_c01_c633#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_28_c01_c633","ref_ssm":["virmu_repositories_2_resources_28_c01_c633"],"id":"virmu_repositories_2_resources_28_c01_c633","ead_ssi":"virmu_repositories_2_resources_28","_root_":"virmu_repositories_2_resources_28","_nest_parent_":"virmu_repositories_2_resources_28_c01","parent_ssi":"virmu_repositories_2_resources_28_c01","parent_ssim":["virmu_repositories_2_resources_28","virmu_repositories_2_resources_28_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_28","virmu_repositories_2_resources_28_c01"],"parent_unittitles_ssm":["Records of Fast/Forward (RG-25)","Series 1: Season Files"],"parent_unittitles_tesim":["Records of Fast/Forward (RG-25)","Series 1: Season Files"],"text":["Records of Fast/Forward (RG-25)","Series 1: Season Files","1690-175 – F/F Series Ad: Version #2","English","box RG-25 Box 13","folder Folder 31","Item RG25.01.0.633"],"title_filing_ssi":"1690-175 – F/F Series Ad: Version #2","title_ssm":["1690-175 – F/F Series Ad: Version #2"],"title_tesim":["1690-175 – F/F Series Ad: Version #2"],"unitdate_other_ssim":["1996-1997"],"normalized_date_ssm":["1996/1997"],"normalized_title_ssm":["1690-175 – F/F Series Ad: Version #2"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of Fast/Forward (RG-25)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":634,"parent_access_restrict_tesm":["The collection is minimally processed. 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